Podcast appearances and mentions of Steve Beresford

Interview with CEO Terry LynchOur previous interview: https://www.cruxinvestor.com/posts/power-nickel-tsxvpnpn-charges-up-massive-nickel-copper-pgm-discovery-with-2025-drilling-plan-6495Recording date: 2nd March 2025Power Metallic Mines (TSXV:PNPN) is rapidly emerging as one of the most exciting stories in the junior mining space. The company's 100%-owned NISK project in Quebec has all the makings of a world-class discovery with district-scale potential.NISK represents an extremely rare orthomagmatic nickel-copper-PGM system - a type of deposit known for hosting giant to supergiant metal endowments. Nearly all orthomagmatic discoveries to date have evolved into Tier 1, multi-decade mines. And the geological parallels between Nisk and other major orthomagmatic camps globally are striking.Since acquiring the project in 2021, Power Metallic has hit the ground running with an aggressive drill campaign aimed at unlocking the full potential of this vast mineralized system. Drilling to date has already outlined high-grade copper zones over a 1.8 km strike extent, with multiple discovery areas remaining wide open for expansion.The blue-sky potential lies in the nickel. Consulting geologist Dr. Steve Beresford, who was involved in discovering some of the world's largest nickel deposits, believes there could be up to five times more nickel than copper waiting to be found at NISK based on metal ratio analogues from other major orthomagmatic systems. Combine this exceptional geological upside with a management team that has a track record of value creation, a top Quebec address, and over $40 million budgeted for drilling - and it's easy to see why Power Metallic is attracting some serious attention from investors.Prominent mining entrepreneur Robert Friedland is already a major backer, and several institutions recently wrote big checks to support the ongoing exploration. Despite the enviable progress and well-rounded shareholder base, Power Metallic still trades at a substantial discount to peers on an in-situ valuation basis. Part of this disconnect stems from management's astute strategy to rapidly build out the resource footprint first before publishing a maiden estimate.Multi-fold returns for early shareholders are well within the realm of possibility if NISK shapes up as envisioned. With a major 100,000 meter drill program revving up and assays pending from the new Tiger zone, Power Metallic is entering a catalyst-rich period that could serve as a key inflection point for the stock.In a world facing critical shortages of the metals that enable a greener future, NISK is emerging as a deposit of global significance. Power Metallic has all the attributes of an emerging Canadian mining champion in the making - and investors can expect a very active and exciting year ahead as the company delivers on its vision to unlock a new world-class nickel-copper-PGM mine.View Power Metallic's company profile: https://www.cruxinvestor.com/companies/power-nickelSign up for Crux Investor: https://cruxinvestor.com

In onda Gigi Longo. Musiche: Arooj Aftab, Maverick Persona, Tempunaut, Steve Beresford, Yoshiko Sai, Luciano Berio, Stefano Pilia con Alessandra Novaga e Adrian Utley, Francesco Lurgo, Iosonouncane, ES.

Terry Lynch, CEO of Power Nickel (TSX.V:PNPN - OTC:PNPNF - FRA:1VV) joins us to provide a comprehensive overview of the Company's Nisk Project and large, 30,000 meter drill program underway.   Terry discusses recent drilling successes that have boosted the Company's stock price, and provides a general overview and background on the Project location, resource, infrastructure, and community support. We cover the board appointment of polymetallic expert Dr. Steve Beresford, and the benefit of polymetallic assets.We also discuss the Company's recent drill program, current 30,000 meter expansion program, and future plans, including the development of nickel powders for electric vehicles and defense through a partnership with CVMR.   Please email us with any follow up questions for Terry - Fleck@kereport.com and Shad@kereport.com    Click here to visit the Power Nickel website.

Interview with Terry Lynch, CEO of Power NickelOur previous interview: https://www.cruxinvestor.com/posts/power-nickel-tsxvpnpn-24m-drilling-program-on-major-polymetallic-discovery-5493Recording date: 10th September 2024Power Nickel is emerging as a compelling investment opportunity in the junior mining sector, driven by its potentially world-class polymetallic discovery in Quebec's James Bay region. The company's NISK project, particularly the recently discovered Lion Zone, has attracted significant attention and investment from industry leaders, positioning Power Nickel for potential substantial growth.Power Nickel's investment case is built on several key strengths. The company's Lion Zone has shown impressive high-grade polymetallic mineralization, with CEO Terry Lynch reporting that over half of the 29 holes drilled have yielded "seriously great hits of like almost 10% copper equivalent," significantly enhancing the project's economic potential. Financially, Power Nickel is well-positioned, having recently raised $20 million from prominent investors including Robert Friedland and Rob McEwen, providing an 18-month runway for aggressive exploration without near-term financing pressures. The addition of Dr. Steve Beresford, a renowned polymetallic deposit specialist, brings invaluable expertise to the team, with Dr. Beresford comparing the Lion Zone's potential to the world-famous Norilsk deposit. Power Nickel is employing cutting-edge exploration techniques, including downhole EM surveys and ambient noise tomography, maximizing efficiency and discovery potential. The NISK project's strategic location in mining-friendly Quebec offers excellent infrastructure and year-round operational potential. The deposit's diverse metal mix, including nickel, copper, gold, and platinum group metals, provides natural hedging against price volatility and aligns with growing demand for energy transition metals. Investors can look forward to near-term catalysts including regular drill results and a resource update planned for Q1 2024. Finally, the project benefits from favorable macro trends, including increasing demand for critical metals and growing interest in secure, ESG-friendly resource projects in stable jurisdictions.While Power Nickel offers significant upside potential, investors should be aware of the risks inherent in junior mining exploration. These include geological uncertainties, metal price volatility, potential future dilution, and the long lead times typically associated with mine development.The company's strong financial position, high-grade discovery, expert team, and strategic location distinguish it from many peers in the junior mining space. The backing of industry leaders like Friedland and McEwen lends additional credibility to the project's potential.As exploration progresses, key milestones to watch include the expansion of known mineralization, potential new discoveries within the project area, and the upcoming resource update. Additionally, given the scale and potential of the project, there may be opportunities for strategic partnerships or investments from major mining companies.For investors seeking exposure to the dynamic world of mineral exploration and the critical metals needed for the global energy transition, Power Nickel represents an intriguing opportunity. However, as with any junior mining investment, careful due diligence and risk management are essential. The company's progress over the coming months will be crucial in determining whether it can transform its promising start into a truly world-class mineral deposit.View Power Nickel's company profile: https://www.cruxinvestor.com/companies/power-nickelSign up for Crux Investor: https://cruxinvestor.com

• Steve Beresford & David Toop & John Zorn & Tonie Marshall • Billy Stewart • Steve Beresford & Anne Marie Beretta • Begin Says • Tony Hymas • Eduardo Moreno • Michal Turtle • Roberto Musci & Giovanni Venosta • Mike Herting • Franco Nanni & Elicoide Ensemble • Thierfeldt • Archie Shepp & Jasper van't Hof • Nando Carneiro • Paris Bis • Orquesta de las Nubes

Nuevo número de Libertad Jazzera, siempre con el mejor free jazz y las músicas de vanguardia. En este episodio hemos escuchado una selección de la últimas novedades dentro de la brillante escena avant-garde japonesa, con nombres como Otomo Yoshidide, Masayuki Takayanagi, Abe Kaoru o Hiroshi Yamazaki. Que lo disfrutes.

Nuevo número de Libertad Jazzera, siempre con el mejor free jazz y las músicas de vanguardia. En este episodio hemos escuchado una selección de la últimas novedades dentro de la brillante escena avant-garde japonesa, con nombres como Otomo Yoshidide, Masayuki Takayanagi, Abe Kaoru o Hiroshi Yamazaki. Que lo disfrutes.

In this episode we talk about Elaine Mitchener's many projects, improvisation, music education, Jeanne Lee and much more. Elaine Mitchener is an experimental vocalist, movement artist and composer, whose work encompasses improvisation, contemporary music theatre and performance art. Born in East London to Jamaican parents, Elaine studied voice at Trinity College of Music, London and currently studies with Jacqueline Bremar. She has performed at numerous UK and European festivals, venues and galleries including Aldeburgh Music, London Contemporary Music Festival (LCMF), 56th Venice Biennale, Wysing Arts, Café Oto (London), Bluecoat (Liverpool), SAVVY Contemporary (Berlin), Purcell Room (Southbank Centre, London), Huddersfield Contemporary Music Festival, ULTIMA Festival (Oslo), OCCUPY (St John’s Smith Square), SPILL Festival (Ipswich), La Monnaie (Brussels), Block Universe (London), White Cube (London), Whitechapel Gallery (London), Weserburg MOMA (Bremen), Wellcome Collection (London), and the Institute of Contemporary Arts (London). She has worked and performed in a wide variety of contexts with an array of leading musicians, composers, directors and visual artists including Moor Mother (Camae Ayewa), Mark Padmore, The Otolith Group, Deborah Warner, Christian Marclay, Apartment House, Steve Beresford, Pat Thomas, Irvine Arditti, Sonia Boyce, London Sinfonietta, John Butcher,Tansy Davies, George. E. Lewis, Attila Csihar, Rolf Hind, Dam Van Huynh, Lore Lixenberg, George Lewis, Alexander Hawkins, Sam Belinfante, Phil Minton, Evan Parker, Alasdair Roberts, Lucy Bailey, David Toop, Netia Jones, Matt Wright, and Jason Yarde. Elaine is co-founder of the experimental jazz quartet the Hawkins/Mitchener Quartet and a regular vocalist with the ensemble Apartment House. She created the role of Hannah/Voice singing with tenor Mark Padmore, in the opera CAVE, by composer Tansy Davies with libretto by Nick Drake, co-commissioned by the London Sinfonietta / Royal Opera House and directed by Lucy Bailey which premiered in June 2018. Her production company Elaine Mitchener Projects has researched, developed, produced and toured or staged a number of projects including Industrialising Intimacy (with choreographer Dam Van Huynh, David Toop, George Lewis); The Nude Voice (with Dam Van Huynh) commissioned for the Wellcome Collection London’s THIS IS A VOICE exhibition; ‘I back… I neck… I face… I chest’ commissioned by Sonia Boyce for her installation We Move In Her Way at London’s ICA; Of Leonardo da Vinci (with Dam Van Huynh, David Toop, Barry Lewis) for Oslo’s ULTIMA Festival; the three hour durational performance [NAMES] premiered at Ipswich’s SPILL Festival; a presentation of John Cage’s SongBooks for London’s Poetry In The City Festival; Vocal Classics of the Black Avantgarde for LCMF; and SWEET TOOTH in partnership with Bluecoat Liverpool, Stuart Hall Foundation and the International Slavery Museum. Premiered in Nov 2017, SWEET TOOTH has been described as ‘a vital black British addition to those seminal creative statements of resistance and defiance from the African Diaspora’, and was subsequently broadcast on BBC Radio 3’s Hear and Now programme (Dec 2017). Elaine has participated in residencies and symposiums including Aldeburgh Music (to develop SWEET TOOTH) and Fondazione Claudio Buziol, Venice (where she developed Of Leonardo Da Vinci supported by Muziektheater Transparant) and New Resonances organised by Theatrum Mundi. For more information about Elaine Mitchener please visit: http://www.elainemitchener.com/ © Let's Talk Off The Podium, 2020

a cura di Alessandro Achilli. Musiche di Joni Mitchell, Jimi Hendrix, Nucleus, Charles Trenet, Steve Beresford - David Toop - John Zorn - Tonie Marshall, Sun Ra Arkestra (prima parte)

a cura di Alessandro Achilli. Musiche di Joni Mitchell, Jimi Hendrix, Nucleus, Charles Trenet, Steve Beresford - David Toop - John Zorn - Tonie Marshall, Sun Ra Arkestra (prima parte)

a cura di Alessandro Achilli. Musiche di Xtc, Slits, Bridget St John, Steve Beresford, Gilbert & Sullivan, Stereolab, Gold Mass, Trance Map+, Anderson-King-Taborn, Stefan Aeby, Cristiano Calcagnile Multikulti Ensemble

a cura di Alessandro Achilli. Musiche di Xtc, Slits, Bridget St John, Steve Beresford, Gilbert & Sullivan, Stereolab, Gold Mass, Trance Map+, Anderson-King-Taborn, Stefan Aeby, Cristiano Calcagnile Multikulti Ensemble (seconda parte)

a cura di Alessandro Achilli. Musiche di Xtc, Slits, Bridget St John, Steve Beresford, Gilbert & Sullivan, Stereolab, Gold Mass, Trance Map+, Anderson-King-Taborn, Stefan Aeby, Cristiano Calcagnile Multikulti Ensemble (seconda parte)

Delivered by Steve Beresford on 28th July 2019 at King's Church, Cockermouth.

Gnolling cloudless and winsome o'er the hobbledy froom, a snipjack trejury come treacling langwards from netherlandish parts.  Hobskoosh onely wonders, the pibbletosh skim skimmety-skim on glasslake ribble.  Nabberlack lip-licker frusking out the vanguard as pottle fall dreamylike through wode, long loomy wode, a light as baffleghast as wronglesky, these dabble-dark miff of posk and ratchet.Listen Now.So cram this claggy clamour in thy clammy clam-likes:Jack Planck- The Boy With The Raccoon PenisLaid Back - White HorseFrank Chickens - Cheeba Cheeba ChimpiraSteve Beresford & Tristan Honsinger - Sai Hello To The CelloFort Lauderdale - Holy WednesdayOnce in a new balloon, I check for discarded tissues caught among the detritus at gcuesoterica@gmail.com, thus far to precious little of what is apparently termed "avail."  Go on, prove me wonky.Twenty minutes.  No refunds.

Delivered by Steve Beresford on 24th February 2019 at King's Church, Cockermouth.

a cura di Alessandro Achilli. Musiche di Necks, Carla Bley, Brian Wilson, Steve Beresford, Béla Bartók, Doneda-Lazro, Tony Coe, Snack Family, Orchestra of the Upper Atmosphere

a cura di Alessandro Achilli. Musiche di Necks, Carla Bley, Brian Wilson, Steve Beresford, Béla Bartók, Doneda-Lazro, Tony Coe, Snack Family, Orchestra of the Upper Atmosphere (seconda parte)

a cura di Alessandro Achilli. Musiche di Necks, Carla Bley, Brian Wilson, Steve Beresford, Béla Bartók, Doneda-Lazro, Tony Coe, Snack Family, Orchestra of the Upper Atmosphere (seconda parte)

Delivered by Steve Beresford on 5th August 2018 at King's Church, Cockermouth.

Delivered by Steve Beresford on 10th June 2018 at King's Church, Cockermouth.

13e émission de la 38e session... Cette semaine, départ en world jazz, puis jazz rock ! En musique: Sons of Kemet sur l'album My Queen is Harriet Tubman  (Impulse!, 2018); Jeremy Daneman and Sophie Nzayisenga sur l'album Honey Wine  (Ropeadope, 2017); The Nels Cline 4 sur l'album Currents, Constellations  (Blue Note, 2018); Eugene Chadbourne with Steve Beresford and Alex Ward sur l'album Pleasures of the Horror (Bisou, 2018); Nick Millevoi's Desertion Trio sur l'album Midtown Tilt  (Shhpuma, 2018); Peter Bruun's All Too Human sur l'album Vernacular Avant-Garde  (Ayler, 2018)...

13e émission de la 38e session... Cette semaine, départ en world jazz, puis jazz rock ! En musique: Sons of Kemet sur l'album My Queen is Harriet Tubman  (Impulse!, 2018); Jeremy Daneman and Sophie Nzayisenga sur l'album Honey Wine  (Ropeadope, 2017); The Nels Cline 4 sur l'album Currents, Constellations  (Blue Note, 2018); Eugene Chadbourne with Steve Beresford and Alex Ward sur l'album Pleasures of the Horror (Bisou, 2018); Nick Millevoi's Desertion Trio sur l'album Midtown Tilt  (Shhpuma, 2018); Peter Bruun's All Too Human sur l'album Vernacular Avant-Garde  (Ayler, 2018)...

This is a conversations with Sharon Gal. She is a Interdisciplinary Artist ,Vocal Experimentalist, Performer and Composer. She performs solo, and has on-going collaborations with Steve Beresford, David Toop, Steve Noble, Alex Ward, John Edwards amongst others. She directs site specific compositions/performances examining the inter-relations between people and place. She is the co-founder of arts radio Resonance 104.4.FM. I talk to her briefly before her performance at the Iklectik Horse Festival about her beginnings and collaborations and play excerpts of her music. Show Notes: People and Things mentioned: Free improv and jazz records Lana lovitch Punk Nina hagen Kate bush David bowie Mouth crazy Thurston Moore Sonic youth Byron Coley Moshi Connin Denis Austin The Klinker Hugh Metcalf Loot( the paper) Band called Voltage- Dennis and Moshi Adam Bohman Richard Sanderson and the club room Sound Out The V& A Gals with guitars Goldsmith’s_ ‘Fill The Noise’ Micro amps Sculpting in space Open call Voices in staircase Sound and Music refreshments: Water

Delivered by Steve Beresford on 11th February 2018 at King's Church, Cockermouth.

Tres novedades del sello Iluso Records en la entrega 349 del podcast HDO. Musicianer es el trío de Josh Sinton (saxo barítono y composiciones), a quien acompañan Jason Ajemian (contrabajo) y Chad Taylor (batería y percusión). Su última grabación, slowlearner (Iluso Records, 2017), está repleta de melodías y temas contagiosos. Hesitantly Pleasant (Iluso Records, 2017) de Mike Caratti (batería), Rachel Musson (saxofones), y Steve Beresford (piano y electrónica) se mueve por los terrenos de la improvisación libre. Por esos terrenos es por los que también transita Into Darkness (Iluso Records, 2017) de Stray, o lo que es lo mismo, el grupo formado por John Butcher (saxos), Dominic Lash (contrabajo), John Russell guitarra eléctrica) y Stale Liavik Solberg (batería), aunque en esta ocasión en su propuesta se incorporan elementos provenientes de otros estilos que como el noise, no por menos habituales en la improvisación libre, resultan menos disfrutables Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz.

a cura di Alessandro Achilli. Musiche: Fahey, Coxhill, Annette Peacock, Cream, Pink Floyd, Jefferson Airplane, Braxton-Abrams, Beresford-Bennink, Hughscore, Kahondo Style, Michael Mantler, Allegri Leprotti, Biota, Roots Magic, Remote Viewers

a cura di Alessandro Achilli. Musiche: Fahey, Coxhill, Annette Peacock, Cream, Pink Floyd, Jefferson Airplane, Braxton-Abrams, Beresford-Bennink, Hughscore, Kahondo Style, Michael Mantler, Allegri Leprotti, Biota, Roots Magic, Remote Viewers

Delivered by Steve Beresford on 1st October 2017 at King's Church, Cockermouth.

Delivered by Roger Bye and Steve Beresford on 2nd July 2017 at King's Church, Cockermouth.

Entrega dedicada al saxofonista François Carrier y al baterista Michel Lambert, escucha mediante de algunas de sus últimas grabaciones, todas ellas publicadas en 2015. Ambos músicos tienen una larga trayectoria conjunta que se mueve dentro de la improvisación con una fuerte base en el free jazz. Según comenta el propio Carrier en las notas de OUTgoing (FMR), acostumbra a grabar todos sus conciertos. A partir de estos registros es de donde surgen la mayor parte de las grabaciones en que participan estos dos músicos. Tanto OUTgoing, como io (FMR) y Unknowable (Not Two) son grabaciones en directo, que como suele ser habitual en su caso incluye unos temas totalmente improvisados y extensos, en los que se puede disfrutar del magnífico entendimiento tanto entre el saxofonista y el baterista como con los músicos invitados. En OUTgoing son el bajista John Edwards y el pianista Steve Beresford (en la segunda parte de la grabación); en Unknowable es el bajista Rafal Mazur; en io no hay acompañantes adicionales, puesto que es un disco a dúo. Muy recomendables las tres grabaciones. © Pachi Tapiz, 2015 HDO (Hablando de oídas) es un audioblog editado, presentado y producido por Pachi Tapiz. Toda la información acerca de esta entrega de HDO en http://www.tomajazz.com/web/?p=21272. Toda la información acerca de HDO en http://www.tomajazz.com/web/?cat=13298

El grupo holandés The Ex, uno de los favoritos de Pachi Tapiz, presentador, editor y productor de HDO, acaba de publicar el doble CD The Ex at Bimhuis (1991-2015) (Ex REcords - Bimhuis, 2015) en el que se recoge una selección de temas grabados en el mítico local holandés. Una de las características de este doble CD es que a lo largo de todos los temas (24 en total), aparecen acompañados por músicos de la escena jazzística e improvisadora tanto holandesa como internacional. Algunos nombres bien conocidos y reconocidos que suenan en la selección de nueve temas son los de Mats Gustafsson, Ken Vandermark, Han Bennink, John Butcher, Xavier Charles, Wolter Wierbos, Michael Vatcher, Steve Beresford, Claude Deppa, Phil Minton o Roy Paci. Abriendo y cerrando la entrega, las caras A y A del single Lale Guma / Addis Hum (Ex Records) que en 2014 grabaron junto al grupo acústico etíope Fendika, ya que como es bien sabido, la música de la zona de Etiopía, está bien presente en la música de The Ex. HDO (Hablando de oídas) es un audioblog presentado, editado y producido por Pachi Tapiz. Toda la información disponible en http://www.tomajazz.com/web/

This conversation is with Richard Sanderson who is an improvising musician based in London. He has recorded with the groups; Ticklish, Minnow, Lost Robots and in duos with Mark Spybey and Steve Beresford. He has recorded for several labels including Grob, Textile and Duophonic. He has performed at festivals of experimental music throughout Europe. He is the curator of Linear Obsessional Recordings. I talked to Richard about how he began to play his instrument, his inspirations, collaborations and his experiences of the experimental music scene in London and we listen to some of his music.

Greenwich Sound Radio 'Creatures What You Never Knew About' 1984 Steve Beresford discusses selections from his record collection (54 mins)

Greenwich Sound Radio 'Creatures What You Never Knew About' 1984 Steve Beresford discusses selections from his record collection (54 mins)

Conversación con Irene Aranda. La pianista jiennense presenta su segundo trabajo discográfico, "Yetzer". Con ella charlamos en esta edición de "Club de Jazz" del 30 de mayo de 2012. Jesús Moreno presenta "desde mi cadiera" el "Live at the Vortex" de Foxes Fox, formación con Evan Parker (sx), Steve Beresford (p), John Edwards (cb) y Louis Moholo (bt), con un invitado de lujo: el trompetista Kenny Wheeler. En los "Ritmos Latinos" de Anxo el dúo No Matter What! y Jungle Fire. En el "Jazz Porteño" de Alberto Varela el tango de Juan José Mosalini en "Conciertos para bandoneón y guitarra" junto a L´Ensemble de Basse-Normandie. Y en el "Tren Azul" de Luis Díaz García la pegada de Buddy Rich. Toda la información y derechos: http://www.elclubdejazz.com

Conversación con Irene Aranda. La pianista jiennense presenta su segundo trabajo discográfico, "Yetzer". Con ella charlamos en esta edición de "Club de Jazz" del 30 de mayo de 2012. Jesús Moreno presenta "desde mi cadiera" el "Live at the Vortex" de Foxes Fox, formación con Evan Parker (sx), Steve Beresford (p), John Edwards (cb) y Louis Moholo (bt), con un invitado de lujo: el trompetista Kenny Wheeler. En los "Ritmos Latinos" de Anxo el dúo No Matter What! y Jungle Fire. En el "Jazz Porteño" de Alberto Varela el tango de Juan José Mosalini en "Conciertos para bandoneón y guitarra" junto a L´Ensemble de Basse-Normandie. Y en el "Tren Azul" de Luis Díaz García la pegada de Buddy Rich. Toda la información y derechos: http://www.elclubdejazz.com