Podcast appearances and mentions of Reid Anderson

SIMÓN WILLSON – “ORNITHOLOGY JAZZ CLUB” Brooklyn, NY, March 9, 2024Business card, Jog, BetNeta Raanan (ts) Evan Main (p) Simon Willson (b) Kayvon Gordon (d) THE BAD PLUS “THE BAD PLUS” Waterford, CT, September, 2021Motivations II, You won't see me before I come back, Stygian poolsChris Speed (ts,cl) Ben Monder (g) Reid Anderson (b) Dave King (d) FREDDIE HUBBARD “HERE TO STAY” Englewood Cliffs, NJ, December 27, 1962Body and soul, Father and sonFreddie Hubbard (tp) Wayne Shorter (ts) Cedar Walton (p) Reggie Workman (b) Philly Joe Jones (d) Continue reading Puro Jazz 24 de marzo, 2025 at PuroJazz.

SIMÓN WILLSON – “ORNITHOLOGY JAZZ CLUB” Brooklyn, NY, March 9, 2024Business card, Jog, BetNeta Raanan (ts) Evan Main (p) Simon Willson (b) Kayvon Gordon (d) THE BAD PLUS “THE BAD PLUS” Waterford, CT, September, 2021Motivations II, You won't see me before I come back, Stygian poolsChris Speed (ts,cl) Ben Monder (g) Reid Anderson (b) Dave King (d) FREDDIE HUBBARD “HERE TO STAY” Englewood Cliffs, NJ, December 27, 1962Body and soul, Father and sonFreddie Hubbard (tp) Wayne Shorter (ts) Cedar Walton (p) Reggie Workman (b) Philly Joe Jones (d) Continue reading Puro Jazz 24 de marzo, 2025 at PuroJazz.

HERB ROBERTSON'S BRASS ENSEMBLE “SHADES OF BUD POWELL” New York, January & February 1988Un poco loco, I'll keep loving you, Glass enclosureHerb Robertson (tp,flhrn) Brian Lynch (tp) Robin Eubanks (tb) Vincent Chancey (fhr) Bob Stewart (tu) Joey Baron (d) JEFF BALLARD “FAIRGROUNDS” Europa, March 1-20, 2015Yeah Pete !, Marche exotique, Grungy brewChris Cheek, Mark Turner (ts) Kevin Hays (p,keyboards,vcl) Pete Rende (p,el-p) Reid Anderson (electronics) Lionel Loueke (g,vcl) Jeff Ballard (d,perc) DEVIN DANIELS “LESGO!” Live “Sam First”, Los Angeles, February 16 & 17, 2024Ugly Beauty, HimJulien Knowles (tp) Devin Daniels (as) Chris Fishman (p) Jermaine Paul (b) Benjamin Ring (d) Continue reading Puro Jazz 03 de enero, 2025 at PuroJazz.

HERB ROBERTSON'S BRASS ENSEMBLE “SHADES OF BUD POWELL” New York, January & February 1988Un poco loco, I'll keep loving you, Glass enclosureHerb Robertson (tp,flhrn) Brian Lynch (tp) Robin Eubanks (tb) Vincent Chancey (fhr) Bob Stewart (tu) Joey Baron (d) JEFF BALLARD “FAIRGROUNDS” Europa, March 1-20, 2015Yeah Pete !, Marche exotique, Grungy brewChris Cheek, Mark Turner (ts) Kevin Hays (p,keyboards,vcl) Pete Rende (p,el-p) Reid Anderson (electronics) Lionel Loueke (g,vcl) Jeff Ballard (d,perc) DEVIN DANIELS “LESGO!” Live “Sam First”, Los Angeles, February 16 & 17, 2024Ugly Beauty, HimJulien Knowles (tp) Devin Daniels (as) Chris Fishman (p) Jermaine Paul (b) Benjamin Ring (d) Continue reading Puro Jazz 03 de enero, 2025 at PuroJazz.

Reid Anderson, the co-founder and the bassist for The Bad Plus, recently connected with Sean McPherson's Jazz88 for a chat. Anderson discussed the new album from The Bad Plus and their upcoming run of shows starting on Christmas Day at the Dakota.

Reid Anderson, the co-founder and the bassist for The Bad Plus, recently connected with Sean McPherson's Jazz88 for a chat. Anderson discussed the new album from The Bad Plus and their upcoming run of shows starting on Christmas Day at the Dakota.

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TIM BERNE / CHRIS SPEED “BROKEN SHADOWS” New York, May 21 & 22, 2018Body, Toy dance, Walls-bridges, Una muy bonita, Dogon A.D.Tim Berne (as) Chris Speed (ts) Reid Anderson (b) Dave King (d) DARIUS JONES “THE LEGEND OF E'BOI (THE HYPERVIGILANT EYE)” Brooklyn, NY, c. 2023 released October 4, 2024Affirmation needed, We inside nowDarius Jones (as,comp) Chris Lightcap (b) Gerald Cleaver (d) PETER EVANS “EXTRA” Lisbon, Portugal, August 5-7, 2023Freaks, In see, BoomPeter Evans (pic-tp,flhrn,p) Petter Eldh (b,synt) Jim Black (d,electronics) Continue reading Puro Jazz 14 de noviembre, 2024 at PuroJazz.

TIM BERNE / CHRIS SPEED “BROKEN SHADOWS” New York, May 21 & 22, 2018Body, Toy dance, Walls-bridges, Una muy bonita, Dogon A.D.Tim Berne (as) Chris Speed (ts) Reid Anderson (b) Dave King (d) DARIUS JONES “THE LEGEND OF E'BOI (THE HYPERVIGILANT EYE)” Brooklyn, NY, c. 2023 released October 4, 2024Affirmation needed, We inside nowDarius Jones (as,comp) Chris Lightcap (b) Gerald Cleaver (d) PETER EVANS “EXTRA” Lisbon, Portugal, August 5-7, 2023Freaks, In see, BoomPeter Evans (pic-tp,flhrn,p) Petter Eldh (b,synt) Jim Black (d,electronics) Continue reading Puro Jazz 14 de noviembre, 2024 at PuroJazz.

Esta semana, dedicamos una nueva sesión de Rebelión Sónica a la destacada banda del jazz estadounidense The Bad Plus, con música de su nuevo disco “Complex Emotions” y de “Prog” de 2007. Lanzado por el sello Mack Avenue el 08 de noviembre, “Complex Emotions” es el segundo disco de la agrupación en formato de cuarteto tras ser por largos años un trío, con los fundadores Reid Anderson en bajo acústico y sintetizador y Dave King en batería y sintetizador, más el guitarrista Ben Monder y el saxofonista Chris Speed. Según el texto de promoción, la banda ha dado un paso audaz con “Complex Emotions”. Después de 21 años de redefinir su sonido, los miembros fundadores decidieron expandir la banda, lo que ha permitido “desbloquear nuevas posibilidades creativas, que son completamente investigadas en “Complex Emotions””. El título del álbum, extraído de una frase utilizada durante mucho tiempo por Anderson y King, refleja las amplias exploraciones musicales que han determinado el viaje de la banda. Al elegir este título, The Bad Plus “indica que el grupo reconfigurado ha descubierto nuevas profundidades de su potencial creativo”, remata la declaración que se puede leer en la web de la disquera. En la parte final del programa, viajamos al pasado en la obra del conjunto, para escucharlos con material de su álbum de 2007 “Prog”, cuando eran un trío con Ethan Iverson en el piano. Rebelión Sónica se transmite por radio Rockaxis los jueves a las 10 y 22 horas, con la conducción de Héctor Aravena

JEREMY PELT “TOMORROW'S ANOTHER DAY” New York ?, c. 2023 Earl J (3), Basquiat (1,4), Tomorrow's another day (3)Jeremy Pelt (tp) Jalen Baker (vib) Frank LoCrasto (p-1) Alex Wintz (g) Leighton McKinley Harrell (b,el-b) Allan Mednard (d-3) Deantoni Parks (d-4) THE BAD PLUS “THE BAD PLUS” Waterford, CT, September, 2021Motivations II, Sun wall, Not even close to far off, Stygian poolsChris Speed (ts,cl) Ben Monder (g) Reid Anderson (b) Dave King (d)   TYSHAWN SOREY “THE OFF BROADWAY GUIDE TO SYNERGISM”   Live “The Jazz Gallery”, New York, March 3-6, 2022Mob job, SolarGreg Osby (as) Aaron Diehl (p) Russell Hall (b) Tyshawn Sorey (d)         Continue reading Puro Jazz 19 de agosto, 2024 at PuroJazz.

JEREMY PELT “TOMORROW'S ANOTHER DAY” New York ?, c. 2023 Earl J (3), Basquiat (1,4), Tomorrow's another day (3)Jeremy Pelt (tp) Jalen Baker (vib) Frank LoCrasto (p-1) Alex Wintz (g) Leighton McKinley Harrell (b,el-b) Allan Mednard (d-3) Deantoni Parks (d-4) THE BAD PLUS “THE BAD PLUS” Waterford, CT, September, 2021Motivations II, Sun wall, Not even close to far off, Stygian poolsChris Speed (ts,cl) Ben Monder (g) Reid Anderson (b) Dave King (d)   TYSHAWN SOREY “THE OFF BROADWAY GUIDE TO SYNERGISM”   Live “The Jazz Gallery”, New York, March 3-6, 2022Mob job, SolarGreg Osby (as) Aaron Diehl (p) Russell Hall (b) Tyshawn Sorey (d)         Continue reading Puro Jazz 19 de agosto, 2024 at PuroJazz.

Reid Anderson, co-founder and drummer for The Bad Plus, recently connected with Sean McPherson to discuss The Bad Plus's upcoming residency at the Dakota, which starts on December 25 and runs until December 28.

Reid Anderson, co-founder and drummer for The Bad Plus, recently connected with Sean McPherson to discuss The Bad Plus's upcoming residency at the Dakota, which starts on December 25 and runs until December 28.

MIKI YAMANAKA – SHADES OF RAINBOW Vancouver, BC, Canada, February 6, 2023That ain't Betty, Shades of rainbowMark Turner (ts) Miki Yamanaka (p,el-p,comp) Tyrone Allen (b) Jimmy Macbride (d) HERB ELLIS – MEETS JIMMY GUIFFREI Los Angeles, March 26, 1959Goose grease, When your lover has gone, Remember, You knowArt Pepper, Bud Shank (as) Richie Kamuca, Jimmy Giuffre (ts) Lou Levy (p) Herb Ellis (g) Jim Hall (rhythm-g) Joe Mondragon (b) Stan Levey (d) BAD PLUS & JOSHUA REDMAN – THE BAD PLUS/JOSHUA REDMAN Brooklyn, NY, July, 2012Dirty blonde, Silence is the question Joshua Redman (ts) Ethan Iverson (p) Reid Anderson (b) David King (d) Continue reading Puro Jazz 14 diciembre 2023 at PuroJazz.

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We had an amazing time catching up with Reid, he talks about his academic insecurity, his LDS mission in East Africa, his lovely family, and his passion for service. Please visit https://www.rafikioutreach.org/ and donate if you can. you're going to love this episode

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"The Bad Plus" war ab den 2000er Jahren eines der innovativsten Piano-Trios der amerikanischen Jazz-Szene. Besetzt mit Pianist Ethan Iverson, Bassist Reid Anderson und Schlagzeuger Dave King ging man bis Ende 2017 gemeinsame Wege und machte lustvolle Grenzgänge in Pop-, Progrock- und Klassik-Gefilde. 2018 vollzog sich der erste große Umbruch, als Ethan Iverson die Band verließ und Orrin Evans am Klavier Platz nahm. 2021 dann der nächste Wechsel: aus dem Piano-Trio mit dem griffigen Namen wurde ein Quartett mit Gitarre und Saxofon. Ben Monder und Chris Speed heißen die "Neuen" bei "The Bad Plus". Gründungsmitglieder Reid Anderson und Dave King sprechen über Errungenschaften, Erschütterungen und Umgestaltungen einer Band mit langer Geschichte. (Sendung vom 18.1.)

Aubrey Johnson & Randy Ingram, Caity Gyorgy, Virginia MacDonald, Anat Cohen, Chris Speed, The Bad Plus, Joshua Redman, saje, Sara Gazarek, Sarah Elizabeth Charles, Curtis Nowosad, Spike Wilner, Frank Carlberg, T.S. Monk, Emmet Cohen, Chris AndrewPlaylist: Aubrey Johnson, Randy Ingram - My IdealCaity Gyorgy, featuring Virginia MacDonald - IdealVarious Artists, featuring Virginia MacDonald, Lucian Gray and Dan Fortin - Queen's PawnAnat Cohen - Baroquen SpiritChris Speed - Light LineThe Bad Plus, featuring Ben Monder, Chris Speed, Reid Anderson and Dave King - You Won't See Me Before I Come BackJoshua Redman, Brad Mehldau, Christian McBride, Brian Blade - Disco Earssaje, featuring Terri Lyne Carrington and Daniel Rotem - As This Moment Slips AwaySara Gazarek - VanitySarah Elizabeth Charles, featuring Burniss Earl Travis II - The MessageCurtis Nowasad, featuring Brianna Thomas - See Line Woman (Jesse Fischer Remix)Spike Wilner Trio - Well You Needn'tFrank Carlberg Trio, featuring John Hebert and Francisco Mela - Bemsha CubanoTS Monk - Seven Steps to Heaven (Live)Emmet Cohen - Venus de MiloChris Andrew - Home

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The Bad Plus ist ein genrebildendes Pianotrio, das jetzt keins mehr sein will. Was passiert, wenn man sich einfach mal neu als Gitarrenquartett definiert, dazu ein Gespräch mit den beiden Gründungsmitgliedern Dave King und Reid Anderson.  Und: mit einem Dutzend Musikerkolleg:innen auf dem Landweg von Luzern nach Nordmazedonien touren: davon und vom neuen Album erzählt der Chef des Fischermanns Orchestra. (00:00:30) Franziska Loos – Generation Anything (00:05:14) The Bad Plus – The Bad Plus (00:23:59) Makaya McCraven – In These Times (00:32:52) Kokoroko – Could We Be More (00:37:18) Fischermanns Orchestra – Space Friction (00:50:06) Swiss Jazz Orchestra Plays The Music of Pilgrim – Christoph Irniger und SJO

This week, we welcome bassist Reid Anderson and drummer Dave King to The JAZZIZ Podcast. Anderson and King are two of the founding members of The Bad Plus, one of the defining bands of 21st-century jazz. After over a decade as an acclaimed piano trio, with Ethan Iverson first and Orrin Evans later, Anderson and King have reinvented The Bad Plus as a dynamic quartet with guitarist Ben Monder and saxophonist Chris Speed. This is the lineup featured on their new, self-titled album, which is due out on September 30 via Edition Records. Despite the major change in the lineup, the band's objective of challenging conventions and pushing their unique approach to jazz in boundary-breaking new directions remains unaltered. Their music, as well as this podcast conversation, testifies to their passion, drive and intent. --- Support this podcast: https://anchor.fm/jazziz/support

If you think sales is an easy job, try cold calling an angry CMO at 1:22 in the afternoon. If you're not too busy crying afterward, it might be time to discuss what it really takes to be in sales.On this episode, Travis speaks with Reid Anderson, Enterprise Sales at PandaDoc, about overcoming adversity in sales and how to be more effective at cold calls, demoing, and negotiation. In this episode:How to detach from the outcome and make the next dialPulling the truth out of passionate responsesFacetime cold calling: genius or worst idea ever?

Reid Anderson, Enterprise Sales at PandaDoc, is back, and this time he's giving us an inside look at how to successfully sell and work with legal teams. In this episode, we'll discuss:mistakes companies make when trying to persuade lawyers to ditch their legacy tools for new technologywhy it's vital to understand the different types of legal teams to solve their specific pain pointsthe importance of being upfront and HONEST about your products and servicesTravis and Reid will also commemorate the 22nd Anniversary of the ESIGN Act by debunking the top eSign myths and answering questions about signing documents electronically.

Reid Anderson, Enterprise Sales at PandaDoc, is back, and this time he's giving us an inside look at how to successfully sell and work with legal teams. In this episode, we'll discuss: mistakes companies make when trying to persuade lawyers to ditch their legacy tools for new technology why it's vital to understand the different types of legal teams to solve their specific pain points the importance of being upfront and HONEST about your products and services Travis and Reid will also commemorate the 22nd Anniversary of the ESIGN Act by debunking the top eSign myths and answering questions about signing documents electronically.

Buddha and the Body Coach is a new podcast by Alex Stone and T Proctor talking about the things that matter, and what makes your life more meaningful and fulfilled. Our first podcasts are released on 14 June 2022 on the Super Moon and we would LOVE you to join us. Let's give this some wings! Please like, rate and subscribe to our podcast, and tell your friends. If you would like to get in touch with us you can email us : buddhaandthebodycoach@gmail.com Visit our webpage Buddha&theBodyCoach Intro music by Reid Anderson.

If you think sales is an easy job, try cold calling an angry CMO at 1:22 in the afternoon.  If you're not too busy crying afterwards, it might be time to discuss what it really takes to be in sales. On this episode, Travis speaks with Reid Anderson, Enterprise Sales at PandaDoc, about overcoming adversity in sales and how to be more effective at cold calls, demoing, and negotiation.  In this episode: How to detach from the outcome and make the next dial Pulling the truth out of passionate responses Facetime cold calling: genius or worst idea ever? Subscribe to The Customer Engagement Lab here and never wake up in a cold sweat worrying you missed an episode ever again. Listening on a desktop & can't see the links? Just search for The Customer Engagement Lab in your favorite podcast player.

Broken Shadows è una composizione di Ornette Coleman apparsa in Crisis, album del sassofonista registrato dal vivo nel '69 e pubblicato nel '72, e poi registrato da Coleman in studio nel '71 ma pubblicato solo nell'82, nell'album intitolato proprio Broken Shadows. Nel 2017 il sax alto Tim Berne e il sax tenore Chris Speed hanno formato un quartetto con Reid Anderson e Dave King (il contrabbassista e il batterista del popolare trio Bad Plus), scegliendo di chiamarlo col titolo della composizione di Coleman. Broken Shadows, di cui la Intakt ha pubblicato quest'anno l'album omonimo, e che domenica 24 ottobre sarà di scena a JazzMi, si dedica a riletture di brani di Coleman, di Charlie Haden, il grande contrabbassista che tanto è stato accanto a Coleman, e di Dewey Redman e di Julius Hemphill, sassofonisti (il primo ha figurato in importanti gruppi e incisioni di Coleman) entrambi come Coleman di Fort Worth, Texas. L'interessante scelta del quartetto è quella di non dilungarsi negli assoli, e di valorizzare le melodie dei brani. Prima di ascoltare Broken Shadows, ricordiamo anche Spy vs Spy, l'album di John Zorn e Tim Berne dell'89 dedicato al repertorio colemaniano.

Broken Shadows è una composizione di Ornette Coleman apparsa in Crisis, album del sassofonista registrato dal vivo nel '69 e pubblicato nel '72, e poi registrato da Coleman in studio nel '71 ma pubblicato solo nell'82, nell'album intitolato proprio Broken Shadows. Nel 2017 il sax alto Tim Berne e il sax tenore Chris Speed hanno formato un quartetto con Reid Anderson e Dave King (il contrabbassista e il batterista del popolare trio Bad Plus), scegliendo di chiamarlo col titolo della composizione di Coleman. Broken Shadows, di cui la Intakt ha pubblicato quest'anno l'album omonimo, e che domenica 24 ottobre sarà di scena a JazzMi, si dedica a riletture di brani di Coleman, di Charlie Haden, il grande contrabbassista che tanto è stato accanto a Coleman, e di Dewey Redman e di Julius Hemphill, sassofonisti (il primo ha figurato in importanti gruppi e incisioni di Coleman) entrambi come Coleman di Fort Worth, Texas. L'interessante scelta del quartetto è quella di non dilungarsi negli assoli, e di valorizzare le melodie dei brani. Prima di ascoltare Broken Shadows, ricordiamo anche Spy vs Spy, l'album di John Zorn e Tim Berne dell'89 dedicato al repertorio colemaniano.

"Una muy bonita" Broken Shadows: Broken Shadows (Intakt Records, 2021) Tim Berne, Chris Speed, Reid Anderson, Dave King. Composición por Ornette Coleman. © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Pachi Tapiz reseñó Broken Shadows junto con otras grabaciones en https://www.tomajazz.com/web/?p=54698

This show first broadcast on the 30th of April, 2021Ethan Iverson is a pianist, composer, and critic best known for his work in the avant-garde Jazz trio The Bad Plus with bassist Reid Anderson and drummer Dave King.At age 15 Ethan opened for Ray Charles. In 2019, Iverson and trumpeter Tom Harrell released the album Common Practice, recorded at the Village Vanguard, on ECM. Iverson also served as an artistic director of the 2019 Jazz te Gast festival in the Netherlands, at which his orchestral piece Solve for X premiered.In 2021, Iverson's album Bud Powell in the 21st Century, featuring Ingrid Jensen, Dayna Stephens, Ben Street, Lewis Nash, and the Umbria Jazz Orchestra, was released on Sunnyside Records. Support The Face Radio with Patreon See acast.com/privacy for privacy and opt-out information.

Reid Anderson, bass player, composer and co-founder of The Bad Plus, joins Andrew as the guest for the first episode of Constant Constance. In this interview Reid and Andrew reminisce on the making of "The Vastness of Space" album, delve into the different stages of The Bad Plus, and more. --- Send in a voice message: https://podcasters.spotify.com/pod/show/andrew-norman-dangelo/message Support this podcast: https://podcasters.spotify.com/pod/show/andrew-norman-dangelo/support

Una de las referencias del contrabajista Juan Pablo Balcázar para su "Suite resbalosa" es el disco "The vastness of space" del bajista Reid Anderson, que decía querer "comunicar y expresar belleza a través del sonido y el ritmo". Un propósito que cumple con creces el colombiano en un disco que comparte con Marcel·lí Bayer y Joan Mas (saxo alto), Antonio Mazzei (piano) y Oriol Roca (batería). Es la historia de un reencuentro, es el fuego que se aviva después de décadas de brasas que esperaban que alguien las avivara. Desde que en 1975 grabara "Valley of search" junto, a entre otros, el pianista Cooper-Moore, el saxofonista y flautista Alan Braufman se reencontró con su amigo para celebrar la reedición de aquel y grabar "The fire still burns". Junto a ellos, el saxofonista James Brandon Lewis, el contrabajista Ken Filiano y el baterista Andrew Drury. Dice el guitarrista Guillermo Bazzola que tenía 17 años cuando descubrió la música del canadiense Kenny Wheeler. "Cada vez que escucho su música, me sorprende como si fuera la primera vez. Kenny creó un universo sonoro lleno de detalles sutiles", explica el argentino. Junto a los saxofonistas Rodrigo Domínguez y Natalio Sued, al contrabajista Jerónimo Carmona y al baterista Hernán Mandelman, Bazzola se inspira en el trompetista para su "Lost & Found". Toda la información y derechos: http://www.elclubdejazz.com

Una de las referencias del contrabajista Juan Pablo Balcázar para su "Suite resbalosa" es el disco "The vastness of space" del bajista Reid Anderson, que decía querer "comunicar y expresar belleza a través del sonido y el ritmo". Un propósito que cumple con creces el colombiano en un disco que comparte con Marcel·lí Bayer y Joan Mas (saxo alto), Antonio Mazzei (piano) y Oriol Roca (batería). Es la historia de un reencuentro, es el fuego que se aviva después de décadas de brasas que esperaban que alguien las avivara. Desde que en 1975 grabara "Valley of search" junto, a entre otros, el pianista Cooper-Moore, el saxofonista y flautista Alan Braufman se reencontró con su amigo para celebrar la reedición de aquel y grabar "The fire still burns". Junto a ellos, el saxofonista James Brandon Lewis, el contrabajista Ken Filiano y el baterista Andrew Drury. Dice el guitarrista Guillermo Bazzola que tenía 17 años cuando descubrió la música del canadiense Kenny Wheeler. "Cada vez que escucho su música, me sorprende como si fuera la primera vez. Kenny creó un universo sonoro lleno de detalles sutiles", explica el argentino. Junto a los saxofonistas Rodrigo Domínguez y Natalio Sued, al contrabajista Jerónimo Carmona y al baterista Hernán Mandelman, Bazzola se inspira en el trompetista para su "Lost & Found". Toda la información y derechos: http://www.elclubdejazz.com

Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter I first heard Tim Berne on a John Zorn album – Spy Vs. Spy, from 1989, where the two of them, plus Mark Dresser on bass and Joey Baron and Michael Vatcher on drums, play 17 Ornette Coleman tunes in 40 minutes. It’s one of the most intense records you’ll ever hear in your life. They play almost all the tunes at hardcore punk speed, and the two drummers are delivering blast beats like they’re auditioning for Napalm Death. Some people love it, and some people fucking hate it. I'm in the former category. Anyway, Berne’s own music doesn’t always have that same punk rock aggression, but it’s definitely intense and can get very loud. He’s originally from upstate New York, but has been based in Brooklyn for basically his entire professional career, which started in the 1970s when he was studying with Julius Hemphill. Hemphill is Berne’s single biggest influence, as you’ll hear in this interview. Berne is very independent; he’s started two different independent labels to put out his own music – first Empire, which he used to make five albums in the late 70s, and later Screwgun, which continues to this day. He was signed to Columbia for a couple of years, though, and has made a bunch of records for ECM with his current primary band, Snakeoil. They’ve been together for about a decade. Berne’s bands tend to have great names – he’s led Hard Cell, Caos Totale, Science Friction, Bloodcount, and Big Satan, among others. He’s also currently a member of Broken Shadows, a quartet with Chris Speed on tenor sax, Reid Anderson on bass, and Dave King on drums. They play the music of Ornette Coleman, Julius Hemphill, Dewey Redman and Charlie Haden, and they have a couple of live albums you can get on Bandcamp and a studio LP that’s only available as part of a ridiculously expensive subscription box set from the Newvelle label. This interview was recorded last Thursday, November 5, which is why I mention obsessively refreshing Twitter at the beginning – we were both waiting for election results along with everything else. Anyway, we talk about a lot of subjects – Berne has been a really influential composer, particularly among 21st century jazz players from Brooklyn, so we discuss that, but we also talk about Julius Hemphill, about his various bands and his creative relationships with Matt Mitchell and David Torn, about his approach to composing and about the depth of his catalog, and much more. I had a really good time talking to him, and I hope you’ll enjoy listening to our conversation. If you enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks! Music heard in this episode: Tim Berne/Matt Mitchell, "Increminced" (Spiders) Tim Berne's Snakeoil, "Moornoats" (The Deceptive 4)

When you're new to sales working at a startup, you've got a lot on your plate. You've got to handle cold calling, pitching, customer relationships, demos, prospecting, follow-ups, and your entire pipeline. In today's episode of the Sales Mastermind, we help Joel Bein get started off with his Sales career on the right foot working at https://www.crash.co as head of partnerships & content. Connect with Joel Bein for inspiration, wisdom, and personal growth: https://www.joelbein.com https://www.linkedin.com/in/joel-bein-9b8343110/ Timestamps: 0:00 - 3:20 Introduction & Joel Bein's role overview at Crash.co 5:40 Overview of Joel's beginner tech stack, and how to improve: Entry level CRM suggestions: Hubspot, Close, PipeDrive Email tracking via Gmail with chrome extensions Cheap software to run email cadences directly from Gmail 11:11 How Joel thinks about prospecting by finding clues that his prospect resonates with Crash's mission 17:19 Overcoming psychological resistance to following-up multiple times Logan Westberg offers a tactic: Make an up-front commitment to continue following-up if they don't hear back. That takes responsibility off you and shifts it to them. Brandy Drzymkowski offers encouragement: If you've done your research, you trust your research, and you genuinely believe you can help someone, people appreciate that energy and enthusiasm. 21:41 Reid Anderson asks: Who are you reaching out to at the colleges specifically? 24:02 Nick Rundlett concludes: Always pick up the phone and call when you can! That's how true relationships start, and that's how you make your money as a sales professional.

The Bad Plus es lo que podría llamarse un power trío, término mucho mas usado en el rock, formado por músicos de jazz y con una instrumentación totalmente acústica. El pianista Ethan Iverson, el contrabajista Reid Anderson y el batería David King son los tres estadounidenses fundadores de esta banda, que comenzó su andadura prácticamente con el inicio del nuevo siglo. Llamaron casi de inmediato la atención por su novedosa propuesta: partir de la sonoridad, estética e instrumentación del jazz mas acústico, pero poner su punto de mira mucho mas cerca del rock mas contundente, sin perder de vista la improvisación. Aun siendo magníficos compositores, ademas de instrumentistas virtuosos, lo que les hizo despuntar por encima de otros colegas con propuestas similares fueron las versiones que comenzaron a realizar desde sus primeros discos, basadas en temas de muchos de los grandes del rock y el pop. En este especial veraniego de El Faro del Jazz he decidido precisamente poner el foco en esas versiones, así que vais a poder escuchar composiciones de artistas tan diferentes como Abba, Blondie, Pixies, Rush, David Bowie, Black Sabbath o Vangelis. Pero todos ellos pasados por el filtro de estos tres 'chicos malos del jazz' llamados The Bad Plus.

Just before their show at ArtsRiot in October 2019, Paddy chatted with Reid Anderson, Dave King, and Orrin Evans, known collectively as The Bad Plus, about writing for a group and how curiosity drives growth and creativity. https://www.thebadplus.com/https://www.facebook.com/thebadplusofficial/The music is Star Visor by Jaw GemsMixed by Max SolomonThanks to ArtsRiot See acast.com/privacy for privacy and opt-out information.

Mama Jazz, the Vilnius' most famous jazz festival, ended the weekend with the American trio The Bad Plus - Dave King, Reid Anderson, and Orrin Evans. This ensemble combines the simplicity of popular music with snobbish jazz virtuosity. The full harmony of the three instruments (piano, double bass, and percussion) is revealed not only in the experimental and original works of the trio, but also in the remixes of bands such as Radiohead, Nirvana or Tears For Fears. A year and a half ago, the ensemble underwent major changes when a longtime trio pianist was replaced by Orrin Evans. We talk to the new pianist of the Bad Plus about his passion for music, dedication to the ensemble, and daily routine.

After three weeks of thematic episodes, we have to get back to checking what's new and what's coming up... The piles of new and upcoming releases have been building up and we could not wait any longer. So here's to a great episode with new, upcoming and reissued gems, featuring the music of Dave Holland, Zakir Hussain, Chris Potter, Ben Van Gelder, Reinier Baas, Emma Frank, Craig Taborn, Louis Moholo and other creative minds. The playlist features Kevin Hays, Lionel Loueke, Dave Holland, Zakir Hussain, Chris Potter, Jenny Scheinman, Allison Miller, Théo Ceccaldi, Roberto Negro, Ryan Blotnick, Maurice Louca, Louis Moholo, Petter Eldh, Emma Frank, Ben Van Gelder, Reinier Baas, Remy Le Boeuf, Dan Tepfer, Reid Anderson, Dave King, Craig Taborn, Steve Lehman, Alex Koo, Caroline Davis, Rob Clearfield, Anne Paceo, Moutin Factory, Tim Ries, Guillermo Klein, Jean-Christophe Cholet, Matthieu Michel. Detailed playlist at https://spinitron.com/RFB/pl/9265241/Mondo-Jazz

a cura di Gigi Longo. Brani di Reid Anderson, Dave King, Craig Taborn; Ajugada Quartet; Ettore Fioravanti; Yves Theiler Trio.

a cura di Gigi Longo. Brani di Reid Anderson, Dave King, Craig Taborn; Ajugada Quartet; Ettore Fioravanti; Yves Theiler Trio.

a cura di Gigi Longo. Brani di Reid Anderson, Dave King, Craig Taborn; Ajugada Quartet; Ettore Fioravanti; Yves Theiler Trio.

a cura di Alessandro Achilli. Musiche di Xtc, Slits, Bridget St John, Steve Beresford, Gilbert & Sullivan, Stereolab, Gold Mass, Trance Map+, Anderson-King-Taborn, Stefan Aeby, Cristiano Calcagnile Multikulti Ensemble (seconda parte)

a cura di Alessandro Achilli. Musiche di Xtc, Slits, Bridget St John, Steve Beresford, Gilbert & Sullivan, Stereolab, Gold Mass, Trance Map+, Anderson-King-Taborn, Stefan Aeby, Cristiano Calcagnile Multikulti Ensemble (seconda parte)

David King (born June 8, 1970) is an American drummer and composer from Minneapolis. He is known for being a founding member of the jazz groups The Bad Plus (with Reid Anderson and Ethan Iverson) and Happy Apple (with Michael Lewis and Erik Fratzke) although he is active in many other projects including free jazz … Continue reading "Dave King, drums"

David King (born June 8, 1970) is an American drummer and composer from Minneapolis. He is known for being a founding member of the jazz groups The Bad Plus (with Reid Anderson and Ethan Iverson) and Happy Apple (with Michael Lewis and Erik Fratzke) although he is active in many other projects including free jazz …Continue reading "Dave King, drums"

Reid Anderson - Cedar Rapids Musician

Azougue es la palabra en galego para mercurio. "Ter o azougue no corpo" o "estar azougado" son expresiones populares que denotan estar inquieto, no tener reposo. La inquietud es uno de los motores fundamentales de la creación y la pasión por el jazz y la música tradicional de Galicia han alumbrado el proyecto "Azougue" al que dan vida el saxofonista y gaitero Pedro Lamas, el pianista Jacobo de Miguel y el percusionista Xosé Lois Romero. En esta edición de 'Club de Jazz' del 21 de febrero de 2018 conversamos con Pedro Lamas, que además es uno de los impulsores de la Orquestra de Jazz de Galicia, un ambicioso proyecto que reunió a músicos del ámbito folclórico, jazzístico y sinfónico. Además, Ferran Esteve vuelve con "La duda y el permanente" para acercarnos a la nueva versión de The Bad Plus, el trío que el pasado año dejó el pianista Ethan Iverson y que incorpora ahora a Orrin Evans. Como siempre siguen Reid Anderson y Dave King. Toda la información y derechos: http://www.elclubdejazz.com

Azougue es la palabra en galego para mercurio. "Ter o azougue no corpo" o "estar azougado" son expresiones populares que denotan estar inquieto, no tener reposo. La inquietud es uno de los motores fundamentales de la creación y la pasión por el jazz y la música tradicional de Galicia han alumbrado el proyecto "Azougue" al que dan vida el saxofonista y gaitero Pedro Lamas, el pianista Jacobo de Miguel y el percusionista Xosé Lois Romero. En esta edición de 'Club de Jazz' del 21 de febrero de 2018 conversamos con Pedro Lamas, que además es uno de los impulsores de la Orquestra de Jazz de Galicia, un ambicioso proyecto que reunió a músicos del ámbito folclórico, jazzístico y sinfónico. Además, Ferran Esteve vuelve con "La duda y el permanente" para acercarnos a la nueva versión de The Bad Plus, el trío que el pasado año dejó el pianista Ethan Iverson y que incorpora ahora a Orrin Evans. Como siempre siguen Reid Anderson y Dave King. Toda la información y derechos: http://www.elclubdejazz.com

This episode Seth and Rob take a phone call from Reid Anderson of The Bad Plus, and topics discussed include some of the band’s adventurous releases, working with Josh Redman and Bill Frisell, the differences between European and US audiences and his band mate Ethan Iverson’s famous blog. Then Jojo Hermann of Widespread Panic comes in and lets our listeners know about his new band Slim Wednesday and the recent recording they did in Atlanta. JoJo also takes us back to New York in the 80s, where he would initially cut his teeth as a musician. But we also learn why he chose to move to Mississippi and how that in turn led him to finding his way into Widespread Panic - and he shares some stories from his years with those icons of jam. Then we get a small window into a poolside chat conducted by Weiner’s alter-ego LL PoolJ. He chats with Deer Tick about a few things including their next (planned to be a double) album, the sense of community among their peer bands and bonding excretory experiences. See acast.com/privacy for privacy and opt-out information.

L'animatrice invitée Isabelle Brisebois s'entretient avec Eric Gauthier, fondateur, chorégraphe et directeur artistique de la dynamique et florissante compagnie Gauthier Dance//Dance Company Theaterhaus Stuttgart. Natif de Montréal, Eric entre à l'École supérieure de ballet à neuf ans, poursuit ses études au Canada's National Ballet School, et intègre le National Ballet of Canada à 17 ans. En 1996, il suit son directeur artistique et mentor Reid Anderson au Ballet de Stuttgart où il y interprète les plus beaux rôles de la danse classique et moderne. En 2007, il fonde sa compagnie qui a comme mission de présenter le côté joyeux de la danse contemporaine. Eric nous parle de son parcours, de son processus de création, du dialogue qu'il a avec son public ainsi qu'avec ceux qui n'ont pas accès à la danse, du festival international de danse COLOURS qu'il a conçu, et de sa carrière de chanteur.

El guitarrista Antonio Bravo y el zanfonista Germán Díaz, la Brigada Bravo & Díaz, vuelve con "Músicas populares de la Gran Guerra", disco sucesor del que 8 años atrás les hizo afrontar el repertorio de canciones de la Guerra Civil Española. En esta edición de 'Club de Jazz' del 27 de octubre de 2016, conversación con ambos. Además, Ferran Esteve nos presenta "It's hard', último trabajo del The Bad Plus, el trío formado por Reid Anderson (cb), Ethan Iverson (p) y David King (bt). Toda la información y derechos: http://www.elclubdejazz.com

El guitarrista Antonio Bravo y el zanfonista Germán Díaz, la Brigada Bravo & Díaz, vuelve con "Músicas populares de la Gran Guerra", disco sucesor del que 8 años atrás les hizo afrontar el repertorio de canciones de la Guerra Civil Española. En esta edición de 'Club de Jazz' del 27 de octubre de 2016, conversación con ambos. Además, Ferran Esteve nos presenta "It's hard', último trabajo del The Bad Plus, el trío formado por Reid Anderson (cb), Ethan Iverson (p) y David King (bt). Toda la información y derechos: http://www.elclubdejazz.com

Wolfpack Podcast Episode3: Dustin G and Reid Anderson. Belches, beers, and Faces Turned Ashen the Band. In this episode we sit down and talk with our guests about how they each fell in love with music and their individual journeys with becoming the musicians they are today. Also discussed are the issues surounding the local music scene as well as the many great things about being a musician in Iowa. But before all that in our pre show jibber jabber: (I'll add this once we record.) Look for Faces Turned Ashen on this year's Wolfpack Summer Jam and also a new record by the group as well as a new music video in the coming months! Let us know how we're doing! Tell us what you think of the show and what you want to hear us talk about. Hit us up on Twitter. @SeanPrior237 and @AjayVens

Bill McHenry has played with some of the biggest names in jazz and he and his contemporaries are changing the face of modern music. We catch up with Bill this week to talk about how he got started, playing with John McNeil and Paul Motian, and some of the things he has done to develop one of the most recognizable sounds on the saxophone today. If you don't know Bill's work, he lives in New York, Barcelona, and Maine.  He has made 7 recordings as a leader,  and is known for his work with Andrew Cyrille, Paul Motian, Eric Revis, Guillermo Klein, Andrew D’Angelo, Reid Anderson, Orrin Evans, John McNeil, Ben Waltzer, Rebecca Martin, Duane Eubanks, Jamie Saft, and Ethan Iverson.   I really enjoyed our conversation, Bill is a generous, funny, and deep guy who has many good things to say. You can't help but learn a ton from this interview and I hope everyone enjoys this interview featuring the great, Bill McHenry! Show Notes: Visit Bill McHenry's Website HERE. Check out Bill's music on iTunes Visit The Inside The Saxophone Mind Website Consider donating to the show if you like what we are doing here!  

The Totral Tutor Neil Haley will interview Marianne Reid Anderson.  

When harpsichordist Johann Gottlieb Goldberg asked Bach to write pieces for him to play to help a Saxon count get to sleep at night he could hardly have realized that he was playing a key role in creating music that would inspire audiences and musicians for centuries. Not only are the Goldberg Variations among the most frequently performed works today, they also continue to inspire composers to write new variations on the famous themes. We'll feature an incredible array of these this week on Relevant Tones. Hosted by Seth Boustead Produced by Jesse McQuarters Dan Tepfer: Improvisation 1 & Variation 1 Dan Tepfer, piano Uri Caine: The Introitus Variation Kettwiger Bach Ensemble; David Moss, vocals J.S. Bach: Aria fr. Goldberg Variations Jeremy Denk, piano Misha Zupko: Ghost Variation Lara Downes, piano Jennifer Higdon: Gilmore Variation Lara Downes, piano Derek Bermel: Kontraphunktus Lara Downes, piano Karlheinz Essl: Fantasia Chromatica fr. Gold.berg.werk for instruments and electronics Christina Neubauer, violin; Martin Kraushofer, viola; Eva Landkammer, cello Gabriela Montero: Improvisation on the Aria fr. Bach's Goldberg Variations Gabriela Montero, piano Uri Caine: Variation 9 (Canon at the Third) Ralph Alesi, trumpet; Don Byron, clarinet; Uri Caine, piano; Reid Anderson, bass Uri Caine: Variation 10 (Fughetta) Kettwiger Bach Ensemble; David Moss, vocals J.S. Bach: Aria fr. Goldberg Variations (excerpt) Lara Downes, piano Bright Sheng: Variation Fugato Lara Downes, piano

Reid Anderson

Reid Anderson

Reid Anderson

Reid Anderson

Reid Anderson

Reid Anderson

Reid Anderson

Reid Anderson

Extraction! Chris Girouard of Girouard Vines, which produces Tulsa Deco Wines (www.TulsaWine.com), gave me a tour of his facilities and told me all about his father's 45 years of work producing a new grape variety, and his work in making that grape into wine. You don't want to miss this. Mark Brown of ArgentFork (www.ArgentFork.com) and Brian Franklin of DoubleShot Coffee Company (www.DoubleShotCoffee.com) weigh in on the parallels with coffee and try to understand the complexities of extraction. Special thanks to Matt Sanders of Vintage 1740 (www.Vintage1740.com) for his cocktail expertise and to Reid Anderson (www.custommade.com/by/reid-eric-anderson) for sharing his experience in Panama.

Reid Anderson

Reid Anderson

Reid Anderson

Reid Anderson

The Bad Plus is an accoustic trio with Ethan Iverson on piano, Reid Anderson on bass and David King on drums. They all compose and they move in their own direction. In other words they are not your "standard' Jazz piano trio. They have carved out an niche for themselves through their original compositions and compositions by people outside the Jazz spectrum like Davis Bowie, Kurt Cobain etc. They also play the odd standard tune as well but with their own imprint. They are all virtuoso musicians and represent the best definition of Jazz: the sound of surprise.