character in The Taming of the Shrew
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7 episodes with Petruchio
4 episodes with Petruchio
7 episodes with Petruchio
8 episodes with Petruchio
2 episodes with Petruchio
8 episodes with Petruchio
4 episodes with Petruchio
2 episodes with Petruchio
5 episodes with Petruchio
KISS ME, KATE | Music & Lyrics by Cole Porter | Book by Sam & Bella SpewackWorks Consulted & Reference :Kiss Me, Kate (Original Libretto) by Sam Spewack, Bella Spewack & Cole PorterKiss Me Kate (Revised 1999 Libretto) by Sam Spewack, Bella Spewack & Cole PorterCole Porter: A Biography by Charles SchwartzCole Porter by William McBrienBeautiful Mornin': The Broadway Musical in the 1940s by Ethan MorddenMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"So in Love" from Kiss Me, Kate (Broadway Cast Recording) | Music & Lyrics by Cole Porter | Performed by Marin Mazzie"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"Pick-a-Little-Talk-a-Little" from The Music Man (Original Broadway Cast) | Music & Lyrics by Meredith Willson | Performed by Adnia Rice, Peggy Mondo, Elaine Swann, Helen Raymond, Robert Flynn, The Buffalo Bills, Robert Preston"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
Works ReferencedWilliam Shakespeare - Taming of the Shrew, Act IV, Scene 1, the character Petruchio says:“This is the way to kill a wife with kindness; And thus I'll curb her mad and headstrong humour.”Spurgeon, Charles Haddon. The Kindness of God Leading to Repentance. Commentary on Romans 2:4. In The New Park Street Pulpit, Vol. 6. London: Passmore & Alabaster, 1860.The kindness of God leads us to repentance. It is not the thunder that softens, but the sun. It is not the law that melts, but the love.Adam Grant on KindnessOne of the most reliable ways to improve our mental health is to help others. After being randomly assigned to do just 3 acts of kindness a week, people felt significantly less depressed, anxious, and lonely. Lifting others up elevates us too. Giving shows us that we matter.https://x.com/adammgrant/status/1871601199910420591?s=61&t=I4ij8eKOHUgedR_RITMhXwScripture ReferencedRomans 12:19-21[19] Beloved, never avenge yourselves, but leave it to the wrath of God, for it is written, “Vengeance is mine, I will repay, says the Lord.” [20] To the contrary, “if your enemy is hungry, feed him; if he is thirsty, give him something to drink; for by so doing you will heap burning coals on his head.” [21] Do not be overcome by evil, but overcome evil with good.Matthew 7:12 “So whatever you wish that others would do to you, do also to them, for this is the Law and the Prophets. God is KindRomans 11:22[22] Note then the kindness and the severity of God: severity toward those who have fallen, but God's kindness to you, provided you continue in his kindness. Otherwise you too will be cut off.Love demonstrated! God is Kind to Us in the GospelEphesians 2:7-10[7] so that in the coming ages he might show the immeasurable riches of his grace in kindness toward us in Christ Jesus. [8] For by grace you have been saved through faith. And this is not your own doing; it is the gift of God, [9] not a result of works, so that no one may boast. [10] For we are his workmanship, created in Christ Jesus for good works, which God prepared beforehand, that we should walk in them.Titus 3:4-7[4] But when the goodness and loving kindness of God our Savior appeared, [5] he saved us, not because of works done by us in righteousness, but according to his own mercy, by the washing of regeneration and renewal of the Holy Spirit, [6] whom he poured out on us richly through Jesus Christ our Savior, [7] so that being justified by his grace we might become heirs according to the hope of eternal life.Romans 2:4[4] Or do you presume on the riches of his kindness and forbearance and patience, not knowing that God's kindness is meant to lead you to repentance?Go and Do Likewise Luke 6:35-36[35] But love your enemies, and do good, and lend, expecting nothing in return, and your reward will be great, and you will be sons of the Most High, for he is kind to the ungrateful and the evil. [36] Be merciful, even as your Father is merciful.Philippians 4:14[14] Yet it was kind of you to share my trouble.Acts 28:1-2 - Paul on Malta[1] After we were brought safely through, we then learned that the island was called Malta. [2] The native people showed us unusual kindness, for they kindled a fire and welcomed us all, because it had begun to rain and was cold.We Become More Like Jesus Galatians 5:22-23[22] But the fruit of the Spirit is love, joy, peace, patience, kindness, goodness, faithfulness, [23] gentleness, self-control; against such things there is no law.1 Corinthians 13:4-7[4] Love is patient and kind; love does not envy or boast; it is not arrogant [5] or rude. It does not insist on its own way; it is not irritable or resentful; [6] it does not rejoice at wrongdoing, but rejoices with the truth. [7] Love bears all things, believes all things, hopes all things, endures all things.2 Timothy 2:24-25[24] And the Lord's servant must not be quarrelsome but kind to everyone, able to teach, patiently enduring evil, [25] correcting his opponents with gentleness. God may perhaps grant them repentance leading to a knowledge of the truth,
“I like them better in Shrew!” Allen Gilmore and Susannah Rogers compare notes on playing Kate and Petruchio in “The Taming of the Shrew” and “Shrew!” Plus, what the word obey really means in a relationship between equals, where Kate's inner volcano really comes from, finding agency as an artist, the importance of humor in a rehearsal room, and the not-so-blind date these two plan to go on after working on two productions together without ever meeting in person. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Book Vs. Movie: 10 Things I Hate About YouThe Taming of the Shrew & the 1999 Heath Ledger Film10 Things I Hate About You (1999) is a modern adaptation of William Shakespeare's The Taming of the Shrew, reimagining the story in a high school setting. In both works, the plot revolves around two sisters—one desirable and another perceived as problematic. In The Taming of the Shrew, the younger, more attractive Bianca cannot marry until her older, strong-willed sister, Katherina, finds a husband. Similarly, in 10 Things I Hate About You, Bianca Stratford can only date if her rebellious, sharp-tongued sister, Kat, does too. The character of Petruchio in Shakespeare's play, who is hired to "tame" Katherina and make her marriageable, is mirrored in Patrick Verona (Heath Ledger), who is paid to date Kat (Julia Stiles) so that Bianca can start dating.Despite the initial financial motivation, Petruchio and Patrick develop genuine feelings for their partners. While The Taming of the Shrew ends with Katherina seemingly submitting to societal expectations, 10 Things I Hate About You gives Kat more agency. She remains independent but opens up to love, showing a more modern and feminist take on Shakespeare's story. Between the play & the film--which did we prefer? Listen to find out! In this ep, the Margos discuss:The teen comedies of the late 1990s The work of Heath LedgerThe differences between the play and movieThe cast includes Julia Stiles (Kat), Heath Ledger (Patrick Verona), Joseph Gordon-Levitt (Cameron James), Larisa Oleynik (Bianca), Larry Miller (Walter Stratford), Andrew Keegan (Joey Donner), David Krumholtz (Michael Eckman), Daryl “Chill” Mitchell (Mr. Morgan), Susan May Pratt (Mandella), Alison Janey (Ms. Perky), David Leisure (Mr. Chapin), Gabriele Union (Chastity Church), Letters to Cleo, and Save Ferris. Clips Featured:“Hey there, Girlie!”10 Things I Hate About You (1999 trailer)“You see that girl?”“Rock bar scene”“Kat dances”“Can't Take My Eyes Off of You”“The poem scene”“Bianca beat down scene.”Music: Letters to Cleo; I Want You to Want Me Follow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Lucentio and Bianca hurry to meet the priest Biondello bribed to perform the marriage. Gremio greets Petruchio, Katherine, Grumio and the real Vincentio at Lucentio's house, where they are met by the Merchant, who insists that he's Lucentio's father. Vincentio challenges him and chaos ensues as Tranio tries desperately to keep up the ruse. The newlyweds finally arrive and seeing no way out, they confess their gambit and beg forgiveness from their fathers. Once all is sorted out, Katherine confronts her father and forces him to reckon with his poor treatment of her. Later, the three newlywed couples (Katherine and Petruchio, Lucentio and Bianca, and Hortension and “The Widow”) celebrate their unions. Bianca and Lucentio are already off to a rocky start as they squabble over how much she's allowed to eat. Hortensio realizes he may not live long as the widow's fourth husband. Only Petruchio and Katherine seem to be partners in marriage, and when put to the test, Katherine finds new words to describe the meaning of true love. The PLAY ON PODCAST SERIES, “SHREW!”, was written by AMY FREED and directed by ART MANKE. Radio play by CATHERINE EATON. The cast is as follows: SUSANNAH ROGERS as KATHERINE MINOLA and THE WOMAN WRITER ALLEN GILMORE as PETRUCHIO ANNIE ABRAMS as BIANCA MINOLA MARTIN KILDARE as BAPTISTA MINOLA BRETT RYBACK as LUCENTIO KYLE T. HESTER as TRANIO MIKE McSHANE as GREMIO J. PAUL BOEHMER as HORTENSIO and THE MERCHANT DANNY SCHEIE as GRUMIO KASEY MAHAFFY as BIONDELLO and DORCAS STEPHEN CAFFREY as VINCENTIO, THE PRIEST, AND A SERVANT TESSA AUBERJONOIS as THE WIDOW and MISTRESS SLAPBOTTOM Casting by THE TELSEY OFFICE: KARYN CASL, CSA. This podcast was recorded under a SAG-AFTRA AGREEMENT. Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Play On Podcast Series “SHREW!” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTER PODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to Play On Podcasts dot com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Better now than never, and never too late!”. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Book Vs. Movie: 10 Things I Hate About YouThe Taming of the Shrew & the 1999 Heath Ledger Film10 Things I Hate About You (1999) is a modern adaptation of William Shakespeare's The Taming of the Shrew, reimagining the story in a high school setting. In both works, the plot revolves around two sisters—one desirable and another perceived as problematic. In The Taming of the Shrew, the younger, more attractive Bianca cannot marry until her older, strong-willed sister, Katherina, finds a husband. Similarly, in 10 Things I Hate About You, Bianca Stratford can only date if her rebellious, sharp-tongued sister, Kat, does too. The character of Petruchio in Shakespeare's play, who is hired to "tame" Katherina and make her marriageable, is mirrored in Patrick Verona (Heath Ledger), who is paid to date Kat (Julia Stiles) so that Bianca can start dating.Despite the initial financial motivation, Petruchio and Patrick develop genuine feelings for their partners. While The Taming of the Shrew ends with Katherina seemingly submitting to societal expectations, 10 Things I Hate About You gives Kat more agency. She remains independent but opens up to love, showing a more modern and feminist take on Shakespeare's story. Between the play & the film--which did we prefer? Listen to find out! In this ep, the Margos discuss:The teen comedies of the late 1990s The work of Heath LedgerThe differences between the play and movieThe cast includes Julia Stiles (Kat), Heath Ledger (Patrick Verona), Joseph Gordon-Levitt (Cameron James), Larisa Oleynik (Bianca), Larry Miller (Walter Stratford), Andrew Keegan (Joey Donner), David Krumholtz (Michael Eckman), Daryl “Chill” Mitchell (Mr. Morgan), Susan May Pratt (Mandella), Alison Janey (Ms. Perky), David Leisure (Mr. Chapin), Gabriele Union (Chastity Church), Letters to Cleo, and Save Ferris. Clips Featured:“Hey there, Girlie!”10 Things I Hate About You (1999 trailer)“You see that girl?”“Rock bar scene”“Kat dances”“Can't Take My Eyes Off of You”“The poem scene”“Bianca beat down scene.”Music: Letters to Cleo; I Want You to Want Me Follow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Seeing he has no chance against Lucentio (AKA “Cambio”), Hortensio drops his “Licio” disguise and swears off women. Biondello, meanwhile, has found an old merchant who will pretend to be Lucentio's father, Vincenzio, so that Lucentio can marry Bianca without getting his real father's permission. Meanwhile, Katherine wakes in the comfort of Petruchio's home and is further smitten as he describes the goings-on at his farm. Later, Baptista gets all rights to Vinzentio's property from the man he thinks is Lucentio's father but is really the old and very agreeable merchant. Hortensio goes to Petrucio's house and is greeted by Grumio. As they rush to attend Bianca's hasty marriage they're interrupted by the arrival of an old gentleman who's lost his way trying to find his son. It doesn't take long for everyone to realize the gentleman is none other than Vincenzio, Lucentio's real father. Incensed to learn that his son is being married without his consent, he joins Petruchio, Katherine, Grumio and Hortensio on their way to the wedding. The PLAY ON PODCAST SERIES, “SHREW!”, was written by AMY FREED and directed by ART MANKE. Radio play by CATHERINE EATON. The cast is as follows: SUSANNAH ROGERS as KATHERINE MINOLA and THE WOMAN WRITER ALLEN GILMORE as PETRUCHIO ANNIE ABRAMS as BIANCA MINOLA MARTIN KILDARE as BAPTISTA MINOLA BRETT RYBACK as LUCENTIO KYLE T. HESTER as TRANIO MIKE McSHANE as GREMIO J. PAUL BOEHMER as HORTENSIO and THE MERCHANT DANNY SCHEIE as GRUMIO KASEY MAHAFFY as BIONDELLO and DORCAS STEPHEN CAFFREY as VINCENTIO, THE PRIEST, AND A SERVANT TESSA AUBERJONOIS as THE WIDOW and MISTRESS SLAPBOTTOM Casting by THE TELSEY OFFICE: KARYN CASL, CSA. This podcast was recorded under a SAG-AFTRA AGREEMENT. Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Play On Podcast Series “SHREW!” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTER PODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to Play On Podcasts dot com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Better now than never, and never too late!”. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Katherine reluctantly goes to church to be married, only to learn through an elaborate pantomime performed by Grumio and Biondello that Petruchio is running late. Finally, a drunk priest arrives with Petruchio, who is dressed as a gondolier. They make a mockery of the wedding but a humiliated Katherine is nonetheless sent off with her new husband by her clueless father, who reminisces fondly about young love. The newlyweds eventually arrive at Petruchio's frigid home in the pouring rain, where he tells her that he lives selflessly in poverty with seven penitents who share his bed and follow elaborate rituals before eating. Katherine nearly goes mad with hunger as Petruchio demands that they follow every step of the ritual before dining on the food delivered by the kitchen mistress, Dorcas. At last, Katherine realizes it's all a joke and she devours her food with joy and laughter. Once sated, she tells Petruchio she's going upstairs to get ready to lose her virginity to him, but Petruchio tells her he has no intention of making love to her until she is well rested and truly wants to be with him. It only makes Katherine more attracted to him, but Petruchio insists that she get a good night's sleep as he privately confesses to feeling the rekindling of his long dormant passion. The PLAY ON PODCAST SERIES, “SHREW!”, was written by AMY FREED and directed by ART MANKE. Radio play by CATHERINE EATON. The cast is as follows: SUSANNAH ROGERS as KATHERINE MINOLA and THE WOMAN WRITER ALLEN GILMORE as PETRUCHIO ANNIE ABRAMS as BIANCA MINOLA MARTIN KILDARE as BAPTISTA MINOLA BRETT RYBACK as LUCENTIO KYLE T. HESTER as TRANIO MIKE McSHANE as GREMIO J. PAUL BOEHMER as HORTENSIO and THE MERCHANT DANNY SCHEIE as GRUMIO KASEY MAHAFFY as BIONDELLO and DORCAS STEPHEN CAFFREY as VINCENTIO, THE PRIEST, AND A SERVANT TESSA AUBERJONOIS as THE WIDOW and MISTRESS SLAPBOTTOM Casting by THE TELSEY OFFICE: KARYN CASL, CSA. This podcast was recorded under a SAG-AFTRA AGREEMENT. Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Play On Podcast Series “SHREW!” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTER PODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to Play On Podcasts dot com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Better now than never, and never too late!”. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Petruchio negotiates with Baptista for Katherine's hand until Licio emerges from his tutoring session bruised and battered. It only strengthens Petruchio's resolve to woo Katherine and when she arrives, the two engage in a spirited match of wits. Katherine reluctantly agrees to go with Petruchio when he tells her that her father has agreed to marry her off to him. Gremio and Tranio (as Lucentio) immediately try to out-do each other in their bid for Bianca's hand, with Baptista as auctioneer. Tranio wins the contest and is promised Bianca's hand in marriage provided his father (Vincentio the tomato king) comes to the wedding in person. Tranio privately conspires to find a look-alike to pretend to be Vincentio. Meanwhile, Hortensio (still pretending to be Licio the Banjo Tutor) tries to woo Bianca with his instrument until Lucentio (as Cambio the Latin Tutor) interrupts and sends him away. He confesses his love to Bianca, who secretly invites him to her chamber after lunch. Hortensio returns and tries again with Bianca, failing miserably. The PLAY ON PODCAST SERIES, “SHREW!”, was written by AMY FREED and directed by ART MANKE. Radio play by CATHERINE EATON. The cast is as follows: SUSANNAH ROGERS as KATHERINE MINOLA and THE WOMAN WRITER ALLEN GILMORE as PETRUCHIO ANNIE ABRAMS as BIANCA MINOLA MARTIN KILDARE as BAPTISTA MINOLA BRETT RYBACK as LUCENTIO KYLE T. HESTER as TRANIO MIKE McSHANE as GREMIO J. PAUL BOEHMER as HORTENSIO and THE MERCHANT DANNY SCHEIE as GRUMIO KASEY MAHAFFY as BIONDELLO and DORCAS STEPHEN CAFFREY as VINCENTIO, THE PRIEST, AND A SERVANT TESSA AUBERJONOIS as THE WIDOW and MISTRESS SLAPBOTTOM Casting by THE TELSEY OFFICE: KARYN CASL, CSA. This podcast was recorded under a SAG-AFTRA AGREEMENT. Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Play On Podcast Series “SHREW!” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTER PODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to Play On Podcasts dot com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Better now than never, and never too late!”. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Petruchio tells Hortensio he's come to Padua to find a partner to give him renewed life after grieving the loss of his first wife. Hortensio tells him about Baptista's daughter, Katherine, but warns him that she's quite the shrew. Petruchio realizes he knows her father and is not put off. Hortensio agrees to provide an introduction if, in exchange, Petruchio presents him to Signior Baptista as a tutor for the object of his affection: Bianca. As they agree to the deal, Grumio announces the arrival of two other rivals vying for Bianca: Gremio and Lucentio, now disguised as Cambio. Hortensio introduces them to Petruchio and tells them of his intentions with Katherine, who once coupled will make Bianca available for marriage. Meanwhile, Katherine laments her isolation in her chamber at Baptista's house. She impulsively frees her sister's canaries from their cage to find the freedom she craves. When Bianca enters and sees what Katherine's done, the two fight savagely until Signor Baptista arrives to break it up. He sends Bianca away and scolds Katherine, lamenting his struggles as a single father until he hears the arrival of Gremio, Grumio, Tranio (as Lucentio), Lucentio (as Cambio), Hortensio (as Licio) and Petruchio. Petruchio tells Baptista of his lineage and his desire to woo Katherine. Baptista says she'll never agree but Petruchio persists, introducing Hortensio (as “Licio”), who he says will make inroads as her banjo tutor. The others go to great lengths to outdo each other as they compete for Bianca. Gremio presents a Latin tutor (Lucentio-as-Cambio) and Tranio-as-Lucentio claims to be the son of Vincentio, “the Tomato King”. Baptista welcomes them all to his house and wishes them luck with his daughters. The PLAY ON PODCAST SERIES, “SHREW!”, was written by AMY FREED and directed by ART MANKE. Radio play by CATHERINE EATON. The cast is as follows: SUSANNAH ROGERS as KATHERINE MINOLA and THE WOMAN WRITER ALLEN GILMORE as PETRUCHIO ANNIE ABRAMS as BIANCA MINOLA MARTIN KILDARE as BAPTISTA MINOLA BRETT RYBACK as LUCENTIO KYLE T. HESTER as TRANIO MIKE McSHANE as GREMIO J. PAUL BOEHMER as HORTENSIO and THE MERCHANT DANNY SCHEIE as GRUMIO KASEY MAHAFFY as BIONDELLO and DORCAS STEPHEN CAFFREY as VINCENTIO, THE PRIEST, AND A SERVANT TESSA AUBERJONOIS as THE WIDOW and MISTRESS SLAPBOTTOM Casting by THE TELSEY OFFICE: KARYN CASL, CSA. This podcast was recorded under a SAG-AFTRA AGREEMENT. Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Play On Podcast Series “SHREW!” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTER PODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to Play On Podcasts dot com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Better now than never, and never too late!”. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Mistress Slapbottom clears the pub of all its rowdy revelers, leaving her alone with a woman who laments being tasked with ghost writing a sexist play about the taming of a shrew. She begins a page one rewrite, making the female protagonist, Katherine, a woman who loves learning and cannot stand being cooped up by the men who try to control her. We meet Lucentio and Tranio, who are visiting Padua. Strolling through the university, Lucentio is immediately smitten by Katherine's sister, Bianca, an airhead who loves being in a man's world. He conspires with Tranio to disguise himself as a tutor in order to gain access to Bianca by way of instruction. Meanwhile, Petruchio arrives in town with his trusty servant, Grumio, to visit his friends. They are greeted by Petruchio's old pal, Hortensio. The PLAY ON PODCAST SERIES, “SHREW!”, was written by AMY FREED and directed by ART MANKE. Radio play by CATHERINE EATON. The cast is as follows: SUSANNAH ROGERS as KATHERINE MINOLA and THE WOMAN WRITER ALLEN GILMORE as PETRUCHIO ANNIE ABRAMS as BIANCA MINOLA MARTIN KILDARE as BAPTISTA MINOLA BRETT RYBACK as LUCENTIO KYLE T. HESTER as TRANIO MIKE McSHANE as GREMIO J. PAUL BOEHMER as HORTENSIO and THE MERCHANT DANNY SCHEIE as GRUMIO KASEY MAHAFFY as BIONDELLO and DORCAS STEPHEN CAFFREY as VINCENTIO, THE PRIEST, AND A SERVANT TESSA AUBERJONOIS as THE WIDOW and MISTRESS SLAPBOTTOM Casting by THE TELSEY OFFICE: KARYN CASL, CSA. This podcast was recorded under a SAG-AFTRA AGREEMENT. Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Play On Podcast Series “SHREW!” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTER PODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to Play On Podcasts dot com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Better now than never, and never too late!”. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Shakespeare's works are renowned around the world as some of the best ever written, so how should we feel about what just might be his worst play? In episode 336, join Luke Elliott & James Bailey as they try to find hidden meanings in the array of identity-swapping games being played by the characters, analyze a framing device that seems to go nowhere, unite in their hatred of the terrible Petruchio, and prepare for the modern retelling to come with “10 Things I Hate About You.” Full Video version available on YouTube https://bit.ly/3Xdjc1n Support the show on Patreon for bonus content (including the 1922 Nosferatu), merch, and the ability to vote on upcoming projects: https://www.patreon.com/inktofilm Get The Taming of the Shrew or any of the source novels at the Ink to Film Bookshop: https://bookshop.org/shop/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Luke Elliott Recent publications: “Your Black Apron Meal Kit Has Arrived” in the Even Cozier Cosmic anthology https://bookshop.org/a/23566/9781630230975 “Beyond Heaven” in the Beyond the Vanishing Point anthology: https://a.co/d/cTwnwz7 Website: www.lukeelliottauthor.com Social Media Accounts: www.lukeelliottauthor.com/social James Bailey Twitter: https://twitter.com/Jame_Bail IG: https://www.instagram.com/jamebail/ Music: Can't Take My Eyes Off You – Craymer, AIIVAWN: https://youtu.be/Rx4R8XDpMM0?si=O8QrJN1d5Eujg9Tx
The Taming of the Shrew is one of Shakespeare's earliest comedies, and was inspired by classical Roman comedy and the Italian commedia dell'arte. Baptista Minola, a rich gentleman of Padua, has two daughters: Katherina, renowned for her sharp tongue, and Bianca, who is sought after by multiple suitors. Baptista decides that Bianca cannot marry until her elder sister finds a husband. Enter Petruchio, who has come to "wive it wealthily in Padua," and who is convinced by Bianca's suitors to woo Katherina. The play ultimately poses the question of who is the bigger shrew: Kate or Petruchio. The subplot involves the subterfuge employed by Lucentio to woo the lovely Bianca.This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
The Taming of the Shrew is one of Shakespeare's earliest comedies, and was inspired by classical Roman comedy and the Italian commedia dell'arte. Baptista Minola, a rich gentleman of Padua, has two daughters: Katherina, renowned for her sharp tongue, and Bianca, who is sought after by multiple suitors. Baptista decides that Bianca cannot marry until her elder sister finds a husband. Enter Petruchio, who has come to "wive it wealthily in Padua," and who is convinced by Bianca's suitors to woo Katherina. The play ultimately poses the question of who is the bigger shrew: Kate or Petruchio. The subplot involves the subterfuge employed by Lucentio to woo the lovely Bianca.This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Greetings Recapsters! Kate and Sheila dive into the Shakespearean comedy, The Taming of the Shrew. Kate is the older sister that is as easy to get along with as a mama bear robbed of her cubs. Her sister, Bianca, draws suitors like bees to flowers. Here's the rub, their father forbids Bianca to wed until Kate is married. No one is up for this arduous task until Petruchio comes on the scene. He has come to Padua ‘to wive and thrive' and Kate suits his liking, however, she resists so forcefully he calls her a wasp to which she replies, “If I be waspish, best beware my sting.” How will Petruchio tame Kate? He shows up to their wedding very late wearing rags riding a nag. “He has some meaning in his mad attire.” Why was he late? What's with his clownish clothes? Maybe, absence made Kate's heart grow fonder and when he finally arrived she was thrilled that he wasn't a no show. When asked about his clothes, Petruchio replied, “To me she's married, not unto my clothes.” Then he whisks Kate away before their reception. Have you ever heard the phrase, ‘kill them with kindness'? He deprives Kate of food because it's not good enough for her. Along with a new dress and the bed which were also not suitable for his new bride. As her ‘taming' continues readers can see Kate slowly beginning to change into a better version of herself. Some say Shakespeare crossed the line here. That he is a hater of women but we beg to differ. He's using humor and wit to show something very daring for the 1590s. Are you up for a bit of comedic culture? “...There's small choice in rotten apples.” He is a wordsmith indeed, who but Shakespeare could make accident sound poetic…”'twas a fault unwilling.” The Taming of the Shrew: Act I - The Play's the Thing | Acast Love Better: Untamed Love on Apple Podcasts
Biondello tells Bianca and Lucentio that he's arranged for a priest to perform their marriage and sends them on their way as Gremio approaches. Petruchio, Kate and Vincentio arrive at Baptista's house and are greeted by the Pedant who (much to the real Vincentio's consternation) claims to be Lucentio's father. Biondello returns from the hasty marriage to find both the real and fake Vincentio with Baptista and is forced to pretend the Pedant is his master. As Vincentio berates Biondello for pretending not to know him, Tranio returns and tries to continue the ruse, claiming the Pedant is his father. Chaos ensues until Lucentio returns with Bianca. With no way out, Lucentio confesses all to his father. Vincentio, overjoyed to see his son alive, forgives him. Baptista accepts the marriage. Gremio accepts he's been beaten and joins the group for a free meal at Baptista's. Kate and Petruchio revel in their newfound love. After dinner, Petruchio challenges all the newly married men to see whose wife respects her husband the most. In the end, it's Kate who helps her husband win, ending the series with a speech about a woman's responsibility to her husband. The PLAY ON PODCAST SERIES, “THE TAMING OF THE SHREW”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by ART MANKE. Radio play by AMY FREED and LEANNA KEYES. The cast is as follows: SUSANNAH ROGERS as KATHERINA ALLEN GILMORE as PETRUCHIO ANNIE ABRAMS as BIANCA MIKE McSHANE as BAPTISTA TOM PATTERSON as LUCENTIO KYLE T. HESTER as TRANIO DANNY SCHEIE as GREMIO and CURTIS J. PAUL BOEHMER as HORTENSIO and PEDANT ROB NAGLE as GRUMIO and VINCENTIO KASEY MAHAFFY as BIONDELLO and TAILOR TESSA AUBERJONOIS as WIDOW and HABERDASHER Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Play On Podcast Series “THE TAMING OF THE SHREW” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “A woman may be made a fool if she has not the spirit to resist”. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Grumio taunts Katherine (as instructed by his master) until Petruchio and Hortensio arrive for dinner. Petruchio rushes Kate through her meal before welcoming a tailor and haberdasher who have made exquisite clothing for Katherine. Petruchio rejects all their offerings over Katherine's objections, but she begins to catch on to his strategy, realizing that she must play along with everything Petruchio does and be “agreeable” in order to get what she wants. Meanwhile, Biondello has primed Baptista for a visit from Tranio (disguised as Lucentio) and the Pedant (disguised as Lucentio's father, Vincentio). Baptista welcomes them and seals the deal for Lucentio to marry his daughter. On the road back to Baptista's home, Kate and Petruchio keep up their game of opposites until they are met by an old man who is making his way to Padua. He introduces himself as Lucentio's father (the real Vincentio). Petruchio embraces him as family, telling him that his son has just married the sister of his wife. The PLAY ON PODCAST SERIES, “THE TAMING OF THE SHREW”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by ART MANKE. Radio play by AMY FREED and LEANNA KEYES. The cast is as follows: SUSANNAH ROGERS as KATHERINA ALLEN GILMORE as PETRUCHIO ANNIE ABRAMS as BIANCA MIKE McSHANE as BAPTISTA TOM PATTERSON as LUCENTIO KYLE T. HESTER as TRANIO DANNY SCHEIE as GREMIO and CURTIS J. PAUL BOEHMER as HORTENSIO and PEDANT ROB NAGLE as GRUMIO and VINCENTIO KASEY MAHAFFY as BIONDELLO and TAILOR TESSA AUBERJONOIS as WIDOW and HABERDASHER Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Play On Podcast Series “THE TAMING OF THE SHREW” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “A woman may be made a fool if she has not the spirit to resist”. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Grumio reaches Petruchio's house ahead of the newlyweds and prepares the servants for their arrival. But nothing could brace them against Petruchio's abuse. He rejects the meals they've made and treats them so poorly that Kate implores him to be more patient. Petruchio insists they go straight to bed, where he lectures her on the virtues of abstinence. Meanwhile, as Tranio keeps up his Lucentio impersonation, Hortensio drops his “Litio '' persona and laments Bianca's affection for Cambio (the real Lucentio). Together, they renounce Bianca and Hortensio declares that he'll seek the affections of a wealthy widow. Free of Hortensio, Tranio celebrates with Bianca and Lucentio until Biondello arrives with the news that he's found a drunk Pedant who will be the perfect person to impersonate Luentio's father, Vincenzio. Tranio and Lucentio work up a plan to fool the Pedant into believing he's in danger in Padua because he's from Mantua but that he'll be safe if he pretends to be Lucentio's father. The PLAY ON PODCAST SERIES, “THE TAMING OF THE SHREW”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by ART MANKE. Radio play by AMY FREED and LEANNA KEYES. The cast is as follows: SUSANNAH ROGERS as KATHERINA ALLEN GILMORE as PETRUCHIO ANNIE ABRAMS as BIANCA MIKE McSHANE as BAPTISTA TOM PATTERSON as LUCENTIO KYLE T. HESTER as TRANIO DANNY SCHEIE as GREMIO and CURTIS J. PAUL BOEHMER as HORTENSIO and PEDANT ROB NAGLE as GRUMIO and VINCENTIO KASEY MAHAFFY as BIONDELLO and TAILOR TESSA AUBERJONOIS as WIDOW and HABERDASHER Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Play On Podcast Series “THE TAMING OF THE SHREW” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “A woman may be made a fool if she has not the spirit to resist”. Learn more about your ad choices. Visit podcastchoices.com/adchoices
The guests assemble for the wedding but the groom is nowhere to be found. Katherina frets with her father until Biondello arrives with word that Petruchio is on his way. The groom arrives, disheveled and drunk, on a shabby horse, with his servant by his side. As the wedding finally gets underway, Tranio tells Lucentio they have to find someone to play the part of his father (Vincentio) in order to convince Baptista that Lucentio is as rich as Tranio promised in Episode Three. Gremio emerges from the church and describes Petruchio's lewd behavior at the altar. Petruchio steps out with his bride and announces that they have to be on their way. Katherina pleads with her husband to stay for the celebration but Petruchio refuses. Incensed, she rails at him, at her father and at all the guests, to no avail. The crowd gets rowdy and clamors for the feast. Petruchio puts Kate on his horse and rides off. Tranio (disguised as Lucentio) steals a moment to woo Bianca and Baptista invites everyone to eat cake. The PLAY ON PODCAST SERIES, “THE TAMING OF THE SHREW”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by ART MANKE. Radio play by AMY FREED and LEANNA KEYES. The cast is as follows: SUSANNAH ROGERS as KATHERINA ALLEN GILMORE as PETRUCHIO ANNIE ABRAMS as BIANCA MIKE McSHANE as BAPTISTA TOM PATTERSON as LUCENTIO KYLE T. HESTER as TRANIO DANNY SCHEIE as GREMIO and CURTIS J. PAUL BOEHMER as HORTENSIO and PEDANT ROB NAGLE as GRUMIO and VINCENTIO KASEY MAHAFFY as BIONDELLO and TAILOR TESSA AUBERJONOIS as WIDOW and HABERDASHER Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Play On Podcast Series “THE TAMING OF THE SHREW” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “A woman may be made a fool if she has not the spirit to resist”. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Kate and Petruchio meet at last! The fireworks are lit and the couple goes head to head until Baptista arrives to check on their progress. Petruchio announces (over Kate's objections) that the two have agreed to marry that Sunday. Baptista celebrates the news and turns his attention to the marriage of his second daughter, Bianca. Gremio and Tranio (disguised as Lucentio) compete to prove who has the most to offer in the way of riches. Tranio outbids Gremio and Baptista promises him his youngest daughter provided Tranio can prove his father has the resources he claims. Once alone, Tranio conspires to find someone who can pretend to be Lucentio's wealthy father. Back in Baptista's house, the real Lucentio “tutors” Bianca in Latin and secretly reveals his true identity. Bianca is receptive to Lucentio's overtures but warns she needs to get to know him before she agrees to marry. Hortensio finishes tuning his lute and takes over from Lucentio to teach Bianca how to read music, whereupon he confesses his love to her. She is not nearly as receptive to this fop, who stews in anger and vows to defeat Lucentio. The PLAY ON PODCAST SERIES, “THE TAMING OF THE SHREW”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by ART MANKE. Radio play by AMY FREED and LEANNA KEYES. The cast is as follows: SUSANNAH ROGERS as KATHERINA ALLEN GILMORE as PETRUCHIO ANNIE ABRAMS as BIANCA MIKE McSHANE as BAPTISTA TOM PATTERSON as LUCENTIO KYLE T. HESTER as TRANIO DANNY SCHEIE as GREMIO and CURTIS J. PAUL BOEHMER as HORTENSIO and PEDANT ROB NAGLE as GRUMIO and VINCENTIO KASEY MAHAFFY as BIONDELLO and TAILOR TESSA AUBERJONOIS as WIDOW and HABERDASHER Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Play On Podcast Series “THE TAMING OF THE SHREW” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “A woman may be made a fool if she has not the spirit to resist”. Learn more about your ad choices. Visit podcastchoices.com/adchoices
A student (and eligible bachelor) named Lucentio arrives in Padua with his servant, Tranio, to study philosophy. As they take in the sights they come across the wealthy Baptista and his two daughters, Bianca and Katherina. Bianca is trailed by two suitors, Hortensio and Gremio, who are vying for her affection. Baptista tells them that neither of them will win Bianca's hand until he marries off his older daughter, Katherina. Meantime, Baptista will keep Bianca at home, seen only by the tutors who he employs to advance her education. Hortensio and Gremio scheme to find a husband for the contrary Katherina. Lucentio, smitten by the beautiful Bianca, hatches a plan with Tranio to gain access to Bianca's house by changing clothes with his servant and posing as a tutor while Tranio pretends to be Lucentio in order to build Lucentio's social profile and entertain his father's guests. When Lucentio's other servant, Biondello, arrives, Lucentio tells him that he and Tranio switched clothes because he killed a man and has to escape the city. He tasks Biondello with waiting on Tranio and instructs him to refer to Tranio as Lucentio. Elsewhere, the self-assured Petruchio, along with his servant, Grumio, arrives from Verona at his friend Hortensio's house. Hortensio greets him warmly and learns from Petruchio that he's come to Padua to find a wife from a wealthy family. Hortensio tells him about Baptista's daughter, Katherina, but warns him about her ferocious temper. Petruchio is intrigued and vows to make Katherina his wife. Hortensio offers to facilitate the introduction provided Petruchio helps him pass for a music teacher so he can get access to Bianca. The PLAY ON PODCAST SERIES, “THE TAMING OF THE SHREW”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by ART MANKE. Radio play by AMY FREED and LEANNA KEYES. The cast is as follows: SUSANNAH ROGERS as KATHERINA ALLEN GILMORE as PETRUCHIO ANNIE ABRAMS as BIANCA MIKE McSHANE as BAPTISTA TOM PATTERSON as LUCENTIO KYLE T. HESTER as TRANIO DANNY SCHEIE as GREMIO and CURTIS J. PAUL BOEHMER as HORTENSIO and PEDANT ROB NAGLE as GRUMIO and VINCENTIO KASEY MAHAFFY as BIONDELLO and TAILOR TESSA AUBERJONOIS as WIDOW and HABERDASHER Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Play On Podcast Series “THE TAMING OF THE SHREW” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “A woman may be made a fool if she has not the spirit to resist”. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to the Instant Trivia podcast episode 1208, where we ask the best trivia on the Internet. Round 1. Category: Cello 1: This cellist founded a music collective called the Silkroad Ensemble, with whom he plays cello. Yo-Yo Ma. 2: When you think of a cello solo, you're probably thinking of this Baroque composer's cello prelude from around 1720. Bach. 3: The uncrowned king of the cello, David Popper has a work titled this, what you'd sing under the window of your beloved. a "Serenade". 4: An excellent piece for the cello is "The Swan", from this work by Camille Saint-Saens. The Carnival of the Animals. 5: Portrayed on film in "Hilary and Jackie", the life of this British cellist was cut short by MS at age 42. Jacqueline du Pré. Round 2. Category: Shakespeare Play By Gradually Easier Character 1: Bianca,Roderigo,Desdemona. Othello. 2: Baptista Minola,Gremio, Lucentio,Hortensio,Petruchio. The Taming of the Shrew. 3: Doctor,Duke of Cornwall,Goneril. King Lear. 4: Snug, Helena,Oberon. A Midsummer Night's Dream. 5: Flavius,Cicero,Calpurnia. Julius Caesar. Round 3. Category: Frontwords And Backwords 1: Bosses do this, to writers' dismay; also, what happens at sea twice a day. edit/tide. 2: A part of the body where the food goes; flip it around, it's a ship that tows. gut/tug. 3: This type of container can hold ale or mead; turn it around, it's a mouth part indeed. mug/gum. 4: Rivers do this, bend upon bend; reverse it for one who sends sheep to their end. flow/wolf. 5: Your colorless dress may earn this adjective, I fear; not so for this minstrel or other balladeer. drab/bard. Round 4. Category: Stock Up On Candy 1: You definitely want to trick-or-treat at the house that gives out candy from this company with the stock symbol HSY. Hershey. 2: KRFT is Kraft Foods, maker of these Jet-Puffed treats that come in spooky shapes for Halloween. marshmallows. 3: Warren Buffett liked See's Candies so much that he bought it and folded it into BRK.B, this company. Berkshire Hathaway. 4: Mondelez, MDLZ, owns a slew of brands, including these Scandinavian candies. Swedish Fish. 5: If you're stocking up on candy at Costco (symbol COST), you'll know this house brand is named for a city in Washington. Kirkland. Round 5. Category: On The Wall 1: ...of this museum is a portrait of Elizabeth Petrovna as a child (1712-13) by Ivan Nikitin. the Hermitage Museum. 2: A special black paint from Rust-Oleum will turn any wall into one of these writing slates. a chalkboard. 3: A large, concave one of these on your wall will make your room look bigger. a mirror. 4: Divided into 20 sections, it's often made of cork; take a shot!. a dartboard. 5: Perfect for your bedroom, this item is thought to provide protection through the night. a dream catcher. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used
A student (and eligible bachelor) named Lucentio arrives in Padua with his servant, Tranio, to study philosophy. As they take in the sights they come across the wealthy Baptista and his two daughters, Bianca and Katherina. Bianca is trailed by two suitors, Hortensio and Gremio, who are vying for her affection. Baptista tells them that neither of them will win Bianca's hand until he marries off his older daughter, Katherina. Meantime, Baptista will keep Bianca at home, seen only by the tutors who he employs to advance her education. Hortensio and Gremio scheme to find a husband for the contrary Katherina. Lucentio, smitten by the beautiful Bianca, hatches a plan with Tranio to gain access to Bianca's house by changing clothes with his servant and posing as a tutor while Tranio pretends to be Lucentio in order to build Lucentio's social profile and entertain his father's guests. When Lucentio's other servant, Biondello, arrives, Lucentio tells him that he and Tranio switched clothes because he killed a man and has to escape the city. He tasks Biondello with waiting on Tranio and instructs him to refer to Tranio as Lucentio. Elsewhere, the self-assured Petruchio, along with his servant, Grumio, arrives from Verona at his friend Hortensio's house. Hortensio greets him warmly and learns from Petruchio that he's come to Padua to find a wife from a wealthy family. Hortensio tells him about Baptista's daughter, Katherina, but warns him about her ferocious temper. Petruchio is intrigued and vows to make Katherina his wife. Hortensio offers to facilitate the introduction provided Petruchio helps him pass for a music teacher so he can get access to Bianca. The PLAY ON PODCAST SERIES, “THE TAMING OF THE SHREW”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by ART MANKE. Radio play by AMY FREED and LEANNA KEYES. The cast is as follows: SUSANNAH ROGERS as KATHERINA ALLEN GILMORE as PETRUCHIO ANNIE ABRAMS as BIANCA MIKE McSHANE as BAPTISTA TOM PATTERSON as LUCENTIO KYLE T. HESTER as TRANIO DANNY SCHEIE as GREMIO and CURTIS J. PAUL BOEHMER as HORTENSIO and PEDANT ROB NAGLE as GRUMIO and VINCENTIO KASEY MAHAFFY as BIONDELLO and TAILOR TESSA AUBERJONOIS as WIDOW and HABERDASHER Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Play On Podcast Series “THE TAMING OF THE SHREW” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “A woman may be made a fool if she has not the spirit to resist”. Learn more about your ad choices. Visit megaphone.fm/adchoices
Don't Quill the Messenger : Revealing the Truth of Shakespeare Authorship
Steven and his wife, Annie, discuss the complexities of the relationship between Kate and Petruchio in "The Taming of the Shrew," and why that play carries such a strong level of love/hate reactions with modern actors and audiences. Support the show by picking up official Don't Quill the Messenger merchandise at www.dontquillthepodcast.com and becoming a Patron at http://www.patreon.com/dontquillthemessenger Made possible by Patrons: Brent Evans & Patty Henson, Bryan Wildenthal, Clare Jaget, Daniel Cowan, David Neufer, David R Klausmeyer, Dean Bradley, Edward Henke, Ellen Swanson, Frank Lawler, Ina Cu, James Gutierrez, James Warren, Jaymie, Jeanine Clark, Jen Swan, John Creider, John Eddings, John Guarnaccia, Jon Foss, Luís S, Sandi Boney, Sandi Paulus, Sara Gerard, Sheila Kethley, Tim Norman, Tim Price, Troy Stelzer, Vanessa Lops, Yvonne Don't Quill the Messenger is a part of the Dragon Wagon Radio independent podcast network. For more great podcasts visit www.dragonwagonradio.com
SYNOPSIS:At the beginning of this episode, a teenage “Moonlighting”' fan is forced by his mother to do his homework rather than watch the show. His homework is to read William Shakespeare's “The Taming of the Shrew.” As he is reading the book, the show transforms back in time to a day in Padua, Italy, in 1593. The main characters of “Moonlighting”' enact the remainder of the show with their version of William Shakespeare's play “The Taming of the Shrew”' in period costume and setting. Katherina's father is in search of a suitor for his feisty daughter. Along the way, many in-jokes refer to the real show, such as when Petruchio, played by David Addison, arrives in town on horseback with a BMW logo clearly visible on the saddle. Eventually, Petruchio forcibly marries Katherina while she is tied up in a church, after which he sings a rockin' version of “Good Lovin'.” He marries her for her dowry. But Katherina's father's terms of the marriage are that Petruchio must tame his bride into a dutiful and well-trained wife. The couple fight, slam doors, and provide us with the usual fast-paced dialogue, but finally fall in love. Petruchio tames Katherina, but Katherina also tames Petruchio, as shown in a touching scene in the town square.GUEST STARS:Kenneth McMillanColm MeaneyRalph DrischellHap Lawrence Curtis ArmstrongNarrator:Stirling HollowayMOONLIGHTING THE TV SHOWThe show is all about the hit TV Show Moonlighting which aired from 1985 to 1989 starring Bruce Willis and Cybill Shepherd.Grace Chivell and Shawna Saari take a look at each episode in chronological order from the Pilot to the end of the fifth and final season.They discuss the direction, the production, the outfits, the lighting, the car chases, and the tumultuous relationship between Maddie Hayes and David Addison.FOR MORE INFORMATION:https://moonlightingthepodcast.comMerchandise: https://redbubble.com/people/moonpod2016Join Our Facebook Community:https://facebook.com/groups/moonlightingthepodcasthttps://facebook.com/moonlightingthepodcastJoin Our Instagram Community:https://instagram.com/moonlightingthepodcastPURCHASE:Moonlighting: An Episode Guide Bookhttps://bit.ly/episodeguidebook on TuckerDSPressOR on Amazon:https://www.amazon.com/dp/1959748041/ref=sr_1_1?crid=3DN6VTBF173LN&keywords=moonlighting+an+episode+guide&qid=1700733543&sprefix=moonlighting+an+episode+guide%2Caps%2C933&sr=8-1To learn more about Grace:https://gracechivell.com.auMoonlighting The Podcast YouTube Channel: bit.ly/maddieanddavidTo learn more about Shawna:https://www.youtube.com/channel/UCft4ALOjBZnEt4DBUvx3HvQDonate:https://ko-fi.com/moonlightingthepodcastPersonal Instagram:https://instagram.com/grace_chivellhttps://instagram.com/saari_not.saari Hosted on Acast. See acast.com/privacy for more information.
SYNOPSIS:At the beginning of this episode, a teenage “Moonlighting”' fan is forced by his mother to do his homework rather than watch the show. His homework is to read William Shakespeare's “The Taming of the Shrew.”'As he is reading the book, the show transforms back in time to a day in Padua, Italy, in 1593. The main characters of “Moonlighting”' enact the remainder of the show with their version of William Shakespeare's play “The Taming of the Shrew”' in period costume and setting.Katherina's father is in search of a suitor for his feisty daughter. Along the way, many in-jokes refer to the real show, such as when Petruchio, played by David Addison, arrives in town on horseback with a BMW logo clearly visible on the saddle.Eventually, Petruchio forcibly marries Katherina while she is tied up in a church, after which he sings a rockin' version of “Good Lovin'.” He marries her for her dowry. But Katherina's father's terms of the marriage are that Petruchio must tame his bride into a dutiful and well-trained wife.The couple fight, slam doors, and provide us with the usual fast-paced dialogue, but finally fall in love. Petruchio tames Katherina, but Katherina also tames Petruchio, as shown in a touching scene in the town square.GUEST STARS:Kenneth McMillanColm MeaneyFrank CollisonHap LawrenceMOONLIGHTING THE TV SHOWThe show is all about the hit TV Show Moonlighting which aired from 1985 to 1989 starring Bruce Willis and Cybill Shepherd.Grace Chivell and Shawna Saari take a look at each episode in chronological order from the Pilot to the end of the fifth and final season.They discuss the direction, the production, the outfits, the lighting, the car chases, and the tumultuous relationship between Maddie Hayes and David Addison.FOR MORE INFORMATION:https://moonlightingthepodcast.comMerchandise: https://redbubble.com/people/moonpod2016Join Our Facebook Community:https://facebook.com/groups/moonlightingthepodcasthttps://facebook.com/moonlightingthepodcastJoin Our Instagram Community:https://instagram.com/moonlightingthepodcastPURCHASE:Moonlighting: An Episode Guide Bookhttps://bit.ly/episodeguidebook on TuckerDSPressOR on Amazon:https://www.amazon.com/dp/1959748041/ref=sr_1_1?crid=3DN6VTBF173LN&keywords=moonlighting+an+episode+guide&qid=1700733543&sprefix=moonlighting+an+episode+guide%2Caps%2C933&sr=8-1To learn more about Grace:https://gracechivell.com.auMoonlighting The Podcast YouTube Channel: bit.ly/maddieanddavidTo learn more about Shawna:https://www.youtube.com/channel/UCft4ALOjBZnEt4DBUvx3HvQDonate:https://ko-fi.com/moonlightingthepodcastPersonal Instagram:https://instagram.com/grace_chivellhttps://instagram.com/saari_not.saari Hosted on Acast. See acast.com/privacy for more information.
Behold – the late, great Edward Lionheart, a Shakespearean actor whose performances in Julius Caesar, Troilus and Cressida, Othello, Cymbeline, and others left him the laughingstock of London theatre critics, is dead. And yet somehow, someone is knocking off said critics one at a time in truly Shakespearean fashion… albeit with slight alterations to the text. Shylock may have wanted his pound his flesh – this killer takes the heart. Joan of Arc might have burned at the stake – this killer fries his victims in a hair salon. Peregrine Devlin, head of the London Critics Circle, is baffled, as are the police. And yet – the order of the killings bear a striking resemblance to Lionheart's last repertory season. What's going on with the Thames-side meths drinkers that have taken up residence in the crumbling Burbage Theatre? And what might Edward's daughter, Edwina, have to do with everything? Friends, Romans, Countrymen, lend us your ears – for herein lies the tale of the deceased actor who set out to exact revenge, and succeeded, and the rest – is silence. Intro, Debate Society, Hot for Teacher (spoiler-free): 00:00-26:10Honor Roll and Detention (spoiler-heavy): 26:11-1:07:38Superlatives (spoiler-heavier): 1:07:39-1:28:17 Director Douglas HickoxScreenplay Anthony Greville-Bell, based on an idea by Stanley Mann and John KohnFeaturing Harry Andrews, Coral Browne, Robert Coote, Diana Dors, Jack Hawkins, Ian Hendry, Joan Hickson, Michael Hordern, Arthur Lowe, Robert Morley, Milo O'Shea, Dennis Price, Vincent Price, Diana Rigg, Eric Sykes Ben Viccellio is an actor, writer and Associate Professor of Drama & Film at Kenyon College. His acting credits include the role of Oedipus in Frank Galati's Oedipus Complex at The Goodman Theatre; Cherry Orchard, Theatrical Essays, and the world premiere of Men of Tortuga at Steppenwolf; the role of Petruchio in Short Shakespeare: Taming of the Shrew, Macbeth in Short Shakespeare: Macbeth, and Guildenstern in Hamlet at Chicago Shakespeare Theatre. Ben has also also acted for film and television, as well as in the odd commercial... some of them, he claims, very odd. His writing for the stage has been produced in Chicago, Los Angeles, New York and Aspen. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar. Music from Theatre of Blood by Michael J. Lewis. For more information on this film (including why the Professor chose it, on Our Blog), the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple or Google Podcasts, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram.
Welcome to the Instant Trivia podcast episode 1076, where we ask the best trivia on the Internet. Round 1. Category: Chicago Tv 1: Stacy Edwards as Lisa Catera is a doctor with commercial appeal on this series. Chicago Hope. 2: He played Chicago-based psychologist Bob Hartley. Bob Newhart. 3: Of surgeon, chef or hit man, it's the profession of Carmy, who returns to his home city to ply his trade in "The Bear". chef. 4: On "Early Edition", it's the pet that delivers the Chicago Sun-Times to Gary Hobson, a day earlier than to everyone else. Cat. 5: In 2015 this drama about Windy City doctors joined the "Chicago P.D." and "Chicago Fire" franchise. Chicago Med. Round 2. Category: That Book Gave Me A Nightmare 1: Prosecutor Vincent Bugliosi's "Helter Skelter" is an account of the crimes of this man and his followers. (Charles) Manson. 2: These monsters du jour are the villains of "The Remaining", about a plague survivor waiting in a bunker. zombies. 3: This children's author is not so innocent--a kitten is almost baked in a pie in her "Tale of Samuel Whiskers". Beatrix Potter. 4: In "The Hungry Moon", horror stalks a town in England that practices the faith of these pre-Christian priests. the druids. 5: Bearing the name of a Catholic rite, it's Whitley Strieber's supposedly true account of his abduction by aliens. Communion: A True Story. Round 3. Category: What A Dive! 1: Someone who profits, or a backwards somersault that lands feet first into the water. a gainer (full gainer). 2: You are the projectile in the name of this dive, with your knees pulled to the chest for maximum splash. a cannonball. 3: This dive named for a pocket blade involves touching your feet in the air. a jackknife. 4: This Mexican city is famous for its clavadistas, or cliff divers. Acapulco. 5: Your arms stick out to either side when you start this dive named for a waterfowl. a swan dive. Round 4. Category: Sharp 1: Cardsharp is an old term for a gambler who is notorious for doing this. cheating. 2: This synonym for a sniper has the same first and last letters as "sniper". a sharpshooter. 3: Be a sharp dresser by ironing your pants to keep these sharp. the creases. 4: Patricia Clarkson won a Golden Globe for playing Amy Adams' mom on this HBO miniseries. Sharp Objects. 5: This Chikara line of knives from this company is made of "premium Japanese stainless steel". Ginsu. Round 5. Category: Anagrammed Shakespearean Characters 1: She's a foreign queen:ALERT A COP. Cleopatra. 2: A fairy:NO ROBE. Oberon. 3: He's magical:ROSE PROP. Prospero. 4: He domesticates his wife:RIPE TOUCH. Petruchio. 5: He's a title prince:CRISP EEL. Pericles. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used
Miiiiirrrrna! No novo episódio, Gil Marcel, Lari Lovisi e a convidada Natália Rocha batem um papo de novela divertido e nostálgico sobre o talento de Walcyr Carrasco ao criar três joias televisivas do horário das 18h: ‘O Cravo e a Rosa', onde o amor tumultuado de Catarina e Julião Petruchio cativou o público; ‘Chocolate com Pimenta', que apresentou a doce vingança de Aninha Francisca; e ‘Alma Gêmea', a novela que triunfou com o amor eterno de Rafael e Serena. Com sua trinca de ouro, Carrasco não apenas se consolidou como um dos maiores novelistas do nosso tempo, como também construiu uma mitologia televisiva repleta de momentos icônicos, e que continuam conquistando a audiência. Arre égua, não fique aí parado como dois de paus! Dê o play agora!
Welcome to the Instant Trivia podcast episode 986, where we ask the best trivia on the Internet. Round 1. Category: Frock Around The Clock 1: If you want to wear a this length dress in the U.K., wear it around 4 P.M., when the steeped beverage is commonly served. tea. 2: This hyphenated style of dress containing 2 altitude extremes is perfect for noon or midnight. a high-low. 3: When it precedes "gown", this 4-letter undergarment is worn for bedtime; before "dress", not for bedtime. slip. 4: For 5 o'clock, maybe try this simple dress that has the same name as the key under "caps lock". a shift. 5: For the cocktail hour, perhaps this dress, that sounds like a good place to stash a dagger. a sheath. Round 2. Category: I Quit! 1: When he left NASA to be a Univ. of Cincinnati prof., he took one giant leap into retirement from the public eye. Neil Armstrong. 2: His sudden retirement from the NBA on Nov. 7, 1991 shocked the sports world. Earvin "Magic" Johnson. 3: In 1974, frustrated with GM's management, he quit and with British funding, built a stainless steel luxury sports car. John DeLorean. 4: On Nov. 25, 1980 Roberto Duran said, "No mas" and quit in the eighth round against this fighter. Sugar Ray Leonard. 5: In March 1987 Bettino Craxi quit after a 3 1/2-year term in this post, a post-WWII record. prime minister of Italy. Round 3. Category: In A Minute 1: Each minute 5 million of these are sent; how many of them are spam, we don't know. E-mails. 2: Men's Health magazine says the average guy can do 33 of these in a minute in his 20s, 21 in his 40s. push-ups. 3: In a June 2000 film Nicolas Cage played a guy who could do this in a minute. Steal a car. 4: Each minute it pumps about 5 quarts of blood. The heart. 5: Under the slogan "Real Estate for the Real World", this company claims on average to buy or sell a home every minute. Century 21. Round 4. Category: Last Line Of A Shakespeare Act 1: Act II of this play ends, "My Regan counsels well; come out o' the storm". King Lear. 2: Act I of this play concludes with, "The motion's good indeed and be it so, Petruchio, I shall be your Ben Venuto". The Taming of the Shrew. 3: Fortinbras ends act V and this play with "Go, bid the soldiers shoot". Hamlet. 4: Stephano tells him, "O brave monster! Lead the way". Caliban. 5: This title character declares, "He shall have every day a several greeting, or I'll unpeople Egypt". Cleopatra. Round 5. Category: Sitcom Characters 1: This mailman on "Cheers" gleaned some of his knowledge from reading the magazines he delivered. Cliff (Clavin). 2: "The Days and Nights of" this divorcee moved from NBC to the Lifetime Network in 1989. Molly Dodd. 3: This character was a "lovely lady who was bringing up three very lovely girls". Carol Brady. 4: He plays assistant football coach Luther Van Dam on "Coach". Jerry Van Dyke. 5: Name of the writer played by Rose Marie on "The Dick Van Dyke Show". Sally Rogers. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/
Director Jemma Levy discusses The Taming of the Shrew, now in rehearsal at Cincinnati Shakespeare Company and opening this week. Jemma shares her thoughts about this famously complicated play and reveals that she considers it a feminist romantic comedy; how she emphasizes its themes of performance and the shifting relationships of masters and servants; her belief that Shakespeare's women are always the smartest people on the stage; how we watch Katherine and Petruchio's first "meet-cute," then fall in love and learn each other's moves in real time; the theatrical and thematic value of including the audience; the fun of putting a bar onstage; and how Shrew compares with another complicated Shakespeare “comedy,” The Merchant of Venice. (Length 20:45)
{Enter The Multiverse} [The Festival Project.™] Ugh, Die! Die! Die! - my mom (My mom actually said that.) SEASON 6 ACT III, PART VIII “The Lovers' Quarrel” The Lovers must practice an a traditional one-handed duel; They must fence whilst one arm is tied behind the back, a rope tightly held by each's own ascended master as they maneuver in the round. It is a practice of stealth, dynamic movement, and self control. Petruchio and C'esmet passionately dance in the round--the training period stands as a trial-and-error, The Ascended masters tugging at the ropes to correct their mistakes. C'esme't travels to a descended dimension to materialize her Ascended Mastery; Supacree Gains her powers not slowly, but all at once. Avicii explains how long one walks the astral void before returning home into the Kingdom of Heaven after departing. DILLON FRANCIS YOU'RE GOING TO GET ME KILLED. CHAK CHEL I wasn't trying to get you killed! I was trying to get you laid! || D.J. YOU'RE GOING TO GET ME KILLED. C.C. I WASNT TRYING TO GET YOU KILLED! I WAS TRYING TO GET YOU LAID. D.J. I can get laid by myself! C.C. D.J. Shut UP. The famed lovers take their place in the center of the arena; they humbly and gracefully take their battle stance, looking each other in the eye, one arm extended behind the back to face the sky, the other planted firmly, grounding them to earth. In quiet desperation, a silence falls over the entirety of the space—until, a glowing light distracts all but the two of the lovers, focused in oneness, acknowledging two qual parts of one whole. The crowd gasps and coos, as the glowing figure, masqueraded by shadows in a beam of light and colorful auras A tall figure stands equidistant to the two lovers; the triad is formed, and as he begins the yet Ū fort old ancient ritual, the lovers are overwhelmed with shock and confusion. blackout — END EPISODE Lost your shine? Lost my Skrillex! You miss it? Do I Miss—? … You know what? What. Fuck you, dude. ...no can do. [later] Are we relaxed? What is this? I need it. You fucked up. This isn't right. No, it isn't. — BLACKOUT, What happened here? Are we rolling? Cut to commercial. — Are you serious? I'm so serious!!! She's so serious. Cut to: Grocery Store, Day [over the store radio] She's a maniac, maniac on the floor!! What is she DOING? What are you doing? I'm doing me, bitch. And she's dancing like she never has before. —cut to rave— ***WUBZ*** Who is this? I'm on my own tonight. Is she drinking?!? THATS NOT FAIR! Oh, Sweet Jesus! —regular Jesus: [to sweet Jesus] aha! It's you this time. Sweet Jesus: fuck, no fair. THIS ISN'T SKRILLEX. Sweet Baby Jesus. Sweet Jesus: (relieved) YES. Regular Jesus: oh, you're saved. Nice. [ JESUS passes BABY JESUS to SWEET JESUS, then footballing the infant into the outer realms, dusting his hands off and flexing.] Send the Messiah. Wait, which one? Yeah, whose Messiah? Cut back to: the rave ...Who's baby is this? Woah, cool baby. I respect that. [the third raver simply lifts his diffraction glasses, astonished by the bedazzling baby Jesus's vibe.] Wait, Baby Jesus is bedazzled? MAYBE: Cut to: A flash of the alternate dimension, where indeed baby Jesus is Bedazzled.] Cut back to: No, his vibe. Is he sparkling? It's his aura. Oh. Pfft. Lol. Okay. —- First of all, I've never had this many black friends before. .. Oh, my God… I am alarmed. She's so stupid… Actually, just ugly—! Eyyy. Woahhh! But now I'm— You're a fan. Hey—I ate a fan for breakfast—okay?! Literally. OKAY. Ew, gross. Just kill me. [without hesitation] No—Ze Rulez. [Lowers Rave Weapon] __ I'm highly allergic— —Don't need Skrillex. Brought my own! — [stabs self] What is that? Oh shit, it's the EPI(c)PEN OH SHIT. Nice. It also writes. After the stab? Usually after, yes. You, have to. Oh, yeah, huh? No, you actually have to stab yourself first with it—or else it won't write. — Anyway—what were you trying to write? ...fuck, I forgot. Good job, Sonny. ___ Take me back! You wanted this. I wanted NOTHING. You got there! Agh!! Then when you did, you wanted to leave. There's no music. It's literally NOTHING. Except Jimmy Fallon. WHAT?! Since when?! What? Since literally ever. What?! No way. Let me see. Let me see. Oh my—WOAH. Let me see. Nothing is something! Unh-uh bro! What the— IT IS JIMMY FALLON. There's this cricket that lives Somewhere near here, When I hear him I think of the song He sings and all I think is “I wish someone would sing for me, I wish someone would sing for me” If he makes me cry one more time... “One last time, We gonna celebrate” If there's an album, there's going to be a tour; If there's a tour, I'm gonna wanna see him And it's just infinite, isn't it-- Infinite, isn't it? There's no point to it; There's really nowhere safe, that I could run from him A class act An a plus A sad actor with black magic A bad pastor with bad habits A black cat, and a hat and in it Is everything I ever imagined If there's an album, There's going to be a crowd I'm gonna want to be in it And it's just infinite isn't it Can't live with Skrillex Can't go on tour with him Maybe I just, Settle down in this awful town While I try to figure out, What this is about And if this is about Skrillex How did I get into it? If this is Skrillex How do ___ AHHHH DUDE. AHHH THIS ISN'T HAPPENING. Ahhhh man. What the fuck. This is--did you Put The Skrillex in The Skrillex, like I said? ...I… ...did you put the Skrillex in The Skrillex? Skrillex-Skrillex Put the-the Skrillex in the Skrillex Skrillex-t-Skrillex-Skrillex Skrillex is Skrillex-Skrillex OH SHIT. YOU DON'T REMEMBER WRITING ‘THE SKRILLEX SONG'? I DIDN'T WRITE IT! YOU WROTE IT. She's denying it. Oh, She stole all ya'll music. She took all of my songs. All of them? I mean, not all of them--just the bangers. I'm not going to Mexico for Dillon Francis. “The Interrogation” SUPACREE pays the incarcerated SKRILLEX under observation a series of visits, using her invisibility cloak. [[*This would be along the same storyline (using a linear “time”) where SUPACREE has gained most of her abilities, and is also terrorizing Dillon Francis (*interns scene). So. What? Just to get this straight; Nobody can see SUPACREE? Right. But she's--basically--beating the shit out of people. Yeah, she's just... fucking shit up. But nobody can see her. No. At all. No. Nobody at all, just the DJ's. Starting with-- D1-Skrillex D2-DIllon Francis D3-SUPACREE (Wait, how the fuck?) Scary Monsters and SUPACREE. Well, which comes first? What? Which movie? I--What? In order. Order? Like...wait, what are you saying? When you put them in order-- Order?? ORDER!!! Bruh. I just got a dick pic from Dillon Francis. What? By like, accident? I don't think it was an accident… It had to be... It has a personalized greeting, with my name in it. What? Let me see--! (Look) I mean--not “let me see”, I just meant--the greeting. Like, what did it say? Dude-- Damn, that's… Yeahhhh man! Was there a show tonight? Maaaayyybe, I don't know where it would be... Yo dude, I'm calling--WOAH. What dude? I got a message from him too! Oh shiiiit, what's it say? Should I even open it? Open it! What if it's his dick, bro? Open it! [Opens it.] OHHH. It's his dick, bro. Oh SHIT, what the fuck HAPPENED? What did happen? Does yours have a message? What did happen…? I feel like--wait, is that--huh. What does the message say? It does have a message...wait--let me see yours again. What the fuck for? [staring at phone, cocking head slowly to one side] ((Ohh, I like this, the audio pans like--)) I feel like mine's at a different angle. A different angle--wh--let me see. [shows phone] [cocks head to the side slowly, returning to his phone to compare the photos] Oh shit, that is at a different angle. With different lighting! Whatthefuuuck. Dude. _ Well, what did you do when you were Skrillex? A lot. _ Yo. That dude has like 16 passports. I had a lot of fun as Qua Long. _ Shenanigans As Dillon Francis-- Oh shit, this is gonna be a long list. It's actually not that much. (It's a lot) Dillon Francis sits at his desk in his Lair/Office. A pile of legal paperwork is stacked in front of him. ((Oh shit, where's the scene where he's got the glasses?)) Which...glasses… Aw fuck. Oh, right--cause he has a-- He has an entire series. How the fuck did Dillon Francis get to be Captain of the Motherfucking Bampheramphs?! FUCK that, he's not my captain. He's your captain. He is not my Captain. That is not my President. I'M THE CAPTAIN NOW! **Insert: This Is: Dillon Francis Here Damn dude. Dillon Francis needs an entire character analisis (Okay, keep that misspelling, that's hilarious. Anyway) *Analysis I think I might have to write one. Can we not? I mean. Yo dude, i”m like half capacity for Dillon Francis Half, is….half. Well, I mean it's corona virus so-- Fragments of Mr. Francis Blasted analysis Need a dialysis just to get this Sk- Shit out my system. Now I speak Sk-Sk-Sk I shout out curses. Now I speak clown I'm an Owl out of water. Now I speak Sk-Sk-Sk I create languages I see the stares On blank faces I paint the canvas With blood and with ashes I leave on the pavement First of all, These park and raves are crazy Electric Daisy is inside me Everybody's at the party All the stars aligning And all the patrons waiting, waving ___ I call him “The Ghost” You never know where he goes, And the music follows No forward But I know, I know He's The Ghost Producer And I'm just a Loser _ Ive never seen this one before! Me neither. That's great. Something new. Well-something old, something new--it's Skrillex. Yeah, but I like Skrillex. We all like Skrillex Wow. Oh, the fan..family. Family? Family, wait-- AGH, THIS MUSIC IS DISTRACTING ME. It was so clear, and then it just-- Yeah, Vanished? Yeah. Yeah. [A Silence.] A circle of dancing people summon wishes out of the center of their Concentrical Circle. AHHHHHHHHHHHH. What. I'm pretty sure this already happened. I remember that. What? That never happened Uh. It did. It happened like, last season-- --LAST SEASON? --maybe even the season before that. What! I thought we were watching the Pilot! I THOUGHT THIS WAS A MOVIE. This is the third movie. THE THIRD MOVIE? Wait--when did you get here? I...have always been here. [beat.] She's been going on like this for two days. Oh My God. Yes. Have you tried to stop her? No, it's too good; Plus, she can sense us coming it's--watch this. Queue the passerby. A passerby moves towards the garden in the far east corner of the observatory; Are you recording all of this? Even better; We're broadcasting it. To WHO? (in space, in what (was thought to be, anyway) a Void in the unknown. Uh, it WAS a void in the unknown, until a satellite crossed into it) What the fuck, is that a Satelite? A satellite! A satellite? Which satellite? I've got dozens of satellites. Dozens? *Thousands Elon Musk: ...Was it one of mine? (It was) ((To literally nobody's surprise)) (((Literally))) Literally, nobody--because literally nobody ever existed, ever. Until this happened. WHAT IS THIS? Have you seen this? No. Well, you're in it. Okay? I'm in a lot of shit. We all are. But not this. (yes you are) What was that? What was what? You need to burn this. Burn it… Nobody can ever see it. Okay. I just took 6 Xanex. 6! YES. And ⅓. And a third. Okay. Yes. 6 and ⅓. This, This. This is why. Why what? Why he looked at me like that. Like what? [A look.] But how could he have even known; Where could he have ever been, that I was that would make it make sense. Well, we know the Why. This is why. So now--How. How, now Brown Cow? Okay, honestly--it's almost funny now, because yeah--I'd probably also react that same way if I knew someone was going to write that about me. Yeah, I panicked. Panicked; I had a heart attack. Have you seen that thing? Yeah, it's massive. It is massive it's-- --God, it's ridiculous. --It's almost atrocious. Yikes. Yeah. I've been inside of this story before. Oh? I've been inside all of them. I see. Most of them, I just choose to forget. What makes it so that you choose? _ I actually stopped breathing. For how long? Forever. It was nice. _ You...made this…? I...yeah. You cooked me breakfast. I enjoy cooking. Well, thank you. Welcome. DEAD. How did-- Alright. So these two planets. Yeah. Two different galaxies? I guess. Okay. _ First of all that party was lit as fuck and you missed it. I didn't miss it, I just... attended at a limited distance. Chak Chel's set. Doooog. It was. (MM.) Bruh, I just miss when SNAILS was Captain. That was fun times. Too bad we can't go back. ...we can go back... No, dude don't-- Ted, Ted, and Ted meet Todd, Todd, and Todd at Lost In The Sauce Lands. So basically--all 6 of them fuck up at the same time and end up In this-- It's basically a void that lasts infinitely at Lost Lands. Oh shit. _ You better quit it, before you get Stuck in The Skrillex. [The Skrillex Tar Pits] _ Have you ever seen a mosh pit at-- -- Skril-- NO. I'm not ready to talk about it. --Dillon Francis-- It was really therapeutic. -it was nice, they had protective equipment -there was a line, and a queue -it was literally the safest moshpit I've ever attended. Meanwhile, at the Skrillex concert: I'M NOT READY. - Well, that was nuts. Please. No amount of marijuana is going to make you capable of understanding-- I'm not trying to understand, i'm trying to cope; okay? This nigga has magical powers. --And then what?-- Is she still on fire? (an explosion) Yes. Is she still on fire? (several explosions) Maybe. There were so many bombs. (((But the worst?))) “The Nigga Conniption” Oh, shit, is that what we're calling it? Where did he get it? He didn't “get it”, he just had it. How could he just “have it.” I had to do something; They were going to kill him. What happened to your “survival of the fittest” This is different. How is it different? This is different because he isn't sick, or defective--he's just...created… …? ...differently. So it's different. Woah. That's a lot of shit. It is a lot. What the fuck. I swear to GOD i've been in this WOBBLE for over a MINUTE NOW. Ahhhh, there you are-- Ah, The Wobbles. Here, we meet: -mr. wobble -the wobble monster and some other wobble people who live in the wobble. Bruh. I am so tired. What does this dude eat for breakfast? I guess we insert that scene with Dillon Francis here, right? (((Yup.)) So, to this festival… YESTIVAL. Oh shit, is that what we called it? YES. oh shit, because-- EVERYTHING IS YES. (Everything was yes.) ((It was.)) (((It still is.))) The Venga Bus. The Double Dutch Bus. Whatever that is. The Oscar Meyer Weiner Mobile. That strange Double Decker from Harry Potter. T h e S o u l T r a i n Did it have a name? I don't know. I don't have time for the internet right now. Now they call me “the internet” Okay, wait-- Yeah. So. Next time I die, that's it--everything just stops. Yes. _ Eventually I'm gonna get sick of this shit and just sit But that's someday, And todays not it; It's lit About to hit TiTs and Hit the Highway, And I'm on the way Cause I was born to rage. DaDa Life. Ahhs, those were the days. The golden age of rave… FIRST OF ALL PASQUALE, THIS SHIT IS RIDICULOUS. (Overhead of EDC) YOU DID THIS. [that's a neutral] Is she yelling at him? I think she's more proud and impressed, but pissed at the same time, because he's just so nonchalant and calm about it. Oh please, that nigga is not calm. Face. Have you seen his eyes? They're wild. Wild, I tell you. OKay what the fuck is happening; Pasqualle's eating Twinkies right now. Dude, the world is ending. I don't think the world is “ending”, it's just...something's probably wrong with it or something. [[watching virtual rave]] oh yes, something is wrong with it definitely. What is actually happening right now. This shit just lifted us into space-- --this isn't it, is it?-- What, at the rave? You're still at that rave? You have reception in space?...Hello… Oh Hell No. My Phone cut off! I still have reception. Who do you have T Mobile (but later) Bruh, I just lost service. What? Oh no. Oh, what-- I still have service. What? When did you get here? Who the fuck are you? I've...always been here. What, no you haven't, I-- Shh. Here. What? How do you have service? What carrier is this? GOOGLE. I don't know--have you asked Google about it? No, fuck that, I don't want to talk to Google about it--she's just going to make me over analyse everything-- Maybe you should over-analyse it. No. Hey man, the word ‘analysis' is starting to look funny. Of course it looks funny, it starts with ‘anal' Who starts with ‘anal'? Touchy. Hooe shit, have you seen that bitch? She's scary. She's a bit scary. Did she say that? I believe it. I don't know if I believe it. BELIEVE IT. Wait, you're Naruto? In the flesh! WHY! Why am I Naruto? WHY ARE YOU IN THE FLESH?! How did you DO this? You did-did. I did not DO this; I couldn't DO this! You can do anything. But I didn't! But you can. You can do everything. You are everything. But i'm not. Alright. Then you're not. WHAT? If you honestly believe that--or whatever you honestly believe--then that's facts. Damn, she put you in a “Fuck You” Chamber. [*ding!* FUHCKYOU] What did you DO. Yo, what did you doooo. What did you do to this girl, oh my god dude; I hate you. I hate you! I HATE YOU. I HATE-- Oh now, dear; Hate is such a strong word. Ohh. It's a Skrillex. S K R I L L E X It is. Looks Fragile. Should we grab it? FIRST OF ALL, --Goddammit, dude-- “IT”, is a HE. Okay, DAMN. DAMN? OKAY. [she does.] Damn. Yeah. So that's what “Damn” is. Lol the first damnation. Hey-- Hi-- Okay, what if-- What if: THAT'S the name of your Supergroup? I wanted to call us “Trifecta” Here? yeah , right here. This is where you want your Kingdom? ...Yeah, right here. ...Okay... Okay. {A look} K bye. _ I've been at this rave for 57 days. _ Okay. Ya'll. Okay, ya'll! No. Guys. We gotta get out of here. What? Noooo. We're just getting started. No. Guys. I'm serious. Something is happening. “I see dead people” ...Freddy Mercury? Really. Uh huh. At a rave. Yes. In space. We did go to space, yes. Okay. Simpson? Yes. I'm gonna need you to take the day off. he's crazy He's not crazy, he's just gay! he's craaazy gay. _ Okay. But how do you know him? he's my ex. No he isn't. Who is it? (sighs) it's...my ex. WHAT? Check. Mate. Bitch. __ Mm. I know her. Who--Billie Ellish-- [Nods] What? Take me to her. Take you...to Billie Ellish. If that's what you're calling...her... now...yes. “now”? Mmhmm. Lady, how old are you--and what is this shit? Hm. (squints) try it. (sus) UH, no…? Suit yourself. It's there if you ever want it. (later) Dillon Francis is searching frantically for extra magic when-- [He comes across the flask, and snatches it.] WOW. Yeah, I know; it's crazy, right? You just found him like this? I did. Where was he? I tripped over him at a bus stop. Woah. Bro, that's so mean. Okay What did Dillon Francis do to you? He knows what he did. He does? No. (He actually does.) Oh, I knew it! ((You should know it, you wrote--)) THE END. ___ What is your favorite invention? Of mine? Yeah. Hmm…. (((Ganja.))) What's your favorite color? Hmmm… (((White))) “When The Day Met The Night” Has Brenden Urie been to the future? Probably. He seems... He seems off. (He is) We all are. (You are.) Hey--who's saying that? Let me be Frank. Dooooooog. it's that part! It's that part. Shuttup! Nigga this is it--this is the shit I told you! So...how many channels is this on? It's on millions of channels throughout the interdiemensions and counting. “Millions of channels throughout the interdimensions,” Not only are we Global; We are now Interplanetary, and our Communication Technology has connected us into the outer dimensions, and intersecting parallels. Are you guys done blowing eachother up yet? UH, WHAT? You're idiots; This was supposed to be a redemption for your entire species, and you fuckwads ruined...pretty much everything. Now we have to mellow out your entire civilization-- --yeah, or annihilate it-- ---just for you backwards savages to get lifted into the Ascension. Idiots. What was that? What was what? Did you hear something? Hear what? Ouch! Ow? What's wrong? Are you Okay?! *trigger, pulled* -------------------------------------------------------BOOM--------------------------------------------------------------- S/HE CAME THROUGH MY SUBWOOFER. She came in through the bathroom window. ___ No, no, no--let me be the DJ. You're already the DJ. Heh. I wanna be the DJ. What were you saying? I don't know. Something Something Sonny Something. So she took 6 Xanex, and #Adderall It was just a long day, that's all… And then I hear Skrillex is on his way HERE? Damn. No. I'm not okay. So, I... Damn dog, she lost it. She lost it. I ovet is. huh. Oh man, he was on one. I'm on one. Fuck it, I'm On One. Fuck. What happened? What happened? What happened? Well, that's tragic. Wait--this is a tragedy? No, it isn't--it's a comedy. No, it isn't-it has Sad Dillon Francis. Exactly. If it has sad Dillon Francis in it, it's tragic. It's supposed to be dramatic. Dillon Francis was crying in it? That's fantastic. That's hilarious. Sad Dillon Francis? I don't want to see sad Dillon Francis! He's a bad actor. Then i'll be sad. We're all sad. Oh, you're right--we're all sad. Oh. He is actually not a bad actor. He was really good in it. Oh, my God--it was really good. Are you serious? I'm not watching it. It's nominated for an Oscar. I'm not watching it. C'mon man --do you know how long it took to get my hands on this? They have them at Fantastik. Do you know what I had to do? It was not cool. Bro, it was so cool! So goood. He is, he's good. What has he done! This is bad. This is very bad. KLIPTOWN EMPYREAN, OH I GET IT, IT'S-- Sop. Okay? You're never gonna get it. ‘Nah, you're never gonna get it. Never ever gonna get it DUDE. WHAT? WRITE THE FUCKIN MOVIE. WHICH ONE? I DON'T KNOW--THE ONE THAT GETS US OUT OF HERE. How'd you learn how to do that? Do what? Does he know? No, he doesn't. He doesn't know. Oh. Oh, he doesn't know what he did? Nah, not yet. Wow. Have you seen this? [Looks] (Not Impressed) Now I have. What d you think-- I don't. That it's like, magic, or...what is that. I don't know what it is. Well...what do you think it is? I don't think, I just listen; and if anything sounds interesting, I just send it in. Interesting like this? [plays it] CUT TO: [stops it] This is interesting. They stare into The Box. I'm glad you did this in person. No one else can know about this; Not even our affiliates. Not even-- Nobody. Woah, it actually came back I told you, if it was a good idea, it would always come back. It...I guess. Besides, it's already happened. It's just playing over. “Do I Know you?” “Do you?” Damn. This shit gets deep. I don't get how it's deep. And I don't get how it's DIllon Francis. I can't even imagine how this happened. Imagine Dragons. That's--I'd rather--not. Anyway, why is she cooking this nigga breakfast? Because he's dead, he should have a nice breakfast. Yeah, you're probably right. BILLIE ELLISH I---like that scythe. SUPA CRYPT KEEPER It's nice, right? BILLIE ELLISH Yeah. I like it. SCK You like it? Have it. BILLIE ELLISH It's mine? SCK Yah! If you like it so much, just take it-- CUT TO DILLON FRANCIS DUDE, SHE TOOk ONE OF MY MAGNETS. CUT BACK TO BILLIE ELLISH Nice! Besides, I have another one just like it--but tiny. TINY SCYTHE. Have you seen this Billie Ellish kid? Oh wow. Yeah, she's kind of terrifying. BILLIE ELLISH is an Old Soul. (it's true, she actually is) A really, really old soul. Who is this. I like it. Are You Okay? Not really, but-- (Shrugs) That's it? That was the fast? Yup. But it was so short. Sometimes it is. But now what? What else do you want? I...don't know how to do this. Sure you do,you just do it. You don't know how you shine the sun, you just do it Just do it! JUST DO IT, NIKE. Is this your knife? I...yes. [they fight] Is this your knife? I... maybe... [they fight] Is this...your I-- [winces] CUT TO: Now, give me your hat. What, why?! GIVE ME YOUR HAT. Damn dude, Skrillex is kicking ass and taking names all day in this. What movie is this? *This is the dimension where pretty much, everything is Skrillex. Well, Everything is Skrillex. Is this the one with the Bellagio Fountain? I think it is. Nigga. He remixed it. He what? The Conniption. He remixed it. What? “The Conniption”; that's what people are calling it. Oh... Yeah. Bruh. Look at-- OH MY GOD. Bro..you leave the fandom, you leave the kingdom. What Kingdom? Dog, this isn't a Kingdom, it's just random. Bro, people LOVE IT. Now they want you to do a collab together. A collab with Skrillex? I can't afford a collab with Skrillex.. You have to do a collab with Skrillex! Uh, I don't have to do anything. Especially that. ___ You're getting residuals off my existence. I am your existence. SKRILLEX is a SUPERSTAR DJ. -&- SUPACREE is a SUPERSTAR DJ. WARNING: This combination is potentially hazardous. WARNING. ! ! ! X___X WARNING. __ ...is there something you need me to do? It's... hard to talk about it... Then don't, you don't have to speak, at all, you know. Oh what, he's telepathic? Homeotelepathy. What is that? BRO, WHAT IS YOUR POWER. Dude, I don't want to see Skrillex. That shit is terrifying. You're terrified of Skrillex? [Plays three clips] ...yeah, dude. Okay, so basically. Wow, he's a rocket scientist. How did you get to this Planet? What Planet. Oh, Goddamn him. Well, t-- Then we just LARPED. Wow that's... Oh, it got violent. Are you Finished with the Skrillex? Not yet. DUDE, DID YOU KNOW? NO! DID HE KNOW? NO! (((YES.))) AGH. I hate this place! Everything is YES. You're a fucking idiot. Oh yeah, you're a fucking Skrillex. How about that? Call me Skrillex again, you little bitch--just look me in the eye and say it. Skrillex. __ Hey, I know this magic… Magic, this is all magic. Yeah, I know this guy; This is Jimmy Fallon's magic. (Good job, bro.) Jimmy Fallon's Galaxy. What the fuck I thought it was a planet. *Ahem. Jimmy Fallon's Magic Galaxy. Oh, wow. Alright, then. WHAT. Jimmy Fallon isn't a Bampheramph. Actually, he just made Captain. You're kidding. No, that was... that just happened. Jimmy Fallon. (Obviously) Come with--actually, you can stay right there. What? Just stand right there. ...and that's his magic. How does he have that? What did he ask for? What did you give him? What did he ask for? What did you give him?! Oh My God. You can't just go around granting wishes! I was just trying to manage these prayers, one-handedly. You can't just answer all the prayers as “wishes granted” that's why we have this system. Christ. No, not me--not today, Satan; I can't TAKE IT. JESUS CHRIST. Nah, he quit. What?! BUT. You got me now, so. Who the FUCK are you? I'm..uh... What are they calling me? They don't know it's you, they're still calling you Jesus. Well of course they still worship Jesus. Which Jesus? Well, any Jesus--All The Jesus. It was all the Jesus. All the Jesus. Magic Israel? A Ziptie machine? A “Stud Finder” IT WORKED. Of course it works. Well, no use crying over spilled Skrillex. But what do we do with it? Well, we're just going to have to get rid of it. Get rid of it? Fuck that! Didn't you say you wanted to *sissappear? Yes. Then get out of here. It is-- No, this isn't. This is his. No it isn't--it isn't Skrillex. What do you mean “It isn't Skrillex”? It's Skrillex. It isn't Skrillex. What are you talking about--it's-- I made this. What? No, it's. It's me. I did this. She's not mad at him, or anything In fact, She's just a fragment Or a figment or a magnet, that managed to stick In his imagination I hang out in this memory It's bad, But I keep going back-- I thought maybe I could manage it Keep it from happening But it just keeps happening And hasn't yet I have to see him. His eyes. He's hiding it. I know where the rest is. Skrillex has it. I'm dying, right? I have to be dying. You're dead. But I'm dying. I've been here before and I've felt it. Tokyo? High rise. Sounds Nice. Check the price on a flight. Likewise, I've tried to find this guy about a million times. I know where he hides it. So, how does it end? It just ends. yeah --but how does it end? It just...ended. You actually have to leave, to get out of here. NO… Don't do it. Don't do what? I didn't do anything. This is the way she wanted it. JUMP. Jump--now? Are you sure? This morning my mind was made up; I was going to Thailand for over a month. Sweet, and Rich-- But Flaky Like a pastry in the morning; Seems like a great treat but really, He's no good for me So we'll have a Mexican Wedding Damn. How did Dillon Francis get so high up??? Well, I found him hanging from a tree, so. OH FUCK, I GET IT-- HE IS GERALD. Damn. I don't know how to explain this… Oh shit, I get it; I'm Gerald. - — NEXT EPISODE: CESMET AND PETRUFHEIO are beyond overwhelm; GIAN stands before them, taking a respectful bow as he, too joins them in battlestance, which cannot be broken in physical stature, however the focused energy between the triad raises the entire colleaium into a total chaos and commotion. GIAN?! What is this? Who are you? GIAN, serious and stern, unusual to his demeanor, scoffs, as he focuses on C'esme't, acknowledging her presence in consciousness, and all respect. Petrutheio, face reddened, implodes with anger, nearly breaking his stance. Go ahead, Pet— That's Your Highness— —you can't win— —I already have— —He'll kill you. —he's already dead— Aren't we all? C'esme't, the only of the triad having actually experienced all forms of death, aoftens her gaze, entering into cosmic ompinpotence I'm having a hard time Getting started With this project Probably because I just want off this planet Cause it's lovelies; I'm honest with my thoughts, And now I'm lost in them I'm lost without you Lost another pair of socks, In the common laundry room I'm just an everyday, ordinary Motherfucking wannabe, a DJ But I wanna be a mother one day I'm at the apex I'm a warning call, A warning call A warning If I kill myself again, I'm waking up next to my lover So good morning, So good morning Just a warning Nothing's ever better Then the taste of butter; Dug you up to wonder what the fuck was up With all the rubber ducks Inside my cup, or tub I'm just a cuck I guess you really love her, huh I really love the one, I really love I really love My other husband— Huh I'm at the apex I'm a warning call, A warning call A warning [SHOT] If I kill myself again, I'm waking up next to my lover So good morning, So good morning Just a warning [SHOT] Just a warning shot to shut you up, You little fucking slut Enough's enough Another lover, motherfucker Suck it up, you cunt You're just another one You're just another one of us You're just another Just another one of us You're just another one You're just another one of us You're just another Just another one of us I dug you up to hug you, But all you are is just Some bones, dressed in new clothes I took your skull home And I put it on my mantle, Make a wish, —and then I blow the candle Out. Huh C'esme't has secretly turned to self-harm, in the midst of her ongoing emotional crisis due to Petruchio's arrogance and deliberate carelessness; she begins to fear for her Selfl, as she discovers during a match in her reflective state that she is recently unable to cry, hardened by her stubbornly aggressive counterpart, C'esme't draws the blood of her palm, which she spills onto the sundial in the labyrinth; she is startled and surprised shamefully by Gian, who, though normally calm becomes diffuse, and sent into a powerful fury of sadness and rage-- She reveals to Gian, in his onset of tears that she herself has been unable to cry, to which he deflates as she comforts him, holding his as he weeps glistening streams of ‘conscious tears, crying quite physically for the two of them, blood mixing with his tears as he grasps s cesmet's wounded palm, gripping it to his cheek; His intrinsic healing powers are revealed as his tears begin to mend the deep wound; Meanwhile, Petrutheio becomes irritated, as he is forced to continue pausing a Jester's Match, stricken with excruciating pain in his own palm; Attempting to ignore it, he continues forward with his match, but is irreversibly injured when s when his palm becomes again singed with pain and he is stricken by his opponent; He falls to the ground, clutching his palm, immediately knocked unconscious. He fades into a dream. PETRUTHEIO, YOU TELEPATHIC HACK! Oh, so you finally acknowledge my telepathy… In the highest realm, where The One is set to assume, interwoven intoThe Golden Goddess Of The Eye— Dark Heart Artist —the Eldest consciousness in any given existence; being that of everything of Love, and Light The middle realm, where the majority of a——- What the fuck. Wait, what happened? It just ENDS!!? It just ENDED. WHAT THE FUCK. AHHHAHHHHAHAHHHH. No, no, no– WHAT THE FUCK Wait! Go back! AHHHHHHHHH. [Holding eachother screaming] Oh, look. A butterfly. WHAT. There is is. Oh. See. huh. [a calm silence] Bro. huh . Wait. we're INSIDE. {holding eachotherscreaming] My heart is in another place, And with these words we face A face to face A fight of fights The faux of foes— And so, a duel it is For you, I fawned; For you, I called— The darkest night was followed by The lightest light That Dawn could bring, And I would sing this to you, too, My love— But have no melody A melodrama, Or a comedy? Come my lover, come to me My lover, come to me Come to me, my lover, Come ro me— Come, my lover, Come to me— Come to me, my lover Come to me Come to me What was once, Is always— Don't you see? I see you, See you, see me What we were, We always are We always are We always, always Oh, what would you do to me? Oh, what will you do to me? Oh, what did you do to me? What have you done to me? Come to me, my lover, Come ro me— Come, my lover, Come to me— Come to me, my lover Come to me Come to me I did fall; We did fight— It is love; He had fawned for me once— Oh— Love is what it always was; What we were once, We all become Come to me, my lover Come to me, my lover Come to me, my lover My lover, come to me Come to me, my lover, Come ro me— Come, my lover, Come to me— Come to me, my lover Come to me Come to me HI, I'm Gerald. Dude, I can't tell the story of Gerald. Only Dillon Francis can do that. I concur. That's right. Gerald is his friend-- --He's my friend-- I'm not go-- And that's it. It just ends. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.
![[ENTER THE MULTIVERSE]](https://ivyfm.s3.amazonaws.com/i320/1184481.jpg)
{Enter The Multiverse} [The Festival Project.™] Ugh, Die! Die! Die! - my mom (My mom actually said that.) SEASON 6 ACT III, PART VIII “The Lovers' Quarrel” The Lovers must practice an a traditional one-handed duel; They must fence whilst one arm is tied behind the back, a rope tightly held by each's own ascended master as they maneuver in the round. It is a practice of stealth, dynamic movement, and self control. Petruchio and C'esmet passionately dance in the round--the training period stands as a trial-and-error, The Ascended masters tugging at the ropes to correct their mistakes. C'esme't travels to a descended dimension to materialize her Ascended Mastery; Supacree Gains her powers not slowly, but all at once. Avicii explains how long one walks the astral void before returning home into the Kingdom of Heaven after departing. DILLON FRANCIS YOU'RE GOING TO GET ME KILLED. CHAK CHEL I wasn't trying to get you killed! I was trying to get you laid! || D.J. YOU'RE GOING TO GET ME KILLED. C.C. I WASNT TRYING TO GET YOU KILLED! I WAS TRYING TO GET YOU LAID. D.J. I can get laid by myself! C.C. D.J. Shut UP. The famed lovers take their place in the center of the arena; they humbly and gracefully take their battle stance, looking each other in the eye, one arm extended behind the back to face the sky, the other planted firmly, grounding them to earth. In quiet desperation, a silence falls over the entirety of the space—until, a glowing light distracts all but the two of the lovers, focused in oneness, acknowledging two qual parts of one whole. The crowd gasps and coos, as the glowing figure, masqueraded by shadows in a beam of light and colorful auras A tall figure stands equidistant to the two lovers; the triad is formed, and as he begins the yet Ū fort old ancient ritual, the lovers are overwhelmed with shock and confusion. blackout — END EPISODE Lost your shine? Lost my Skrillex! You miss it? Do I Miss—? … You know what? What. Fuck you, dude. ...no can do. [later] Are we relaxed? What is this? I need it. You fucked up. This isn't right. No, it isn't. — BLACKOUT, What happened here? Are we rolling? Cut to commercial. — Are you serious? I'm so serious!!! She's so serious. Cut to: Grocery Store, Day [over the store radio] She's a maniac, maniac on the floor!! What is she DOING? What are you doing? I'm doing me, bitch. And she's dancing like she never has before. —cut to rave— ***WUBZ*** Who is this? I'm on my own tonight. Is she drinking?!? THATS NOT FAIR! Oh, Sweet Jesus! —regular Jesus: [to sweet Jesus] aha! It's you this time. Sweet Jesus: fuck, no fair. THIS ISN'T SKRILLEX. Sweet Baby Jesus. Sweet Jesus: (relieved) YES. Regular Jesus: oh, you're saved. Nice. [ JESUS passes BABY JESUS to SWEET JESUS, then footballing the infant into the outer realms, dusting his hands off and flexing.] Send the Messiah. Wait, which one? Yeah, whose Messiah? Cut back to: the rave ...Who's baby is this? Woah, cool baby. I respect that. [the third raver simply lifts his diffraction glasses, astonished by the bedazzling baby Jesus's vibe.] Wait, Baby Jesus is bedazzled? MAYBE: Cut to: A flash of the alternate dimension, where indeed baby Jesus is Bedazzled.] Cut back to: No, his vibe. Is he sparkling? It's his aura. Oh. Pfft. Lol. Okay. —- First of all, I've never had this many black friends before. .. Oh, my God… I am alarmed. She's so stupid… Actually, just ugly—! Eyyy. Woahhh! But now I'm— You're a fan. Hey—I ate a fan for breakfast—okay?! Literally. OKAY. Ew, gross. Just kill me. [without hesitation] No—Ze Rulez. [Lowers Rave Weapon] __ I'm highly allergic— —Don't need Skrillex. Brought my own! — [stabs self] What is that? Oh shit, it's the EPI(c)PEN OH SHIT. Nice. It also writes. After the stab? Usually after, yes. You, have to. Oh, yeah, huh? No, you actually have to stab yourself first with it—or else it won't write. — Anyway—what were you trying to write? ...fuck, I forgot. Good job, Sonny. ___ Take me back! You wanted this. I wanted NOTHING. You got there! Agh!! Then when you did, you wanted to leave. There's no music. It's literally NOTHING. Except Jimmy Fallon. WHAT?! Since when?! What? Since literally ever. What?! No way. Let me see. Let me see. Oh my—WOAH. Let me see. Nothing is something! Unh-uh bro! What the— IT IS JIMMY FALLON. There's this cricket that lives Somewhere near here, When I hear him I think of the song He sings and all I think is “I wish someone would sing for me, I wish someone would sing for me” If he makes me cry one more time... “One last time, We gonna celebrate” If there's an album, there's going to be a tour; If there's a tour, I'm gonna wanna see him And it's just infinite, isn't it-- Infinite, isn't it? There's no point to it; There's really nowhere safe, that I could run from him A class act An a plus A sad actor with black magic A bad pastor with bad habits A black cat, and a hat and in it Is everything I ever imagined If there's an album, There's going to be a crowd I'm gonna want to be in it And it's just infinite isn't it Can't live with Skrillex Can't go on tour with him Maybe I just, Settle down in this awful town While I try to figure out, What this is about And if this is about Skrillex How did I get into it? If this is Skrillex How do ___ AHHHH DUDE. AHHH THIS ISN'T HAPPENING. Ahhhh man. What the fuck. This is--did you Put The Skrillex in The Skrillex, like I said? ...I… ...did you put the Skrillex in The Skrillex? Skrillex-Skrillex Put the-the Skrillex in the Skrillex Skrillex-t-Skrillex-Skrillex Skrillex is Skrillex-Skrillex OH SHIT. YOU DON'T REMEMBER WRITING ‘THE SKRILLEX SONG'? I DIDN'T WRITE IT! YOU WROTE IT. She's denying it. Oh, She stole all ya'll music. She took all of my songs. All of them? I mean, not all of them--just the bangers. I'm not going to Mexico for Dillon Francis. “The Interrogation” SUPACREE pays the incarcerated SKRILLEX under observation a series of visits, using her invisibility cloak. [[*This would be along the same storyline (using a linear “time”) where SUPACREE has gained most of her abilities, and is also terrorizing Dillon Francis (*interns scene). So. What? Just to get this straight; Nobody can see SUPACREE? Right. But she's--basically--beating the shit out of people. Yeah, she's just... fucking shit up. But nobody can see her. No. At all. No. Nobody at all, just the DJ's. Starting with-- D1-Skrillex D2-DIllon Francis D3-SUPACREE (Wait, how the fuck?) Scary Monsters and SUPACREE. Well, which comes first? What? Which movie? I--What? In order. Order? Like...wait, what are you saying? When you put them in order-- Order?? ORDER!!! Bruh. I just got a dick pic from Dillon Francis. What? By like, accident? I don't think it was an accident… It had to be... It has a personalized greeting, with my name in it. What? Let me see--! (Look) I mean--not “let me see”, I just meant--the greeting. Like, what did it say? Dude-- Damn, that's… Yeahhhh man! Was there a show tonight? Maaaayyybe, I don't know where it would be... Yo dude, I'm calling--WOAH. What dude? I got a message from him too! Oh shiiiit, what's it say? Should I even open it? Open it! What if it's his dick, bro? Open it! [Opens it.] OHHH. It's his dick, bro. Oh SHIT, what the fuck HAPPENED? What did happen? Does yours have a message? What did happen…? I feel like--wait, is that--huh. What does the message say? It does have a message...wait--let me see yours again. What the fuck for? [staring at phone, cocking head slowly to one side] ((Ohh, I like this, the audio pans like--)) I feel like mine's at a different angle. A different angle--wh--let me see. [shows phone] [cocks head to the side slowly, returning to his phone to compare the photos] Oh shit, that is at a different angle. With different lighting! Whatthefuuuck. Dude. _ Well, what did you do when you were Skrillex? A lot. _ Yo. That dude has like 16 passports. I had a lot of fun as Qua Long. _ Shenanigans As Dillon Francis-- Oh shit, this is gonna be a long list. It's actually not that much. (It's a lot) Dillon Francis sits at his desk in his Lair/Office. A pile of legal paperwork is stacked in front of him. ((Oh shit, where's the scene where he's got the glasses?)) Which...glasses… Aw fuck. Oh, right--cause he has a-- He has an entire series. How the fuck did Dillon Francis get to be Captain of the Motherfucking Bampheramphs?! FUCK that, he's not my captain. He's your captain. He is not my Captain. That is not my President. I'M THE CAPTAIN NOW! **Insert: This Is: Dillon Francis Here Damn dude. Dillon Francis needs an entire character analisis (Okay, keep that misspelling, that's hilarious. Anyway) *Analysis I think I might have to write one. Can we not? I mean. Yo dude, i”m like half capacity for Dillon Francis Half, is….half. Well, I mean it's corona virus so-- Fragments of Mr. Francis Blasted analysis Need a dialysis just to get this Sk- Shit out my system. Now I speak Sk-Sk-Sk I shout out curses. Now I speak clown I'm an Owl out of water. Now I speak Sk-Sk-Sk I create languages I see the stares On blank faces I paint the canvas With blood and with ashes I leave on the pavement First of all, These park and raves are crazy Electric Daisy is inside me Everybody's at the party All the stars aligning And all the patrons waiting, waving ___ I call him “The Ghost” You never know where he goes, And the music follows No forward But I know, I know He's The Ghost Producer And I'm just a Loser _ Ive never seen this one before! Me neither. That's great. Something new. Well-something old, something new--it's Skrillex. Yeah, but I like Skrillex. We all like Skrillex Wow. Oh, the fan..family. Family? Family, wait-- AGH, THIS MUSIC IS DISTRACTING ME. It was so clear, and then it just-- Yeah, Vanished? Yeah. Yeah. [A Silence.] A circle of dancing people summon wishes out of the center of their Concentrical Circle. AHHHHHHHHHHHH. What. I'm pretty sure this already happened. I remember that. What? That never happened Uh. It did. It happened like, last season-- --LAST SEASON? --maybe even the season before that. What! I thought we were watching the Pilot! I THOUGHT THIS WAS A MOVIE. This is the third movie. THE THIRD MOVIE? Wait--when did you get here? I...have always been here. [beat.] She's been going on like this for two days. Oh My God. Yes. Have you tried to stop her? No, it's too good; Plus, she can sense us coming it's--watch this. Queue the passerby. A passerby moves towards the garden in the far east corner of the observatory; Are you recording all of this? Even better; We're broadcasting it. To WHO? (in space, in what (was thought to be, anyway) a Void in the unknown. Uh, it WAS a void in the unknown, until a satellite crossed into it) What the fuck, is that a Satelite? A satellite! A satellite? Which satellite? I've got dozens of satellites. Dozens? *Thousands Elon Musk: ...Was it one of mine? (It was) ((To literally nobody's surprise)) (((Literally))) Literally, nobody--because literally nobody ever existed, ever. Until this happened. WHAT IS THIS? Have you seen this? No. Well, you're in it. Okay? I'm in a lot of shit. We all are. But not this. (yes you are) What was that? What was what? You need to burn this. Burn it… Nobody can ever see it. Okay. I just took 6 Xanex. 6! YES. And ⅓. And a third. Okay. Yes. 6 and ⅓. This, This. This is why. Why what? Why he looked at me like that. Like what? [A look.] But how could he have even known; Where could he have ever been, that I was that would make it make sense. Well, we know the Why. This is why. So now--How. How, now Brown Cow? Okay, honestly--it's almost funny now, because yeah--I'd probably also react that same way if I knew someone was going to write that about me. Yeah, I panicked. Panicked; I had a heart attack. Have you seen that thing? Yeah, it's massive. It is massive it's-- --God, it's ridiculous. --It's almost atrocious. Yikes. Yeah. I've been inside of this story before. Oh? I've been inside all of them. I see. Most of them, I just choose to forget. What makes it so that you choose? _ I actually stopped breathing. For how long? Forever. It was nice. _ You...made this…? I...yeah. You cooked me breakfast. I enjoy cooking. Well, thank you. Welcome. DEAD. How did-- Alright. So these two planets. Yeah. Two different galaxies? I guess. Okay. _ First of all that party was lit as fuck and you missed it. I didn't miss it, I just... attended at a limited distance. Chak Chel's set. Doooog. It was. (MM.) Bruh, I just miss when SNAILS was Captain. That was fun times. Too bad we can't go back. ...we can go back... No, dude don't-- Ted, Ted, and Ted meet Todd, Todd, and Todd at Lost In The Sauce Lands. So basically--all 6 of them fuck up at the same time and end up In this-- It's basically a void that lasts infinitely at Lost Lands. Oh shit. _ You better quit it, before you get Stuck in The Skrillex. [The Skrillex Tar Pits] _ Have you ever seen a mosh pit at-- -- Skril-- NO. I'm not ready to talk about it. --Dillon Francis-- It was really therapeutic. -it was nice, they had protective equipment -there was a line, and a queue -it was literally the safest moshpit I've ever attended. Meanwhile, at the Skrillex concert: I'M NOT READY. - Well, that was nuts. Please. No amount of marijuana is going to make you capable of understanding-- I'm not trying to understand, i'm trying to cope; okay? This nigga has magical powers. --And then what?-- Is she still on fire? (an explosion) Yes. Is she still on fire? (several explosions) Maybe. There were so many bombs. (((But the worst?))) “The Nigga Conniption” Oh, shit, is that what we're calling it? Where did he get it? He didn't “get it”, he just had it. How could he just “have it.” I had to do something; They were going to kill him. What happened to your “survival of the fittest” This is different. How is it different? This is different because he isn't sick, or defective--he's just...created… …? ...differently. So it's different. Woah. That's a lot of shit. It is a lot. What the fuck. I swear to GOD i've been in this WOBBLE for over a MINUTE NOW. Ahhhh, there you are-- Ah, The Wobbles. Here, we meet: -mr. wobble -the wobble monster and some other wobble people who live in the wobble. Bruh. I am so tired. What does this dude eat for breakfast? I guess we insert that scene with Dillon Francis here, right? (((Yup.)) So, to this festival… YESTIVAL. Oh shit, is that what we called it? YES. oh shit, because-- EVERYTHING IS YES. (Everything was yes.) ((It was.)) (((It still is.))) The Venga Bus. The Double Dutch Bus. Whatever that is. The Oscar Meyer Weiner Mobile. That strange Double Decker from Harry Potter. T h e S o u l T r a i n Did it have a name? I don't know. I don't have time for the internet right now. Now they call me “the internet” Okay, wait-- Yeah. So. Next time I die, that's it--everything just stops. Yes. _ Eventually I'm gonna get sick of this shit and just sit But that's someday, And todays not it; It's lit About to hit TiTs and Hit the Highway, And I'm on the way Cause I was born to rage. DaDa Life. Ahhs, those were the days. The golden age of rave… FIRST OF ALL PASQUALE, THIS SHIT IS RIDICULOUS. (Overhead of EDC) YOU DID THIS. [that's a neutral] Is she yelling at him? I think she's more proud and impressed, but pissed at the same time, because he's just so nonchalant and calm about it. Oh please, that nigga is not calm. Face. Have you seen his eyes? They're wild. Wild, I tell you. OKay what the fuck is happening; Pasqualle's eating Twinkies right now. Dude, the world is ending. I don't think the world is “ending”, it's just...something's probably wrong with it or something. [[watching virtual rave]] oh yes, something is wrong with it definitely. What is actually happening right now. This shit just lifted us into space-- --this isn't it, is it?-- What, at the rave? You're still at that rave? You have reception in space?...Hello… Oh Hell No. My Phone cut off! I still have reception. Who do you have T Mobile (but later) Bruh, I just lost service. What? Oh no. Oh, what-- I still have service. What? When did you get here? Who the fuck are you? I've...always been here. What, no you haven't, I-- Shh. Here. What? How do you have service? What carrier is this? GOOGLE. I don't know--have you asked Google about it? No, fuck that, I don't want to talk to Google about it--she's just going to make me over analyse everything-- Maybe you should over-analyse it. No. Hey man, the word ‘analysis' is starting to look funny. Of course it looks funny, it starts with ‘anal' Who starts with ‘anal'? Touchy. Hooe shit, have you seen that bitch? She's scary. She's a bit scary. Did she say that? I believe it. I don't know if I believe it. BELIEVE IT. Wait, you're Naruto? In the flesh! WHY! Why am I Naruto? WHY ARE YOU IN THE FLESH?! How did you DO this? You did-did. I did not DO this; I couldn't DO this! You can do anything. But I didn't! But you can. You can do everything. You are everything. But i'm not. Alright. Then you're not. WHAT? If you honestly believe that--or whatever you honestly believe--then that's facts. Damn, she put you in a “Fuck You” Chamber. [*ding!* FUHCKYOU] What did you DO. Yo, what did you doooo. What did you do to this girl, oh my god dude; I hate you. I hate you! I HATE YOU. I HATE-- Oh now, dear; Hate is such a strong word. Ohh. It's a Skrillex. S K R I L L E X It is. Looks Fragile. Should we grab it? FIRST OF ALL, --Goddammit, dude-- “IT”, is a HE. Okay, DAMN. DAMN? OKAY. [she does.] Damn. Yeah. So that's what “Damn” is. Lol the first damnation. Hey-- Hi-- Okay, what if-- What if: THAT'S the name of your Supergroup? I wanted to call us “Trifecta” Here? yeah , right here. This is where you want your Kingdom? ...Yeah, right here. ...Okay... Okay. {A look} K bye. _ I've been at this rave for 57 days. _ Okay. Ya'll. Okay, ya'll! No. Guys. We gotta get out of here. What? Noooo. We're just getting started. No. Guys. I'm serious. Something is happening. “I see dead people” ...Freddy Mercury? Really. Uh huh. At a rave. Yes. In space. We did go to space, yes. Okay. Simpson? Yes. I'm gonna need you to take the day off. he's crazy He's not crazy, he's just gay! he's craaazy gay. _ Okay. But how do you know him? he's my ex. No he isn't. Who is it? (sighs) it's...my ex. WHAT? Check. Mate. Bitch. __ Mm. I know her. Who--Billie Ellish-- [Nods] What? Take me to her. Take you...to Billie Ellish. If that's what you're calling...her... now...yes. “now”? Mmhmm. Lady, how old are you--and what is this shit? Hm. (squints) try it. (sus) UH, no…? Suit yourself. It's there if you ever want it. (later) Dillon Francis is searching frantically for extra magic when-- [He comes across the flask, and snatches it.] WOW. Yeah, I know; it's crazy, right? You just found him like this? I did. Where was he? I tripped over him at a bus stop. Woah. Bro, that's so mean. Okay What did Dillon Francis do to you? He knows what he did. He does? No. (He actually does.) Oh, I knew it! ((You should know it, you wrote--)) THE END. ___ What is your favorite invention? Of mine? Yeah. Hmm…. (((Ganja.))) What's your favorite color? Hmmm… (((White))) “When The Day Met The Night” Has Brenden Urie been to the future? Probably. He seems... He seems off. (He is) We all are. (You are.) Hey--who's saying that? Let me be Frank. Dooooooog. it's that part! It's that part. Shuttup! Nigga this is it--this is the shit I told you! So...how many channels is this on? It's on millions of channels throughout the interdiemensions and counting. “Millions of channels throughout the interdimensions,” Not only are we Global; We are now Interplanetary, and our Communication Technology has connected us into the outer dimensions, and intersecting parallels. Are you guys done blowing eachother up yet? UH, WHAT? You're idiots; This was supposed to be a redemption for your entire species, and you fuckwads ruined...pretty much everything. Now we have to mellow out your entire civilization-- --yeah, or annihilate it-- ---just for you backwards savages to get lifted into the Ascension. Idiots. What was that? What was what? Did you hear something? Hear what? Ouch! Ow? What's wrong? Are you Okay?! *trigger, pulled* -------------------------------------------------------BOOM--------------------------------------------------------------- S/HE CAME THROUGH MY SUBWOOFER. She came in through the bathroom window. ___ No, no, no--let me be the DJ. You're already the DJ. Heh. I wanna be the DJ. What were you saying? I don't know. Something Something Sonny Something. So she took 6 Xanex, and #Adderall It was just a long day, that's all… And then I hear Skrillex is on his way HERE? Damn. No. I'm not okay. So, I... Damn dog, she lost it. She lost it. I ovet is. huh. Oh man, he was on one. I'm on one. Fuck it, I'm On One. Fuck. What happened? What happened? What happened? Well, that's tragic. Wait--this is a tragedy? No, it isn't--it's a comedy. No, it isn't-it has Sad Dillon Francis. Exactly. If it has sad Dillon Francis in it, it's tragic. It's supposed to be dramatic. Dillon Francis was crying in it? That's fantastic. That's hilarious. Sad Dillon Francis? I don't want to see sad Dillon Francis! He's a bad actor. Then i'll be sad. We're all sad. Oh, you're right--we're all sad. Oh. He is actually not a bad actor. He was really good in it. Oh, my God--it was really good. Are you serious? I'm not watching it. It's nominated for an Oscar. I'm not watching it. C'mon man --do you know how long it took to get my hands on this? They have them at Fantastik. Do you know what I had to do? It was not cool. Bro, it was so cool! So goood. He is, he's good. What has he done! This is bad. This is very bad. KLIPTOWN EMPYREAN, OH I GET IT, IT'S-- Sop. Okay? You're never gonna get it. ‘Nah, you're never gonna get it. Never ever gonna get it DUDE. WHAT? WRITE THE FUCKIN MOVIE. WHICH ONE? I DON'T KNOW--THE ONE THAT GETS US OUT OF HERE. How'd you learn how to do that? Do what? Does he know? No, he doesn't. He doesn't know. Oh. Oh, he doesn't know what he did? Nah, not yet. Wow. Have you seen this? [Looks] (Not Impressed) Now I have. What d you think-- I don't. That it's like, magic, or...what is that. I don't know what it is. Well...what do you think it is? I don't think, I just listen; and if anything sounds interesting, I just send it in. Interesting like this? [plays it] CUT TO: [stops it] This is interesting. They stare into The Box. I'm glad you did this in person. No one else can know about this; Not even our affiliates. Not even-- Nobody. Woah, it actually came back I told you, if it was a good idea, it would always come back. It...I guess. Besides, it's already happened. It's just playing over. “Do I Know you?” “Do you?” Damn. This shit gets deep. I don't get how it's deep. And I don't get how it's DIllon Francis. I can't even imagine how this happened. Imagine Dragons. That's--I'd rather--not. Anyway, why is she cooking this nigga breakfast? Because he's dead, he should have a nice breakfast. Yeah, you're probably right. BILLIE ELLISH I---like that scythe. SUPA CRYPT KEEPER It's nice, right? BILLIE ELLISH Yeah. I like it. SCK You like it? Have it. BILLIE ELLISH It's mine? SCK Yah! If you like it so much, just take it-- CUT TO DILLON FRANCIS DUDE, SHE TOOk ONE OF MY MAGNETS. CUT BACK TO BILLIE ELLISH Nice! Besides, I have another one just like it--but tiny. TINY SCYTHE. Have you seen this Billie Ellish kid? Oh wow. Yeah, she's kind of terrifying. BILLIE ELLISH is an Old Soul. (it's true, she actually is) A really, really old soul. Who is this. I like it. Are You Okay? Not really, but-- (Shrugs) That's it? That was the fast? Yup. But it was so short. Sometimes it is. But now what? What else do you want? I...don't know how to do this. Sure you do,you just do it. You don't know how you shine the sun, you just do it Just do it! JUST DO IT, NIKE. Is this your knife? I...yes. [they fight] Is this your knife? I... maybe... [they fight] Is this...your I-- [winces] CUT TO: Now, give me your hat. What, why?! GIVE ME YOUR HAT. Damn dude, Skrillex is kicking ass and taking names all day in this. What movie is this? *This is the dimension where pretty much, everything is Skrillex. Well, Everything is Skrillex. Is this the one with the Bellagio Fountain? I think it is. Nigga. He remixed it. He what? The Conniption. He remixed it. What? “The Conniption”; that's what people are calling it. Oh... Yeah. Bruh. Look at-- OH MY GOD. Bro..you leave the fandom, you leave the kingdom. What Kingdom? Dog, this isn't a Kingdom, it's just random. Bro, people LOVE IT. Now they want you to do a collab together. A collab with Skrillex? I can't afford a collab with Skrillex.. You have to do a collab with Skrillex! Uh, I don't have to do anything. Especially that. ___ You're getting residuals off my existence. I am your existence. SKRILLEX is a SUPERSTAR DJ. -&- SUPACREE is a SUPERSTAR DJ. WARNING: This combination is potentially hazardous. WARNING. ! ! ! X___X WARNING. __ ...is there something you need me to do? It's... hard to talk about it... Then don't, you don't have to speak, at all, you know. Oh what, he's telepathic? Homeotelepathy. What is that? BRO, WHAT IS YOUR POWER. Dude, I don't want to see Skrillex. That shit is terrifying. You're terrified of Skrillex? [Plays three clips] ...yeah, dude. Okay, so basically. Wow, he's a rocket scientist. How did you get to this Planet? What Planet. Oh, Goddamn him. Well, t-- Then we just LARPED. Wow that's... Oh, it got violent. Are you Finished with the Skrillex? Not yet. DUDE, DID YOU KNOW? NO! DID HE KNOW? NO! (((YES.))) AGH. I hate this place! Everything is YES. You're a fucking idiot. Oh yeah, you're a fucking Skrillex. How about that? Call me Skrillex again, you little bitch--just look me in the eye and say it. Skrillex. __ Hey, I know this magic… Magic, this is all magic. Yeah, I know this guy; This is Jimmy Fallon's magic. (Good job, bro.) Jimmy Fallon's Galaxy. What the fuck I thought it was a planet. *Ahem. Jimmy Fallon's Magic Galaxy. Oh, wow. Alright, then. WHAT. Jimmy Fallon isn't a Bampheramph. Actually, he just made Captain. You're kidding. No, that was... that just happened. Jimmy Fallon. (Obviously) Come with--actually, you can stay right there. What? Just stand right there. ...and that's his magic. How does he have that? What did he ask for? What did you give him? What did he ask for? What did you give him?! Oh My God. You can't just go around granting wishes! I was just trying to manage these prayers, one-handedly. You can't just answer all the prayers as “wishes granted” that's why we have this system. Christ. No, not me--not today, Satan; I can't TAKE IT. JESUS CHRIST. Nah, he quit. What?! BUT. You got me now, so. Who the FUCK are you? I'm..uh... What are they calling me? They don't know it's you, they're still calling you Jesus. Well of course they still worship Jesus. Which Jesus? Well, any Jesus--All The Jesus. It was all the Jesus. All the Jesus. Magic Israel? A Ziptie machine? A “Stud Finder” IT WORKED. Of course it works. Well, no use crying over spilled Skrillex. But what do we do with it? Well, we're just going to have to get rid of it. Get rid of it? Fuck that! Didn't you say you wanted to *sissappear? Yes. Then get out of here. It is-- No, this isn't. This is his. No it isn't--it isn't Skrillex. What do you mean “It isn't Skrillex”? It's Skrillex. It isn't Skrillex. What are you talking about--it's-- I made this. What? No, it's. It's me. I did this. She's not mad at him, or anything In fact, She's just a fragment Or a figment or a magnet, that managed to stick In his imagination I hang out in this memory It's bad, But I keep going back-- I thought maybe I could manage it Keep it from happening But it just keeps happening And hasn't yet I have to see him. His eyes. He's hiding it. I know where the rest is. Skrillex has it. I'm dying, right? I have to be dying. You're dead. But I'm dying. I've been here before and I've felt it. Tokyo? High rise. Sounds Nice. Check the price on a flight. Likewise, I've tried to find this guy about a million times. I know where he hides it. So, how does it end? It just ends. yeah --but how does it end? It just...ended. You actually have to leave, to get out of here. NO… Don't do it. Don't do what? I didn't do anything. This is the way she wanted it. JUMP. Jump--now? Are you sure? This morning my mind was made up; I was going to Thailand for over a month. Sweet, and Rich-- But Flaky Like a pastry in the morning; Seems like a great treat but really, He's no good for me So we'll have a Mexican Wedding Damn. How did Dillon Francis get so high up??? Well, I found him hanging from a tree, so. OH FUCK, I GET IT-- HE IS GERALD. Damn. I don't know how to explain this… Oh shit, I get it; I'm Gerald. - — NEXT EPISODE: CESMET AND PETRUFHEIO are beyond overwhelm; GIAN stands before them, taking a respectful bow as he, too joins them in battlestance, which cannot be broken in physical stature, however the focused energy between the triad raises the entire colleaium into a total chaos and commotion. GIAN?! What is this? Who are you? GIAN, serious and stern, unusual to his demeanor, scoffs, as he focuses on C'esme't, acknowledging her presence in consciousness, and all respect. Petrutheio, face reddened, implodes with anger, nearly breaking his stance. Go ahead, Pet— That's Your Highness— —you can't win— —I already have— —He'll kill you. —he's already dead— Aren't we all? C'esme't, the only of the triad having actually experienced all forms of death, aoftens her gaze, entering into cosmic ompinpotence I'm having a hard time Getting started With this project Probably because I just want off this planet Cause it's lovelies; I'm honest with my thoughts, And now I'm lost in them I'm lost without you Lost another pair of socks, In the common laundry room I'm just an everyday, ordinary Motherfucking wannabe, a DJ But I wanna be a mother one day I'm at the apex I'm a warning call, A warning call A warning If I kill myself again, I'm waking up next to my lover So good morning, So good morning Just a warning Nothing's ever better Then the taste of butter; Dug you up to wonder what the fuck was up With all the rubber ducks Inside my cup, or tub I'm just a cuck I guess you really love her, huh I really love the one, I really love I really love My other husband— Huh I'm at the apex I'm a warning call, A warning call A warning [SHOT] If I kill myself again, I'm waking up next to my lover So good morning, So good morning Just a warning [SHOT] Just a warning shot to shut you up, You little fucking slut Enough's enough Another lover, motherfucker Suck it up, you cunt You're just another one You're just another one of us You're just another Just another one of us You're just another one You're just another one of us You're just another Just another one of us I dug you up to hug you, But all you are is just Some bones, dressed in new clothes I took your skull home And I put it on my mantle, Make a wish, —and then I blow the candle Out. Huh C'esme't has secretly turned to self-harm, in the midst of her ongoing emotional crisis due to Petruchio's arrogance and deliberate carelessness; she begins to fear for her Selfl, as she discovers during a match in her reflective state that she is recently unable to cry, hardened by her stubbornly aggressive counterpart, C'esme't draws the blood of her palm, which she spills onto the sundial in the labyrinth; she is startled and surprised shamefully by Gian, who, though normally calm becomes diffuse, and sent into a powerful fury of sadness and rage-- She reveals to Gian, in his onset of tears that she herself has been unable to cry, to which he deflates as she comforts him, holding his as he weeps glistening streams of ‘conscious tears, crying quite physically for the two of them, blood mixing with his tears as he grasps s cesmet's wounded palm, gripping it to his cheek; His intrinsic healing powers are revealed as his tears begin to mend the deep wound; Meanwhile, Petrutheio becomes irritated, as he is forced to continue pausing a Jester's Match, stricken with excruciating pain in his own palm; Attempting to ignore it, he continues forward with his match, but is irreversibly injured when s when his palm becomes again singed with pain and he is stricken by his opponent; He falls to the ground, clutching his palm, immediately knocked unconscious. He fades into a dream. PETRUTHEIO, YOU TELEPATHIC HACK! Oh, so you finally acknowledge my telepathy… In the highest realm, where The One is set to assume, interwoven intoThe Golden Goddess Of The Eye— Dark Heart Artist —the Eldest consciousness in any given existence; being that of everything of Love, and Light The middle realm, where the majority of a——- What the fuck. Wait, what happened? It just ENDS!!? It just ENDED. WHAT THE FUCK. AHHHAHHHHAHAHHHH. No, no, no– WHAT THE FUCK Wait! Go back! AHHHHHHHHH. [Holding eachother screaming] Oh, look. A butterfly. WHAT. There is is. Oh. See. huh. [a calm silence] Bro. huh . Wait. we're INSIDE. {holding eachotherscreaming] My heart is in another place, And with these words we face A face to face A fight of fights The faux of foes— And so, a duel it is For you, I fawned; For you, I called— The darkest night was followed by The lightest light That Dawn could bring, And I would sing this to you, too, My love— But have no melody A melodrama, Or a comedy? Come my lover, come to me My lover, come to me Come to me, my lover, Come ro me— Come, my lover, Come to me— Come to me, my lover Come to me Come to me What was once, Is always— Don't you see? I see you, See you, see me What we were, We always are We always are We always, always Oh, what would you do to me? Oh, what will you do to me? Oh, what did you do to me? What have you done to me? Come to me, my lover, Come ro me— Come, my lover, Come to me— Come to me, my lover Come to me Come to me I did fall; We did fight— It is love; He had fawned for me once— Oh— Love is what it always was; What we were once, We all become Come to me, my lover Come to me, my lover Come to me, my lover My lover, come to me Come to me, my lover, Come ro me— Come, my lover, Come to me— Come to me, my lover Come to me Come to me HI, I'm Gerald. Dude, I can't tell the story of Gerald. Only Dillon Francis can do that. I concur. That's right. Gerald is his friend-- --He's my friend-- I'm not go-- And that's it. It just ends. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.
{Enter The Multiverse} [The Festival Project.™] Ugh, Die! Die! Die! - my mom (My mom actually said that.) SEASON 6 ACT III, PART VIII “The Lovers' Quarrel” The Lovers must practice an a traditional one-handed duel; They must fence whilst one arm is tied behind the back, a rope tightly held by each's own ascended master as they maneuver in the round. It is a practice of stealth, dynamic movement, and self control. Petruchio and C'esmet passionately dance in the round--the training period stands as a trial-and-error, The Ascended masters tugging at the ropes to correct their mistakes. C'esme't travels to a descended dimension to materialize her Ascended Mastery; Supacree Gains her powers not slowly, but all at once. Avicii explains how long one walks the astral void before returning home into the Kingdom of Heaven after departing. DILLON FRANCIS YOU'RE GOING TO GET ME KILLED. CHAK CHEL I wasn't trying to get you killed! I was trying to get you laid! || D.J. YOU'RE GOING TO GET ME KILLED. C.C. I WASNT TRYING TO GET YOU KILLED! I WAS TRYING TO GET YOU LAID. D.J. I can get laid by myself! C.C. D.J. Shut UP. The famed lovers take their place in the center of the arena; they humbly and gracefully take their battle stance, looking each other in the eye, one arm extended behind the back to face the sky, the other planted firmly, grounding them to earth. In quiet desperation, a silence falls over the entirety of the space—until, a glowing light distracts all but the two of the lovers, focused in oneness, acknowledging two qual parts of one whole. The crowd gasps and coos, as the glowing figure, masqueraded by shadows in a beam of light and colorful auras A tall figure stands equidistant to the two lovers; the triad is formed, and as he begins the yet Ū fort old ancient ritual, the lovers are overwhelmed with shock and confusion. blackout — END EPISODE Lost your shine? Lost my Skrillex! You miss it? Do I Miss—? … You know what? What. Fuck you, dude. ...no can do. [later] Are we relaxed? What is this? I need it. You fucked up. This isn't right. No, it isn't. — BLACKOUT, What happened here? Are we rolling? Cut to commercial. — Are you serious? I'm so serious!!! She's so serious. Cut to: Grocery Store, Day [over the store radio] She's a maniac, maniac on the floor!! What is she DOING? What are you doing? I'm doing me, bitch. And she's dancing like she never has before. —cut to rave— ***WUBZ*** Who is this? I'm on my own tonight. Is she drinking?!? THATS NOT FAIR! Oh, Sweet Jesus! —regular Jesus: [to sweet Jesus] aha! It's you this time. Sweet Jesus: fuck, no fair. THIS ISN'T SKRILLEX. Sweet Baby Jesus. Sweet Jesus: (relieved) YES. Regular Jesus: oh, you're saved. Nice. [ JESUS passes BABY JESUS to SWEET JESUS, then footballing the infant into the outer realms, dusting his hands off and flexing.] Send the Messiah. Wait, which one? Yeah, whose Messiah? Cut back to: the rave ...Who's baby is this? Woah, cool baby. I respect that. [the third raver simply lifts his diffraction glasses, astonished by the bedazzling baby Jesus's vibe.] Wait, Baby Jesus is bedazzled? MAYBE: Cut to: A flash of the alternate dimension, where indeed baby Jesus is Bedazzled.] Cut back to: No, his vibe. Is he sparkling? It's his aura. Oh. Pfft. Lol. Okay. —- First of all, I've never had this many black friends before. .. Oh, my God… I am alarmed. She's so stupid… Actually, just ugly—! Eyyy. Woahhh! But now I'm— You're a fan. Hey—I ate a fan for breakfast—okay?! Literally. OKAY. Ew, gross. Just kill me. [without hesitation] No—Ze Rulez. [Lowers Rave Weapon] __ I'm highly allergic— —Don't need Skrillex. Brought my own! — [stabs self] What is that? Oh shit, it's the EPI(c)PEN OH SHIT. Nice. It also writes. After the stab? Usually after, yes. You, have to. Oh, yeah, huh? No, you actually have to stab yourself first with it—or else it won't write. — Anyway—what were you trying to write? ...fuck, I forgot. Good job, Sonny. ___ Take me back! You wanted this. I wanted NOTHING. You got there! Agh!! Then when you did, you wanted to leave. There's no music. It's literally NOTHING. Except Jimmy Fallon. WHAT?! Since when?! What? Since literally ever. What?! No way. Let me see. Let me see. Oh my—WOAH. Let me see. Nothing is something! Unh-uh bro! What the— IT IS JIMMY FALLON. There's this cricket that lives Somewhere near here, When I hear him I think of the song He sings and all I think is “I wish someone would sing for me, I wish someone would sing for me” If he makes me cry one more time... “One last time, We gonna celebrate” If there's an album, there's going to be a tour; If there's a tour, I'm gonna wanna see him And it's just infinite, isn't it-- Infinite, isn't it? There's no point to it; There's really nowhere safe, that I could run from him A class act An a plus A sad actor with black magic A bad pastor with bad habits A black cat, and a hat and in it Is everything I ever imagined If there's an album, There's going to be a crowd I'm gonna want to be in it And it's just infinite isn't it Can't live with Skrillex Can't go on tour with him Maybe I just, Settle down in this awful town While I try to figure out, What this is about And if this is about Skrillex How did I get into it? If this is Skrillex How do ___ AHHHH DUDE. AHHH THIS ISN'T HAPPENING. Ahhhh man. What the fuck. This is--did you Put The Skrillex in The Skrillex, like I said? ...I… ...did you put the Skrillex in The Skrillex? Skrillex-Skrillex Put the-the Skrillex in the Skrillex Skrillex-t-Skrillex-Skrillex Skrillex is Skrillex-Skrillex OH SHIT. YOU DON'T REMEMBER WRITING ‘THE SKRILLEX SONG'? I DIDN'T WRITE IT! YOU WROTE IT. She's denying it. Oh, She stole all ya'll music. She took all of my songs. All of them? I mean, not all of them--just the bangers. I'm not going to Mexico for Dillon Francis. “The Interrogation” SUPACREE pays the incarcerated SKRILLEX under observation a series of visits, using her invisibility cloak. [[*This would be along the same storyline (using a linear “time”) where SUPACREE has gained most of her abilities, and is also terrorizing Dillon Francis (*interns scene). So. What? Just to get this straight; Nobody can see SUPACREE? Right. But she's--basically--beating the shit out of people. Yeah, she's just... fucking shit up. But nobody can see her. No. At all. No. Nobody at all, just the DJ's. Starting with-- D1-Skrillex D2-DIllon Francis D3-SUPACREE (Wait, how the fuck?) Scary Monsters and SUPACREE. Well, which comes first? What? Which movie? I--What? In order. Order? Like...wait, what are you saying? When you put them in order-- Order?? ORDER!!! Bruh. I just got a dick pic from Dillon Francis. What? By like, accident? I don't think it was an accident… It had to be... It has a personalized greeting, with my name in it. What? Let me see--! (Look) I mean--not “let me see”, I just meant--the greeting. Like, what did it say? Dude-- Damn, that's… Yeahhhh man! Was there a show tonight? Maaaayyybe, I don't know where it would be... Yo dude, I'm calling--WOAH. What dude? I got a message from him too! Oh shiiiit, what's it say? Should I even open it? Open it! What if it's his dick, bro? Open it! [Opens it.] OHHH. It's his dick, bro. Oh SHIT, what the fuck HAPPENED? What did happen? Does yours have a message? What did happen…? I feel like--wait, is that--huh. What does the message say? It does have a message...wait--let me see yours again. What the fuck for? [staring at phone, cocking head slowly to one side] ((Ohh, I like this, the audio pans like--)) I feel like mine's at a different angle. A different angle--wh--let me see. [shows phone] [cocks head to the side slowly, returning to his phone to compare the photos] Oh shit, that is at a different angle. With different lighting! Whatthefuuuck. Dude. _ Well, what did you do when you were Skrillex? A lot. _ Yo. That dude has like 16 passports. I had a lot of fun as Qua Long. _ Shenanigans As Dillon Francis-- Oh shit, this is gonna be a long list. It's actually not that much. (It's a lot) Dillon Francis sits at his desk in his Lair/Office. A pile of legal paperwork is stacked in front of him. ((Oh shit, where's the scene where he's got the glasses?)) Which...glasses… Aw fuck. Oh, right--cause he has a-- He has an entire series. How the fuck did Dillon Francis get to be Captain of the Motherfucking Bampheramphs?! FUCK that, he's not my captain. He's your captain. He is not my Captain. That is not my President. I'M THE CAPTAIN NOW! **Insert: This Is: Dillon Francis Here Damn dude. Dillon Francis needs an entire character analisis (Okay, keep that misspelling, that's hilarious. Anyway) *Analysis I think I might have to write one. Can we not? I mean. Yo dude, i”m like half capacity for Dillon Francis Half, is….half. Well, I mean it's corona virus so-- Fragments of Mr. Francis Blasted analysis Need a dialysis just to get this Sk- Shit out my system. Now I speak Sk-Sk-Sk I shout out curses. Now I speak clown I'm an Owl out of water. Now I speak Sk-Sk-Sk I create languages I see the stares On blank faces I paint the canvas With blood and with ashes I leave on the pavement First of all, These park and raves are crazy Electric Daisy is inside me Everybody's at the party All the stars aligning And all the patrons waiting, waving ___ I call him “The Ghost” You never know where he goes, And the music follows No forward But I know, I know He's The Ghost Producer And I'm just a Loser _ Ive never seen this one before! Me neither. That's great. Something new. Well-something old, something new--it's Skrillex. Yeah, but I like Skrillex. We all like Skrillex Wow. Oh, the fan..family. Family? Family, wait-- AGH, THIS MUSIC IS DISTRACTING ME. It was so clear, and then it just-- Yeah, Vanished? Yeah. Yeah. [A Silence.] A circle of dancing people summon wishes out of the center of their Concentrical Circle. AHHHHHHHHHHHH. What. I'm pretty sure this already happened. I remember that. What? That never happened Uh. It did. It happened like, last season-- --LAST SEASON? --maybe even the season before that. What! I thought we were watching the Pilot! I THOUGHT THIS WAS A MOVIE. This is the third movie. THE THIRD MOVIE? Wait--when did you get here? I...have always been here. [beat.] She's been going on like this for two days. Oh My God. Yes. Have you tried to stop her? No, it's too good; Plus, she can sense us coming it's--watch this. Queue the passerby. A passerby moves towards the garden in the far east corner of the observatory; Are you recording all of this? Even better; We're broadcasting it. To WHO? (in space, in what (was thought to be, anyway) a Void in the unknown. Uh, it WAS a void in the unknown, until a satellite crossed into it) What the fuck, is that a Satelite? A satellite! A satellite? Which satellite? I've got dozens of satellites. Dozens? *Thousands Elon Musk: ...Was it one of mine? (It was) ((To literally nobody's surprise)) (((Literally))) Literally, nobody--because literally nobody ever existed, ever. Until this happened. WHAT IS THIS? Have you seen this? No. Well, you're in it. Okay? I'm in a lot of shit. We all are. But not this. (yes you are) What was that? What was what? You need to burn this. Burn it… Nobody can ever see it. Okay. I just took 6 Xanex. 6! YES. And ⅓. And a third. Okay. Yes. 6 and ⅓. This, This. This is why. Why what? Why he looked at me like that. Like what? [A look.] But how could he have even known; Where could he have ever been, that I was that would make it make sense. Well, we know the Why. This is why. So now--How. How, now Brown Cow? Okay, honestly--it's almost funny now, because yeah--I'd probably also react that same way if I knew someone was going to write that about me. Yeah, I panicked. Panicked; I had a heart attack. Have you seen that thing? Yeah, it's massive. It is massive it's-- --God, it's ridiculous. --It's almost atrocious. Yikes. Yeah. I've been inside of this story before. Oh? I've been inside all of them. I see. Most of them, I just choose to forget. What makes it so that you choose? _ I actually stopped breathing. For how long? Forever. It was nice. _ You...made this…? I...yeah. You cooked me breakfast. I enjoy cooking. Well, thank you. Welcome. DEAD. How did-- Alright. So these two planets. Yeah. Two different galaxies? I guess. Okay. _ First of all that party was lit as fuck and you missed it. I didn't miss it, I just... attended at a limited distance. Chak Chel's set. Doooog. It was. (MM.) Bruh, I just miss when SNAILS was Captain. That was fun times. Too bad we can't go back. ...we can go back... No, dude don't-- Ted, Ted, and Ted meet Todd, Todd, and Todd at Lost In The Sauce Lands. So basically--all 6 of them fuck up at the same time and end up In this-- It's basically a void that lasts infinitely at Lost Lands. Oh shit. _ You better quit it, before you get Stuck in The Skrillex. [The Skrillex Tar Pits] _ Have you ever seen a mosh pit at-- -- Skril-- NO. I'm not ready to talk about it. --Dillon Francis-- It was really therapeutic. -it was nice, they had protective equipment -there was a line, and a queue -it was literally the safest moshpit I've ever attended. Meanwhile, at the Skrillex concert: I'M NOT READY. - Well, that was nuts. Please. No amount of marijuana is going to make you capable of understanding-- I'm not trying to understand, i'm trying to cope; okay? This nigga has magical powers. --And then what?-- Is she still on fire? (an explosion) Yes. Is she still on fire? (several explosions) Maybe. There were so many bombs. (((But the worst?))) “The Nigga Conniption” Oh, shit, is that what we're calling it? Where did he get it? He didn't “get it”, he just had it. How could he just “have it.” I had to do something; They were going to kill him. What happened to your “survival of the fittest” This is different. How is it different? This is different because he isn't sick, or defective--he's just...created… …? ...differently. So it's different. Woah. That's a lot of shit. It is a lot. What the fuck. I swear to GOD i've been in this WOBBLE for over a MINUTE NOW. Ahhhh, there you are-- Ah, The Wobbles. Here, we meet: -mr. wobble -the wobble monster and some other wobble people who live in the wobble. Bruh. I am so tired. What does this dude eat for breakfast? I guess we insert that scene with Dillon Francis here, right? (((Yup.)) So, to this festival… YESTIVAL. Oh shit, is that what we called it? YES. oh shit, because-- EVERYTHING IS YES. (Everything was yes.) ((It was.)) (((It still is.))) The Venga Bus. The Double Dutch Bus. Whatever that is. The Oscar Meyer Weiner Mobile. That strange Double Decker from Harry Potter. T h e S o u l T r a i n Did it have a name? I don't know. I don't have time for the internet right now. Now they call me “the internet” Okay, wait-- Yeah. So. Next time I die, that's it--everything just stops. Yes. _ Eventually I'm gonna get sick of this shit and just sit But that's someday, And todays not it; It's lit About to hit TiTs and Hit the Highway, And I'm on the way Cause I was born to rage. DaDa Life. Ahhs, those were the days. The golden age of rave… FIRST OF ALL PASQUALE, THIS SHIT IS RIDICULOUS. (Overhead of EDC) YOU DID THIS. [that's a neutral] Is she yelling at him? I think she's more proud and impressed, but pissed at the same time, because he's just so nonchalant and calm about it. Oh please, that nigga is not calm. Face. Have you seen his eyes? They're wild. Wild, I tell you. OKay what the fuck is happening; Pasqualle's eating Twinkies right now. Dude, the world is ending. I don't think the world is “ending”, it's just...something's probably wrong with it or something. [[watching virtual rave]] oh yes, something is wrong with it definitely. What is actually happening right now. This shit just lifted us into space-- --this isn't it, is it?-- What, at the rave? You're still at that rave? You have reception in space?...Hello… Oh Hell No. My Phone cut off! I still have reception. Who do you have T Mobile (but later) Bruh, I just lost service. What? Oh no. Oh, what-- I still have service. What? When did you get here? Who the fuck are you? I've...always been here. What, no you haven't, I-- Shh. Here. What? How do you have service? What carrier is this? GOOGLE. I don't know--have you asked Google about it? No, fuck that, I don't want to talk to Google about it--she's just going to make me over analyse everything-- Maybe you should over-analyse it. No. Hey man, the word ‘analysis' is starting to look funny. Of course it looks funny, it starts with ‘anal' Who starts with ‘anal'? Touchy. Hooe shit, have you seen that bitch? She's scary. She's a bit scary. Did she say that? I believe it. I don't know if I believe it. BELIEVE IT. Wait, you're Naruto? In the flesh! WHY! Why am I Naruto? WHY ARE YOU IN THE FLESH?! How did you DO this? You did-did. I did not DO this; I couldn't DO this! You can do anything. But I didn't! But you can. You can do everything. You are everything. But i'm not. Alright. Then you're not. WHAT? If you honestly believe that--or whatever you honestly believe--then that's facts. Damn, she put you in a “Fuck You” Chamber. [*ding!* FUHCKYOU] What did you DO. Yo, what did you doooo. What did you do to this girl, oh my god dude; I hate you. I hate you! I HATE YOU. I HATE-- Oh now, dear; Hate is such a strong word. Ohh. It's a Skrillex. S K R I L L E X It is. Looks Fragile. Should we grab it? FIRST OF ALL, --Goddammit, dude-- “IT”, is a HE. Okay, DAMN. DAMN? OKAY. [she does.] Damn. Yeah. So that's what “Damn” is. Lol the first damnation. Hey-- Hi-- Okay, what if-- What if: THAT'S the name of your Supergroup? I wanted to call us “Trifecta” Here? yeah , right here. This is where you want your Kingdom? ...Yeah, right here. ...Okay... Okay. {A look} K bye. _ I've been at this rave for 57 days. _ Okay. Ya'll. Okay, ya'll! No. Guys. We gotta get out of here. What? Noooo. We're just getting started. No. Guys. I'm serious. Something is happening. “I see dead people” ...Freddy Mercury? Really. Uh huh. At a rave. Yes. In space. We did go to space, yes. Okay. Simpson? Yes. I'm gonna need you to take the day off. he's crazy He's not crazy, he's just gay! he's craaazy gay. _ Okay. But how do you know him? he's my ex. No he isn't. Who is it? (sighs) it's...my ex. WHAT? Check. Mate. Bitch. __ Mm. I know her. Who--Billie Ellish-- [Nods] What? Take me to her. Take you...to Billie Ellish. If that's what you're calling...her... now...yes. “now”? Mmhmm. Lady, how old are you--and what is this shit? Hm. (squints) try it. (sus) UH, no…? Suit yourself. It's there if you ever want it. (later) Dillon Francis is searching frantically for extra magic when-- [He comes across the flask, and snatches it.] WOW. Yeah, I know; it's crazy, right? You just found him like this? I did. Where was he? I tripped over him at a bus stop. Woah. Bro, that's so mean. Okay What did Dillon Francis do to you? He knows what he did. He does? No. (He actually does.) Oh, I knew it! ((You should know it, you wrote--)) THE END. ___ What is your favorite invention? Of mine? Yeah. Hmm…. (((Ganja.))) What's your favorite color? Hmmm… (((White))) “When The Day Met The Night” Has Brenden Urie been to the future? Probably. He seems... He seems off. (He is) We all are. (You are.) Hey--who's saying that? Let me be Frank. Dooooooog. it's that part! It's that part. Shuttup! Nigga this is it--this is the shit I told you! So...how many channels is this on? It's on millions of channels throughout the interdiemensions and counting. “Millions of channels throughout the interdimensions,” Not only are we Global; We are now Interplanetary, and our Communication Technology has connected us into the outer dimensions, and intersecting parallels. Are you guys done blowing eachother up yet? UH, WHAT? You're idiots; This was supposed to be a redemption for your entire species, and you fuckwads ruined...pretty much everything. Now we have to mellow out your entire civilization-- --yeah, or annihilate it-- ---just for you backwards savages to get lifted into the Ascension. Idiots. What was that? What was what? Did you hear something? Hear what? Ouch! Ow? What's wrong? Are you Okay?! *trigger, pulled* -------------------------------------------------------BOOM--------------------------------------------------------------- S/HE CAME THROUGH MY SUBWOOFER. She came in through the bathroom window. ___ No, no, no--let me be the DJ. You're already the DJ. Heh. I wanna be the DJ. What were you saying? I don't know. Something Something Sonny Something. So she took 6 Xanex, and #Adderall It was just a long day, that's all… And then I hear Skrillex is on his way HERE? Damn. No. I'm not okay. So, I... Damn dog, she lost it. She lost it. I ovet is. huh. Oh man, he was on one. I'm on one. Fuck it, I'm On One. Fuck. What happened? What happened? What happened? Well, that's tragic. Wait--this is a tragedy? No, it isn't--it's a comedy. No, it isn't-it has Sad Dillon Francis. Exactly. If it has sad Dillon Francis in it, it's tragic. It's supposed to be dramatic. Dillon Francis was crying in it? That's fantastic. That's hilarious. Sad Dillon Francis? I don't want to see sad Dillon Francis! He's a bad actor. Then i'll be sad. We're all sad. Oh, you're right--we're all sad. Oh. He is actually not a bad actor. He was really good in it. Oh, my God--it was really good. Are you serious? I'm not watching it. It's nominated for an Oscar. I'm not watching it. C'mon man --do you know how long it took to get my hands on this? They have them at Fantastik. Do you know what I had to do? It was not cool. Bro, it was so cool! So goood. He is, he's good. What has he done! This is bad. This is very bad. KLIPTOWN EMPYREAN, OH I GET IT, IT'S-- Sop. Okay? You're never gonna get it. ‘Nah, you're never gonna get it. Never ever gonna get it DUDE. WHAT? WRITE THE FUCKIN MOVIE. WHICH ONE? I DON'T KNOW--THE ONE THAT GETS US OUT OF HERE. How'd you learn how to do that? Do what? Does he know? No, he doesn't. He doesn't know. Oh. Oh, he doesn't know what he did? Nah, not yet. Wow. Have you seen this? [Looks] (Not Impressed) Now I have. What d you think-- I don't. That it's like, magic, or...what is that. I don't know what it is. Well...what do you think it is? I don't think, I just listen; and if anything sounds interesting, I just send it in. Interesting like this? [plays it] CUT TO: [stops it] This is interesting. They stare into The Box. I'm glad you did this in person. No one else can know about this; Not even our affiliates. Not even-- Nobody. Woah, it actually came back I told you, if it was a good idea, it would always come back. It...I guess. Besides, it's already happened. It's just playing over. “Do I Know you?” “Do you?” Damn. This shit gets deep. I don't get how it's deep. And I don't get how it's DIllon Francis. I can't even imagine how this happened. Imagine Dragons. That's--I'd rather--not. Anyway, why is she cooking this nigga breakfast? Because he's dead, he should have a nice breakfast. Yeah, you're probably right. BILLIE ELLISH I---like that scythe. SUPA CRYPT KEEPER It's nice, right? BILLIE ELLISH Yeah. I like it. SCK You like it? Have it. BILLIE ELLISH It's mine? SCK Yah! If you like it so much, just take it-- CUT TO DILLON FRANCIS DUDE, SHE TOOk ONE OF MY MAGNETS. CUT BACK TO BILLIE ELLISH Nice! Besides, I have another one just like it--but tiny. TINY SCYTHE. Have you seen this Billie Ellish kid? Oh wow. Yeah, she's kind of terrifying. BILLIE ELLISH is an Old Soul. (it's true, she actually is) A really, really old soul. Who is this. I like it. Are You Okay? Not really, but-- (Shrugs) That's it? That was the fast? Yup. But it was so short. Sometimes it is. But now what? What else do you want? I...don't know how to do this. Sure you do,you just do it. You don't know how you shine the sun, you just do it Just do it! JUST DO IT, NIKE. Is this your knife? I...yes. [they fight] Is this your knife? I... maybe... [they fight] Is this...your I-- [winces] CUT TO: Now, give me your hat. What, why?! GIVE ME YOUR HAT. Damn dude, Skrillex is kicking ass and taking names all day in this. What movie is this? *This is the dimension where pretty much, everything is Skrillex. Well, Everything is Skrillex. Is this the one with the Bellagio Fountain? I think it is. Nigga. He remixed it. He what? The Conniption. He remixed it. What? “The Conniption”; that's what people are calling it. Oh... Yeah. Bruh. Look at-- OH MY GOD. Bro..you leave the fandom, you leave the kingdom. What Kingdom? Dog, this isn't a Kingdom, it's just random. Bro, people LOVE IT. Now they want you to do a collab together. A collab with Skrillex? I can't afford a collab with Skrillex.. You have to do a collab with Skrillex! Uh, I don't have to do anything. Especially that. ___ You're getting residuals off my existence. I am your existence. SKRILLEX is a SUPERSTAR DJ. -&- SUPACREE is a SUPERSTAR DJ. WARNING: This combination is potentially hazardous. WARNING. ! ! ! X___X WARNING. __ ...is there something you need me to do? It's... hard to talk about it... Then don't, you don't have to speak, at all, you know. Oh what, he's telepathic? Homeotelepathy. What is that? BRO, WHAT IS YOUR POWER. Dude, I don't want to see Skrillex. That shit is terrifying. You're terrified of Skrillex? [Plays three clips] ...yeah, dude. Okay, so basically. Wow, he's a rocket scientist. How did you get to this Planet? What Planet. Oh, Goddamn him. Well, t-- Then we just LARPED. Wow that's... Oh, it got violent. Are you Finished with the Skrillex? Not yet. DUDE, DID YOU KNOW? NO! DID HE KNOW? NO! (((YES.))) AGH. I hate this place! Everything is YES. You're a fucking idiot. Oh yeah, you're a fucking Skrillex. How about that? Call me Skrillex again, you little bitch--just look me in the eye and say it. Skrillex. __ Hey, I know this magic… Magic, this is all magic. Yeah, I know this guy; This is Jimmy Fallon's magic. (Good job, bro.) Jimmy Fallon's Galaxy. What the fuck I thought it was a planet. *Ahem. Jimmy Fallon's Magic Galaxy. Oh, wow. Alright, then. WHAT. Jimmy Fallon isn't a Bampheramph. Actually, he just made Captain. You're kidding. No, that was... that just happened. Jimmy Fallon. (Obviously) Come with--actually, you can stay right there. What? Just stand right there. ...and that's his magic. How does he have that? What did he ask for? What did you give him? What did he ask for? What did you give him?! Oh My God. You can't just go around granting wishes! I was just trying to manage these prayers, one-handedly. You can't just answer all the prayers as “wishes granted” that's why we have this system. Christ. No, not me--not today, Satan; I can't TAKE IT. JESUS CHRIST. Nah, he quit. What?! BUT. You got me now, so. Who the FUCK are you? I'm..uh... What are they calling me? They don't know it's you, they're still calling you Jesus. Well of course they still worship Jesus. Which Jesus? Well, any Jesus--All The Jesus. It was all the Jesus. All the Jesus. Magic Israel? A Ziptie machine? A “Stud Finder” IT WORKED. Of course it works. Well, no use crying over spilled Skrillex. But what do we do with it? Well, we're just going to have to get rid of it. Get rid of it? Fuck that! Didn't you say you wanted to *sissappear? Yes. Then get out of here. It is-- No, this isn't. This is his. No it isn't--it isn't Skrillex. What do you mean “It isn't Skrillex”? It's Skrillex. It isn't Skrillex. What are you talking about--it's-- I made this. What? No, it's. It's me. I did this. She's not mad at him, or anything In fact, She's just a fragment Or a figment or a magnet, that managed to stick In his imagination I hang out in this memory It's bad, But I keep going back-- I thought maybe I could manage it Keep it from happening But it just keeps happening And hasn't yet I have to see him. His eyes. He's hiding it. I know where the rest is. Skrillex has it. I'm dying, right? I have to be dying. You're dead. But I'm dying. I've been here before and I've felt it. Tokyo? High rise. Sounds Nice. Check the price on a flight. Likewise, I've tried to find this guy about a million times. I know where he hides it. So, how does it end? It just ends. yeah --but how does it end? It just...ended. You actually have to leave, to get out of here. NO… Don't do it. Don't do what? I didn't do anything. This is the way she wanted it. JUMP. Jump--now? Are you sure? This morning my mind was made up; I was going to Thailand for over a month. Sweet, and Rich-- But Flaky Like a pastry in the morning; Seems like a great treat but really, He's no good for me So we'll have a Mexican Wedding Damn. How did Dillon Francis get so high up??? Well, I found him hanging from a tree, so. OH FUCK, I GET IT-- HE IS GERALD. Damn. I don't know how to explain this… Oh shit, I get it; I'm Gerald. - — NEXT EPISODE: CESMET AND PETRUFHEIO are beyond overwhelm; GIAN stands before them, taking a respectful bow as he, too joins them in battlestance, which cannot be broken in physical stature, however the focused energy between the triad raises the entire colleaium into a total chaos and commotion. GIAN?! What is this? Who are you? GIAN, serious and stern, unusual to his demeanor, scoffs, as he focuses on C'esme't, acknowledging her presence in consciousness, and all respect. Petrutheio, face reddened, implodes with anger, nearly breaking his stance. Go ahead, Pet— That's Your Highness— —you can't win— —I already have— —He'll kill you. —he's already dead— Aren't we all? C'esme't, the only of the triad having actually experienced all forms of death, aoftens her gaze, entering into cosmic ompinpotence I'm having a hard time Getting started With this project Probably because I just want off this planet Cause it's lovelies; I'm honest with my thoughts, And now I'm lost in them I'm lost without you Lost another pair of socks, In the common laundry room I'm just an everyday, ordinary Motherfucking wannabe, a DJ But I wanna be a mother one day I'm at the apex I'm a warning call, A warning call A warning If I kill myself again, I'm waking up next to my lover So good morning, So good morning Just a warning Nothing's ever better Then the taste of butter; Dug you up to wonder what the fuck was up With all the rubber ducks Inside my cup, or tub I'm just a cuck I guess you really love her, huh I really love the one, I really love I really love My other husband— Huh I'm at the apex I'm a warning call, A warning call A warning [SHOT] If I kill myself again, I'm waking up next to my lover So good morning, So good morning Just a warning [SHOT] Just a warning shot to shut you up, You little fucking slut Enough's enough Another lover, motherfucker Suck it up, you cunt You're just another one You're just another one of us You're just another Just another one of us You're just another one You're just another one of us You're just another Just another one of us I dug you up to hug you, But all you are is just Some bones, dressed in new clothes I took your skull home And I put it on my mantle, Make a wish, —and then I blow the candle Out. Huh C'esme't has secretly turned to self-harm, in the midst of her ongoing emotional crisis due to Petruchio's arrogance and deliberate carelessness; she begins to fear for her Selfl, as she discovers during a match in her reflective state that she is recently unable to cry, hardened by her stubbornly aggressive counterpart, C'esme't draws the blood of her palm, which she spills onto the sundial in the labyrinth; she is startled and surprised shamefully by Gian, who, though normally calm becomes diffuse, and sent into a powerful fury of sadness and rage-- She reveals to Gian, in his onset of tears that she herself has been unable to cry, to which he deflates as she comforts him, holding his as he weeps glistening streams of ‘conscious tears, crying quite physically for the two of them, blood mixing with his tears as he grasps s cesmet's wounded palm, gripping it to his cheek; His intrinsic healing powers are revealed as his tears begin to mend the deep wound; Meanwhile, Petrutheio becomes irritated, as he is forced to continue pausing a Jester's Match, stricken with excruciating pain in his own palm; Attempting to ignore it, he continues forward with his match, but is irreversibly injured when s when his palm becomes again singed with pain and he is stricken by his opponent; He falls to the ground, clutching his palm, immediately knocked unconscious. He fades into a dream. PETRUTHEIO, YOU TELEPATHIC HACK! Oh, so you finally acknowledge my telepathy… In the highest realm, where The One is set to assume, interwoven intoThe Golden Goddess Of The Eye— Dark Heart Artist —the Eldest consciousness in any given existence; being that of everything of Love, and Light The middle realm, where the majority of a——- What the fuck. Wait, what happened? It just ENDS!!? It just ENDED. WHAT THE FUCK. AHHHAHHHHAHAHHHH. No, no, no– WHAT THE FUCK Wait! Go back! AHHHHHHHHH. [Holding eachother screaming] Oh, look. A butterfly. WHAT. There is is. Oh. See. huh. [a calm silence] Bro. huh . Wait. we're INSIDE. {holding eachotherscreaming] My heart is in another place, And with these words we face A face to face A fight of fights The faux of foes— And so, a duel it is For you, I fawned; For you, I called— The darkest night was followed by The lightest light That Dawn could bring, And I would sing this to you, too, My love— But have no melody A melodrama, Or a comedy? Come my lover, come to me My lover, come to me Come to me, my lover, Come ro me— Come, my lover, Come to me— Come to me, my lover Come to me Come to me What was once, Is always— Don't you see? I see you, See you, see me What we were, We always are We always are We always, always Oh, what would you do to me? Oh, what will you do to me? Oh, what did you do to me? What have you done to me? Come to me, my lover, Come ro me— Come, my lover, Come to me— Come to me, my lover Come to me Come to me I did fall; We did fight— It is love; He had fawned for me once— Oh— Love is what it always was; What we were once, We all become Come to me, my lover Come to me, my lover Come to me, my lover My lover, come to me Come to me, my lover, Come ro me— Come, my lover, Come to me— Come to me, my lover Come to me Come to me HI, I'm Gerald. Dude, I can't tell the story of Gerald. Only Dillon Francis can do that. I concur. That's right. Gerald is his friend-- --He's my friend-- I'm not go-- And that's it. It just ends. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.
Welcome to the Instant Trivia podcast episode 702, where we ask the best trivia on the Internet. Round 1. Category: Try "Star" 1: Overly awed and fascinated in the presence of celebrities. starstruck. 2: Structure from which the 3-year-olds fly forward at Churchill Downs. starting gate. 3: Banner carried by the attackers during Pickett's Charge. "Stars and Bars". 4: An asteroidean echinoderm found in tidepools. starfish. 5: It's composed mainly of amylose and amylopectin. starch. Round 2. Category: Smooching In Shakespeare 1: He claims that the sleeping Michael Cassio kissed him hard while dreaming of Desdemona. Iago. 2: He says, "Here hung those lips that I have kissed I know not how oft" while holding Yorick's skull. Hamlet. 3: "Love's Labour's Lost" and "Henry VI, Part III" both mention the kiss of this Biblical traitor. Judas Iscariot. 4: In this comedy Petruchio says, "Kiss me, Kate, we will be married o' Sunday". Taming of the Shrew. 5: "We have kiss'd away kingdoms and provinces" says Scarus in the play about this title couple. Antony and Cleopatra. Round 3. Category: Tubes 1: Submarines have fixed tubes in the bow to shoot these underwater weapons. torpedoes. 2: If a surfer rides the tube in London, he's on this. the subway. 3: Every little breeze seems to whisper the name of this first test tube baby. Louise (Brown). 4: The gas-filled Geissler tube of the late 1850s was adapted for use in these advertising signs. neon signs. 5: Like you, a frog has this tube connecting the middle ear and the throat. the Eustachian tube. Round 4. Category: Famous Franks 1: This "Wizard of Oz" author edited a trade magazine for store window decorators. L. Frank Baum. 2: Frank Fitzsimmons took control of this union when Jimmy Hoffa was imprisoned in 1967. Teamsters. 3: This musical satirist founded the Mothers of Invention in 1964. Frank Zappa. 4: In Gemini 7 he and Jim Lovell set a 14-day endurance record. Frank Borman. 5: This Idaho Democratic senator was active in investigating abuses by the CIA. Frank Church. Round 5. Category: Directors On Film 1: He not only was "The Outlaw Josey Wales", he was the director, too. Clint Eastwood. 2: When you watch his direction of himself and Jack Nicholson, he hopes you "Hoffa" good time. Danny DeVito. 3: He's seen in John Landis' "The Blues Brothers" and Landis is seen in his "1941". Steven Spielberg. 4: He was Mookie the delivery boy in "Do the Right Thing". Spike Lee. 5: 1 of the 2 directors who play the 2 main husbands in "Husbands and Wives". (1 of) Sydney Pollack (or Woody Allen). Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/
Welcome back to Artbeat Radio! ART Center had the amazing vocational opportunity to participate in The Inclusive Theater Festival this year. They Zoomed in from Long Beach to Chicago to share what they had been working on for the past semester in their Shakespeare class, performing monologues in costume from Taming of the Shrew, and participating in a panel for questions about their process. Listen in as they share their monologues in an ABR exclusive performance. With Nancy Terrey as Petruchio, Brian Corder as Sly Christopher, Aaron Francis as Bianca, and Eric Recillas as Baptista, this is an episode you do not want to miss! A special thank you to Seesaw Theater and the ART Center costume and props department. Becky Neuhaus, Lisa Mellow, Lorenia Varela, and Ricky Parral designed costumes and props to be used in the live performance.Seesaw Theatre's Seventh Annual Inclusive Theatre Festival is a weekend-long conference celebrating the strides being made in inclusive and accessible theatre. This event aims to bring together theatre artists and practitioners from across the country, giving us all the chance to learn about the amazing work being done and how we can improve our own work while supporting marginalized communities. This event is intended not only for theatre artists (students and professionals alike), but also for the disability community and their families, educators working with disabled individuals, and truly anyone interested in this ever-expanding and heart-warming field of inclusive theatre.Thanks for listening and tune in next time! For more information about our organization, please visit our website www.ableartswork.org Audio Transcription: (Please listen on Podomatic or Spotify to view the full transcript) *Intro music by Artbeat Radio staff* Music, stories, and more! You're listening to Artbeat Radio, a program of Able ARTS Work. Aaron: Welcome to Artbeat Radio Brian: This semester, we've been working on taming of the shrew. A play by William Shakespeare Nancy: In fact, we presented our work at the Inclusive Theater Festival in Chicago. Brian: You're about to hear the monologues that we've been working on for taming of the shrew. All: Enjoy! Brian as Christopher Sly: What, would you make me mad? Am not I Christopher? Sly's old, Sly's son of Burtonheath? By birth a peddler, by education, a cardmaker, by transmutation a bear-heard and now by present profession, a tinker? As Marian Hacket, the fat ale-wife of Wincot, if she know me not. If she say I am not 14 pence on the score for sheer ale, score me up for the lyingest knave in Christendom. What, I am not bestraught! Aaron as Biana: Why, I am past my gamut long ago. Oh, alright. “A re”. To plead Hortensio's passion. “B me” Bianca, take him for thy lord. “C fa ut” that loves with all affection. “D sol re” one clef, two notes have I - “E la mi” show pity or I die. Call you this gamut? Tut, I like it not! Old fashions please me best; I am not so nice to change true rules for odd inventions *Shuffling noises* Eric Signor Baptista: Why, how now, dame. Whence grows this insolence? Bianca, stand aside- poor girl, she weeps. Go ply thy needle, meddle not with her. For shame, thou hilding of a devilish spirit. Why doust thou wrong her that did ne'er wrong thee? When did she cross thee with a bitter word? What, in my sight! Bianca, get thee in. Was ever gentlemen thus grieved as I? But who comes here? Nancy as Petruchio: They shall go forward, Kate, at thy command. Carouse full measure to her maidenhead, be mad and merry, or go hang yourselves; but, for my bonny Kate, I will be master of what is mine own. She is my goods, my household stuff, my field, my horse, my ox, my ass, my anything; and here she stands, touch her whoever dare! Draw forth thy weapon, we are beset with thieves; rescue thy mistress if thou be a man. I'll buckler thee against a million! Nancy: Join us next time for more from Able ARTS Work. *Original piano orchestration of “Brush up your Shakespeare” from Kiss me Kate played by Eric Recillas on keyboard, accompanied by an original backtrack also written by Eric Recillas* Nancy and Brian: Goodbye from Able ARTS Work! Nancy: Cut! *Outro music by Artbeat Radio staff* We hope you enjoyed this episode of Artbeat Radio. For more information, please go to our website. Ableartswork.org. Thanks for listening and tune in next time!
Laughter ensues when taming shrews! But what of the troublesome tropes Shakespeare mansplained? Alpha Petruchio is determined to keep his good lady wife Kate dicknotized and submissive. His servant Grumio, who moonlights as a sales rep for Fantasia Tickle Toys, cheers him on. Kate is a former ferocious shrew who caught feelings for Petruchio. She's very nearly tamed, well on her way to a new identity as a sweet and docile housewife. It's time to renounce shrewish ways—until O'Felia from the block seizes the moment. Who the hell wants to be tamed? What's up with this gaslighting? It's more than a disruption of the intestinal humors... Meet the Artists: https://deanproductionstheatre.com/best-beware-my-sting-episode/ --- Support this podcast: https://anchor.fm/dptc/support
The Taming of the Shrew by William Shakespeare audiobook. The Taming of the Shrew is one of Shakespeare's earliest comedies, and was inspired by classical Roman comedy and the Italian commedia dell'arte. Baptista Minola, a rich gentleman of Padua, has two daughters: Katherina, renowned for her sharp tongue, and Bianca, who is sought after by multiple suitors. Baptista decides that Bianca cannot marry until her elder sister finds a husband. Enter Petruchio, who has come to "wive it wealthily in Padua," and who is convinced by Bianca's suitors to woo Katherina. The play ultimately poses the question of who is the bigger shrew: Kate or Petruchio. The subplot involves the subterfuge employed by Lucentio to woo the lovely Bianca.
We're hitting pause on our look through Shakespearean soliloquies to take a moment to share our latest discovery! With the inspiration of Kyara Hunter, a Masters student at the Shakespeare Institute in Stratford-upon-Avon, we're bringing to you the idea of another type of formatting: Bullet Formatting What's this? How is it different from verse or paragraph? And how do Abbot and Costello use it in their famous "Who's on First?" routine? Picture: Abbot and Costello "Who's on First?" - Kate and Petruchio in Gaudete Academy's "Taming of the Shrew" (2010) - "Rosencrantz and Guildenstern Are Dead" at the Old Vic Patreon: http://www.patreon.com/hamlettohamilton Website: http://www.hamlettohamilton.com
The Taming of the Shrew is one of Shakespeare's most controversial and ambiguous comedies. Written in the early 1590s, it purports to tell the story of how a “shrew,” the strong-willed Katherine, is “tamed” by the even stronger-willed fortune hunter Petruchio. Petruchio marries Katherine and, in the eyes of onlookers, seem to “kill[] her in her own humour.” But the play leaves us wondering whether Katherine really is tamed – and whether Petruchio, Shakespeare, or Shakespeare's own audiences really wanted her to be. As much as this play draws critical fire, it continues to draw artists' and audiences' attention as we return to this play again and again to ask our own questions and make our own statements about gender and gender roles. In this course, you'll learn the story of The Taming of the Shrew, explore the relationship between Katherine and Petruchio and the many possible ways of interpreting it, and discuss what the play reveals about what we need from theatre and from Shakespeare. In Part 1, you'll be guided through a detailed account of the story with commentary by Emma Smith, Professor of Shakespeare Studies at the University of Oxford. You'll see how Shakespeare embeds, within the text and physical action of the play, crucial questions about Katherine and Petruchio that the text itself doesn't answer. This summary is told using the language of the play itself, placing key quotations in context to help you understand where these lines come from and what they mean.
Part 3 features close-readings of two key speeches, one from Petruchio and one from Katherine. These speeches are performed in two different ways: as originally written, and with the gender pronouns reversed as they were in the 2019 RSC production of Taming, whose lead actors perform the speeches. These double performances help us reflect on our own reactions to the play's provocative take on gender. Speeches and Performers: Petruchio/Petruchia, Act 4, “Thus have I politicly begun my reign …” (Claire Price) (two versions) Katherine, Act 5, “Fie, fie! Unknit that threat'ning unkind brow” (Joseph Arkley) (two versions)
When I saw Ray Liotta had died, I was shocked and saddened. I was a fan of his work and he seemed like a good human. In his honor, I listened to an interview he did with Marc Maron on the WTF podcast a few years ago and enjoyed learning more about him and his journey. It did make me think, though. And it did make me wish for change in the way we do show biz. Apparently, Liotta had no real interest in acting when the opportunity to do it presented itself to him. He got talked into auditioning for a show because of a cute girl and stuck around because a teacher encouraged him. Nothing too crazy there. I've definitely heard this sort of story before. But it's the reason that Liotta theorized that his teacher encouraged him that got me thinking. Liotta had always been a jock and, it sounds like, a fairly macho guy. His teacher responded to him because they didn't get a lot of guy's guys there in the college theatre department. He saw a kindred male spirit and a kind of rare bird that they needed on the stage. Liotta really wasn't that keen on acting in the beginning but he got to play some very juicy roles at his university and it's not just because he was good. I'm guessing Liotta's college decided to do A Streetcar Named Desire because they had a guy who could play Stanley Kowalski. They did Taming of the Shrew probably because they had a guy who could do a macho Petruchio. Liotta got to learn how to act by doing some of the best roles in the canon and the college got to do some shows on its list. All very reasonable. Many a school will choose their season based on who they have in casting pool. I get it on all levels. To keep reading Men Most Macho in Theatre visit the Songs for the Struggling Artist blog. This is Episode 314 Song: Macho Man Image of Ray Liotta via Wikicommons To support this podcast: Give it 5 stars in Apple Podcasts. Write a nice review! Rate it wherever you listen or via: https://ratethispodcast.com/strugglingartist Join my mailing list: www.emilyrainbowdavis.com/ Like the blog/show on Facebook: https://www.facebook.com/SongsfortheStrugglingArtist/ Support me on Patreon: www.patreon.com/emilyrdavis Or buy me a coffee on Kofi: http://ko-fi.com/emilyrainbowdavis or PayPal me: https://www.paypal.me/strugglingartist Follow me on Twitter @erainbowd Instagram and Pinterest Tell a friend! Listen to The Dragoning here (it's my audio drama) and support via Ko-fi here: https://ko-fi.com/messengertheatrecompany As ever, I am yours, Emily Rainbow Davis
SEEN: JUNE 14, 2022 With special guests Colette, Fomby, and Gabe. By William Shakespeare Directed by Shana Cooper “Come on, and kiss me, Kate.” Is anyone a match for the brash and strong-willed Katherine? The dashing adventurer Petruchio thinks he's up to the challenge. Two of the sexiest figures in all of world theatre set off sparks in a clash of wills that is as bold as it is uproarious. Shakespeare's masterful comedic take on the battle of the sexes turns everything we think about love, marriage, and gender on its head. Director Shana Cooper brings to the Globe her daring and contemporary staging, which The New York Times praised as “an exhilarating new way to look at the comedy through modern eyes,” and The Wall Street Journal's theatre critic called “the best Shrew I've ever reviewed.” An earlier version of this production of The Taming of the Shrew premiered at Hudson Valley Shakespeare Festival (Davis McCallum, Artistic Director; Kate Liberman, Managing Director) in June 2018. The Taming of the Shrew is supported by lead production sponsor Darlene Marcos Shiley, production sponors Diane Berol in memory of John Berol, Karen and Donald Cohn, Silvija and Brian Devine, The Conrad Prebys Foundation, Jean and Gary Shekhter, and the Erna Finci Viterbi Artistic Director Fund, with additional artist sponsors The Lodge at Torrey Pines (for director Shana Cooper). This production is supported in part by the Jean and Gary Shekhter Fund for Classic Theatre.
The Mercenary and The Shrew...Petruchio and Kate...what do we think about this strange classic? Do we ship this crazy Shakespearean couple? Listen to find out! --- Send in a voice message: https://anchor.fm/weshipitpodcast/message Support this podcast: https://anchor.fm/weshipitpodcast/support
Season Three we're studying soliloquy! This week we look at the villain soliloquies. Or the, "this is what I've done, am doing, will do" soliloquies. Or the, "I've already got a plan and am letting you in on it" soliloquies. How can you differentiate your villains (or go-getters)? How can you keep a character's personality in tact when they're giving exposition? We look at some Shakespearean characters to see how the Bard failed, and eventually succeeded. Take a walk with us as we compare Richard III (Richard III), Iago (Othello), Edmund (King Lear), Don John (Much Ado About Nothing) and Petruchio (The Taming of the Shrew). Learn more: http://www.hamlettohamilton.com Patreon: http://www.patreon.com/hamlettohamilton
Everyone is always asking about my microvirus! The Acamarians had a schism with their brethren who became galactic scavengers and/or Petruchio understudies from Kiss Me Kate. Now Picard and the Federation want them to get along so the raiding stops in this sector, but there's a little blood feud investigation that Riker and Dr. Crusher must take care of first. Oops! The Acamarian brandy is about to go down while the phaser settings go up to disintegrate. Buckle in and re:engage! Get in touch with us on Twitter @ReEngageTNG! Host: Jimmie G (@thejimmieg on IG & Twitter) Panel: Erik Gratton (@erikfallsdown on Twitter & IG), Greg Tito (@gregtito on Twitter, @greg_tito on IG) , and Kate Jaeger (@jaegerlicious on Twitter and IG) Audio Editor: Greg Tito (@gregtito on Twitter, @greg_tito on IG) Logo artwork: @mojojojo_97 on Twitter, mojo97.com Theme music: Ryan Marth Next up is the s3e10 "The Defector" hosted by Kate!
My guest this week was Stephan Wolfert. Stephan left a career in the military for a life in the theatre after seeing Shakespeare's Richard III. Stephan Received his Master of Fine Arts degree from Trinity Repertory Conservatory in Providence, Rhode Island. On Broadway, Stephan created and directed the military segments for Twyla Tharp & Billy Joel's Tony-Award winning production Movin' Out and a character coach for Cirque du Soleil's, Mystere. He also co-created a touring Shakespeare Company for Trinity Rep Company, directed and taught acting Shakespeare at Cornell University and at Antelope Valley College. Currently, Stephan is based out of NYC where he is an actor and the Director of Veterans Outreach for the critically-acclaimed, award-winning off-Broadway company Bedlam. He is also the creator of https://www.decruit.org/ (DE-CRUIT®)–a program to reintegrate military Veterans using Shakespeare, psychology and classical actor training. For more than a decade Stephan has worked with two Native American theater companies: Native Voices in Los Angeles and Native Earth in Toronto, Canada. Stephan was also the Founding Artistic Director for: Shakespeare & Veterans, and the Veterans Center for the Performing Arts (V.C.P.A.) in Los Angeles. For his work with Shakespeare & Veterans, Stephan has received a certificate of appreciation from the City Council of Los Angeles, presented by fellow veteran and councilman the late Bill Rosendahl. He has been published in the fields of art and science for his work, and is also a member of the NYU think tank PACH (Project for the Advancement of our Common Humanity). As an actor Stephan continues to perform his critically-acclaimed, award-winning, one-man show CRY HAVOC off-Broadway, nationally and internationally. His most recent off-Broadway productions for Bedlam were The Seagull, Sense & Sensibility, Hamlet and Saint Joan. His favorite Shakespeare roles performed include: Richard III, Richard III; Pericles, Pericles; Petruchio, Taming of the Shrew; Antony, Antony & Cleopatra; Cassio, Iago, Othello; Leontes, Polixenes, The Winter's Tale; Antonio, Measure for Measure; Cassius, Julius Caesar; Mercutio, Paris, Friar Lawrence, Romeo & Juliet; Andrew Aguecheek, Orsino, Twelfth Night. His favorite Shakespeare plays he has directed are: Twelfth Night, Macbeth, Coriolanus, A Midsummer Night's Dream, Othello, King Lear, Much Ado About Nothing, and an all-female production of Henry V. Follow Stephan https://www.instagram.com/decruitvets/ (here). Learn more about De-Cruit https://www.decruit.org/ (here).
Today's episode tackles one issue and one issue only, and that is to refute the assertion that The Taming of the Shrew is about “romance” (whatever the F that means). We examine a variation in the text between First Folio printing and several modern editions that seem to either soften or double down on Petruchio's “domination” of Katherine, and eventually come to the conclusion that no matter which way you slice it, the entire charade is unnecessary. We unpack the term “romantic” and why our mothers' opinions on romantic love might not have aged well, as well as quite possibly the only interpretation of Shrew that could make its protagonists journey actually romantic. No spoilers. #consentissexy
Welcome back to the 16th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. The theatres may be closed, but art finds a way to survive! For the time being on this podcast we are rereleasing our past reviews, interviews, roundtables, and duet reviews in remastered audio only versions so you can take your CoH content on the go! For our 16th episode we continue to release our inaugural run of The Cup: Reviews, where we reviewed the Stratford Festival Production series that streamed on YouTube last spring. In this episode we discussed the 2015 production of The Taming of the Shrew, directed by Chris Abraham, starring Ben Carlson and Deborah Hay in the roles of Petruchio and Katherina. You can watch this production and all other Stratford Festival productions on their new streaming platform Stratfest@Home. Here is the link (subscription needed): https://www.stratfordfestival.ca/AtHome Cup of Hemlock Theatre is a Toronto-based performing arts collective dedicated to staging works that examine the moral quandaries of the human experience. With an inquisitive compass, we aim to provide audiences the space to retrace their personal stories and navigate their individual ideologies. Follow us on Instagram/Facebook/Twitter: cohtheatre Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://podcasts.apple.com/us/podcast/before-the-downbeat-a-musical-podcast/id1478579754?uo=4 Monique Danielle – Instagram: mariannagailus Marianna Gailus – Instagram: monique4reals Will Bartley – Instagram: willrbartley --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support
Shana Cooper directed Taming of the Shrew at the Hudson Valley Shakespeare Festival this summer, a production that received rave reviews from the New York Times and the Wall Street Journal. Shana, an assistant professor at Northwestern University, discusses how she made this troublesome play work in our slightly more enlightened (hopefully) and evolving era. Featuring key commedia influences, a classic battle of the sexes play that's also a satire of same, being sold on the love story, the importance of clowns, the danger and absurdity of the patriarchy, one virtue of the Christopher Sly scenes, forging unknown and thorny paths, the importance of non-verbal text, radical and revolutionary individuals, and most importantly, finding alternatives to broken systems and masculine ideas of power. (Length 28:56) (Pictured: Liz Wisan and Biko Eisen-Martin as Kate and Petruchio in the Hudson Valley Shakespeare Festival production of Taming of the Shrew. Photo by T. Charles Erickson.)
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