Podcasts about Yamazaki

Today C.J and Asher are in heaven with today's food-themed episode! The guys talk BeardMeatsFood, food challenges, customizing our favorite fair foods, and so much more! Thank you for letting us be your Bad Influence! See you all next week! Music Bad Influence - Blake Basic (Ft. Yamazaki)

Send us a textBefore Japanese whisky became a global sensation, a quiet revolution was brewing in the distilleries of Nikka and Yamazaki. In this episode, Kurt and Sarah take a deep dive into the transformative decade of the 1970s — a pivotal era when Japanese whisky began to come into its own.Join us as we uncover how economic shifts, cultural pride, and quiet ambition helped shape a legacy that would eventually take the whisky world by storm. 

Men's fashion influencer Jeff Yamazaki and his wife Naomi have made the trip between Los Angeles and Japan dozens of times —and they've learned a thing or two along the way. In this episode, the stylish duo shares their go-to travel tips for navigating Japan like a pro: from the best places to shop to eating some of the tastiest foods. Whether it's your first visit or your fifteenth, Jeff and Naomi offer a chic, practical guide to making the most of your time in Japan. Check out Jeff's content @jeffyamazaki on social media and also his new(ish) YouTube channel, where you can find some longer-form content from both LA and Tokyo! You can write to us at: ⁠infatuasianpodcast@gmail.com⁠, and please follow us on Instagram and Facebook @infatuasianpodcast Our Theme: “Super Happy J-Pop Fun-Time” by Prismic Studios was arranged and performed by All Arms Around  Cover Art and Logo designed by Justin Chuan @w.a.h.w (We Are Half the World #asiancontent #asianpodcast #asian #asianamerican #infatuasian #infatuasianpodcast #aapi #veryasian  #asianamericanpodcaster #representationmatters

Ask us a question? Send us a Message!In this beautifully buzzed episode of Heavily Buzzed, hosts Koko and Jeff Lam are joined by the ever smooth and delightfully knowledgeable Daniel Schöll, the German Brand Ambassador for the House of Suntory. Together, they take a spirited journey through the rich and refined world of Japanese whisky.We dive deep into the legendary legacy of Suntory how it all began, the philosophy behind the craftsmanship, and why Japanese whisky is basically the liquid embodiment of precision and harmony. Along the way, we sip (okay, savor) two absolute stunners: the elegant Hibiki Harmony and the iconic Yamazaki 18, treating each pour with the reverence of a master samurai on a spiritual quest… with a healthy buzz, of course.But it's not all just whisky talk we also explore the cultural art of saying “No” the Japanese way: thoughtful, polite, and just ambiguous enough to make you question everything. It's the kind of subtle social judo you didn't know you needed.Tune in for laughs, sips, stories, and the occasional deep thought wrapped in a whisky haze. Kanpai, friends this one's a smooth ride.BOTTLE SPONSOR:Whisky.de - Treffpunkt feiner Geister Whisky.com - Where Fine Spirits Meet CLICK ON THE URL TO GRAB YOUR BOTTLES AND DRINK WITH US!!!https://whisky.de/heavily-buzzed/Instagram:@whisky.de Thanks for listening! Follow us on Instagram!Heavily Buzzed @heavilybuzzedKoko @ohh.its.kokoJeff @angryasianguy

In this episode of Make City Make Spence, Sean, Garret, and Adam discuss Detroit City FC's recent match, where the team blew a two-goal lead against Indy. They highlight Darren Smith's impressive offensive performance and mention Yamazaki earning another start. Additionally, they preview the upcoming Open Cup match against the Fire and the league match against Hartford.(1:52) Detroit City FC blew a two-goal lead(33:12) Three Stars Le Rouge(43:12) Chicago Fire Preview(52:12) MLS Eyes on Bridgeview?(1:12:00) Open Cup Predictions(1:17:20) Hartford Athletic Preview

Today we wrap up Jazz Appreciation Month with GlenDronach 12-year scotch and Yamazaki 12-year Japanese whisky, as we share a legend who was gone far too soon- Clifford Brown. Few may know his name, but Brown was perhaps the greatest jazz trumpet player of all time when he was killed in a car accident at the age of 25. Join us as we learn about his life, his lasting legacy, and the music we're lucky enough to enjoy. 

"Instruments Of A Beating Heart" had its world premiere in the Shorts Program: One-of-a-Kind of DC/DOX Film Festival 2024. Edited down from Ema Ryan Yamazaki's 2023 feature "The Making of a Japanese," the film documents the challenge presented to the first graders in a Tokyo public elementary school of performing "Ode to Joy" at the ceremony for the new incoming first graders as their assignment for the final semester. Director Yamazaki was kind enough to spend some time speaking with us about her work on the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on YouTube and is up for your consideration for this year's Academy Awards for Best Documentary Short Film. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Ema Ryan Yamazaki attended Japanese elementary school, then an international school before heading to New York for her college education.  In “Instruments of a Beating Heart”, her Academy Award Nominated short, edited down from her feature “The Making of a Japanese”, she reveals some of the differences she found between national pedagogies, and some of the key learnings which have made her who she is.   Told through the efforts of 1st-grader Ayame to pass the audition to play the cymbal, an important part of the percussive ensemble at the heart of Ode to Joy, Yamazaki's film reveals the impact that the interplay of individuation and acculturation has on this exuberant, expressive girl.  And she paints the outlines of how she is being brought into a society that values collective harmony.   “Instruments of a Beating Heart” can be seen on The New York Times website and Youtube.   Hidden Gem:  Puffling   Follow: @emaexplorations on Instagram and X @topdocspod on Instagram and X    The Presenting Sponsor of "Top Docs" is Netflix.

Gavin and Jack Taub, embarked on a conversational journey through the world of whiskey, reflecting on experiences ranging from the bustling Whiskey Live Paris festival to the quiet contemplation of rare Scotch. Their shared passion was evident as they discussed the evolving landscape of whiskey collecting, investment strategies, and the stark differences in alcohol sales between the UK and the US. The conversation meandered through auction frustrations, the allure of exclusive brand experiences, and the nostalgia of traditional whiskey craftsmanship. They reminisced about memorable tastings, like Jack's introduction to a special McCallan Ruby and the coveted 55-year-old Yamazaki, highlighting the "money can't buy" moments that define a true enthusiast's journey. The summer backdrop seemed to amplify their appreciation for the rich history and passionate individuals within the whiskey industry, culminating in Gavin's dream of a Gordon MacPhail-focused home bar, a testament to their shared dedication to the spirit.

The WrestleMagic team of Michael Gross and Maverick talk with Itsuki Yamazaki.Go AD-FREE and get this show plus hundreds more by heading to Patreon.com/WWEPodcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-wwe-podcast--2187791/support.

In today's episode, Roland Ng shared his journey of discovering and falling in love with whiskey, starting with Yamazaki 18 in 2011. He describes how his friends introduced him to various types of whiskey, including Scotch and rum, and how his palate has evolved over the years. He also discussed the significant changes in the whiskey market, particularly the rise of Japanese whiskey, which he believes was sparked by the 2016 Sherry Cast. He mentions the early days of Japanese whiskey availability, when it was relatively easy to get bottles from stores in New York.

Last time we spoke about Fall of Peleliu. As American forces pressed down the Ormoc Valley, General Kataoka launched a counterattack with limited success, and Colonel Hettinger's 128th Regiment clashed at Breakneck Ridge but couldn't capture Corkscrew Ridge. Meanwhile, Japanese troops fortified defenses, resulting in intense fighting along Kilay and Shoestring Ridges. By November 23, the Americans had solidified their positions around Limon, disrupting Japanese supply lines and forcing a shift in enemy tactics. Simultaneously, Colonel Nakagawa's last forces on Peleliu fought desperately. As American flamethrowers targeted enemy caves, Nakagawa, with only a few soldiers remaining, chose an honorable death, marking the brutal end of the battle. American forces eventually secured Peleliu after extensive losses. Hidden Japanese troops would later survive in caves until 1947, finally surrendering. Lastly China's Operation Ichi-Go saw brutal losses as Japanese forces captured Guilin and Liuzhou, killing civilians and decimating Chinese forces.  This episode is Operation Capital Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945.  By the end of November, General Gill's 32nd Division had successfully secured the Limon area and was prepared to advance south toward Ormoc. However, they first needed to clear enemy forces from Kilay Ridge. At the same time, General Arnold's 7th Division had strengthened its position on Shoestring Ridge and was preparing to attack the rear of General Yamagata's 26th Division, which was moving east to participate in an offensive against the Burauen airstrips. In the north, Colonel Clifford's 1st Battalion had been under heavy pressure in recent days. With the arrival of the 2nd Battalion, 184th Regiment, however, he was now ready to go on the offensive. On December 1, following intense preparations, the Americans launched an attack on the Japanese-held knolls at the southeastern end of the ridge. They captured the first knoll easily but were halted by intense fire on the second. The next day, Colonel Hettinger's 2nd Battalion continued the assault, this time overcoming all resistance and securing Kilay Ridge for the Americans. Clifford's relieved battalion had suffered 26 killed, 2 missing, and 101 wounded, yet estimated Japanese casualties at 900. Meanwhile, by November 30, General Cunningham's 112th Cavalry Regiment had advanced to a ridge roughly 2,500 yards east of Highway 2 and about 5,000 yards southeast of Limon. Here, they encountered a heavily fortified enemy force that held its ground. Unable to dislodge them, Cunningham sent Troop A northwest on December 2 to connect with the 126th Regiment at the Leyte River. Meeting no resistance, the 1st Squadron also began moving northwest, while Cunningham's 2nd Squadron continued its attempts to take the Japanese-held ridge without success. Facing south, Arnold planned to advance northward with two regiments side-by-side, but his offensive would be postponed until the 17th Regiment arrived on December 3. The next day, patrols were sent forward in preparation for a full assault, reaching as far north as Balogo. Meanwhile, the Japanese were finalizing their own Burauen offensive, codenamed Operation Wa, set to launch on December 5. However, the plan was already faltering: by the end of November, the 16th Division was reduced to only 2,000 men, and the 26th Division was still moving slowly to its assembly point. In response, the recently arrived 3rd Battalion of the 77th Regiment, brought to Ipil by landing barges, was promptly sent to support Yamagata. The 68th Brigade, expected to arrive shortly, was to secure the Albuera sector, blocking any enemy advance toward Ormoc. Additionally, General Tominaga planned to airdrop two regiments from the 2nd Raiding Brigade onto the Burauen airstrips to coordinate with the ground attack. Meanwhile, the Imahori Detachment, pushed out of Daro in late November, remained on standby for action in the Ormoc sector as it retreated toward Dolores. At sea, Admiral Okawachi had deployed the seventh convoy of Operation TA, organized into three echelons to transport supplies and equipment. The first group, consisting of three submarines and one subchaser, departed Manila on November 28 and reached Ipil two days later, successfully unloading cargo but losing one submarine grounded at Masbate. The second group of two submarines left Manila on November 30, unloading at Palompon the next day, although both were later destroyed in a nighttime destroyer sweep. On December 1, a third group of three transports, T-9, T-140 and T-159 and two destroyers,  Take and Kuwa, under the command of Lieutenant-Commander Yamashita Masamichi, departed Manila, reaching Ormoc the next day, where they were attacked by a separate destroyer division during the night. The convoy, under Lieutenant-Commander Yamashita Masamichi, was docked at Ormoc City when it was engaged at 00:09 on December 3 by three ships of Destroyer Division 120 under the command of Commander John C. Zahm. The American destroyers attacked the transports as they were unloading but came under heavy attack from Yokosuka P1Y "Frances" bombers, shore batteries, submarines that were known to be in the harbor, and the Japanese destroyers. As a result, Kuwa was sunk and Commander Yamashita was killed. Take also attacked Cooper with torpedoes and escaped, though with some damage. Cooper finally sank at about 00:15 with the loss of 191 lives (168 sailors were rescued from the water on December 4 by Consolidated PBY Catalina flying boats). At 00:33, the two surviving US destroyers were then ordered to leave the bay, and the victorious Japanese successfully resupplied Ormoc Bay once more. This phase of the Battle of Ormoc Bay has gone down in history as the only naval engagement during the war in which the enemy brought to bear every type of weapon: naval gunnery, naval torpedoes, air attack, submarine attack, shore gunnery, and mines. Meanwhile, as the Battle of Leyte continued, Generals MacArthur and Krueger were preparing the crucial invasion of Luzon. On October 3, the Joint Chiefs of Staff approved MacArthur's Operation Musketeer III over a possible invasion of Formosa, which would have required moving along extended and vulnerable supply lines. However, naval commanders feared an Allied convoy navigating the narrow waters of the central Visayas would be vulnerable to heavy air attacks from numerous nearby enemy airfields. This concern prompted the Americans to plan a preliminary operation, codenamed Love. One option involved securing positions in Aparri to provide fighter cover for supply ships, which could then take a safer route around northern Luzon through open seas. MacArthur, however, favored capturing Mindoro to establish airfields that would protect naval convoys en route to Luzon. Although enemy air attacks posed a risk during the initial invasion and resupply of forces on Mindoro, the establishment of these airfields would give the Allies a shorter, safer route to Lingayen Gulf with improved air protection and reduced exposure to the unpredictable typhoon season compared to the northern Luzon route. The Mindoro operation was scheduled for December 5, followed by a large-scale invasion of Luzon with landings at Lingayen Gulf on December 20, anticipating that the airfields on Mindoro would be operational by then. For Operation Love III, Krueger organized the Western Visayan Task Force, which included the 19th Regiment and the 503rd Parachute Regiment, under the command of Brigadier-General William Dunckel. The initial plan involved a combined airborne and amphibious landing on December 5 to secure the San Jose area near the southwest coast, facilitating the immediate use of its airstrips to support the Luzon operations and counter the numerous enemy airfields on the peninsula. However, delays in the development of airfields on Leyte and the ongoing need for air support for Leyte ground forces led to significant changes in the original Mindoro plan. Consequently, the airborne phase was canceled, and arrangements were made for the parachute regiment to be transported by sea. Ultimately, the prolonged development of airfields on Leyte, resulting in insufficient air support, combined with the urgent need to rehabilitate essential naval units, led to a ten-day postponement of the Mindoro operation to December 15. This delay impacted the Leyte campaign significantly, allowing the released shipping to be utilized for an amphibious assault on Ormoc. As a result, on November 23, General Bruce's 77th Division landed on Leyte in the rear areas of the 24th Corps and was readied for this new assault. Krueger decided to deploy this division for a major push to expedite the conclusion of the Leyte campaign. However, we must now shift our focus from the Philippines to recent developments in New Britain. Following the initial landings at Jacquinot Bay, the 6th Brigade was fully assembled at Cutarp by December 16. Their mission was to halt the Japanese forces from moving westward from Wide Bay and to conduct patrols toward Milim. At the same time, the 13th Brigade was tasked with safeguarding Jacquinot Bay against potential enemy advances from the north or south. To the north, the 36th Battalion was positioned at Cape Hoskins, with two of its companies deployed to Bialla Plantation by December 6 to patrol towards the Balima River and counter any Japanese offensives from Ea Ea. Under this increasing pressure, the enemy was compelled to retreat, leaving the Ea Ea-Ulamona region clear. Due to this unexpected withdrawal and the challenges of beaching barges at Bialla, General Ramsay decided to permit the 36th Battalion to advance toward Ea Ea. After leaving a small detachment at Cape Hoskins, the Australians landed unopposed at Ea Ea on January 13, while a New Guinea company similarly landed on Lolobau Island. To the south, half of the 14th/32nd Battalion successfully landed at Sumpun on December 28, moving closer to the Japanese buildup at the northern end of Henry Reid Bay. By January 7, the rest of the battalion had gathered at Sumpun, and by the end of January, they conducted an amphibious operation to set up a new base at Milim. At the same time, the 6th Brigade also started moving into the Kiep-Milim area, completing this transition by February 11. However, we will now shift our focus away from New Britain and turn our attention to Burma to discuss the continuation of Operation Capital. As previously noted, by the end of November, General Slim's 14th Army had effectively chased the retreating Japanese troops to the Chindwin River, while General Festing's 36th Division advanced to Pinwe, tightening the noose around General Katamura's 15th Army from the north. To the east, General Li Hong's 38th Division had successfully encircled Bhamo, and General Li Tao's 22nd Division along with Colonel Easterbrooke's 475th Regiment were progressing along the Bhamo-Myitson road. On the Salween front, General Wei's Y-Force captured Longling and Mangshi, the key targets of his offensive. However, amid the intense fighting at Mangshi, the 53rd Army executed a broad flanking maneuver through the mountains towards the Chefang Pass, where General Matsuyama's 56th Division was establishing new positions. Fortunately for Matsuyama, the Yoshida Force, anticipating this movement, launched a successful counterattack south of Kongjiazhai, effectively stalling the enemy advance long enough for the withdrawing Japanese forces to regroup. Meanwhile, Wei had dispatched the 71st Army to advance along the Burma Road and the 6th Army to break through Mengga, launching a rapid assault on the hastily prepared Japanese defenses on November 24. The 2nd Army chose to bypass these defenses, continuing south towards Wanding. Despite fierce resistance from the defenders, the determined Chinese forces made significant progress in the following days, ultimately compelling the outnumbered Japanese to withdraw to Wanding on November 28. In response, General Matsui's 113th Regiment established a delaying position at Zhefang, successfully repelling enemy attacks until December 1, which provided crucial time for the retreating forces to regroup at Wanding. By that time, however, Wei's divisions were significantly weakened, lacking 170,000 men from their required strength due to a lack of replacements. As a result, the Chinese command decided to postpone their offensive for thirty days while they awaited additional supplies and reinforcements, as well as a decisive victory at Bhamo that would enable Wei to connect with General Sultan's forces. Meanwhile, while the 30th Division advanced towards Namhkam, the 38th Division had been persistently assaulting Colonel Hara's garrison in the final two weeks of November.  On 15 November, the 113th Regiment attacked and took the outpost positions south of Bhamo and, although the defenders were successful in twice retaking them, on the 17th the positions were finally relinquished. The enemy force brought increasing pressure on the Bhamo outpost positions on all sides while completing preparations for a general attack on the main core of resistance. In the enemy's preparation for the general attack, concentrations of artillery fire and air bombardment caused severe damage. Planes flying out of Myitkyina, averaged 200 sorties a day between the middle of November and 4 December. Every building in Bhamo was destroyed and all defensive positions were badly damaged. Early in the air bombardment period, fire destroyed most of the rations and food supplies began to run dangerously low. Despite the heavy bombardment, the Garrison continued to fight calmly and effectively. Meanwhile, north of Bhamo, where the Chinese had not moved closer to the city than the containing detachment the 113th had left opposite the Japanese outpost at Subbawng, the 114th was making more progress. That regiment bypassed the Subbawng position on 21 November and moved two miles west along the south bank of the Taping River into Shwekyina. Outflanked, the Japanese quickly abandoned Subbawng and the rest of the 114th came up to mop up the Shwekyina area, freeing advance elements of the 114th to move directly south through the outlying villages on Bhamo. On 28 November the 114th was pressing on the main northern defenses of Bhamo. In this period of 21-28 November the division commander, General Li, did not alter the mission he had given the 113th of entering Bhamo, but by his attention to the 114th he seemed to give tacit recognition to the altered state of affairs. The first Chinese attack on Bhamo itself was given the mission of driving right into the city. Made on the south by the Chinese 113th Regiment, the attack received heavy air support from the 10th Air Force. It succeeded in moving up to the main Japanese defenses in its sector, but no farther. American liaison officers with the 113th reported that the regimental commander was not accepting their advice to coordinate the different elements of the Allied force under his command or supporting him into an artillery-infantry-air team, and that he was halting the several portions of his attack as soon as the Japanese made their presence known. However, the 113th's commander might well have argued that he and his men faced the most formidable Japanese position yet encountered in Burma. Aerial photography, prisoner of war interrogation, and patrolling revealed that the Japanese had been working on Bhamo since the spring of 1944. They had divided the town into three self-contained fortress areas and a headquarters area. Each fortress area was placed on higher ground that commanded good fields of fire. Japanese automatic weapons well emplaced in strong bunkers covered fields of sharpened bamboo stakes which in turn were stiffened with barbed wire. Anti-tank ditches closed the gaps between the lagoons that covered so much of the Japanese front. Within the Japanese positions deep dugouts protected aid stations, headquarters, and communications centers. The hastily improvised defenses of Myitkyina were nothing like this elaborate and scientific fortification. Manned by some 1200 Japanese under Colonel Hara and provisioned to hold out until mid-January 1945, Bhamo was not something to be overrun by infantry assault. Although the Chinese managed to destroy several enemy outposts beyond the fortress town, they were unable to penetrate the formidable defenses established by the fierce Japanese troops. After a significant air and artillery bombardment, the 113th Regiment launched another attack at the beginning of December but once again failed to achieve a breakthrough. In contrast the 114th's aggressive commander had been most successful in the early days of December. With less than half the air support given the 113th and with no help from the 155-mm. howitzers, he had broken into the northern defenses and held his gains. The decision to give the 114th first call on artillery support posed a problem in human relations as well as tactics. This was the first time the 38th Division had ever engaged in the attack of a fortified town. All its experience had been in jungle war. Faced with this new situation, the 113th Regiment's commander seemed to have been at a loss to know what to do. The 114th, on the contrary, had gone ahead with conspicuous success on its own, and now was being asked to attempt close coordination with artillery and air support. Its commander hesitated for a day, then agreed to try an attack along the lines suggested by the Americans. The tactics developed by the 114th Regiment by 9 December took full advantage of the capabilities of air and artillery support. Since the blast of aerial bombardment had stripped the Japanese northern defenses of camouflage and tree cover it was possible for aerial observers to adjust on individual bunkers. So it became practice to attempt the occupation of one small area at a time. First, there would be an artillery preparation. Two 155-mm. howitzers firing from positions at right angles to the direction of attack would attempt to neutralize bunkers in an area roughly 100 by 300 yards. Thanks to the small margin of error in deflection, the Chinese infantry could approach very close to await the lifting of fire. The 105's would lay down smoke and high explosive on the flanks and rear of the selected enemy positions. Aerial observers would adjust the 155's on individual positions. When it was believed that all Japanese positions had been silenced the Chinese infantry would assault across the last thirty-five yards with bayonet and grenade. As casualties increased, Hara's garrison continually weakened under relentless assaults, with the outnumbered soldiers bracing themselves to fight to the last man in defense of Bhamo. Determined to prevent the Bhamo Garrison from meeting the same fate as the Lameng and Tengchong Garrisons, General Honda ordered Colonel Yamazaki Shiro's reinforced 55th Regiment to advance towards Namyu and execute a surprise counterattack to assist Hara's beleaguered troops. Departing from Namhkam on the night of December 5, the Yamazaki Detachment stealthily made their way to Namyu, where the 90th Regiment had recently established its primary position atop Hill 5338. Additionally, General Naka's 18th Division was instructed to support this initiative, with Lieutenant-Colonel Fujimura Yoshiaki's 56th Regiment ordered to move through Tonkwa to join the attack. Due to the enemy's successful Ichi-Go offensive, General Wedemeyer and Generalissimo Chiang Kai-Shek made the decision to withdraw the elite 22nd and 38th Divisions from Burma. They planned to deploy these divisions to defend Kunming as part of the Alpha Plan. Not even the most optimistic Chinese could for the moment interpret that the Japanese thrust was confined to the American air bases in China, and no one on the Allied side could feel really sure where the 11th Army would halt, though the summer uniforms worn by the Japanese suggested to American observers that the Japanese might be outrunning their supply lines. Theater headquarters thus concluded that Chongqing and Kunming were under direct, immediate threat. In response, having adopted the code name Alpha, Wedemeyer first presented a detailed plan to the Generalissimo on November 21. This plan was divided into several phases. The period to December 31 was set for Phase I of ALPHA, in which the Chinese forces in contact with the Japanese in south and southeast China would try to slow their advance. The Americans would assist in demolitions, help plan prepared positions, and give the maximum of air support. American officers would fill liaison and advisory roles with the Chinese Army down through division level. Other Americans would work closely with the operations, intelligence, and supply officers of higher Chinese headquarters. Plainly, the mission of Phase I was to win time within which to complete a concentration for defense of Kunming. In Phase II, Chinese forces would be placed across the principal avenues of approach to Kunming while a central reserve would be built up around Kunming itself. To guarantee the availability of dependable Chinese troops two divisions of the Chinese Army in India would be flown in from Burma, together with the 53rd Army from the Salween front. About 87500 troops would be brought to the Kunming area from less menaced sectors of China.  As a result, although Sultan was able to keep the 38th Division and intended to send the 14th Division back to China, General Liao was instructed on December 5 to ready the 22nd Division for airlift to China, with Colonel Easterbrooke's 475th Regiment assigned to relieve them north of Tonkwa. However, before this relief could occur, the Fujimura column attacked Tonkwa on December 8 and effectively pushed back the Chinese garrison. The Japanese continued their assault northward the next morning, but this time, Chinese-American forces were able to stop the enemy's progress. In the following days, Japanese patrols further tested American positions, and sporadic artillery and mortar fire harassed soldiers in their foxholes, but no significant assault took place. While the Chinese withdrew on December 12, American patrols discovered the enemy's apparent assembly areas, leading to artillery fire directed at them. Meanwhile, following a heavy artillery bombardment, the Yamazaki Detachment surprised the 90th Regiment on  December 9th. The battalion received a heavy bombardment followed by a Japanese attack which penetrated its lines and isolated its 1st and 2d Companies. This was bad enough, but worse followed the next morning. Colonel Yamazaki massed three battalions in column to the east of the road, and, attacking on a narrow front, broke clean through by leap-frogging one battalion over another as soon as the attack lost momentum. The third Japanese battalion overran the 2d Artillery Battery, 30th Division, and captured four cannon and 100 animals. The battery commander died at his post.  Despite this setback, the Chinese remained undeterred, exhibiting a fighting spirit that surprised the Japanese. The 88th Regiment swung its forces toward the Japanese penetration, which was on a narrow front, and since the terrain was hilly in the extreme the Japanese could see Chinese reinforcements converging on the battle site. So vigorously did the Chinese counterattack that one lone Chinese soldier fought his way almost into the trench that held Colonel Yamazaki and the 33d Army liaison officer, Colonel Tsuji. Writing in his diary, Tsuji remarked: "This was the first experience in my long military life that a Chinese soldier charged Japanese forces all alone." The Chinese, comprising as they did three regiments of a good division, could not be indefinitely withstood by the four Japanese battalions. Destroying the four pack howitzers they had captured, the Japanese sought only to hold their positions until the Bhamo garrison could escape. Facing intense pressure from a numerically superior enemy, Yamazaki managed to fend off Chinese counterattacks over the subsequent days, striving to create a favorable moment for the Bhamo Garrison to withdraw. By December 14, with the 114th Regiment advancing into central Bhamo, Hara's remaining 900 soldiers destroyed all their artillery and focused their efforts on the southern front. As night fell, they desperately climbed the steep 50-foot banks of the Irrawaddy and charged the Chinese lines at daybreak. Utilizing the cover of early morning fog, Hara's men successfully penetrated the Chinese positions and began their final retreat towards Namhkam. Once the garrison was safe, the Japanese term for "success" was relayed to the waiting Yamazaki Detachment, which subsequently began to disengage, having suffered 150 fatalities and 300 injuries. The Bhamo Garrison, on the other hand, sustained approximately 310 killed and 300 wounded since the onset of the Allied offensive, with about 870 of the original 1,180 men surviving. At this point, only 50 miles remained between Sultan's forces and Y-Force. Meanwhile, the Fujimura column attacked again on December 13. The Japanese activity had apparently been preparation for attack, and on the morning of the 13th men checked their weapons with care and looked to the arranging of their ammunition in convenient spots. The American positions had the advantage of excellent fields of fire across open paddy fields. Looking toward the south and the west, the men of the 475th could see the dark green mass of leaves, trunks, and brush making the jungle that hid the Japanese assembly areas and, farther back, the Japanese gun positions. Following a ten-minute preparation, the Japanese attacked one American flank at 0600 and the other at 0610. The 475th's fire power met the Japanese as soon as they were clearly defined targets, and stopped the attacks within an hour. At one point a Japanese force of about a platoon tried to cover the open space by a concerted rush only to be cut down with thirty or forty casualties. There were no further Japanese attacks that day. The following morning, the 14th, the Japanese repeated their tactics of the 13th, and that effort too was beaten off, at the cost of several men killed. The 475th's entry into combat had the result on the men noted by observers in many previous wars, for they now spent hours digging themselves in more deeply and improving their positions. The 3d Battalion to the north near Mo-hlaing was subject only to artillery fire. That the Japanese at one point were actually within small arms range of the 2d Battalion while apparently not capable of doing more than shelling the 3d with their infantry guns suggested that the 3d might be able to take in reverse the Japanese pocket that pressed on the 2d Battalion. After two days of fierce combat, Easterbrooke's troops ultimately prevailed, launching a robust counteroffensive on December 15 that secured the Tonkwa area. Following these minor operations, both sides experienced a week of skirmishes around the American perimeter defenses until the final Japanese withdrawal, as the Bhamo Garrison had already been liberated. By the end of the battle, the 475th had lost 15 men killed, while an estimated 220 Japanese casualties were inflicted. Following these developments, Honda reorganized his forces, instructing the 56th Division, along with the attached Yamazaki Detachment, to defend the Wanding-Namhkam sector. He also dispatched the Yoshida Force and the 4th Regiment to reserve positions in Hsenwi while retaining the 18th Division at Mongmit. To the west, after the captures of Kalemyo on November 14 and Kalewa on November 28, General Tanaka's 33rd Division was compelled to establish new positions in the Shwegyin-Mutaik sector. In response, Slim directed the 4th Corps to cross the Chindwin River and seize Pinlebu. The 268th Indian Brigade was dispatched across the river at Sittaung, followed by Major-General Thomas “Pete” Rees' 19th Indian Division on December 4. Meanwhile, the 11th East African Division fought fiercely to expand the bridgehead at Kalewa. For the crossing a ‘Chindwin Navy' was formed, with two wooden gunboats mounting a Bofors and two Oerlikon cannons and two pairs of Browning machine-guns. They were built at Kalewa and named Pamela, after Mountbatten's youngest daughter, and Una, after Slim's. Thus Slim became the only general to have designed, built, christened, launched and commissioned ships for the Royal Navy. Their task was to protect the Inland Waterways Transport's lighters, barges and launches, built by Fourteenth Army's Chief Engineer, Brigadier Bill Hasted, who felled forests to create them and for which outboard motors were flown in. The IEME recovered MV Ontario, patched, caulked and repainted her. In due course IWT craft carried some 38000 tons of stores. The task of establishing a firm bridgehead across the Chindwin was accomplished by the East Africans clearing a series of Japanese positions along either side of Myittha river gorge on December 2 after recce by the Sea Reconnaissance Unit (SRU).  As the bridgehead was expanded, bridging equipment for what, at 1154 feet, would be the longest floating bridge in the world was assembled and constructed in sections on the Myittha and floated down to the Chindwin and completed in just 28 working hours between December 7 and 10. Meanwhile Brigadier Mackenzie's 32nd Indian Brigade completed its three-day crossing of the Chindwin at Mawlaik using only two rafts named ‘Horrible Charlie' and ‘Stinking Henry'. Unbeknownst to the British and Indian forces, Katamura had already set his withdrawal to the Irrawaddy River in motion, ordering the beleaguered 15th and 53rd Divisions on December 1 to fall back to Kyauk Myaung and Kyaukse, respectively. On December 4, the 33rd Division began its gradual retreat toward Monywa, leaving the 213th Regiment behind as a rear guard to monitor the enemy in the Shwegyin-Mutaik sector. The 31st Division, now under Lieutenant-General Kawata Tsuchitaro, would cover the retreat from its positions at Kambalu and Shwebo. Consequently, Rees, acting on Slim's orders to take risks for speed, made swift progress through the challenging Zibyu Range, with his advance elements connecting with the 36th Division at Banmauk on December 16. After a lengthy pause regarding the Pinwe situation, Festing's patrols entered the towns of Indaw and Katha without opposition on December 10. From these locations, the 26th and 72nd Indian Brigades were set to move towards Kunchaung, while the 29th Indian Brigade continued its advance along the road to Takaung. Throughout this period, Japanese resistance was significantly less fierce than anticipated. Consequently, just days into the operation, Slim realized that his original strategy to encircle Katamura's 15th Army on the Shwebo Plain in front of the Irrawaddy would be ineffective. If the Japanese were indeed planning to fight from behind the river, the 14th Army would be extended from Tamu and exposed to counterattacks at a critical moment while attempting to cross one of the most daunting river obstacles. A revised strategy was therefore necessary, but Slim had only one card left to play for this situation. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. General MacArthur was now preparing a massive invasion of Luzon. Amidst ongoing air attacks, plans shifted to secure Mindoro for air support. Meanwhile, in Burma, Chinese and Japanese forces clashed over Bhamo, with the Japanese garrison ultimately escaping. It seemed everywhere things were going badly for the Japanese, how much longer would they hold out?

Uggghhhhh.....yeahhh... So, its been a while. Brad and Daniel get back into the swing of things with some pretty special whisky's. Sharing a little bit of whats kept them away whilst discussing some lowlights and highlights of whisky in the past couple of months. Episode Ingredients 1x Springbank 10 yr old 1x Yamazaki 12 yr old Reach out to us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠dramtalk.au@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and @dramtalkpodcast on instagram or connect with us through ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/dramtalk⁠⁠

toe is a band that produces and performs post-rock music. They will hold a tour in Australia and New Zealand from 17 to 23 October. Guitarist Hirokazu Yamazaki says he wants to pursue the music he loves. - ポスト・ロックと呼ばれる楽曲を制作・演奏するバンド、toe（トー）。来月17日～23日、オーストラリア・ニュージーランドツアーを行います。ギタリストの山㟢廣和さんは、自分が好きな音楽を追究していきたいと語ります。

Japanese manga artist Kore Yamazaki gained international popularity for her work such as 'The Ancient Magus' Bride,' 'Futari no Renai Shoka, and 'Frau faust.' What is her inspiration and motivation? - 代表作「魔法使いの嫁（The Ancient Magus' Bride）」などで海外でも人気の日本の漫画家、ヤマザキコレさん。創作のインスピレーションやモチベーションなどを聞きました。

On the new episode of YouTube Roulette, join Shiff, Jake, Matt, and Logan as they watch Shawn Michaels vs Buddy Landell from SMW, Aja Kong vs Yumiko Hotta from AJW, Dusty & Dustin Rhodes vs CW Anderson & Ron Reis from TCW, and Norman Smiley vs Kazuo Yamazaki from UWF! How good are these matches? Who has an incredible Donkey Kong impression? Does the Smiley vs Yamazaki match happen in Japan? These questions answered on the new YouTube Roulette!

Diane Woodburn speaks to Tetsuji (Tets) Yamazaki, GM of the Sheraton Maui Resort & Spa.  In this podcast Tets talks about what brought him to Maui 30 years ago, his path from working as a dishwasher to becoming a general manager, how the Sheraton was an integral part of disaster response last August, how the economic recovery from the August fires differs from the recovery during the pandemic, the history of the Sheraton property which was one of the first resorts to open on Maui, the upcoming Kokua For Maui event on July 5th that will showcase Lahaina businesses, his message to visitors who are contemplating a trip to Maui, goals for the remainder of 2024, and his advice to anyone looking to advance their career in the hospitality industry.  

The 2023 Kyoto Prize Laureate in Basic Sciences, Professor Elliott Lieb presents snapshots of his seventy-year journey through the world of science, first as a would-be engineer, then as a physicist and later as a mathematician and a mathematical physicist. In many encounters with colleagues in different areas of research he learned that mathematics and a mathematical perspective can be pivotal in developing our thinking about physics. This fundamental connection between mathematics and physics was not always accepted at the beginning of my career, and it was even vigorously denied by some mathematicians and physicists. Lieb mentions some of his work to illustrate the value of mathematical physics for theoretical physics and to pure mathematics, the first being the Polaron bound found with K. Yamazaki in Kyoto in 1957. Another is the "ice problem", where he calculated the number of ways to color a chess board with only three colors so that neighboring squares never have the same color. Series: "Kyoto Prize Symposium" [Science] [Show ID: 39424]

The 2023 Kyoto Prize Laureate in Basic Sciences, Professor Elliott Lieb presents snapshots of his seventy-year journey through the world of science, first as a would-be engineer, then as a physicist and later as a mathematician and a mathematical physicist. In many encounters with colleagues in different areas of research he learned that mathematics and a mathematical perspective can be pivotal in developing our thinking about physics. This fundamental connection between mathematics and physics was not always accepted at the beginning of my career, and it was even vigorously denied by some mathematicians and physicists. Lieb mentions some of his work to illustrate the value of mathematical physics for theoretical physics and to pure mathematics, the first being the Polaron bound found with K. Yamazaki in Kyoto in 1957. Another is the "ice problem", where he calculated the number of ways to color a chess board with only three colors so that neighboring squares never have the same color. Series: "Kyoto Prize Symposium" [Science] [Show ID: 39424]

The 2023 Kyoto Prize Laureate in Basic Sciences, Professor Elliott Lieb presents snapshots of his seventy-year journey through the world of science, first as a would-be engineer, then as a physicist and later as a mathematician and a mathematical physicist. In many encounters with colleagues in different areas of research he learned that mathematics and a mathematical perspective can be pivotal in developing our thinking about physics. This fundamental connection between mathematics and physics was not always accepted at the beginning of my career, and it was even vigorously denied by some mathematicians and physicists. Lieb mentions some of his work to illustrate the value of mathematical physics for theoretical physics and to pure mathematics, the first being the Polaron bound found with K. Yamazaki in Kyoto in 1957. Another is the "ice problem", where he calculated the number of ways to color a chess board with only three colors so that neighboring squares never have the same color. Series: "Kyoto Prize Symposium" [Science] [Show ID: 39424]

The 2023 Kyoto Prize Laureate in Basic Sciences, Professor Elliott Lieb presents snapshots of his seventy-year journey through the world of science, first as a would-be engineer, then as a physicist and later as a mathematician and a mathematical physicist. In many encounters with colleagues in different areas of research he learned that mathematics and a mathematical perspective can be pivotal in developing our thinking about physics. This fundamental connection between mathematics and physics was not always accepted at the beginning of my career, and it was even vigorously denied by some mathematicians and physicists. Lieb mentions some of his work to illustrate the value of mathematical physics for theoretical physics and to pure mathematics, the first being the Polaron bound found with K. Yamazaki in Kyoto in 1957. Another is the "ice problem", where he calculated the number of ways to color a chess board with only three colors so that neighboring squares never have the same color. Series: "Kyoto Prize Symposium" [Science] [Show ID: 39424]

A new 'Craftwork' episode entitled 'The Life of a Bookseller.' My guest is Paul Yamazaki, principal book buyer for City Lights Bookstore. His new book is called Reading the Room: A Bookseller's Tale, available from Ode Books. Yamazaki has been the principal buyer at City Lights Booksellers, the legendary San Francisco bookstore and publisher founded by Lawrence Ferlinghetti and Peter Martin, for more than fifty years. A champion for national and global literature, writers, publishers, and independent bookstores, Yamazaki was the recipient of the National Book Foundation's 2023 Literarian Award for Outstanding Service to the American Literary Community. He has mentored generations of booksellers across America. Rick Simonsonhas worked at Seattle's Elliott Bay Book Company, one of the US's leading independent bookstores, since 1976. He is Elliott Bay's senior buyer and founded their internationally renowned author reading program forty years ago. He presently serves on the governing boards of Copper Canyon Press, the University of Washington Press, and UNESCO Seattle City of Literature. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.In this episode, Lady Petra and Saffermaster chat with He Who Desires and Mz Boomerang about their journey's as sexual creatures exploring kink and ethical non monogamy over a Japanese whisky tasting comparing Yamazaki 12 and the Kuroshio 12 malt whisky's.  The Kinky Cocktail Hour is brought to you by Motorbunny, the worlds most powerful saddle style sex machine. Save $50 using this link http://motorbunny.com/?ref=KINKYSupport the Show.Listen on Podurama https://podurama.com

When you walk into the historic, beloved City Lights in San Francisco's North Beach, it's easy to get lost in the winding shelves packed with thousands of titles from classic literature, poetry and philosophy to contemporary fiction. There's a legendary man behind the careful curation. Chief book buyer Paul Yamazaki has worked at City Lights since the 1970's and has dedicated his career to filling the shelves with titles that spark conversations between books and readers. “Any single book has a constellation of conversations, consequences, and causes,” Yamazaki says in his new book “Reading the Room: A Bookseller's Tale.” We'll talk to Yamazaki about independent bookstores and what he sees for the future of books. Guests: Paul Yamazaki, chief book buyer, City Lights Bookstore - In 2023, Paul won the National Book Foundation's Literarian Award for Outstanding Service to the American Literary Community Melinda Powers, head book buyer, Book Shop Santa Cruz; president, California Independent Booksellers Alliance Stephen Sparks, owner, Point Reyes Books and Wayfinder Bookshop Hannah Oliver Depp, owner, Loyalty bookstore

New News: Federal judge rules Woodford Reserve engaged in union busting • New Japanese Whiskey rules finally go into effect • Why are Scotland's “ghost distilleries” coming back to life? • MGP sales rise 7% • The Top 10 whiskey importing countries • How distillers are using artificial intelligence • Yamazaki distills the world's first whisky using hydrogen fuel • California distillery creates whiskey survival kit • Man beats man with bottle of whiskey • Man breaks into home, asks for food, finds whiskey New Whiskeys: A. Overholt Monongahela Mash Straight Rye Whiskey • Bernheim Barrel Proof A224 • Crown Royal Blackberry • Ezra Brooks 99 Port Wine Cask Finished Bourbon • Milam & Greene Wildlife Collection: Golden Eagle and Mockingbird • New Riff 8 Year Bourbon • Rebel 100 6 Year Bourbon • Rabbit Hole Founder's Collection: Mizunara Finished Bourbon • Sagamore Manhattan Finish Rye • Stranahan's Diamond Peak Caribbean Rum Cask American Single Malt • Yellowstone Rum Finish Bourbon New Music Credits: Retro News at Nine (Stinger 1) by Steve Oxen • NewsSting by Kevin MacLeod • Just Breaking (Softer) by David Fesliyan • Beauty Flow by Kevin MacLeod

Kicking off Season 5 with a deep dive into the King of Monsters.  Godzilla expert & author of "Godzilla On My Mind" Dr. William (Bill) Tsutsui joins the Krewe to discuss the Godzilla franchise, its roots, its impact in Japan, & how it became the global phenomenon it is today. Get in touch with your inner kaiju and learn more about your favorite giant reptilian monster!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Liquid IV Offer Link  to save 20% Off your Entire Order! (00:01:06)Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (52:26:00)------ Bill Tsutsui Links ------Bill Tsutsui's WebsiteGodzilla On My Mind on AmazonBill Tsutsui x Godzilla Music Video------ JSNO Upcoming Events ------JSNO Event Calendar2024 Matsue-New Orleans Sister City Exchange Program Application

In the latest episode of the PURE TOKYOSCOPE Podcast, authors Matt Alt (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pure Invention: How Japan Made the Modern World⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Patrick Macias (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mondo Tokyo: Dispatches from a Secret Japan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) race through some recent headlines from the wild world of Japanese pop culture including... Godzilla Nominated for Academy Award for Visual Effects Hideaki Anno to release the Mighty Jack book the world has been demanding Japan is launching a "digital nomad" visa that allows people to work remotely from Japan for up to six months Strong Chu-Hi, Asahi Beer will not be released in the future...Sales are reduced due to health risk concerns Prices for Hibiki, Yamazaki and Hakushu whiskies will more than double in April ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW THE TOKYOSCOPE BLOG ON SUBSTACK!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FULL SHOW EARLY EPISODE DROPS AT OUR PATREON!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ INFO ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pure TokyoScope on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Matt Alt on Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patrick Macias on Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pure TokyoScope on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.tokyoscope.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for merch The podcast is produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠jaPRESS LLC⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠©, and engineered and edited by Patrick Macias Theme song by Marxy

"Godzilla Minus One" was one of 2023's most surprising success stories. The film grossed over $105 million worldwide, becoming the highest-grossing Japanese "Godzilla" film of all time; it crossed over into the U.S., where it received an overwhelmingly positive response from critics and now has been nominated for an Oscar for Best Visual Effects making it the first film in the 70-year-old franchise to receive an Academy Award nomination. Director, Writer, and Visual Effects Supervisor Takashi Yamazaki was kind enough to spend some time speaking with us about the work that went into the visual effects, which you can listen to below. The film is now up for your consideration for the 96th Academy Awards and the Visual Effects Society, where it is nominated for Outstanding Animated Character In A Photoreal Feature. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1970s, the National Association of Manufacturers organized a subsidiary, the Council for a Union-Free Environment, to provide member firms and managers with tools to prevent labor organization and union activity in their business operations. The council remained active into the 1990s, when it was dissolved. As part of her dissertation research, Moeko Yamazaki, a PhD candidate at the University of Oregon, dug into the NAM collection and the CUE records in particular. Here research was supported by the Center for the History of Business, Technology, and Society at the Hagley Museum and Library. For more Hagley History Hangouts visit us online at hagley.org/hhh.

Listen to us talk about possibly the greatest monster franchise ever, and how it just keeps getting better. Synopsis Directed by Takashi Yamazaki, Godzilla Minus One follows the story of Koichi (played by Kamiki Ryunosuke), a kamikaze pilot at the end of WWII who didn't wanna go full kamikaze so he says that his plane is faulty and lands on Odo Island for repairs. Once there, a baby Godzilla arrives and decimates everyone, except for Koichi and Tachibana, the head repairman. Koichi eventually makes it back to his home in Tokyo to find that his parents are dead and Tokyo has been almost flattened by the war. Koichi encounters a girl named Noriko (played by Minami Hamabe) and she latches onto him for support for her and the baby she is carrying, and they become a happy family. A couple years later, Godzilla comes back, bigger and better than ever. Will Koichi defeat the monster? You'll have to wait and see! Review of Godzilla Minus One This movie has it all. It had me laughing, crying, shocked, upset, and enthralled. To bounce from hard hitting emotional scenes to incredibly jarring and crazy action scenes and have it effortlessly flow is extremely difficult, yet director Yamazaki did it seamlessly. It was a wonderful movie that depicts Japan's ruin and rebuilding after WWII, and how the war never left anyone's minds even for a second. Oh, and Godzilla was absolutely killer. I have never seen another Godzilla movie in full before, but I can tell that they went back to the basics and kept what worked from the original and newer films. From the score, to the visual effects, to the character building, it was absolutely flawless. The Japanese invented Godzilla, it's only right that they are the best at making films about it. Score 10/10

70 years into the Godzilla franchise, it seems improbable the best installment, of which there are 38, would end up being the newest, but stranger things have happened. GODZILLA MINUS ONE sees a post-WWII Japan stumbling towards survival. It's not enough to sustain a thankless war and nuclear fallout, but now, a giant radiation-breathing lizard? If framed this way, it almost reads like a cruel joke, but for people like failed kamikaze pilot Koichi Shikishima (Ryunosuke Kamiki), it's all too real, a scene on a spiritual loop bathed in trauma and socially-imposed guilt. You'd then think the movie would follow the MOBY DICK route of having Koichi go through hell and back to kill this creature, to redeem himself in the eyes of his country's leaders and personal shame, but what GODZILLA MINUS ONE avoids is the notion that one is only responsible to their trauma. Sure, he's gonna carry the wounds of the past forever, but life doesn't amount to an endless self-flagellation. There's way more to enjoy under the sun than can ever be numerated or experienced. For a film whose genre's defined by its level of destruction and explosive, monstrous action to firmly plant its flag in the side of hope and revival is a necessary breath of balance and grace. Did the lizard chomp boats like chew toys? Yep. Did I also find myself crying at the end? You bet your ass. It's a great time to be a Godzilla fan. ------------------------------------------------------------------Follow Daniel on - Twitter: TheMovies_Pod Bluesky: ⁠themovies.bsky.social ⁠Instagram: themoviespod ------------------------------------------------------------------ Music: "Take Me Home" - Sophie Ellis-Bextor (Hi, Resa!) --- Send in a voice message: https://podcasters.spotify.com/pod/show/themoviespodcast/message

Godzilla Plus One Es hora de hablar de un viejo amigo: Godzilla. Después de una marejada de películas en las que Godzilla pasó de ser un símbolo poderoso de la posguerra japonesa a una especie de tiranosaurio enojado con la vida capaz de poner millones de huevos por toda Nueva York, los estudios Toho decidieron dar luz verde al proyecto de Takashi Yamazaki (un experto en esto del cine de acción bien estructurado y de los efectos especiales) para recuperar la idea original de la Godzilla del siglo pasado y modernizarla en el mejor de los sentidos. ¿Cuál es ese sentido? Para eso es que hacemos este podcast dedicado a Godzilla Minus One, la película de Yamazaki que además de emocionar a propios y extraños ha rebasado ya todas las previsiones de taquilla. Sabemos que el éxito de una película no depende de la venta de boletos y también por eso es que decidimos hablar de la película, porque creemos que las lecturas que nos regala la convierten ya y sin lugar a dudas en la mejor película jamás hecha alrededor de Gojira: un Plus One que la hace ya inmortal. En esta ocasión el invitado es no sólo un buen amigo de Cinegarage sino un experto en Godzilla: Enrique Figueroa Anaya. Hablemos pues del Plus One de Godzilla Minus One. Learn more about your ad choices. Visit megaphone.fm/adchoices

Listen to us as we discuss the 2023 film Godzilla Minus One If you would like to give us feedback on how were doing follow us at:⁠ https://beacons.ai/senornerdpodcast ⁠⁠ https://www.instagram.com/senornerdpodcast/ ⁠@senornerdpod on Twitter Godzilla Minus One (Japanese: ゴジラ-1.0マイナスワン, Hepburn: Gojira Mainasu Wan) is a 2023 Japanese epic[a] kaiju film directed, written, and with visual effects by Takashi Yamazaki. Produced by Toho Studios and Robot Communications and distributed by Toho,[10] it is the 37th film in the Godzilla franchise, Toho's 33rd Godzilla film, and the fifth film in the franchise's Reiwa era.[b] The film stars Ryunosuke Kamiki, Minami Hamabe, Yuki Yamada, Munetaka Aoki, Hidetaka Yoshioka, Sakura Ando, and Kuranosuke Sasaki. In the film, postwar Japan deals with the emergence of Godzilla. After the release of his film The Great War of Archimedes (2019), Yamazaki was appointed to make a Godzilla film. He subsequently wrote the script over three years, taking influence from Godzilla (1954), Jaws (1975), the films of Hayao Miyazaki, and Godzilla, Mothra and King Ghidorah (2001). Yamazaki had previously depicted Godzilla in Always: Sunset on Third Street 2 (2007) and a 2021 amusement-park ride at Seibu-en. In February 2022, Robot publicized that Yamazaki was soon to begin directing a kaiju film via a casting call on their website. Filming occurred primarily in Kantō and Chūbu from March to June 2022. Shirogumi handled the visual effects at their studio in Chōfu from April 2022 to May 2023. Godzilla Minus One premiered at the Shinjuku Toho Building on October 18, 2023, and was the closing film at the 36th Tokyo International Film Festival on November 1. Toho distributed it theatrically in Japan on November 3, the same date as the first Godzilla film's release in 1954, to celebrate the franchise's 70th anniversary.[c] Toho's subsidiary Toho International later released it in North America on December 1. The film has grossed $76 million worldwide against an under $15 million budget and received critical acclaim. Western critics praised its visual effects, direction, story, characters, musical score, and social commentary, and compared it favorably to recent Hollywood films.[14] It has been nominated for numerous awards in Japan and the United States, including four at the 48th Hochi Film Awards (with Yamazaki winning Best Director), and six at the 78th Mainichi Film Awards; it won Best Visual Effects at the Chicago Film Critics Association Awards, Florida Film Critics Circle Awards, and San Diego Film Critics Society Awards and is also on the shortlist for Best Visual Effects at the 96th Academy Awards. A black-and-white version will be released in Japan on January 12, 2024

In this episode of the Oh Brother podcast, Dan and Mike review Godzilla Minus One directed by Takashi Yamazaki and starring Minami Hamabe, Ryunosuke Kamiki, and Sakura Ando.  Post war Japan is at its lowest point when a new crisis emerges in the form of a giant monster, baptized in the horrific power of the atomic bomb.  Dan and Mike also compare and contrast Ishirô Honda's 1954 Godzilla with Yamazaki's reimagining of the central figure in the Monterverse.  #podcast #movies #godzillaActor @missvivalee - star of "Polaris" Support the showOh Brother Podcast: Subscribe on YouTube Listen on all podcast platforms Follow us on TikTok & Instagram Leave a 5-star rating/review on Apple Podcasts

We're talking about the splash hit of the past month as we keep the train of 2023 releases going and talk about Godzilla Minus One! A thrilling and heartfelt film that we both loved and had a lot of fun talking about. We talk about how it succeeds, its relationship with the original, Oppenheimer, and more! Contact us at rollitpodcast@gmail.com or follow us!    Twitter/X- @RollItPodcast    Instagram - @rollitpodcast    Music by Ethan Rapp

If you multiplied all the 32 previous Japanese Toho Godzilla movies against the 5 Legendary American films, you'd still have to do some fancy math to come close to the surprise blockbuster event of the year, Takashi Yamazaki's Godzilla Minus One.Playing as an unexpected double feature with Christopher Nolan's Oppenheimer, Yamazaki's Godzilla returns as a stomping nuclear allegory but plays better as a human drama about the cost of war to a nation and its citizens.Summon us via email at onlymoviepodcast@gmail.com or send us deep into the breach of the ocean on Instagram or Twitter.As always, you can catch our episodes early and ad free over on Nebula. And if you sign up with the link below, it really helps out the pod!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

MOAR BONUS CONTENT! Think of this as Season 5 MINUS ONE. Godzilla expert & author of Godzilla On My Mind Dr. William (Bill) Tsutsui joins Doug to discuss Toho's latest Godzilla film, Godzilla Minus One. What did one of the top experts on Godzilla think of this movie? Find out right here! DISCLAIMER -- This conversation is NOT spoiler-free. If you don't want to hear spoilers, save this one for after you see the movie! insert Godzilla roar here------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Liquid IV Offer Link  to save 20% Off your Entire Order! (00:01:06)Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:35:10)------ Bill Tsutsui Links ------Bill Tsutsui's WebsiteGodzilla On My Mind on Amazon------ JSNO Upcoming Events ------JSNO Event Calendar12/18/23 - JSNO/Ikigai Connections "Japan Jobs & Me" (Event Details)Zoom Registration for "Japan Jobs & Me" (Direct Link)

I don't think I've seen a movie with more humanity. I wept. Godzilla Minus One (Japanese: ゴジラ-1.0マイナスワン, Hepburn: Gojira Mainasu Wan) is a 2023 Japanese kaiju film directed, written, and with visual effects by Takashi Yamazaki. Post war Japan is at its lowest point when a new crisis emerges in the form of a giant monster, baptized in the horrific power of the atomic bomb. It is an astounding contrast to Oppenheimer, written and directed by Christopher Nolan is the story of American scientist, J. Robert Oppenheimer, and his role in the development of the atomic bomb. FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 1000 STICKERS FOR $69  RIGHT HERE - NO PROMO CODE NEED! JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Episode page with video and more In Episode 43 of the “Lean Whiskey” podcast, Jamie Flinchbaugh and Mark Graban begin by talking about each of our interviews regarding the new book by Steve Spear and Gene Kim, Wiring the Winning Organization. Mark interviewed Steve and Gene for the Lean Blog Interviews podcast, and Jamie interviewed Steve for a forthcoming episode of the People Solve Problems podcast. We then shifted our attention to celebrating 100 years of Suntory Distilling by each pouring different expressions from the Japanese side of the company, Hibiki and Yamazaki. We also discussed the Jim Beam side, its progression and integration into the Suntory ownership.  We eventually jumped into our primary In the News segment discussing a detailed investigative journalism report from Reuters on the objectively poor safety record at SpaceX. The data is compelling, from a fatality to a coma, and eight amputations. But the safety rate is six times the industry average, coming in at 4.8 per 100 workers. Yes, space travel and doing anything breakthrough is inherently dangerous, but there's two arguments with this. First, the injuries are things like falling out of trucks and not related to launching a rocket. Second, there are numerous examples of doing inherently dangerous work with a great safety record. Alcoa, under the leadership of Paul O'Neill, is a great example of this, where not only is the work done safely, but with increasing profits along the way.  We explore the importance of leadership — through policy to system to culture — in the outcomes of safety. Elon Musk, as the leader of SpaceX, has signaled in many ways that safety is secondary. This includes a distaste for safety yellow on aesthetic grounds to statements that workers are responsible for protecting themselves. Both SpaceX and Tesla have a tendency to withhold reporting required data to OSHA, which might not be visible to employees, but it likely is to management. We make clear that safety practice and culture is the responsibility of management.  We wrap up this episode sharing fun facts about our hometowns, wishing everyone a happy holidays, and a final cheers to 2023! Links From the Show: Mark interviewed Steve Spear and Gene Kim in episode 493 of the LeanBlog Podcast, and Jamie interviewed Steve for a forthcoming episode of People Solve Problems Podcast on their new book, Wiring the Winning Organization Celebrating 100 years of Suntory Distilling  Mark's blog about the culture clash when Suntory acquired Jim Beam Jamie's selection: Hibiki Japanese Harmony Mark's selection: Yamazaki Distiller's Reserve NAS Japan Release and the Legent Yamazaki Cask Finish Blend  Kaizen & Culture Clash Between Suntory & Jim Beam? Reuters' investigative report on safety at SpaceX COSH's Dirty Dozen of companies with poor safety records  Examples of Paul O'Neill's take on prioritizing safety and being profitable here and here Please review us and follow or subscribe on your favorite podcast platform!

The whiskey that we taste and review this week started out as an 8-year old Kentucky bourbon and then traveled to Japan for finishing in wine, sherry, and ex-yamazaki casks. Woooo! That's a voyage that even Jefferson's would be jealous of. This limited release collaboration from Beam Suntory is the first of it's kind -- but, is it any good? You'll have to listen to find out. Join us this week as we talk about gas station sushi and try to figure out who the other dude is. Also, you'll get to hear a story about how one of us was mistaken for a comedic icon. We are always happy to share our Friday with you! Cheers. -------------------------- Socials IG: https://www.instagram.com/themashupky FB: https://www.facebook.com/themashupky TW: https://twitter.com/themashupky Partnership Visit Bourbonoutfitter.com and enter code THEMASHUP for a special discount or visit bourbonoutfitter.com/THEMASHUP Music: All the Fixings by Zachariah Hickman Thank you so much for listening!

In our lead up to Godzilla: Minus One, Byrd, Lux, Tom and Kevin examine more science fiction and fantasy films from director Takashi Yamazaki (Parasyte, Ghost Book, The Eternal Zero).  Yamazaki made his first feature in 2000 and has been a consistent hit maker since, making some of the most successful Japanese films of recent years.  For this episode, we discuss and review his debut coming of age/time travel feature, Juvenile (2000), the time travel action fest Returner (2002), and the whimsical yokai fantasy Destiny: The Tale of Kamakura (2017).  We also give a crash course in Yamazaki's career, discussing the recurring themes of his work and the evolution of his career over the years.  So before checking out Godzilla Minus One, hang out with us and learn about its revered director!

If you think Halloween came and went too soon, Byrd, Tom, Lux and Kevin are here to help soothe your Halloween Hangover with some more yokai-centric madness, with Toho's 2022 fantasy film Ghost Book (aka Yokaipedia).  Directed by Takashi Yamazaki (Godzilla Minus One, Eternal Zero, Parasyte 1 & 2), this adaptation of the "Ghost Book Obakezukan" picture books tells the story of a group of children who share a wish that can only be granted if they accept a series of challenges given to them by a magical and otherworldly Ghost Book.  The children are tasked with finding and defeating various yokai creatures (who join their quest once defeated).  We'll give our thoughts on the film, Yamazaki's brand of family friendly fantasy, our hopes for Godzilla Minus One, and more.  Relax and enjoy the conversation!

Our bodies are amazing in their perfect form, we have teeth to chew and grind, enzymes in our saliva that begin breaking foods down, and from there, the digestive tract in its own beautiful functionality. But what happens when we get disease, when we lose teeth or experience hypo-salivation? What impact does this have on the rest of the food's journey? Join us this week as Katrina discusses the Oral-Gut Axis! Resources:More Fast Facts: https://www.ataleoftwohygienists.com/fast-facts/ Katrina Sanders Website: https://www.katrinasanders.com  Katrina Sanders Instagram:  https://www.instagram.com/thedentalwinegenist/  Yamazaki, K. (2023). Oral-gut axis as a novel biological mechanism linking periodontal disease and systemic diseases: A review. Japanese Dental Science Review, 59, 273-280.

Welcome to another exciting test episode of Chill Filtered! This week, Cole is joined by Bryce Morita for the second installment of four test episodes, as they continue their search for a potential new co-host. Together, they savor the exquisite Yamazaki 18-year-old, a true gem in the world of whiskey. In the Whiskey World News segment, Bryce delves into a fascinating article about the official Irish Whiskey of the Fighting Irish, offering a unique peek into the world of whiskey and sports. On this episode's "What Whiskey Would You Choose?", Bryce poses a fun hypothetical question: If you were a big deal businessman with a cool office, what whiskey would you keep in your desk drawer? Tune in to discover the diverse and intriguing responses from whiskey enthusiasts around the globe. Join Chill Filtered as we continue our search for the next co-host, all while indulging in the luxurious flavors of Yamazaki 18-year-old. Whether you're a seasoned whiskey aficionado or just getting started on your journey, this episode promises engaging conversation, knowledge, and a taste of the finer things in life. So pour a glass, join the dialogue, and be part of this exciting experiment with Chill Filtered.

In this week's episode we discuss:

In the wake of Oda Nobunaga's death, Hashiba Hideyoshi rushed to finalize a truce with the Mori Clan before racing back to Kansai with his army to face off against the forces of Akechi Mitsuhide.Support the show

It's This Week in Bourbon for August 4th 2023. Heaven Hill fills its 10 millionth barrel, the Charlois Group acquires Kelvin Cooperage, and The House of Suntory announces the launch of Legent Yamazaki Cask Finish Blend.Show Notes: Heaven Hill fills its 10 millionth barrel The Charlois Group acquires Kelvin Cooperage Woodford Reserve and Joshua Kissi release The Spirits of Style Maker's Mark launched a new global brand campaign Make Your Mark Barrels & Billets joins the Kentucky Bourbon Trail Pennyroyal Barrel Company locates a bourbon incubator Lycoming College and Four Birds Distilling Co. are looking to speed up the process of aging bourbon From the TTB - Can individuals produce distilled spirits at home with a small still? Jack Daniel introduces Distillery Series selection #11, a Tennessee Whiskey finished in añejo tequila barrels Barrell Craft Spirits (BCS) launched Barrell Bourbon Batch 035 and Rye Batch 004 The House of Suntory announces the launch of Legent Yamazaki Cask Finish Blend @heavenhilldistillery @groupecharlois @kelvin_cooperage @woodfordreserve @joshuakissi @makersmark @barrelsandbillets @pennyroyalbarrelco @lycomingcollege @fourbirdsdistilling @jackdaniels_us @barrellbourbon @legentbourbon @suntorywhisky @beamsuntory @houseofsuntory_uk Support this podcast on Patreon

Get ready for an extraordinary episode of Chill Filtered as Cole and Robby take a sip of the prestigious Blanton's Gold. Join them on a whisky adventure like no other, as they indulge in the flavors and notes of this highly sought-after bourbon. Before they dive into the depths of Blanton's Gold, Cole and Robby catch up on recent happenings, sharing stories of whiskey discoveries and discussing the joys of summer. From background of the Blanton's line (especially regarding Japan) to fun with live-read ads from the past, they cover it all. In the Whiskey World News segment, Robby brings forth an article that will intrigue whiskey enthusiasts worldwide about a renowned bar serving the elusive Yamazaki 55-year-old whisky. For "What Whiskey Would You Choose?", Cole poses a delightful question: "What's an on-hand whiskey you don't mind swigging from the bottle?" As they take each sip of Blanton's Gold, Cole and Robby delve into their personal collections, revealing the whiskies they keep within arm's reach for those spontaneous moments of enjoyment. Will Blanton's Gold live up to its esteemed reputation and capture our hosts' discerning palates? Tune in to this episode of Chill Filtered, where Cole and Robby continue their quest to explore exceptional whiskies, share their genuine insights, and connect with whiskey enthusiasts across the globe. Get ready for an unforgettable journey through the world of Blanton's Gold and beyond.