Australian animation and visual effects studio
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3 episodes with Animal Logic
2 episodes with Animal Logic
2 episodes with Animal Logic
3 episodes with Animal Logic
4 episodes with Animal Logic
2 episodes with Animal Logic
2 episodes with Animal Logic
5 episodes with Animal Logic
2 episodes with Animal Logic
Deborah Holland has been making music since she was a child. She became well-known while working with the band Animal Logic in the 1980s and 1990s. Since then Deborah has been making solo albums. Her latest record I Made It This … More ... The post Deborah Holland – “I Made It This Far” appeared first on Paradigms Podcast.
The Show Notes Animal Logic II Intro Just like a movie Bowie Christmas References Interesting Fauna - Gopher Tortoise (Gopherus polyphemus) The Christmas Sweaters: Live in Bethlehem - “John, The Christmas Hero” Ask George - Album order? from Sarah in Cleveland Religious Moron of the Week - John Amanchukwu Tell Me Something Good - Hall of Fame Sweaters' Concert Show close ......................... Mentioned in the Show Animal Logic on The Tonight Show (1991) The Christmas Sweaters tickets for Thu. Dec.19th Album Release/Holiday Concert The Christmas Sweaters LIVE in Bethlehem Album Release Pre-Sale Link – Bandcamp ......................... Christmas Sweaters On The Air WFMZ TV WFMZ 69 Weekend News Saturday Dec. 14th Live performance (throughout broadcast) 7 am-9 am EST WDIY 88.1 FM and WDIY.org Tuesday Dec. 17th Live mini set The Blend with host Bill Dautremont-Smith 2 pm EST ......................... Get George's Music Here https://georgehrab.hearnow.com https://georgehrab.bandcamp.com ................................... SUBSCRIBE! You can sign up at the Geologic Podcast page and become a Geologist or a Geographer. As always, thank you so much for your support! You make the ship go. ................................... Sign up for the mailing list: Write to Geo! Check out Geo's wiki page, thanks to Tim Farley. Have a comment on the show, a Religious Moron tip, or a question for Ask George? Drop George a line and write to Geo's Mom, too!
The Framestore Podcast, our learning and talent development focused podcast made by Framestore, for Framestore, is back with this weeks second instalment of our 'Heads of CG' Special! We're back with Heads of CG for Integrated Advertising (IA) at our London and Los Angeles studios: Johannes Sambs and Jessica Groom Shelton. Across both of this weeks instalments we ask Johannes and Jess to tackle the 'Framestore Podcast Dailies' questions together, providing a rare insight into their creative leadership roles. In today's episode, we tackle common myths about working in VFX, including how Jess often has to correct friends and family who mistakenly assume she's a graphic designer! Johannes clears up the misconception that Heads of CG have "certain powers," and together they explore how visual effects are everywhere—both visible and invisible. We explore the roots of Imposter Syndrome, highlighting how it's something everyone experiences to some extent. Jess and Johannes connect over their love for The LEGO Movie, a project Jess worked on during her time at Animal Logic. We also mention influential mentors and offer some valuable career advice. Enjoy!
The Framestore Podcast, our learning and talent development focused podcast made by Framestore, for Framestore, is back with another brand-new instalment. We're back with another special two-part episode, featuring the Heads of CG for Integrated Advertising (IA) at our London and Los Angeles studios: Johannes Sambs and Jessica Groom Shelton. Across both of this weeks instalments we ask Johannes and Jess to tackle the 'Framestore Podcast Dailies' questions together, providing a rare insight into their creative leadership roles. Bringing nearly two decades of experience from top visual effects studios. As the current Head of CG, LA at Framestore, Jessica Groom Shelton has previously led creative teams at The Mill and honed her craft in surfacing and grooming at Animal Logic and MPC. With a portfolio that spans blockbuster films and groundbreaking commercials, Jessica is a driving force in the VFX Industry. Having spent near-innumerable days in the VFX industry, Johannes has been instrumental in creating breathtaking visual effects for some of the world's top brands and projects, only made possible by working alongside some of the world's top VFX artists at Framestore. As a CG expert never fully specialising in a single discipline, he still brings an artistic finesse to every frame. Starting as a freelancer, he now leads the mighty London IA CG team at Framestore. We catch up with Jess and Johannes where we hear about their leadership approaches, both in terms of Jess's recent appointment at LA's new Head of CG, and Johanness's journey as current London CG Head. We discuss the relationships that have made them great leaders, and how the number one priority is the protection of our artists and not losing that connection, which is fostered by working on projects and working with them closely. We explore the transitions and challenges of shifting from hands-on artistic roles to senior creative positions, where the focus shifts more toward managing people and HR logistics while still staying involved in projects where making informed decisions on creative work is key. Additionally, they share insights about top secret Christmas commercials they're working on (without revealing too much, of course) and reflect on what they consider to be their big breaks in the VFX industry! This week is a must listen for anyone interested in creative leadership and managing artists at Framestore.
My guest today is Steve Agland, who has been the Supervising TD in Lighting at Animal Logic for over 20 years. He has worked on projects such as The Lego Movies, Happy Feet, Peter Rabbit and many more. Together we talk about the role a Lighting Technical Director, how to apply for it and what it is like to work at Animal Logic. Enjoy the show! ▶️ YouTube
My guest today is Nick Hore who is a Senior Recruiter at Animal Logic for 20 years now. We talk about how to apply successfully for a position in Animation especially for a studio like Animal Logic. Enjoy the show! ▶️ YouTube
The Framestore Podcast, our learning and talent development focused podcast made by Framestore, for Framestore, is back with another fantastic new episode. Every two weeks on Mondays, we welcome a special guest to the pod to answer questions about their inspirations, work at our studio, and career journey via the Framestore Podcast 'dailies' questions. Then, the following Thursday, we invite a guest 'co-host' from our global community to take over, engaging our guest in a deeper dive conversation for a valuable learning experience. Our special guest this week is Lara Hopkins, Head of Studio for Framestore Melbourne. With a diverse and successful career in the VFX industry, Lara started out as a Producer's Assistant at Anifex in 1992, and later held key roles at Extro Design and Animal Logic. Lara spent significant terms at Framestore, first as CG Manager and later in recruitment and studio management. In 2009, she played a crucial role in crewing up for Happy Feet 2 at Dr. D Studios, returning to Framestore in 2012, serving as the New York's Head of Recruitment and later as a Global Recruitment Consultant. 4 years at ILM, Sydney, followed where Lara rose to the position of Director of Talent Management, then rejoining Framestore to lead our Melbourne Studio in October last year. Our co-host for this conversation is Kathleen Ruffalo, Recruitment Manager, Framestore USA. Kathleen began her career in the entertainment industry in 2010 working as a Production Assistant on a string of reality TV series including Hell's Kitchen, Big Brother, and Dancing with the Stars, before making the shift to scripted television which included working as an Office PA on the final season of the long-running series House. In the Summer of 2012 Kathleen joined Framestore helping to launch our Los Angeles studio, where she ascended from Production, to Crew Management, to Recruitment Manager where she's been since late 2019. This is such a great episode! Enjoy...
David Schwab, is a screenwriter based in New York City. Since 2014, Mr. Schwab has been an adjunct professor of screen writing at the Graduate Film school at Columbia University. He has also taught at the French National Film School, La Femis, and also at Sundance Colabs. Mr. Schwab received his MFA in Film from the Columbia University School of the Art where his thesis script, MR. VERNER'S PYGMY, was purchased by Scott Rudin. Since then Mr. Schwab has written for, among others, Warner Brothers, Animal Logic, Hollywood Pictures, Propaganda, HD Net Films, and Paramount Pictures. Mr. Schwab was the 2014 Sundance/Sloan Commissioning Grantee for his script, FRANCIS TURNBULL – which was also selected for the 2013 Hampton Film Festival writer's lab. FRANCIS TURNBULL is being produced by Oren Moverman (THE MESSENGER, LOVE AND MERCY, TIME OUT OF MIND) and Wren Arthur (PRAIRIE HOME COMPANION). Jennifer Fox (THE TALE, BEIRUT: THE LAST HOME MOVIE) will direct. Mr. Schwab recently completed KACZYNSKI, a TV pilot about the Unabomber for SightUnseen pictures. Oren Moveman will direct. Learn more about your ad choices. Visit podcastchoices.com/adchoices
We are coming at you with another 'TWO Part' @EchoChamberFP https://www.instagram.com/echochamberfp/ today!!! So, in 'Part ONE' we have a Skybound Entertainment & Universal Pictures Dracula tale. Will Packer Productions & Walt Disney Studios bring Christmas to Disney+, while 20th Century Studios & Scott Free Productions bring crime & mystery. We have an important biopic from Higher Ground & Netflix and end things with animated joy from Happy Madison Productions, Animal Logic. In 'Part One' we have: Renfield Watch Review: Here. https://youtu.be/xQxs3U1kVHE Overlook Film Festival: 30th March 2023 Theatrical Release Date: 14th April 2023 Digital Release Date: 17th November 2023 Director: Chris McKay Cast: Nicholas Hoult, Nicolas Cage, Awkwafina, Camille Chen, Ben Schwartz, Shohreh Aghdashloo, Brandon Scott Jones, Adrian Martinez, Bess Rous, Jenna Kanell, James Moses Black, Caroline Williams, William Ragsdale, Miles Doleac, Helen Chandler, Edward Van Sloan Running Time: 93 min Cert: 18 Trailer: Here. https://youtu.be/TxcFcgopAYs?si=G4WzKWe_J-eMO_M1 Website: Here. https://www.uphe.com/movies/renfield ---------------- Dashing Through the Snow Watch Review: Here. https://youtu.be/ZIfTcoW_PDc Digital Release Date: 17th November 2023 Director: Tim Story Cast: Lil Rel Howery, Chris Bridges, Teyonah Parris, Madison Skye Validum, Oscar Nuñez, Mary Lynn Rajskub, Ravi V. Patel, Gina Brillon, Sebastian Sozzi, Gaby Rosario, Noah Ayden Hernandez, Kevin Connolly, Zulay Henao, Marcus Lewis, Michael H. Cole, Kayte Giralt Running Time: 90 min Cert: 15 Trailer: Here. https://youtu.be/DbOmSUSmISM?si=zd2k8VlX5_Bn9Ard Watch via Disney+: Here. https://www.disneyplus.com/en-gb/movies/dashing-through-the-snow/6oiqPXqHXrjp ---------------- A Haunting in Venice Watch Review: Here. https://youtu.be/L--BrbI40GA Odeon Luxe Leicester Square: 11th September 2023 Theatrical Release Date: 15th September 2023 Digital Release Date: 22nd November 2023 Director: Kenneth Branagh Cast: Kyle Allen, Kenneth Branagh, Camille Cottin, Jamie Dornan, Tina Fey, Jude Hill, Ali Khan, Emma Laird, Kelly Reilly, Riccardo Scamarcio, Michelle Yeoh, Rowan Robinson, Amir El-Masry, Vanessa Ifediora Running Time: 103 min Cert: 15 Trailer: Here. https://youtu.be/LAywaWCFXgw?si=EvLiT9L7cgzLDrnL Watch via Disney+: Here. https://www.disneyplus.com/en-gb/movies/a-haunting-in-venice/2z5PAvyswo5f Website: Here. https://www.20thcenturystudios.com/movies/a-haunting-in-venice ---------------- Rustin Watch Review: Here. https://youtu.be/6LlBVB1llnw 50th Telluride Film Festival: 31st August 2023 Theatrical Release Date: 3rd November 2023 Digital Release Date: 17th November 2023 Director: George C. Wolfe Cast: Colman Domingo, Aml Ameen, Glynn Turman, Chris Rock, Gus Halper, Johnny Ramey, CCH Pounder, Michael Potts, Audra McDonald, Jeffrey Wright, Lilli Kay, Jordan-Amanda Hall, Jakeem Powell, Ayana Workman, Grantham Coleman, Jamilah Rosemond, Jules Latimer, Maxwell Whittington-Cooper, Frank Harts, Kevin Mambo, Carra Patterson, Da'Vine Joy Randolph, Adrienne Warren, Bill Irwin, Jamar Williams Running Time: 106 min Cert: 15 Trailer: Here. https://youtu.be/EuZ-UONInl4?si=eEbOXksAXR6LtYZk Website: Here. https://www.netflix.com/tudum/articles/rustin-colman-domingo-photos-news ---------------- Leo Watch Review: Here. https://youtu.be/7ATXCZxHbIo Digital Release Date: 21st November 2023 Director: Robert Smigel, Robert Marianetti, David Wachtenheim Cast: Adam Sandler, Bill Burr, Cecily Strong, Jason Alexander, Rob Schneider, Allison Strong, Jo Koy, Sadie Sandler, Sunny Sandler, Jackie Sandler, Heidi Gardner, Robert Smigel, Nick Swardson, Stephanie Hsu, Nicholas Turturro Running Time: 106 min Cert: PG Trailer: Here. https://youtu.be/G_AEL-Xo5l8?si=acxHu4G2d554mf7Q Website: Here. https://www.netflix.com/tudum/articles/leo-adam-sandler-release-date-photos ---------------- *(Music) 'Da Joint' (Instrumental) by EPMD - 2020 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message
Interview with Zareh Nalbandian, CEO and Co-Founder of the animation studio Animal Logic. Zareh will be hosting a panel, "In Conversation with Zareh Nalbandian," this coming Sunday 10 September at 3:30pm at Event Cinemas Top Ryde as part of the Armenian Film Festival Australia. - Հարցազրոյց Զարեհ Նալպանտեանի հետ, Աւստրալիոյ Հայկական Ֆիլմերու Փառատօնին իր ելոյթի ինչպէս նաև Աւստրալիոյ և միջազգային գետնի վրայ ֆիլմերու իր յաջողութիւններու մասին:
The Framestore Podcast, our learning and talent development focused podcast made by Framestore, for Framestore, is back this week with another fantastic new episode. Every two weeks on Mondays, we welcome a special guest to the pod to answer questions about their inspirations, work at our studio, and career journey via the Framestore Podcast 'dailies' questions. Then, the following Thursday, we invite a guest 'co-host' from our global community to take over, engaging our guest in a deeper dive conversation for a valuable learning experience. This week we welcome Pia Suffredini to the pod! Pia is a Digital Matte Painter & Environment Artist at Framestore Melbourne. Starting out in 2017, Pia has built quite the career following her initial Paint and Roto training at Animal Logic in the Spring of that year. With roles that followed at Method Studios, Fin Design + Effects, MPC, Rise FX, Scanline VFX and now at Framestore, Pia has amassed over 20 credits on huge shows that include, but not limited to 65, Thor: Ragnarok, Shang-Chi and the Legend of the Ten Rings, Ms. Marvel, Black Panther: Wakanda Forever and loads more! This week's guest co-host is Junior DMP Artist Katarzyna Maciocha. A graduate of the University of South Wales, 'Kat' joined Framestore via BlueBolt earlier this year having worked on some awesome shows including Netflix original Seven Kings Must Die, and season 5 of The Last Kingdom!
The Refugees may be a relatively new band to many, but their members are longtime veterans of the music industry. Wendy Waldman (featured in Episode 60) is a composer/musician/singer who appeared on albums by artists including Linda Ronstadt, Jimmy Buffett and Maria Muldaur. She's released nine solo studio albums, too. Deborah Holland (featured on Episode 140) launched her career with the supergroup Animal Logic (including Stewart Copeland and Stanley Clarke) in 1987. Since then, she's released six solo albums and recently 2 new singles with Animal Logic. Touring and recording with Elton John and Rod Stewart, Cidny Bullens rounds out the trio. Multi-award winning program director Ray White shares insights from Wendy and Deborah talking about The Refugees and their other recent work. Their brand new album is California. In our showcase segment, we feature a tribute to the "Queen of Rock 'n' Roll," Tina Turner. Awards during her illustrious career have included selling well over 100 million records and receiving 12 Grammy awards. Tina passed away on May 24, 2023. The ladies rule on this episode, from Classic Artists Today.
Magali Rigaudias : Animation Supervisor at Animal Logic About Magali has worked in the animation industry for nearly 30 years. After spending some time working in Paris early on in her career, she went to Industrial Light & Magic in California and worked as an animator on VFX films such as Dragonheart, Mars Attack, The Lost World: Jurassic Park, Star Wars Episode I & II, The Mummy Returns, Harry Potter and the Chamber of Secrets, E.T. The Extra-Terrestrial, Pirates of the Caribbean: The Curse of the Black Pearl, Van Helsing. After almost a decade at the studio in San Francisco, she decided to broaden her experience to work on animated films and in 2004, she joined the Sydney team at Animal Logic as a lead animator to work on George Miller's Happy Feet. The film went on to win the Academy Award in 2007 for best Animated Feature Film. Other credits include Guardians of Ga'Hoole, Maya the Bee Movie, Monsters Hunt, LEGO Batman, Peter Rabbit and The LEGO Movie 2. Magali recently joined Animal Logic again as an animation supervisor after anim directing on Maya the Bee - The Golden Orb at Flying Bark and Chickenhare and the Hamster of Darkness for the Belgian studio nWave Digital.
Honing her musical skills while growing-up on the East coast, Deborah Holland found her way to Los Angeles in the late ‘70s in an attempt to break into the music business. A demo of two of her songs landed in the hands of Stewart Copeland and Stanley Clarke, who were searching for a female vocalist to front their new band project, which became Animal Logic. She got the gig, which was a major stepping stone in propelling her career. After making two albums with Animal Logic, Deborah has since recorded and released several solo albums, she's a member of the folk supergroup The Refugees, a film scorer and educator, and in 2020 she released her latest EP titled “Fine, Thank You.” Recently, two new Animal Logic songs have been released - the first new music from the trio in over three decades. Here to talk to us about this new music and her career in music is Deborah Holland.
After 31 years, legendary jazz bassist Stanley Clarke, ex-Police drummer Stewart Copeland, and singer songwriter Deborah Holland have Reunited as Animal Logic. As Deborah shares on this episode of Big Blend Radio's "Music Monday" show, between 2013 and 2022, the band shared ideas and files, resulting in the two new tracks, “Can You Tell Me” and “Ordinary,” which capture the quintessential, timeless Animal Logic approach. The songs are available on all streaming platforms and also be purchased via Bandcamp at: https://animallogic1.bandcamp.com/ Special thanks to The Lion & The Rose Bed & Breakfast in Asheville, North Carolina. More: https://www.lion-rose.com/
After 31 years, legendary jazz bassist Stanley Clarke, ex-Police drummer Stewart Copeland, and singer songwriter Deborah Holland have Reunited as Animal Logic. As Deborah shares on this episode of Big Blend Radio's "Music Monday" show, between 2013 and 2022, the band shared ideas and files, resulting in the two new tracks, “Can You Tell Me” and “Ordinary,” which capture the quintessential, timeless Animal Logic approach. The songs are available on all streaming platforms and also be purchased via Bandcamp at: https://animallogic1.bandcamp.com/ Special thanks to The Lion & The Rose Bed & Breakfast in Asheville, North Carolina. More: https://www.lion-rose.com/
After 31 years, legendary jazz bassist Stanley Clarke, ex-Police drummer Stewart Copeland, and singer songwriter Deborah Holland have Reunited as Animal Logic. As Deborah shares on this episode of Big Blend Radio's "Music Monday" show, between 2013 and 2022, the band shared ideas and files, resulting in the two new tracks, “Can You Tell Me” and “Ordinary,” which capture the quintessential, timeless Animal Logic approach. The songs are available on all streaming platforms and also be purchased via Bandcamp at: https://animallogic1.bandcamp.com/ Special thanks to The Lion & The Rose Bed & Breakfast in Asheville, North Carolina. More: https://www.lion-rose.com/
A learning and talent development focused podcast made by Framestore, for Framestore! Each week we present a conversation in two halves! Part one, released today, offers up the 'Framestore Podcast Dailies', set questions designed to find out what makes our special guest tick, what they do at our studio, their career journey so far and all manner of advice, tips and tricks. On episode two, arriving later in the week, we hand the reins over to a guest 'co-host', a member of our global community who stands to learn a lot from the experience of engaging our interviewee in a deeper dive conversation. This week's special guest is Sergio Gonzalez, Unreal and 3D Trainer here at Framestore. With 20-years industry experience, Sergio has taught visual effects and animation all over the world, including Miami International University, SAE Creative Media Institute and as VFX Program Lead at Middlesex University. He's held down roles at Microsoft, Weta Digital and Animal Logic, joining us here at Framestore. Our co-host is Tom Perry, an animation graduate from Escape Studios and now Runner in London. Tom is an aspiring Rigger and also joined the Framestore team this year!
Deborah Holland along with music icons Stewart Copeland (Police) and Stanley Clarke formed Animal Logic back in 1987 and went on to record two albums over the next several years. After 30+ years...they're back! Singer/Songwriter Holland joins multi-award winning program director Ray White to share her insights on their new music , playing with the rock and jazz legends, and starring on the late night talk shows plus much more. Deborah's latest solo project was Fine, Thank You! She's also working on a new project with the Refugees, In our "showcase segment" we feature the latest on the Rock and Roll Hall of Fame members Joan Jett and the Blackhearts, whose latest album is Changeup. Also, eight-time Grammy nominee Avril Lavigne is in our spotlight. Her latest release is Love Sux. The world's greatest musicians and performers can be found right here...Sittin' in with the CAT!
Emily Dean is an Asian-Australian writer, director, and artist living in LA. Emily holds a BA (Honours I), History and English Major, from the University of Sydney. Following her academic studies, Emily pursued a career in animation first at the Australian Film TV Radio School (AFTRS) and earned a Graduate Certificate in Animation Directing, then further at the California Institute of the Arts (CalArts). Following training at Pixar in the Story Department, Emily has worked as a Story Artist and Visual Consultant for Warner Bros and Animal Logic on films such as THE LEGO BATMAN MOVIE (2017), THE LEGO MOVIE 2 (2019); Lionsgate's sci fi thriller HOTEL ARTEMIS (2019) starring Jodie Foster; and on Sony Picture Animation's Oscar Award winning HAIRLOVE (2019) from creator/director Matthew A. Cherry. In 2012, Emily's animated short film FORGET ME NOT was nominated for an Australian Academy Award (AACTA), and in 2018 her first live action sci fi short film ANDROMEDA played and was awarded at numerous genre fests including the Trieste Science Fiction Festival. In 2019, Emily was awarded Variety Magazine's Top 10 Animators To Watch; and in 2021, Emily was named one of Piaget's Extraordinary Women. Emily is also currently serving a term on the inaugural Alumni Advisory Committee for the Australian Film, Television and Radio School (AFTRS) for 2022-2023. Emily recently directed THE VERY PULSE OF THE MACHINE, written by Philip Gelatt and based on the Hugo Award -winning short story by Michael Swanwick for Volume 3 of the Emmy-award winning Netflix R-rated animated series LOVE DEATH + ROBOTS, under the creative leadership team of Tim Miller, David Fincher, and Jennifer Yuh Nelson. Emily currently writes, directs and executive produces content for film and television under her production banner Grade 8 Productions. In this Podcast, Allan McKay interviews Director, Writer and Artist Emily Dean about her experiencing directing THE VERY PULSE OF THE MACHINE for LOVE DEATH + ROBOTS, directing her first short films, the lessons and mindsets for filmmakers, starting her own production company and importance of supporting up-and-coming artists. For more show notes, visit www.allanmckay.com/374.
Nothing like recording at 8am to get the ideas flowing! Enjoy this perfectly coherent variety show. I took much too long to make the featured image this week fit a theme that I'm sure nobody will get at all but it made me smile Timestamps: 3:05 ------ How You Doin' 22:45 ----- MOVIE REVIEW: "Sea Beast" 43:11 ---- ANIMATION NEWS... 43:58 ---- Nintendo buys Dynamo Pictures 54:04 ---- Netflix acquires Animal Logic 1:07:29 -- SDCC Marvel Animation Panel 1:25:20 -- Powerpuff Girls and Fosters Home reboots 1:37:50 -- AX BY FAX: "Would you rather: ONLY be able to watch every episode of your favorite animated series, and nothing else -or- Only be able to watch the last episode of any animated series you're interested in watching." ~Way Singleton #RubberOnionPodcast@RubberOnion everywhere Patreon iTunes
Today's episode includes: All the animation announcements at San Diego Comic Con 2022 Marvel released the teaser trailer of Black Panther: Wakanda Forever Hanna-Barbera Studios Europe is rebooting The Powerpuff Girls and Foster's Home for Imaginary Friends with Craig McCracken Netflix acquires Animal Logic, the studio behind The Lego Movie and Happy Feet Sesame Place received backlash over a Rosita costume character snubbing two black kids
Join Ashley and Dylan as they discuss everything they've been watching, including Where The Crawdads Sing, The Rehearsal, The Gray Man and D.B Cooper, Where Are You?. They also go over the latest news, including Netflix buying Animal Logic despite losing more subscribers, and share their Top 3 Neighbours graduates.Content Mentioned:- San Diego Comic-Con 2022: Day 1 - A WDYWW Discussion: https://explosionnetwork.com/what-do-you-want-to-watch/san-diego-comic-con-2022-day-1-a-wdyww-discussion- San Diego Comic-Con 2022: Day 2 - A WDYWW Discussion: https://explosionnetwork.com/what-do-you-want-to-watch/san-diego-comic-con-2022-day-2-a-wdyww-discussion- San Diego Comic-Con 2022: Day 3 - A WDYWW Discussion: https://explosionnetwork.com/what-do-you-want-to-watch/san-diego-comic-con-2022-day-3- San Diego Comic-Con 2022: Day 4 - A WDYWW Discussion: https://explosionnetwork.com/what-do-you-want-to-watch/san-diego-comic-con-2022-day-4-a-wdyww-discussion- What We Learned at San Diego Comic-Con 22 - All-New Marvel Cast: https://explosionnetwork.com/allnew-marvel-cast-podcast/what-we-learned-from-san-diego-comic-con-2022- Ms Marvel: Episode 6 - "No Normal" - All-New Marvel Cast: https://explosionnetwork.com/allnew-marvel-cast-podcast/ms-marvel-episode-6-no-normalThumbs for Trailers- The Patient: https://www.youtube.com/watch?v=LpmMxXfBn-Y- I Love My Dad: https://www.youtube.com/watch?v=__FXp-MiY1o- Funny Pages: https://www.youtube.com/watch?v=qXDeAcyt8Ng- The Munsters: https://www.youtube.com/watch?v=IthOTN7WekE- She Said: https://www.youtube.com/watch?v=i5pxUQecM3Y00:00 - Intro01:11 - What's in Our Watch History?34:53 - The Mandatory Netflix Segment45:09 - Film and TV News58:25 - Would You Wanna Invest?1:04:45 - WDYWW Movie Fantasy League Draft1:11:00 - Thumbs For Trailers1:25:03 - Top 3: Neighbours graduatesHosts:Ashley Hobley: https://twitter.com/ashleyhobleyDylan Blight: https://twitter.com/vivaladilFollow our Trakt:Ashley - https://trakt.tv/users/ashleyhobleyDylan - https://trakt.tv/users/vivaladilMusic: Dylan BlightArt by: Cherie HenriquesWeb: https://bit.ly/WDYWWwebApple Podcasts: https://apple.co/2Hp6JT5Spotify: https://spoti.fi/2T3DJSd Casts: https://pca.st/iD0g Stitcher: https://bit.ly/WDYWWstitch PlayerFM: https://bit.ly/WDYWWfmPodchaser: http://bit.ly/WDYWWpcSupport Us: http://www.ko-fi.com/explosionWhat Do You Wanna Watch is the Explosion Network's premier media podcast. Join Ashley Hobley and the crew every fortnight to discuss all the current news in TV, film and online media.#WDYWW
Um áudio resumido com as principais notícias de tecnologia e inovação aplicadas aos negócios, em poucos minutos do seu dia. Acesse as notícias: https://bit.ly/3zmNKld ——————- Link do Grupo WhatsApp: https://chat.whatsapp.com/H2XyOt59pqs23qbnA45eUa Assine gratuitamente nossos conteúdos: http://www.morse.news ___________ O Morse Audio News é oferecido por digitaliza.ai, a loja de soluções para digitalizar negócios. www.digitaliza.ai Link das notícias: Youtube lança, em parceria com a Shopify, recurso que permite com que usuários comprem produtos e serviços enquanto assistem vídeos na plataforma A Netflix perdeu quase um milhão de assinantes, mesmo sendo metade da perda projetada em abril, foi a maior queda de assinantes da plataforma em todos os tempos Netflix quer que a TV linear morra. Segundo o CEO Reed Hasting, o modelo estará morto em 5 a 10 anos. Instagram lança recurso de mapa para descobrir negócios locais e obter mais informações sobre eles Snapchat lança versão desktop do aplicativo, inicialmente disponível para assinantes do Snapchat+ Microsoft lança simulador para treinar sistemas de IA de drones O SVP do Google revelou que quase 40% dos jovens, quando procuram um lugar para almoçar, não vão no Google, eles vão para o TikTok ou Instagram. Inteligência artificial para brainstorming: Rain, uma startup de “criatividade aumentada”, utiliza a inteligência artificial para ajudar os profissionais e empresas nos processos de brainstorm de ideias originais. Uma pesquisa feita pelo Snapchat revela tendências da Geração Z e como a realidade aumentada para uso em compras é impulsionada por este público O Movimento Tech, liderada por iFood e XP Inc, já arrecadou R$ 5,2 milhões e espera chegar a R$ 2,1 bilhões até 2030 para despertar o interesse das novas gerações e capacitar profissionais para amenizar o apagão tecnológico Abragames apresenta primeira pesquisa nacional da indústria de games onde releva sobre a presença brasileira no exterior e aumento de mulheres trabalhando no desenvolvimento de games O primeiro mundo Minecraft seguro para crianças foi feito pela B2Mamy, hub de inovação para mães empreendedoras, e a startup GamerSafer para garantir segurança e experiências apropriadas. A Netflix planeja adquirir o estúdio de animação Animal Logic, conhecido por fazer sucessos como Happy Feet e The Lego Movie. A Flash entra no negócio de despesas corporativas com a aquisição da ExpenseOn.
Te decimos cómo le fue a Netflix, Google Glass regresa y usan Google Drive para hackeosPuedes apoyar la realización de este programa con una suscripción. Más información por acáNoticias: -Google empezó las pruebas públicas de sus lentes inteligentes -Apple tendrá que pagar 50 millones de dólares por la demanda relacionada a sus "teclados mariposa"-El grupo de hackers relacionado con la campaña de espionaje en contra de SolarWinds ahora usa Google Drive para enviar malware a sus víctimas.-Microsoft lanzó Viva Engage, una aplicación dentro de Teams que fomenta el uso de redes sociales laborales-Netflix presentó su reporte del segundo trimestreDiscusión: -Revisión de pérdidas y ganancias con Netflix.-Netflix anuncia su plan con publicidad, fecha y en donde aparecerá.-¿Qué contenido estará disponible en dicha categoría?-Netflix cubre el 7.7% de todo el consumo televisivo en Estados Unidos, casi el doble que su competidor más cercano.-Netflix no lanzará episodios semanales.-Netflix adquiere Animal Logic See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/noticias-de-tecnologia-express.
Peter Tulip and Warren Hogan weigh in on the announcement of an independent review into the RBA, plus, Ross speaks with the CEO of animation studio, Animal Logic about a new Netflix deal.See omnystudio.com/listener for privacy information.
**BE AWARE** THIS PODCAST CONTAINS EXCITING NEWS! Singer/songwriter Deborah Holland stopped by Thunderlove Studios to chat with Keith and Rob about fronting the "supergroup" Animal Logic with jazz superstar Stanley Clarke and The Police drummer Stewart Copeland. Wake the kids, text the neighbors.
Darin Grant is back! And a lot has changed in the three years since the Animal Logic group chief technology officer and general VFX genius last recorded with Chris. As always, Darin offers expert industry insight into the effects of the COVID-19 pandemic on working from home, cloud computing, and how digital content is created and consumed. Darin also details his role as director of the Electronic Theater at this year's SIGGRAPH conference. You'll learn about some of the stunning and deeply moving entries in the computer graphics showcase, plus what physical and virtual attendees can expect. Listen to find out Darin's interesting idea for blockchains, and to find out how Animal Logic is refocusing its VFX work on animation via movies including Peter Rabbit 2: The Runaway and Super Pets.
Many people dream about being their own boss, opening up their own business and being self-employed. A recent survey actually found that 30% of “traditionally employed” Canadians expect to transition to self-employment in the next two years. But where do you start? There's so much to know about starting your own business and making it successful. What many people don't know is that if you are unemployed or underemployed, there are various programs and resources you can access in BC - self-employment support is one of them. In this episode, we chat with Lynne Brisdon (Manager, Self Employment Program at YMCA of Greater Vancouver), Mike Plumb (Owner at Dusk N Dawn Adventure Co and WorkBC Centre alumni) and Andrea Welling (Regional Director BC at Futurpreneur Canada) about self employment and entrepreneurship in Vancouver, and where you can go to get help getting your business off the ground.Links and Resources:Who's Hiring? Animal Logic: https://www.eventbrite.ca/e/whos-hiring-animal-logic-tickets-246837295997Who's Hiring? Vancouver School Board: https://www.eventbrite.ca/e/whos-hiring-vancouver-school-board-tickets-2606257576572022 Vancouver Job Fair: https://app.brazenconnect.com/events/nOm9K?utm_medium=workbc-podcast&utm_source=shownotes-selfemploymentepisode&utm_campaign=2022-vancouver-jobfair7YMCA of Greater Vancouver Employment Services, including WorkBC Self Employment Program, Self Employment for Newcomers & Youth Mean Business: https://www.gv.ymca.ca/employment-servicesFuturepreneur Canada: https://www.futurpreneur.ca/en/The Grand Connection: https://grandconnection.ca/Immigrant Services Society of BC - Explore Entrepreneurship: https://issbc.org/service-types/explore_entrepreneurshipDiverseCity Immigrant Entrepreneur Program: https://www.dcrs.ca/our-services/employment-programs/immigrant-entrepreneur-program/Mike's businesses: www.duskndawn.com | Instagram: @duskndawnadventurewww.levelupdate.caGreater Vancouver Board of Trade: www.boardoftrade.comGreater Vancouver Food Bank: https://foodbank.bc.ca/WorkBC Centre Midtown East: https://www.workbccentre-vancouvermidtown-east.ca/WorkBC Centres map: https://www.workbc.ca/Employment-Services/WorkBC-Centres/Find-Your-WorkBC-Centre.aspx
Heute sprechen wir mit Lennart Breede (SAE Hamburg Abschluss 2016). Lennart ist VFX Artist und Tausendsassa, lebt aktuell in Vancouver und arbeitet als Effects Pipeline TD bei Animal Logic. Wir sprechen mit ihm über seine Karriere, welche von einen Job beim Spiegel über die Arbeit bei Pixmondo bis zu seiner jetzigen Position bei Animal Logic geführt hat. Es geht um Jobwechsel, Native People und den VFX Standort Vancouver. Wir lernen viel über die Branche, wie lang man für einen animierten Film brauchen kann und wie aufwändig einzelne Shots sein können. Zu Lennart's Portfolio gehören Filme oder Serien wir „Man In Black“, „International“, „Midway“ oder „Ms. Marvel“ - hört also rein, es wird spannend! LinkedIn: https://www.linkedin.com/in/lennartbreede/ Life After SAE auf Instagram: https://www.instagram.com/lifeaftersae/ Mehr zu Kurt gibt's hier: Instagram: https://www.instagram.com/kurt_jonathan_engert/ Homepage: https://www.kurt-jonathan-engert.com Mehr zu Glen gibt's hier: Instagram: https://www.instagram.com/glen_schaele/ https://linktr.ee/glenschaele
In our 88th podcast we interview Insomniac Games Senor Animator, Lindsay Thompson. Lindsay is an accomplished animator who has worked in VFX, feature film, and in video games. She has worked for such companies as ILM, Weta, Animal Logic, Walt Disney Animation Studios, and Sony Animation. She has worked on such titles as Transformers: Dark of the Moon, The Avengers, Legend of the Guardians: The Owls of Ga'Hoole, and Wreck-It Ralph. While at Insomniac Games, she has worked both in cinematic and in-game animation, where she has animated and lead teams on such titles as Sunset Overdrive, Spider-Man, and the PS5 Rachet & Clank: Rift Apart.
“The Police: Deranged For Orchestra” Born in Virginia and raised in Cairo and Beirut by a Scottish archoeolist mother and an American father who founded the CIA, Stewart Copeland has had quite a life. So much so, that his biography deserves its own podcast but for the sake of time, let's go with the expurgated version. Copeland started playing drums at 12 and after finishing boarding school in England and college at UC Berkeley, he returned to the UK to play drums for Curved Air. In 1977 he founded The Police with Sting and after recruiting guitarist Andy Summers to replace Henry Padovani, the new wave power trio locked in and the rest, as they say, is history. But in the case of the Police, let's go with history to the 10th power. The Police are one of the best selling bands of all time, with record sales heading close to 100 million worldwide. They put out five albums from 1978 to 1983 and by the time their last one hit shelves, they were arguably the biggest band in the world. Their legacy is safely enshrined in the rock and roll hall of fame and Copeland is considered one of the greatest drummers to ever sit behind the kit, but his legacy doesn't stop there. He's scored movies like Rumble Fish, Wall Street, and Talk Radio; TV shows like The Equalizer, Dead Like Me and Star Wars: Droids. He's also scored ballets that were commissioned by everyone from the San Francisco Ballet Company to the Seattle Symphony Orchestra. He's collaborated with Tom Waits, Peter Gabriel, Les Claypool and Adam Ant; he played in other bands like Animal Logic and Oysterhead with Trey Anastasio of Phish. He's scored video games, done voices for movies like South Park: Bigger, Longer and Uncut, he put out his memoir Strange Things Happen: A Life with the Police, Polo and Pygmies and he collaborated with the Long Beach Opera on a production of Edgar Allen Poe's The Telltale Heart. Well, the always busy Copeland's new project is called The Police: Deranged for Orchestra. It's basically a fresh take on The Police songbook, by way of the 28 member ReCollecitve Orchestra. They reimagine songs like Roxanne and Don't Stand So Close To Me and the results are captivating and spellbinding. In this conversation, Copeland talks to Alex about rock and roll bands as democracies, the elasticity of the Police's compositions and why he speeds things up when Sting is in the audience. www.stewartcopeland.net www.bombshellradio.com www.alexgreenonline.com Stereo Embers: Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com
In this episode, I chat to Simon Legrand, realtime Supervisor at Untold Studios in London about his journey into the VFX industry.During this discussion, Simon shares his unsugarcoated journey and story of the realities of the VFX industry, worth listening to.We talk about some of the pros and cons of working in the VFX industry, and touch on topics such as overtime work and realties of how that and the industry culture can sometimes be dangerous for the mind frame, and in some unfortunate cases, temporarily or permanently hurt relationships, which is common to Simon's story.Simon, in my opinion is a legend of an artist, with so much experience, having worked at incredible studios such as Animal Logic, Weta, ILM, DNEG, MPC and more, and on some incredible shows such as Avatar, Star Wars, Xmen, Rise of the planet of the apes and many many more!As always, if you liked this episode, please like, comment, subscribe and share!Listen to all episodes on Spotify, Apple Podcast, Amazon Music, other audio streaming platforms#vfxpodcast #ilm #unrealengine
Missing My Friend John The author speaks about losing another very dear friend who truly enriched his life. He also includes a few of his favorite passages from the Word of God that teach us about friendship! Special background Music by: Animal Logic – 1991
Finally! Please welcome to the podcast Oscar winning Crowd Supervisor for Walt Disney Studio's and one of my longest friends, Yasser Hamed. Yasser was born in Egypt, grew up in Australia, now residing in Hollywood USA. He has worked for Animal Logic where his first project was Happy Feet which won an Oscar. Moving to Sony and now Disney, Yasser has worked on some of the biggest movies in animation including Alice In Wonderland, Wreck It Ralph, Big Hero 6, Moana, Tangled and one of the highest grossing animation movies in the world Frozen and Frozen 2. Yasser is also apart of the Academy voting panel. @yasserlikes2fly @thepinartist Here we talk about growing up in Egypt, meeting Yasser at high school and his phosphorus, forming our rock band deFusion, getting his pilot license, his hobby the pin artist, working on Happy Feet?, moving to Hollywood, His thoughts on Frozen and Frozen 2, getting to meet the biggest stars in the entertainment industry, meeting Brad Pitt and some amazing behind the scene stories. https://tellcraigyourstory.podbean.com https://www.linktr.ee/tellcraigyourstory @tellcraigyourstory Youtube Channel https://www.youtube.com/channel/UCcCr6P3Ja395SkapnECvOFw?view_as=subscriber #yasserhamed #tellcraigyourstory #happyfeet #frozen #frozen2 #egypt #hollywood #usa #newcastle #australia #nicolekidman #robertzemeckis #waltdisney #sony #animallogic #drums #defusion #thepinartist #pilot #bradpitt #britneyspears #systemofadown #wrestlemania #newcastleuniversity #wreckitralph #moana #tangled #aliceinwonderland
Welcome to the very first Old Timey Crimey Historical True Crime Showcase! Here you can listen to mini-episodes from a variety of amazing shows, all in one episode. We've got the blood sports of olden days, the origins of nursery rhymes, art heists, and so much more! Find out more about participating shows at the links below: Dial-a-Crime: https://dial-a-crime.pinecast.co/ Ghost Town: https://www.ghosttownpod.com/ Lady Justice: https://linktr.ee/lady.justice.podcast Old Timey Crimey: https://linktr.ee/oldtimeycrimey True Crime Historian: https://www.truecrimehistorian.com/ Ye Olde Crime: https://www.yeoldecrimepodcast.com/ If you have a history or true crime podcast and you're interested in participating in a future showcase event, please email Kristy Baxter at oldtimeycrimey@gmail.com. Music: Evil Plan by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3725-evil-plan License: http://creativecommons.org/licenses/by/4.0/ Sources: Topend Sports. https://www.topendsports.com/sport/extinct/fox-tossing.htm Siobhan O’Shea. https://www.interesly.com/fox-tossing-was-a-bizarre-aristocratic-pastime-of-the-17th-century/ Wikipedia. https://en.wikipedia.org/wiki/Augustus_II_the_Strong Leicester Chronicle. https://www.newspapers.com/image/396522031/?terms=fox%20tossing&match=1 Yorkshire Herald. https://www.newspapers.com/image/402063659/?terms=fox%20tossing&match=1 The Sun. https://www.newspapers.com/image/207007440/?terms=fox%20tossing&match=1 Laura Martisiute. All That’s Interesting. https://allthatsinteresting.com/animal-blood-sports https://www.mariegossip.com/2010/06/sport-fox-tossing.html Rebecca Whitaker. Animal Logic. https://animalogic.ca/animalogic/the-creative-and-cruel-blood-sport-of-fox-tossing Bill Littlefield. WBUR. https://www.wbur.org/onlyagame/2015/11/21/foxtossing-brooke-hitching-book
Voltamos para mais um UNHIDE Cast! Nesse episódio, nós batemos um papo sobre Lighting e pra essa bate papo a gente chamou aqui Abel Vargas, Lighting Artist na Animal Logic. Abel Vargas tem 10 anos de experiência em efeitos visuais. Trabalhou em algumas das melhores empresas de pós produção de cinema do mundo como Sony Imageworks, Double Negative, Method Studios em Vancouver; Animal Logic na Austrália. Tem uma carreira de sucesso como lighter/compositor que abrange séries de televisão como "Once Upon a Time", "Arrow", "Flash", "The Get Down" entre outras e filmes live action como "Velozes e Furiosos 8", "Pantera Negra" e animações como "Smallfoot" e "Spiderman: Into the Spiderverse". Tópicos discutidos: - Como é trabalhar com Lighting; - Softwares pra se trabalhar com Lighting; - Pipeline de um grande studio de filmes; - Trabalhando como Freelancer de Lighting. __ Participantes: Julio Carvalho: https://www.instagram.com/juliobrush/ Gabriel Costa: https://www.instagram.com/porta2estudio/ Abel Vargas: https://www.instagram.com/abelvargasvfx/ O UNHIDE Cast está disponível no site da UNHIDE School: https://www.unhideschool.com
Episode 66 is a real toe-tapper, as Chris and Alex dance to the beat of George Miller’s 2006 computer-animated musical feature Happy Feet (George Miller, 2006), produced by U.S. studio Village Roadshow Pictures in collaboration with Australian animation and VFX studio Animal Logic. Joining them to discuss this digital tale of all-singing all-dancing penguins is Dr. Hannah Hamad, Senior Lecturer in Media and Communication at Cardiff University’s School of Journalism, Media and Culture, having previously been Lecturer in Film Studies at King’s College London, and Senior Lecturer in Media Studies at the University of East Anglia. Hannah’s first monograph Postfeminism and Paternity in Contemporary US Film was published by Routledge in 2014, and since then she’s gone on to write on recessionary reality TV, austerity, contemporary celebrity/stardom and postfeminist media cultures, the postracial, and feminist media history. Listen as they discuss Happy Feet’s racial body politics and problematic relationship to neo-minstrelsy; the ‘invisible’ role of dance performer Savion Glover within the film’s marketing campaign, and how Happy Feet’s status as a ‘post-Gollum’ motion-capture feature taps into its appropriation of black culture; discourses of the post-racial within mid-2000s animated features in Hollywood; the star vocal performance of Robin Williams; and the extent to which audiences are able to accept as the fantasy of the animated medium as a vital form of social discourse.
Fishing Off The Company Pier !! One of the authors unmarried friends tells him about a conversation he over-heard, and what his thoughts are on finding a mate in this modern-love age! Special Music by: Animal Logic – 1991
Matthew Everitt : MR X Matt has over 25 years experience in the animation industry. Beginning as a 2D animator for TV, before learning 3D Animation to work in games in the mid 90’s. Matt then moved into commercials, creating content for brands such as Nestle, KIA & Vodafone. He also worked on Madonna’s Grammy live show with animated band the Gorillaz. From commercials he moved to animated features, for which his credits include: Happy Feet 2, The LEGO Movies, Walking With Dinosaurs, Dora - The Lost City of Gold and Cats. Matt currently works as Animation Supervisor for MrX Adelaide, also acts as executive producer for the animated features The Wishmas Tree & Combat Wombat and has movie titles in development. www.mrxfx.com Topics Discussed - Advice to mid-level animators, & supervisors - Failures in your career - Hardest things you had to learn - 2D animation for TV & gaming - Passion Pictures UK - Gorillaz and Madonna - MTV & Ricky Gervais - Framestore - moving into films - How did your role change - Animal Logic - moving to Australia - Selling your ideas to others - Animating animals & creatures - Realistic animation - Onset animation supervising
John and Alan sit down with Burleigh Drummond and Mary Harris-Drummond from Ambrosia for an hour of stories. What kind of stories? Stories about how Bruce Hornsby first got his start in Ambrosia, Debby Boone, Ringo Starr, Michael McDonald, Edger Winter, Jimmy Buffett, and a bunch of other people all played a part in Burliegh and Mary's lives. Hear about how the soft pop stars Ambrosia killed time on the road by using explosives to launch trash cans in the air. Burleigh laments on having to practice in front of the greatest drummers in the world and Mary tells us about Sting and Stewart Copeland trying to push each other out of an airplane in flight. Burleigh and Mary talk about what it's like to have a second generation of Drummonds playing music together, and Burleigh finally clears the air on why Dave Pack isn't with the band. Most of all it's a delightfully fun trip through 5 decades of music, and some great stories told by a couple who's marriage has survived the same amount of time.Tin Drum Music - www.tindrummusic.comAmbrosia Official Website - www.ambrosialive.net
Luis and I talked about working as a freelance designer, his journey in the animation industry, choosing to follow the path that brings you the most fun, being part of LightBox Expo, expanding one's skills and a lot more. Luis Gadea is Character Designer and Animator who was born in Canada and grew up in Costa Rica. Some of his clients include Netflix, Dreamworks, Warner Brothers, Illmunation Studio, Passion Pictures, Animal Logic and many others. These days he is a freelance Character Designer on animated projects that are yet to be announced. You can find more about Luis and his work here:@luisgadeawww.luisgadea.com
Decíamos ayer que The Police estaba en la cresta de la ola por méritos propios y por canciones como esta: Spirits in the Material World Traspasados los años 80 The Police fue abandonando su condición new wave para centrarse en su vertiente más pop. Así sucede en Ghost in the Machine (1981), un disco producido por Hugh Padgham que incluye los sencillos «Spirits in the Material World», que acabamos de escuchar, y «Every Little Thing She Does Is Magic» que escucharemos ahora. El éxito permanecía invariable en Europa y habían alcanzado el número 2 en los Estados Unidos. Al comienzo de la década de los 80 realizaron una gira por América del Sur. El concierto más importante de esta gira lo dieron los días 19 y 20 de febrero de 1982 en el Festival de Viña del Mar, en Chile, y fue todo un acontecimiento. En 1983 publican Synchronicity un álbum que obtuvo excelentes críticas gracias a un conjunto de canciones muy bien valoradas como «Every Breath You Take», que se convertiría en todo un himno de la banda. La gira de Synchronicity les permitió tocar en el Shea Stadium, un lugar mítico donde The Beatles se presentaron en 1965 ante 48.000 personas. Este fue el punto de inflexión de la fama del trío. El último concierto oficial de The Police en su etapa original fue el 4 de marzo de 1984 en Australia en la última fecha de la gira del disco Synchronicity. Las tensiones y egos entre los tres divos provocaron la disolución del trío, aunque nunca emitieron un comunicado sobre su disolución. Sting inició una carrera en solitario en 1985 llena de triunfos comerciales en donde había lugar para el pop con influencias jazz y del soul. Copeland se inclinó, entre otros proyectos, por la composición de bandas sonoras. Cuando todavía militaba en The Police editó varios EP's bajo el seudónimo Klark Kent, y después de la separación del grupo formó parte de diversos grupos, como por ejemplo Animal Logic. Colaboró también tocando la batería en algunas piezas del álbum So de Peter Gabriel. Por su parte Summers colaboró con grupos de rock progresivo y jazz. Andy Summers tocó como invitado en algunos conciertos de la gira de Sting en 1991, perteneciente a su disco solista The Soul Cages. Sting, por su parte, grabó como músico invitado en un disco de jazz de Summers. Durante este periodo The Police también realizó diversos conciertos en vivo como en 3 conciertos benéficos en junio de 1986 organizados por Amnistía Internacional y también tocaron en la boda del propio Sting celebrada en 1992. En 2003 el trío se reunió con motivo de su ingreso en el Salón de la Fama y cuatro años más tarde se reunieron para la entrega de los premios Grammy en febrero del 2007 e interpretaron «Roxanne». De esta época en solitario de Sting es este magnífico Englishman in New York Como muestra de la actividad en solitario de Copeland vamos a escuchar a su grupo Animal Logic en I’m Through With Love Del Sr. Summers no hemos sabido encontrar nada relacionado con esta época así que le vamos a escuchar en una grabación anterior a la formación de The Police con su grupo Strontium 90: New World Blues La separación del grupo fue la crónica de una muerte anunciada. El acento jamaicano de pega de Sting siempre había dado un poco de grima, y la entrevista que dio en 1979 a una revista no le hizo ningún bien. A la pregunta: “¿Sigue The Police un plan maestro?”, Sting contestó: “Si, Intentaremos superar a los Beatles. Me interesa atraer a un público masivo sin bajar el nivel, que sería lo más fácil del mundo: basta con hacer como Gary Glitter”. Bueno, el Sr. Gary Glitter, a pesar de sus numerosos éxitos musicales a lo largo de su carrera, acumula también numerosas condenas. En 1997 fue arrestado y condenado por posesión de cientos archivos de pornografía infantil. Más tarde, Glitter se enfrentó a cargos criminales y deportaciones de muchos países como Vietnam y Camboya, todos relacionados con el abuso sexual infantil. Glitter fue deportado de Vietnam a Reino Unido al final de su sentencia, por la que fue incluido en el registro de delincuentes sexuales. Todas estas condenas convirtieron a Glitter en una de las figuras más despreciadas del Reino Unido. Nuevamente, fue acusado, en junio de 2014, de delitos sexuales contra niños. El 5 de febrero de 2015 fue declarado culpable de intento de violación, cuatro cargos de asalto indecente y uno por tener relaciones sexuales con una niña menor de 13 años, entre 1975 y 1980. Fue sentenciado a 16 años de cárcel. En fin, suponemos que no se refería a esto cuando Sting citó a este despreciable personaje al que, al parecer, quería emular. Y es que Sting siempre ha resultado un poquito pedante, no solo para el público sino también para sus compañeros, con los cuales ha mantenido una relación de superioridad intelectual, intentando, también en sus letras, demostrar al mundo su pasado académico y lo leído que estaba. Pero musicalmente era el más talentoso del trio. Su carrera en solitario ha sido la más prolífica y la de mayor éxito. Un ejemplo: If you love somebody set them free. Para el primer disco que grabó Sting en solitario en 1985, The dream of the blue turtles, reunió a un grupo de músicos reconocidos como estrellas del jazz. El disco incluía el sencillo de mayor éxito «If you love somebody set them free», que acabamos de escuchar, además de otros como «Foretress around your heart», «We work the black seam» o «Consider me gone». En el plazo de un año se convirtió en triple platino. Sin abandonar es trabajo, vamos a escuchar otro corte: We work the black sean. En 1987, publicó Nothing like the sun, disco que supondría su reencuentro musical con Andy Summers. El LP incluía los éxitos «We’ll be together», «Be still my beating heart», «Englishman in New York» y «They dance alone» (canción en referencia a las madres argentinas y chilenas que perdieron a sus hijos en sendas dictaduras), dedicado a su madre, recientemente fallecida, y que pronto se convirtió en doble disco de platino, siendo reconocido como uno de los discos más importantes del rock & roll de los años 80. Vamos también a escuchar un par de temas de este importante trabajo. En primer lugar, The dance alone Y ahora, we’ll be together Ya hemos comentado que Sting es el más exitoso del trío Police. Esto le ha convertido en tipo multimillonario. No hace mucho tiempo, el compositor vendió todas sus obras, pasadas y futuras, a la compañía EMI por 30 millones de dólares. Uno de los contratos más abultados de la historia de la música, después del que firmara en su momento Elton John. Sting ha logrado lo que pocos consiguieron: multiplicar como solista el éxito que lo había llevado a la fama como miembro de un grupo. Pero la cabra tira al monte y, el 11 de febrero de 2007, The Police anuncia su reunión y abren el show de los premios Grammy interpretando «Roxanne». El primer concierto de The Police fue llevado a cabo en Vancouver (Canadá) el 28 de mayo de 2007 frente a más de veinte mil fanáticos. Como otros muchos artistas, Sting se ha sentido subyugado por la cultura india. Ahora practica yoga y meditación, reconociendo que le ayuda a “sobrellevar” la vida de artista. (que conste que esto es literal). A principios de 2005 Sting proclamó su interés por el hinduismo y declaró que quería pasar mucho más tiempo en la India por cuya cultura se siente fascinado. En una entrevista declaró: «En este momento lo que más me gusta es la religión hindú [...] Me he convertido en un adicto a la India. [...] Querría pasar el resto de mi vida descubriendo ese precioso país». Ya, pero bueno, por el momento, el artista vive en la preciosa región de La Toscana, en Italia, un lugar que, a lo mejor es un poco menos espiritual pero que, sin lugar a dudas, es mucho más agradable para vivir. Bueno amigos, se acabó el tiempo por hoy (creo que esta frase la dicen mucho los psiquiatras, no). Bueno, el caso es que, efectivamente, se nos acabó el tiempo. Nos oímos la próxima semana con más historias, más músicos y más música. Hasta entonces, ¡¡¡BUENAS VIBRACIONES!!!
Decíamos ayer que The Police estaba en la cresta de la ola por méritos propios y por canciones como esta: Spirits in the Material World Traspasados los años 80 The Police fue abandonando su condición new wave para centrarse en su vertiente más pop. Así sucede en Ghost in the Machine (1981), un disco producido por Hugh Padgham que incluye los sencillos «Spirits in the Material World», que acabamos de escuchar, y «Every Little Thing She Does Is Magic» que escucharemos ahora. El éxito permanecía invariable en Europa y habían alcanzado el número 2 en los Estados Unidos. Al comienzo de la década de los 80 realizaron una gira por América del Sur. El concierto más importante de esta gira lo dieron los días 19 y 20 de febrero de 1982 en el Festival de Viña del Mar, en Chile, y fue todo un acontecimiento. En 1983 publican Synchronicity un álbum que obtuvo excelentes críticas gracias a un conjunto de canciones muy bien valoradas como «Every Breath You Take», que se convertiría en todo un himno de la banda. La gira de Synchronicity les permitió tocar en el Shea Stadium, un lugar mítico donde The Beatles se presentaron en 1965 ante 48.000 personas. Este fue el punto de inflexión de la fama del trío. El último concierto oficial de The Police en su etapa original fue el 4 de marzo de 1984 en Australia en la última fecha de la gira del disco Synchronicity. Las tensiones y egos entre los tres divos provocaron la disolución del trío, aunque nunca emitieron un comunicado sobre su disolución. Sting inició una carrera en solitario en 1985 llena de triunfos comerciales en donde había lugar para el pop con influencias jazz y del soul. Copeland se inclinó, entre otros proyectos, por la composición de bandas sonoras. Cuando todavía militaba en The Police editó varios EP's bajo el seudónimo Klark Kent, y después de la separación del grupo formó parte de diversos grupos, como por ejemplo Animal Logic. Colaboró también tocando la batería en algunas piezas del álbum So de Peter Gabriel. Por su parte Summers colaboró con grupos de rock progresivo y jazz. Andy Summers tocó como invitado en algunos conciertos de la gira de Sting en 1991, perteneciente a su disco solista The Soul Cages. Sting, por su parte, grabó como músico invitado en un disco de jazz de Summers. Durante este periodo The Police también realizó diversos conciertos en vivo como en 3 conciertos benéficos en junio de 1986 organizados por Amnistía Internacional y también tocaron en la boda del propio Sting celebrada en 1992. En 2003 el trío se reunió con motivo de su ingreso en el Salón de la Fama y cuatro años más tarde se reunieron para la entrega de los premios Grammy en febrero del 2007 e interpretaron «Roxanne». De esta época en solitario de Sting es este magnífico Englishman in New York Como muestra de la actividad en solitario de Copeland vamos a escuchar a su grupo Animal Logic en I’m Through With Love Del Sr. Summers no hemos sabido encontrar nada relacionado con esta época así que le vamos a escuchar en una grabación anterior a la formación de The Police con su grupo Strontium 90: New World Blues La separación del grupo fue la crónica de una muerte anunciada. El acento jamaicano de pega de Sting siempre había dado un poco de grima, y la entrevista que dio en 1979 a una revista no le hizo ningún bien. A la pregunta: “¿Sigue The Police un plan maestro?”, Sting contestó: “Si, Intentaremos superar a los Beatles. Me interesa atraer a un público masivo sin bajar el nivel, que sería lo más fácil del mundo: basta con hacer como Gary Glitter”. Bueno, el Sr. Gary Glitter, a pesar de sus numerosos éxitos musicales a lo largo de su carrera, acumula también numerosas condenas. En 1997 fue arrestado y condenado por posesión de cientos archivos de pornografía infantil. Más tarde, Glitter se enfrentó a cargos criminales y deportaciones de muchos países como Vietnam y Camboya, todos relacionados con el abuso sexual infantil. Glitter fue deportado de Vietnam a Reino Unido al final de su sentencia, por la que fue incluido en el registro de delincuentes sexuales. Todas estas condenas convirtieron a Glitter en una de las figuras más despreciadas del Reino Unido. Nuevamente, fue acusado, en junio de 2014, de delitos sexuales contra niños. El 5 de febrero de 2015 fue declarado culpable de intento de violación, cuatro cargos de asalto indecente y uno por tener relaciones sexuales con una niña menor de 13 años, entre 1975 y 1980. Fue sentenciado a 16 años de cárcel. En fin, suponemos que no se refería a esto cuando Sting citó a este despreciable personaje al que, al parecer, quería emular. Y es que Sting siempre ha resultado un poquito pedante, no solo para el público sino también para sus compañeros, con los cuales ha mantenido una relación de superioridad intelectual, intentando, también en sus letras, demostrar al mundo su pasado académico y lo leído que estaba. Pero musicalmente era el más talentoso del trio. Su carrera en solitario ha sido la más prolífica y la de mayor éxito. Un ejemplo: If you love somebody set them free. Para el primer disco que grabó Sting en solitario en 1985, The dream of the blue turtles, reunió a un grupo de músicos reconocidos como estrellas del jazz. El disco incluía el sencillo de mayor éxito «If you love somebody set them free», que acabamos de escuchar, además de otros como «Foretress around your heart», «We work the black seam» o «Consider me gone». En el plazo de un año se convirtió en triple platino. Sin abandonar es trabajo, vamos a escuchar otro corte: We work the black sean. En 1987, publicó Nothing like the sun, disco que supondría su reencuentro musical con Andy Summers. El LP incluía los éxitos «We’ll be together», «Be still my beating heart», «Englishman in New York» y «They dance alone» (canción en referencia a las madres argentinas y chilenas que perdieron a sus hijos en sendas dictaduras), dedicado a su madre, recientemente fallecida, y que pronto se convirtió en doble disco de platino, siendo reconocido como uno de los discos más importantes del rock & roll de los años 80. Vamos también a escuchar un par de temas de este importante trabajo. En primer lugar, The dance alone Y ahora, we’ll be together Ya hemos comentado que Sting es el más exitoso del trío Police. Esto le ha convertido en tipo multimillonario. No hace mucho tiempo, el compositor vendió todas sus obras, pasadas y futuras, a la compañía EMI por 30 millones de dólares. Uno de los contratos más abultados de la historia de la música, después del que firmara en su momento Elton John. Sting ha logrado lo que pocos consiguieron: multiplicar como solista el éxito que lo había llevado a la fama como miembro de un grupo. Pero la cabra tira al monte y, el 11 de febrero de 2007, The Police anuncia su reunión y abren el show de los premios Grammy interpretando «Roxanne». El primer concierto de The Police fue llevado a cabo en Vancouver (Canadá) el 28 de mayo de 2007 frente a más de veinte mil fanáticos. Como otros muchos artistas, Sting se ha sentido subyugado por la cultura india. Ahora practica yoga y meditación, reconociendo que le ayuda a “sobrellevar” la vida de artista. (que conste que esto es literal). A principios de 2005 Sting proclamó su interés por el hinduismo y declaró que quería pasar mucho más tiempo en la India por cuya cultura se siente fascinado. En una entrevista declaró: «En este momento lo que más me gusta es la religión hindú [...] Me he convertido en un adicto a la India. [...] Querría pasar el resto de mi vida descubriendo ese precioso país». Ya, pero bueno, por el momento, el artista vive en la preciosa región de La Toscana, en Italia, un lugar que, a lo mejor es un poco menos espiritual pero que, sin lugar a dudas, es mucho más agradable para vivir. Bueno amigos, se acabó el tiempo por hoy (creo que esta frase la dicen mucho los psiquiatras, no). Bueno, el caso es que, efectivamente, se nos acabó el tiempo. Nos oímos la próxima semana con más historias, más músicos y más música. Hasta entonces, ¡¡¡BUENAS VIBRACIONES!!!
Topics Discussed - Lukes story & career path - Early career - TVC’s, broadcast design & Farscape TV series - How did Happy Feet change Animal Logic - Becoming a supervisor, challenges, promoting artist’s & advice - Leadership, challenges learnings & tips - Outward facing as a executive producer & pitching process - Projects : most successful and satisfying - ILM Transition - internal training - software & pipeline - Work life Balance - About ILM Sydney - Inspiration & the Future Luke Hetherington is the Executive in Charge of ILM’s Singapore studio and responsible for all films in production at the studio as well as overseeing all studio operations, marketing, and bidding on future projects. In July 2019, his role expanded to include the buildout and oversight of ILM’s Sydney studio. Hetherington’s experience in building high functioning teams plays a critical role in his work at the studio. Prior to joining ILM, Hetherington had 20 years of experience in the animation and visual effects industry. He spent the 17 years at Animal Logic in Australia where he helped lead the company through a period of outstanding growth in roles including Head of Film VFX, Executive Producer, Head of Production, and Head of CG. His credits include: Star Wars: The Last Jedi, Ready Player One, Avengers Infinity War, Walking with Dinosaurs 3D, Happy Feet and the sci-fi TV series, Farscape. www.ilm.com Proudly supported by : Autodesk & Digistor www.autodesk.com.au www.digistor.com.au
How can I harness, and protect, the value of my intellectual property? Creative ideas are valuable. But as a creative it can be hard to know what is worth protecting and when it’s worth sharing IP to get things made.Hear from Wendy Zukerman of podcast Science Vs, who sold the idea to US company Gimlet Media and Animal Logic’s Zareh Nalbandian, on why IP generation is good business. See acast.com/privacy for privacy and opt-out information.
This week I have a great talk with my buddy Dael Oates a writer/director who's represented by Darren Aronofsky's production company Chromista. We do a deep dive on the Nick Cage cult film Mandy, as well as our take on GOT's dark cinematography along with side chats about Dael's early days at the animation giant Animal Logic. Spoilers ahead! Enjoy!!
Today we are talking to Darin Grant, the CTO at Animal Logic. And we discuss what it took to bring The Matrix, Happy Feet and The Lego Movie to the big screen, the difference between partners and vendors, and we even get a few unexpected tips that will make you a better problem solver. All of this, right here, right now, on the Modern CTO Podcast!
A lot has changed since Darin Grant last appeared on the CG Garage podcast back in September 2016. The VFX industry has overcome its cloud-computing fears and embraced it wholesale, making it faster and cheaper to create imagery for Hollywood movies. Darin, meanwhile, left Solid Angle to consult for various companies and is now CTO for creative digital studio Animal Logic, the company behind The Lego Movie 2, The Matrix and Happy Feet. In this podcast, Darin offers an overview of the recent history and near future of CG, including why acquisitions of small companies by big ones aren’t necessarily bad, and the pros and cons of software subscription models. He also talks about his ongoing work for the Academy of Motion Picture Arts and Sciences, and ACM SIGGRAPH. Few people have such comprehensive knowledge and foresight of the VFX industry as Darin, making this vital listening for everyone from junior VFX artists to head honchos at major studios.
In this week's episode Craig and Geoff take a look at Zack Snyder's first animated film, Legend of the Guardians: The Owls of Ga'Hoole. Together, they chat about the book series by Kathryn Lasky that the film is based upon. Animation wizards/studio, Animal Logic and they also are joined again by special guest Evie Reid. Who knows what insights 7-year old Evie will bring! www.fftlpodcast.com Insta: @fftlpodcast FB: @fftlpodcast Twitter: @fftlpodcast
Topics Discussed - CV, cover letter and Interview - Framestore - Explore the issue of women in the industry - Dr D & George Miller - building a studio of 800 artists - Artist management, Negotiations, recruiting and future jobs - Working overseas - Leadership - Having kids - The Future Lara Hopkins : Framestore Over the last 25 years Lara Hopkins has worked internationally in production and talent management across most areas of animation and VFX including stop motion, cel animation, VFX + CG features, commercials and immersive projects. Starting her career in production in Adelaide at claymation specialists Anifex, she then moved to Sydney to produce commercials at Animal Logic. After a short stint at Advertising Agency Saatchi and Saatchi in Hong Kong, Lara joined Framestore in London as a Senior Producer in Advertising. In 2003 she moved to a CG artist manager role in Framestore's feature film division, covering both artist resource management and recruitment in CG and compositing. Heading back to Sydney she became Studio Manager for Rising Sun Picture's Sydney office, moving then to Dr D Studios to head up the recruitment team. She then returned to Framestore, moving to New York in 2012 to expand their film division, and also crewing Framestore's new offices in Montreal, Los Angeles and most recently Chicago. Lara is currently based in Sydney and consults exclusively for Framestore. She is also passionate about supporting gender diversity in animation and VFX with a strong belief that the best teams are those that are balanced. www.framestore.com
Catherine Mullan is an Animation Supervisor at MPC. Over the course of her career, she has worked for studios like Framestore, Animal Logic, MPC. Her credits include big budget films like Guardians of the Gallaxy, The Hunger Games, Maleficent, X-Men: First Class, Clash of the Titans, The Chronicles of Narnia, Harry Potter -- and many more. Right after graduating from Bournemouth University's Computer Animation Course in London, U.K., Catherine joined Framestore as a junior animator. She has been working in visual effects for over a decade. Her work has earned a 2005 Emmy Nomination for Outstanding Special Visual Effects (for The Last Dragon) and a nomination from VES (for Outstanding Animated Character in The Chronicles of Narnia), in 2011. In this Podcast, Catherine talks about her career -- from joining Framestore as a Junior Animator, through her current position as an Animation Sup at MPC -- the most hirable skills for VFX artists and the importance of your demo reel. For more show notes, visit www.allanmckay.com/140/.
Michael Wortmann is a VFX Supervisor. Since graduating from the Filmakademie in Wurttenberg, Germany, in 2009, Michael has pursued a truly international career by working for companies like Animal Logic in Australia, Weta Digital in New Zealand, Chimney in his native Germany and many more. His credits include large budget films like Prince of Persia, Harry Potter, X-Men: First Class, John Carter, Star Trek: Into Darkness, Atomic Blonde, and most recently, Black Panther. In this Podcast, Michael talks about his journey of becoming a VFX Supervisor, the benefits of changing companies every few years -- and the most essential skills for standing out as a VFX artist. For more show notes, visit www.allanmckay.com/124/.
Merry Christmas to all! To celebrate, Asian Jon and Average Joe exchange gifts before giving a gift to themselves in the form of talking about all the comic book movies released in theatres in 2017. A complex ranking system accounting for box office, Rotten Tomatoes scores, Cinemascore, IMDB ratings, and the Bat-Cookie ratings provides the complete answer as to which movies are the best to come out this year. Which film will emerge triumphant? Music and audio from "The LEGO Batman Movie", "Wonder Woman", "Batman & Harley Quinn", and "Justice League" is the property of property of Dan Lin, Phil Lord, Chris Miller, Roy Lee, Charles Roven, Deborah Snyder, Richard Suckle, Jon Berg, Geoff Johns, Warner Animation Group, Rat-Pac Dune Entertainment, Atlas Entertainment, DC Films, Cruel & Unusual Films, LEGO Systems A/S, Vertigo Entertainment, Lord Miller Productions, Lin Pictures, Animal Logic, Tencent Pictures, and Wanda Pictures. Music and audio from "Guardians of the Galaxy Vol:2", "Spider-Man: Homecoming", "Inhumans" and "Thor: Ragnarok" is the property of Kevin Feige, Amy Pascal, Jean Higgins, ABC Studios, Marvel Television, Devilina Productions, Columbia Pictures, Pascal Pictures and Marvel Studios. Music and audio from "Logan" is the property of Laura Shuler-Donner, Simon Kinberg, Hutch Parker, TSG Entertainment, Kinberg Genre, The Donners' Company, Hutch Parker Entertainment, and Marvel Entertainment. Music and audio from "Ghost in the Shell (2017)" is the property of Avi Arad, Ari Arad, Steven Paul, Michael Costigan, Paramount Pictures, Dreamworks Pictures, Huahua Media, Arad Productions, Shanghai Film Group Corporation, and Reliance Entertainment. Music and audio from "Valerian & The City of 1000 Planets" is the property of Luc Besson, Virgine Besson-Silla, EuropaCorp, TF1 Films Production, Fundamental Films, BNP Paribas, Orange Studio, Universum Film GmbH, Novo Pictures, River Road Entertainment, and Belga Films. Music and audio from "Atomic Blonde" is the property of Charlize Theron, Beth Kono, A. J. Dix, Kelly McCormick, Eric Gitter, Peter Schwerin, Denver & Delilah Productions, Closed on Mondays Entertainment, and 87Eleven. Music and audio from "Wilson" is the property of Jared Ian Goldman, Mary Jane Skalski, and Ad Hominem Enterprises. Audio and music from "Kingsman: The Golden Circle" is the property of Matthew Vaughn, David Reid, Adam Bohling, Marv Films, Cloudy Productions, Shangri-La Entertainment, and TSG Entertainment. Special thanks to Jeremy Eckert for our theme song. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.
This episode is sponsored by Colorist Society International and Mixinglight.com. Vanessa Taylor, freelance colorist for the films The Great Gatsby and Lady Macbeth, joins me on this episode of the Colorist Podcast. Vanesa has over 20 years experience in the industry. She got her start working at Animal Logic, working on the Quantel Henry as an Online Editor. After that, she moved on to the DI department at Park Road Post. She’s worked on projects from Joss Whedon, Baz Luhrmann and Peter Jackson. She’s based out of the UK, but travels worldwide to work on a variety of different independent films. On this podcast, we talk about: Her experience with Quantel Henry, Pablo, eQ and iQ served as a basis for her career How she moved on to Park Road Post Knowing when to do a visual effects shot in a color grading application Working on a big budget feature film and where your contribution can fit it Learning several color systems Balancing the tech and art of color grading HDR and what it means creativity for colorists Working in other countries and their perceptions of color Running a session and how to keep it flowing The lowering cost of color grading systems and what it means for working colorists today The formation of the colorist society and how we benefit from joining together Vanessa Taylor - Website LinkedIn Twitter This episode is sponsored by: Colorist Society International For more information on how you can become a member, visit, www.coloristsociety.com. and by: Mixinglight.com Use the coupon code “josh15” for 15% off the first term of any Premium Color library subscription.
Lego Batman Director Chris McKay and Production Designer Grant Freckelton join CJ. Plus a review of Land of Mine.
We invited rising star and three year old film critic Archie Levins to review The Lego Batman Movie with us. Haven't seen it yet? Don't worry! We keep it mostly spoiler free and give a big fat warning when we do delve into spoilers. PLUS it's like a day until the Nintendo Switch comes out! How do the baby bros feel about that? Spoilers for The Lego Batman Movie from 25.43 - 42.22. Thanks so much to our pal Will from Animal Logic for getting us into a screening! - Hey Fam is a weekly pop culture podcast hosted by good pals Andrew Levins and Angus Truskett, reviewing the latest in movies, TV and video games with regular guests from Sydney’s comedy and arts scene. Get in touch with us to ask us a question or tell us to check out something we’re missing out on. Email us at heyfampodcast@gmail.com or find us at facebook.com/heyfampodcast. If you like what you hear, please leave us a nice review on iTunes! See acast.com/privacy for privacy and opt-out information.
Joe is thrilled to welcome one of his favorite drummers, Stewart Copeland, to The Trap Set. A founding member of The Police, Stewart is one of the most admired and influential drummers of all time. He tells Joe about how drumming made him a man; his father's background as a CIA agent; why he was largely unhappy during The Police's massively successful reign; his film scoring approach; and his parenting philosophy.
Gemma O’Brien is an Australian artist specialising in lettering, illustration and typography. After completing a Bachelor of Design at the College of Fine Arts in Sydney, Gemma worked as an art director at Animal Logic, Fuel VFX, and Toby & Pete before deciding to fly solo as a commercial illustrator in 2012. Her typographic work takes on a variety of forms, from calligraphic brushwork, illustration and digital type, to large scale hand-painted murals. She splits her time between advertising commissions, gallery shows, speaking engagements, and hosting hand-lettering workshops around the world. Her clients include Playboy Magazine, Nike, Volcom Stone, Kirin, Heineken, QANTAS, and Diet Coke. A number of her projects have received the Award of Typographic Excellence from the New York Type Directors Club, and in 2015 she was recognised as an ADC Young Gun. Today we’ll be speaking with her about her recent installation titled MrsEaves 101: The handprinted typography of Gemma O’Brien, which was held at the Laguna College of Art & Design in Laguna Beach, California.
In part 2 of the conversation with Michael Thompson, we cover specific sessions such as Animal Logic, Michael Jackson, Madonna, and Shania Twain (including over a month working closely with Mutt Lange).
Michael Thompson discusses his life and career, and explains how he became one of the most sought-after session guitarists of the last twenty-five years. A small sample of his sessions includes Michael Jackson, Whitney Houston, Celine Dion, 'N Sync, Toni Braxton, Phil Collins, Rod Stewart, Christina Aguilera, Michael Bolton, Mariah Carey, Bette Midler, Madonna, Animal Logic with Stewart Copeland and Stanley Clarke and Shania Twain. And producers such as Mutt Lange, Quincey Jones, Babyface, and David Foster. This week in part one we go through his personal history, and in next week's part two we'll talk about specific sessions.
The Foundry brings together some of the best VFX studios in Australia and abroad to articulate through specific case studies and demonstrations the endless possibilities that compositing, 3D, and animation software bring to a production. Recorded: 14 February 2015
This week on Out of the Box, a man who has dinosaurs. Will Reichelt is a visual effects supervisor at local movie effects house Animal Logic. He's worked films like Knowing, Australia and his most recently on a big screen version of Walking With Dinosaurs 3D. He's also a photographer and in his time he's snapped some of the hottest acts around, including Sigur Rós, Cloud Control and Wayne Coyne from the Flaming Lips. He'll be in this week to tell us about eight years of music photography and making his own dinosaur film. Show notes and playlist at http://fbiradio.com/programs/out-of-the-box/2014-10-30/
How is it that a drummer for one of the most influential rock bands in history finds himself largely rejecting his pop music past to pursue a career as composer, authoring a prolific series of film scores, operas, and ballets? That’s what happened with Stewart Copeland. From his founding of the Police with Sting and Henri Padovani, who was later replaced by Andy Summers, Copeland has enjoyed a career that has been injected with creativity, unpredictability and surprising opportunity. Along with his collaborations with artists such as Peter Gabriel, Roger Daltry, Mike Rutherford, Tom Waits, and Stanley Clarke and Deborah Holland of Animal Logic, today Copeland’s open-minded approach keeps him constantly connected with new creative opportunities. His credits are too long to mention, and his position as one of the best musicians in the modern music era lives on. Inside MusiCast is pleased to welcome Stewart Copeland.
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