Podcasts about Otomo Yoshihide

Episode 177 Chapter 36, Modern Turntablism. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 36, Modern Turntablism from my book Electronic and Experimental music.   Playlist: TURNTABLISM   Time Track Time Start Introduction –Thom Holmes 01:28 00:00 1.     Ottorino Respighi, “The Pines of Rome” (1924) recorded by The Milan Symphony Orchestra conducted by Cav. Lorenzo Molajoli in November 1928. Recorded bird sounds is heard at about 36 seconds into this section. This is a 78 RPM recording from 1928 that used a turntable to play the sounds during the performance. 01:44 01:36 2.     Paul Hindemith, “Trickaufnahmen” (1930). Recording made available by Mark Katz, author of Capturing Sound: How Technology has Changed Music (2004). 00:58 03:16 3.     John Cage, “Imaginary Landscape No. 1” (1939) from The 25-Year Retrospective Concert Of The Music Of John Cage (private, 1959). 08:37 04:12 4.     Milan Knížák, “Composition No. 1' (1979) from Broken Music. Selection and assemblage of materials made by Walter Marchetti at Harpo's Bazaar, Via San Felice 22, Bologna. 03:26 12:46 5.     Grandmaster Flash And The Furious Five, “The Wheels Of Steel” (1981) from The Wheels of Steel. Medley Compiled by Sylvia Robinson; Produced by, Joey Robinson, Jr., Sylvia Robinson. 07:04 16:10 6.     Christian Marclay, “Smoker,” (1981) from the album Records. Christian Marclay, turntables and processing. Recorded on a cassette deck at home. 03:40 23:12 7.     DJ Shadow ... And The Groove Robbers, “Hindsight,” (1993) from In/Flux/ Hindsight. 06:55 26:56 8.     Afrika Bambaataa, “Looking For The Perfect Beat” (1985) from Looking For The Perfect Beat 1980-1985. 03:51 33:56 9.     Gen Ken Montgomery, “Droneskipclickloop” (excerpt, 1998) from Pondfloorsample. Using four CD players and curated sounds in the categories Drone, Skip, Click, and Loop. Mixed in real time at a performance at Experimental Intermedia Foundation (NY) on March 17, 1998. 07:19 37:48 10.   Crawling with Tarts, “Trecher Track”(1999) from Turntable Solos. By Michael Gendreau and Suzanne Dycus-Gendreau. 04:11 45:08 11.   Christian Marclay, from Record Without a Cover (excerpt, 1999). Marked with instructions, "Do not store in a protective package," my copy is a reissue of the disc first released in 1985, done by Japanese label Locus Solus. The naked record will naturally become increasingly damaged from shipping, storing, and playing the record, all becoming part of the work. In essence, the owner is implored to progressively destroy the release, allowing it to become scratched and bruised from accumulating damage that make each copy unique. My copy actually skips a lot. In the passage I am playing I often had to press the needle down a little bit to get through a skip. There is faintly recorded jazz music found on some of the disc, while other parts are pretty much composed only of surface noise. 04:31 49:18 12.   Yasunao Tone, “Part 1” (excerpt 1999) from Solo for Wounded CD. All sounds used were from scratched CD's. 03:54 53:50 13.   Philip Jeck, “Untitled 2,” (2002) from Soaked. Turntables, Philip Jeck, electronics, Jacob Kirkegaard. Recorded live at the Electronic Lounge, Moers Festival, Germany. 04:30 57:42 14.   Maria Chavez, “Jebus” (2004) from Tour Sampler, recorded in Houston, Texas. Turntables and electronics by Maria Chavez. 04:59 01:02:12 15.   Marina Rosenfeld, “Three” (2005) from Joy of Fear. Piano, turntables, dubplates, electronics, sound processing], vocals, Marina Rosenfeld. She said, “This record couldn't exist without the small collection of one-off ‘acetate records' (dub plates) that I've been making since 1997, when I first encountered Richard Simpson and his disc-cutting lathe in Los Angeles.” 05:47 01:07:12 16.   Luc Ferrari and Otomo Yoshihide, Slow Landing” (2008) from ‎Les Archives Sauvées Des Eaux. Composed by Luc Ferrari and Turntables, Electronics, prepared phono cartridges by Otomo Yoshihide. 10:40 01:12:58   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Space is the place_jazz e dintorni Puntata dedicata al jazz giapponese, con Eri Yamamoto, Ronin Arkestra, Satoko Fuji, Otomo Yoshihide, Hiromi, Stomu Takeishi e Kafka`s Ibiki di Jim O`Rourke. Per diffondere questa puntata: https://www.radiotandem.it/space-is-the-place-del-13-maggio-2025 Tutti i podcast di Space is the place: https://www.radiotandem.it/space-is-the-place

Kompozytor, gitarzysta, turntablista, eksperymentator, lider kierujący najbardziej hałaśliwymi zespołami. Gościem audycji "Jam Session" był Otomo Yoshihide – artysta, do którego przylgnęła metka najbardziej zapracowanego muzyka w Japonii.

Episode 126 The Japanese Shigin Vocal Tradition—and Electronics Playlist   Track Time Start Time Introduction –Thom Holmes 04:46 00:00 1.     Mix of Susumu Yokota, “Saku” from Sakura (1999 Skintone) plus Abe Shũfu II, “Mount Fuji” from Music Of The Shigin: Chanting To Chinese Poetry (1975 Folkways). Album of electronic music from the late composer Susumu Yokota and a track from Folkways of Japanese shingin folk music. 05:42 04:54 2.     Mix of Shiro Michi,“マドンナの宝石 (Intermezzo From "The Jewels Of The Madonna)” from エレクトーン 名曲アルバム (Electone Masterpiece Album)(1965 Polydor). Plus a female shigin performer accompanied by koto from a Japanese collection of shigin singers (1973 Toshiba TY-40077), side 2, track 6. Shiro Michi, Shiro Michi, was a popular Japanese Hammond organist in the 1950s, and Electone artist from the 1950s-2000s since 1958. This track was performed on the Yamaha Electone. 03:02 10:34 3.     Mix of Shiro Michi, “ドナウ川の漣 (Danube Waves Waltz)” from エレクトーン 名曲アルバム (Electone Masterpiece Album)(1965 Polydor). Plus a male shigin performer accompanied by bamboo flute and koto from a Japanese collection of shigin singers (1973 Toshiba TY-40077), side 1, track 2. 04:46 13:34 4.     Mix of a fragment of Shiro Michi and shigin, which I have called “Shigin Skip Organ” because of the prominence of the LP skip throughout. “ドナウ川の漣 (Danube Waves Waltz)” from エレクトーン 名曲アルバム(Electone Masterpiece Album)(1965 Polydor) plus a skipping record of a male shigin performer with koto. 04:08 18:17 5.     Omoide Hatoba, “Alternative Funkaholic” from Kinsei (1995 Earthnoise). 02:30 22:24 6.     Omoide Hatoba, “Satellite Groove” from Kinsei (1995 Earthnoise). 03:53 24:52 7.     Neohachi, “Dog More Than Cat” from Lovecadio Hearn (2013 White Paddy Mountain). Neohachi is a Japanese female duo, formed in 2005 and featuring Lily (Shigin Vocals) and Elly (Synthesizers). 06:09 28:40 8.     Neohachi, “Eternal, Eternal, Eternal” from Lovecadio Hearn (2013 White Paddy Mountain). 02:31 34:36 9.     和楽器バンド (Wagakki Band), “Akatsuki no Ito”from    八奏絵巻(Wildflowers Scroll). Bass, 亜沙 (Asa); Drums, 山葵 (Wasabi); Guitar, 町屋 (Machiya); Koto, [箏], いぶくろ聖志(Ibukuro Masashi); Shakuhachi, [尺八], 神永大輔 (Kaminaga Daisuke); Shamisen, [津軽三味線], 蜷川べに(Ninagawa Beni); Taiko, [和太鼓], 黒流 (Kurona); Shigin Vocals, 鈴華ゆう子 (Suzuhana Yuko). Suzuhana Yuko provides the shigin vocals in this convergence of hard rock and traditional Japanese music. The whole outfit is outstanding but I like the pre-eminence of female musicians. For example, check out this Japanese video of Ninagawa Beni shredding the Shamisen. Here's a 2023 performance by Wagakki Band featuring a vocal by Yuko. 03:28 37:22 10.   和楽器バンド (Wagakki Band), “Nadeshiko Zakura” from 八奏絵巻(Wildflowers Scroll). Bass, 亜沙 (Asa); Drums, 山葵 (Wasabi); Guitar, 町屋 (Machiya); Koto, [箏], いぶくろ聖志(Ibukuro Masashi); Shakuhachi, [尺八], 神永大輔 (Kaminaga Daisuke); Shamisen, [津軽三味線], 蜷川べに(Ninagawa Beni); Taiko, [和太鼓], 黒流 (Kurona); Shigin Vocals, 鈴華ゆう子 (Suzuhana Yuko). 04:44 40:48 11.   Shigenori Kamiya(神谷重徳), “ファラオの墓 (Farao (Pharaoh) No Haka)” from Digital Trip ファラオの墓 シンセサイザ ファンタジ (Digital Trip Pharaoh's Tomb Synthesizer Fantasy). Composed By, Synthesizer, Shigenori Kamiya (神谷重徳). 03:12 45:28 12.   Gagaku Shigenkai, Ryōō from Unesco Collection, A Musical Anthology of the Orient: Japan II (1962 Musicaphon). "Ryōō" was recorded in Tokyo in 1962. Shigenkai, was a traditional Japanese music ensemble attached to the Imperial Household Agency, playing flutes, drums, and string instruments. I did a remix of this, adding delay and some droning tones and then double-tracking the whole piece as a way to transforms these lovely, acoustic tonalities into an electronic mélange. 07:18 48:38 13.   Otomo Yoshihide (大友良英), “Film Maker From Kreuzberg,” from We Insist? (1992 Sound Factory). Turntables, Sampler, Tapes, Guitar, Otomo Yoshihide. 02:55 55:50 14.   After Dinner, “An Accelerating Etude” from After Dinner (1984 Recommended Records). Engineer, Producer, Voice, Synthesizer, Tape, Koto (Miniature 13 String, Taisho-goto), Plastic Flute, Percussion, Haco. Vocalist/lyricist-composer/multi-instrumentalist/sound-artist. Album compiled for the UK release from the original Japan records known as the Glass Tube LP and an After Dinner 7.” 04:11 58:42 15.   After Dinner, “Sepia-Ture II” from After Dinner (1984 Recommended Records). Alto Saxophone, Kaname Nakagawa; Arranged by, Y. Utsunomia; Bass, Drum, Miyuki Komori; Bass, Violin, Tadahiko Yokokawa; Koto (Taisho-goto), Yasushi Utsunomia; Snare, Masaaki Kawaguchi; Soprano Saxophone, Masaharu Ito; Tenor Saxophone, Seiichi Kuroda; Voice, Haco. 02:25 01:02:50 16.   Wha Ha Ha, “Keiro No Hibi” and “On The Floor” from 死ぬ時は別 (It's Different When You Die) (1981 Better Days). The second part of this combination track is a different of “On the Floor” that is sung by Mishio Ogawa. The version I am most familiar with was sung by a man so this is a refreshing variation. Computer, Takafumi Fuse; Effects [Sound Effects], Fujio Akatsuka; Engineer, Kazuhiro Tokieda, Takafumi Fuse; Guitar, Shigenori Kamiya; Keyboards, Shuichi Chino; Percussion, Kiyohiko Senba; Saxophone, Voice, Akira Sakata; Voice, Mishio Ogawa. 11:57 01:05:09   Opening background music: Ryuichi Sakamoto, “Nuages” from Heartbeat (1991 Virgin Japan). Written by Sakamoto, the vocal is delivered by the remarkable Algerian singer Houria Aichi (2:15).   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations.    

Edición de Marzo de Libertad Jazzera que hemos abierto con Mow, el nuevo trabajo del saxofonista Albert Cirera y el guitarrista Florian Stoffner, recientemente publicado este 2024 para Sirulita. También escucharemos un adelanto de lo nuevo del saxofonista Ayumi Ishito, The Roboquarians, Vol. 1, que será publicado este 2024 para 577 Records. Después otra novedad, lo último del pianista Josh Harlow y del batería y percusionista Jonathan Barahal Taylor, Teiku, que ha visto la luz este 2024. Seguir leyendo Libertad Jazzera 03.2024. Edición de Marzo con Albert Cirera & Florian Stoffner. Ayumi Ishito. Teiku. Otomo Yoshihide Special Big Band. Can. en La Montaña Rusa Radio Jazz.

THIS WEEK's BIRDS: Ethnic Heritage Ensemble reprises Freddie Hubbard; vintage Joe Henderson; David Murray leads a quartet recorded live in London; flamenco from Fernanda de Utrera, Remedios Amaya, and  Chocolat; Munir Bashir (oud) accompanies Nouna el Hana (vocals) and collaborates with Olga Chung & Rabih Abou-Khalil; Elvira Plenar w. Vittold Red; vintage Roscoe Mitchell (w. the Note Factory); Satoko Fujii w. Otomo Yoshihide; Eddy Tussa and Longino  from Cape Verde; Muslim highlife from Alhaji Waziri Oshomah; and much more ...! LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG.  via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. WRFI/WINO has improved and expanded its signal, and can now be heard on one of our frequencies from Northern Pennsylvania to Lake Ontario!!! Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/16935780/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

Esta semana, en un nuevo capítulo de Rebelión Sónica, los invitamos a escuchar algunas de las piezas que conforman el disco homenaje al fundamental compositor japonés Ryuichi Sakamoto, “A Tribute to Ryuichi Sakamoto - To the Moon and Back”. Editado el 16 de diciembre por el sello Milan Records, el álbum celebra los 70 años del fundamental músico nipón, con rendiciones para canciones de su vasto catálogo de Thundercat, Devonté Hynes, Hildur Guðnadóttir, David Sylvian, Alva Noto, Cornelius, Fennesz, Lim Giong, Gabrial Wek, 404.zero y Otomo Yoshihide, entre otros. Concebido por el equipo de trabajo de Sakamoto y Milan Records, el álbum presenta artistas de todas las generaciones y géneros, cada uno con su propia conexión con el icónico músico: antiguos colaboradores, amigos, admiradores o artistas favoritos personales del mismo creador nipón, que reflejan la amplitud de la influencia de Sakamoto en la música contemporánea. Con acceso completo al extenso catálogo de lanzamientos en solitario y bandas sonoras de películas del músico, cada artista seleccionó personalmente su contribución y le dio su toque único a los originales de Sakamoto. El resultado es una colección que refleja las múltiples dimensiones de la carrera del fundador de Yellow Magic Orchestra, desde la diversidad de sonidos que el consumado músico ha atravesado, hasta el legado continuo de su trabajo con artistas de todos los orígenes. Recordemos además que Sakamoto sufre un cáncer en etapa 4 y que para el próximo 17 de enero, está agendado su nuevo disco, “12”.

Episode 82 Psychedelic Japan, Part 2 Playlist Wha Ha Ha, “On the Floor” from Wha Ha Ha (1983 Recommended Records). This group released three records in 1981, all in Japan. Recommended Records, the UK-based record maker, released this compilation of tracks taken from all three of those records. The group Wha Ha Ha ended at that point but its four principle members went on to varied musical careers. Akira Sakata is an alto saxophonist, Kiyohiko Semba is a percussionist, Mishio Ogawa is a vocalist, and Shuichi Chino is a keyboardist and electronic musician. 10:08 Merzbow, “Untitled 1” from Material Action for Two Microphone (sp) (2nd version) (1984 artist cassette). Masami Akita is one of my long-time favorite Japanese electronic/noise practitioners. He would send me cassettes back in the 1980s and I've always tried to keep up with him. Not strictly a Japanese psychedelic artist, I include him here primarily because, like some of the other artists in this podcast, he has widespread influence on other genres of Japanese electronic music. This prolific Japanese noise artist has released over 500 recordings since 1979.Recorded at Merzbau. Tape, Recorder, Synth, Effects, Kiyoshi Mizutani; Tape, Violin, Electronics, Effects, Masami Akita. Early cassette by Akita. 22:30 Yoshiaki Kinno, track 4 from unknown cassette, 1984.Japanese guitar and saxophone improviser. In the 1980's he established a cassette label featuring a wide range of improvised music. 3:32 Boredoms, “Boil Out UFO” from Boretronix 88' (1988 Mega Scum Groove Inc.). I think this is their first cassette release, going back to 1988. Boredoms (ボアダムス), alternatively known as V∞redoms, is a Japanese experimental/noise/space rock/tribal drumming band from Osaka, founded in 1986 by Yamatsuka Eye. Known for their extended jams and heavy drumming, it is remarkable that they had some mainstream success in the 1990s. Bass, Hira; Drums, EDA; Drums, Vocals, Yoshimi P-We; Guitar, Yamamotor; Music by, Boredoms; Words By, Vocals, Tibetan Bell, Effects (EQ-phasing), cassette tape manipulation, electronics, Eye. 2:18 Boredoms, “Untitled” (excerpt) from Boretronix 3 (1990 Ltd.). Another early cassette release from Yamatsuka Eye on his private label. This cassette consists of remixes of unreleased Boredoms material and fully explores the noise and rhythmic aspects of their work. This is an interesting prelude to their latter, more cohesive works. Bass, Hira; Drums, EDA; Drums, Vocals, Yoshimi P-We; Guitar, Yamamotor; Music by, Boredoms; Words By, Vocals, Effects (EQ-phasing), cassette tape manipulation, electronics, Eye. 12:01 Otomo Yoshihide, “We Insist? A) Rinko-Gun; b) x-Day” from We Insist? (1992 Sound Factory). Japanese experimental musician, turntablist and guitarist. Additional musicians on these tracks, Bass, vocals, Numata Jun; Guitar, Saito Ken-ichi; Vocals, performer (Junk), Lim Soowoong. 5:37 Omoide Hatoba, “Satellite Groove” from Kinsei (1996 Birdman). Japanese psychedelic, alternative, experimental -rock band. Alto Saxophone Isamu Kawamura, Yoshimi Yamazaki, Bass, Vocals, Drums, Percussion, Synthesizer, Drum Machine, Atsushi Tsuyama, Drums, Takashi Ogushi; Drums, Computer, Tape, Chew Hasegawa, Guitar, Vocals, Violin, Percussion, Piano, Synthesizer, Drum Machine, Seiichi Yamamoto, Tenor Saxophone, Satoshi Kawanishi, Trumpet, Yoshimi, Written by, Omoide-Hatoba. 3:53. Omoide Hatoba, “Alternative Funkaholic” from Kinsei (1996 Birdman). A&R, David Katznelson; Alto Saxophone Isamu Kawamura, Yoshimi Yamazaki, Bass, Vocals, Drums, Percussion, Synthesizer, Drum Machine, Atsushi Tsuyama, Drums, Takashi Ogushi; Drums, Computer, Tape, Chew Hasegawa, Guitar, Vocals, Violin, Percussion, Piano, Synthesizer, Drum Machine, Seiichi Yamamoto, Tenor Saxophone, Satoshi Kawanishi, Trumpet, Yoshimi, Written by, Omoide-Hatoba. 2:30 Yasunao Tone, “Part I” from Solo for Wounded CD (1997 Tzadik). Yasunao Tone was one of the founding members of Japan's Fluxus movement and has also been an organizer and participant in many important music and performance groups such as Group Ongaku, Team Random (the first computer art group organized in Japan). He is a pioneer in the use of prepared CDs of which this work is a prime example. All sounds used were from scratched CD's. 14:28 Changing Hands, “Spaced” from Changing Hands (1997 Medium Productions Ltd.). Written, performed, produced by, Nobukazu Takemura, Richard Barbieri, Steve Jansen. Takemura is a Japanese electronic DJ, producer, and artist. Richard Barbieri is a keyboardist, engineer (once a member of the group Japan). Steve Jansen is an engineer, drum programmer/percussionist and DJ (and brother of David Sylvian). 6:54 Melt Banana, “Section Eight” from Charlie (1998 A-Zap Records). Melt-Banana is a band from Tokyo, Japan. They were formed around 1991/1992 by singer Yasuko Onuki who later recruited guitarist Ichirou Agata and added the bassist Rika. Additional drummer, Natsume. 3:49 Melt Banana, “Taen Taen Taen (?)” from Charlie (1998 A-Zap Records). Melt-Banana includes singer Yasuko Onuki, guitarist Ichirou Agata, and bass player Rika. Additional musician, electronics, Oshima. 0:45OOIOO, “1000 Frogs And 3 Sun In A House” from Feather Float (1999 Polystar). Bass, Handclaps, Maki; Drums, Handclaps, Yoshiko; Guitar, Vocals, Djembe, Bongos, Roland Juno and Casiotone synthesizers; Piano, Jew's Harp, Talking Drum, Scratches, Noises (Birds), Yoshimi; Guitar, Vocals, Handclaps, Kyoko; Producer, Yoshimi. 10:28 Opening background music: Junji Hirose + Yoshihide Otomo, “Noise From Far East” and “The Time to Live and the Time to Die” from Silanganan Ingay (1989 Tanga-tanga). Self-Made Instruments, Toy Rhythm Box, Toy (Voice-Changer), Toy Autoharp, Tenor Saxophone, Junji Hirose; Turntables, Cassette Tape, Hand-Made Guitar, Small Instruments, Toys, Otomo Yoshihide. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

"Gazzelloni" Eric Dolphy Out To Lunch! (Blue Note, 1964) Eric Dolphy, Freddie Hubbard, Bobby Hutcherson, Richard Davis, Anthony Williams. El tema es una composición de Eric Dolphy. Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? Out To Lunch fue la primera y única grabación de Eric Dolphy como líder en Blue Note. Esta grabación es una de las obras maestras de: Blue Note, el jazz de vanguardia de los años 60 y de la discografía de Eric Dolphy. Varios medios como la guía Penguin Guide To Jazz, AllMusic, o The Rolling Stone Jazz Records Guide la califican con su máxima puntuación. En Tomajazz fue elegido por Ignacio Fuentes como uno de los discos esenciales en el periodo 1960-1979 en el Especial 25 discos de jazz: una guía esencial: https://www.tomajazz.com/web/?p=23981 Por esos motivos es un disco que no debería falta en la discoteca de un aficionado al jazz. "Gazzelloni" toma su nombre del flautista clásico Severino Gazzelloni. The Vienna Art Orchestra, The Vandermark Five, Otomo Yoshihide o la cantante Mary LaRose han versionado este tema. En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=57781 Más información sobre Eric Dolphy http://adale.org/EDIntro.html https://www.tomajazz.com/web/?s=Eric+Dolphy&submit=Search Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

in onda Alessandro Achilli. Musiche: Xtc, Richard e Linda Thompson, Giles Giles Fripp, Bonzo Dog, Egg, Fantastic Negrito, Alex Hawkins, Pink Shabab, Michael Bardon, Maddalena Ghezzi, Otomo Yoshihide, Krakauer, Get The Blessing, Matching Mole

in onda Alessandro Achilli. Musiche: Xtc, Richard e Linda Thompson, Giles Giles Fripp, Bonzo Dog, Egg, Fantastic Negrito, Alex Hawkins, Pink Shabab, Michael Bardon, Maddalena Ghezzi, Otomo Yoshihide, Krakauer, Get The Blessing, Matching Mole

Freie Improvisation, House, Lärm, Country, Techno ? alles da, hier, auf dem Dach der Welt. Unterschiedlichste Musiker aus verschiedenen Generationen teilen ein originäres Interesse an der Arbeit Alexander Kluges, dessen sechs Jahrzehnte währende Präsenz in Literatur, Fernsehen und Film ihre Spuren hinterlassen hat. // Mitwirkende und Realisation: Sven-Åke Johansson, Alexander Kluge, Michaela Melián, Greie Gut Fraktion, Peter Brötzmann & Otomo Yoshihide, David Grubbs, Maja S. K. Ratkje & POING, Zwanie Jonson & Maurice Summen, Sophie Rois, alva noto, Elliott Sharp, Andrea Neumann und Helge Schneider / BR/intermedium rec. 2012 // Mehr Hörspiele unter www.hörspielpool.de

    The 494th of a series of weekly radio programmes created by :zoviet*france:   First broadcast 25 December 2021 by Resonance 104.4 FM, and CJMP 90.1 FM   Thanks to the artists and sound recordist included here for their fine work.   track list 00 Katja Institute  - Intro 01 Alejandro Remeseiro - Nuova antenna per ascoltare gli uccelli 02 Cousin Silas - The Day the Tides Stopped 03 Freetousesounds - Harbour, Ambience, Abandoned Pier, Summer Midnight, Chirping Bird, Arctic Terns, Waves Calm Splashing, Calm Wind, Westfjords, Iceland, 19232 04 Monolake - [atmo] 05 Quarantaine - _petition_? [extract] 06 Fossil Aerosol Mining Project - Emergency Excerpt (Lost Mix) 07 Otomo Yoshihide - [untitled – 'Music for Dance Art Hong Kong's Memory Disorder' track 23] 08 Jem Finer - Water and Birds 1 09 [unknown sound recordist / BBC] - Greece – Amusement Arcade, Sitia, E. Crete – Machine Noise, Clunks from Table Football, Shouts 10 Sevenism - Nanoid Apology 11 Tarxun and Siavash Hakim - The Day After 12 Janek Schaefer - Radio 109 FM 13 Three Things - Light Stops ++ Katja Institute - Outro    

Nuevo número de Libertad Jazzera, siempre con el mejor free jazz y las músicas de vanguardia. En este episodio hemos escuchado una selección de la últimas novedades dentro de la brillante escena avant-garde japonesa, con nombres como Otomo Yoshidide, Masayuki Takayanagi, Abe Kaoru o Hiroshi Yamazaki. Que lo disfrutes.

Nuevo número de Libertad Jazzera, siempre con el mejor free jazz y las músicas de vanguardia. En este episodio hemos escuchado una selección de la últimas novedades dentro de la brillante escena avant-garde japonesa, con nombres como Otomo Yoshidide, Masayuki Takayanagi, Abe Kaoru o Hiroshi Yamazaki. Que lo disfrutes.

Lee Ranaldo / Jim Jarmusch / Marc Urselli / Balazs Pandi. Churning of the Ocean, 2021. Cuarteto Fuerte. Últimeit, 2021. Naruyoshi Kikuchi. Mobile Suit Gundam Thunderbolt 2 Original Soundtrack, 2021. Otomo Yoshihide. Live at Tusk Festival 2018, 2021.

Lee Ranaldo / Jim Jarmusch / Marc Urselli / Balazs Pandi. Churning of the Ocean, 2021. Cuarteto Fuerte. Últimeit, 2021. Naruyoshi Kikuchi. Mobile Suit Gundam Thunderbolt 2 Original Soundtrack, 2021. Otomo Yoshihide. Live at Tusk Festival 2018, 2021.

Cole Benson joins me for a conversation about Killer7, experimental music, Boris, scammers, bad movies, etc. Musical interludes by Otomo Yoshihide, Masafumi Takada and Family Computer

Episode 19   Maximum Turntablism, Part 2   Modern Experimental Turntablism and CD Glitch Music   Playlist: Pierre Henry, Concerto Des Ambiguïtés parts 1,2,3,and 5(1950) from Symphonie Pour Un Homme Seul / Concerto Des Ambiguïtés (1972, Philips). Premiered on August 7, 1950. Christian Marclay, “Smoker,” (1981) from the album Records (1997). Christian Marclay, turntables and processing. Recorded on a cassette deck at home. DJ Shadow ... And The Groove Robbers, “Hindsight,” from In/Flux/ Hindsight (1993) Institut Fuer Feinmotorik, “A1” from Wenig Information: Kein Titel (1998). Recorded live between April and June 1998 in Cloister Bad Säckingen, Germany. For turntables, mixer, compressor, various processed records, paper, cardboard, scotch tape, household rubber, wire, various other odds and ends. Peter Cusack & Nicolas Collins, “Hazlitt” from ‎ A Host, Of Golden Daffodils (1999). Recorded live in concert at STEIM (Amsterdam, The Netherlands) June 1996 and at Museum für Gegenwart, Hamburger Bahnhof, (Berlin, Germany), November 1996. Electronic processes, CD, radio sources, trombone-propelled electronics, Nicolas Collins; guitar, bouzouki, whistling, electronics, sampler triggers, Peter Cusack. Gen Ken Montgomery, “Droneskipclickloop”(excerpt, 1998) from Pondfloorsample (2002). Using four CD players and curated sounds in the categories Drone, Skip, Click, and Loop. Mixed in real time at a performance at Experimental Intermedia Foundation (NY) on March 17, 1998. Crawling with Tarts, “Trecher Track” from Turntable Solos (1999). By Michael Gendreau and Suzanne Dycus-Gendreau. Yasunao Tone, “Part 1”(excerpt 1999) from Solo for Wounded CD (1999). All sounds used were from scratched CD's. Philip Jeck, “Untitled 2,” from Soaked (2002). Turntables, Philip Jeck, electronics, Jacob Kirkegaard. Recorded live at the Electronic Lounge, Moers Festival, Germany. Maria Chavez, “Jebus” from Tour Sampler (2004), recorded in Houston, Texas. Turntables and electronics by Maria Chavez. Marina Rosenfeld, “Three” from Joy of Fear (2005). Piano, turntables, dubplates, electronics, sound processing], vocals, Marina Rosenfeld. She said, “This record couldn't exist without the small collection of one-off ‘acetate records' (dub plates) that I've been making since 1997, when I first encountered Richard Simpson and his disc-cutting lathe in Los Angeles.” Luc Ferrari and Otomo Yoshihide, Slow Landing” from ‎Les Archives Sauvées Des Eaux (2008). Composed by Luc Ferrari and Turntables, Electronics, prepared phono cartridges by Otomo Yoshihide. Christian Marclay, from Record Without a Cover (excerpt, 1999). Marked with instructions, "Do not store in a protective package," my copy is a reissue of the disc first released in 1985, done by Japanese label Locus Solus. The naked record will naturally become increasingly damaged from shipping, storing, and playing the record, all becoming part of the work. In essence, the owner is implored to progressively destroy the release, allowing it to become scratched and bruised from accumulating damage that make each copy unique. My copy actually skips a lot. In the passage I am playing I often had to press the needle down a little bit to get through a skip. There is faintly recorded jazz music found on some of the disc, while other parts are pretty much composed only of surface noise. The Archive Mix in which I play two additional tracks at the same time to see what happens. Here are two more tracks of modern experimental turntablism: Tsunoda Tsuguto, “Air Pocket” (1997) from Turntable Solos (1999). Merzbow, “Batztoutai—The Nightengale's Song” (1985) from Turntable Solos (1999). The incidental music heard while I'm speaking is from a damaged and skipping CD that I have of Sun Ra. The track is “Sound Spectra/ Spec Sket” from the album Other Planes of There (1964). For more information about the history of turntablism, read my book: Electronic and Experimental Music (sixth edition), by Thom Holmes (Routledge 2020). Notes for this episode can be found on my blog: Noise and Notations.

Episode 18   Maximum Turntablism, Part 1 Playlist: Ottorino Respighi, “The Pines of Rome” (1924) recorded by The Milan Symphony Orchestra conducted by Cav. Lorenzo Molajoli in November 1928. Paul Hindemith, Trickaufnahmen (1930). Recording made available by Mark Katz, author of Capturing Sound: How Technology has Changed Music (2004). John Cage, Imaginary Landscape No. 1 (1939) from The 25-Year Retrospective Concert Of The Music Of John Cage (private, 1959). Pierre Schaeffer, “Study For Piano” (1948) from Panorama Of Musique Concrète (1956). Pierre Schaeffer, “Study for Whirligigs” (1948) from Panorama of Musique Concrète (1956). Pierre Schaeffer and Pierre Henry, Symphonie Pour Un Homme Seul (1949-50) from Panorama of Musique Concrète No. 2 (1956). John Cage, Imaginary Landscape No. 5 (1952), from Imaginary Landscapes, by Anthony Braxton and the Maelström Percussion Ensemble Conducted by Jan Williams. Braxton selected the records. Milan Knížák, “Composition No. 1' from Broken Music (1979). Milan Knížák, “Composition No. 3” from Broken Music (1979). Grandmaster Flash & the Furious Five, Adventures on the Wheels of Steel (1981) from the 12” single The Message/ Adventures on the Wheels of Steel (1990). Marina Rosenfeld, “theseatheforestthegarden” (1999), from theforestthegardenthesea (1999, charhizma).   The Archive Mix in which I play two additional tracks at the same time to see what happens. Here are two more tracks of turntablism: DJ Shorty Blitz, a mix created for the collection Hip Hop: The Golden Era 1979-1999 (2018). Otomo Yoshihide, Turntable solo from TV Show "Doremi."   For more information about the history of turntablism, read my book: Electronic and Experimental Music (sixth edition), by Thom Holmes (Routledge 2020).   You might also be interested in the following article by Karin Weissenbrunner about turntablism: Experimental Turntablism--Historical overview of experiments with record players/records or scratches from second-hand technology.   Also check-out the book by Mark Katz, Capturing Sound: How Technology has Changed Music (2004).

DJ：AnlaLimpe Fuchs是一位德国声音艺术家，今年79岁，这期Mix的封面是她86年在慕尼黑的演出照片。前几天在伦敦的朋友赶在自我隔离前看了Limpe Fuchs的现场，说观众人数不多，但大家都很享受这场难得的演出。Limpe Fuchs独自驱车从慕尼黑到伦敦，带上沉重的自制乐器，在Cafe Oto演了一场，第二天又做了一个工作坊，然后再独自驱车回家。于是有了这期MoonMix—寻找Limpe Fuchs。▶歌单1.Ikue Mori - Gem Palace2.Beatrice Dillon - Workaround One3.Emiko & Kirisute Gomen - Chakkiri4.Camarão - A Casa De Anita5.Limpe Fuchs - Singen6.Jon Rose,Otomo Yoshihide,Irène Schweizer - The Shopping List (B)7.Anna Webber - Idiom II8.Kent Kessler,Joe McPhee,Chris Corsano - The Hidden Desert9.Pharoah Sanders - The Creator Has a Master Plan(Live 1984)查看节目原文：https://music.163.com/m/program?id=2066242547

    The 401st of a series of weekly radio programmes created by :zoviet*france:   First broadcast 14 March 2020 by Resonance 104.4 FM, and CJMP 90.1 FM   Thanks to the artists included here for their fine work.   track list … :zoviet*france: - A Duck in a Tree Link 401 00 :zoviet*france: - Intro 01 Djivan Gasparyan - Eshkhemet 02 Beautytone - Wind 03 Jimmy Kipple Sound - Patzr Radio One Hundred II – Scaff Foam 04 Kim Cascone - (delete) 02 05 Otomo Yoshihide - [untitled – 'Music for Dance Art Hong Kong's Memory Disorder' track 21] 06 Fellirium - Keep Me in your Heart 07 BVDub - Not Yours to Know 08 Saito Koji - Goodbye Love and Art 09 Yui Onodera - Synergetics 2 10 Exit in Grey - Pyramid ++ :zoviet*france: - Outro … :zoviet*france: - A Duck in a Tree Link 401    

634 Otomo Yoshihide: el artista experimental aterrizará en Caseros - Entrevista a Luis Conde

634 Otomo Yoshihide: el artista experimental aterrizará en Caseros - Entrevista a Luis Conde

Summary: The letter F has Martin and Georgia talking about the idea of “Formless,” Morton Feldman, Barbara Monk Feldman, Jürg Frey, Malachi Favors and Susanna Ferrar. Array to Zed is a monthly podcast exploring experimental music by way of the alphabet. Hosts Martin Arnold, Artistic Director of ArrayMusic, and Georgia Carley chat about the ideas, procedures, composers and music that make up that nebulous beautiful thing we call “Experimental Music.” Music Credits: Filament 1 is a recording made by Filament: who are Sachiko M (no-input sampler and tone generators) and Otomo Yoshihide (turntable and CD player) in 1998. They are also bandmates in the group Ground Zero. There is a fair amount of information about both artists and this recording on the internet. Morton Feldman is all over the internet. The cycle The Viola in My Life was begun in July 1970 in Honolulu (composed especially for Karen Phillips, resident performer at Hawaii University) and consists of four individual compositions utilizing various instrumental combinations with the viola. We played The Viola in My Life III, for viola and piano. Canadian composer Barbara Monk Feldman’s The Northern Shore is taken from a recording of the same name and is performed by violinist Marc Sabat, percussionist Dirk Rothbrust and Array Ensemble pianist Stephen Clarke. For more information, go to: www.moderecords.com/catalog/244_monk_feldman.html Jürg Frey is a Swiss composer and clarinetist and member of the Wandelweiser group. For more information, see: www.wandelweiser.de/juerg-frey.html and www.anothertimbre.com/freygrizzana.html Frey’s String Quartet no. 3 (the long piece that finishes this podcast) is performed by Montréal’s Quatuor Bozzini. Malachi Favors was the bassist for the Art Ensemble of Chicago until his death in 2004 and took part in many other projects, all pretty well documented throughout the internet. The excerpt from “Peace Be Unto You” (on which Favors plays all the instruments) is taken from his solo album Natural and the Spiritual (1977). Susanna Ferrar is a woefully underrepresented on the internet. Both pieces on this podcast are taken from her wonderful album A Boy Leaves Home (1997). Examples of Susan Ferrar’s work can be found at: https://vimeo.com/13958811 and https://www.youtube.com/watch?v=9eovrgXjBWk

In the underground music scene of New York City, bassist, engineer, educator Kato Hideki is a most crucial participant. Before moving to New York City in 1992 Kato was an original member of Otomo Yoshihide's Ground Zero. Since arriving in New York, he has worked closely with John Zorn, Ikue Mori, Eyvind Kang, Fred Frith, Marc Ribot and Zeena Parkins among many others. He was born and raised in Nagoya, Japan and has played on many of my favorite records to come out of New York in the last twenty five years. A great talk with a great guy.

  The 309th of a series of weekly radio programmes created by :zoviet*france:   First broadcast 9 June 2018 by Resonance 104.4 FM   Thanks to the artists and sound recordist included here for their fine work.     track list … :zoviet*france: - A Duck in a Tree Link 309 00 :zoviet*france: - Intro 01 Nigel Good - Stringy_G_1 02 Otomo Yoshihide - [untitled - 'Music for Dance Art Hong Kong's Memory Disorder' track 22] 03 Contourist - Broken Dish 04 Y-Ton-G - Fa-Fiese-Zwyschenspiele I 05 Perlonex - Perlonoid [extract] 06 Erin McKimm - The Substation 07 Robert Crouch - A Broken Field I 08 [unknown sound recordist / Hanna-Barbera] - Basketball – Swish Through Net; Swish Through Net; Swish Through Net; Swish Through Net Hard 09 The London Sound Survey - Basketball Players, Turnpike Lane 10 Lost Trail - Red Avenues 11 Erstlaub - Up Hills ++ :zoviet*france: - Outro … :zoviet*france: - A Duck in a Tree Link 309    

Mercoledì 30 maggio 2018 - Limonaia di Villa Strozzi, ore 21.30 OTOMO YOSHIHIDE + CHRIS PITSIOKOS Chitarra elettrica e giradischi Otomo Yoshihide Sassofono Chris Pitsiokos In coproduzione con Fabbrica Europa Progetto ideato in collaborazione con Giuseppe Vigna http://www.temporeale.it/produzione/696-programma-2018.html

In this episode of Talking Musicology we discuss articles by Lydia Goehr on the art of preparation and preluding and Scott Gleason on phenomenological analysis and the music of Otomo Yoshihide.

1. The Strait ~ Geoff Leigh and Yumi Hara, from the album Upstream 2. Mud ~ Claudio Milano's Nicholodeon / InSonar project, from the album UKIYOE 3. Pure Intentions ~ Mountain Goats, from the album Protein Soure of the Future... Now! 4. Allurement 2 ~ Otomo Yoshihide, Sachiko M., & others, from the album Allurements of the Ellipsoid 5. Happy After Party Dance ~ Slugfield, from the album Slime Zone 6. Two Thousand Seasons ~ Mountain Goats, from the album Bitter Melon Farm 7. Election Day ~ Eugene Chadbourne, from the Various Artists album Music Made with Balloon and/or Needle See blog post at http://pftbpodcast.com for more details

Conversación con el contrabajista barcelonés David Mengual. Director de la Free Spirits Big Band, en esta edición de 'Club de Jazz' del 1 de septiembre de 2015 charlamos con él y escuchamos música de la misma así como de los proyectos Slow Quartet, Mosaic Trio y otros. Además, capítulo 10 de la serie de "Directos de Jazz" con el cuarteto Emergency! liderado por el guitarrista Otomo Yoshihide, el Red Trio portugués junto al vibrafonista sueco Mattias Stahl y el dúo entre Ornette Coleman y Joachim Kühn registrado en "Colors". Toda la información y derechos: http://www.elclubdejazz.com

Conversación con el contrabajista barcelonés David Mengual. Director de la Free Spirits Big Band, en esta edición de 'Club de Jazz' del 1 de septiembre de 2015 charlamos con él y escuchamos música de la misma así como de los proyectos Slow Quartet, Mosaic Trio y otros. Además, capítulo 10 de la serie de "Directos de Jazz" con el cuarteto Emergency! liderado por el guitarrista Otomo Yoshihide, el Red Trio portugués junto al vibrafonista sueco Mattias Stahl y el dúo entre Ornette Coleman y Joachim Kühn registrado en "Colors". Toda la información y derechos: http://www.elclubdejazz.com

The 149th of a series of weekly radio programmes created by :zoviet*france: First broadcast 16 May 2015 by Resonance 104.4 FM Thanks to the artists and sound recordists included here for their fine work. track list 01 Michael Snow - Full to the Brim 02 [unknown sound recordist – bird song] - Little Egret 03 Heiki - Government Island 04 Andreas Karperyd - Winter Tone 05 Toshimaru Nakamura + Ken Ikeda + Tomoyoshi Date - Balcony I - β 06 AdeMuRu - 3613.horizoN 07 Pierre Henry & Pierre Schaeffer - Symphonie pour un homme seul – Cadence 08 Manford Cain - Cremation Procession (Rotating Coffin) 09 Otomo Yoshihide - [untitled - 'Music for Dance Art Hong Kong's Memory Disorder' track 24] 10 Natural Life Essence - Vision of Sea (thru Forest) 11 Motorpig - Gardens of Delirium

The 136th of a weekly series of radio programmes created by :zoviet*france: First broadcast 14 February 2015 by Resonance 104.4 FM Thanks to the artists and sound recordists included here for their fine work. track list 01 Jez Riley French - Resonance FM Fundraising Week Announcement 02 Pablo Ribot - Coral 03 Daphne Oram - Intro [extract] 04 John Cage - Imaginary Landscape No. 4 (March No. 2) 05 [unknown sound recordist / BBC] - Robin – (Erithacus Rubecula) with Distant Sheep (Devon 7.5.81) 06 Otomo Yoshihide - [untitled - 'Music for Dance Art Hong Kong's Memory Disorder' track 09] 07 Kim Cascone - (delete) 06 08 [unknown sound recordist / BBC] - Land Rover – Approach and Stop on Wet Ground 09 Modelbau - Four Squared Wheel [extract] 10 This Heat - Not Waving [John Peel session] 11 L-A-J - A Muzzy Feeling 12 Scott Sherk - At the Glacier 13 :zoviet*france: - Ice Creak 14 L-A-J - Brush Gently 15 Artificial Memory Trace - Macro and Micro Bats 16 [unknown sound recordist / BBC] - 3 S.T.D. Rings, Phone Answered with Pip

Tracks: 1. Jeff Beer: Vorhang, Länge 00‘35, Komposition: Jeff Beer, Stimme: Kathrin von Steinburg / 2.Glenn Jones: Lenz, Länge 02‘09, Komposition: Glenn Jones, Musiker: Glenn Jones und Matthew Azevedo, Stimme: Gabriel Raab / 3. Sophia Domancich: Abenteuer, Länge 03‘06, Komposition und Piano: Sophia Domancich, Batterie: Simon Goubert, aufgenommen am 29. September 2014 im Studio de Noêl, Boynes, Technik : Thibère Nömis, Stimme: Kathrin von Steinburg / 4. Antye Greie: Später, Länge 04‘02, Musik: Vladislav Delay, Stimme: Antye Greie-Ripatti, Produktion, Mastering: AGF / 5. David Grubbs: Sehen, Länge 01‘22, Bullroarer, Computer: David Grubbs, Bass drum: Eli Keszler, aufgenommen von Mitch Rackin in der Seaside Lounge, Brooklyn, NY, Stimme: Detlef Kügow / 6. Lydia Daher: Offen, Länge 02‘08, Trompete, präpariertes Flügelhorn, Schlagzeug, Gitarre: Markus Christ, Stimme, Gitarre: Lydia Daher, Kontrabass, Pianette: Tobias von Glenck, Schallplatten-Schneidemaschine, Xylofon, Klarinette: Moritz Illner, Konzept: Lydia Daher, Arrangement: Markus Christ, Lydia Daher, Tobias von Glenck, Moritz Illner, Mix: Moritz Illner / 7. Chris Cutler: Doch Noch, Länge 05'15, Soundscape materials gesammelt von Chris Cutler, Brian Labcyz, Martyn Singleton, Marcelo Radulovic, Otomo Yoshihide, Tom Dimuzio, Jim Denley and Maggi Payne, Aufgenommen und gemischt zwischen 23.September und 3. Oktober 2014 im Studio Midi-Pyrenees, Caudeval, Frankreich, Technik, Mastering: Bob Drake, Stimme: Gabriel Raab / 8. Saam Schlamminger: Der Riss, Länge 01‘15, Komposition: Saam Schlamminger, Stimme: Gabriel Raab / 9. Federico Sanchez: Ausgang, Länge 02‘23, Komposition: Federico Sanchez, aufgenommen im Oktober 2014 im Schamoni Film & Medien Studio, München, Stimme: Federico Sanchez / 10. David Grubbs: Wurzel, Länge 01‘54, E-Gitarre, Computer: David Grubbs, Musik: David Grubbs, aufgenommen von Mitch Rackin in der Seaside Lounge, Brooklyn, NY, Stimmen: Helga Fellerer und Detlef Kügow / 11. Lydia Daher: Im Wald, Länge 03‘34, Trompete, präpariertes Flügelhorn, Schlagzeug, Gitarre: Markus Christ, Stimme, Gitarre: Lydia Daher, Kontrabass, Pianette: Tobias von Glenck, Schallplatten-Schneidemaschine, Xylofon, Klarinette: Moritz Illner, Konzept: Lydia Daher, Arrangement: Markus Christ, Lydia Daher, Tobias von Glenck, Moritz Illner, Mix: Moritz Illner / 12. David Grubbs: Warum, Länge 01‘13, Banjo, Mandoline: David Grubbs, Snare drums: Eli Keszler, aufgenommen von Mitch Rackin in der Seaside Lounge, Brooklyn, NY, Stimme: Sebastian Weber / 13. Antye Greie: Wasser, Länge 04‘42, Musik: Antye Greie-Ripatti, Produktion, Mastering: AGF, Stimme: Gudrun Gut / 14. Wrekmeister Harmonies: Der Turm, Länge 05'10, Musik: JR Robinson mit Butchy Fuego (Liars), Stimme: Gabriel Raab / 15. Jeff Beer: Tisch, Länge 01‘30, Komposition: Jeff Beer, Stimme: Helga Fellerer / 16. Chris Cutler: Vorfrühling, Länge 04'52, Klavier, Hammond Orgel, Aufnahmegeräte, Calor Gasflasche: Chris Cutler, aufgenommen und gemischt zwischen 23.September und 3. Oktober 2014 im Studio Midi-Pyrenees, Caudeval, Frankreich, Technik, Mastering: Bob Drake, Stimme: Detlef Kügow / 17. Emily Manzo: Fagott, Länge 05‘44, Komposition: Till by Turning, Bassoon: Katherine Young, Violine: Erica Dicker, Klavier, broken piano, Moog: Emily Manzo, special thanks to Sanne Richter for extra vocals, aufgenommen von Andreas Schmid in den Faust Studios, Scheer, Germany, gemischt von Sarah Register in Brooklyn, NY, Stimme: Helga Fellerer / 18. Federico Sánchez: Unverändert, Länge 04‘48, Federico Sánchez feat. The Mistakeman, Musik: Federico Sánchez/Bülent Kullukcu Mistakeman Studio, München September 2014 / 19. Wrekmeister Harmonies: Klänge, Länge 10‘10, JR Robinson mit John Herndon (Tortoise), Ken Vandermark, Roger Miller, Stimme: Kathrin von Steinburg / 20. Saam Schlamminger: Das Weiche, Länge 01‘11 / Komposition: Saam Schlamminger, Stimme: Detlef Kügow / Realisation: Karl Bruckmaier und die beteiligten Musiker / Redaktion: Herbert Kapfer / BR 2015 / Länge: 66'06 // Als Klänge von Wassily Kandinsky 1912 im Münchner Piper Verlag erschien, ahnten weder Verlag noch Öffentlichkeit, dass mit diesem schmalen Band mit seinen Holzschnitten und Prosagedichten ein heute legendäres Bindeglied zwischen Epochen und Stilen publiziert wurde.

唱片产业和高度发达的音乐媒介令更多人接触到了音乐，但音乐实践的仪式感也被慢慢削弱。音乐的黄金时代是否已经过去？李如一和初洋在本期中讨论了一首神秘的 Kool & the Gang 的单曲、Soulseek、反智与媚俗、以及「谁有权力决定未来的人类能听到哪些音乐」等问题。 相关链接 Kool & the Gang 大友良英 Ground Zero:《革命京剧》 《铃木先生》 《小海女》 梁翘柏 《追忆逝水年华》 坂本龙一《未来派野郎》 坂本龙一《NEO GEO》 灰野敬二 Helmut Schäfer 李如一在 Quora 上关于 Kool & the Gang 的 Power of the Dollar 的问题 万能青年旅店 Simon Reynolds: Retromania Paul Lansky Paul Lansky 谈他和 Radiohead 的合作 King Crimson King Crimson 的《Discipline》 Chapman Stick Oculus VR 人物简介 李如一：字节社创始人。 初洋：骨科主治医生。

Mitwirkende und Realisation: Sven-Åke Johansson, Alexander Kluge, Michaela Melián, Greie Gut Fraktion, Peter Brötzmann & Otomo Yoshihide, David Grubbs, Maja S. K. Ratkje & POING, Zwanie Jonson & Maurice Summen, Sophie Rois, alva noto, Elliott Sharp, Andrea Neumann und Helge Schneider / BR/intermedium rec. 2012 / Länge: 62'02 //

Otomo Yoshihide avec toute l'équipe de Project Fukushima, pour la préparation de l'édition n°2 du festival. Sons d'ambiance. Recording Dominique Balaÿ.Projet Meanwhile in Fukushima : http://fukushima-open-sounds.net

Otomo Yoshihide avec toute l'équipe de Project Fukushima, pour la préparation de l'édition n°2 du festival. Sons d'ambiance. Recording Dominique Balaÿ.Projet Meanwhile in Fukushima : http://fukushima-open-sounds.net

 Michiro Endo is the co-founder of Project Fukushima with Otomo Yoshihide and Ryoichi Wago. Legendary figure of the punk movement of the 80s with his band THE STALIN. Recording Dominique Balaÿ. Projet Meanwhile in Fukushima : http://fukushima-open-sounds.net

 Michiro Endo is the co-founder of Project Fukushima with Otomo Yoshihide and Ryoichi Wago. Legendary figure of the punk movement of the 80s with his band THE STALIN. Recording Dominique Balaÿ. Projet Meanwhile in Fukushima : http://fukushima-open-sounds.net

Carl Stone + friend « Mais où est donc Otomo Yoshihide ? ». Recording Dominique Balaÿ. Projet Meanwhile in Fukushima : http://fukushima-open-sounds.net

Carl Stone & friend « Mais où est donc Otomo Yoshihide ? ». Recording Dominique Balaÿ. Projet Meanwhile in Fukushima : http://fukushima-open-sounds.net

A l'occasion de la préparation du prochain festival organisé par les membres du Project Fukushima!, entretien avec Otomo Yoshihide qui exprime la nécessité d'inscrire l'action dans le temps long de l'histoire pour réduire les fractures qui menacent aujourd'hui l'équilibre du pays. Recording Dominique Balaÿ. Projet Meanwhile in Fukushima : http://fukushima-open-sounds.net

A l'occasion de la préparation du prochain festival organisé par les membres du Project Fukushima!, entretien avec Otomo Yoshihide qui exprime la nécessité d'inscrire l'action dans le temps long de l'histoire pour réduire les fractures qui menacent aujourd'hui l'équilibre du pays. Recording Dominique Balaÿ. Projet Meanwhile in Fukushima : http://fukushima-open-sounds.net

Playliste de Carl Stone pour webSYNradio : PROGRAM SPECIAL JAPAN avec les sons de Aki Onda, Otomo Yoshihide, Himuro yoshiteru, Kazuya Ishigami, keiichiro shibuya + Norbert Moslang + Toshimaru Nakamura, Nobuyasu Sakonda, Owl Dreams + Shinobu Nemoto, Tanaka Yasutaka, Satanicpornocultshop, Satoru Wono, Tomoya Matsuda, Utabi Hirokawa, Yuichi Ito, Yuko Nexus6 ...

Gwilly Edmondez - "Pugged In Funds" (with) Popcorn - The Discoteque Sound - "Song Sung Blue" Blood Brothers - "Under Pressure" (with) Popcorn - The Discoteque Sound - "Song Sung Blue" Blanketship - "Ramsey Denver" (and) Peliatan Night Walk - "Gamelan Rehearsal" (plus) Otomo Yoshihide and Yamatsuka Eye - "This Is It" (into) The Locust - "Flash's Theme" Heino - "Ave Maria" Unknown Artist - "O Nightingale from Unbelievable Believers, Incredible Christian Song Demos" Unhappy Dog Totom - "Wouldn't You Be My Baby" Apollo Zero - "Numb Fuzz" Music behind DJ: Man Chau Po Orch - "A Go Go River Kwai" Blanketship - "Blanketown" DJ Useo - "Nobodies Mountain King (Marilyn Manson vs Lawrence Welk & His Orchestra)" The Avalanches - "Two Hearts In 3/4 Time" Gwilly Edmondez - "Jamjar Beehive Gangsta" (with) Maladroit - "Musicbox Jungle" Domestic Squabble Totom - "Derniers Ding Ding Dong" Music behind DJ: Man Chau Po Orch - "A Go Go River Kwai" The Oath - "We Are The Champions" The Anthem Choir - "FCCFU" http://www.wfmu.org/playlists/shows/27427

Gwilly Edmondez - "Pugged In Funds" (with) Popcorn - The Discoteque Sound - "Song Sung Blue" Blood Brothers - "Under Pressure" (with) Popcorn - The Discoteque Sound - "Song Sung Blue" Blanketship - "Ramsey Denver" (and) Peliatan Night Walk - "Gamelan Rehearsal" (plus) Otomo Yoshihide and Yamatsuka Eye - "This Is It" (into) The Locust - "Flash's Theme" Heino - "Ave Maria" Unknown Artist - "O Nightingale from Unbelievable Believers, Incredible Christian Song Demos" Unhappy Dog Totom - "Wouldn't You Be My Baby" Apollo Zero - "Numb Fuzz" Music behind DJ: Man Chau Po Orch - "A Go Go River Kwai" Blanketship - "Blanketown" DJ Useo - "Nobodies Mountain King (Marilyn Manson vs Lawrence Welk & His Orchestra)" The Avalanches - "Two Hearts In 3/4 Time" Gwilly Edmondez - "Jamjar Beehive Gangsta" (with) Maladroit - "Musicbox Jungle" Domestic Squabble Totom - "Derniers Ding Ding Dong" Music behind DJ: Man Chau Po Orch - "A Go Go River Kwai" The Oath - "We Are The Champions" The Anthem Choir - "FCCFU" https://www.wfmu.org/playlists/shows/27427

  Rare Frequency Podcast 18: April Showers (opening music from Tom Dissevelt/Kid Baltan, “Repeating Pentatonic Figure 1 (Sound Material For “Drifting”)” Popular Electronics (Basta) 4CD) 1 Otomo Yoshihide, "Violin Bow With Handmade Needle" Multiple Otomo (Asphodel) DVD+CD 2007 2 Richard Francis and Nest, "The Wine Cellar" On Isolation (Room40) CD 2007 3 Bernard Parmegiani, "Energy" Chants Magnetiques(Fractal) CD 2007 4 Artur Nowak, "Untitled 31" Xerrox (EMD) CD 2007 5 Alex Monk, "Soyuz 1" s/t (self-releasesd) CDr 2007 6 Vladimir Ussachevsky, "Computer Piece No. 1 (1968)" Electronic and Acoustic Works (New World Records) CD 2007 7 Martin Denny, "Rot Au Prince (Stereo)" Forbidden Island (Rev-ola) CD 2006

  We tempt fate with lots of new music on podcast 13, but all the while hold a trump card in the form of a classic piece by Pita. Fear not lucky 13! Rare Frequency Podcast 13: Lucky 13 1 Ryoji Ikeda, "Untitled #25" Touch 25 (Touch) CD 2006 2 Alvars Orkester, "Lighthouse Service" Organic Woodtrip (1991-1992) (Kning Disk) CD 2006 3 Christina Kubisch, "Travel" For (Die Schachtel) CD 2004 4 Pita, "Untitled" Get Out (Mego) CD 2000 5 Kanding Ray, "n.n/peaks" Stabil (Raster Noton) CD 2006 6 Reanimator, "Clicks and Drones May... " Special Powers (Community Library) CD 2006 7 Martin Tetreault & Otomo Yoshihide, "Tradition " 21 Situations ("DAME") CD 1999 Photo: Shaun Gummere