Victorian-era theatrical partnership
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5 episodes with gilbert sullivan
5 episodes with gilbert sullivan
2 episodes with gilbert sullivan
2 episodes with gilbert sullivan
2 episodes with gilbert sullivan
2 episodes with gilbert sullivan
2 episodes with gilbert sullivan
3 episodes with gilbert sullivan
3 episodes with gilbert sullivan
Seattle Opera presents its first-ever Gilbert & Sullivan in October 2025: The Pirates of Penzance, in a charming, traditional production that has already delighted many American opera audiences. Jonathan Dean explains the difference between opera and operetta, shares a bit of the music and humor of Pirates, and attempts to explain what The Pirates of Penzance is all about. Musical examples from Seattle Opera recordings of Rigoletto and Il trovatore, plus a recording of Pirates provided by the Atlanta Opera Film Studio (with Susanne Burgess as Mabel and Santiago Ballerini as Frederic, Chorus and Orchestra of Atlanta Opera conducted by Francesco Milioto) and another recorded in 1959 by EMI, featuring George Baker as the Major-General, James Milligan as the Pirate King, Owen Brannigan as the Police Sergeant, plus the Glyndebourne Festival Chorus and the Pro Arte Orchestra conducted by Sir Malcolm Sargent.
James Robinson, new General and Artistic Director of Seattle Opera, introduces the 2025/26 season. The Pirates of Penzance promises a musically extraordinary operatic approach to Gilbert & Sullivan; come prepared to laugh and to enjoy some familiar music as you've never heard it before. Daphne In Concert offers a rare opportunity to hear a lush Romantic masterpiece by Richard Strauss, an orchestral tour de force with splendid voices. Fellow Travelers, by Gregory Spears & Greg Pierce, is one of the most successful new American operas of the past decade: a bittersweet gay romance hidden inside a political thriller. And Carmen returns in a powerful production conducted by Seattle's beloved Ludovic Morlot and starring some of our favorite singers. Musical examples include excerpts from a 1959 Glyndebourne Pirates of Penzance, conducted by Malcolm Sargent and starring George Baker, Elsie Morison, and James Milligan; the 1964 Vienna Festival Daphne conducted by Karl Böhm and starring Hilde Gueden, Fritz Wunderlich, and James King; the recording of Fellow Travelers' world premiere, 2016 at Cincinnati Opera and starring Aaron Blake, Joseph Lattanzi, and Devon Guthrie, with the Cincinnati Symphony conducted by Mark Gibson; and Seattle Opera recordings of Carmen from 2019, Les Troyens from 2025, starring J'Nai Bridges and conducted by Ludovic Morlot, and Hansel und Gretel from 2016 starring Sasha Cooke and conducted by Sebastian Lang-Lessing.
Stürz, Franziska www.deutschlandfunk.de, Kultur heute
This week, we spoke with Laura, who loves Gilbert & Sullivan operettas! To find out more about these shows, check out Laura's favorite theatre company, Lamplighters Music Theatre of San Francisco. We're always looking for more guests! Follow us @throuthewindow on Facebook, Twitter, Instagram, and Tumblr to stay up-to-date on our projects, and don't forget to use #LoveThisThingCast to tell us about the things you love!
POPeracast host Jennifer Miller Hammel sits down with soprano Rachel Policar, tenor William Grundler, and conductor Caleb Yanez Glickman to discuss the Los Angeles PREMIERE! of Derek Wang's Scalia/Ginsberg, paired with the Gilbert & Sullivan early one act comedy Trial by Jury, which in true POP-style, is reimagined in 1980's LA Divorce Court. Scalia/Ginsberg - Trial by Jury will be performed at the Highland Park Ebell Club Friday November 17, 2023 | 7:00pm Saturday November 18, 2023 | 7:00pm Sunday November 19, 2023 | 3:00pm Friday November 24, 2023 | 7:00pm Saturday November 25, 2023 | 7:00pm Sunday November 26, 2023 | 3:00pm https://www.pacificoperaproject.com/scalia-ginsburg-trial-by-jury
In which we discuss SID MEIER'S PIRATES! (2004). Also, a special surprise quiz. Topics also included: AMNESIA: THE BUNKER, THE BOOKWALKER: THIEF OF TALES, CYBERPUNK 2077, and Gilbert & Sullivan deep lore. Theme music: "Credits" by Stevia Sphere (steviasphere.bandcamp.com)
The 11th Hour: A Rancid Podcast Presented by Foxy Digitalis. We're still riding on that new album high (even if feeligns are mixed/all over the place), so we dig into one of the standouts from “Tomorrow Never Comes,” the Gilbert & Sullivan-esque, “New American.” All aboard HMS Rancid! This Week's Song: New American - https://www.youtube.com/watch?v=xsAG3ygxFVM Send us a voicemail: https://www.speakpipe.com/rancidpod Support the pod and join our Patreon! https://www.patreon.com/The11thHourPodcast Buy a T-Shirt! https://www.bonfire.com/store/the-11th-hour-podcast/ Find us at @rancidpod on Twitter and Instagram! Email us at 11thhourpod@gmail.com Listen to older episodes: https://rancidpod.cast.rocks/ RSS Feed: http://rancidpod.cast.rocks/feed.xml Brad Rose is the principal writer and editor-in-chief of Foxy Digitalis, an online music magazine, and has run various DIY record labels for the last 30 years. foxydigitalis.zone patreon.com/foxydigitalis Twitter: @foxydigitalis Sam Melancon runs Debacle Records, out of Seattle, WA. debaclerecords.com
The Broadway musical is one of New York City's greatest inventions, over 160 years in the making! It's one of the truly American art forms, fueling one of the city's most vibrant entertainment businesses and defining its most popular tourist attraction -- Times Square.But why Broadway, exactly? Why not the Bowery or Fifth Avenue? And how did our fair city go from simple vaudeville and minstrel shows to Shuffle Along, Irene and Show Boat, surely the most influential musical of the Jazz Age?This podcast is an epic, a wild musical adventure in itself, full of musical interludes, zipping through the evolution of musical entertainment in New York City, as it races up the 'main seam' of Manhattan -- the avenue of Broadway.We are proud to present a tour up New York City's most famous street, past some of the greatest theaters and shows that have ever won acclaim here, from the wacky (and highly copied) imports of Gilbert & Sullivan to the dancing girls and singing sensations of the Ziegfeld revue tradition.CO-STARRING: Well, some of the biggest names in songwriting, composing and singing. And even a dog who talks in German! At right: Billie Burke from a latter-year Follies. (NYPL)Visit the website for more information and images.This episode was originally recorded in 2013. Since then we have recorded many shows on the Broadway theater district. Please check out these shows for more information:-- Mae West: 'Sex' On Broadway-- Rodgers and Hammerstein-- West Side Story: The Making of Lincoln Center-- The Shuberts: The Brothers Who Built Broadway-- The Cotton Club: The Aristocrat of Harlem-- Tin Pan Alley and the creation of modern American music
Rob was the founding editor-in-chief of Back Stage West & is the editor-in-chief of American Theatre magazine. And he's here for the only Off-Broadway show to win a Tony Award. Topics include: psuedo-Marxist propaganda, in rep with The Fantasticks, Gilbert & Sullivan, Double-LP German recordings, Domar Warehouse, how existence is a female dog and then one perishes, and the vocal stylings of Dame Bea Arthur. American Theatre Dot Org Featured recordings: The Threepenny Opera - The Complete Score (1954) • Lost in the Stars: The Music of Kurt Weill - Hal Willner (1985) • The Threepenny Opera - Original Cast Recording (1994) • Die Dreigroschenoper - Columbia Masterworks (1958) • Mame - Original Broadway Cast (1966) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where 2023 is THE YEAR OF BARBRA celebrating the filmography of Ms. Barbra Joan Streisand! Patreon • Twitter • Facebook • Email
B-b-b bird, bird, bird, b-bird's the word! We're dorking out about birds! Seriously! Shittiest, tastiest, dumbest, best, and most dangerous. We also dork out about ortolan buntings, Gilbert & Sullivan, The Sound of Music and more! This episode is for the birds!FURTHER DORKSCUSSION:Radiolab explains an inexplicable comedy actWhy Jess' pick for best bird is the flamingo!Dodos were not that dumbBONUS CONTENT:B-b-b-bB-b-b-bBird is the word is the birdSOCIALS:Here's where you can find us!Lexi' Hunt's website and twitter and instagramBen Rankel's website and instagram and where to buy his book: Amazon.ca / Comixology / Ind!go / Renegade ArtsJess Schmidt's website, twitter and instagramDork Matter's website(WIP) and twitter and instagram and redditHelp us out by giving Dork Matters a rating and review on Apple Podcasts, or wherever you get your pods!“Role-playing games are just an organic improvised space for storytelling." -Matthew Mercer
It's time for episode 21, and it's a special one. Instead of our usual format, we've skipped the interview this week to take our time to talk about one of our oldest, most special and most cherished palaeoart books yet. After all, what Vintage Dinosaur Art is more worthy of an in-depth look than Alice B. Woodward's Golden Age illustrations in Henry Knipe's Evolution in the Past, all the way from 1912? The fact that two-thirds of us have come down with a brutal cold has nothing to do with it, I promise. What's all this talk about a Golden Age of illustration? What, if anything, is a rhabodontid? Is Natee secretly a total T. rex stan? Are we all going to break into a Gilbert & Sullivan song and dance number? (No.) And what did the scientists of the 1910s make of the infamous butt-brain hypothesis? Find out in this riveting episode. Show notes at Chasmosaurs.com
On Thursday October 27th, 2022 the Hermetic Hour with host Poke Runyon will replay our 2013 Halloween performance of Sherlock Holmes and the Necronomicon a Gilbert & Sullivan style comedy from the pages of a 2011 issue of the Seventh Ray. This is highlighted by the The song "There ain't no Necronomicon"which infuriates the guardians of the evil book: "the invisible cannibal faries". Of course Holmes and Watson prevail against the villain Sebastian Crotchley, Crotchly.And the Loc Ness Monster returns to the Deep. During a seance in the play a medium channels The Queen of Sheba played by Soror Urania who, will again channel Lady Baltis at Mot Mass, our Halloween ceremony this Saturday night here at Rivendell in Silverado. So if you catch up on some Halloween nostalgia tune in and let us be your trick-or-treat.
This is the second part of our two part series on Gilbert & Sullivan, the famous Victorian light opera creators. More info can be found at the 78Man blog - 78manblog.wordpress.com/ Look for 78Man on Facebook, Twitter and YouTube!
This is the first part of our two part series on Gilbert & Sullivan, the famous Victorian light opera creators. More info can be found at the 78Man blog - 78manblog.wordpress.com/ Look for 78Man on Facebook, Twitter and YouTube!
Jump into the PSTB DeLorean, plug in 1kW of guitar pedals, and let's go for a star-studded ride! See Tina Turner, Mick Hucknall, and the drummer from Eastenders clamouring to jump into Puff Daddy's EDM sausage machine. Hear Hawkeye's Imagine Dragons impression, Captain Marvel's Magic Of Pegasus, and Shatner Claus's Gilbert & Sullivan chillout. There's plenty of action fodder too, with Bruce Willis, Mr T, and Vin Diesel all throwing digeridoo shade. Not to be outdone, Jon's been soft-shoe tap-dancing with a pedometer, as well as playing the moray-eel trombone with hundreds of snorkelling mimes. Mike, on the other hand, has endured a tantric single that's left him screaming piano-recording examples in his sleep. Let's hope that he still makes the proto-Twitter Scroll of Honour before he falls on his own wine-pistol... Fancy more of our nonsense? Then please support the podcast at https://www.patreon.com/projectstudioteabreak and check out the merch store at https://www.projectstudioteabreak.com/merch For more episodes, as well as links relating to each one (via our zero-spam but 100-percent-idiocy mailing list), check out https://www.projectstudioteabreak.com. Or get in touch by email at teabreak@projectstudioteabreak.com. Check out Jon's very own music project "Whitten And" on Instagram and TikTok! https://www.instagram.com/whittenand_/ https://www.tiktok.com/@whittenand_/ ...and you can also still (only just!) get tickets to his show at The Royal Opera House with Little Bulb Theatre (called 'Wolf, Witch, Giant, Fairy') here: https://www.roh.org.uk/tickets-and-events/wolf-witch-giant-fairy-by-little-bulb-details
Jump into the PSTB DeLorean, plug in 1kW of guitar pedals, and let's go for a star-studded ride! See Tina Turner, Mick Hucknall, and the drummer from Eastenders clamouring to jump into Puff Daddy's EDM sausage machine. Hear Hawkeye's Imagine Dragons impression, Captain Marvel's Magic Of Pegasus, and Shatner Claus's Gilbert & Sullivan chillout. There's plenty of action fodder too, with Bruce Willis, Mr T, and Vin Diesel all throwing digeridoo shade. Not to be outdone, Jon's been soft-shoe tap-dancing with a pedometer, as well as playing the moray-eel trombone with hundreds of snorkelling mimes. Mike, on the other hand, has endured a tantric single that's left him screaming piano-recording examples in his sleep. Let's hope that he still makes the proto-Twitter Scroll of Honour before he falls on his own wine-pistol... Fancy more of our nonsense? Then please support the podcast at https://www.patreon.com/projectstudioteabreak and check out the merch store at https://www.projectstudioteabreak.com/merch For more episodes, as well as links relating to each one (via our zero-spam but 100-percent-idiocy mailing list), check out https://www.projectstudioteabreak.com. Or get in touch by email at teabreak@projectstudioteabreak.com. Check out Jon's very own music project "Whitten And" on Instagram and TikTok! https://www.instagram.com/whittenand_/ https://www.tiktok.com/@whittenand_/ ...and you can also still (only just!) get tickets to his show at The Royal Opera House with Little Bulb Theatre (called 'Wolf, Witch, Giant, Fairy') here: https://www.roh.org.uk/tickets-and-events/wolf-witch-giant-fairy-by-little-bulb-details
Was Wenceslas good? Was he a king? And Dominic remembers the popular Victorian light opera maestros first production "Thespis". See acast.com/privacy for privacy and opt-out information.
We skip over substantial portions of our hosts' stories, of course. No mention is made of Walker's extensive experience with Gilbert & Sullivan. Mark's stint as the Official Pokémon Master of Canada is glossed over. The deep tribal conflict of Jocks versus Geeks, of which Walker is destined to be the bridge (think Dune but even more messianic), is only alluded to. Someday, the whole story might be told, but you wouldn't believe us. 01:43 AYURIS: Nemesis (Adam Kwapiński, Awaken Realms, 2018) Games Played Last Week:04:27 -Stardew Valley: The Board Game (Eric Barone & Cle Medeiros, CorcernedApe, 2021)11:30 -Imhotep (Phil Walker-Harding, KOSMOS, 2016)14:56 -Sheepy Time (Neil Kimball, Alderac Entertainment Group, 2021)18:38 -IKI (Koota Yamada, Sorry We Are French, 2015)21:43 -Mindbug (Skaff Elias, Richard Garfield, Marvin Hegen, & Christian Kudahl, Nerdlab Games, 2021)27:55 -Paper Dungeons (Leandro Pires, MeepleBR, 2020)29:12 -Ultimate Railroads (Helmut Ohley & Leonhard "Lenny" Orgler, Hans im Glück, 2021), Board Game Arena adaptation by Elena Laskavaia31:36 -Coffee Traders (Rolf Sagel & André Spil, Capstone Games, 2021)34:29 -Magnate: The First City (James Naylor, Naylor Games, 2021)40:45 -Sentinels of the Multiverse (Christopher Badell, Paul Bender, & Adam Rebottaro, Greater Than Games, 2011)41:19 -The Siege of Runedar (Reiner Knizia, Ludonova, 2021)News (and why it doesn't matter):43:16 Loto Quebec's Azul scratch tickets44:50 7.6 tons of counterfeit Pokémon cards45:31 Flat River Group acquires Greater Than Games46:34 Stan Lee's Genesis47:15 A Billion Suns: Warzone49:00 Topic: Our Gaming Autobiographies
Welcome to Heilman & Haver - Episode 44. We hope you enjoy the show! Please join the conversation - email us with thoughts and ideas and connect with the show on Facebook and Twitter and Instagram. ANNOUNCEMENTS Historic Roxy Theater Movies of the Decade: "Pulp Fiction" Saturday, September 25th, we'll be opening another edition of “Movies of the Decade” at The Historic Roxy Theater in Bremerton. On the big screen, the 1994 Quentin Tarantino classic and winner of the Oscar for Best Screenplay, "Pulp Fiction", starring… well... everyone cool. We hit the stage at 6:30pm followed by another insightful introduction by our friend Jeremy Arnold from TCM. (Yes, kids, Pulp Fiction now qualifies as a classic!) Pirates Come Ashore at WWCA Opening tonight, it's that Gilbert & Sullivan favorite “The Pirates of Penzance” directed and choreographed by our friends Dan Estes and Rebecca Ewen. The show runs through October 3rd and you can get your tickets at wwca.us. And watch for Greg's review of Pirates this weekend! Sondheim Review Opening at BCT Also opening tonight is “Side by Side by Sondheim” - a musical review of the early career of legendary lyricist and composer Stephen Sondheim. This Tony Award-winning musical is a perfect introduction to the work of a contemporary master and a must for diehard fans. The show runs through Sept 26th and you can get more info and tickets at bctshows.com. IN THE SPOTLIGHT: Karolyn Grimes (Zuzu Bailey) Karolyn is a former child actor, author, retired medical technician, mother, grandmother, and for years the unofficial ambassador for the 1946 Frank Capra classic (and one of our favorites around the holidays) “It's a Wonderful Life”. With James Stewart playing her father George Bailey, Karolyn starred as Zuzu, uttering those timeless words, “Every time a bell rings an angel gets his wings.” Karolyn made 16 films between 1945 and 1952 and appeared alongside John Wayne, Cary Grant, Bing Crosby, Loretta Young, Fred MacMurray, Betty Grable, Danny Kaye and, of course, the immortal James Stewart. At age six, she had already appeared in four films when the part of Zuzu came along. It was just another small part, but one that has made an indelible imprint on the American consciousness. She joined us from her home in Weed, CA. Connect with Karolyn: Online: zuzu.net Facebook: @imzuzu Or meet her at the 2021 Tacoma Holiday Food & Gift Festival! COMING UP NEXT WEEK Join us Friday, September 24th, when we'll celebrate the reopening of Broadway with Dr. Broadway himself, our friend Dr. Jason Kindt of The Actors Fund.
Welcome to Heilman & Haver - Episode 43. We hope you enjoy the show! Please join the conversation - email us with thoughts and ideas and connect with the show on Facebook and Twitter and Instagram. ANNOUNCEMENTS The 2021 Seattle Film Summit It's not too late to get in on the 2021 Seattle Film Summit. There are events happening tonight, virtually, Friday, Sept 10th and live at the Hyatt Regency Lake Washington in Redmond tomorrow Sat the 11th. Visit seattlefilmsummit.com for more info and to purchase tickets. We'll be onsite tomorrow bringing you special interviews and all the action from inside the Summit so stay tuned to our social media pages for all the latest. Pirates Come Ashore at WWCA Opening tonight, it's that Gilbert & Sullivan favorite “The Pirates of Penzance” directed and choreographed by our friends Dan Estes and Rebecca Ewen. The show runs through October 3rd and you can get your tickets at wwca.us. Sondheim Review Opening at BCT Also opening tonight is “Side by Side by Sondheim” - a musical review of the early career of legendary lyricist and composer Stephen Sondheim. This Tony Award-winning musical is a perfect introduction to the work of a contemporary master and a must for diehard fans. The show runs through Sept 26th and you can get more info and tickets at bctshow.com. Side by Side... Sipping the "Sondheim Sour" "Side by Side by Sondheim" Director Rana Tan and Musical Director and accompanist Gwen Adams, were kind enough to sit down with Matt and me for a preview of the show on our latest episode of “In the Mix”. Find it on our YouTube channel and posted on Facebook. This week's cocktail is "The Sondheim Sour" - guaranteed to quench your thirst and wet your whistle for plenty of singing along to all your Broadway favorites. IN THE SPOTLIGHT: FILMMAKER AND EDUCATOR MARQ EVANS Marq Evans is an award-winning independent filmmaker and creative entrepreneur. His most recent documentary "Claydream" premiered at the 2021 Tribeca Film Festival to critical acclaim. His debut feature film "The Glamour & the Squalor" won top prize at film festivals around the world before being acquired by Red Bull Media House. He is represented by XYZ Talent Management. In addition to film, Marq has produced commercials for clients including the Smithsonian Institute, U.S. Navy, the government of Haiti and Clinton Global Initiative. With his wife, Angela, and son, Jude, Marq leads The McCaw, a boutique creative studio. The family business creates film, books, photography and other unclassifiable works such as the Cow by Bear dinner party experience. Marq holds an MFA from Vermont College of Fine Arts and a bachelor's degree in Business Administration from Washington State University. He lives and works in Bremerton, Washington where he teaches Digital Filmmaking at Olympic College. COMING UP NEXT WEEK Join us next week, Friday, September 17th, when we'll be celebrating our one year anniversary as a show with a very special interview with actress Karolyn Grimes. At age 6, Karolyn played the role of Zuzu Bailey in the 1946 Frank Capra classic “It's a Wonderful Life”. Her childhood film career spanned 16 movies, but she is best remembered for her touching scenes with the brilliant James Stewart as her father.
Luke surprises Big Waz with a Pop Quiz. Gilbert & Sullivan was never a Jockey, how loud can a whale scream and Christmas songs any time of the bloody year! Luke's Dad also gives us episode two of his journey with rock n roll
Welcome to Heilman & Haver - Episode 41. We hope you enjoy the show! Please join the conversation - email us with thoughts and ideas and connect with the show on Facebook and Twitter and Instagram. ANNOUNCEMENTS "The Pirates of Penzance" at WWCA The hysterical Gilbert & Sullivan musical classic opens September 10, 2021, and runs Friday, Saturday, and Sunday through October 3, 2021. The show is directed and choreographed by our friends (and past guests) Dan Estes and Rebecca Ewen. Tickets start at $19, so dust off that old eye patch and peg leg and visit wwca.us today. The 2021 Seattle Film Summit The 2021 Seattle Film Summit is coming to the Emerald City virtually and in person September 3 - 11, 2021. This premier event is a series of interactive, educational panels and workshops focused on connecting our local industry to L.A., New York, and the world. The summit is a hybrid event comprised of classes, workshops, panels, film screenings, pitch sessions, award ceremonies, and networking opportunities and we'll be there to cover it all. Watch our social media pages for more info or JOIN us! Register at seattlefilmsummit.com and we hope to see you there. IN THE SPOTLIGHT: Kathy Garver Most fondly remembered for her starring role as “Cissy” in the long running CBS hit, “Family Affair”, Kathy Garver has garnered critical acclaim in movies, stage, radio, voice-over animation, and audio book narration. Legendary Cecil B. DeMille was one of the first to recognize Kathy's talent. Originally hired for a small part in the epic motion picture “The Ten Commandments”, Kathy was noticed by the great director who had special scenes written into the movie to highlight the little girl. During her teenage years, Kathy added radio and stage to her burgeoning film and television career and was a freshman majoring in speech at UCLA when she was cast in “Family Affair” to star as “Cissy” alongside Brian Keith and Sebastian Cabot. One of the warmest and most enduring series of the 1960's and 70's, Family Affair earned Kathy a host of accolades such as Best Actress from the “Family Television Awards” and continues to be popular today and is available on Amazon Prime. Today Kathy is an active, accomplished, and versatile actress, appearing in such films as "Sweet November" and "The Princess Diaries". Kathy is also very much in demand for her numerous vocal characterizations and is best known as “Firestar”, a mutant super hero in the Spiderman and his Amazing Friends TV series. Kathy has also recorded audiobooks for Brilliance Audio, Dove, Listen and Live and her voice has been heard in "Apollo 13" (which was awarded the Academy Award for sound), "Ransom", "Back Draft" and "Jingle all the Way", all directed by Ron Howard. Kathy also added author to her long list of accomplishments. Her first book, "The Family Affair Cookbook", was a tasty trip down memory lane and her 2015 memoir, "Surviving Cissy: My Family Affair of Life in Hollywood" was just released in paperback. This year, Kathy has two more books scheduled for publication: "TV Dinners with a Side Dish of Stars" and, to celebrate the 55th anniversary of "Family Affair", "Family Affair: A Pictorial Scrapbook" will be released in September. Currently, Kathy can be seen on her YouTube channel cooking show, "Cooking with Kathy and Scot" and she'll soon be launching a podcast called "All Things Classic" with director, writer, producer John Norton. She is a regular at comic conventions and autograph shows where she greets her many fans. Kathy joined us from her home in Bell Canyon, CA. Connect with Kathy online: kathygarver.com And on Facebook: @kathygarverfanpage COMING UP NEXT WEEK Join us next week, Friday, September 3rd, when we'll be joined by documentary filmmaker and Adjunct Professor at Bremerton's Olympic College Film School Marq Evans. Marq's latest project “Clay Dreams” premiered at the 2021 Tribeca Film Festival and he'll join us to talk about his journey as a teacher and the future of filmmaking in the digital age.
"Mi problema" es un monólogo escrito y creado por el dramaturgo y guionista Marc Egea, Barcelona. Marc Egea inició sus estudios de Creación Literaria en la Escuela de Escritura y Humanidades del Ateneu Barcelonés, en Barcelona (España). Al mismo tiempo, me introduje en el mundo del teatro a través de la Compañía Brehon de Formación artística, con la que participé en el montaje de las obras “Broadway Express” y “The me nobody Knows”, bajo la dirección del actor, coreógrafo y director norteamericano Antoneo Brehon. Siguiendo su etapa de desarrollo, impartió talleres de teatro para niños y jóvenes dentro del Grup d´Esplai Espurnes de Esplugues de Llobregat donde, entre otros trabajos, adaptó y dirigió la obra de Gilbert & Sullivan, ‘The Pirates of Penzance’. Posteriormente formó la compañía de teatro Dequeva para adaptar y dirigir la obra de Woody Allen “Dios” bajo el título “Oh, Déu meu!” Con esta compañía estrenó su primera obra de creación propia, titulada “Estocolmo Mon Amour” (2004). Un año después, creó la Compañía Atic 3, con la que estrenó sus obras: “A mi manera” (2005) y “Extraños en la noche” (2007). Desde entonces, y hasta hoy, se dedica profesionalmente a la escritura de obras de teatro y guiones cinematográficos. También imparte clases, charlas y seminarios sobre aspectos relacionados con la escritura teatral y la creación y corrección de guiones cinematográficos. Puedes seguirlo en instagram @autormarcegea o en su web https://autormarcegea.com/ Si crees que mi voz puede servir para tu proyecto puedes contratarme como locutora profesional online, dispongo de estudio propio. Consulta mi web: https://soniachaves.es soniadubbing@gmail.com
"No mires en el armario" es un monólogo escrito y creado por el dramaturgo y guionista Marc Egea, Barcelona. Él inició sus estudios de Creación Literaria en la Escuela de Escritura y Humanidades del Ateneu Barcelonés, en Barcelona (España). Al mismo tiempo, me introduje en el mundo del teatro a través de la Compañía Brehon de Formación artística, con la que participé en el montaje de las obras “Broadway Express” y “The me nobody Knows”, bajo la dirección del actor, coreógrafo y director norteamericano Antoneo Brehon. Siguiendo su etapa de desarrollo, impartió talleres de teatro para niños y jóvenes dentro del Grup d´Esplai Espurnes de Esplugues de Llobregat donde, entre otros trabajos, adaptó y dirigió la obra de Gilbert & Sullivan, ‘The Pirates of Penzance’. Posteriormente formó la compañía de teatro Dequeva para adaptar y dirigir la obra de Woody Allen “Dios” bajo el título “Oh, Déu meu!” Con esta compañía estrenó su primera obra de creación propia, titulada “Estocolmo Mon Amour” (2004). Un año después, creó la Compañía Atic 3, con la que estrenó sus obras: “A mi manera” (2005) y “Extraños en la noche” (2007). Desde entonces, y hasta hoy, se dedica profesionalmente a la escritura de obras de teatro y guiones cinematográficos. También imparte clases, charlas y seminarios sobre aspectos relacionados con la escritura teatral y la creación y corrección de guiones cinematográficos. Puedes seguirlo en instagram @autormarcegea o en su web https://autormarcegea.com/ Si crees que mi voz puede servir para tu proyecto puedes contratarme como locutora profesional online, dispongo de estudio propio. Consulta mi web: https://soniachaves.es soniadubbing@gmail.com
Welcome to Heilman & Haver - Episode 34. We hope you enjoy the show! Please join the conversation - email us with thoughts and ideas and connect with the show on Facebook and Twitter and Instagram. ANNOUNCEMENTS Movie of the Decade: The Graduate Join us for Movies of the Decade at the Historic Roxy Theater in Bremerton tomorrow, Saturday, June 26th, when we'll celebrate the swinging 60's with a showing of The Graduate, directed by Mike Nichols and starring Anne Bancroft and Dustin Hoffman. We hit the stage at 6:30 to get the show started and TCM's Jeremy Arnold will be back virtually with another insightful introduction. WWCA Auditions: The Pirates of Penzance dust off your eye patch and peg leg and come out to Western Washington Center for the Arts in Port Orchard tomorrow at 12 noon and audition for Gilbert & Sullivan's The Pirates of Penzance. Please come prepared with 16 bars of a song to share and cold readings and a simple dance audition will follow. Performance dates are September 10th - October 3rd and for more information you can visit WWCA.US or find them on Facebook. Enter the 2021 West Sound Film Festival If you're more comfortable behind the camera, we invite you to enter your film in the 2021 West Sound Film Festival. The festival will be held August 6th-8th at the Roxy in Bremerton, but our listeners from around the country and world are welcome to enter. Just don't delay because submissions close at the end of June. For more info and to submit your project visit the festival page on Film Freeway and stay tuned right here for festival news and interviews. IN THE SPOTLIGHT: Susan King When it comes to interviews, award-winning entertainment writer Susan King is as accomplished as it gets. You heard some of the big names she's spoken with over the years, many of whom Susan grew up watching on the big screen. She fell in love with movies at the age of three watching Yankee Doodle Dandy (1942) on television and Houseboat at the movies with her parents. Susan quickly became obsessed, as her parents took her to everything from Pillow Talk, The Parent Trap, The Apartment, and Ride the High Country. Susan became a more serious student of cinema at 17, when she was introduced to such foreign films as Francois Truffaut's Jules & Jim; Jean Cocteau's Beauty and the Beast and Orpheus; and Jean Renoir's Grand Illusion, when she watched the PBS series Film Odyssey hosted by Charles Champlin. Susan earned an M.A. in film history and criticism from USC and then put it to good use at the Los Angeles Herald Examiner, where she worked for a decade, and the Los Angeles Times, where she was an entertainment writer for 26 years, interviewing such legends as Helen Hayes, Hume Cronyn and Jessica Tandy, Douglas Fairbanks Jr., Janet Gaynor, Loretta Young, Lena Horne, Gregory Peck (Susan played 1930 movie trivia with the actor), Sidney Poitier, Charlton Heston, Debbie Reynolds, Jack Lemmon, Walter Matthau, Judi Dench, Sophia Loren, and Leslie Caron. Susan was awarded the Press Award from the Publicist Guild in 2012, and the Roger Ebert Award for Diversity in Film Journalism by the African American Film Critics Association in 2015. Her archives can be found at LATimes.com and she is currently active as a freelancer for entertainment news website GoldDerby.com. Susan joins us from her home in Toluca Lake, California. COMING UP NEXT WEEK Join us next week for the second half of our interview with Susan for more interview stories with famous actors and tips for all of us amateur writers.
Spark CEO and ETF.com founder Jim Wiandt (that's our boss) joins Nic this week to talk about a childhood spent listening to country music and the works of Gilbert & Sullivan, before graduating to E.L.O. and, later, the Grateful Dead. Listen as Wiandt talks about discovering music in Boston attending Tufts after a childhood in "bible-belt" Ohio and his scary experience with a serious case of Covid.
Welcome to Heilman & Haver - Episode 33. We hope you enjoy the show! Please join the conversation - email us with thoughts and ideas and connect with the show on Facebook and Twitter and Instagram. ANNOUNCEMENTS IN THE MIX: The Blues Brothers Available now on our YouTube Channel is our tribute to The Blues Brothers. We're back at the Bay Street Bistro swapping trivia and mixing up “Orange Whips” in honor of cast member John Candy. Father's Day is this Sunday so tune in, then make reservations for you and Dad for the Bistro's Sunday Supper - Ribeye is on the menu - and of course the Orange Whip. This Sunday the 20th, celebrating this cult film that debuted 41 years ago, on June 20th, 1980. Movies of the Decade: The Graduate Join us Saturday, June 26th, when we'll celebrate the 60's with The Graduate, directed by Mike Nichols and starring Anne Bancroft and Dustin Hoffman. We hit the stage at 6:30 to get the show started and Jeremy Arnold will be back virtually with another insightful introduction. Tickets are $11 - visit ROXYBREMERTON.ORG. WWCA Auditions: Pirates of Penzance Saturday, June 26th, at Western Washington Center for the Arts in Port Orchard, auditions will be held for Gilbert & Sullivan's Pirates of Penzance. Call time is 12 Noon at 521 Bay Street, Port Orchard. More info at WWCA.us. SHOUT: The Mod Musical Playing now at Bremerton Community Theater - five extremely talented local ladies celebrate the song, dance and humor of the 1960s. Plays Fridays, Saturdays and Sundays through June 27th and, with social distancing restrictions, their limited seating goes quickly. So jump online at BCTSHOWS.COM and reserve tickets for SHOUT, their swinging 60's music sensation. IN THE LOCAL SPOTLIGHT: Gary Fetterplace Gary Fetterplace is an active local actor, producer, scenic designer and set builder who grew up and got his start in theater in England and attended The Italian Conti Stage school (previously attended by his professional stage mum). His first professional stage appearance was at The London Palladium at the tender age of 11 with further appearances In London and on television. Gary first appeared in the US in Jesus Christ Superstar at Bremerton Community Theater in 2004 and he has since appeared at nearly all the local theatres in over 75 productions either on stage or behind the scenes. Gary has also acted or been involved in nearly every Shakespeare production in the county since 2007. His first foray into Producing and Directing was in 2011 during the inauguration performances of BCT's RBS Hall. Since then he has added his extensive carpentry and design skills to the local theater scene - most frequently at Bremerton Community Theater, Bainbridge Performing Arts, and Western Washington Center for the Arts - assisting with set design and building, including the 5 staircases and wrap around balcony of BCT's Romeo & Juliet which was awarded best set design by The Kitsap Sun newspaper for the 2015/2016 season. He is president of The Lesser Known Players and has served as trustee and treasurer for BCT since 2009. IN THE MIX Guest Recipe: "Gary's Pink Thingy" 2 oz Vodka 1 oz Chambord Pour Over Ice Top with Sprite COMING UP NEXT WEEK Join us next week, Friday, June 25th, for our conversation with former entertainment writer at the Los Angeles Times, specializing in Classic Hollywood stories Susan King.
Episode 8 Mount Diablo, The Mikado, and more Mysterious MailingsThroughout 1970, the Zodiac continued to mail taunting letters, notes, and codes- some of it referenced Mount Diablo, and the Gilbert & Sullivan production, The Mikado. Meanwhile, in the SF Bay area and beyond, multiple letters and threats, though unconfirmed to be Zodiac, were quickly attributed to him.Follow Zodiac Speaking on Facebook at:https://www.facebook.com/Zodiac-Speaking-Podcast-105911481547105or on Twitter at:https://twitter.com/PodcastZodiacVisit Mike Morford's Zodiac site at:http://zodiackillersite.com/And Richard Grinell's Zodiac site at:https://www.zodiacciphers.com/
El Héroe del Metro es un monólogo escrito y creado por el dramaturgo y guionista Marc Egea, Barcelona. Él inició sus estudios de Creación Literaria en la Escuela de Escritura y Humanidades del Ateneu Barcelonés, en Barcelona (España). Al mismo tiempo, me introduje en el mundo del teatro a través de la Compañía Brehon de Formación artística, con la que participé en el montaje de las obras “Broadway Express” y “The me nobody Knows”, bajo la dirección del actor, coreógrafo y director norteamericano Antoneo Brehon. Siguiendo su etapa de desarrollo, impartió talleres de teatro para niños y jóvenes dentro del Grup d´Esplai Espurnes de Esplugues de Llobregat donde, entre otros trabajos, adaptó y dirigió la obra de Gilbert & Sullivan, ‘The Pirates of Penzance’. Posteriormente formó la compañía de teatro Dequeva para adaptar y dirigir la obra de Woody Allen “Dios” bajo el título “Oh, Déu meu!” Con esta compañía estrenó su primera obra de creación propia, titulada “Estocolmo Mon Amour” (2004). Un año después, creó la Compañía Atic 3, con la que estrenó sus obras: “A mi manera” (2005) y “Extraños en la noche” (2007). Desde entonces, y hasta hoy, se dedica profesionalmente a la escritura de obras de teatro y guiones cinematográficos. También imparte clases, charlas y seminarios sobre aspectos relacionados con la escritura teatral y la creación y corrección de guiones cinematográficos. Puedes seguirlo en instagram o en su web https://autormarcegea.com/ Si crees que mi voz puede servir para tu proyecto puedes contratarme como locutora profesional online, dispongo de estudio propio. Consulta mi web: https://soniachavesvoz.wordpress.com/ soniadubbing@gmail.com
This week on Episode 506 of Priority One: We #TrekOut the latest news about a new Jeopardy! guest host (we’ll take “Enterprise Engineers” for $200, thanks LeVar). John De Lancie teases more on Picard, and we really do mean teases. And in Star Trek gaming, the “Worf returns mystery” is finally solved, plus a screen-perfect pilot ship to power your season three Discovery dreams. This week’s Community Question is: CQ: If you were writing for Geordi’s return in a show like Star Trek: Picard, how would you set it up? Let us know on social media like Facebook, Twitter, or by visiting our website! TREK IT OUT Edited by Thomas Reynolds Mounting Anson-tipation By Rosco McQueen The warm embrace of Trek fandom is something truly unique. When you finally find it, it turns out it can change your world---one episode at a time. At least, that’s the case for Anson Mount, who is currently filming the first season of Strange New Worlds. In an interview with Collider promoting his new film The Virtuoso, the new Captain Pike was asked about the episodic nature of the new series and explained how a misunderstanding from Akiva Goldsman started it all. “All (Goldsman) had heard about [Discovery] was that it was going to be a pre-Kirk show, so he assumed it was a show about Captain Pike. He gets in the writers' room and he's like, ‘Wait, what?! This is a different show. Okay, all right. We can play with this, but we've gotta do another show.’ So, he was lobbying for it and lobbying for it and lobbying for it. I got lucky enough to be cast in the role for Season 2 of Discovery…I just thought it was a one season gig and that was it.” ...does anyone else hear Gilbert & Sullivan? Image: ViacomCBS via Collider. Mount goes on to talk about the episodic nature of Star Trek, and how he feels there is room for both serialized stories like Discovery and big-idea-of-the-week episodes. It’s quite the impact the character has had over only one season, as Mount goes on to express his gratitude for the welcome he received from fans. “Honestly, I've never felt such embrace from a fan base, on anything I've done. It is really night and day, and I'm very thankful to everyone with Gene Roddenberry and CBS, and Alex [Kurtzman] and Akiva for putting a huge amount of trust in me to be able to do it.” Let us know in the comment section for this episode at priorityonepodcast.com, or by replying to our community question post on our social media channels like Facebook, Twitter, and Instagram! Your Anomaly Must Be In The Form Of A Question By Cat Hough Remember all the way back to Episode 504 of Priority One? You know, the one where we encouraged you all to support LeVar Burton becoming the host of Jeopardy!. Well, the powers-that-be heard you---and the 246,000 other people who signed the petition. It was announced that Burton has been included in the latest slate of guest hosts for the 37th season of the show. But who'll play him in the inevitable SNL sketch? Image: Variety. According to the producers of the show, their goal for this season was to showcase a wide variety of hosts with “different skill sets and backgrounds on our path to finding a permanent host.” As part of each guest host’s appearance, a charity of their choice will receive a donation. Burton’s episodes air the week of July 26. The other guest hosts on the list are: Good Morning America and This Week With George Stephanopoulos anchor George Stephanopoulos (the week of July 12) Fellow GMA anchor Robin Roberts (July 19) CNBC Squawk on the Street co-anchor and former Celebrity Jeopardy! champ David Faber (Aug. 2) three-time National Sportscaster of the Year award winner sportscaster Joe Buck (Aug. 9), who is known for covering NFL and MLB games on Fox. A View To Star Trek History By Cat Hough Celebrating the guest host announcement, Burton appeared on The View earlier this week where he confirmed to Whoopi Goldberg that he will not be appearing in season two of Star Trek: Picard. However, he still leaves fans with some hope that he might appear at some point in future seasons, stating “I believe it is reasonable---in fact practical---to assume that Picard still knows these people. They’re his friends. I think we might see more of his friends. At least I hope we do before this is all over.” The interview covered a variety of topics, including Burton’s acting history. The two discussed his role as Kunta Kinte in Roots which aired to more than 100 million people around the world in 1977. They continued with Reading Rainbow, of course Star Trek: The Next Generation, and ending with his current podcast project, “LeVar Burton Reads.” If you want to imagine it happening like this, we won't stop you. Image: ViacomCBS. Goldberg and Burton also spoke about inclusivity and the impact of Nichelle Nichols’ role as Lt. Uhura, saying “because what it said was when the future comes, there’s a place for us. And that’s a huge message to send. I believe it’s difficult if not impossible to grow up with a healthy self-image, unless you can see yourself in popular culture.” Ginning Up Support For Geordi By Cat Hough Obviously we, and those other 246,000 people who signed the petition, can’t get enough of LeVar Burton. Even Ryan Reynolds recently sang Burton’s praises. Well, he didn’t literally sing, but in a new ad for Aviation Gin, Reynolds says he wants to prove how great a host of Jeopardy! that Burton would be and he announces that Burton is stepping in for him as the spokesperson for the gin. The scene then cuts to Burton sitting by a pool sipping a “out of this world” gin and tonic made with Aviation Gin. The two banter back and forth, with Reynolds proclaiming that Burton is a “goddamned national treasure.” The ad ends with Burton telling Reynolds “this isn’t going to work out, Ryan.” If nothing else, the ad shows that Burton is definitely an excellent host. https://twitter.com/VancityReynolds/status/1385383911195303937?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1385383911195303937%7Ctwgr%5E%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fwww.cbr.com%2Flevar-burton-replace-ryan-reynolds-aviator-gin%2F That leads us to our first community question this week: CQ: If you were writing for Geordi’s return in a show like Star Trek: Picard, how would you set it up? Let us know in the comment section for this episode at priorityonepodcast.com or by replying to our community question post on our Social Media channels like FaceBook, Twitter, and Instagram! De Lancie Makes A Q-meo Appearance By Jake Morgan We may be grasping at straws with this story, but it features one John De Lancie---talking at us---so it’s worth a mention (if ONLY to enjoy the thespian’s charisma). In a post on the r/Television subreddit dated April 20th, user u/whatagirlygirl shared a Cameo video from Q himself. De Lancie seemed to be answering a few questions posed by the Cameo submitter---in particular “Please tell us Q gets to harass Picard?” To which the 73 year old De Lancie replied, with great fervor, ”I do”. Had the exchange ended there, it probably wouldn’t have made the show---though it still would have been well worth a watch. But---and you had to know there was a but---De Lancie continued: ”And please tell us if Whoopie comes back you’re going to harass her as well” “I will.” https://youtu.be/j--CZSW87ms De Lancie didn’t back-pedal, he didn’t expound. He just left the possibility of a Q/Guinan reunion there, beautifully, in the ether. What does this mean? Well...nothing, really. But it’s interesting. De Lancie addressed the question---which he could have avoided altogether---and answered it with gusto. Only time will tell. STAR TREK GAMING NEWS Edited by Thomas Reynolds Going To Pieces For Book’s Ship By Elio Lleo Captains, if you love barrel-rolling your way through the galaxy in your favorite pilot warship in Star Trek Online, but all of the available options feel a bit too connected, then this is the story for you. Announced this week via social media, Grudge’s ship… ahem… former-courier Cleveland Booker’s ship, the Kwejian Pilot Frigate will be available in-game for PC players from May 4. It’s agile! It’s versatile! And its five forward facing weapons will destroy your enemies with style! (Extra cat friend not included. Available only through the Infinity Lockbox. Universal Console limited to this ship. Phaser cannons not upgradable. Consult your Chief Medical Officer to ensure this ship is right for you.) This Tier 6 pilot warship also has an innate ability---that being, something you don’t need a console for---Morph Reversal!! Much like Book’s ship in season three of Discovery, this starship is highly maneuverable due to the detached…everything. Using the ability means you can swing your ship into the opposite direction using the morphing mechanisms. But the shuffling of the components will cost you: your weapons and auxiliary subsystems will be briefly disabled. So IKEA makes starships now, I guess? Image: Cryptic Studios. Other highlights include some sweet muti-part animations when performing Pilot Maneuvers, and a suite of 32nd Century Phaser cannons that have a chance to recover recharge time for your bridge officer abilities. The blog post also announced that the contents of the Angels Wake Lockbox have been rolled into the Infinity Lockbox. ...Ohh, That’s What That Tweet Was About By Elio Lleo Last week we reported that Michael Dorn kinda broke the #StarTrek Twitter Community with a cryptic post about some kind of return to Starfleet. Well, not long after, we learned what it was all about!! In a tweet posted to his account on April 23rd, we learned that Mr. Dorn has lent his voice to Tilting Point’s newest mobile game Star Trek: Legends. In the marketing post, we hear Worf sending out a distress call from within the Nexus. https://twitter.com/akaWorf/status/1385590581573812225 So, at least we know for certain what that tweet was about now! But, why introduce a new starship to set the stage for the game? Well, during a press event, ComicBook.com reports that Executive Producer and Creative Director Amir Lotan explained “...we had to kind of set up that the Federation of Planets created this unique starship that's the only starship in the fleet that can go into that realm…we didn't want a starship that would be associated specifically with one of those shows or one of those eras.” So, if you’re interested in trying out the game it’s currently available exclusively via Apple Arcade for US$4.99 per month or US$49.99 annually. No word yet if we’ll ever see an Android version on Google’s Play Pass.
This week on Episode 506 of Priority One: We #TrekOut the latest news about a new Jeopardy! guest host (we'll take “Enterprise Engineers” for $200, thanks LeVar). John De Lancie teases more on Picard, and we really do mean teases. And in Star Trek gaming, the “Worf returns mystery” is finally solved, plus a screen-perfect pilot ship to power your season three Discovery dreams. This week's Community Question is: CQ: If you were writing for Geordi's return in a show like Star Trek: Picard, how would you set it up? Let us know on social media like Facebook, Twitter, or by visiting our website! TREK IT OUT Edited by Thomas Reynolds Mounting Anson-tipation By Rosco McQueen The warm embrace of Trek fandom is something truly unique. When you finally find it, it turns out it can change your world---one episode at a time. At least, that's the case for Anson Mount, who is currently filming the first season of Strange New Worlds. In an interview with Collider promoting his new film The Virtuoso, the new Captain Pike was asked about the episodic nature of the new series and explained how a misunderstanding from Akiva Goldsman started it all. “All (Goldsman) had heard about [Discovery] was that it was going to be a pre-Kirk show, so he assumed it was a show about Captain Pike. He gets in the writers' room and he's like, ‘Wait, what?! This is a different show. Okay, all right. We can play with this, but we've gotta do another show.' So, he was lobbying for it and lobbying for it and lobbying for it. I got lucky enough to be cast in the role for Season 2 of Discovery…I just thought it was a one season gig and that was it.” ...does anyone else hear Gilbert & Sullivan? Image: ViacomCBS via Collider. Mount goes on to talk about the episodic nature of Star Trek, and how he feels there is room for both serialized stories like Discovery and big-idea-of-the-week episodes. It's quite the impact the character has had over only one season, as Mount goes on to express his gratitude for the welcome he received from fans. “Honestly, I've never felt such embrace from a fan base, on anything I've done. It is really night and day, and I'm very thankful to everyone with Gene Roddenberry and CBS, and Alex [Kurtzman] and Akiva for putting a huge amount of trust in me to be able to do it.” Let us know in the comment section for this episode at priorityonepodcast.com, or by replying to our community question post on our social media channels like Facebook, Twitter, and Instagram! Your Anomaly Must Be In The Form Of A Question By Cat Hough Remember all the way back to Episode 504 of Priority One? You know, the one where we encouraged you all to support LeVar Burton becoming the host of Jeopardy!. Well, the powers-that-be heard you---and the 246,000 other people who signed the petition. It was announced that Burton has been included in the latest slate of guest hosts for the 37th season of the show. But who'll play him in the inevitable SNL sketch? Image: Variety. According to the producers of the show, their goal for this season was to showcase a wide variety of hosts with “different skill sets and backgrounds on our path to finding a permanent host.” As part of each guest host's appearance, a charity of their choice will receive a donation. Burton's episodes air the week of July 26. The other guest hosts on the list are: Good Morning America and This Week With George Stephanopoulos anchor George Stephanopoulos (the week of July 12) Fellow GMA anchor Robin Roberts (July 19) CNBC Squawk on the Street co-anchor and former Celebrity Jeopardy! champ David Faber (Aug. 2) three-time National Sportscaster of the Year award winner sportscaster Joe Buck (Aug. 9), who is known for covering NFL and MLB games on Fox. A View To Star Trek History By Cat Hough Celebrating the guest host announcement, Burton appeared on The View earlier this week where he confirmed to Whoopi Goldberg that he will not be appearing in season two of Star Trek: Picard. However, he still leaves fans with some hope that he might appear at some point in future seasons, stating “I believe it is reasonable---in fact practical---to assume that Picard still knows these people. They're his friends. I think we might see more of his friends. At least I hope we do before this is all over.” The interview covered a variety of topics, including Burton's acting history. The two discussed his role as Kunta Kinte in Roots which aired to more than 100 million people around the world in 1977. They continued with Reading Rainbow, of course Star Trek: The Next Generation, and ending with his current podcast project, “LeVar Burton Reads.” If you want to imagine it happening like this, we won't stop you. Image: ViacomCBS. Goldberg and Burton also spoke about inclusivity and the impact of Nichelle Nichols' role as Lt. Uhura, saying “because what it said was when the future comes, there's a place for us. And that's a huge message to send. I believe it's difficult if not impossible to grow up with a healthy self-image, unless you can see yourself in popular culture.” Ginning Up Support For Geordi By Cat Hough Obviously we, and those other 246,000 people who signed the petition, can't get enough of LeVar Burton. Even Ryan Reynolds recently sang Burton's praises. Well, he didn't literally sing, but in a new ad for Aviation Gin, Reynolds says he wants to prove how great a host of Jeopardy! that Burton would be and he announces that Burton is stepping in for him as the spokesperson for the gin. The scene then cuts to Burton sitting by a pool sipping a “out of this world” gin and tonic made with Aviation Gin. The two banter back and forth, with Reynolds proclaiming that Burton is a “goddamned national treasure.” The ad ends with Burton telling Reynolds “this isn't going to work out, Ryan.” If nothing else, the ad shows that Burton is definitely an excellent host. https://twitter.com/VancityReynolds/status/1385383911195303937?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1385383911195303937%7Ctwgr%5E%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fwww.cbr.com%2Flevar-burton-replace-ryan-reynolds-aviator-gin%2F That leads us to our first community question this week: CQ: If you were writing for Geordi's return in a show like Star Trek: Picard, how would you set it up? Let us know in the comment section for this episode at priorityonepodcast.com or by replying to our community question post on our Social Media channels like FaceBook, Twitter, and Instagram! De Lancie Makes A Q-meo Appearance By Jake Morgan We may be grasping at straws with this story, but it features one John De Lancie---talking at us---so it's worth a mention (if ONLY to enjoy the thespian's charisma). In a post on the r/Television subreddit dated April 20th, user u/whatagirlygirl shared a Cameo video from Q himself. De Lancie seemed to be answering a few questions posed by the Cameo submitter---in particular “Please tell us Q gets to harass Picard?” To which the 73 year old De Lancie replied, with great fervor, ”I do”. Had the exchange ended there, it probably wouldn't have made the show---though it still would have been well worth a watch. But---and you had to know there was a but---De Lancie continued: ”And please tell us if Whoopie comes back you're going to harass her as well” “I will.” https://youtu.be/j--CZSW87ms De Lancie didn't back-pedal, he didn't expound. He just left the possibility of a Q/Guinan reunion there, beautifully, in the ether. What does this mean? Well...nothing, really. But it's interesting. De Lancie addressed the question---which he could have avoided altogether---and answered it with gusto. Only time will tell. STAR TREK GAMING NEWS Edited by Thomas Reynolds Going To Pieces For Book's Ship By Elio Lleo Captains, if you love barrel-rolling your way through the galaxy in your favorite pilot warship in Star Trek Online, but all of the available options feel a bit too connected, then this is the story for you. Announced this week via social media, Grudge's ship… ahem… former-courier Cleveland Booker's ship, the Kwejian Pilot Frigate will be available in-game for PC players from May 4. It's agile! It's versatile! And its five forward facing weapons will destroy your enemies with style! (Extra cat friend not included. Available only through the Infinity Lockbox. Universal Console limited to this ship. Phaser cannons not upgradable. Consult your Chief Medical Officer to ensure this ship is right for you.) This Tier 6 pilot warship also has an innate ability---that being, something you don't need a console for---Morph Reversal!! Much like Book's ship in season three of Discovery, this starship is highly maneuverable due to the detached…everything. Using the ability means you can swing your ship into the opposite direction using the morphing mechanisms. But the shuffling of the components will cost you: your weapons and auxiliary subsystems will be briefly disabled. So IKEA makes starships now, I guess? Image: Cryptic Studios. Other highlights include some sweet muti-part animations when performing Pilot Maneuvers, and a suite of 32nd Century Phaser cannons that have a chance to recover recharge time for your bridge officer abilities. The blog post also announced that the contents of the Angels Wake Lockbox have been rolled into the Infinity Lockbox. ...Ohh, That's What That Tweet Was About By Elio Lleo Last week we reported that Michael Dorn kinda broke the #StarTrek Twitter Community with a cryptic post about some kind of return to Starfleet. Well, not long after, we learned what it was all about!! In a tweet posted to his account on April 23rd, we learned that Mr. Dorn has lent his voice to Tilting Point's newest mobile game Star Trek: Legends. In the marketing post, we hear Worf sending out a distress call from within the Nexus. https://twitter.com/akaWorf/status/1385590581573812225 So, at least we know for certain what that tweet was about now! But, why introduce a new starship to set the stage for the game? Well, during a press event, ComicBook.com reports that Executive Producer and Creative Director Amir Lotan explained “...we had to kind of set up that the Federation of Planets created this unique starship that's the only starship in the fleet that can go into that realm…we didn't want a starship that would be associated specifically with one of those shows or one of those eras.” So, if you're interested in trying out the game it's currently available exclusively via Apple Arcade for US$4.99 per month or US$49.99 annually. No word yet if we'll ever see an Android version on Google's Play Pass.
Synopsis Deadlines are a fact of life for many of us—and composer are no exception. In 1875, Peter Tchaikovsky agreed to write 12, short solo pieces, one a month, for a St. Petersburg music magazine, beginning with their January 1876 issue. Tchaikovsky dashed the first piece off, but, fearing that he might forget his monthly deadline, took the wise precaution of instructing his servant to remind him: before each month’s deadline, Tchaikovsky’s dutiful servant would say: “Peter Ilytich, isn’t it about time to send something off to St. Petersburg?” Tchaikovksy would drop whatever he was working on and finish the next installment. So, it’s not too far-fetched to imagine Tchaikovsky on this date back in 1876 putting the finishing touches to this little piano piece for the May issue of the St. Petersburg magazine, a sketch he titled “Starlight Nights.” More recently, the contemporary American composer, Judith Lang Zaimont, also composed a set of 12 short piano pieces, one for each month, a suite she titled “Calendar Collection.” An accomplish pianist and composer, Zaimont taught for many years at the University of Minnesota in Minneapolis. This music–which we again offer ahead of schedule–is titled: “The May-fly.” Music Played in Today's Program Peter Tchaikovsky (1840 - 1893) May, fr The Seasons, Op. 37b Lang Lang, piano Sony 11758 Judith Lang Zaimont (b. 1945) The May Fly, fr Calendar Collection Nanette Kaplan Solomon, piano Leonarda 334 On This Day Births 1464 - English composer Robert Fayrfax, in Deeping Gate, Lincolnshire; 1857 - Italian opera composer Ruggiero Leoncavallo, in Naples; 1869 - German composer and conductor Hans Pfitzner (see May 5); 1872 - American composer and music educator Arthur Farwell, in St. Paul, Minn.; 1891 - Russian composer Sergei Prokofiev, in Sontsovka (Bakhmutsk region, Yekaterinoslav district), Ukraine (Julian date: April 11); Deaths 1691 - French composer, harpsichordist and organist Jean Henri d'Angelbert, age 62, in Paris; Premieres 1627 - Heinrich Schütz: opera "Dafne" (now lost), at Hartenfels Castle for the wedding of Princess Sophia of Saxony; This work is supposedly the first German opera; 1776 - Gluck: Alceste (2nd version), in Paris at the Académie Royale; 1881 - Gilbert Sullivan: operetta "Patience," at the Opera-Comique Theatre oinLondon; 1904 - Chadwick: "Euterpe" Overture, by the Boston Symphony; 1911 - Berg: String Quartet, Op.3, in Vienna, by the ad hoc quartet Brunner-Holzer-Buchbinder-Hasa Quartet; A later performance in Salzburg on August 2, 1923, by the Havemann Quartet at the First International Festival for Chamber Music , however, attracted wider attention and established Berg's worldwide reputation in musical circles; 1920 - Janácek: opera "The Excursions of Mr. Broucek," in Prague at the National Theater; 1922 - Varèse: "Offrandes" for voice and small orchestra, in New York City, with Carlos Salzedo conducting; 1948 - Jolivet: Concerto for Ondes Martenot and Orchestra, in Vienna; 1958 - Robert Kurka: opera "The Good Soldier Schweik" (posthumously) at the New York City Opera; 1979 - Rochberg: "The Slow Fires of Autumn," for flute and harp, at Tully Hall in New York, with flutist Carol Wincenc; 1981 - Ezra Laderman: String Quartet No. 6 ("The Audubon"), in New York City, by the Audubon Quartet; 1993 - Morten Lauridsen: "Les Chanson des Roses"(five French poems by Rilke) for mixed chorus and piano, by the Choral Cross-Ties ensemble of Portland, Ore., Bruce Brown conducting; 1994 - Broadway premiere of Sondheim: musical "Passion"; 1998 - James MacMillan: "Why is this night different?" for string quartet, at London's Wigmore Hall by the Maggini Quartet; Others 1738 - Handel is a founding subscriber to the "Fund for the Support of Decayed Musicians" (now the Royal Society of Musicians) at its first meeting at the Crown and Anchor Tavern in London; The fund was started after the widow and children of Handel's oboe soloist, John Kitch, were found impoverished on the streets of London; Other subscribers to the fund included the British composers Boyce, Arne, Green, and Pepusch (Gregorian date: May 4).
Synopsis Deadlines are a fact of life for many of us—and composer are no exception. In 1875, Peter Tchaikovsky agreed to write 12, short solo pieces, one a month, for a St. Petersburg music magazine, beginning with their January 1876 issue. Tchaikovsky dashed the first piece off, but, fearing that he might forget his monthly deadline, took the wise precaution of instructing his servant to remind him: before each month’s deadline, Tchaikovsky’s dutiful servant would say: “Peter Ilytich, isn’t it about time to send something off to St. Petersburg?” Tchaikovksy would drop whatever he was working on and finish the next installment. So, it’s not too far-fetched to imagine Tchaikovsky on this date back in 1876 putting the finishing touches to this little piano piece for the May issue of the St. Petersburg magazine, a sketch he titled “Starlight Nights.” More recently, the contemporary American composer, Judith Lang Zaimont, also composed a set of 12 short piano pieces, one for each month, a suite she titled “Calendar Collection.” An accomplish pianist and composer, Zaimont taught for many years at the University of Minnesota in Minneapolis. This music–which we again offer ahead of schedule–is titled: “The May-fly.” Music Played in Today's Program Peter Tchaikovsky (1840 - 1893) May, fr The Seasons, Op. 37b Lang Lang, piano Sony 11758 Judith Lang Zaimont (b. 1945) The May Fly, fr Calendar Collection Nanette Kaplan Solomon, piano Leonarda 334 On This Day Births 1464 - English composer Robert Fayrfax, in Deeping Gate, Lincolnshire; 1857 - Italian opera composer Ruggiero Leoncavallo, in Naples; 1869 - German composer and conductor Hans Pfitzner (see May 5); 1872 - American composer and music educator Arthur Farwell, in St. Paul, Minn.; 1891 - Russian composer Sergei Prokofiev, in Sontsovka (Bakhmutsk region, Yekaterinoslav district), Ukraine (Julian date: April 11); Deaths 1691 - French composer, harpsichordist and organist Jean Henri d'Angelbert, age 62, in Paris; Premieres 1627 - Heinrich Schütz: opera "Dafne" (now lost), at Hartenfels Castle for the wedding of Princess Sophia of Saxony; This work is supposedly the first German opera; 1776 - Gluck: Alceste (2nd version), in Paris at the Académie Royale; 1881 - Gilbert Sullivan: operetta "Patience," at the Opera-Comique Theatre oinLondon; 1904 - Chadwick: "Euterpe" Overture, by the Boston Symphony; 1911 - Berg: String Quartet, Op.3, in Vienna, by the ad hoc quartet Brunner-Holzer-Buchbinder-Hasa Quartet; A later performance in Salzburg on August 2, 1923, by the Havemann Quartet at the First International Festival for Chamber Music , however, attracted wider attention and established Berg's worldwide reputation in musical circles; 1920 - Janácek: opera "The Excursions of Mr. Broucek," in Prague at the National Theater; 1922 - Varèse: "Offrandes" for voice and small orchestra, in New York City, with Carlos Salzedo conducting; 1948 - Jolivet: Concerto for Ondes Martenot and Orchestra, in Vienna; 1958 - Robert Kurka: opera "The Good Soldier Schweik" (posthumously) at the New York City Opera; 1979 - Rochberg: "The Slow Fires of Autumn," for flute and harp, at Tully Hall in New York, with flutist Carol Wincenc; 1981 - Ezra Laderman: String Quartet No. 6 ("The Audubon"), in New York City, by the Audubon Quartet; 1993 - Morten Lauridsen: "Les Chanson des Roses"(five French poems by Rilke) for mixed chorus and piano, by the Choral Cross-Ties ensemble of Portland, Ore., Bruce Brown conducting; 1994 - Broadway premiere of Sondheim: musical "Passion"; 1998 - James MacMillan: "Why is this night different?" for string quartet, at London's Wigmore Hall by the Maggini Quartet; Others 1738 - Handel is a founding subscriber to the "Fund for the Support of Decayed Musicians" (now the Royal Society of Musicians) at its first meeting at the Crown and Anchor Tavern in London; The fund was started after the widow and children of Handel's oboe soloist, John Kitch, were found impoverished on the streets of London; Other subscribers to the fund included the British composers Boyce, Arne, Green, and Pepusch (Gregorian date: May 4).
Gilbert and Sullivan wish they'd come up with plots as complicated as the one in Plautus's Epidicus. To join the discussion, visit the blog at Triumvir Clio's School of Classical Civilization. If there's no hyperlink showing up here, you can go to triumvirclio.school.blog to find a feed of recent episodes as well as discussion pages for every episode. Join me on Patreon at www.patreon.com/triumvirclio to get early access to ad-free episodes and bonus content. References Cartwright, Mark. "Plautus." Ancient History Encyclopedia. Ancient History Encyclopedia, 04 Jan 2016. Web. 14 Aug 2020. Wheeler, Arthur. “The Plot of Epidicus.'” The American Journal of Philology, vol. 38, no. 3, 1917, pp. 237–264. JSTOR, https://www.jstor.org/stable/pdf/289424.pdf. Accessed 31 Jan. 2021. Riley, Henry T., translator. The Complete Works of Titus Maccius Plautus. Delphi Classics, 2016. --- Send in a voice message: https://anchor.fm/bethany-banner/message Support this podcast: https://anchor.fm/bethany-banner/support
For additional notes and resources check out Douglas’ website.I. PRINCIPLES OF CRIME & PUNISHMENTPrinciple 1: God is a God of JusticeUltimately all crimes against God (Psalms 51:4). What does the Bible say about crimes against man (person/ property)?Proverbs 24:25, Ecclesiastes 8:11, Ecclesiastes 5:8-9.Lex talionis: Limitation: a maximum, not a minimum. See Exodus 21:24, Matthew 5:38.“Let the punishment fit the crime” – Gilbert & Sullivan, The Mikado (1885).Principle 2: There will be a Judgment Day, and it will be FairThere will be an ultimate judgment – and it will be fair (Genesis 18:25; Luke 12:47-48; Romans 2:5, 14:10; 2 Corinthians 5:10; Hebrew 9:27; 2 Peter 3:7; 1 John 4:17, etc).Yet there may be a delay.Habakkuk wondered…Numbers 32:23.1 Timothy 5:24.Principle 3: Moral Authority must Speak Truth to Power or No One is Above the LawThe prophets spoke out against social injustice: Elijah, Amos, John the Baptist, and many others…Jesus challenged leaders of his day. Reminded high priest, governor, and other authorities about some important spiritual principles...There are times when believers must speak up -- speak out!Principle 4: Law is GoodMuch of modern law comes from the Romans.Even more may come from the Jews: property law, torts, worker’s compensation, litigation, etc (Exod 20-Deut 33).Even studying OT law shows us God’s wisdom, providence and justice. Even though it is not the law of God for us, it is still the word of God for us, and we have much to learn!Principle 5: Civil Disobedience is Occasionally JustifiedHenry David ThoreauDaniel 3:18, 6:10 – obey government except when contradicts law of GodOn the other hand, we should pay taxes, even if they’re unfair -- we disagree with how the government chooses how to spend them. Give to those who ask you (Matthew 5:42). Insistence on “rights”?Principle 6: The State has the Right to Punish InfractionsFines, traffic tickets, etcImprisonmentExecution: Romans 13.II. THOUGHTS ON INCARCERATIONAncient times:Temporary, awaiting trial.Long-term – more likely for king’s prisoners. Or those rulers did not want to make martyrs of.Paul (Acts 24, 28) and Joseph (Genesis 39+) are unusual in the length of their incarcerations.Prisoners were visited by friends or relatives -- fed, clothed, care for by them. The state did little (see Jeremiah 37-38).Does our system of incarceration work? “Correctional,” or “penitentiary”? Or just a punishment?It works poorly, though in some nations the penal system is more effective than in others.Two extremes: soft and hard; focus on prisoners' rights vs. focus on society's rightsReformation of character?Not usually. Rather, recidivism!US – 5% of world population and 25% of world’s prisoners. China – less glorious human rights record – far fewer incarcerated!Prison ministry?In NT times, prisoners would normally have been believers (Hebrews 13).And yet prisons present a great evangelistic opportunity. Implication of Philippians 1:7,12-14; 4:22).
The one-and-only Inge Hyder regales us with tales from her skydiving experiences through the years, including her 90th birthday skydive celebration in October this year. Inge closes this conversation by singing a song celebrating the life and character of her mother that Inge wrote on an Elderhostel trip. A longtime Gilbert & Sullivan fan and performer, it is only fitting that Inge's tribute song be set to a Gilbert & Sullivan tune. Referenced in this episode: Baltimore Sun article about Inge's birthday skydive: https://bit.ly/38r5PQr Road Scholar (formerly Elderhostel): https://bit.ly/3axWWHp Princess Ida from the Gilbert & Sullivan archive: https://bit.ly/3mJT2xk
In the first of this special 3-part edition, Alex speaks to Will Glendinning about the experience of leading choirs during lockdown, memories of Gilbert & Sullivan and growing up with music.
Did you know that London's Savoy Hotel may never have existed without the incredible popularity of Gilbert and Sullivan's operettas?
In episode 13, we're in August/Sept 1922, which means: - Manchester's first broadcast concert - The pre-BBC battles the printed press. Has the BBC got news for us? Erm... Not yet, and not easily. - The Reithian values arrive - 'to inform, educate & entertain' - except somehow they're knocking about before John Reith's even heard of broadcasting. Our guest is Andrew Barker, a former BBC producer and radio history enthusiast, who's been delving into the newspaper archives to bring us fascinating clippings from 1922. Hear how the Manchester Guardian told its readers what a radio tuner was... how Caruso, Gilbert & Sullivan and a racist song all came to the wireless that summer... and how impatient the listeners were getting for the Postmaster General to pull his finger out and press 'go' on the BBC. Plus an excerpt from a 1937 Radio Pictorial magazine courtesy of Stewart Henderson. See many such excerpts in photo form, shared to our @bbcentury pages on Facebook and Twitter. Support the show at patreon.com/paulkerensa and get advance bits of Paul's writing - thanks! Paul's running a Writing Course (on Zoom) this Sept-Nov. Do join, if you want to write anything and want to include things like 'a story' or 'character'. More details here. Hear Paul on BBC Radios Sussex & Surrey here, and on BBC Radio 2's Pause For Thought here (find his face, like Guess Who). Hurrah for Will Farmer's original music. Buy Paul's Books; join his Mailing list. This podcast is unaffiliated to the BBC. We're talking about them, not with them.
Kalle Lind och nördkompisen Niklas Kvarnbo Jönsson diskuterar pianosatirikern Tom Lehrer. Namn som nämns: Gilbert & Sullivan, Simpsons, Monty Python och Monica Zetterlund.
Get to know the lives and works of Gilbert & Sullivan, their catchy tunes, beautiful songs and brilliant wit and humour. Features The Mikado and HMS Pinafore
Kalle Lind och nördkompisen Niklas Kvarnbo Jönsson diskuterar pianosatirikern Tom Lehrer. Namn som nämns: Gilbert & Sullivan, Simpsons, Monty Python och Monica Zetterlund.
Judy Fine Judy Fine is a singer and music educator who owns Online with Judy Fine, a resource for DIY singing and songwriting courses as well as in-person singing, keys, and theory/songwriting lessons online. To use Judy's Chord Book bundle for free, visit https://onlinewithjudyfine.com/music-theory-songwriting/ to place the Workbook Bundle into your cart. In the cart, apply coupon code THEORY123. After checkout, you will be able to download the bundle. Website: www.OnlineWithJudyFine.com Facebook: @OnlineWithJudyFine (Judy Fine Vocal Coach) Instagram: @OnlineJudyFine YouTube: @OnlineJudyFine Michael Cohen I have been composing music almost all of my adult life, most of it for various bands that featured female vocalists. In 1988 I formed the band Lip Service in Bellingham Washington to perform my newly written original material. Over the next decade Lip Service played at festivals and coffee houses across the Pacific Northwest. Their music could be heard on radio programs in the greater Seattle area, and they appeared on Sandy Bradley's Potluck, broadcast nationwide on NPR. Lip Service recorded two albums of original music, "Love & Romance Game" and "Like Magic" produced by Rick Ruskin at Lion Dog Studio in Seattle. In 1994 my wife and I moved to New England and began performing as Fuzzy Logic, which started out as a duet and morphed into a septet, featuring 3 female vocalists. In 2000 Fuzzy Logic released it's first CD “Doing The Best I Can”. The group gradually morphed into a septet, that focused on performing my music. Their second CD “Almost” was released in 2007, followed up with “Snow Shadows” in 2011. More recently I combined my interests in composing and storytelling into writing musicals, six of which were performed in New Hampshire. “Moon Fever” debuted in September 2003 followed by “The Neon Coconut” (2005), a reworked “Moon Fever” (2006) which was nominated for best original musical at the New Hampshire Theater Awards, “Amelia Rules!” (2007) based on the popular graphic novel series, “Transference” (2008), the music & lyrics for “Cartoon Ink”(2010) a pilot for a kid’s TV series. “Joanie’s Phone” (2011) and “Beauty and the Geek” (2012). I recently wrote the music for a short theatrical piece entitled “Café Straits”. I formed an ensemble called "Complicated People" to perform cabaret style shows featuring songs from my musicals, featuring a large group of vocalists, the Fuzzy Logic band, augmented by a woodwind trio. At this point I became very interested in writing for orchestral instruments. In 2011 I relocated to Italy and am currently involved with musical projects here with a new Complicated People ensemble, as well as arranging my music for virtual orchestra. I enjoy the challenge of composing in a wide variety of styles. My music has been variously influenced by Antonio Carlos Jobim, Gilbert & Sullivan, Leonard Bernstein, The Beatles, Jerome Kern, Stephen Sondheim, Maurice Ravel, Kurt Weill, Brian Wilson, Elvis Costello, and Jacques Brel. http://michaelcohenmusic.com/ Michael's music on YouTube: https://www.youtube.com/user/strangeattractors/ Michael's music on Spotify: https://open.spotify.com/artist/6FFBx18z37l0ewzxQ9Ue92?si=h7xSns8LRbON7Mzh1ZzSTw Music Mentioned in the PodcastSusan Werner - Barbed Wire Boys Joni Mitchell - Marcie Supreme Beings of Leisure - Never The Same SFR Beats
It's Valentine's-Day-Week! Talk to us about this episode by sending an email to episode22@punintensive.com This episode of romance has four panelists including Aaron, Dav, & Gary, plus a very special new panelist, Francis McGrath! The discussion segment BLUE up! We talk about talking dirty. Or is that offensive? Either way, we're four middle aged white guys trying to be woke, so if for no other reason, that will make it a funny listen. Help us out and donate to our patron campaign! Want more? Our web site is punintensive.com Play games at faceboook.com/punypage Social media where we reside:facebook.com/punintensive instagram.com/punintensive pinterest.com/punintensive twitter.com/punintesive youtube.com This week's panelists are: Aaron Fasel (Check out his other business venture, Fantastic Magic Camp) Gary Hallock (If you like the idea of O. Henry meets Gilbert & Sullivan, come to Austin on Sunday, February 23, 2020 at 2 PM – 4:30 PM) Dav Wallace (If you like comedy and love or hate or are indifferent to sports, see him in North Austin at Comedy Sportz every Saturday at 7:30 PM) Francis McGrath (Here's a link to his latest album on iTunes, and here's where you can find out even more about his music) We want to give special thanks to the band Dark Meat, whose music ("When the Killers Came") we have come to love to use in our podcast. We'll see you in two weeks! (and please rate us on iTunes!)
When we think of operetta, words like “edgy” and “sexy” rarely come to mind. Dr. Kevin Clarke is hoping to change that through his work with the Operetta Research Center, which focuses on studying and reevaluating works from the first half of the twentieth century. These had long been denigrated as “silver operetta,” as opposed to the supposed Golden Age of the late nineteenth century, when composers like Johann Strauss and Gilbert & Sullivan created some of the most famous examples of the genre. Weimar operetta was a vibrant expression of international culture and sexual liberation, incorporating new musical influences such as jazz and frequently showcasing the work of Jewish artists, which made it a particular target of the Nazi regime. After World War II, social conservatives sought to keep these operettas in obscurity, repelled by their freewheeling and tolerant-minded explorations of sexuality. Now, these hidden gems of musical theatre are making a comeback, thanks to the efforts of scholars like Kevin and directors like Barrie Kosky. Kevin joined us to talk about the ongoing reevaluation of this long-neglected part of operetta history.
a cura di Alessandro Achilli. Musiche di Xtc, Slits, Bridget St John, Steve Beresford, Gilbert & Sullivan, Stereolab, Gold Mass, Trance Map+, Anderson-King-Taborn, Stefan Aeby, Cristiano Calcagnile Multikulti Ensemble
a cura di Alessandro Achilli. Musiche di Xtc, Slits, Bridget St John, Steve Beresford, Gilbert & Sullivan, Stereolab, Gold Mass, Trance Map+, Anderson-King-Taborn, Stefan Aeby, Cristiano Calcagnile Multikulti Ensemble (seconda parte)
a cura di Alessandro Achilli. Musiche di Xtc, Slits, Bridget St John, Steve Beresford, Gilbert & Sullivan, Stereolab, Gold Mass, Trance Map+, Anderson-King-Taborn, Stefan Aeby, Cristiano Calcagnile Multikulti Ensemble (seconda parte)
We really tried to make this episode about 'traveling' but it ended up being about gay memes for the most part. Kitty kitty ow ow ow Puss Puss woop woop woop woop. Bort and Gilbert & Sullivan and flying first class. Shrug, I don't really want to do the work today. Thanks for listening!
Welcome to Episode 6, the first episode of our Unsuitable in relationship and community series. We're going to kick things off with Liz Smith. Liz just finished her Masters in Library Science at Rutgers and is job hunting. She have worked in public relations and editorial positions for non-profit organizations including The New York Public Library and American Bible Society. She was also a member of The Blue Hill Troupe, a Gilbert & Sullivan operetta group, before becoming a Christ follower and church goer. Liz blogs as Missouri St Clair at wordpress.missouristclair.com and she also created a website dedicated to memoirs called memoirsataglance.com. Both those links are in the episode description. Liz is going to share some serious wisdom about some of her past dating relationships, mental and emotional health in relationship, forgiveness and healing. Liz led a recovery group for women coming out of codependent relationships so she has a lot of great things to say about that as well.
Andreas sits down with Charlie Kim and Josh Shaw to discuss The Mikado, Gilbert & Sullivan, cultural representation in opera, and lots more. Get your Mikado tickets now! They are going fast! August 16, 17(two shows!), 22, 23, 24, 28, 30, 31 at the Highland Park Ebell Club
In this episode of the OnStage Colorado podcast, we catch up with Jeff Jablonski with the Empire Lyric Players, the only theatre company in Colorado actively producing the works of Gilbert & Sullivan. We'll also preview reviews of 'The Taming of the Shrew' at the Breckenridge Backstage Theatre and 'Beauty & the Beast' at Boulder's BDT Stage. And we'll have our usual roundup of live theatre openings all around Colorado.
This bonus episode is provided by Henry J. at Henry J. Productions audio and film production - Mansfield, Ohio. Renaissance Youth Opera Theatre is preparing Gilbert & Sullivan's 'Thespis' with 'Hercules' an original musical by Michael Thomas. Henry J. spoke with Lori Turner who directs the production, as well as some of the young members of the cast. 'Thespis' and 'Hercules' can be seen at the Renaissance Theatre May 25, 2019 at 7:00 PM and May 26, 2019 at 3:00 PM.
In the tenth episode of Film Freaks Forever!, our hosts Mark Jordan Legan and Phoef Sutton dared to watch and listen to some truly dreadful modern film musicals—so much so that all the wildlife around our place, ran for the hills and have never returned. With so much to choose from, the Film Freaks narrowed it down to four modern film musicals that are truly so bizarre and strange that they'll end up wildly entertaining you and your friends (especially if booze & buds are being passed around, dig?) Everything from a 20-year-old unknown Olivia Newton-John singing her way through the weird sci-fi musical “Toomorrow” to the Bee Gees and Peter Frampton stinking up great Beatles music in the ill-advised “Sgt. Peppers Lonely Hearts Club Band” to the truly insane and enjoyable “The Apple” (where Satan himself runs the music industry) to “The Pirate Movie,” where Kristy McNichol and Christopher Atkins butcher soft rock ballads in between Gilbert & Sullivan numbers. So prepare your minds and your ears to hear some of the most outlandish and peculiar songs & lyrics ever recorded—plus some "groovy and with it" hippie dialogue that will impress all your cool friends! Today's episode is sponsored by Final Draft.
As we do every Friday, we’ll be traveling across the state letting you know about people places and events that make Mississippi a great place to live. Today we’ll start our road trip in Jackson for MS Opera’s Hilarious World of Gilbert & Sullivan next we’ll move to Gulfport for the 40th Annual Peter Anderson Arts & Crafts Festival, after that we’ll head to Desoto County for Hernando’s Parks & Craft Fair and end the show with musical guest Southern Soul Artist Christopher “Big Yayo” Mabry, So hold on tight because we’re going for a ride here on Next Stop MS! See acast.com/privacy for privacy and opt-out information.
Adventure Theatre MTC's Assistant Production Manager extraordinaire Brittany Truske is here for a good but tough musical. The 3rd in our Pulitzer Prize-winning musical series and the most controversial. Topics include: seeing a show blind, auto-tuning one tiny phrase, and are there any happy songs in Act 2? Trigger Warning: Next to Normal deals with the issues of prescription drug abuse, electroshock therapy, and suicide. If these topics are not your favorite, we've got 111 other episodes for you to enjoy. And please remember that there is always someone to talk with at the National Suicide Prevention Lifeline 1-800-273-8255. Featured recordings: NEXT TO NORMAL - Original Broadway Cast Recording (2009) Have you checked out our new PATREON? You haven't? Then how are you going to listen to our patrons-only podcast THE ORIGINAL CAST AT THE MOVIES? April's episode (now available) features Charlene V. Smith and Sara E. Cohen talking about Mike Leigh's Gilbert & Sullivan film TOPSY-TURVY (1999). Patreon Twitter Facebook Email
Kylie Weston-Scheuber is a barrister at the Victorian Bar and Director of the upcoming BottledSnail Production ‘Famous Cases in Song’. Judges and members of the Victorian legal profession are performing two short and very funny operettas based on the famous cases ‘Carlill v Carbolic Smoke Ball Co’ and ‘Donoghue v Stevenson’ (the snail in the bottle case). For this episode of Lawyer By Day I spoke to Kylie and cast members Ian Woolford, His Honour Judge Joshua Wilson and the Honourable Associate Justice Mary-Jane Ierodiaconou about why they are involved in BottledSnail, their musical pasts, and how we all might benefit from finding the right creative outlet. ‘Famous Cases in Song’ is being performed as a part of Law Week (14-20 May 2018 – www.victorialawfoundation.org.au) and you can learn more and buy tickets for the show at www.bottledsnail.com/famous-cases-in-song. The songs performed by BottledSnail Productions in this episode contain lyrics written by New Zealand law lecturer Stephen Todd and are set to the music of Gilbert & Sullivan. BottledSnail Productions started in 2013. It is a not-for-profit incorporated association and registered charity run by and for legal professionals that aims to generate a significant positive impact on the lives of those who participate in their productions, and make a sophisticated contribution to Melbourne's creative culture.
When one has a Shakespeare scholar as a guest, one talks about Shakespeare. Especially when the guest and one agree on so much about Shakespeare. Have you checked out our new PATREON? You haven't? Then how are you going to listen to our patrons-only podcast THE ORIGINAL CAST AT THE MOVIES? April's episode (now available) features Charlene V. Smith and Sara E. Cohen talking about Mike Leigh's Gilbert & Sullivan film TOPSY-TURVY (1999). Patreon Twitter Facebook Email
La-Ti-Do co-founder Don Mike Mendoza is back! This time we're talking about that most puzzling of musicals, the Sondheim/Rodgers/Laurents collaboration that ended all those friendships. Topics include: Why? Seriously why? What? And why? Also TRIVIA! Featured recordings: DO I HEAR A WALTZ? - Original Broadway Cast (1965) SIDE BY SIDE BY SONDHEIM - Original London Cast Recording (1976) SONHDEIM SINGS: VOLUME II - Stephen Sondheim (2005) DO I HEAR A WALTZ? - The New Recording (2001) MANDY PATINKING SINGS SONHDEIM - Mandy Patinkin (2000) Have you checked out our new PATREON? You haven't? Then how are you going to listen to our patrons-only podcast THE ORIGINAL CAST AT THE MOVIES? April's episode features Charlene V. Smith and Sara E. Cohen talking about Mike Leigh's Gilbert & Sullivan film TOPSY-TURVY (1999). Patreon Twitter Facebook Email
The final bit of my December 2016 conversation with Tony Award-winner Daisy Eagan is a nostalgic trip down problematic lane and a hopeful look forward. Have you checked out our new PATREON? You haven't? Then how are you going to listen to our patrons-only podcast THE ORIGINAL CAST AT THE MOVIES? April's episode features Charlene V. Smith and Sara E. Cohen talking about Mike Leigh's Gilbert & Sullivan film TOPSY-TURVY (1999). Patreon Twitter Facebook Email
One of the dullest articles we've ever got! We talk about the churches of Mawmonism and Clarktholicism, interview Mr Maw of the Gilbert & Sullivan society, tackle serious issues in crisis corner, and respond to some delightful correspondence! -------- THE WIKICAST PATREON: https://www.patreon.com/thewikicast Dark Horse: https://en.wikipedia.org/wiki/Dark_Horse:_The_Incredible_True_Story_of_Dream_Alliance Difference between a recession and a depression: https://www.frbsf.org/education/publications/doctor-econ/2007/february/recession-depression-difference/ The Mikado: https://en.wikipedia.org/wiki/The_Mikado Lewis' Instagram: https://www.instagram.com/lewiswatson_55/ -------- Email us at: spongyelectric@gmail.com Follow us on Twitter: @DanielJMaw @simonoxfphys and use #Wikicast This week's article: https://en.wikipedia.org/wiki/Recession_of_1949 Our facebook page: https://www.facebook.com/TheWikicast/ Fan facebook group: https://www.facebook.com/groups/268878873600832/
It's the final weekend of the Gilbert and Sullivan festival, the Chris Barber Band is in town, and it's double tribute time with Limehouse Lizzy and Bootleg Beatles.
The Gilbert and Sillivan Festival continues at the Royal Hall, tickets are available for some huge comedy names at the Harrogate Comedy Festival and calling all kids... Fireman Sam, Bob the Builder, Noddy, Little Princess and more are all heading to Harrogate!
Gilbert & Sullivan have been missing from our production seasons up til now. No more! In this podcast Dr. Nic shares some background on this most operatic of their works, looking forward to a brilliant production that will open on October 14, 2017! Enjoy!
Un cabrón que conecte con el sentimiento del mexicano y que nos ponga a jotear a los émulos de Pepe El Toro se merece un #podcastborracho para beber en su honor. Gracias a Alberto Aguilera por todas las pedas que acompañó. Si ustedes son de los exquisitos que se empedan con cognac y con operas ligeras de Gilbert & Sullivan entonces estos 65 minutos en honor de Juanga no son para usted.
Un cabrón que conecte con el sentimiento del mexicano y que nos ponga a jotear a los émulos de Pepe El Toro se merece un #podcastborracho para beber en su honor. Gracias a Alberto Aguilera por todas las pedas que acompañó. Si ustedes son de los exquisitos que se empedan con cognac y con operas ligeras de Gilbert & Sullivan entonces estos 65 minutos en honor de Juanga no son para usted.
Many playwrights strive to create poetry on stage, hoping to put such elegant words in the mouths of their characters that audiences will sit stunned and shaken, transported from their seats to some new world. If only all playwrights began as poets—as did San Francisco’s Marisela Treviño Orta—then all of our stages would be singing with poetry as beautiful as that in Orta’s rich fairytale ‘The River Bride,’ which just opened a five-month run at the Oregon Shakespeare Festival in Ashland. The festival, which runs annually from February to November, always begins in the Spring with four shows, gradually adding new ones. The openers this time are Shakespeare’s ‘Twelfth Night,’ Gilbert & Sullivan’s ‘Yeomen of the Guard,’ Charles Dickens’ ‘Great Expectations,’ and ‘The River Bride.’ I’ll discuss the first three in my next broadcast. Easily the best of a strong batch, ‘The River Bride’ was first staged in San Rafael in 2014, part of the AlterLab new play development program sponsored by Marin County’s AlterTheater Ensemble. Originally co-directed by Ann Brebner and Jeanette Harrison, that early production was elegantly simple, using only a few wooden blocks as set pieces. In Ashland, Orta’s slinky, sexy blend of Brazilian river mythology and Grimm’s fairytales has now been given a magical, deceptively high-tech makeover by director Laurie Woolery, working with a stellar cast and a first-rate team of visual artists. Woolery fills her stage with gorgeous images, each scene a poem in its own right, a stunning collage of sight, sound, words and emotion. Fortunately, such bedazzlements never distract from the story, or from the incandescent heart of Orta’s indelible characters. Just three days before the wedding of 16-year-old Belmira and the local fisherman Duarte, the bride’s older sister Helena is doing her best to hide her own broken heart, having loved Duarte since childhood. During a stormy day of fishing, complete with raging thunder and mysterious pink lightning, Duarte and the sisters’ goodhearted father Senhor Costa haul up a well-dressed, unconscious stranger in their fishing nets. Initially suspicious, Senhora Costa soon welcomes the soft-spoken newcomer, who gives his name as Moises, and almost immediately forms a bond with the cautious, but gradually love-struck, Helena. As Helena, Nancy Rodriguez, is spectacular, revealing layer upon layer of hidden emotion. Armando McClain, who as Moises makes an art of enigmatically smoldering, is quite good in a part that less expert actors might have played too extravagantly. Jamie Ann Romero is excellent in the tricky part of Belmira, managing to be both innocent and selfishly devious, and as Duarte, Carlo Alban is all coiled intensity and molten jealousy. Triney Sandoval is delightful as Senhor Costa, and Vilma Silva, as Senhora Costa, is perfect, playing as many shades of motherly love as there are strings on a guitar. What happens next takes place in a world of grounded fantasy and stylized realism. On the Amazon, there are legends of trickster porpoises, which for three days in June take the form of human men, looking for love amongst those who dwell on the land. That myth eventually overlaps the lives of Orta’s characters in powerful ways, as Moises’ courtship of Helena stirs up deep and forbidden passions. As in all fairytales, the ending involves the breaking of curse, but with a poetic and heart-stopping twist, just one of many satisfying pleasures Orta serves up in this transcendent, one-of-a-kind masterpiece. ‘The River Bride’ runs in repertory with ‘Twelfth Night,’ ‘Great Expectations,’ and others, Tuesday through Sunday, in the Angus Bowmer Theater at the Oregon Shakespeare Festival, in Ashland, Oregon. For information on this and ten other shows opening throughout the year, www.osfashland.org has all the details.
Es geht um die Opern und Operetten von Gilbert & Sullivan.
In Victorian England, the unhappy wife of a repressed doctor yearns to feel alive - and finally takes matters into her own hands. In an imaginary steam-punk version of Victorian England, a band of brave, opera-singing women similarly yearn to be happy, free - and a little bit naughty - and they make it happen through the power of song. In East Berlin, Germany, a mysterious woman with a powerful secret survives against impossible odds, ultimately becoming an inspiration to a young American journalist. She survives through the power of her own belief in herself. In three productions either currently running or about to open in the North Bay, the concept of “gender” is just the tip of the iceberg in stories that challenge us, the audience, to look beneath the surface of some amazing human beings - some real, some fictional - all with something to show us we might not be expecting. Let’s start with "Heroines," opening tomorrow night at Sonoma State University. This one is a brand new original musical review featuring classic operetta tunes from the likes of Bertolt Brecht, Franz Lehar, Gilbert & Sullivan and others. It was created by musical director Lynn Morrow and stage director Jane Irwin Hammett, who appropriately titled their piece, "Heroines." Set during a time of radical change in England, when women were demanding the vote and a whole lot more, the piece pulls famous females from out of other stories and throws them all together. Due to a magical twist of time, these women from various centuries join forces to express their feelings through indelible songs borrowed from shows like "The Threepenny Opera," "The Merry Widow," and other musical masterpieces, and number from the operettas of Gilbert and Sullivan. In a fantasy version of London, these iconic characters come together in a city blending visuals from Dickens with ideas from Jules Verne, joining their hearts and voices in a revolutionary effort to break the shackles of tradition and inequality. Sounds fun, huh? New shows deserve our support, and SSU, in recent years, has made a strong effort to present at least one original show a year. And with voices recruited from SSU’s Departments of Music and Theater Arts & Dance, this is a production that probably will sound like a blast of pure operatic dynamite - and then some. Meanwhile, At Cinnabar Theater, Doug Wright’s Pulitzer-winning one-actor drama "I Am My Own Wife" introduces audiences to a different kind of heroine: the real-life Charlotte von Mahlsdorff, a transgender woman whose courage - and possibly a bit of treasonous duplicity - allowed her to escape Hitler’s concentration camps, and survive, in her own way, operating a small museum under the noses of her enemies, all during the communist party’s decades-long reign of suspicion and terror. I’ll be reviewing it in full next week. And finally, there’s Sarah Ruhl’s eye-opening drama, "In the Next Room," subtitled, "The Vibrator Play." This is a daring move for the usually fairly reserved Raven Players. The play looks at the marriage of a late Victorian woman and her husband, a doctor specializing in the treatment of hysterical women. He has been using a new treatment, made possible through the power of electricity, which seems to leave his patience extremely happy, and eager for their next appointment. It only his wife could become the focus of his attentions, she - and maybe even he - could find what is missing in their lives. Gorgeously written by Ruhl, it’s a love story with a jolt of raw truth, another story of what happens when strong women are given the power they need to take control of their own destinies, their own happiness, their own world. "I Am My Own Wife" runs February 6-22 at Cinnabar Theater, cinnabartheater.org. "Heroines" runs February 5-15 in the Evert B. Person Theater at Sonoma State University, Sonoma.edu. "In the Next Room" (or "The Vibrator Play") runs through February 14 at Raven Theater, Raventheater.org
Ask Me Another dons its mask and cape for a super special episode recorded live at New York Comic Con Super Week. In this love letter to comic book nerds and the people who love them, author Neil Gaiman sings 19th century operettas, stumps his fans, and discusses his fandoms: beekeeping, and Gilbert & Sullivan.
The Virginia Chorale Society opens its new season with a rollicking program of highlights from some of the most famous Gilbert & Sullivan operettas. Dwight Davis spoke to conductor James Powers about the concert.
To mark the publication of his book "In The City: A Celebration Of London Music" Paul du Noyer talks to David Hepworth about the ties that bind Marie Lloyd and Dizzee Rascal, the blues that came up from Richmond and the line from Gilbert & Sullivan to the Sex Pistols.
It's another One-Shot! and this time we're promoting the new anthology from Slave Labor Graphics called Fat Chunk Volume 2: Zombies. Editor Jamie Smart (Ubu Bubu, Bear) joins us to discuss organizing over 60 cartoonists for this 144 page anthology celebrating the living impaired. (Get it? Living impaired? Mwhahaha.) He also talks about his 4 page strip in the book and other works coming from his warped and brilliant mind. We also talk to a few of the other creators involved in the book including Laura Howell (Bizarre Adventures of Gilbert & Sullivan, Robin Hoodie), Alan Kerr (Kreepy Kat), and Patt Kelley (Parasitic Twin). CNI's own Jimmy Aquino wrote 2 separate 3 page stories for the book as well with art chores done by Jenny Romanchuk (The Zombie Hunters) and Shane Heron (Awesome Marcus Ninja).
Richard Thompson talks to David Hepworth about 1,000 Years Of Popular Music, Gilbert & Sullivan, old radiograms, whether Shakespeare was Shakespeare and why nothing sounds like music at fairgrounds.
John Segers heads the Orlando Gilbert and Sullivan Players (OGASP!) and has directed several productions of Gilbert & Sullivan. Their goals are to bring the traditional D'Oyly Carte style to concert performances and full productions of the operettas in the Orlando area, to introduce new audiences to the joys of G&S and to rekindle happy memories for Savoyards throughout Central Florida. Tongue-twisting patter songs, ballads, comic solos and romantic duets form the backbone of the entertainment. Included are selections from such favorites as H.M.S. Pinafore, The Mikado, and The Pirates of Penzance, as well as highlights from The Yeomen Of The Guard, Patience and others. (7:55)
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