Podcasts about stafford arima

Live from The Gospel According To Heather press event, I interviewed my friend, Actress & Singer, Lauren Elder.In this interview, Lauren pulled back the curtain to reveal:What made her want to be part of The Gospel According To HeatherWhat she related to most about the show & her character Grace KrebsOne rule she lives byVisit my website, Call Me Adam dot com, for behind-the-curtain story you won't hear in the interview!In The Gospel According To Heather, Heather Krebs just wants a boyfriend. But how can she even navigate her way through high school if she might be the New Messiah? A small town in Ohio grapples with politics, religion and teenage romance in this eclectic pop musical.The Gospel According To Heather plays at Theater 555 in NYC through the newly extended date of July 16, 2023.*At The Gospel According To Heather press event, members of the media were given a sneak peak of this new Off-Broadway Musical. More on Lauren Elder:Lauren Elder is an actress, singer-songwriter, and world champion whistler living in New York City. Most recently, Lauren played Mary in the world premiere production of Mary and Max, A New Musical, by Bobby Cronin and Crystal Skillman, at Theatre Calgary, directed by Stafford Arima. She was nominated for a Betty Mitchell Award for Outstanding Performance By An Actress for her portrayal of Mary.Lauren has been seen on Broadway in Side Show and Hair and in the West End in Hair.Other NYC Theater: Hair (Shakespeare in the Park/NY Public Theater), The Village of Vale (Lincoln Center), Orange Star Smasharoo;Regional: Side Show (Kennedy Center, La Jolla Playhouse), Kingsmen Shakespeare Festival.TV: Law & Order SVU, Louie, Boardwalk Empire, The Tonight Show, The 83rd Macy's Thanksgiving Day Parade, The 63rd Annual Tony Awards.Lauren is also a children's performer, director, internationally respected performance coach, and on faculty at NY Film Academy and A Class Act NY.She performs regularly in nightclubs around NYC, including 54 Below, Joe's Pub, Birdland, and Club Cumming. Her debut album can be found on iTunes and Spotify!Special Thanks:Richard Hillman PRTheme Song by Bobby CroninPodcast Logo by Liam O'DonnellEdited by Adam RothenbergMore Call Me Adam:Website: www.callmeadam.comFacebook: @CallMeAdamNYCInstagram: @CallMeAdamNYC

Abbey O'Brien's (abbeyo.com/abbeyo)(LI:@abbeyobriennyc)(IG:@abbeyobriennyc)career in the entertainment industry spans over 20 years. She kicked off her career as a Rockette on one of the world's most renowned stages, Radio City Music Hall. Her professional experience is diverse, from Tony Award-winning cast member, to collaborating on an Emmy nominated TV show, to being on the creative teams of Tony winning Broadway shows, to choreographing music videos, directing original works, and working with major corporations.  Abbey has worked with famed actors Uma Thurman, Hugh Jackman, Hank Azaria, Sara Bareilles, Megan Hilty, Katharine McPhee, Martha Plimpton, David Hyde Pierce, plus acclaimed directors Mike Nichols, Diane Paulus, Casey Nicholaw, Des McAnuff, Rob Ashford, Jerry Mitchell, Josh Bergasse, Anne Reinking, Joe Mantello, Lear DeBessonet, Bebe Neuwirth, Sidi Larbi, Daniel Sullivan, Stafford Arima, Joe Calarco, Graciela Daniele, Lorin Latarro and many more.  Ms. O'Brien is currently the Associate Choreographer of not only Sara Bareilles' Waitress the Musical, but Alanis Morissette's 15 time Tony award nominated Jagged Little Pill. Abbey is also Resident Director of Jeffrey Finn's Hot on Broadway, which creates evening length industrial shows for corporations across America.  Director/Choreographer credits: Rocky Horror Show,13 the musical, Meet Me in St.Louis, A Quarantine Cabaret Choreography credits include: ExtraOrdinary (Directed by Diane Paulus), Broadway for Biden (Directed by Liesl Tommy), NBC's Jimmy Fallon Show, CBS's Late Show with David Letterman, Sugarland (Music Video), Big Fish (Directed by Eric Woodall), NYC Mayor's Inner Circle Gala, Smokey Joe's Cafe (Directed by Julia Murney), Rock of Ages (Directed by Michael Berry), Mama Mia (Casa Mañana), American Idiot (TUTS), Dreamgirls (Directed by Lauren Kennedy), Spamalot (Atlanta Lyric Theatre), True Love (TriArts Sharon Playhouse), Performa Gala (Jennifer Rubell), Wizard of Oz (NewArts), and many industrial/ corporate entertainment events.  Associate Director/Choreographer credits: Jagged Little Pill (Broadway and American Repertory Theater), Waitress (All Companies), #DateMe (Off-Broadway),Taste of Things to Come (The York Theatre and Chicago Broadway Playhouse), The Odyssey (Public Works at The Delacorte), Double Portrait (Film), Elf (Paper Mill Playhouse), Ragtime (Lincoln Center), Bernadette Peter's Drama League Gala (The Plaza), NBC's Smash, Company (Bucks Co. Playhouse), National Pastime (BCP), Plaid Tidings (BCP), Legs (Tory Burch commercial), Microsoft (Industrial), Norwegian Cruise Line (RWS), Chicago (Ogunquit Playhouse). Some of her performing credits include: NBC's Smash, Broadway's Spamalot, Broadway's Pal Joey, Radio City Rockette's, NBC's Celebrity Apprentice, Longshot (Film), Martha Plimpton Sings? (Lincoln Center-American Songbook Series), Sinatra (Radio City Music Hall), No Strings (Encores!), The Met Gala (NYC), Carnivale (Radio City). Abbey O'Brien is also a National Adjudicator, Master Teacher, Guest Artist, and Creative Consultant.

Abbey O'Brien's (abbeyo.com/abbeyo)(LI:@abbeyobriennyc)(IG:@abbeyobriennyc)career in the entertainment industry spans over 20 years. She kicked off her career as a Rockette on one of the world's most renowned stages, Radio City Music Hall. Her professional experience is diverse, from Tony Award-winning cast member, to collaborating on an Emmy nominated TV show, to being on the creative teams of Tony winning Broadway shows, to choreographing music videos, directing original works, and working with major corporations.  Abbey has worked with famed actors Uma Thurman, Hugh Jackman, Hank Azaria, Sara Bareilles, Megan Hilty, Katharine McPhee, Martha Plimpton, David Hyde Pierce, plus acclaimed directors Mike Nichols, Diane Paulus, Casey Nicholaw, Des McAnuff, Rob Ashford, Jerry Mitchell, Josh Bergasse, Anne Reinking, Joe Mantello, Lear DeBessonet, Bebe Neuwirth, Sidi Larbi, Daniel Sullivan, Stafford Arima, Joe Calarco, Graciela Daniele, Lorin Latarro and many more.  Ms. O'Brien is currently the Associate Choreographer of not only Sara Bareilles' Waitress the Musical, but Alanis Morissette's 15 time Tony award nominated Jagged Little Pill. Abbey is also Resident Director of Jeffrey Finn's Hot on Broadway, which creates evening length industrial shows for corporations across America.  Director/Choreographer credits: Rocky Horror Show,13 the musical, Meet Me in St.Louis, A Quarantine Cabaret Choreography credits include: ExtraOrdinary (Directed by Diane Paulus), Broadway for Biden (Directed by Liesl Tommy), NBC's Jimmy Fallon Show, CBS's Late Show with David Letterman, Sugarland (Music Video), Big Fish (Directed by Eric Woodall), NYC Mayor's Inner Circle Gala, Smokey Joe's Cafe (Directed by Julia Murney), Rock of Ages (Directed by Michael Berry), Mama Mia (Casa Mañana), American Idiot (TUTS), Dreamgirls (Directed by Lauren Kennedy), Spamalot (Atlanta Lyric Theatre), True Love (TriArts Sharon Playhouse), Performa Gala (Jennifer Rubell), Wizard of Oz (NewArts), and many industrial/ corporate entertainment events.  Associate Director/Choreographer credits: Jagged Little Pill (Broadway and American Repertory Theater), Waitress (All Companies), #DateMe (Off-Broadway),Taste of Things to Come (The York Theatre and Chicago Broadway Playhouse), The Odyssey (Public Works at The Delacorte), Double Portrait (Film), Elf (Paper Mill Playhouse), Ragtime (Lincoln Center), Bernadette Peter's Drama League Gala (The Plaza), NBC's Smash, Company (Bucks Co. Playhouse), National Pastime (BCP), Plaid Tidings (BCP), Legs (Tory Burch commercial), Microsoft (Industrial), Norwegian Cruise Line (RWS), Chicago (Ogunquit Playhouse). Some of her performing credits include: NBC's Smash, Broadway's Spamalot, Broadway's Pal Joey, Radio City Rockette's, NBC's Celebrity Apprentice, Longshot (Film), Martha Plimpton Sings? (Lincoln Center-American Songbook Series), Sinatra (Radio City Music Hall), No Strings (Encores!), The Met Gala (NYC), Carnivale (Radio City). Abbey O'Brien is also a National Adjudicator, Master Teacher, Guest Artist, and Creative Consultant.

A disarmingly honest conversation about career, loving yourself (ie your voice), and taking on the identity of "artist." In this episode, you'll hear Sasha talk about finding success in unexpected opportunities like workshops, readings, and cabaret shows.  She also shares her honest realizations about fighting her “type” and coming to terms with her voice (which she now loves, btw). Sasha received her MFA in Musical Theatre from San Diego State University and her BFA in Musical Theatre with emphasis in Acting and Vocal Repertoire from The Boston Conservatory.  Some of her favorite NY credits include: Jerry Springer the Opera (Carnegie Hall); Colette Collage (The York Theatre) I and Albert (York), The Grand Tour (York); and readings/workshops such as Carrie: the Musical (with Sutton Foster & Marin Mazzie, dir. Stafford Arima), Mister Hollands Opus: the Musical (with BD Wong), Dig Lenny Bruce (with Mario Cantone & Mary Testa, dir. Jerry Dixon), TV: ABC's What Would You Do? (“Ugly Americans in Paris”), Food Fighters (judge), and one-time game show winner on $100,000 Pyramid. Commercials: Jenny Craig nat'l (w/Mariah Carey).  Sasha wrote her thesis on “The Art and the Venue of Cabaret” and has written, produced, and performed her own cabarets in NYC, San Diego, and LA. Sasha has been a faculty member in the Musical Theatre programs at Pace University, Marymount Manhattan College, San Diego State University, and The American Musical and Dramatic Academy (AMDA)..   If you've ever questioned your own success or wondered if this was what you were “supposed” to be doing, then you'll want to hear this conversation. Find more about Sasha at www.sashaweiss.com Xo, Korrie Check out www.korrieyamaoka.com to find info about FREE RESOURCES and AUDITION COACHING, and to sign up for my email list. Korrie's Email List - Sign up for weekly resources about auditioning, information on new offerings, and the latest news from Studying the Song. Did you enjoy today's episode?  Please Rate, Review, and Subscribe today! Contact Korrie at hello@korrieyamaoka.com.

Broadway director Stafford Arima joins us to discuss how he has managed his finances as a freelance director in New York City.    We discuss: ⭐️ Moving from Canada to be resident director of Broadway's Ragtime ⭐️ How much he socked away for retirement during his 20 years freelancing ⭐️ His newest job as an artistic director of Theatre Calgary which was his first full time job, which he took when he was in his late forties ⭐️ Stafford talks about his parent's relationship with gambling and the death of his uncle that shaped his perspective on money ⭐️ The show starts with Stafford raving about his SUPERSTAR design team of Bhangin' It at La Jolla Playhouse   The outtakes include a chat about Allegiance on Broadway, which Stafford directed. The show starred George Takei, Lea Salonga, and Telly Leung.   Outtakes: https://www.patreon.com/posts/92-stafford-64043536?utm_medium=clipboard_copy&utm_source=copy_to_clipboard&utm_campaign=postshare   Stafford's Website: http://www.staffordarima.com/index.html   Theatre Calgary: https://theatrecalgary.com/   Bhangin' It: A Bangin' New Musical: https://www.broadwayworld.com/article/La-Jolla-Playhouse-Announces-Creative-Team-for-BHANGIN-IT-A-BANGIN-NEW-MUSICAL-20211220   Become a patron: https://linktr.ee/artisticfinance   Interview by Ethan Steimel

Anthony and Stafford talk about the return of theater, relationships, self identity and Gratitude for the career and life he has had!

How does a Toronto kid spend 20 years working in New York City theatre and then find themselves in Calgary? In this episode Stafford Arima describes his approach to theatre, how Evita changed his life, and a confrontation with the legendary Elaine Stritch. Checkout Theatre Calgary here: https://www.theatrecalgary.comAnd on Instagram: https://www.instagram.com/theatrecalgary/And on Twitter: https://twitter.com/TheatreCalgaryStafford's personal website: http://staffordarima.comCreative Block is a proud member of The Alberta Podcast Network: Locally grown. Community supported. You can find more information and listen to all the great shows by going here: https://www.albertapodcastnetwork.comOur sponsors this week are: Park Power - https://parkpower.ca - your friendly, local utilities provider in Alberta. Offering Internet, Electricity, and Natural Gas with low rates, awesome service, and profit-sharing with local charities. SHIFT by Alberta Innovates - https://shift.albertainnovates.ca - Shift showcases the work being done in the province’s innovation ecosystem in everything from health to clean energy. Media Lab YYC is a public production studio located in downtown Calgary, Alberta. They help you tell your story. They do this by assisting in the creation of videos and podcasts.Website: http://medialabyyc.comYouTube: https://www.youtube.com/channel/UC41pYdYE__w0lwGrrYsy0cwTwitter: https://twitter.com/medialabyycInstagram: https://www.instagram.com/medialabyyc/Facebook: https://www.facebook.com/medialabyyc/★ Support this podcast on Patreon ★

Recorded on March 31, 2021 For over 25 years, audiences around the world have found joy in the trailblazing work of Stafford Arima. Nominated for an Olivier Award for his direction of the West End premiere of Ragtime, Arima has spent his career elevating the theater scene across the pod and across North America. In 2015, he made history when he became the first Asian-Canadian artist to direct a musical on Broadway, Allegiance starring Lea Salonga and George Takei, but his legacy also includes work with the Stratford Festival, Paper Mill Playhouse, Goodspeed Musicals, The Old Globe, and Theatre Calgary, where he currently serves as the Artistic Director. In this episode, The Drama League’s Artistic Director Gabriel Stelian-Shanks connects with Arima  about his introduction into the world of directing and the role artistic leaders play in creating a dialogue with the community.   For more information about Stafford Arima visit: http://staffordarima.com/index.html  Help support The Drama League: http://bit.ly/DLdonations Editing Services @catalinmedia  

You ain’t seen nothing yet! It’s gonna be a night you’ll never forget!  Chris and Holly are back with a special all-new bonus update, partly because they haven’t got anything else to do, and partly because so much has happened in the Carrie-verse since the series launched!  Think of it a bit like the megamix at the end of your favourite jukebox musical: we’ve got never-heard-before Carrie recordings to share! We’ve got updates from your favourite cast members - and some new ones! We hear from more famous Friends of Carrie! We’ve got a great story about a pig! We’ve got another extra sassy Barbara Cook incident to share! We might watch Streetwalkin’ again! We try and work out what the hell we could do for a second season now we’ve picked a very Carrie-specific name for this podcast! And much more!  So put on your best unitard, settle down on the nearest massive white staircase, grab a glass of something sparkly and join us for one final* Carrie chat! *or is it?  Includes new contributions from Paul Schwartz (Musical Director), Michael Starobin (Orchestrator), Annie Golden and Todd Graff (workshop production), Stafford Arima (revival Director), Joe Iconis, Alice Ripley, Shelley Hodgson (original ensemble member), Jeremy Sturt, (original Deputy Stage Manager), Paul Clayton, David Hunter, Lee Proud, Mike Borowski and more! Friends of Carrie - join us on our social channels and share your feedback! Instagram Facebook Twitter Out for Blood is hosted by Holly Morgan and Chris Adams, edited by Tom Moores, with original music by Odinn Orn Hilmarson and artwork by Rebecca Pitt. Out for Blood is a proud member of the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s been quite a journey. Holly and Chris look back at their Carrie adventure and try and answer some burning questions.  We ask an expert, author of ‘Flop Musicals of the Twentieth Century’ Stephen Purdy, if Carrie really can be defined as a flop compared to some prominent recent mega-failures. We also find out from writer Peter Michael Marino, creator of the doomed ‘Desperately Seeking Susan’ musical, what it’s like to have your new musical trashed (FYI: we saw it twice and had a great time), plus the legendary Alice Ripley also shares her experiences of being in well-loved musicals which were hit by premature closure, like ‘American Psycho’ and ‘Side Show’.  And finally - a post mortem. Where did it go wrong? Who was to blame? Could Carrie have been fixed? Can you even do horror on stage? Can we just do this as a job forever?  Plus, we leave the last word to our gang of original cast members to tell us how this funny little musical changed their lives forever. Friends of Carrie - join us on our social channels and share your feedback! Instagram Facebook Twitter   Out for Blood is hosted by Holly Morgan and Chris Adams, edited by Tom Moores, with original music by Odinn Orn Hilmarson and artwork by Rebecca Pitt. Out for Blood is a proud member of the Broadway Podcast Network. Thanks this week to Stephen Purdy, Peter Michael Marino, Alice Ripley, Linzi Hateley, Brady Schwind, Joey Mckneeley, Dean Pitchford, Charlotte D’Amboise, Sally Ann Triplett, Suzanne Thomas, Shelley Hodgson, Kenny Linden, Michelle duVerney, Eric Gilliom, Paul Schwartz, Stafford Arima, Louis Hobson, Kim Criswell, Julie Cohen, Carmen Cusack, Annie Golden, Jodie Jacobs, Kayla Parker, Emily Lopez, Stephen Dolginoff, Bob Sembiante, Jonny Jones and Rita Desjardin.  THIS WEEK’S LINKS: Stephen Purdy’s excellent book ‘Flop Musicals of the Twentieth Century’ is published by Routledge. Trailer for Peter Michael Marino’s Desperately Seeking Susan. Alice Ripley’s blistering performance in Next to Normal at the Tonys, and in Side Show with Emily Skinner. Jonny Jones' 80s reimagining of 'In' with Debbie Allen's original choreography Please note that we don’t own any of the content above and we’re not responsible for the content of third-party links – enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

By 2012, over two decades had passed since Carrie the Musical’s high-profile Broadway car crash, and the last thing its creators wanted was to resurrect the show that haunted them. But the requests for a revival kept coming in.   We find out why Director Stafford Arima was determined to give the show a new life, and how he persuaded the writers to give Carrie another chance in a smaller, tighter new production (with not a unitard or giant staircase in sight). We meet two of the stars of that ‘revisal’, Molly Ranson and Carmen Cusack, and speak to award-winning vocal designer AnnMarie Milazzo about how she reinvented the sound of Carrie for a new generation. Is it possible to shake off the reputation of a show that’s known as a complete disaster? And can you really do Carrie without the blood? Friends of Carrie - join us on our social channels: this week we shared some iconic exclusive photos from Linzi Hateley’s personal Carrie collection! Instagram Facebook Twitter   Out for Blood is hosted by Holly Morgan and Chris Adams, edited by Tom Moores, with original music by Odinn Orn Hilmarson and artwork by Rebecca Pitt. Out for Blood is a proud member of the Broadway Podcast Network.  Thanks this week to Dean Pitchford, Stafford Arima, AnnMarie Millazzo, Molly Ranson, Carmen Cusack and Andrew Wachter. THIS WEEK’S LINKS: Stafford Arima is now the Artistic Director of Theatre Calgary, in Alberta, Canada. The Carrie ‘revisal’ was produced and staged by MCC Theater The iconic Marin Mazzie as ‘Mother’ in ‘Ragtime’ Footage from the Carrie revisal on Playbill.com and the official cast recording on Spotify The New York 1 review of the show Please note that we don’t own any of the content above and we’re not responsible for the content of third-party links – enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Theatre Calgary has started a new, short and fun video series called TC Takeout: The Arts Delivered. They are asking emerging and established artists in Calgary for some help in creating content. Theatre Calgary's artistic director, Stafford Arima joins the Morning News to discuss the initiative.

Bobby Cronin (IG:@croninbobby) is an award-winning composer/writer rep'd by James Beresford (Shepherd Management, UK). His projects include: Mary & Max [based on the claymation film of the same name] with bookwriter Crystal Skillman and director Stafford Arima which will have its World Premiere at Theatre Calgary in the fall of 2018; Olisnach with bookwriter Crystal Skillman (being developed to star Ali Stroker); ‘Til Death Do Us Part (2016 Overtures Series directed by Kent Nicholson; 2012 Alec Baldwin Fellowship Winner, UK’s S&S Award Finalist) with bookwriter Caroline Prugh; Sunset City with bookwriter Wade Dooley (2013 Running Deer Theatre Lab, 2014 Goodspeed Mercer Project, 2014 the Pitch, 2015 The York Theatre, NYC); Till Soon, Anne with bookwriter Christine Toy Johnson which had a residency at the Eugene O'Neill Theatre Center and a NYC reading April 2018 starring Abby Mueller, Wade McCollum, Kate Loprest, Stacia Fernandez, Joel Perez, Lauren Molina, and more; Welcome To My Life (W2ML); Alone in the U.S. with Terry Berliner, which was commissioned by CAP21 and was produced at the University of Cumbria under the title Alone in the UK; The Concrete Jungle, commissioned in 2011 for London’s esteemed ArtsEd (President: Andrew Lloyd Webber) opened in London June 2012, had a lab presentation at West Texas A&M 2015 and made the short list for the New American Musical Theatre Prize; Daybreak (winner of the 2011 New Jersey Playwrights Contest) premiered in Wayne, NJ & London’s Tristan Bates Theatre June 2012. He is currently working on a commission by A Class Act NYC called Psykidz. Bobby composed the scores and songs for several musical films, which have been in festivals all over the country, for NYFA, where is also on faculty. He was part of the 2015 Prospect Theatre Company's Off-Broadway show Fright Night where his 15-minute musical My Boyfriend Is An Alien written with Christine Toy Johnson premiered. His music won “Best Score of a Mockumentary” for the webseries Thank You, Next and Best Music/Lyrics for Ten Reasons I Won’t Go Home With You in 2010’s MITF. Bobby is one of the four NEO Writers for the York Theatre Company's 2014-2015 season with Stephen Flaherty as his mentor. He was commissioned to write a pop song for the 2013 winner of Italy’s televised singing competition Lo Canto. Other: 54 Below, Lincoln Center Songbook Series, Birdland, Symphony Space, London’s The Players Theatre & St. James Theatre, etc. "Reach The Sky: Live" & “The Concrete Jungle International Studio Cast Recording” available on iTunes featuring theatre stars Caissie Levy, Kate Shindle, Jared Gertner, Rebecca Trehearn, Alex Gaumond, and Olivia Phillip. Bobby created the Inspired Benefit Concert Series for animal rescue organizations across the U.S. & UK to raise funds and awareness for the 3 million adoptable pets euthanized in our country each year. Bobby has taught Master Classes around the world for musical theatre actors on song interpretation, audition technique, and his specialty, the ever-popular pop/rock genre. He’s a Yale graduate where he won the Michael P. Manzella Award for excellence in Arts, Scholastics and Character. Member of ASCAP, Dramatists Guild. 

Marc de la Cruz recently made history as the first ever Asian American actor to play the role of Hamilton on Broadway. After falling in love with In the Heights and realizing what was possible on Broadway, he wondered if he'd ever get the chance to work with The Cabinet and SPOILER it's happening!! In Marc's first episode, we talk about his journey to Broadway and his experiences with High School Musical, If/Then, and Allegiance.  via YouTube OnQ Talent Agency Published on Nov 23, 2014 Allegiance features music and lyrics by Jay Kuo, book by Marc Acito, Kuo and Lorenzo Thione, direction by Stafford Arima, choreography by Andrew Palermo and music supervision, arrangements and orchestrations by Lynne Shankel.

Welcome to Masters of the Stage Replay, which revisits podcasts that seem especially relevant this season. Today’s podcast features Hamilton director Thomas Kail in conversation with director Stafford Arima about their careers and the theatrical worlds that have shaped them.

Actor George Takai is best known as Sulu from "Star Trek," as well as for his LGBT activism and funny posts on Facebook. He and Lea Salonga, the original Kim in “Miss Saigon,” are the headliners in the new Broadway musical "Allegiance," which tackles a tough historical subject. Like many thousands of Japanese-Americans, Takai was interned by the U.S. government in camps during World War II after Japan attacked Pearl Harbor. New York Times theater critic Charles Isherwood offers his review of "Allegiance," which features a score by Jay Kuo and book by Kuo, Marc Acito and Lorenzo Thione, in a production directed by Stafford Arima. It runs through September 2016, at the Longacre Theatre.

We focus on “Allegiance,” a new American musical on the internment of Japanese-Americans during WWII, with director Stafford Arima and actors Telly Leung, Lea Salonga, and George Takei whose childhood internment inspired the Musical.

This is the first in a series curated by Thomas Kail, director of Hamilton and In the Heights, and featuring Kail in conversation with some of the most fascinating directors currently working on the American stage. In this podcast Kail and Stafford Arima engage in a lively conversation about their careers and the theatrical worlds that have shaped them. Throughout their hour-long session, the two artists discuss many questions that often come up in their work and ultimately engage in a critical discussion about how directors may separate the ‘journey’ from the ‘destination.’

On July 8, 2013, SDCF hosted a panel discussion focused on the future of musical theatre. The panel featured writer Rick Elice, songwriter Jeff Bowen, singer/songwriter Amanda Green, director Stafford Arima, choreographer Kelly Devine and songwriter Benj Pasek. This conversation zeroes in on collaboration, the audition process and accepted genres of music as changing factors in the development of musical theatre today.

A panel of directors - Stafford Arima, Anne Kauffman, Rebecca Taichman and Henry Wishcamper - discusses the dynamic between themselves and the playwrights with whom they work; their first paying job as a director; the value of assistant directing; what process means to each of them; how they approach auditions and if they would like to have a job as an Artistic Director.