American actor and director
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4 episodes with Joe Mantello
5 episodes with Joe Mantello
4 episodes with Joe Mantello
3 episodes with Joe Mantello
2 episodes with Joe Mantello
2 episodes with Joe Mantello
2 episodes with Joe Mantello
4 episodes with Joe Mantello
2 episodes with Joe Mantello
Grangeville is running off-Broadway at Signature Theatre through March 23rd. For more information, visit www.signaturetheatre.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org
“Good news!” Today, I'm thrilled to announce my episode with Winnie Holzman, the author of the libretto and screenplay for the musical WICKED. Tune in to hear some of the stories of her legendary career, including what she learned from Betty Comden and Arthur Laurents while studying at NYU, how she came to star in the first production of Christopher Durang's BETTE AND BOO, ideas that came from the stage production of WICKED, learning from the reviews of BIRDS OF PARADISE, her journey to studying at Princeton, what inspired her to adapt THE SEAGULL, why Jon M. Chu was the perfect director for WICKED, one idea that got cut from the musical and the movie, how conversations around the movie changed through the years, the dimensions that Joe Mantello added to the musical, and so much more. You won't want to miss this conversation with a brilliant writer in all mediums!
The National Theatre recently announced that one of their upcoming shows in 2025 would be the European premiere of the Stephen Sondheim and David Ives musical HERE WE ARE. The show, which premiered at The Shed off-Broadway in 2023 is based on the films of Luis Buñuel, features a book by David Ives and is directed by Joe Mantello. The world premiere production starred Bobby Cannavale, Rachel Bay Jones, Amber Gray, David Hyde Pierce, Micaela Diamond, Jeremy Shamos, Tracie Bennett, Steven Pasquale, and more. This new production of the show will see some returning company members joined by exciting new additions including Jane Krakowski, Jesse Tyler Ferguson, Martha Plimpton, Rory Kinnear, and more! • 00:00 | introduction 01:34 | context / history 07:09 | the cast • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
pWotD Episode 2763: Wicked (musical) Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 367,870 views on Sunday, 24 November 2024 our article of the day is Wicked (musical).Wicked is a musical with music and lyrics by Stephen Schwartz and a book by Winnie Holzman. It is a loose adaptation of the 1995 Gregory Maguire novel Wicked: The Life and Times of the Wicked Witch of the West, which in turn is based on L. Frank Baum's 1900 novel The Wonderful Wizard of Oz and its 1939 film adaptation. The musical is told from the perspective of two witches, Elphaba and Galinda, before and after Dorothy's arrival in Oz. The story explores the complex friendship between Elphaba (who becomes the Wicked Witch of the West) and Galinda (who becomes Glinda the Good). Their relationship is tested by their contrasting personalities, conflicting viewpoints, shared love interest, reactions to the corrupt rule of the Wonderful Wizard, and ultimately, Elphaba's tragic fall.Produced by Universal Stage Productions with producers Marc Platt, Jon B. Platt, and David Stone, director Joe Mantello and choreographer Wayne Cilento, the original production of Wicked premiered on Broadway at the Gershwin Theatre in October 2003, after completing pre-Broadway tryouts at San Francisco's Curran Theatre in May and June of that year. Its original stars included Idina Menzel as Elphaba, Kristin Chenoweth as Galinda, Norbert Leo Butz as Fiyero, and Joel Grey as the Wizard.The original Broadway production won a total of three Tony Awards and seven Drama Desk Awards, while its original cast album received a Grammy Award. The success of the Broadway production has spawned many productions worldwide, including a long-running West End production. Wicked has broken box-office records around the world, holding weekly-gross-takings records in Los Angeles, Chicago, St. Louis, and London. In the week ending January 2, 2011, the London, Broadway, and both North American touring productions simultaneously broke their respective records for the highest weekly gross. In the final week of 2013, the Broadway production broke this record again, earning $3.2 million. In 2016, Wicked surpassed $1 billion in total Broadway revenue, joining The Phantom of the Opera and The Lion King as the only Broadway shows to do so. In 2017, Wicked surpassed The Phantom of the Opera as Broadway's second-highest grossing musical, trailing only The Lion King.A two-part film adaptation was directed by Jon M. Chu and starred Cynthia Erivo as Elphaba, Ariana Grande as Galinda, Jonathan Bailey as Fiyero, and Jeff Goldblum as the Wizard. The first part was released on November 22, 2024, with the second part to premiere on November 21, 2025.This recording reflects the Wikipedia text as of 01:39 UTC on Monday, 25 November 2024.For the full current version of the article, see Wicked (musical) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Matthew.
Today, I'm thrilled to announce the release of my episode with legendary director and actor Joe Mantello. Tune in to hear some of the stories of his legendary career, including why he decided to stop acting after ANGELS IN AMERICA, what it meant that Terrence McNally took a chance on him with LOVE! VALOUR! COMPASSION!, working with and without Stephen Sondheim on HERE WE ARE, what he learned from Glenda Jackson in THREE TALL WOMEN, why he had the sound designer in the rehearsal room during GREY HOUSE, the unique experience of I'LL EAT YOU LAST, the process of maintaining WICKED, his experience with CORPUS CHRISTI and the backlash that came with it, what has made him decide to act on Broadway in THE NORMAL HEART and THE GLASS MENAGERIE, staging sensitive scenes in TAKE ME OUT and FRANKIE AND JOHNNY IN THE CLAIR DE LUNE, what it was like making his Broadway debut with WHAT'S WRONG WITH THIS PICTURE?, and so much more. You won't want to miss this in-depth conversation with one of Broadway's most brilliant directors.
Today, I'm thrilled to present my interview with star of stage and screen Mario Cantone. Tune in to hear the stories of his legendary stage career, including how a phone call with Joe Mantello led to ASSASSINS, an early audition for TORCH SONG TRILOGY, when he almost co-starred with Pamela Adlon in THE PRISONER OF SECOND AVENUE, why he turned down THE PRODUCERS and THE LION KING, his struggle to find the comedy in THE TEMPEST, how a birthday party performance led to his Broadway solo show LAUGH WHORE, why a good impressionist is like a caricaturist, his friendships with Dorothy Loudon and Fred Ebb during OVER AND OVER, talking about Joan Crawford with Stephen Sondheim, developing BLISS out of town, the audition he walked out of, how AND JUST LIKE THAT has changed his life, and so much more. You won't want to miss this interview with one of the funniest men in show business.
JOE MANTELLO (Director). Broadway directing credits include: Grey House, Who's Afraid of Virginia Woolf, Hillary and Clinton, Three Tall Women, The Boys in the Band, Blackbird, The Humans, Airline Highway, The Last Ship, Casa Valentina, I'll Eat You Last, The Other Place, Other Desert Cities, Pal Joey, 9 to 5, Laugh Whore, November, The Ritz, Three Days of Rain, The Odd Couple, Glengarry Glen Ross, Wicked, Assassins (Tony Award), Take Me Out (Tony Award), Frankie and Johnny in the Clair de Lune, Love! Valour! Compassion! Off-Broadway: Here We Are, Dogfight, The Pride, A Man of No Importance, The Vagina Monologues, bash, Corpus Christi. As an actor he has appeared in American Horror Story: NYC (FX), Hollywood, The Watcher (Netflix), The Normal Heart (HBO, Emmy Nom.) and upcoming FEUD Season 2: Capote vs. The Swans (FX) Broadway: The Glass Menagerie, The Normal Heart (Tony nom.), Angels in America (Tony nom.) Recipient of Outer Critics Circle, Drama Desk, Lucille Lortel, Clarence Derwent, Obie, Joe A. Callaway and SDCF “Mr. Abbott" awards. Member of the Theatre Hall of Fame. Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this episode, we discuss the off-Broadway musical "Here We Are," the final masterpiece by the late Stephen Sondheim, renowned for his iconic works like Sweeney Todd and Into the Woods. Directed by two-time Tony Award winner Joe Mantello, the show features a stellar cast including Francois Battiste, Tracie Bennett, Bobby Cannavale, Micaela Diamond, and more, and is currently playing at The Shed. We delve into the captivating plot, Mantello's direction, and the standout performances and share our deeper thoughts on the profound meaning of the show. Join us as we explore the magic of "Here We Are" and celebrate the legacy of Sondheim in this special episode. Support the show If you liked this episode, don't forget to subscribe to this podcast and leave us a review. Share your thoughts with us on this episode below: On Instagram: @halfhourpodcast On TikTok: @halfhourpodcast On our website: www.twoworldsentertainmentllc.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen along as we discuss Netflix's two hundred and eighty-first film, the 2020 drama ‘The Boys in the Band' directed by Joe Mantello starring Jim Parsons, Zachary Quinto, Matt Bomer, Andrew Rannells, Charlie Carver, Robin de Jesus, Brian Hutchinson, Michael Benjamin Washington and Tuc Watkins. This is our thirteenth day of PODMAS! As a special gift to our listeners we are releasing an episode every day in the lead up to Christmas! Make sure you subscribe to ensure you don't miss a show. Please follow us at Flix Forum on Facebook or @flixforum on X (Twitter) and Instagram and answer our question for the episode, 'What does Alan have to tell Michael so desperately?' You can listen to us on Apple Podcasts, Spotify and Podbean so please subscribe and drop us a review or 5 star rating. If you're interested in what else we are watching, head on over to our Letterboxd profiles; Jesse MJ We also have our own Flix Forum Letterboxd page! Links to all our past episodes and episode ratings can be found there by clicking here. Tomorrow we have 'All Because of You', so check out the film before then. You can see the trailer here. Flix Forum acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Wurundjeri and Bunurong people of the Kulin Nation. We pay our respects to their Elders past, present, emerging and extend that respect to all Aboriginal and Torres Strait Islander cultures.
Before even booking flights back to New York, Mickey-Jo had booked tickets to see HERE WE ARE, the latest and last ever musical featuring a score by acclaimed and beloved composer / lyricist Stephen Sondheim. The show, which is premiering Off-Broadway at The Shed is based on the films of Luis Buñuel, features a book by David Ives and is directed by Joe Mantello. It stars Bobby Cannavale, Rachel Bay Jones, Amber Gray, David Hyde Pierce, Micaela Diamond, Jeremy Shamos, Tracie Bennett, Steven Pasquale, and more. Check out the new episode for Mickey-Jo's thoughts about the show as well as a round up of some of the other published reviews... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Connor and Dylan are joined by Christopher Fitzgerald (Wicked, Waitress). As the boys continue to festivate over Wicked's 20th anniversary, the original Bick, oh sorry… Boq joins them to talk all things Oz. It's a rare podcast appearance for a man who's had a plethora of Broadway appearances! They reminisce on Chris' early days discovering Boq, seeing Kristin and Idina build their iconic performances, and how he himself was encouraged to expand on character content for Joe Mantello and Winnie Holzman. We got the EXCLUSIVE. We also dive into his illustrious Broadway credits, including his time in Waitress, Finian's Rainbow, Young Frankenstein, Company, and the controversial Corpus Christi. Soon you'll see Chris in his next venture: playing Patsy in the revival of Spamalot! You DESERVE this episode.Follow Chris on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by DylanSupport the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!
Bleu and Wu to Join ‘Little Shop’ Off-Broadway, ‘Color Purple’ Movie Sticks to Christmas Release Date, Inside Look at Sondheim’s Final Show “Today on Broadway” is a daily, Monday through Friday, podcast hitting the top theatre headlines of the day. Any and all feedback is appreciated: Grace Aki: grace@broadwayradio.com | read more The post Today on Broadway: Tuesday, August 29, 2023 with Bonus Joe Mantello Appreciation Audio appeared first on BroadwayRadio.
From his first plays in the early 1960s to his death in 2020, playwright Terrence McNally has been a force in American theater. Beginning in the Off-Off Broadway movement, McNally's writing continually reflected a changing culture, from opposition to the Vietnam War through the emergence of AIDS and gay rights. His stage plays, musicals, and operas continue to be performed internationally, and they remain the work of a consummate artist, delving into the human soul and fearlessly examining both the lighter and darker aspects of existence in an uncertain—and sometimes frightening—world. A Man of Much Importance looks at McNally's life and work against the backdrop of a dynamic theatrical culture, tracing the ways in which an artist grows and responds to his world. Based on extensive interviews with McNally, it also features interviews with many of the artists—actors, designers, and producers—with whom he's collaborated, including Nathan Lane, Chita Rivera, Audra McDonald, Christine Baranski, Kathy Bates, Swoosie Kurtz, John Glover, Joe Mantello, Arin Arbus, Paul Libin, Lynne Meadow, and many more. Christopher Byrne is an author and theater critic. He is a member of The Drama Desk and the American Theatre Critics Association. He began his career as a stage manager and producer and is a graduate of Boston University's College of Fine Arts. In his not-so-secret double life, he is a leading expert on toys and play, writing extensively (including seven books), speaking, and appearing on many television programs worldwide on the topic. He is the creator and host of The Playground Podcast, a B2B podcast for the international toy industry, as well as Voice Out Loud, a podcast amplifying diverse voices in the LGBTQ+community. The book is officially out on July 15, and it's available for pre-order.
We've got a treat for all the theatre enthusiasts out there, as we dive into a rich and in-depth conversation with none other than Levi Holloway. This Chicago-based actor, writer, director, and teacher - takes us through his transformative journey in the world of theatre, sharing his experiences and inspirations behind his Broadway play, GREY HOUSE. Levi opens up about his passion for teaching art to deaf students and how his personal experiences, including nightmares, the loss of his twin sister, and falling in love, have all found a way into his play. And to top it all off, he gives us an insight into how theatre legends Joe Mantello and Laurie Metcalf came on board and their crucial contributions to GREY HOUSE.We then delve into the heart of Levi's creative process, focusing on the intriguing and thought-provoking ending of GREY HOUSE. Levi talks about the respect he holds for his audience, and his approach to creating a puzzle box of sorts that allows the audience to piece together the story. We further discuss the dream logic Levi applies to moments of transformation on stage. And if that wasn't enough, Levi also gives us a sneak peek into his upcoming projects - an adaptation of a horror film and a play called TURRET. It's everything a theatre lover could ask for, all packed into one enlightening conversation. Tune in, and let's explore the magic of theatre together!Support the showIf you liked this episode, don't forget to subscribe to this podcast and leave us a review. Share your thoughts with us on this episode below:On Instagram: @halfhourpodcastOn TikTok: @halfhourpodcastOn our website: www.twoworldsentertainmentllc.com
Join me for a killer bonus episode as I participate as the special guest in a post-show discussion following a performance of Broadway's GREY HOUSE, a brand new horror play. I'm so deeply and profoundly honored to have joined lead co-producer Tom Kirdahy to discuss the mysterious and frightening themes and theories behind this terrifying new play, written by Levi Holloway, starring Laurie Metcalf, Tatiana Maslany, Millicent Simmonds, and Paul Sparks, and directed by Joe Mantello. LET'S GO RICK OR TREATING!PODCAST:www.RickOrTreat.comINSTA: @RickOrTreatPodGREY HOUSE on Broadway:www.greyhousebroadway.comSOCIALS: @greyhousebroadwayRICKY (Host):MY WRITING:www.Rue-Morgue.comwww.SpoilerFreeReviews.comINSTA: @rickrtreatLESTAT VON MONDLICHT (Music by):Youtube:https://www.youtube.com/@lestatvonmondlichtCRIMSON SOUL:Insta: @crimsonsoulofficialhttps://www.facebook.com/crimsonsoulofficialAFTER DARK (Band):https://www.facebook.com/afterdarkofficialuyhttps://www.instagram.com/afterdarkuyhttps://www.youtube.com/@afterdarkuyDROP BEAT EMPIRE (Electrogoth project):https://linktr.ee/dropbeatempireuyEVELYN DEVERE (Website Design)www.evelyndevere.com/PHILIP ROMANO ( Logo Design)www.philip-romano.com
Abbey O'Brien's (abbeyo.com/abbeyo)(LI:@abbeyobriennyc)(IG:@abbeyobriennyc)career in the entertainment industry spans over 20 years. She kicked off her career as a Rockette on one of the world's most renowned stages, Radio City Music Hall. Her professional experience is diverse, from Tony Award-winning cast member, to collaborating on an Emmy nominated TV show, to being on the creative teams of Tony winning Broadway shows, to choreographing music videos, directing original works, and working with major corporations. Abbey has worked with famed actors Uma Thurman, Hugh Jackman, Hank Azaria, Sara Bareilles, Megan Hilty, Katharine McPhee, Martha Plimpton, David Hyde Pierce, plus acclaimed directors Mike Nichols, Diane Paulus, Casey Nicholaw, Des McAnuff, Rob Ashford, Jerry Mitchell, Josh Bergasse, Anne Reinking, Joe Mantello, Lear DeBessonet, Bebe Neuwirth, Sidi Larbi, Daniel Sullivan, Stafford Arima, Joe Calarco, Graciela Daniele, Lorin Latarro and many more. Ms. O'Brien is currently the Associate Choreographer of not only Sara Bareilles' Waitress the Musical, but Alanis Morissette's 15 time Tony award nominated Jagged Little Pill. Abbey is also Resident Director of Jeffrey Finn's Hot on Broadway, which creates evening length industrial shows for corporations across America. Director/Choreographer credits: Rocky Horror Show,13 the musical, Meet Me in St.Louis, A Quarantine Cabaret Choreography credits include: ExtraOrdinary (Directed by Diane Paulus), Broadway for Biden (Directed by Liesl Tommy), NBC's Jimmy Fallon Show, CBS's Late Show with David Letterman, Sugarland (Music Video), Big Fish (Directed by Eric Woodall), NYC Mayor's Inner Circle Gala, Smokey Joe's Cafe (Directed by Julia Murney), Rock of Ages (Directed by Michael Berry), Mama Mia (Casa Mañana), American Idiot (TUTS), Dreamgirls (Directed by Lauren Kennedy), Spamalot (Atlanta Lyric Theatre), True Love (TriArts Sharon Playhouse), Performa Gala (Jennifer Rubell), Wizard of Oz (NewArts), and many industrial/ corporate entertainment events. Associate Director/Choreographer credits: Jagged Little Pill (Broadway and American Repertory Theater), Waitress (All Companies), #DateMe (Off-Broadway),Taste of Things to Come (The York Theatre and Chicago Broadway Playhouse), The Odyssey (Public Works at The Delacorte), Double Portrait (Film), Elf (Paper Mill Playhouse), Ragtime (Lincoln Center), Bernadette Peter's Drama League Gala (The Plaza), NBC's Smash, Company (Bucks Co. Playhouse), National Pastime (BCP), Plaid Tidings (BCP), Legs (Tory Burch commercial), Microsoft (Industrial), Norwegian Cruise Line (RWS), Chicago (Ogunquit Playhouse). Some of her performing credits include: NBC's Smash, Broadway's Spamalot, Broadway's Pal Joey, Radio City Rockette's, NBC's Celebrity Apprentice, Longshot (Film), Martha Plimpton Sings? (Lincoln Center-American Songbook Series), Sinatra (Radio City Music Hall), No Strings (Encores!), The Met Gala (NYC), Carnivale (Radio City). Abbey O'Brien is also a National Adjudicator, Master Teacher, Guest Artist, and Creative Consultant.
Abbey O'Brien's (abbeyo.com/abbeyo)(LI:@abbeyobriennyc)(IG:@abbeyobriennyc)career in the entertainment industry spans over 20 years. She kicked off her career as a Rockette on one of the world's most renowned stages, Radio City Music Hall. Her professional experience is diverse, from Tony Award-winning cast member, to collaborating on an Emmy nominated TV show, to being on the creative teams of Tony winning Broadway shows, to choreographing music videos, directing original works, and working with major corporations. Abbey has worked with famed actors Uma Thurman, Hugh Jackman, Hank Azaria, Sara Bareilles, Megan Hilty, Katharine McPhee, Martha Plimpton, David Hyde Pierce, plus acclaimed directors Mike Nichols, Diane Paulus, Casey Nicholaw, Des McAnuff, Rob Ashford, Jerry Mitchell, Josh Bergasse, Anne Reinking, Joe Mantello, Lear DeBessonet, Bebe Neuwirth, Sidi Larbi, Daniel Sullivan, Stafford Arima, Joe Calarco, Graciela Daniele, Lorin Latarro and many more. Ms. O'Brien is currently the Associate Choreographer of not only Sara Bareilles' Waitress the Musical, but Alanis Morissette's 15 time Tony award nominated Jagged Little Pill. Abbey is also Resident Director of Jeffrey Finn's Hot on Broadway, which creates evening length industrial shows for corporations across America. Director/Choreographer credits: Rocky Horror Show,13 the musical, Meet Me in St.Louis, A Quarantine Cabaret Choreography credits include: ExtraOrdinary (Directed by Diane Paulus), Broadway for Biden (Directed by Liesl Tommy), NBC's Jimmy Fallon Show, CBS's Late Show with David Letterman, Sugarland (Music Video), Big Fish (Directed by Eric Woodall), NYC Mayor's Inner Circle Gala, Smokey Joe's Cafe (Directed by Julia Murney), Rock of Ages (Directed by Michael Berry), Mama Mia (Casa Mañana), American Idiot (TUTS), Dreamgirls (Directed by Lauren Kennedy), Spamalot (Atlanta Lyric Theatre), True Love (TriArts Sharon Playhouse), Performa Gala (Jennifer Rubell), Wizard of Oz (NewArts), and many industrial/ corporate entertainment events. Associate Director/Choreographer credits: Jagged Little Pill (Broadway and American Repertory Theater), Waitress (All Companies), #DateMe (Off-Broadway),Taste of Things to Come (The York Theatre and Chicago Broadway Playhouse), The Odyssey (Public Works at The Delacorte), Double Portrait (Film), Elf (Paper Mill Playhouse), Ragtime (Lincoln Center), Bernadette Peter's Drama League Gala (The Plaza), NBC's Smash, Company (Bucks Co. Playhouse), National Pastime (BCP), Plaid Tidings (BCP), Legs (Tory Burch commercial), Microsoft (Industrial), Norwegian Cruise Line (RWS), Chicago (Ogunquit Playhouse). Some of her performing credits include: NBC's Smash, Broadway's Spamalot, Broadway's Pal Joey, Radio City Rockette's, NBC's Celebrity Apprentice, Longshot (Film), Martha Plimpton Sings? (Lincoln Center-American Songbook Series), Sinatra (Radio City Music Hall), No Strings (Encores!), The Met Gala (NYC), Carnivale (Radio City). Abbey O'Brien is also a National Adjudicator, Master Teacher, Guest Artist, and Creative Consultant.
Book Vs. Movie: The Boys in the Band The 1968 Play Vs. the 1970 & the 2020 FilmsThe Margos love the celebrate Pride Month and in the past, we have covered Fried Green Tomatoes, Love, Simon, and Call Me by Your Name among other titles. This time are covering a play that made a splash when it premiered off-Broadway in April 1968. The Mart Crowley story, The Boys in the Band, revolved around several gay men as they navigate life pre-Stonewall New York City. It went on to play over 1000 performances (always off-Broadway because that is how Edward Albee wanted it) and was first adapted into a film directed by William Friedkin. Friedkin, who needed a hit at the time, hired the entire cast for the film and created a work that is remembered for being a milestone in queer cinema. Set in an apartment in Manhattan, a group of homosexual men gathers ostensibly to celebrate the birthday of one of their friends. Instead, the event becomes a tightly wound confrontation between the haves and have-nots. The beautiful and those that live a lie. It's at times off-putting, verbose, profane, funny, and sad. The original (1970) cast lost many members to AIDS in the 80s & 90s which adds to the melancholy of a current viewing. The 2020 Netflix version features an all-openly gay cast including Jim Parsons, Zachary Quinto, Matt Bomer, Andrew Rannells, and Charlie Carver who play the same characters set in 1968 but with an updated script by Crowley and Ned Martel. It's produced by Ryan Murphy, Martel, and director Joe Mantello. Between the original play and the 2020 adaptation--which did we like more?In this ep the Margos discuss:The interesting life of writer Mart CrowleyLife in the homosexual community in 1968The 1970 cast: Kenneth Nelson (Michael,) Leonard Frey (Harold,) Cliff Gorman (Emory,) Laurence Luckinbill (Hank,) Frederick Combs (Donald,) Keith Prentice (Larry,) Robert la Tourneaux (Cowboy Tex,) Reuben Greene (Bernard,) Peter White (Alan,) and Maud Adams as a model. The 2020 cast: Jim Parsons (Michael,) Zachary Quinto (Harold,) Matt Bomer (Donald,) Andrew Rannells (Larry,) Charlie Carvery (Cowboy,) Robin de Jesus (Emory,) Brian Hutchinson (Alan,) Michael Benjamin Washington (Bernard,) and Tuc Watkins as Hank. Clips used:“Harold” arrives (1970)The Boys in the Band trailerHarold confronts Michael Tuc calls Larry Donald and Michael at the endMusic by Herb Albert and the Tijuana BrassBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Book Vs. Movie: The Boys in the Band The 1968 Play Vs. the 1970 & the 2020 FilmsThe Margos love the celebrate Pride Month and in the past, we have covered Fried Green Tomatoes, Love, Simon, and Call Me by Your Name among other titles. This time are covering a play that made a splash when it premiered off-Broadway in April 1968. The Mart Crowley story, The Boys in the Band, revolved around several gay men as they navigate life pre-Stonewall New York City. It went on to play over 1000 performances (always off-Broadway because that is how Edward Albee wanted it) and was first adapted into a film directed by William Friedkin. Friedkin, who needed a hit at the time, hired the entire cast for the film and created a work that is remembered for being a milestone in queer cinema. Set in an apartment in Manhattan, a group of homosexual men gathers ostensibly to celebrate the birthday of one of their friends. Instead, the event becomes a tightly wound confrontation between the haves and have-nots. The beautiful and those that live a lie. It's at times off-putting, verbose, profane, funny, and sad. The original (1970) cast lost many members to AIDS in the 80s & 90s which adds to the melancholy of a current viewing. The 2020 Netflix version features an all-openly gay cast including Jim Parsons, Zachary Quinto, Matt Bomer, Andrew Rannells, and Charlie Carver who play the same characters set in 1968 but with an updated script by Crowley and Ned Martel. It's produced by Ryan Murphy, Martel, and director Joe Mantello. Between the original play and the 2020 adaptation--which did we like more?In this ep the Margos discuss:The interesting life of writer Mart CrowleyLife in the homosexual community in 1968The 1970 cast: Kenneth Nelson (Michael,) Leonard Frey (Harold,) Cliff Gorman (Emory,) Laurence Luckinbill (Hank,) Frederick Combs (Donald,) Keith Prentice (Larry,) Robert la Tourneaux (Cowboy Tex,) Reuben Greene (Bernard,) Peter White (Alan,) and Maud Adams as a model. The 2020 cast: Jim Parsons (Michael,) Zachary Quinto (Harold,) Matt Bomer (Donald,) Andrew Rannells (Larry,) Charlie Carvery (Cowboy,) Robin de Jesus (Emory,) Brian Hutchinson (Alan,) Michael Benjamin Washington (Bernard,) and Tuc Watkins as Hank. Clips used:“Harold” arrives (1970)The Boys in the Band trailerHarold confronts Michael Tuc calls Larry Donald and Michael at the endMusic by Herb Albert and the Tijuana BrassBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
WICKED COMPOSER: Stephen Schwartz LYRICIST: Stephen Schwartz BOOK: Winnie Holzman SOURCE: Gregory Maguire's book Wicked: The Life and Times of The Wicked Witch of The West (1995) DIRECTOR: Joe Mantello CHOREOGRAPHER: Wayne Cilento PRINCIPLE CAST: Norbert Leo Butz (Fiyero), Kristin Chenoweth (Glinda), Idina Menzel (Elphaba), OPENING DATE: Oct 30, 2003 CLOSING DATE: Still running as of this publication PERFORMANCES: +6000 SYNOPSIS: Elphaba is a guarded young lady who is inflicted with green skin. Her roommate Glinda is an outgoing, popular student. Together, they navigate life at Oz's Shiz University. Their rocky partnership is made even more tumultuous when they discover they are both in love with Fiyero, a fellow classmate. Though its tryouts and opening were met with mixed reviews, Wicked has maintained international popularity. Beginning with composer and lyricist Stephen Schwartz's first encounter with Gregory Maguire's book, Wicked's path to Broadway included some of the American theatre industry's most notable talents, including Kristin Chenoweth, Idina Menzel, Joe Mantello, and Wayne Cilento. Lauren Haughton makes the argument that the inclusion of screenwriter Winnie Holzman as the librettist for Wicked allowed the show to examine the relationships of adolescent girls in a uniquely authentic way, positing the musical as a pioneering exploration of feminine friendship. The musical's employment and subversion of standard musical theatre conventions is outlined through a feminist lens and broad ideologies of mainstream feminist movements are applied to the show's storyline. Winnie Holzman is an American dramatist, screenwriter, and poet. She is known for having created the ABC television series My So Called Life which led to a nomination for a scriptwriting Emmy Award in 1995, as well as her work writing for thirtysomething and Once and Again Holzman has garnered fame for her work on Broadway, most notably for co-writing the smash stage musical Wicked. Lauren Haughton Gillis is currently an Assistant Professor of Musical Theatre at Indiana University. She has served on faculty at Northwestern University and San Diego State University. As a director/choreographer she recently finished a fellowship at the La Jolla Playhouse on their production of Fly. Earlier this season she choreographed She Loves Me at San Diego Musical Theatre, was the associate director on Jesca Prudencio's PDA at the La Jolla Playhouse Without Walls Festival and directed and choreographed the world premiere of The Magic Hummingbird. As a performer, Lauren appeared on Broadway in Wicked, at the Goodman Theatre in Turn of the Century (with Tommy Tune), at The Old Globe in Sammy (with Leslie Bricusse), and at Maine State Music Theatre in Hans Christian Anderson (with Maury Yeston) Lauren holds an MFA in Musical Theatre from San Diego State University and a BFA in Musical Theatre from Syracuse University. SOURCES Wicked, Original Cast Recording, Decca (2003) Wicked: The Grimmerie, a Behind the Scenes Look at the Hit Broadway Musical by David Cote and Joan Marcus, published by Hachette Books (2005) Unnaturally Green: One Girl's Journey Along a Yellow Brick Road Less Traveled by Felicia Ricci, published by Felicia/Ricci (2011) A Little Bit Wicked: Life, Love, and Faith in Stages by Kristin Chenoweth, published by Touchstone (2010) How Wicked Made It to the Stage by Jeri Freedman, published by Cavendish Square Publishing (2018) Wicked: A Musical Biography by Paul R. Laird, published by Scarecrow Press (2011) Defying Gravity: The Creative Career of Stephen Schwartz, from Godspell to Wicked by Carol de Giere, published by Applause (2018) Learn more about your ad choices. Visit megaphone.fm/adchoices
In March 2020 - all of Broadway closed. All the marquees dimmed and an industry of creatives, thespians, technicians, and designers, builders, house managers, and many others were unemployed until at least August or September of 2021. As of now, many shows have moved back into their theaters and new plays, musicals, and revivals are opening in time for this June's Tony Awards. In our Broadway is Back series, we're going to preview several Broadway shows by speaking with an actor or director (or sometimes more than one) each day this week.First up: Brittney Johnson is currently toss-tossing her curls on stage at The Gershwin theater as Glinda in “Wicked.” Based on the novel of the same name by Gregory Maguire, “Wicked” opened in 2003 with music and lyrics by Stephen Schwartz, book by Winnie Holzman, and was Directed by Joe Mantello. In the intervening years, “Wicked” has proven to be a global phenomenon. Brittney Johnson's Broadway credits include “Les Mis,” “Motown,” “Sunset Boulevard,” and “Beautiful: The Carole King Musical.”
Broadway child superstar - Eamon Foley breaks down his early career and his quest for a Broadway "Show Jacket" in this weeks LITTLE ME: Growing Up Broadway. Little Me host and Broadway Workshop director, Marc Tumminelli sits down with Broadway's Eamon Foley who tells his unbelievable backstage story of working on Broadway starting at nine years old, performing in the original casts of Gypsy, directed by Sam Mendes, Assassins, directed by Joe Mantello, 13! The Musical, How The Grinch Stole Christmas, and stopping the show opposite Sherie Rene Scott in Everyday Rapture, directed by Micheal Meyer. Eamon shares what he is working on now, reads a letter from Stephen Sondheim, talks about working with Michael Arden, his time and Princeton and what it's like to be outed in the New York Times at age 11. Produced by The Broadway Podcast Network and Marc Tumminelli Learn more about your ad choices. Visit megaphone.fm/adchoices
In the first part of our conversation with Zhailon Levingston, Director of Chicken & Biscuits, we chat staging in the round, staging on a budget, his hopes of having a "Joe Mantello situation", and so much more! If you are listening to this on Apple Podcast, we'd love it if you could share your love in a review! ABOUT ZHAILON LEVINGSTON is a Louisiana-raised director and storyteller specializing in the development of new plays and musicals. He is making his Broadway debut with Chicken & Biscuits, as the youngest Black director in Broadway history. Other credits include Neptune at Dixon Place and the Brooklyn Museum, The Years That Went Wrong at The Lark and MCC, The Exonerated at Columbia Law School, Chariot part 2 at SoHo Rep for The Movement Theatre Company and Mother of Pearl at LaGuardia Performing Arts Center. He is the co-director of Reconstruction with Tony Award winner Rachel Chavkin. He is the director of industry initiatives for the Broadway Advocacy Coalition and the resident director at Tina—The Tina Turner Musical on Broadway and the associate director of Hadestown in South Korea. Thank you, Shannon Levingston and Louella Levingston, for giving me the consent to dream the biggest dreams. Connect with Zhailon! @zhailon MENTIONED IN THIS EPISODE: Chicken & Biscuits on Instagram: instagram.com/chickenandbiscuitsbway Chicken & Biscuits on Facebook: facebook.com/chickenandbiscuitsbway Get Your Tickets: chickenandbiscuitsbway.com --- Come say hi to us! Facebook: @PageToStagePodcast @BroadwayPodcastNetwork Instagram: @PageToStagePodcast @TheMaryDina @BrianSedita @BroadwayPodcastNetwork Twitter: @TheMaryDina @BwayPodNetwork YouTube: @PageToStagePodcast @BroadwayPodcastNetwork #PageToStagePodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
ASSASSINS Book by John Weidman | Music & Lyrics by Stephen Sondheim | Based on an idea by Charles Gilbert, Jr. Episode Segments:4:25 – Speed Test8:08 – Why God Why16:51 – Back to Before22:45 – Putting It Together34:55 – What's Inside1:05:25 – How Do You Solve a Problem Like Maria?1:41:00 – We Go Together1:45:28 – Our Favorite Things1:56:14 – Corner of the Sky2:00:10 – What Comes Next?Works Consulted & Reference :Assassins (Original Libretto) by John WeidmanLook, I Made A Hat by Stephen SondheimStudio Tenn Talks: The Assassins Reunion Show – Produced by Studio Tenn, Hosted by Patrick CassidyAssassins: In Converstaion – Executive Produced by Freddie GershonSondheim by Martin Gottfried Sondheim & Co. by Craig ZadanMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"How I Saved Roosevelt” from Assassins (Original Off-Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Joy Franz, Lyn Greene, John Jellison, Marcus Olson, William Parry, Eddie Korbich"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon“We Go Together” from Grease (The Original Motion Picture Soundtrack) | Music & Lyrics by Jim Jacobs & Warren Casey | Performed by John Travolta, Olivia Newton John & Cast"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
This week on "What She's Having" cult-classic queen, Jenna Leigh Green shares how the inspiration for her iconic mean girl, Libby Chessler, was introduced by Blake Lively's dad, how she lived down the street from Melissa Joan Hart during the famous "MTV Cribs" episode and famed Broadway director Joe Mantello's advice to her on how to play Elphaba in "Wicked." If you'd like to submit questions for our guests, DM us @MeetCute on Instagram and @ListenMeetCute on Twitter! Please subscribe and rate us 5 stars!You can listen to Meet Cute's newest series, "Ain't Love Super" on Apple Podcasts and Spotify.
ZACHARY QUINTO hails from Pittsburgh, Pennsylvania. He attended Carnegie Mellon where he received a BFA in Acting. In 2007 he was cast as 'Sylar' on the hit NBC series Heroes. That same year, he was cast as ‘Spock’ in the JJ Abrams directed reboot of the Star Trek franchise. He starred in the first season of American Horror Story in 2011, and then won a Critic’s Choice Award and Emmy Award nomination for his portrayal of ‘Dr. Oliver Thredson’ on American Horror Story: Asylum. Quinto appeared in the 2010 Signature revival of Tony Kushner’s Angels In America, for which he won a Theater World Award and a Drama Desk Award nomination. He made his Broadway debut in the 2013 Tony Award winning production of The Glass Menagerie. He was also seen in Noah Haidle's Smokefall and in the Joe Mantello directed revival of The Boys in The Band, which won the 2019 Tony for Best Revival of a Play. He's hosted the reboot of In Search Of on the History Channel, and starred in the AMC series NOS4A2. Most recently, he reprised his role as 'Harold' in the film adaption of The Boys In The Band on Netflix. Quinto began his production company Before the Door Pictures in 2008 and produced such films as Margin Call, All Is Lost, A Most Violent Year, and Aardvark. At the end of 2019, the new iteration of Before The Door signed first look deals with AMC Studios for scripted projects and with Spoke Studios for unscripted fare.Weekly Round-Up:Listen to Brene Brown’s Unlocking Us podcastepisode featuring Sonya Renee Taylor on “The Body is Not An Apology.”Follow that by reading Sonya Renee Taylor’s book The Body Is Not an Apology.There are Vedic and Transcendental meditation courses available throughout the US - apps like Ten Percent Happier, Calm, and Insight Timer (I really like the teacher Sarah Blondin) are easily accessible and can travel with you wherever you go.Listen to Krista Tippet’s On Being podcast episode, “You are not alone across time” with Brian Doerries focused on his public art project, The Theater Of War.Read Steven Pressfield’s book The War of Art which Zach (and Susan Blackwell) recommend.
JOE MANTELLO most recently received Emmy and Critics’ Choice Television Award nominations for his performance in HBO’s The Normal Heart (dir. Ryan Murphy). This two-time Tony Award-winning director’s credits include: The Last Ship, Casa Valentina, I’ll Eat You Last, The Other Place, Dogfight, Other Desert Cities, The Pride, Pal Joey, 9 to 5, November, The Receptionist, The Ritz, Blackbird, Three Days of Rain, The Odd Couple, Glengarry Glen Ross (Tony nomination), Laugh Whore, Assassins (Tony Award), Wicked, Take Me Out (Tony Award), Frankie and Johnny in the Clair de Lune, A Man of No Importance, Design for Living, The Vagina Monologues, Bash, Love! Valour! Compassion! (Tony nomination), Proposals, The Mineola Twins, and Corpus Christi. Acting credits: The Normal Heart (Tony nomination), Angels in America (Tony nomination), and The Baltimore Waltz. He has received Outer Critics Circle, Drama Desk, Lucille Lortel, Helen Hayes, Clarence Derwent, Obie, and Joe A. Callaway awards. He is a member of Naked Angels and an associate artist at Roundabout Theatre Company.
SHOWS: Pippin, Chicago, and Angels in America Their collaboration is one of the longest in theatre history and their brilliant lighting designs have enriched every show on which they work. Solo, Jules Fisher was the lighting designer on the original productions of Pippin, Chicago, La Cage Aux Folles and many more. Once Peggy Eisenhauer became his creative partner, their credits included Angels in America, Jelly's Last Jam, Bring in Da Noise, Bring in Da Funk, Ragtime, Shuffle Along, and so many more Jules + Peggy pull back the curtain on their career to discuss how Bob Fosse demanded new ideas, what it was like working under the guidance of Jo Mielziner, and why George C. Wolfe requested that black be a color in lighting. Also, Jules+Peggy shine the spotlight on Joe Mantello, Graciela Daniele, and Feder! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advanced knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 Learn more about your ad choices. Visit megaphone.fm/adchoices
JOE MANTELLO most recently received Emmy and Critics’ Choice Television Award nominations for his performance in HBO’s The Normal Heart (dir. Ryan Murphy). This two-time Tony Award-winning director’s credits include: The Last Ship, Casa Valentina, I’ll Eat You Last, The Other Place, Dogfight, Other Desert Cities, The Pride, Pal Joey, 9 to 5, November, The Receptionist, The Ritz, Blackbird, Three Days of Rain, The Odd Couple, Glengarry Glen Ross (Tony nomination), Laugh Whore, Assassins (Tony Award), Wicked, Take Me Out (Tony Award), Frankie and Johnny in the Clair de Lune, A Man of No Importance, Design for Living, The Vagina Monologues, Bash, Love! Valour! Compassion! (Tony nomination), Proposals, The Mineola Twins, and Corpus Christi. Acting credits: The Normal Heart (Tony nomination), Angels in America (Tony nomination), and The Baltimore Waltz. He has received Outer Critics Circle, Drama Desk, Lucille Lortel, Helen Hayes, Clarence Derwent, Obie, and Joe A. Callaway awards. He is a member of Naked Angels and an associate artist at Roundabout Theatre Company.
SHOWS: The Producers, Love! Valour! Compassion, Angels in America There is no greater representation of modern Broadway than three-time Tony Award winner Nathan Lane. His ability to transition from theatre to film, comedy to drama, tear-inducing laughter to heart-stopping pathos, all in one performance, is comparable to none. Nathan Lane has shared his gifts with audiences in such shows as the revivals of Guys and Dolls, A Funny Thing Happened on the Way to the Forum, The Man Who Came to Dinner, The Odd Couple, Angels in America, and the original productions of Laughter on the 23rd Floor, Love! Valour! Compassion!, The Producers, The Addams Family, November, Gary, and so many more! Nathan pulls back the curtain on his career to discuss how Eddie Bracken taught him comedy, what it was like collaborating with Terrence McNally, and why Joe Mantello jilted him for Laurie Metcalf! Also, Nathan shines the spotlight on Neil Simon, George C. Scott, and Jerry Zaks! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advanced knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 Learn more about your ad choices. Visit megaphone.fm/adchoices
Joe Mantello directed a remake of Mart Crowley’s The Boys in the Band for Netflix last year. Eight gay men attend a birthday party. Things fall apart when a surprise guest arrives. This episode contains plot spoilers and strong language.
Current Productions (1:30) Finished the first sleeve of the Payne Pullover by Helena Bristow in Mountain Colors Twizzle in “Rich Purple.” Progress on the Herbivore Shawl by Stephen West in Lola Bean Yarn Co's Silk Bean in “Diptera” Finished spinning the first single of the Manos del Uruguay project on the wheel I'm trying out. Wheel is The Device from Questionable Origins. Fiber is Manos del Uruguay Ultra Fine Merino. Made some progress on Mom's Looped Loop Cowl by Kristen Johnstone in Oink Pigments Mystic in “Thats a Moray” My Strongest Suit (11:25) Worsted Boxy Pride Socks Aumangea Pullover Events (13:44) December Spotify Playlist: Merry and Light is now available! January Spotify Playlist: TWO playlists will be released the weekend of January 1, 2021 #Grinchalong2020 hosted by the Knitmore Girls ends January 6 SBMT eStudio events ongoing throughout the month Stitches West 2021 has been canceled Stitches at Home February 5-7, 2021 Stitches West 2022 will be in Sacramento, March 3-6 Open A New Window KAL #42ndStitchONWKAL January 1st - March 31st Hey Look Me Over (22:15) Netflix productions of The Boys In the Band directed by Joe Mantello and produced by Ryan Murphy & The PROM directed by Ryan Murphy (not Ryan Reynolds as mentioned in the episode) Mention of film adaptation of Annie Get Your Gun Mention of Dallas Buyers Club Little Known Facts (45:48) Kindness, Gratitude, and Compassion cost nothing.
The Gals dish about Ryan Murphy's Netflix adaptation of Broadway's The Prom, detour into a Jack Black thirst chat, before ending on Murphy's other Netflix/Broadway project The Boys in the Band from director Joe Mantello. The Prom is an ode to musical theater. But Hollywood often shuts out stage actors.#OscarsSoWhite: From Anna May Wong to AwkwafinaFollow Us!@MoxieGalsPod@Chels725@darlinginmyway@MissMeganMann@paigenkiserChelsea's LetterboxdThe Community Rewatch PodcastDarling Reads RomanceGinger & Champagne BookstagramOnce Upon a Stream
Dylan and Connor are joined by Tony nominee Derek Klena (Jagged Little Pill, Anastasia). Listen to the boys discuss the Grammys, the upcoming vaccine, the brilliance of Dogfight, the amazing influences of Joe Mantello and Tom Kitt, how “Goodbye” from Catch Me If You Can skyrocketed his career, the Magic Mike musical, the even stronger relevance of Slave Play post-2020, his love story with his wife Elycia, the Fanastasias, Christmas tree drama, being the iconic DJ Fingablast in Unbreakable Kimmy Schmidt, and getting his first Tony nomination for playing Nick Healy in Jagged Little Pill.Follow Derek on Twitter & InstagramConnect with Derek on Broadway PlusFollow DRAMA. on Twitter & InstagramFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by Maggie Montalto | Twitter & InstagramHERE is where you find official DRAMA. merch!SUBSCRIBE TO OUR PATREON HERE! Get into it, y’all!Don’t forget to subscribe on Apple Podcasts and rate us 5 stars!
Welcome back! Once again, Host Stefan (@sjmaroni) sits down and dives deep into Queer and Queer Adjacent films with returning Hosts PJ (@xndra_design) Sam (@SylvanWolfe6900) Stuart (@janikon_) and Special Guest Paul (@polaristlx)In this weeks episode we discuss both the 2020 Netflix remake of the "Boys in the Band" Originally an off Broadway show in the late 60's turned film release, turned Broadway revival, THEN remake....both film depict a group of gay men dealing with personal dramas during a Birthday Party in a life before the AIDS crisis.Our Hosts discuss the actors portrayals of the originals, the unlikelihood of an apt in NYC with that Patio, and how so much and yet so little has truly changed.Boys in the Band (2020), Directed by Joe Mantello and Written by Mart Crowley. Starring Jim Parsons, Zachary Quinto, Matt Bomer. At a birthday party in 1968 New York, a surprise guest and a drunken game leave seven gay friends reckoning with unspoken feelings and buried truths.
Why is this episode so long?? We're extra chatty. I think we feel better now that 46 has been confirmed... We're FREE. Anyways, this week we delve into love. Our love of each other, the film, chain restaurants. Danielle tries her best to embarrass Lindsey, but as per usual Lindsey's just not having it. SUCH A TOUGH NUT TO CRACK. We review The Boys In The Band (2020), directed by Joe Mantello, available on Netflix. The film covers a flamboyant birthday party in 1968 where booze, messy relationships, and homophobia lead to a wild party game. Who would you call if you were asked to call your one true love? Spoiler alert: Lindsey would call Timothée Chalamet. Follow us on Instagram to see if Lindsey ever ACTUALLY falls in love. Instagram: @lindseylauria @danilynne_currier Roman Lilly Productions --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/lindsey-lauria/support
A #OnaCinema hem parlat sobre el film #TheBoysInTheBand de Joe Mantello i la sèrie #Bonding de Rightor Doyle amb Zoe Levin (#Netflix), les mostres de #cinema #17FestivalSevilla ('Rascal' - 'Vaurien' i 'La nuit des rois'), #CinePorMujeres i #TerrorMolins (que apreta l'accelerador amb més novetats i la Marató de 12h dissabte 14-11), l'estrena a 2021 de #Dune (adaptació cinematogràfica actual - hi ha la versió de David Lynch - del llibre de Frank Herbert) de Denis Villeneuve amb #ThimotéeChalamet, les sèries #RoadKill de Michael Keillor amb Hugh Laurie, #RaisedByWolves d'Aaron Guzikowski amb codirecció i producció de Ridley Scott (ambdues a #MovistarPlus) i el film suec #Aniara d'Hugo Lilja i Pella Kagerman, que es va projectar al #Sitges2018 i es pot veure a #Filmin. #OnaCultural #onadesants 94.6FM onadesants. Amb José Angel Rico, Lluís Rueda i Laura Clemente.
A #OnaCinema hem parlat sobre el film #TheBoysInTheBand de Joe Mantello i la sèrie #Bonding de Rightor Doyle amb Zoe Levin (#Netflix), les mostres de #cinema #17FestivalSevilla ('Rascal' - 'Vaurien' i 'La nuit des rois'), #CinePorMujeres i #TerrorMolins (que apreta l'accelerador amb més novetats i la Marató de 12h dissabte 14-11), l'estrena a 2021 de #Dune (adaptació cinematogràfica actual - hi ha la versió de David Lynch - del llibre de Frank Herbert) de Denis Villeneuve amb #ThimotéeChalamet, les sèries #RoadKill de Michael Keillor amb Hugh Laurie, #RaisedByWolves d'Aaron Guzikowski amb codirecció i producció de Ridley Scott (ambdues a #MovistarPlus) i el film suec #Aniara d'Hugo Lilja i Pella Kagerman, que es va projectar al #Sitges2018 i es pot veure a #Filmin. #OnaCultural #onadesants 94.6FM onadesants. Amb José Angel Rico, Lluís Rueda i Laura Clemente.
Joe Mantello (Director). A two-time Tony Award-winning director, recent credits include The Boys in the Band (Netflix and Broadway) Who’s Afraid of Virginia Woolf?, Hillary and Clinton, Three Tall Women (Tony nomination), The Humans (Tony nomination), Blackbird, An Act of God, Airline Highway, The Last Ship, Casa Valentina, I’ll Eat You Last..., The Other Place, Dogfight, Other Desert Cities, The Pride, Pal Joey, 9 to 5, November, Three Days of Rain, The Odd Couple, Glengarry Glen Ross (Tony nomination), Laugh Whore, Assassins (Tony Award), Wicked, Take Me Out (Tony Award), Frankie and Johnny in the Clair de Lune, A Man of No Importance, The Vagina Monologues, Bash, Love! Valour! Compassion! (Tony nomination), and Corpus Christi. Acting credits: Hollywood (Netflix) and the Broadway productions of The Normal Heart (Tony nomination) and Angels in America (Tony nomination). Mantello was nominated for Emmy and Critics’ Choice Awards for his performance in HBO’s “The Normal Heart.” He has received Outer Critics Circle, Drama Desk, Lucille Lortel, Helen Hayes, Clarence Derwent, Obie, and Joe A. Callaway Awards and is a member of The Theatre Hall of Fame.
Octubre, pero comentamos el último estreno de Septiembre porque es igualmente de terror: Los chicos de la banda, de Joe Mantello. Y como no fue suficiente con ese terror, vamos con más terror y charlamos de Lovecraft Country y La maldición de Bly Manor. 01:30 Los chicos de la Banda, de Joe Mantello 35:00 Lovecraft Country 44:15 The Haunting of Bly Manor Visitá nuestra web acá para leer las reseñas. Ficciones en las redes: Twitter, Facebook, Instagram, Letterboxd. Fabri en las redes: Twitter, Facebook, Instagram, Letterboxd. Sebas en las redes: Twitter, Facebook, Instagram, Letterboxd.
Baron and the Doc head off to 1968 New York City, for the remake of the off broadway play, The Boys In The Band, new to Netflix. Directed by Joe Mantello, written by Mart Crowley, starring Jim Parsons, Zachary Quinto, and Matt Bomer. This film is a little outside of the regular wheelhouse for the Doc and Baron, but the complicated characters and relationships provide plenty to talk about. You can also check out the ep on youtube at https://youtu.be/VnnG0WVgeIU
Outta the way, straights! We’re chatting ’bout The Boys in the Band! Our beloved historian Alonso has a great deal to inform Drea and Ify about the history, context, and cultural impact of the original play and movie. He also takes some issues with the remake and Ryan Murphy in general. Ify reveals he is a danger to himself and his apartment while wearing a VR headset. And Drea desperately wants to feed Matt Bomer a piece of bread. Plus, the gang answers a question from the ‘Who Shotline’ about which party in a film they would most want to attend. And, as always, we’ve got ‘Staff Picks.’In news, William Jackson Harper denounces Trump’s executive order and AMC is staying open.Please consider supporting the production of Who Shot Ya? by becoming a monthly member at Maximumfun.org/joinIf you’d like to purchase a Jumbo Tron, go to Maximumfun.org/jumbotronStaff Picks:Ify – Star TrekDrea – The Forty-Year-Old VersionAlonso – Totally Under ControlWith Ify Nwadiwe, Drea Clark, and Alonso Duralde.
Aussie adventure ‘Priscilla: Queen of the Desert', Netflix Premiere ‘The Boys in the Band' (starring Jim Parsons, Zachary Quinto, Matt Bomer, and Andrew Rannells), and drag doco ‘The Queen' make up a three-course meal of queer delights delving into the legacy of LGBTQIA+ cinema. Also, spanakopita. Follow us on Spotify and wherever you get your podcasts. Check us out at @netflixanz on Instagram and Twitter, and tag #thebigfilmbuffet.
For this week's main review, I am joined by Josh Parham, Tom O'Brien and guest Joey Moser from Awards Daily. Together, we are discussing the latest film from Netflix, "The Boys In The Band" starring Jim Parsons, Zachary Quinto, Matt Bomer, Andrew Rannells, Charlie Carver, Robin de Jesus, Brian Hutchison, Michael Benjamin Washington & Tuc Watkins. We discuss the comparisons to the stage play and the original 1970 William Friedkin film, the performances by the cast, the direction from Joe Mantello, the themes and how they've aged over the last 50 plus years and more! Have a listen down below to hear our thoughts! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture
SHOWS: Wicked, Love! Valour! Compassion!, The Boys in the Band One of Broadway's busiest directors, Tony Award winner Joe Mantello, joins Rob and Kevin to look back on his acting career, discuss the process of creating the shuttered Who's Afraid Of Virginia Woolf, and to walk listeners through the process of creating Netflix's The Boys in The Band, starring Jim Parsons, which drops on September 30th. Joe pulls back the curtain on his career to discuss how he discovered the staging of Defying Gravity, what it is like directing the genius that is Laurie Metcalf, and why he decided to tackle The Boys in the Band for a whole new generation. Also, Joe shines the spotlight on Ryan Murphy, Neil Simon, and Nathan Lane! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 Learn more about your ad choices. Visit megaphone.fm/adchoices
IMRU SHOW 200928: Sisters of Perpetual Indulgence + Holly Woodlawn + The Boys in the Band 2020 (Joe Mantello, Tuc Watkins, Matt Bomer) + Making the Boys (Crayton Robey) + Facing Fear (Matthew Boger, Tim Zaal) + Last Word (Gay Liberation Follies of 1974). --- Send in a voice message: https://anchor.fm/imruradio/message
When Ilana, host of AND THE AWARD GOES TO.. had the privilege of talking to John Benjamin Hickey - the winner of The Tony Award for The Normal Heart- it was the day after Larry Kramer had died so it was so timely and beautiful to have this conversation while John was still processing this news. John first came to the role of Felix Turner in a reading for charity directed by Joel Grey. The reading was so successful that very quickly a production was mounted this time directed by George C. Wolfe. His friend Joe Mantello encouraged John to take on the role for the original reading with neither of them ever imagining that as best friends they would go on to be such glorious and devastating scene partners in the play when it went to Broadway. With only ten days of rehearsal the play was mounted for a full Broadway production with the original idea that different actors would play the roles with a rotating cast perhaps even with scripts in hand but then a few of the actors started to learn the lines very quickly and it evolved into a more traditional production with Ellen Barkin, Jim Parsons and an all star cast. Plus … some incredible words of wisdom shared by the great director, Mike Nichols. Hosted by Ilana Levine, Produced by Alan Seales, part of the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
SHOWS: Merrily We Roll Along, The Rink, Jerome Robbins' Broadway Good old Jason, good old, good old, good old Jason Alexander joins us from Los Angeles to look back on his incredible acting career onstage and off. From the triumphant/turbulent days of Merrily We Roll Along to rollerskating in The Rink to collaborating with Jerome Robbins to winning the Tony Award to starting a directing career, Jason covers it all. Jason pulls back the curtain on his career to discuss how you turn down Jerome Robbins, what it was like roller skating with Chita Rivera, and why Joe Mantello taught him a great lesson about acting. Also, Jason shines the spotlight on Doug Henning, Gene Saks, and Liza Minnelli! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4
Good morning theater fans! This is Caryn Robbins with The Broadway Scoop for Tuesday, March 3rd. Broadway grosses are in for the week ending March 1, and Tony winner Ivo van Hove’s reimagined version of the classic American musical WEST SIDE STORY enjoyed strong returns at the box office. The production, which officially opened on February 20, played to 100 percent capacity and took in nearly $1.6 million. Four Broadway productions played to S.R.O. seating capacity this week, including COME FROM AWAY, HADESTOWN, MOULIN ROUGE! and HAMILTON, which once again led the pack by earning over $2.6 million. The full creative team has been announced for MJ, the Broadway-bound musical inspired by the life and work of Michael Jackson. Directed and choreographed by Tony winner Christopher Wheeldon, the production will feature sets by Tony winner Derek McLane, lighting by Tony winner Natasha Katz, costumes by Tony winner Paul Tazewell and sound design by Tony nominee Gareth Owen. Preview performances are set to begin on July 6 at the Neil Simon Theatre, ahead of an official opening on August 13.And preview performances for the Broadway revival of WHO'S AFRAID OF VIRGINIA WOOLF? get underway tonight at the Booth Theatre, ahead of an official opening on April 9th. Two-time Tony Award winner Laurie Metcalf stars in the production alongside Rupert Everett, Russel Tovey and 2019 Olivier Award winner Patsy Ferran. Tony winner Joe Mantello directs the strictly limited engagement. And that's The Broadway Scoop for Tuesday, March 3rd.
Zachary Quinto hails from Pittsburgh, Pennsylvania. He attended Carnegie Mellon where he received a BFA in Acting. In 2007 he was cast as Sylar on the hit NBC series Heroes. That same year, he was cast as Spock in the JJ Abrams directed reboot of the Star Trek franchise. He starred in the first season of American Horror Story in 2011, and won a Critic’s Choice Award and Emmy Award nomination for his portrayal on American Horror Story: Asylum. Quinto appeared in the 2010 Signature revival of Tony Kushner’s Angels In America, for which he won a Theater World Award and a Drama Desk Award nomination. He made his Broadway debut in the 2013 Tony Award winning production of the Glass Menagerie. He was also seen in MCC’s production of Noah Haidle's Smokefall and in the Joe Mantello directed revival of The Boys in the Band. Quinto began his production company Before the Door Pictures in 2008 and produced such films as Margin Call, All Is Lost, A Most Violent Year, and Aardvark. Quinto hosts the unscripted show In Search Of on the History Channel, and is currently starring in the AMC series NOS4A2.
Are you a Beth or a Marmee? Fresh off playing Hannah in Greta Gerwig’s Little Women, Anne and Damian dig into the March women with theatre stalwart, Jayne Houdyshell. You Might Know Her From: Little Women, Maid in Manhattan, The Bounty Hunter, Garden State, and the Broadway productions of The Humans, Well, King Lear, and A Doll’s House Part 2. Jayne's film career is taking off, but we cover her thirty years in regional theatre before winning a Tony Award at 62! Plus, the joys of Louisa May Alcott, recreating her role in the movie version of The Humans (hi, Amy Schumer and Beanie Feldstein!), the sexual energy of John Stamos and Gina Gershon in Bye Bye Birdie, and why strangers would chase her around Manhattan saying, "Fuck you, Nora." Shit, we loved this Kansan so much. Git into it. Follow us on social media: @damianbellino || @rodemanne Discussed this week: Jayne’s IMDB || Jayne’s IBDB Anne was trying to think of the nasty nickname for motorcycles but couldn’t get there. Isn’t “ambulance ____” but ER docs apparently call them “donor cycles” Child’s Play 3 with Christine Elise aka Emily Valentine in 90210, BH90210christ Anne was thinking of Elise Neal in Scream 2 Damian and Anne in a sidecar Mr. Lee’s rugelach = Lee Lee’s Rugelach By A Brother Jayne’s journey from regional->Broadway Jayne in Music Man with Sutton Foster & Hugh Jackman Jake Gyllenhaal mildly mispronouncing Jayne’s last name on Tony night Jayne is Hannah in Greta Gerwig’s Little Women (2019) Other Little Women adaptations: Jayne loves the Katherine Hepburn version (1933); June Allyson (1949); Winona Ryder (1994); PBS’s version with Maya Hawke (2018) NYC’s Zipper Factory (2001-2009) Lisa Kron’s Well directed by Leigh Silverman The Humans (Stephen Karam) on Broadway; The Humans is a movie with Beanie Feldstein, Amy Schumer, and Jayne! actor/director/friend Joe Mantello Jayne replaced Linda Lavin in the 2011 Follies Broadway revival (suggested by Bernadette Peters) and got to sing “Broadway Baby” Maid in Manhattan from fancy trailer to honeywagon Gloucester opposite Glenda Jackson’s King Lear Jayne loved her in Marat/Sade Bye Bye Birdie revival on Broadway in 2009 Katrina Lenk in Company revival (Indecent, The Band’s Visi) Katrina performing “Omar Sharif’ from The Band’s Visit Famous Kansans: Lois Smith, Annette Bening, Jack Willis, Shirley Knight, On growing up in Kansas: “My whole concept of god was the horizon.” Craft services better on Little Women than on Garden State Lucky Stiff musical Oh well shit. Shit Nora shit or Fuck you, Nora.
The hilariously irreverent holiday play Santaland Diaries , based on the essay by David Sedaris and adapted for the stage by Joe Mantello, will be performed Dec 12-15, 2019 at the Brunner Theatre Center on the Augustana College campus. Starring Keenan Odenkirk, this Mississippi Bend Players ’ production is certain to entertain as he recounts his experience working at Macy’s in New York City during the busy holiday season dressed as Crumpet the elf.
Shows: Wicked, A Chorus Line, Dancin' Wayne Cilento, who starred in the original productions of Seesaw, A Chorus Line, The Act, Dancin, and choreographed the mega-hit Wicked, swings by Shetler Studios to talk to Rob and Kevin about his career on and off the stage. Wayne pulls back the curtain on his career to discuss how he became the basis for a character in A Chorus Line, what it was like dancing for Michael Bennett and Bob Fosse, and why you should always read your contracts! Also, Wayne shines the spotlight on Liza Minnelli, Joe Mantello, and Jack Cole! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 To book a room at Shetler Studios, head on over to: https://www.shetlerstudios.com
Mario Cantone, the celebrated New York stage actor and stand-up comedian gained critical acclaim with his Tony-nominated one-man show Laugh Whore, from its appearance at the Cort Theatre on Broadway to the Showtime Network special. He also starred on Broadway as SAM BYCK in the Tony-winning Assassins,by Stephen Sondheim and John Weidman, BUZZ in Terrence McNally's Tony award-winning dramatic comedy, Love! Valor! Compassion! All three of these hit shows were directed by four-time Tony-winner Joe Mantello. His other Broadway credits include GIDGER, in The Violet Hour(original Broadway cast), and STEPHANO (opposite Patrick Stewart), in Shakespeare's The Tempest. Off-Broadway Cantone also originated the roles of TERRY in The Crumple Zone,directed by Jason Moore, and MATT inSteve, for the New Group, directed by Cynthia Nixon. He is currently starring in A Room Of My Own(opposite Ralph Macchio), at the Abingdon Theatre. The feature film from work, from Cantone, include “Quiz Show”, directed by Robert Redford, Sony's animated film, “Surf's Up”, “In Stereo”, “The Aristocrats”, and as Anthony Marentino, in “Sex and the City 1” and “Sex and the City 2”. He can still be seen, HBO’s series “Sex and the City”, in syndication on many television stations. He was a recurring character on ABC’s “Men In Trees”, and has a guest star on VH1’s “Hindsight”. On Comedy Central Cantone's performances have been featured on “The USO Comedy Tour”, “Comics Come Home”, “Chappelle Show”, “Denis Leary Roast”, and “Joan Rivers Roast”. The network was also home to his first solo stand-up special “Comedy Central Presents Mario Cantone.” Cantone got his start hosting the local New York children's show “Steampipe Alley”, where the comic slipped in sly pop culture innuendo that adults could enjoy. His other television credits include appearances on “Late Night with David Letterman”, “Jimmy Fallon”, “Oprah”, “Conan” “Martha Stewart”, “Meredith Viera”, “The Today Show”, and through out it’s 18 year run, multiple appearances, as guest and co-host, on “ABC’s The View”. Cantone has appeared on the stages of Carnegie Hall, Atlantic City’s Borgata, The Golden Nugget, Cearsar’s Palace (Las Vegas), and performing arts centers of Santa Rosa, Peekskill, Scottsdale, Fort Lauderdale, and St. Louis, where he performed his comedy and music show, Mario Cantone Live!
MATT BOMER has arrived. To be sure, the Texas native has been performing since childhood and has solidified his career as a screen star in White Collar, Magic Mike, American Horror Story and more. It's not just those gorgeous baby blues. The Carnegie Mellon grad nabbed a Golden Globe in 2015 for his heart-wrenching performance in HBO's The Normal Heart and cut his teeth in the early workshops for what feels like every musical theater fans worship (Thoroughly Modern Millie and Spring Awakening, to name a few). As Donald in Mart Crowley's iconic gay play The Boys in the Band, true stage man Bomer makes a Broadway debut for the books: a star-studded cast of proud and out men, Joe Mantello at the helm and a historic premiere of a play that was and remains a theatrical game-changer since its debut in 1970. Bomer sat down on Show People with Paul Wontorek to discuss his newfound passion for the director's chair, why the world is ready for that Magic Mike musical and more.
Actresses Glenda Jackson, Laurie Metcalf and Alison Pill discuss working together with director Joe Mantello to create the magnificent revival of ”Edward Albee's Three Tall Women,” now on Broadway. Jesse Green of The New York TImes and Susan Haskins co-host.
I adored spending time with the luminescent Artistic Director of Naked Angels Jean Marie McKee. Naked Angels, for over 30 years, has been the creative home for many colleagues for which Jean-Marie is a founding member. She is also the founder of it’s educational program, 3T. We were able talk about her history with Naked Angels, 3T, where the company is today, its future endeavors, and the wealth of talent that has come out of the membership such as Fisher Stevens, Joe Mantello, Kenneth Lonergon, Gina Gershon, Marisa Tomei, Ilana Levine, and David Marshall Grant.
JULIE WHITE recently starred opposite Matthew Broderick and Annaleigh Ashford in the Broadway revival of A.R. Gurney’s play “Sylvia” under the direction of Dan Sullivan. White won a Tony Award for Best Performance by a Leading Actress in a Play for her role in “The Little Dog Laughed.” White recently starred in the 2015 production of Lisa D’Amour’s new play “Airline Highway” under the direction of Joe Mantello, and for her portrayal of “Tanya” she was nominated for Tony, Drama Desk, and Drama League Awards. White has also starred on Broadway in “Vanya, Sonia, Masha and Spike,” “The Heidi Chronicles” and Off-Broadway in "The Understudy" and "Fiction" for The Roundabout, "Twelfth Night" at The Delacorte for The Public Theatre and "Bad Dates" for Playwrights Horizons, to name some favorites. She has won The Obie, The Elliot Norton Award, The Ovation and been nominated multiple times for Outer Critics Circle, Drama Desk, and Drama League Awards. On the big screen, Julie appeared in “Lincoln” for Steven Spielberg as Elizabeth Blair Lee opposite Daniel Day Lewis and Sally Field. She has been a staple in the indie film market in such films as "Breaking Upwards", “Hello I Must Be Going”, "Morning", “My Idiot Brother” and "Life Partners," which premiered at the TriBeCa Film Festival. Studio features include the massively successful franchise “Transformers 1, 2 & 3,” as well as “Michael Clayton,” opposite George Clooney, “The Astronaut Farmer,” starring Billy Bob Thornton, and the animated film "Monsters vs Aliens." On television, Julie recurred on Showtime as “Nurse Jackie”'s AA sponsor, Antoinette. She starred opposite John Goodman in the Garry Trudeau/Amazon’s series "Alpha House” and on NBC’s "Go On" opposite Matthew Perry playing Anne for which she won The Gracie Award. Other memorable TV roles are Mitzi Dalton Huntley in Alan Ball's "Six Feet Under,” Nadine Swoboda on ABC’s “Grace Under Fire, ”and Dr. Anne Morella on "Law and Order SVU.”
The best-director-of-a-play Tony nominee reflects on his long and varied career as a Broadway actor ('Angels in America,' 'The Normal Heart') and director (he's won Tonys for directing a play and a musical, and helmed the blockbuster 'Wicked'), and the joys and bumps he's experienced along the way. Credits: Hosted by Scott Feinberg Produced by Matthew Whitehurst Recorded by Ryan Gabos
Actor Jeff Daniels talks about working with actress Michelle Williams and director Joe Mantello on David Harrower's devastating drama "Blackbird"; his early days at Circle Rep Theatre; his 1st job on Broadway; his Emmy-win for "The Newsroom" and more.
No programa de hoje, vamos falar do telefilme da #HBO “The Normal Heart” dirigido por Ryan Murphy e escrito por Larry Kramer, baseado em sua própria peça teatral de 1985. O filme é estrelado por Mark Ruffalo, Julia Roberts, Matt Bomer, Taylor Kitsch, Jim Parsons, Alfred Molina, Jonathan Groff, e Joe Mantello. O telefilme conta […] O post SetCast – The Normal Heart! apareceu primeiro em NoSet.
Joe Mantello is an actor and director best known for his work on Broadway productions of Wicked, Take Me Out and Assassins, as well as earlier in his career being one of the original Broadway cast of Angels in America. He began his theatrical career as an actor in Keith Curran's Walking the Dead and Paula Vogel's The Baltimore Waltz. He directed the Jon Robin Baitz play Other Desert Cities at the Booth Theater in 2011. He returned to acting for the first time in over a decade with the role of Ned Weeks in the Broadway limited engagement revival of The Normal Heart in April 2011, for which he was nominated for the Tony Award as Best Performance by an Actor in a Leading Role in a Play. Other shows he has directed include the Off-Broadway world premiere of the musical Dogfight, the Broadway premiere of The Other Place, and Sting's new musical The Last Ship. What did Joe and I chat about? Listen in to hear: Why Joe loathes auditioning Actors, but what he looks for. How he forgot who Julia Roberts was weeks after working with her . . . and why that was a good thing. How he dealt with failure by returning to his roots, which bounced him back to better than he was before. What Norbert Leo Butz told ME about the tryout of Wicked and whether or not Joe agreed. How he “pivoted” (oooh, such a buzzy business word) from a Broadway Actor to a Broadway Director and how you can transition from one job to another too. Keep up with me: @KenDavenportBway www.theproducersperspective.com Learn more about your ad choices. Visit megaphone.fm/adchoices
The holiday season is approaching ... or looming, you might say, depending on how you feel about holidays and family get-togethers. A middle-class family Thanksgiving in lower Manhattan is the setting for Stephen Karam’s “The Humans,” another play in a long line that finds its springboard in domestic tensions tightened to the breaking point at ritual gatherings. But New York Times theater critic Charles Isherwood says Karam’s work has several, mostly good, surprises in store in this "flawless" production. “The Humans,” directed by Joe Mantello in a Roundabout Theatre Company production, runs through Dec. 27 at the Laura Pels Theatre.
An awkward sweetness and a laconic wit are qualities the actor Jim Parsons wields with Emmy Award-winning skill in his role as Sheldon Cooper on the television series “The Big Bang Theory.” Those are not, however, characteristics we usually associate with the Creator of the Universe. And yet, there on the Broadway stage is Parsons in the title role of “An Act of God,” a new show written by David Javerbaum and directed by Joe Mantello. New York Times theater critic Charles Isherwood lets us in on the idea behind this act and even a couple of new commandments being issued to audiences at Studio 54.
On Day Two of Mike's vacation, Sean Rameswaram guest hosts the show. He's the host of Sideshow, a podcast from Studio 360 about pop culture and the Internet. Today Sean sets out to prove his theory that creative ideas, no matter how bonkers or inconsequential, will find a home online. First he talks with the creators and curators of the Tonya Harding and Nancy Kerrigan 1994 Museum in Brooklyn. Before you ask: Yes, it's in Williamsburg and, yes, it ran a Kickstarter campaign. Later he talks with David Javerbaum, the comedy writer who tweets as @TheTweetOfGod and wrote the new Joe Mantello-directed Broadway show An Act of God. In previews now, it stars Jim Parsons and opens on May 28 at Studio 54. For the Spiel, some pushback on push notifications. Join Slate Plus! Members get bonus segments, exclusive member-only podcasts, and more. Sign up for a free trial today at slate.com/gistplus. On Friday, David Plotz of Atlas Obscura and Slate's Political Gabfest sits in for Mike. His guest will be Wesley Morris, Grantland staff writer and co-host of the podcast Do You Like Prince Movies? Join the discussion of this episode on Facebook. Learn more about your ad choices. Visit megaphone.fm/adchoices
The beloved Broadway beltress shares stories of moving to NYC fresh out of high school and booking her fist Broadway gig. She also tells all about her incredible career, including being hand picked by the legendary director Joe Mantello to star Off-Broadway in "Dogfight," and, of course, taking on the role of Elphaba in the Broadway company of "Wicked."
On Broadway right now at the Neil Simon Theatre is The Last Ship, which might as well be called The Sting Musical, since the pop superstar has contributed not only music and lyrics, but most of the pre-launch publicity. The story is based on the world Sting knew growing up in an English seaside town where life revolved around the local shipyard. The book is by John Logan, author of the Tony-winning play Red, and Brian Yorkey, co-author of the Pulitzer Prize-winning Next to Normal. Joe Mantello, the veteran director whose Wicked has run for more than a decade on Broadway, is at the helm. New York Times theater critic Charles Isherwood offers his impressions of The Last Ship and its prospects for smooth sailing on Broadway.
In June 2011, Thomas Kail sat in conversation with Joe Mantello backstage at the Golden Theater. From Mantello's dressing room, their conversation traces his arc from actor to director and back, and the responsibility of taking risks to continue to evolve throughout a career.
The Normal Heart, filme da HBO escrito por Larry Krimer e dirigido por titia Ryan Murphy, com Mark Ruffalo, Matt Bomer, Julia Roberts, Jim Parsons, Taylor Kitsch, Jonathan Groff, Joe Mantello e grande elenco.
Intellectual Property: In 1996, the Stage Directors and Choreographers Foundation and the Drama League co-sponsored a discussion with then SDC Executive Director Barbara Hauptman, SDC Attorney Ron Shechtman, and director Pamela Berlin moderated by David Diamond about protection of intellectual property rights for stage directors. Through personal anecdotes regarding the controversial productions of Love! Valour! Compassion! originally directed by Joe Mantello and The Most Happy Fella directed by Gerald Gutierrez which set the precedent for future legal battles, the conversation illustrates the extent to which the work of a director can be protected, the methods by which the accused theaters came about the original material, the playwright's perspective on the intellectual property of a director in their own work, and the ways in which a director can protect themselves. Detailed, colorful and extremely informative, this conversation goes far beyond what the internet provides and provides valuable insight into an enduring, controversial issue for any director of new theatrical work. Originally recorded - January 1, 1996. Running Time - 1:22:19 © 1996 SDCF
In Conversation with... Joe Mantello: Directors rarely get the opportunity to spend time and share ideas in a room with other directors. This new one-on-one conversation series was conceived by director Thomas Kail to give himself, and his peers, an opportunity to do just that. This series of conversations explores topics that stretch from finding the spark in their work, making a life as a director, and how they landed on this side of the table. Each director's vision is distinct, and their way of working is their own, but this series also addresses all they have in common beyond the shared title. In June 2011, Thomas Kail sat in conversation with Joe Mantello backstage at the Golden Theater. From Mantello's dressing room, their conversation traces his arc from actor to director and back, and the responsibility of taking risks to continue to evolve throughout a career. Originally recorded - June 1, 2011. Running Time - 59:48 © 2011 SDCF
She’s famous as a movie star, a recording artist and a concert performer, but you may not be familiar with Bette Midler as Broadway actress. Well, it has been a while. Midler made her Broadway debut in the original production of Fiddler on the Roof as a replacement for one of the daughters of Tevye the Milkman back in the 1960s. More than four decades later, she’s back in the solo show I'll Eat You Last as the legendary real-life Hollywood talent agent Sue Mengers. Directed by Joe Mantello at the Booth Theater, I'll Eat You Last was written by John Logan, who brought artist Mark Rothko to theatrical life in the play Red. New York Times theater critic Charles Isherwood takes the measure of the creative forces joined in this project and what they add up to in I’ll Eat You Last.
In 1996, the Stage Directors and Choreographers Foundation and the Drama League co-sponsored a discussion with then SDC Executive Director Barbara Hauptman, SDC Attorney Ron Shechtman, and director Pamela Berlin moderated by David Diamond about protection of intellectual property rights for stage directors. Through personal anecdotes regarding the controversial productions of "Love! Valour! Compassion!" originally directed by Joe Mantello and "The Most Happy Fella" directed by Gerald Gutierrez which set the precedent for future legal battles, the conversation illustrates the extent to which the work of a director can be protected, the methods by which the accused theaters came about the original material, the playwright’s perspective on the intellectual property of a director in their own work, and the ways in which a director can protect themselves. Detailed, colorful and extremely informative, this conversation goes far beyond what the internet provides and provides valuable insight into an enduring, controversial issue for any director of new theatrical work.
Directors rarely get the opportunity to spend time and share ideas in a room with other directors. This new one-on-one conversation series was conceived by director Thomas Kail to give himself, and his peers, an opportunity to do just that. This series of conversations explores topics that stretch from finding the spark in their work, making a life as a director, and how they landed on this side of the table. Each director's vision is distinct, and their way of working is their own, but this series also addresses all they have in common beyond the shared title. In June 2011, Thomas Kail sat in conversation with Joe Mantello backstage at the Golden Theater. From Mantello's dressing room, their conversation traces his arc from actor to director and back, and the responsibility of taking risks to continue to evolve throughout a career.
Joe Mantello, nominated as Best Actor in a Leading Role in a Play for his first acting appearance in 17 years, recalls the most important part of his training.
Joe Mantello, nominated for Best Performance by an Actor in a Leading Role in a Play for The Normal Heart, talks about his one regret after stopping acting to direct is that he never got to play Ned Weeks in The Normal Heart. That is, until now.
Marc Kudisch, currently appearing in "A Minister's Wife" at Lincoln Center Theater, talks about performing in a musical where the transitions between speaking and singing are instant and fluid, how the show, based on Shaw's "Candida", focuses its emphasis on the romantic triangle at its core, and the similarities between his character of Morrell and his early role as Conrad Birdie. He also talks about discovering himself as a performer as a senior in high school and then more fully in college; why he has always considered himself to be a character actor and how he defines that term; his performances as The Devil (in both "The Apple Tree" and "The Witches of Eastwick"), as comic villains (Franklin Hart in "9 to 5", Baron Bomburst in "Chitty Chitty Bang Bang"), comic foils (playing Count Carl-Magnus in four productions of "A Little Night Music", including the depth he finds in a character described by others as "an idiot") and leading man (as Jeff Moss in "Bells Are Ringing"); his admiration for directors George C. Wolfe, Tina Landau and Joe Mantello; why he has to work to get himself considered for roles in plays, when plays were what he first did when coming to New York; and the positive and negative uses of a healthy ego. Original air date - May 25, 2011.
Marc Kudisch, currently appearing in "A Minister's Wife" at Lincoln Center Theater, talks about performing in a musical where the transitions between speaking and singing are instant and fluid, how the show, based on Shaw's "Candida", focuses its emphasis on the romantic triangle at its core, and the similarities between his character of Morrell and his early role as Conrad Birdie. He also talks about discovering himself as a performer as a senior in high school and then more fully in college; why he has always considered himself to be a character actor and how he defines that term; his performances as The Devil (in both "The Apple Tree" and "The Witches of Eastwick"), as comic villains (Franklin Hart in "9 to 5", Baron Bomburst in "Chitty Chitty Bang Bang"), comic foils (playing Count Carl-Magnus in four productions of "A Little Night Music", including the depth he finds in a character described by others as "an idiot") and leading man (as Jeff Moss in "Bells Are Ringing"); his admiration for directors George C. Wolfe, Tina Landau and Joe Mantello; why he has to work to get himself considered for roles in plays, when plays were what he first did when coming to New York; and the positive and negative uses of a healthy ego. Original air date - May 25, 2011.
Joe Mantello talks about returning to the Broadway stage as an actor after a 17-year hiatus to play the role of Ned Weeks in Larry Kramer's "The Normal Heart" -- and what it's like to play a role that the play's author has based on himself when the author is at the theatre nightly. He also talks about his acting days in school and community theatre in his hometown of Rockford, Illinois (with classmates that included Marin Mazzie); his training at North Carolina School of the Arts and why he had to relearn his idiosyncrasies when he got to New York; his work with playwright Peter Hedges and actress Mary-Louise Parker in the self-founded Edge Theatre; the opportunities offered to him by the Circle Repertory Company; why he decided to stop acting after making his Broadway debut in "Angels in America"; the development of his directing career, including the highs and lows of his first two Broadway assignments, Terrence McNally's "Love! Valour! Compassion!" and Donald Margulies' "What's Wrong With This Picture?"; his collaborations with playwrights including Jon Robin Baitz, David Mamet, Richard Greenberg, Neil Simon and Craig Lucas, among many others; the challenge of taking on a project on the scale of "Wicked" with only one previous musical directing credit and how much he remains involved with the show's many productions nationally and internationally; why he enjoys working on intimate shows; and the irony behind "Other Desert Cities'" plans for Broadway in the fall. Original air date - May 18, 2011.
Joe Mantello (2011 Tony Award nominee for Best Performance by an Actor in a Leading Role in a Play for his performance in “The Normal Heart”; 2004 Tony Award winner for Best Direction of a Musical for “Assassins” and 2003 Tony Award winner for Best Direction of a Play for “Take Me Out”) talks about returning to the Broadway stage as an actor after a 17-year hiatus to play the role of Ned Weeks in Larry Kramer's “The Normal Heart” -- and what it's like to play a role that the play's author has based on himself when the author is at the theatre nightly. He also talks about his acting days in school and community theatre in his hometown of Rockford, Illinois (with classmates that included Marin Mazzie); his training at North Carolina School of the Arts and why he had to relearn his idiosyncrasies when he got to New York; his work with playwright Peter Hedges and actress Mary-Louise Parker in the self-founded Edge Theatre; the opportunities offered to him by the Circle Repertory Company; why he decided to stop acting after making his Broadway debut in “Angels in America”; the development of his directing career, including the highs and lows of his first two Broadway assignments, Terrence McNally's “Love! Valour! Compassion!” and Donald Margulies' “What's Wrong With This Picture?”; his collaborations with playwrights including Jon Robin Baitz, David Mamet, Richard Greenberg, Neil Simon and Craig Lucas, among many others; the challenge of taking on a project on the scale of “Wicked” with only one previous musical directing credit and how much he remains involved with the show's many productions nationally and internationally; why he enjoys working on intimate shows; and the irony behind “Other Desert Cities'” plans for Broadway in the fall.
Joe Mantello talks about returning to the Broadway stage as an actor after a 17-year hiatus to play the role of Ned Weeks in Larry Kramer's "The Normal Heart" -- and what it's like to play a role that the play's author has based on himself when the author is at the theatre nightly. He also talks about his acting days in school and community theatre in his hometown of Rockford, Illinois (with classmates that included Marin Mazzie); his training at North Carolina School of the Arts and why he had to relearn his idiosyncrasies when he got to New York; his work with playwright Peter Hedges and actress Mary-Louise Parker in the self-founded Edge Theatre; the opportunities offered to him by the Circle Repertory Company; why he decided to stop acting after making his Broadway debut in "Angels in America"; the development of his directing career, including the highs and lows of his first two Broadway assignments, Terrence McNally's "Love! Valour! Compassion!" and Donald Margulies' "What's Wrong With This Picture?"; his collaborations with playwrights including Jon Robin Baitz, David Mamet, Richard Greenberg, Neil Simon and Craig Lucas, among many others; the challenge of taking on a project on the scale of "Wicked" with only one previous musical directing credit and how much he remains involved with the show's many productions nationally and internationally; why he enjoys working on intimate shows; and the irony behind "Other Desert Cities'" plans for Broadway in the fall. Original air date - May 18, 2011.
The panel of performers - David Cassidy and Petula Clark from "Blood Brothers", Julie Harris ("The Fiery Furnace"), Jeff Hyslop ("Kiss of the Spider Woman"), and Joe Mantello and Stephen Spinellafrom "Angels In America" - talk about how their families encouraged them to pursue performing professionally, appearing on a Broadway stage for the first time, differing audience reactions between the West End and Broadway, and working on the multi-part play "Angels in America".
The panel of performers -- David Cassidy and Petula Clark from Blood Brothers, six-time Tony winner Julie Harris (The Fiery Furnace), Jeff Hyslop (Kiss of the Spider Woman), and Joe Mantello (2003 Tony for Best Direction for Take Me Out and 2004 for Assassins) and Stephen Spinella (winner of back-to-back Tony Awards for both parts of Angels In America) -- talk about how their families encouraged them to pursue performing professionally, appearing on a Broadway stage for the first time, differing audience reactions between the West End and Broadway, and working on the multi-part play Angels in America.
The production team of "Love! Valour! Compassion!" - general manager Victoria Bailey, press representative Helene Davis, managing director Barry Grove, director Joe Mantello, playwright Terrence McNally, and artistic director Lynne Meadow - discuss giving playwrights a home at Manhattan Theatre Club, director and playwright working together for the first time, transferring to a Broadway production, ticket pricing, and participating in the Broadway Alliance.
The production team of Love! Valour! Compassion! -- general manager Victoria Bailey, press representative Helene Davis, Manhattan Theatre Club’s Executive Producer Barry Grove (Tony Award winner for Best Play in 2005 for Doubt, 2001 for Proof, and 1995 for Love! Valour! Compassion!), director Joe Mantello (2003 for Best Direction for Take Me Out and 2004 for Assassins), playwright Terrence McNally (four-time Tony Award winner for Kiss of the Spider Woman, Love! Valour! Compassion!, Master Class and Ragtime), and artistic director Lynne Meadow (who steered the organization to Tony wins for Love! Valour! Compassion!, Proof and Doubt) -- discuss giving playwrights a home at Manhattan Theatre Club, director and playwright working together for the first time, transferring to a Broadway production, ticket pricing, and participating in the Broadway Alliance.
The panel of theatre professionals - playwright Michael J. Chepiga ("Getting and Spending"), choreographer Graciela Daniele ("Ragtime"), playwright/director Christopher Durang ("Sex and Longing"), director Garry Hynes ("The Beauty Queen of Leenane"), and director Joe Mantello ("Corpus Christi") - discuss how they got their start, auditioning actors, controversy surrounding a play, and taking on alternate roles of choreographer, actor, or director.
The panel of theatre professionals -- playwright Michael J. Chepiga (Getting and Spending), choreographer Graciela Daniele (Ragtime), playwright/director Christopher Durang (Sex and Longing), director Garry Hynes (Best Director Tony Award for The Beauty Queen of Leenane), and director Joe Mantello (2003 for Best Direction for Take Me Out and 2004 for Assassins) -- discuss how they got their start, auditioning actors, controversy surrounding a play, and taking on alternate roles of choreographer, actor, or director.
How an audience can discern the often invisible hand of the director is the starting point for this discussion with Scott Elliott ("The Threepenny Opera"), Doug Hughes ("Doubt"), Joe Mantello ("Wicked"), John Rando ("The Wedding Singer") and Leigh Silverman ("Well").
How an audience can discern the often invisible hand of the director is the starting point for this discussion with Tony Award winners Doug Hughes (2005 for Director of a Play for Doubt), Joe Mantello (2003 for Best Direction for Take Me Out and 2004 for Assassins) John Rando (2002 for Best Direction for Urinetown ) participate in this panel along with Scott Elliott (The Threepenny Opera) and Leigh Silverman (Well).
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