Podcasts about radio school

Charlotte McConaghy is an Australian author living in Sydney with her partner and two children. She has a Masters Degree in Screenwriting from the Australian Film Television and Radio School, and a number of published SFF works in Australia. Her novel Migrations was her first foray into adult literary fiction, published in North America by Flatiron Books, and by Penguin Random House in Australia and the UK. It is being translated into over 25 languages and adapted to film. Once There Were Wolves, the New York Times Bestseller, is a romantic mystery about a biologist charged with reintroducing wolves to the Scottish Highlands in order to rewild the landscape and bring a forest back to life. Wild Dark Shore, the focus of today's show, continues her love of romantic thrillers set in beautiful, remote places, and explores not only what it takes to raise children in a collapsing world, but the impossible choices we make to protect those we love. Charlotte joins Barbara DeMarco-Barrett to talk about whether she comes up with the story first or the setting, what her research entails, why she chose multiple point of view narrators for Wild Dark Shore, how she knows when a novel is finished, revision, and more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can find hundreds of past interviews on our website. You'll help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners! (Recorded on February 14, 2025) Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

In this episode of Inspired By, host Isabella Taylor sits down with radio legend Sean Craig Murphy, owner of the Australian Radio School. Sean shares his passion for teaching and mentoring the next generation of broadcasters, offering insights into how his decades of radio experience have shaped his unique approach to education. From his start as a roller rink DJ to founding one of Australia’s top radio schools, Sean’s journey is packed with lessons on creativity, resilience, and the power of storytelling. You will hear Sean’s advice for aspiring broadcasters, stories from his career, and why teaching fuels his own creativity. Stay tuned until the end for a behind-the-scenes moment that will leave you smiling! Find Inspired By on your favourite podcast app via the Auscast Network. Topics in this episode; Sean’s upbringing and early experiences in Hong Kong, Indonesia, Melbourne, and Adelaide. His start in the radio industry as a DJ at a roller skating rink in Adelaide. Transition from DJing to radio, including his first job at Murray Bridge’s 5MU. Sean’s training at Vaughan Harvey’s Radio School and its impact on his teaching style. Founding the Australian Radio School and his passion for mentoring students. Key lessons learned from over 40 years in radio and podcasting. His experiences co-hosting Everyday Conspiracy Theories Podcast. The creative process of launching a successful podcast from scratch. Reflections on the evolution of radio and podcasting as complementary mediums. Insights into community radio as a training ground for aspiring announcers. Advice for staying creative and resilient in a competitive industry. A humorous behind-the-scenes moment at the end of the episode. See omnystudio.com/listener for privacy information.

In this episode of Inspired By, host Isabella Taylor sits down with radio legend Sean Craig Murphy, owner of the Australian Radio School. Sean shares his passion for teaching and mentoring the next generation of broadcasters, offering insights into how his decades of radio experience have shaped his unique approach to education. From his start as a roller rink DJ to founding one of Australia’s top radio schools, Sean’s journey is packed with lessons on creativity, resilience, and the power of storytelling. You will hear Sean’s advice for aspiring broadcasters, stories from his career, and why teaching fuels his own creativity. Stay tuned until the end for a behind-the-scenes moment that will leave you smiling! Find Inspired By on your favourite podcast app via the Auscast Network. Topics in this episode; Sean’s upbringing and early experiences in Hong Kong, Indonesia, Melbourne, and Adelaide. His start in the radio industry as a DJ at a roller skating rink in Adelaide. Transition from DJing to radio, including his first job at Murray Bridge’s 5MU. Sean’s training at Vaughan Harvey’s Radio School and its impact on his teaching style. Founding the Australian Radio School and his passion for mentoring students. Key lessons learned from over 40 years in radio and podcasting. His experiences co-hosting Everyday Conspiracy Theories Podcast. The creative process of launching a successful podcast from scratch. Reflections on the evolution of radio and podcasting as complementary mediums. Insights into community radio as a training ground for aspiring announcers. Advice for staying creative and resilient in a competitive industry. A humorous behind-the-scenes moment at the end of the episode. See omnystudio.com/listener for privacy information.

The collaboration focuses on supporting First Nations students in the film and broadcast sectors through the newly launched HOYTS Group First Nations Scholarship Program. This scholarship initiative is designed to create meaningful opportunities for emerging Indigenous talent in these industries.

September 15, 2024 Street Soldiers Radio discusses the recent presidential debate and school shootings with our audience to help find solutions to the continuing violence on school campuses. Our panel features Elana Bolds- gun violence activist in Richmond, CA, DeVitta Brisco- Seattle's first-ever liaison for gun violence prevention, and married team Drs. Julie Parsonnet and…

In this episode, Neil and Jason talk to emerging Australian sound designer Andrew Dean about his work, in particular the award-winning films ‘Mud Crab' (written and directed by David Robinson-Smith), ‘Gorgo' (directed by Veniamin Gialouris) and the forthcoming feature film ‘Salt Along the Tongue', (directed by Parish Malfitano), that Andrew sound designed and mixed. Andrew describes his journey from working in a Bathurst multi-screen cinema, then studying for a music degree, moving from recording studios to mixing television shows for SBS, and then studying sound design at the Australian Film, Television and Radio School (AFTRS). Andrew graduated from their Masters programme in 2022 and has subsequently pursued several creative endeavours with AFTRS alumni. About the presenters: Andrew Dean -  Web: https://www.andrewdeansound.com Films:  ‘Mud Crab', (2022), available at: https://youtu.be/hclZdRKflNw?feature=shared ‘Gorgo', (2023), trailer available at: https://vimeo.com/905788706 Neil and Jason - Details of Neil's 1-to-1 and Coaching Programmes for ambitious media professionals are available at https://www.drneilhillman.com and at https://soundproducer.com.au/coaching Details about Neil and Jason's work as dialogue editors and mixers is here: https://www.theaudiosuite.com AFTRS: Learn more about The Australian Film Television and Radio School here: https://www.aftrs.edu.au Technical notes:  Written, produced and presented by Jason Nicholas and Dr Neil Hillman Recorded using the Squadcast remote recording system Programme edited by Jason Nicholas

Enjoy the show! We are off to RADIO SCHOOL!!!

We answer your questions about our early days in radio, our favorite concerts that we've gone to, which sports have the best movies, and what Jeopardy questions would look like for a Connor Happer category.

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How do you write for your podcast when you're “not a writer”? A lot of podcast hosts are drawn to the audio medium because they have always felt they can express themselves better and more easily through speaking than through writing. In this episode, Mary shares how a lackluster introduction to writing in her youth spurred her into radio—she wanted to speak instead of write! Then, she discovered that radio and podcasting still call for a fair bit of writing. Facing that demon created the a-ha moment that led Mary to fine-tune a writing-for-speaking approach that works and doesn't leave you dreading every keystroke. Your podcast writing doesn't have to be clunky, like grammatically correct prose so often sounds when read aloud. If you use your awesome speaking skills to craft your written words, then the writing you need to do for audio projects can elevate your creation and enable you to speak with spirit. Let Mary talk you through these podcast writing insights: Why using both sides of your brain results in your most authentic podcast writing How intentional brain dumps and organization can relieve that writing stress One word you should always use to captivate your target audience Why writing for your podcast is freeing rather than restricting Connect with Mary! Leave a voicemail with your feedback at https://www.speakpipe.com/VisibleVoice or email visiblevoicepodcast@gmail.com Link up on LinkedIn https://www.linkedin.com/in/marychan-organizedsound/ Engage on Instagram @OrganizedSoundProductions https://www.instagram.com/organizedsoundproductions Learn more secrets with the Visible Voice Insights Newsletter https://www.organizedsound.ca/newsletter Learn more secrets and the full transcript of the episode at http://www.visiblevoicepodcast.com To learn more or work with Mary, check out https://www.organizedsound.ca Podcast cover art by Emily Johnston of Artio Design Co. https://www.artiodesignco.com

In this week's episode, Geoff chats with Ashleigh Mounser - 2023 NSWYAA 7NEWS Young Achiever Awards, Semi Finalist - Western Sydney University Academic Achievement Award.   Ashleigh Mounser is an Australian writer who has been published across print and media. In 2016, Mounser graduated as a Deans Scholar with a Bachelor of Creative Writing from the University of Wollongong and later completed a Graduate Certificate in Screenwriting at the Australian Film, Television and Radio School. She was Sydney Morning Herald's Young Writer of the Year in 2012; the overall winner of the Future Leaders Writing Competition, winner of the ‘Time to Write' contest conducted by the University of Melbourne and recipient of three arts grants from the Bouddi Foundation for the Arts, presented by John Bell. Her debut feature film QUESTIONS AND COMMENTS premiered at festivals across Europe, America and South Africa and has received numerous laurels. Her first children's novel, HOW TO BE COOLER THAN THE MOON, was released October 1st, 2023.See omnystudio.com/listener for privacy information.

“Usually the thing I love about sound is how it answers the question within a very short period of time. You don't have to listen for very long, right? If you hear a message twice, you go, ‘Oh, that must be their message.' Turned up in two ads, you know, like it becomes a current. I mean, to me, it's obvious pretty quickly.” -- Josh Butt This episode's guest is the Chief Production Officer of Ampel and an award-winning content creator of podcasts, TV, audio ads, and video content with over 25 years of experience. With an ear for sonic logos, musical stings, and funny ads, his work makes audiences laugh, think and act. He's won a number of awards along the way and has previously worked at MediaCom, Storylab, ABC, and Triple M. A VCA and Monash Business school graduate, he's a past participant of The Observership Program, a former lecturer at the Australian Film, Television, and Radio School, a former board member of Co-Curious / Curious Works, and he currently sits on the Create NSW Multi-Arts Board.His name is Josh Butt and if you're interested in learning more about the correlation between sound and memory, where humor fits into advertising, and how companies can make the best impact with curated sound, stay tuned because you're going to want to hear what he has to say!As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com where you'll find a lot of ways to get in touch. You can also join regular Clubhouse chats in The Power of Sound House every Wednesday (check the schedule for times). Plus, subscribing to the newsletter will let you know when the new podcasts are available, when new audio rooms are scheduled and what they'll be about, and it'll give you access to a resource called The Studio with lots of interesting sound-related mp3s, videos, educational pdfs, and exclusive discounts from previous guests.If you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help – and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that. (0:00:00) - From Music to AdvertisingWe start off with a look back at Josh's early memories of sound, which, in his case, turns out to be the infamous “your door is ajar” car alert from the ‘80s. “It was a cool car,” he recalls. “I mean, sorry, it wasn't a very cool car, but it had a great sound. That's probably the first sound that I can think of.” Josh tells us about the importance of being adaptable in the Australian market, and how it led to him taking on a range of audio roles. “I had a business degree,” he says, “and so falling into the producer line sort of became my thing because I could communicate with all the creative people.” (0:07:14) - Analog vs Digital Media and Sonic BrandingJosh also tells us about his early work with analog tape vs. digital audio, which one he prefers, and how his early days in podcasting led him into audio marketing. “Sonic branding has really been a focus of mine,” he explains, “as well as making radio ads and podcast ads that are for the audience.” We talk about some of the famous brands he's worked with and the enduring impact a sonic brand can make. “They'll be reaping the rewards from this,” he says about the famous McDonald's jingle, “for twenty years because what...

Australian Film, Television and Radio School alumni, award-winning filmmaker Warwick Thornton and production designer Bethany Ryan, alongside AFTRS Council Chair Debra Richards, reflect on 50 years of formal screen education in Australia.

RESHARE! Thanks to Paddy Dhanda for having Mark Pesce on his Podcast Superpowers school - we're happy to be sharing here! 

El Centro Rural de Innovación Educativa (CRIE) y el Centro Neuropsiquiátrico Nuestra Señora del Carmen lanzan este proyecto en el que la radio se convierte en una herramienta de inclusión y de eliminación de prejuicios contra las personas que padecen algún tipo de enfermedad mental.

Russel Howcroft has been talking to Australians about how they are sold things for years on the much loved TV show Gruen - Now he lets us in on the secret of how he sells things to his kids! (Hint: like any good client pitch, it's more guiding, less telling In a free ranging chat that follows the whims of Russ's very active mind, he explores with Hame how his own upbringing influences the choices he now makes as a father, how he has actively fostered creativity in his kids, and why it can be scary to do so. He explains his devotion to instilling confidence in his kids, and creating the freedom to make their own choices (and their own mistakes!). He also revisits times when he was a very busy corporate guy, and how with the benefit of hindsight, he views the perpetual challenge of balancing work and life. And Russ also finishes with a big long list. It's a bit like his version of (Everybody's Free) to Wear Sunscreen, but on the way he parents.  Maybe we can put it to music one day! His final point is perhaps his best.  We teach our kids how to love - so make sure you do it right! With wife Kate, Russ is a parent to 3 adult children. Other than on occasion Shunning Hamish - Russ is best known as a longtime panellist on Gruen (and previously Gruen Transfer), and he is co-host of Melbourne's top rating breakfast radio show, Ross and Russ on 3AW. He's had a long and successful career as a business leader, is the author of 3 books, and is the chair of the Australian Film Television and Radio School and of the Jim Stynes Foundation.  Go Russ! —- And GO HERTZ!  Thanks to Hertz, we've got a competition for you to enter.  For your chance to win one of 5 weekend hire packages for a Polestar EV and some very exclusive HODD merch, head to hertz.com.au/hoddev.  Terms and Conditions available at the website. Entries close 4 December 2023.  Thanks again to Hertz! — If you wanna drop us a note, we bloody love hearing from you. You can do so at howotherdadsdad.com - thanks so much. 

Meosha Bean chats with Australian cinematographer and producer Jaxson McLennan on the #Lionsgate Podcast #SCAMANDA and more. Experienced Cinematographer with a demonstrated history of working in the motion picture and film industry. Highly skilled in Camera Operation and lighting, with experience on most modern digital cinema camera formats, as well as motion picture film. Further skills in Pro Tools, DaVinci Resolve, Avid and Final Cut Pro. Keen photographer and strong camera professional with a Graduate Certificate: Screen focused in Cinematography from Australian Film Television and Radio School.

How can winning an artistic residency impact your creative career? Hear from four Australian authors about their experiences entering and winning the ASA/Varuna Ray Koppe Young Writers Fellowship, and how their careers have developed since.  Hannah Bent is the author of When Things Are Alive They Hum. She completed her Bachelor of Arts in Fine Art and Film from Central Saint Martins School of Art and Design in London. She undertook further study in both directing and screenwriting at the Australian Film, Television and Radio School and has a Masters in Creative Writing from the University of Technology, Sydney. She won the Ray Koppe Young Writers Award in 2013. Holden Sheppard is a multi award-winning author from Geraldton, Western Australia. His debut young adult novel, Invisible Boys, won multiple accolades including the 2018 TAG Hungerford Award and the 2019 Western Australian Premier's Book Award. His writing often focuses on themes of masculinity, sexuality and mental health.  Hayley Scrivenor is the author of the number one Australian bestseller, Dirt Town, published as Dirt Creek in North America. An earlier version of the book was shortlisted for the Penguin Literary Prize and won the Kill Your Darlings Unpublished Manuscript Award. Hayley has a PhD in Creative Writing and is a former Director of Wollongong Writers Festival. To hear more from Hayley, listen to ep 68. Danielle Binks is a writer, reviewer, agent and book blogger. She edited and contributed to Begin, End, Begin, an anthology of new Australian young adult writing inspired by the #LoveOzYA movement. The Year the Maps Changed, Danielle's debut middle-grade novel, was a CBCA Notable Book for Younger Readers 2021. The Monster of Her Age is Danielle's debut YA novel. We also speak with Hilton Koppe, author of the memoir One Curious Doctor. To hear more from Hilton, listen to episode 70. The ASA/Varuna Ray Koppe Young Writers Fellowship for 2024 is open for applications from 15 June 2023. Each year, thanks to the generosity of the Koppe family, the Australian Society of Authors awards a two-week residential fellowship to an aspiring or emerging writer under the age of 35. The fellowship includes a two-week Varuna residency, a one-hour consultation, a year's membership to the ASA, and travel subsidy for writers outside of NSW. For more information and to apply, visit the ASA website.  Upcoming events: See James at Yarrum Storyfest – 1-2 July, Yarrum Regional Theatre, Yarrum, VIC ($25-$40, book here)  Boorowa Literary Festival will take place on July 14 and 15 this year – see Ashley and James in person! Mark Brandi in conversation with Ashley Kalagian Blunt, Thursday, 20 July, 6.30-7.30 pm Save the date – Ashley and James in conversation on Dark Mode at Mona Vale Library, Tuesday 8 August, 7pm Books and authors discussed in this episode: Ghost Music by An Yu; Eta Draconis by Brendan Ritchie; Jacinta Dietrich (from ep 45); We Have Always Lived in the Castle by Shirley Jackson; The Long Knives by Irvine Welsh; Jackie Bailey (from ep 66); Candice Fox; Tracey Lien; Garry Disher; Lee Kofman (from ep 76); We Could Be Something by Will Kostakis; Windhall by Ava Barry;  Fiona McFarlane; Limberlost by Robbie Arnott Ashley's psychological thriller 'Dark Mode' is out now! Learn more about it and get your copy. James' novel 'Denizen' is out now! Learn more about it and get your copy.  Get in touch! ashleykalagianblunt.com jamesmckenziewatson.com Twitter: @AKalagianBlunt + @JamesMcWatson Instagram: @akalagianblunt + @jamesmcwatson

David “Gribs” Gribble grew up in Brisbane, AU and began studying photography at night school. He became a photo assistant, moved to Sydney, and found a job at a local film studio making commercials and low-budget movies. At the time, in the 1970's and '80's, Australia was experiencing a resurgence of its cinema, known as the Australian New Wave. The government provided tax incentives for ordinary people to invest in movies, and established the Australian Film, Television and Radio School. The country's film industry was jump started, and the genre known as Ozploitation was born. Gribs learned camera operating on the job. His first feature film was The Man From Hong Kong, followed by the Aussie cult classic race movie, Running On Empty. The film Monkey Grip won some awards, and Gribs was asked to shoot his first American movie, Off Limits, starring Willem Dafoe and Gregory Hines. He thinks that working with American actors was different than working with Australian actors- the Americans seemed to be more prone to distraction and sensitive about their appearance. Gribs learned to “light faces, not places” since that's where the dialog comes from, and flattering actors by telling them how great they look in a particular spot, to give them tools to make themselves look better on screen. He also learned that in lighting, it's better to work with a broad brush and shoot before you're ready- as a cinematographer, don't indulge yourself too much. The movie Cadillac Man was challenging to shoot for a few reasons. The movie takes place almost entirely in one location- at the car dealership. Gribs had to combat flat lighting up against the walls of the office, as well as dealing with reflections from shiny cars and large windows. Director Roger Donaldson shot take after take, because actor Robin Williams was constantly improvising off script. Gribs found him extremely funny, and says there was so much extra footage of Williams that was cut out, it could probably make another movie. Gribs also discusses working with Anthony Hopkins on The World's Fastest Indian, Jean-Claude Van Damme on The Quest and shooting the Jesse Stone movies starring Tom Selleck. Find David Gribble: Instagram @gribshott Sponsored by Hot Rod Cameras: www.hotrodcameras.com Sponsored by Aputure: https://www.aputure.com/ Sponsored by Greentree Creative: www.growwithgreentree.com The Cinematography Podcast website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Join host, Ashlan Christoph, as she interviews Interior designer, photographer, and Author of New Rural: Where to Find It and How to Create It, Ingrid Weir.About Ingrid Weir:Ingrid Weir has designed interiors in Sydney and rural Australia, Los Angeles and Mexico. Clients include the Macquarie Group, The Sydney Opera House, National Art School, Charter Hall, National Parks and Wildlife, Australians in Film and the Australian Film Television and Radio School.Trained at Sydney University she holds a Bachelor of Science in Architecture. Her background is in set and costume design and she has worked extensively in film, television and theatre in Australia. She has designed shows for the Sydney Theatre Company, Tamarama Rocksurfers, ABC TV, Channel 9, Foxtel and numerous television commercials. Her first book New Rural:Where to Find It and How to Create It will be published by Hardie Grant in Australia, 29th September. It will be published by Quadrille in the US on October 19.Buy New Rural: Where to Find It and How to Create It https://www.ingridweir.com.auFollow Muse House Retreat: @musehouseretreatFollow Ashlan Christoph: @ashlanchristophSHOP: https://www.musehouseretreat.comVisit Our Store!Muse House Retreat4332 Tujunga Avenue, Studio City, CA 91604(818)-824-3290 Book A Reading: https://www.musehouseretreat.com/healersBook A Workshop: https://www.musehouseretreat.com/eventsDo you want to host your own retreat but can't find a space? Book our beautiful retreat space in the Santa Monica Mountains! Book Casa Muse: https://www.instagram.com/casa_muse/?igshid=YmMyMTA2M2Y%3D Follow Casa Muse: @casa_museFollow Ashlan Christoph: @ashlanchristophFollow Muse House Retreat: @musehouseretreatSHOP: https://www.musehouseretreat.com

Lisa Chafee discussing the lawsuit against Hilliard City Schools regarding the sexual indoctrination and grooming of students. Big Pharma CEOs refuse to take responsibility and acknowledge the failure of their COVID vaccines.See omnystudio.com/listener for privacy information.

Welcome to the third installment of our 'summer edition' of Not For Radio. Yes, we understand it's not summer everywhere, and yes, they're shorter than usual! Why? 'Cause we're enjoying the break as are you!! Get stuck in big herb!! Southland commercial diver Storm who is making an absolute killing See omnystudio.com/listener for privacy information.

This week's guest is Caleb Irwin (he/him). Caleb came out two years ago at age 33 which marked the beginning of his Second Adolescence. He so generously lets us in to his experience growing up in Australia in a very religious community that viewed being gay as a mental health issue that one needed to heal from, and how he too operated from this belief. He goes on to share what his evolution has been in navigating this belief system and his own identity, to eventually get to the place he is at now. I so loved getting to talk with Caleb, particularly because I felt so much personal resonance with his Second Adolescence experience, everything from feeling stunted in many ways to having the exciting and scary new first experiences, the joys of getting to share such adolescent-like excitement about dating with friends, and so much more. About the guest:Caleb Irwin (He/Him) is a skilled visual communicator and emerging producer. Currently based in Sydney,  Australia, Caleb has a passion to see stories portrayed on screen in a way that leave audiences changed for the better. Working for his church and various international charities, Caleb has been dedicated to bringing people's stories to the screen and plans to do this in new and beautiful ways as he steps into the film industry. Caleb chases after life experiences that push his creativity; from living in a village monastery, traveling intentionally with no plans, to now completing a Master of Arts Screen: Producing degree at the Australian Film Television and Radio School.  You can connect with Caleb on IG at: @young_master_irwin.For more, visit www.secondadolescence.com or @secondadolescencepod.Download episode transcript here. 

Radio School, Kids Already In Trouble At School, And Big Al Took His Wife On A Birthday Get Away.

Australian cinematographer Jules O'Loughlin's path to movie making was a long journey. After graduating from the prestigious AFTRS- Australian Film Television and Radio School- he worked steadily and shot a wide range of films and TV shows including the action movie The Hitman's Bodyguard, the series Black Sails, the horror movie Krampus and the children's film Come Away. His recent work on two series, The Old Man and Ms. Marvel, show off his ability to visually transport audiences to other worlds. The FX action spy series The Old Man began shooting in the fall of 2019. Jeff Bridges plays Dan Chase, a retired CIA agent whose old enemies are still hunting him. The series is very well acted, with great dialog scenes between Bridges and John Lithgow. Jules believes that as a cinematographer, it's important to tread softly, be respectful and give the actors space to work without technical distractions. Jules shot two episodes of the series, with a planned location shoot in Morocco which was standing in for Afghanistan. But in March of 2020 the entire production shut down because of the pandemic. After a few months, production resumed and the desert around Santa Clarita, CA became the Afghanistan location. Unfortunately, shortly after that, Jeff Bridges, who actually did a lot of the fight scenes himself, was diagnosed with lymphoma. Bridges' stunt double stepped in and the VFX team used some digital face replacement for certain parts while he was undergoing treatment. Despite all the setbacks, The Old Man has been a hit and is coming back for a second season. The Disney+ series Ms. Marvel is about young Pakistani-American teen Kamala Khan, who discovers she has super powers after putting on a magic bracelet. The show is energetic, vibrant and colorful, reflecting Kamala's personality and South Asian culture. Jules and director Sharmeen Obaid-Chinoy knew they could create a slightly different look for episodes four and five, since they take place in the Pakistan city of Karachi. Obaid-Chinoy is an Oscar-winning documentary filmmaker, and she and Jules chose to use more handheld cameras to explore the story's historic narrative as Kamala travels through time to learn more about her family's past. Ms. Marvel has brought an enthusiastic younger audience who are responding to Kamala's cultural identity. In Pakistan. Ms. Marvel is showing in movie theaters, since Disney+ is not available. Jules is currently working on Percy Jackson and the Olympians for Disney+, which involves some new challenges using LED screens on the soundstage. Find Jules O'Loughlin: https://www.julesoloughlin.com/ Instagram: @jules.oloughlin The Old Man is on Hulu and Ms. Marvel is available on Disney+. Both shows are currently streaming all episodes. Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep177/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Sponsored by Aputure: https://www.aputure.com/ The Cinematography Podcast website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

The Game Changers podcast celebrates those true pioneers in education who are building schools for tomorrow. In this fifth conversation of Series Ten, we talk with Lisa Leong, host of This Working Life. Lisa Leong is a broadcaster, author and facilitator. A former Intellectual Property, Technology and Wine lawyer (yes, there is such a thing!), Lisa caught the radio bug in 2001. She was accepted into the Australian Film Television and Radio School, where she picked up a radio degree and a boyfriend (now husband). Lisa draws on her unique career experiences combined with Design Thinking and mindfulness practices to bring a fresh approach to conversations and connection. Her work has been the subject of a Harvard Law case study, received numerous awards, and inspired Lisa's TEDx Melbourne talk “Can robots make us more human?” Lisa presents Sundays on ABC Radio Melbourne and hosts This Working Life on ABC Radio National. She has co-authored with Monique Ross the book This Working Life: How to Navigate Your Career in Uncertain Times. Our series sponsor is a School for tomorrow. To find out more, visit www.aschoolfortomorrow.com/thriving The Game Changers podcast is produced by Oliver Cummins for Orbital Productions, supported by a School for tomorrow (aschoolfortomorrow.com), and powered by CIRCLE. The podcast is hosted on SoundCloud and distributed through Spotify, Google Play, and Apple Podcasts. Please subscribe and tell your friends you like what you are hearing. You can contact us at gamechangers@circle.education, on Twitter and Instagram via @GameChangersPC, and you can also connect with Philip SA Cummins and Adriano Di Prato via LinkedIn and Twitter. Let's go!

Julianne Schultz is a journalist and the author of several books,including The Idea of Australia, Reviving the Fourth Estate and Steel City Blues. She is the Chair of The Conversation and Professor Emeritus of Media and Culture at Griffith's Griffith Centre for Social and Cultural Research. Julianne was the publisher and founding editor of Griffith Review. She has served on the board of directors of the ABC, Grattan Institute and Copyright Agency, and chaired the Australian Film TV and Radio School, Queensland Design Council and National Cultural Policy Reference Group. About The Garret Read the transcript of this interview at thegarretpodcast.com. You can also follow The Garret on Twitter and Instagram, or follow our host Astrid Edwards on Twitter or Instagram. See omnystudio.com/listener for privacy information.

Internationally acclaimed for the emotional punch packed into her bold choreography, Meryl Tankard is one of Australia's finest contemporary artists.As a director, choreographer and writer, her work has been staged in Europe, UK, USA, Asia and Australia, and includes co-productions with the Sydney Opera House, a full-length ballet Wild Swans for The Australian Ballet, musicals for Disney on Broadway and Andrew Lloyd Webber on the West End. Meryl created the opening section Deep Sea Dreaming for the Sydney Olympics Games Ceremony 2000 and has been commissioned by some of the world's most dynamic companies including Lyon Ballet and Netherlands Dance Theatre.Beginning her career as a dancer with the Australian Ballet, Meryl went on to become one of Pina Bausch's principal soloists with the ground-breaking Wuppertaler Tanztheater, creating roles in Café Muller, Kontakthof, 1980, Arien, Walzer, Bandoneon etcIn 1989 she founded her own dance company in Canberra, synthesizing a range of influences and styles to create her own unique dance theatre style.As Artistic Director of Adelaide-based Australian Dance Theatre (1993-1999) Meryl transformed the company into a leading International company with her diverse range of full-length works including Furioso, Possessed, Aurora, Rasa, Inuk, Songs with Mara. Since 2000 Meryl has been working as an independent artist and in 2010 began focusing on film direction, graduating from Australian Film Television and Radio School where she made two short films Mad and Moth.Her documentary Michelle's Story, commissioned by ABC TV and 2015 Adelaide Film Festival, won the Adelaide Film Festival Audience Award for Best Short Film and Screen South Australia awards for Best Short Film, Best Documentary and Best Soundtrack.In 2017 Meryl was awarded the prestigious Jim Bettison Helen James Award for her contribution to the community.In 2018 Meryl choreographed Claudel for Theatre de LAthenee in Paris and remounted her acclaimed production Furioso for Sidi Larbi Cherkaouis Royal Ballet of Flanders.For the Adelaide Festival in 2019 Meryl created two works : Two Feet, a full-length solo work for acclaimed Russian ballerina Natalia Osipova, and Zizanie for Restless Dance Theatre (for performers with and without disability)In 2019, Meryl was honoured with an Officer of Australia for her distinguished services to the performing arts.www.meryltankard.comThe STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

This podcast was produced on the unceded lands of the Boon Wurrung people of the Kulin nation, and the Gadigal and Wangal people of the Eora Nation. We pay our respects to Elders past, present and emerging. Always was. Always will be. Aboriginal Land.In this episode, we're unpacking intersectionality. What is it? Why is it important, and what does it mean to live an intersectional life?In London, freelancer, editor and novelist Sharmilla Beezmohun (Co-founder of independent literature organisation Speaking Volumes) unpacks the question with Sydney filmmaker Pearl Tan, a lecturer in directing at the Australian Film, Television and Radio School, who is studying for a PhD looking at the intersectional experience of diversity workers in the screen industry. Later on in the show, UK based independent producer and curator Melanie Abrahams chats to poet and playwright Chérie Taylor Battiste on the lived experience of intersectionality.Guests (in order of appearance): Pearl Tan, Sharmilla Beezmohun, Chérie Taylor BattisteInterviewers: Lena Nahlous and Melanie AbrahamsHost: Lena NahlousProducer: Nadyat El GawleyMusic: GetawayCredits: Co- written by MC Trey (Australia) and Savuto (Fiji) / TAPASTRY © Recorded at Treehouse Productions, FijiVideo shot by Only Ideas Studio, Fiji.More information:Intersectionality: Ask the other questionHow intersectionality can help storytellersHow to be a good Indigenous allyNot quite right for usSpeaking Volumes - What Reflecting Realities means to you?This podcast is a collaboration with This Is Who We Are, a UK-Australian movement of intergenerational & intersectional women artists, producers and creatives of colour who are transforming sectors, thinking and spaces. Co-directors Melanie Abrahams (Director. Renaissance One), Paula Abood (Director of The Third Space), Lena Nahlous (Executive Director of Diversity Arts Australia and host of The Colour Cycle podcast), Nur Shkembi (Melbourne based curator, writer and scholar). Festival Curator Melanie Abrahams Project Manager: Sarah Dara. Producer Renaissance One.

Hey, have you subscribed to the bookmark newsletter? If you liked this, you might like my twice-monthly email with book reviews and ideas of what you should be reading, and listening to, next. Click here to subscribe. Or join the bookmark Patreon membership for even more bonus book content, including exclusive members-only episodes.   About the book You spend most of your waking life working — a jaw-dropping 90,000 hours for the average person. You deserve to feel joy during that time. But how?    This Working Lifeempowers you to experiment in the lab of life. You'll reflect on your highs and lows, harness your superpowers and pinpoint your guiding values. You'll learn the importance of empathy as you craft a job or curate a portfolio career that can grow with you. You'll unlock the power of rituals, community and self-care, and build resilience that will help you face life's inevitable curveballs.    Lisa and Monique get personal, sharing hard-won learnings from their own lives. This Working Life also features insights from world-leading thinkers like Dorie Clark, Jeremy Utley and Dan Klein, and practical activities to help you take action. Source: https://www.hardiegrant.com/ About the authors Lisa Leong is the host of ABC Radio National's This Working Life. She is a former corporate lawyer and ABC Eyre Peninsula breakfast presenter whose purpose as a broadcaster, media commentator and master facilitator is to help people find the sunshine in work, in relationships and in themselves. Her work and unique approach has been the subject of a Harvard Case Study and TEDx Talk: ‘Can robots make us more human?' She is a graduate of the Customer-Focused Innovation program of Stanford University's GSB and the Stanford .school, the Australian Film Television and Radio School, and the University of Melbourne Law School. Her superpowers are curiosity, creativity and delivering key messages by way of song. Monique Ross is a freelance journalist, writer and editor who has previously worked for ABC News Digital and ABC Radio National. She is also a certified Nature and Forest Therapy Guide, and the founder of Heartwood Nature Bathing, based in Brisbane/Meanjin. Her superpowers are connection, organisation, grit and making pasta disappear. Source: This Working Life book cover Big idea #1 — There's not one answer There's not one answer to work, and there's certainly not one career path. This is not a book of hacks, or a plan, or a process, or a methodology, or a single model per se. It's more of a set of mindsets and thought-starters on how to (re)think work in the modern age. It challenges the idea of a ‘job for life', and encourages us to think about building skills that are transferable, and a career that's more fluid and ever-changing. At the heart of this is a mindset of learning and experimentation, not an answer or a particular path for everyone that everyone should take.  There's a lot of experimentation woven into the book in little sections called ‘lab experiments', with ideas that you can put into practice including building a portfolio career, finding a mentor, and everything in between. The important point is that you do have options and you can change things. You can make tweaks by practicing job craft, you can pivot by adding strings to your bow or building a portfolio career, or you can completely reinvent by having a career change. Lisa and Monica give plenty of their own examples of tweaks, pivots, and reinventions they've had through their careers. One of the most important things about this book is it really just show the art of the possible. It's so easy to feel like you ‘can't' do these things, or ‘can't' change something about how you work. But how much of that is actually you holding yourself back; writing off things without really testing them, experimenting, and pushing a little bit more. Big idea #2 — Category of one This was one of my favourite ideas in the book. It's the idea of being a category of one by leveraging your unique experiences, strengths, and values so that you (and only you) can add your own magic and impact to your work. First you need to know what your strengths, values, and experiences are. This is important so that you can then develop them and use them with a bit more purpose and intent. The life flow exercise in the book is a great exercise in the book where you look at the the highs and the lows of your life and career to see what those trends and themes are. You get to find the common denominator of when you've been really satisfied with your work or life, which means you can design your next move around having more of those elements. This mindset of a category of one also allows you to stand out and can stop comparisonitis because if you're a category of one, there's no point comparing yourself or your path or your skills to other people, because they are a different category of one. Being able to play your own game is also very freeing, and much healthier than constant comparison. It allows you to embrace a more infinite mindset rather than playing the finite games (despite the fact that organisations are often set up to pit us against each other when it comes to annual reviews etc). Finally, thinking in a ‘category of one' mindset can be the thing that allows you to successfully create and/or design a role, knowing what your strengths are, where you're going, and what your unique individual path is. Big idea #3 — Work/life coherence Work/life balance makes my eyes roll back in my head, so I was very pleased to see for once a different approach in here. Lisa and Monique challenge the idea that work and life should be separate. It often feels like more stress to try (and fail) do that. A coherence, on the other hand, is about finding more of a unified whole, or a connectedness between work and life. They say that if balance draws a line between work and life, coherence starts to unify those two sides, and they become more interconnected, in flow and flexible to change. For work/life coherence to work, we need to remove guilt and presenteeism and instead focus on what actually matters. There's a two way exchange of course, and requires transparency in your team or organisation. At an individual level we need to be able to self-regulate, we need to better help ourselves focus and be present so that when we're doing work, we are doing work, and when we were at home, we are doing that thing. Coherence doesn't work if one are is always spilling into the other.  It takes boundaries, it takes self-awareness, it takes self-regulation. And of course, transparency in order for this to work.   Let's connect LinkedIn Instagram See omnystudio.com/listener for privacy information.

On Episode 78 and the first episode for 2022 I yarn with Tanya Hosch. Tanya is the Executive General Manager of Inclusion and Social Policy at the Australian Football League and 2021 South Australian – Australian of the year.Tanya has a long and distinguished history in Aboriginal and Torres Strait Islander policy, advocacy, governance and is an accomplished public speaker. Before joining the AFL as the first ever Indigenous person and 2rd woman in their Executive ranks in August 2016, Tanya was the Joint Campaign director of the Recognise movement for constitutional recognition. At the AFL Tanya's portfolios include – Aboriginal and Torres Strait Islander issues, Gender Equality, Sexuality and Gender Diversity, racism and sexism. Tanya is tasked with the implementation of the AFL's enhanced Indigenous strategy, advising the AFL National Aboriginal and Torres Strait Islander Advisory Council, maintenance of the Respect and Responsibility Policy, 2017, and the Gender Diversity Policy. Tanya is a Co-Chair of the Indigenous Advisory Group of the National Australia Bank and is a Board Director of Circus Oz, and the Australian Film, Television and Radio School and was a member of the Referendum Council that led the process and final recommendation that resulted in The Statement from the Heart in May 2017. A career highlight was contributing as a Consultant on the ABC drama, Total Control. We exchange stories of identity issues growing up, about family, her work for the AFL and of course her many impressive career achievements. What a deadly way to kick off the year! Recommendations throughout this episode: https://www.australianoftheyear.org.au/recipients/tanya-hosch/2265/https://www.boardlinks.gov.au/our-champions/tanya-hoschhttps://www.linkedin.com/in/tanya-hosch-ab3b775/?originalSubdomain=auWebsite: www.blackmagicwoman.com.auFollow us on Instagram - @blackmagicwomanpodcastThe Black Magic Woman Podcast is hosted by Mundanara Bayles and is an uplifting conversational style program featuring mainly Aboriginal guests and explores issues of importance to Aboriginal people and communities. Mundanara is guided by Aboriginal Terms of Reference and focusses more on who people are rather than on what they do.If you enjoyed this episode, please ‘Subscribe' on Apple Podcasts or ‘Follow' on your Spotify app and tell your friends and family about us! If you'd like to contact us, please email, info@blackmagicwoman.com.auSupport this show http://supporter.acast.com/black-magic-woman. See acast.com/privacy for privacy and opt-out information.

Harvey Brownstone conducts an in-depth interview with Unjoo Moon, Producer / Director of “I Am Woman” & Jim Keaton, President, Helen Reddy Official Fan ClubAbout Harvey's guest:Unjoo Moon is an Australian film director, best known for the 2020 biopic I Am Woman, that tells the story of international feminist icon Helen Reddy.She was born in Daegu, South Korea in 1964,and her father Moon Dong Seok was the former leader for an association of Korean Australians in Sydney.  After she arrived in Australia at the age of 4, she was raised in Sydney. Moon studied Arts/Law at the University of New South Wales before working at the Australian Broadcasting Corporation as a TV and print journalist. She left journalism to study film at the Australian Film and Television and Radio School, winning the Kenneth B. Myer award and meeting her partner, Oscar-winning cinematographer Dion Beebe. Together they moved to Los Angeles, where Moon attended the American Film Institute, graduating with a Master of Fine Arts and receiving the Franklin J Schaffner Directing Award.She directed The Zen of Bennett, a 2012 documentary on jazz singer Tony Bennett, produced by Bennett's son Danny and Jennifer Lebeau.  The New York Times described it as "a tender, touching documentary portrait”.After the 2017 Las Vegas shooting, she worked with spoken word artist In-Q on a public service video about gun violence.In October 2021, Moon was tapped to direct Frankly in Love, an adaptation of David Yoon's debut novel of the same name.Selected filmography2017 The Wrong Side of History: Gun Violence2012 The Zen of Bennett2011 Tony Bennett & Amy Winehouse: Body and Soul1998 Sorrow's Child1993 Deadlock1991 Two Fish; Black Sorrow; Flitters; Azzadine Awards2020 Athena Breakthrough AwardKenneth B. Myer Award1999 Best Short Film; Shorts International Film festivalFor more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/https://www.facebook.com/unjoo.moonhttps://www.instagram.com/unjoomoon/https://twitter.com/unjoomoonhttps://www.facebook.com/HelenReddyOfficialFBhttps://twitter.com/keaton_jimhttps://www.instagram.com/jimsreddy/#UnjooMoon  #JimKeaton  #harveybrownstoneinterviews

2:06 - First techno record4:25 - The history of the Bellevue Three and the birth of techno07:34 - Experiencing underground music in Detroit10:27 - The original meaning of “progressive”12:28 - The connection between Detroit and techno15:26 - Stacey's one mission20:38 - Staying in and learning to program beats24:43 - Meeting mentors and improving skills31:49 - Defining the second wave of techno33:58 - Moving to Amsterdam37:24 - The Amsterdam scene40:25 - Disaster first European gig43:51 - Returning to Detroit47:33 - Psudenyms51:38 - Radio School residency55:42 - The minimal scene1:00:34 - Developing the techno sound1:02:58 - Essential Mix1:05:38 Travel guide to Detroit1:11:49 - Being veganWhen you talk about the history of underground dance music. You have to talk about Detroit. Stacey Pullen joined Super Progressive to talk about talk about Stacey's school days as a drummer, driving to the Music Institute when he was away at college, meeting his idols, moving to Amsterdam, DJing in Europe, returning to Detroit, what makes Detroit what it is, and being vegan. Super Progressive is a house music podcast dedicated to telling the history of underground dance music. 

Lisa Leong — a corporate lawyer, broadcaster, business developer, and consultant — shares her advice on how to truly connect with people. Learn more about the importance of using empathy to drive successful conversations, and discover how to get to the heart of an issue through a process Leong calls “empathy interviewing.” Leong reveals firsthand how empathy and connection are so vital to satisfying business goals and achieving success. She takes Lavinia Calvert and Deborah Farone through a fun exercise to illustrate this idea, and shares how she first learned to use empathy as a radio host and later as a student at the Australian Television and Radio School.    Hosts: Lavinia Calvert & Deborah Farone Co-Producer: Katelin Zweifel-Korzuchin & Brit Nowacki  Audio Engineer: Nikki Rasmussen Editor: Jessica Penfield

I can't believe I've had to dedicate an entire episode to this but the fact I've heard it twice is two times too many so here we go! In this episode, I'm getting on my soapbox and sharing the one thing I don't think you should EVER do on a podcast. It might seem obvious but people are still doing it and since this show is all about best-practice podcasting it's time to call out this massive podcasting no-no. Check out the full episode show notes: https://rachelcorbett.com.au/what-not-to-do-on-a-podcast/ About me… My name is Rachel Corbett and I've worked professionally for almost two decades in radio and podcasting. I've hosted and produced shows for some of the biggest radio networks in Australia, created three of my own independent podcasts and I was Head of Podcasts for Mamamia, the largest women's podcast network in the world. At Mamamia, I grew the podcast network from 15 to over 35 shows, the team from two to nine producers and the audience to over 1 million unique listeners a month and over 90 million downloads which is more than quadruple where it was when I started. I've also hosted over ten podcasts with more than 2 million downloads including Lady Startup, Eligible, Before The Bump and You've Gotta Start Somewhere. You can find all my podcasts at rachelcorbett.com.au/podcasts. I've taught radio and podcasting at the Australia Film Television and Radio School and have my own online podcasting course, PodSchool, so if you're looking for someone who knows what they're talking about when it comes to pods, you've come to the right place. Resources... Podcasting guide: podcastguide.com.au Online podcasting course: podschool.com.au Contact... Twitter: @RachelCorbett Facebook: @RachCorbett Instagram: @_RachelCorbett & @podschool Website: www.rachelcorbett.com

So you've got your concept down and your episodes are sounding good but you want to add a little something to take your show to the next level? Audio production is just a snazzy term for anything in a podcast that isn't the speaking bits and it can include everything from simple sound effects to fully produced podcast intros and outros. In this episode, I take you through the audio production you should have at an absolute minimum in your podcast as well as options for other fun bits and pieces if you want to make things interesting for your listeners. Check out the full episode show notes: https://rachelcorbett.com.au/audio-production-podcast/ About me… My name is Rachel Corbett and I've worked professionally for almost two decades in radio and podcasting. I've hosted and produced shows for some of the biggest radio networks in Australia, created three of my own independent podcasts and I was Head of Podcasts for Mamamia, the largest women's podcast network in the world. At Mamamia, I grew the podcast network from 15 to over 35 shows, the team from two to nine producers and the audience to over 1 million unique listeners a month and over 90 million downloads which is more than quadruple where it was when I started. I've also hosted over ten podcasts with more than 2 million downloads including Lady Startup, Eligible, Before The Bump and You've Gotta Start Somewhere. You can find all my podcasts at rachelcorbett.com.au/podcasts. I've taught radio and podcasting at the Australia Film Television and Radio School and have my own online podcasting course, PodSchool, so if you're looking for someone who knows what they're talking about when it comes to pods, you've come to the right place. Resources... Podcasting guide: podcastguide.com.au Online podcasting course: podschool.com.au Contact... Twitter: @RachelCorbett Facebook: @RachCorbett Instagram: @_RachelCorbett & @podschool Website: www.rachelcorbett.com

So you want to get your podcast up and running but don't know how much time you need to set aside to launch your show? Can you get a podcast launched in a matter of weeks or is it a dream you'll have to put on the calendar for months or years in advance? In this episode I take you through the one thing you've got no control over when it comes to the timing of your launch and what you need to get sorted before you press publish on your show. Check out the full episode show notes: https://rachelcorbett.com.au/podcast-launch/ About me… My name is Rachel Corbett and I've worked professionally for almost two decades in radio and podcasting. I've hosted and produced shows for some of the biggest radio networks in Australia, created three of my own independent podcasts and I was Head of Podcasts for Mamamia, the largest women's podcast network in the world. At Mamamia, I grew the podcast network from 15 to over 35 shows, the team from two to nine producers and the audience to over 1 million unique listeners a month and over 90 million downloads which is more than quadruple where it was when I started. I've also hosted over ten podcasts with more than 2 million downloads including Lady Startup, Eligible, Before The Bump and You've Gotta Start Somewhere. You can find all my podcasts at rachelcorbett.com.au/podcasts. I've taught radio and podcasting at the Australia Film Television and Radio School and have my own online podcasting course, PodSchool, so if you're looking for someone who knows what they're talking about when it comes to pods, you've come to the right place. Resources... Podcasting guide: podcastguide.com.au Online podcasting course: podschool.com.au Contact... Twitter: @RachelCorbett Facebook: @RachCorbett Instagram: @_RachelCorbett & @podschool Website: www.rachelcorbett.com

Zoom.us has become one of the most popular video conferencing platforms in the world so it's understandable people want to know if they can also use it to record a podcast. But is the fact a platform is convenient enough? In this episode I take you through whether Zoom is the right platform to record a podcast and what settings you should change if you want to get the best quality audio possible. Check out the full episode show notes: https://rachelcorbett.com.au/podcasting-zoom About me… My name is Rachel Corbett and I've worked professionally for almost two decades in radio and podcasting. I've hosted and produced shows for some of the biggest radio networks in Australia, created three of my own independent podcasts and I was Head of Podcasts for Mamamia, the largest women's podcast network in the world. At Mamamia, I grew the podcast network from 15 to over 35 shows, the team from two to nine producers and the audience to over 1 million unique listeners a month and over 90 million downloads which is more than quadruple where it was when I started. I've also hosted over ten podcasts with more than 2 million downloads including Lady Startup, Eligible, Before The Bump and You've Gotta Start Somewhere. You can find all my podcasts at rachelcorbett.com.au/podcasts. I've taught radio and podcasting at the Australia Film Television and Radio School and have my own online podcasting course, PodSchool, so if you're looking for someone who knows what they're talking about when it comes to pods, you've come to the right place. Resources... Podcasting guide: podcastguide.com.au Online podcasting course: podschool.com.au Contact... Twitter: @RachelCorbett Facebook: @RachCorbett Instagram: @_RachelCorbett & @podschool Website: www.rachelcorbett.com

So, you've pitched yourself out as a guest on other people's podcasts and someone has said yes! How do you make sure you bring your podcast guest A-game and deliver the best quality content possible? In this episode I share tips on what you can do before, during and after a record to make sure the host of the podcast is desperate to have you back. Check out the full episode show notes: https://rachelcorbett.com.au/podcast-guest-tips/ About me… My name is Rachel Corbett and I've worked professionally for almost two decades in radio and podcasting. I've hosted and produced shows for some of the biggest radio networks in Australia, created three of my own independent podcasts and I was Head of Podcasts for Mamamia, the largest women's podcast network in the world. At Mamamia, I grew the podcast network from 15 to over 35 shows, the team from two to nine producers and the audience to over 1 million unique listeners a month and over 90 million downloads which is more than quadruple where it was when I started. I've also hosted over ten podcasts with more than 2 million downloads including Lady Startup, Eligible, Before The Bump and You've Gotta Start Somewhere. You can find all my podcasts at rachelcorbett.com.au/podcasts. I've taught radio and podcasting at the Australia Film Television and Radio School and have my own online podcasting course, PodSchool, so if you're looking for someone who knows what they're talking about when it comes to pods, you've come to the right place. Resources... Podcasting guide: podcastguide.com.au Online podcasting course: podschool.com.au Contact... Twitter: @RachelCorbett Facebook: @RachCorbett Instagram: @_RachelCorbett & @podschool Website: www.rachelcorbett.com

Have you got a mountain of written content and you want to turn it into a podcast? Repurposing existing content on a blog or from a book is a great idea. But if you want to build an audience of highly-engaged podcast listeners (you do!), reading your content isn't a good way to go about it. A podcast is a show, not an audiobook so in this episode I share why having a lot of written content to repurpose is great but how to turn that into audio content so you don't bore your audience. Check out the full episode show notes: https://rachelcorbett.com.au/reading-on-a-podcast/ About me… My name is Rachel Corbett and I've worked professionally for almost two decades in radio and podcasting. I've hosted and produced shows for some of the biggest radio networks in Australia, created three of my own independent podcasts and I was Head of Podcasts for Mamamia, the largest women's podcast network in the world. At Mamamia, I grew the podcast network from 15 to over 35 shows, the team from two to nine producers and the audience to over 1 million unique listeners a month and over 90 million downloads which is more than quadruple where it was when I started. I've also hosted over ten podcasts with more than 2 million downloads including Lady Startup, Eligible, Before The Bump and You've Gotta Start Somewhere. You can find all my podcasts at rachelcorbett.com.au/podcasts. I've taught radio and podcasting at the Australia Film Television and Radio School and have my own online podcasting course, PodSchool, so if you're looking for someone who knows what they're talking about when it comes to pods, you've come to the right place. Resources... Podcasting guide: podcastguide.com.au Online podcasting course: podschool.com.au Contact... Twitter: @RachelCorbett Facebook: @RachCorbett Instagram: @_RachelCorbett & @podschool Website: www.rachelcorbett.com

Getting featured on other podcasts is one of the best ways to grow your audience because the easiest people to convert to listening to a new show are people who are listening to podcasts already. So how do you pitch yourself to other podcasters in a way that makes them think “I want this person on my show!” and not “I want this person to go away!” Getting your pitch right can be the difference between never getting a response and getting yourself in front of an audience of potential listeners who might be dying to check out your podcast. So, in this episode, I give you my top tips for how to pitch yourself as a guest on other podcasts. Check out the full episode show notes: https://rachelcorbett.com.au/podcast-guest/ About me… My name is Rachel Corbett and I've worked professionally for almost two decades in radio and podcasting. I've hosted and produced shows for some of the biggest radio networks in Australia, created three of my own independent podcasts and I was Head of Podcasts for Mamamia, the largest women's podcast network in the world. At Mamamia, I grew the podcast network from 15 to over 35 shows, the team from two to nine producers and the audience to over 1 million unique listeners a month and over 90 million downloads which is more than quadruple where it was when I started. I've also hosted over ten podcasts with more than 2 million downloads including Lady Startup, Eligible, Before The Bump and You've Gotta Start Somewhere. You can find all my podcasts at rachelcorbett.com.au/podcasts. I've taught radio and podcasting at the Australia Film Television and Radio School and have my own online podcasting course, PodSchool, so if you're looking for someone who knows what they're talking about when it comes to pods, you've come to the right place. Resources... Podcasting guide: podcastguide.com.au Online podcasting course: podschool.com.au Contact... Twitter: @RachelCorbett Facebook: @RachCorbett Instagram: @_RachelCorbett & @podschool Website: www.rachelcorbett.com

So you've got your podcast up and running and now you want to make sure you're doing the best possible job of marketing your show through social media. Do you need to create new social media accounts for your podcast or can you use your personal one? Do you have to be on every single social media platform or can you choose one or two? And how do you strike the balance between informing people about your podcast and annoying them? In this episode, I explain when you need to separate your podcast from your personal accounts and how to make sure you're nailing your podcast social media. Check out the full episode show notes: https://rachelcorbett.com.au/podcast-social-media/ About me… My name is Rachel Corbett and I've worked professionally for almost two decades in radio and podcasting. I've hosted and produced shows for some of the biggest radio networks in Australia, created three of my own independent podcasts and I was Head of Podcasts for Mamamia, the largest women's podcast network in the world. At Mamamia, I grew the podcast network from 15 to over 35 shows, the team from two to nine producers and the audience to over 1 million unique listeners a month and over 90 million downloads which is more than quadruple where it was when I started. I've also hosted over ten podcasts with more than 2 million downloads including Lady Startup, Eligible, Before The Bump and You've Gotta Start Somewhere. You can find all my podcasts at rachelcorbett.com.au/podcasts. I've taught radio and podcasting at the Australia Film Television and Radio School and have my own online podcasting course, PodSchool, so if you're looking for someone who knows what they're talking about when it comes to pods, you've come to the right place. Resources... Podcasting guide: podcastguide.com.au Online podcasting course: podschool.com.au Contact... Twitter: @RachelCorbett Facebook: @RachCorbett Instagram: @_RachelCorbett & @podschool Website: www.rachelcorbett.com

So you want to shift to a new podcast host? Is it a pain or a simple process? In this episode I take you through some things you need to think about if you're moving from one host to another and how to make sure you pick the right one. Check out the full episode show notes: https://rachelcorbett.com.au/podcast-hosts/ About me… My name is Rachel Corbett and I've worked professionally for almost two decades in radio and podcasting. I've hosted and produced shows for some of the biggest radio networks in Australia, created three of my own independent podcasts and I was Head of Podcasts for Mamamia, the largest women's podcast network in the world. At Mamamia, I grew the podcast network from 15 to over 35 shows, the team from two to nine producers and the audience to over 1 million unique listeners a month and over 90 million downloads which is more than quadruple where it was when I started. I've also hosted over ten podcasts with more than 2 million downloads including Lady Startup, Eligible, Before The Bump and You've Gotta Start Somewhere. You can find all my podcasts at rachelcorbett.com.au/podcasts. I've taught radio and podcasting at the Australia Film Television and Radio School and have my own online podcasting course, PodSchool, so if you're looking for someone who knows what they're talking about when it comes to pods, you've come to the right place. Resources... Podcasting guide: podcastguide.com.au Online podcasting course: podschool.com.au Contact... Twitter: @RachelCorbett Facebook: @RachCorbett Instagram: @_RachelCorbett & @podschool Website: www.rachelcorbett.com

If you want to get the best possible audio in your podcast interviews it's important to use silence well. It might seem like a weird concept when a podcast is all about speaking. But silence can help you not only get better responses from your guests but also give you the best audio to work with in your edit. So, in this episode I explain how to use silence to get the most out of your podcast interview guests. Check out the full episode show notes: https://rachelcorbett.com.au/podcast-interview-tips-silence/ About me… My name is Rachel Corbett and I've worked professionally for almost two decades in radio and podcasting. I've hosted and produced shows for some of the biggest radio networks in Australia, created three of my own independent podcasts and I was Head of Podcasts for Mamamia, the largest women's podcast network in the world. At Mamamia, I grew the podcast network from 15 to over 35 shows, the team from two to nine producers and the audience to over 1 million unique listeners a month and over 90 million downloads which is more than quadruple where it was when I started. I've also hosted over ten podcasts with more than 2 million downloads including Lady Startup, Eligible, Before The Bump and You've Gotta Start Somewhere. You can find all my podcasts at rachelcorbett.com.au/podcasts. I've taught radio and podcasting at the Australia Film Television and Radio School and have my own online podcasting course, PodSchool, so if you're looking for someone who knows what they're talking about when it comes to pods, you've come to the right place. Resources... Podcasting guide: podcastguide.com.au Online podcasting course: podschool.com.au Contact... Twitter: @RachelCorbett Facebook: @RachCorbett Instagram: @_RachelCorbett & @podschool Website: www.rachelcorbett.com

It seems the two topics people are most interested in when it comes to podcasting is money and numbers. So in this episode I'm focusing on the latter to hopefully make you feel a little bit better if you've been looking at your analytics thinking "Is that it??" Since download numbers aren't public, when you're a new podcaster it can feel like the only message you hear is from other shows yelling "We've hit (insert gigantic number here)!" This can be really disheartening but if you compare your downloads to what most podcasters are getting your little show is probably a lot more successful than you think. Check out the full episode show notes: https://rachelcorbett.com.au/podcast-downloads About me… My name is Rachel Corbett and I've worked professionally for almost two decades in radio and podcasting. I've hosted and produced shows for some of the biggest radio networks in Australia, created three of my own independent podcasts and I was Head of Podcasts for Mamamia, the largest women's podcast network in the world. At Mamamia, I grew the podcast network from 15 to over 35 shows, the team from two to nine producers and the audience to over 1 million unique listeners a month and over 90 million downloads which is more than quadruple where it was when I started. I've also hosted over ten podcasts with more than 2 million downloads including Lady Startup, Eligible, Before The Bump and You've Gotta Start Somewhere. You can find all my podcasts at rachelcorbett.com.au/podcasts. I've taught radio and podcasting at the Australia Film Television and Radio School and have my own online podcasting course, PodSchool, so if you're looking for someone who knows what they're talking about when it comes to pods, you've come to the right place. Resources... Podcasting guide: podcastguide.com.au Online podcasting course: podschool.com.au Contact... Twitter: @RachelCorbett Facebook: @RachCorbett Instagram: @_RachelCorbett & @podschool Website: www.rachelcorbett.com

Remote recording platforms give you a way to record your show with people in different locations which is fantastic because your podcast isn't limited by geography. They also help you achieve audio quality that compares with being in the same room as someone but you shouldn't forget about the impact of distance on your performance. In this episode I take you through why, if you want to get the best possible conversational chemistry, it's important to use video when remote recording. Check out the full episode show notes: https://rachelcorbett.com.au/podcast-remote-recording-video/ About me… My name is Rachel Corbett and I've worked professionally for almost two decades in radio and podcasting. I've hosted and produced shows for some of the biggest radio networks in Australia, created three of my own independent podcasts and I was Head of Podcasts for Mamamia, the largest women's podcast network in the world. At Mamamia, I grew the podcast network from 15 to over 35 shows, the team from two to nine producers and the audience to over 1 million unique listeners a month and over 90 million downloads which is more than quadruple where it was when I started. I've also hosted over ten podcasts with more than 2 million downloads including Lady Startup, Eligible, Before The Bump and You've Gotta Start Somewhere. You can find all my podcasts at rachelcorbett.com.au/podcasts. I've taught radio and podcasting at the Australia Film Television and Radio School and have my own online podcasting course, PodSchool, so if you're looking for someone who knows what they're talking about when it comes to pods, you've come to the right place. Resources... Podcasting guide: podcastguide.com.au Online podcasting course: podschool.com.au Contact... Twitter: @RachelCorbett Facebook: @RachCorbett Instagram: @_RachelCorbett & @podschool Website: www.rachelcorbett.com

So, you've been waiting for your brain to come up with the perfect name for your podcast. And when it finally does you realise there's already a show with that name out there. So, can you just pretend you never saw it and release your show anyway? Or do you need to come up with a different podcast name? In this episode I share what to do if the podcast name you love already exists. Check out the full episode show notes: https://rachelcorbett.com.au/podcast-names/ About me… My name is Rachel Corbett and I've worked professionally for almost two decades in radio and podcasting. I've hosted and produced shows for some of the biggest radio networks in Australia, created three of my own independent podcasts and I was Head of Podcasts for Mamamia, the largest women's podcast network in the world. At Mamamia, I grew the podcast network from 15 to over 35 shows, the team from two to nine producers and the audience to over 1 million unique listeners a month and over 90 million downloads which is more than quadruple where it was when I started. I've also hosted over ten podcasts with more than 2 million downloads including Lady Startup, Eligible, Before The Bump and You've Gotta Start Somewhere. You can find all my podcasts at rachelcorbett.com.au/podcasts. I've taught radio and podcasting at the Australia Film Television and Radio School and have my own online podcasting course, PodSchool, so if you're looking for someone who knows what they're talking about when it comes to pods, you've come to the right place. Resources... Podcasting guide: podcastguide.com.au Online podcasting course: podschool.com.au Contact... Twitter: @RachelCorbett Facebook: @RachCorbett Instagram: @_RachelCorbett & @podschool Website: www.rachelcorbett.com

If you've worked hard to build an audience for your podcast it's hard to imagine why, if you come up with a brand new podcast idea, you'd start building listeners from scratch when you've got a feed full of subscribers who love your stuff. So, in this episode I take you through whether it's ok to sneak a new podcast idea into an existing feed or if you need to start a brand new podcast feed for every single podcast concept. Check out the full episode show notes: https://rachelcorbett.com.au/new-podcast-ideas/ About me… My name is Rachel Corbett and I've worked professionally for almost two decades in radio and podcasting. I've hosted and produced shows for some of the biggest radio networks in Australia, created three of my own independent podcasts and I was Head of Podcasts for Mamamia, the largest women's podcast network in the world. At Mamamia, I grew the podcast network from 15 to over 35 shows, the team from two to nine producers and the audience to over 1 million unique listeners a month and over 90 million downloads which is more than quadruple where it was when I started. I've also hosted over ten podcasts with more than 2 million downloads including Lady Startup, Eligible, Before The Bump and You've Gotta Start Somewhere. You can find all my podcasts at rachelcorbett.com.au/podcasts. I've taught radio and podcasting at the Australia Film Television and Radio School and have my own online podcasting course, PodSchool, so if you're looking for someone who knows what they're talking about when it comes to pods, you've come to the right place. Resources... Podcasting guide: podcastguide.com.au Online podcasting course: podschool.com.au Contact... Twitter: @RachelCorbett Facebook: @RachCorbett Instagram: @_RachelCorbett & @podschool Website: www.rachelcorbett.com