Podcast appearances and mentions of Marc Bamuthi Joseph

Tom and guests review What it Feels Like for Girl, the BBC's coming-of-age drama based on the memoir of Paris Lees; Taylor Jenkins Reid's new novel, Atmosphere, set against the backdrop of the 1980s space shuttle program and new film, Lollipop, about a young woman released from prison battling to regain custody of her children, written and directed by Daisy-May Hudson. We also talk to former Vice President of Washington's Kennedy Center, Marc Bamuthi Joseph about being fired by President Trump and the administration's latest interventions in the arts world.Guests: Scott Bryan, TV critic and broadcaster; Caroline O'Donoghue, author and podcaster; Marc Bamuthi Joseph, former Vice President and Artistic Director of Social Impact at the John F. Kennedy Center for the Performing Arts in Washington; Zachary Small, arts reporter, New York TimesPresenter: Tom Sutcliffe Producer: Claire Bartleet

One of President Donald Trump's focuses during his second term is his desire to reshape the arts in America. In February, he announced that he would serve as board chair of The John F. Kennedy Center for the Performing Arts and dismissed half of its board members. In their place are Trump loyalists like White House chief of staff Susie Wiles, Attorney General Pam Bondi, and Second Lady Usha Vance, among others. More broadly, Trump has targeted what he calls “woke” content. He has moved to cancel millions in federal grants previously approved for arts and culture groups. While some have questioned whether the federal government should fund the arts and to what extent, a larger question looms: Can a democracy thrive without artistic freedom? Marc Bamuthi Joseph, an internationally renowned artist and cultural strategist who recently served as the Vice President and Artistic Director of Social Impact at The Kennedy Center, joins The Excerpt to share his perspective.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Having grown up in Atlanta, with a long lineage of preachers and connections to gospel music to inspire him, GRAMMY-nominated Carlos Simon's music ranges from concert music for large and small ensembles, to film scores with influences of jazz, gospel, and neo-romanticism.Carlos is the current composer-in-residence for the John F. Kennedy Center for the Performing Arts and he frequently composes for its National Symphony Orchestra and Washington National Opera.This past season featured the premiere of his Gospel Mass, with Gustavo Dudamel and the Los Angeles Philharmonic, a work reimagining the traditional mass with gospel soloists and choir, with visual creations from Melina Matsoukas.Carlos frequently curates concert programs, which often highlight his own music as well as that of close collaborators. Curation concerts have recently been programmed by Atlanta Symphony Orchestra, Boston Chamber Players, Tanglewood Festival for Contemporary Music, and the Kennedy Center.Carlos also released the live premiere recording of brea(d)th, a landmark work commissioned by Minnesota Orchestra and written in collaboration with Marc Bamuthi Joseph, conducted by Jonathan Taylor Rush. “Arguably the most important commission of Simon's career so far” (The New York Times), brea(d)th was written following George Floyd's murder as a direct response to America's unfulfilled promises and history of systemic oppression against Black Americans.  I'm especially proud to have discussed the piece with Carlos in this episode.

Can art pave the way for a politically divided nation to move forward? Artist, cultural strategist and TED Fellow Marc Bamuthi Joseph reflects on the role of art, forgiveness and remembrance in the pursuit of public healing — especially at a time when trust is contested and community forums fractured. Wendy Whelan, associate artistic director of the New York City Ballet, joins him on stage for a rendition of “The Carnival of the Animals,” exploring how the cuckoo bird exemplifies the cycles of inaction that lead to injustice. It's more than a performance — it's a reckoning. Hosted on Acast. See acast.com/privacy for more information.

Can art pave the way for a politically divided nation to move forward? Artist, cultural strategist and TED Fellow Marc Bamuthi Joseph reflects on the role of art, forgiveness and remembrance in the pursuit of public healing — especially at a time when trust is contested and community forums fractured. Wendy Whelan, associate artistic director of the New York City Ballet, joins him on stage for a rendition of “The Carnival of the Animals,” exploring how the cuckoo bird exemplifies the cycles of inaction that lead to injustice. It's more than a performance — it's a reckoning.

Can art pave the way for a politically divided nation to move forward? Artist, cultural strategist and TED Fellow Marc Bamuthi Joseph reflects on the role of art, forgiveness and remembrance in the pursuit of public healing — especially at a time when trust is contested and community forums fractured. Wendy Whelan, associate artistic director of the New York City Ballet, joins him on stage for a rendition of “The Carnival of the Animals,” exploring how the cuckoo bird exemplifies the cycles of inaction that lead to injustice. It's more than a performance — it's a reckoning.

The Oakland mayoral race is a close call between progressive Barbara Lee and moderate challenger Loren Taylor. In SF, Mayor Daniel Lurie rounds out his first 100 days. A cinematic heist in Downtown Los Angeles: Thieves recently tunneled from a historic theater through “castle-like” walls into a store packed with bling. Hungarian Susan Polgar earned chess’ highest honor at age 15. She and her family faced antisemitism and harassment from the ruling Communist Party, and sexism from opponents and officials in chess. Her new memoir is “Rebel Queen.” What’s the relationship between art and democracy? After his firing from the Kennedy Center, poet Marc Bamuthi Joseph has some thoughts.

The Context of White Supremacy hosts the weekly summit on Neutralizing Workplace Racism 04/03/25. President Trump continues to confuse and terrorize workers across the landscape with more firings and disruptions of the federal workforce. Neely Fuller Jr. reminds us that people can be driven insane by keeping them confused and anxious. One of those terminated was Marc Bamuthi Joseph, who lost his high ranking position as vice president and artistic director of Social Impact at the John F. Kennedy Center for the Performing Arts. Gus wishes the best for Mr. Joseph, privileged black male. But this is an important lesson for Victims of Racism. Any non-white person can be fired at any time, even if we perform our jobs well. It's humiliating, traumatizing and confusing to be fired from a job you enjoy and worked hard to obtain. However, this is not a meritocracy. This is the System of White Supremacy Slaves were/are often beaten for no reason. We also heard about non-white workers being mistreated when their attempted care mate visits the workplace. Either the Racist Suspects snoop and pry into your personal life, and/or they launch a vindictive, Racist assault because people classified as White detest seeing non-white people being constructive, affectionate. #NoPoliticsOnTheJob #TheCOWS16Years INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 605.313.5164 CODE: 564943#

Spoken word artist Marc Bamuthi Joseph and dancer Wendy Whelan discuss their remarkable new hybrid performance piece “Carnival of the Animals”, which addresses, among other things, the siege of the US Capitol on January 6, 2021, through the lens of Camille Saint-Saens' 1886 musical composition.  Marc Bamuthi Joseph conceived and wrote the piece, and performs the spoken word portions, and Wendy Whelan performs the dance portions, which are choreographed by Francesca Harper.  Marc Bamuthi Joseph is the vice president and artistic director for social impact of the Kennedy Center in Washington DC.  He was formerly chief of programs and pedagogy at the Yerba Buena Center for the Arts in San Francisco.  Wendy Whelan is a longtime dancer and now the associate artistic director with New York City Ballet.  They have performed “Carnival of the Animals” in several locations around the US, and will bring the production to New York City in March 2025. On October 28, 2024, Marc Bamuthi Joseph and Wendy Whelan spoke with critic and author Steven Winn at the studios of KQED in San Francisco. 

Tongo Eisen-Martin is the current Poet Laureate of San Francisco, his hometown. He's also an educator and an activist. We talk about the influence of his activist mother and the role she played in his life. Tongo discusses major issues in the city, including gentrification, homelessness, and mass incarceration, all of which have impacted his writing. Tongo speaks about poet Marc Bamuthi Joseph, an important figure on the scene as he came up, and Thich Nhat Hanh, another vital influence on his life and work. Finally, we share our appreciation of John Coltrane.

Marc Bamuthi Joseph has been involved in the creative sphere ever since he was a boy in Queens. The son of Haitian immigrants, Joseph knew he had an ancestral debt to pay, and he didn't intend to squander his opportunity. A dancer, a spoken-word poet, a playwright and leader of social impact for the Kennedy Center, as well as a Global TED Fellow, Joseph recognizes arts potential to touch and change lives. "I just don't trust art that doesn't bleed, or sweat or cry," he says.  In this episode, Marc Bamuthi Joseph talks to co-hosts Vivian Phillips and Marcie Sillman about how his family helped pave the way for his current path, and what he hopes his audiences will take away from his work.

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In this Washington Post Live conversation recorded on May 17, composer Carlos Simon digs into his new work inspired by George Floyd's life, “brea(d)th,” discusses the process of composing the work with librettist Marc Bamuthi Joseph and how it reflects the promise of an equitable future in America.

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Learn more about Daniel Bernard Roumain and Marc Bamuthi Joseph's opera We Shall Not Be Moved and contextual historical elements pivotal to the opera: the 1985 police bombing of MOVE headquarters and the 2011 Pennsylvania education budget crisis which saw the closing of 24 schools within the School District of Philadelphia. Interviews include Philadelphia resident in 1985 Eric Owens, former SDP Principal Otis Hackney, arts administrators and creators Valerie Gay and Nina Ball, countertenor John Holiday, and the composer and librettist - Daniel Bernard Roumain and Marc Bamuthi Joseph. Mike Bolton hosts. To learn more about Mike, visit michaeljbolton.com. Video of Osage Avenue in 2015, the site of the 1985 police bombing can be seen at https://youtu.be/QOANsBbkbpA. News coverage from 1985 can be found here: https://www.youtube.com/watch?v=X03ErYGB4Kk. The Philadelphia Inquirer archive about the bombing is located here: https://www.inquirer.com/move-bombing. The final project of the Hip H'opera program, a series of Oral History videos from those impacted by the themes in We Shall Not Be Moved called The Un/Sung Stories of We Shall Not Be Moved: https://youtube.com/playlist?list=PLpbhbGwbWvNLbpl50NUkvISzeE7sZQG6L

Today we are excited to share an except of the opening plenary titled, “Artist as Model for the New Socioeconomic Normal.” In this portion of session, Christy Bolingbroke, our Executive / Artistic Director is in conversation with Washington DC-based performer, poet, director, and arts administrator, Marc Bamuthi Joseph. Bamuthi is a 2017 TED Global Fellow, an inaugural recipient of the Guggenheim Social Practice initiative, and an honoree of the United States Artists Rockefeller Fellowship. While engaging in a deeply fulfilling and successful artistic career, Bamuthi also proudly serves as Vice President and Artistic Director of Social Impact at the John F. Kennedy Center for the Performing Arts in Washington, DC. He is in high demand for his creative approach to organizational design, brand development, and community mediation, and has been enlisted as a strategic partner or consultant for companies ranging from Coca Cola to Carnegie Hall. Bamuthi is the founding Program Director of the exemplary non-profit Youth Speaks, and is a co-founder of Life is Living, a national series of one-day festivals which activate under-resourced parks and affirm peaceful urban life.  

2001 produced one of the greatest collabs ever put down on a track when Common and Mos Def joined Bilal to produce Reminisce. The song is a journey through a life. An exploration of what was, what is, and what could be.  “Just when I think that I forgot you I hear that dub that we used to rock to Just when I think I'm gettin' on without you Somebody passed and asked me about you.” This episode will take you on the same kind of journey. The B Dorm squad is going home and getting away from campus for summer break. And on that trip back home we have a very special guest — a guide in many ways, a pioneer, a mentor, a brother and a friend. Marc Bamuthi Joseph (@bamuthi ) is a poet, dancer, playwright, actor, musician, and composer and currently serves as the Vice President and Artistic Director of Social Impact at the John F. Kennedy Center for the Performing Arts in Washington, DC. He is a 2017 TED Global Fellow, an inaugural recipient of the Guggenheim Social Practice initiative, and an honoree of the United States Artists Rockefeller Fellowship. Joseph's opera libretto, We Shall Not Be Moved, was named one of 2017's “Best Classical Music Performances” by The New York Times. He's a badass. He gets things done. And he always has.  The conversation is a warm, thoughtful look at what it takes to make it in America. What it means to succeed as a black man in America. And how to work to subvert the arts and steer the message for a brighter future for all of us. That's what B Dorm is all about. Every episode of The B Dorm Podcast is an entertaining and thought provoking experience that will make you laugh, and make you feel. We hope you enjoy the ride. And while you're at it, go ahead and give us five stars and subscribe at bpod.us. Questions, comments or just something to share? Send it to us at info@righteous.us and be sure to visit bdorm.us for videos, B Dorm merch and more great content. And if you like what you're hearing, jump on over to patreon.com/bdorm and join our Patreon crew and support the show. Every bit helps and the whole team  really appreciates your support.  The B Dorm Podcast is bringing the power of the Righteous Media 5 I's: Independence, Integrity, Information, Inspiration and Impact.  You can also watch a video of this entire episode here. The B Dorm Podcast connects, informs and inspires--and is powered by Righteous Media. On social media @bdormpod or visit www.BDorm.us. And don't forget to try Audible Plus for free: https://amzn.to/3KAcklz Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us for the second episode of our second season featuring guests Lori Pourier and Natalie Hopkinson. Kamilah Forbes, Marc Bamuthi Joseph, and Paola Prestini engage in conversation surrounding sovereignty, indigenous peoples, and gentrification through a macro and micro lens. This episode is in tandem with the We the Peoples Before celebration happening at the Kennedy Center on June 30 – July 2. For more information on the event, click on this link: https://www.kennedy-center.org/whats-on/festivals-series/we-the-peoples-before/.

José Vadi is the author of the debut essay collection Inter State: Essays from California (Soft Skull).   He received the San Francisco Foundation's Shenson Performing Arts Award for his debut play “a eulogy for three” produced by Marc Bamuthi Joseph's Living Word Project. He is the author of SoMa Lurk, a collection of photos and poems published by Project Kalahati / Pro Arts Oakland. His work has been featured by the Paris Review, the PBS NewsHour, the San Francisco Chronicle, Catapult, McSweeney's, The Los Angeles Review of Books, Quartersnacks, Free Skate Magazine and Pop-Up Magazine. He lives in Sacramento. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Launched in 2011. Books. Literature. Writing. Publishing. Authors. Screenwriters. Life. Death. Etc. Support the show on Patreon Merch www.otherppl.com @otherppl Instagram  YouTube Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us for Episode 5 of the Active Hope Podcast, featuring adrienne maree brown. Kamilah Forbes, Marc Bamuthi Joseph, and Paola Prestini of the Apollo Theater, the Kennedy Center, and National Sawdust engage in conversation surrounding social justice and pleasure activism. What is the connection between the individual and larger systemic change? How can we construct systems and modalities that take into consideration that the world is constantly changing? And how can we do all of that while being present with our bodies and finding personal fulfillment? A special thank you to our guest adrienne maree brown. Thank you to all artists featured in this part: Kamasi Washington and Molly Joyce. “Truth” Performed by Kamasi Washington Live at the Apollo Courtesy of Young/XL Recordings. The views and opinions expressed in this podcast do not necessarily reflect the opinions or position of the Kennedy Center. For more information on Active Hope, please visit https://www.kennedy-center.org/whats-on/special-programming/active-hope-podcast/

Join us for the second part of Episode 4 of the Active Hope Podcast, featuring poet Brenda Shaughnessy and illustrator and animator Tim Fielder. Kamilah Forbes, Marc Bamuthi Joseph, and Paola Prestini of the Apollo Theater, the Kennedy Center, and National Sawdust engage in conversation surrounding futurism; how can we reimagine a collective future? How does futurism intersect with art and culture? What do we know about the future for sure, and what is there for us to create, together? The views and opinions expressed in this podcast do not necessarily reflect the opinions or position of the Kennedy Center. For more information on Active Hope, including a transcript of this episode, please visit https://www.kennedy-center.org/whats-on/special-programming/active-hope-podcast/

Join us for Episode 4 of the Active Hope Podcast, featuring Marina Gorbis, the Executive Director of the Institute for the Future, poet Brenda Shaughnessy, and illustrator and animator Tim Fielder. Kamilah Forbes, Marc Bamuthi Joseph, and Paola Prestini of the Apollo Theater, the Kennedy Center, and National Sawdust engage in conversation surrounding futurism; how can we reimagine a collective future? How does futurism intersect with art and culture? What do we know about the future for sure, and what is there for us to create, together? Episode 4 Part 2 will be posted June 17, 2021. A special thank you to our guest, Marina Gorbis. Thank you to all artists featured in this part: Ash Koosha, Pamela Z, and Du Yun. The views and opinions expressed in this podcast do not necessarily reflect the opinions or position of the Kennedy Center. For more information on Active Hope, including a transcript of this episode, please visit https://www.kennedy-center.org/whats-on/special-programming/active-hope-podcast/

Join us for Episode 3 of the Active Hope podcast, featuring Regina Romero, the first Latina and female mayor of Tucson, Arizona. Listen in as our hosts Kamilah Forbes, Marc Bamuthi Joseph, and Paola Prestini of the Apollo Theater, the Kennedy Center, and National Sawdust explore the topic of borders; what is the relationship between borders and migration? How and why do we choose to move? What are the visible and invisible borders we create, or that are created by others, that define our experience? A special thank you to our guests, Mayor Regina Romero and Evan Kory. Thank you to all artists featured in this episode: Paola Prestini, Carlos Simon, Violeta Parra, Magos Herrera, Ed Simon, Adam Cruz, Jo Martin, Isabel Wilkerson, Vijay Iyer and Wadada Leo Smith, the MET Orchestra Musicians (Angela Qianwen Shen, Julia Choi, Chihiro Allen and Julia Bruskin), Roomful of Teeth (Glenn Kothche and Jeffrey Zeigler), and Murat Eyuboglus. Warmth from Other Suns by Carlos Simon Copyright © 2020 by CSJr. Music (ASCAP). All Rights Reserved. Sole Agent: Bill Holab Music. The views and opinions expressed in this podcast do not necessarily reflect the opinions or position of the Kennedy Center. For more information on Active Hope, including a transcript of this episode, please visit https://www.kennedy-center.org/whats-on/special-programming/active-hope-podcast/

Marc Bamuthi Joseph currently serves as the Vice President and Artistic Director of Social Impact at The Kennedy Center. He co-founded the Life is Living Festival for Youth Speaks, and created the installation “Black Joy in the Hour of Chaos” for Creative Time. His opera libretto, We Shall Not Be Moved, was named one of 2017’s “Best Classical Music Performances” by The New York Times, and his work /peh-LO-tah/ toured nationally. Future projects include commissions for the Perelman Center, Washington National Opera, and others, and a feature in HBO’s upcoming adaptation of “Between the World and Me” by Ta-Nehesi Coates. An inaugural recipient of the Guggenheim Social Practice initiative, Bamuthi also previously worked as the Chief of Program and Pedagogy at YBCA in San Francisco.

This week's guest is the Kennedy Center's vice president and artistic director for social impact, Marc Bamuthi Joseph. A National Poetry Slam champion and a TED Global Fellow, Marc discusses the future of social impact and the role of the arts in public healing. For this special episode, Marc also reads us 2 of his slam poems. Read more on our Shaped blog, including a full transcript and research for this episode:https://www.hmhco.com/blog/podcast-the-future-of-social-impact-and-the-arts-feat-marc-bamuthi-joseph

Join us for Episode 2 of the Active Hope Podcast, featuring CNN commentator and New York Times best-selling author Van Jones. Kamilah Forbes, Marc Bamuthi Joseph, and Paola Prestini of the Apollo Theater, the Kennedy Center, and National Sawdust engage in conversation surrounding the topics of incarceration, law, and politics, and the role of arts and culture in freedom design. A special thank you to all artists featured in this episode: Daniel Bernard Roumain, Marc Bamuthi Joseph, Asha Bandele, Samora Pinderhughes, Adam Drazan, Brianna Mims and Tanya Tagaq, Nels Cline and Glenn Kotche. The views and opinions expressed in this podcast do not necessarily reflect the opinions or position of the Kennedy Center. For more information on Active Hope, including a transcript of this episode, please visit https://www.kennedy-center.org/whats-on/special-programming/active-hope-podcast/

Daveed Diggs is best known for his Tony Award–winning portrayals of Marquis de Lafayette and President Thomas Jefferson in the Broadway musical “Hamilton,” released last year as a TV film on Disney+ and garnering Daveed a SAG Award nomination. Here, the singer-rapper-songwriter and actor-writer-producer reveals much of his creative philosophy to Backstage—a publication he used to read in the early, blissfully uncertain days of his career. His advice: “Be fully creative and really experiment with things, and then learn what your process is.” Born in Oakland, California, and studying theater at Brown University, Daveed joined early versions of Lin-Manuel Miranda’s “Hamilton” after scraping by with regional stage gigs and Marc Bamuthi Joseph’s choreopoem “Word Becomes Flesh.” He’s collaborated with an eclectic array of musicians, including his experimental hip-hop group Clipping, and writer-performer Rafael Casal, with whom he wrote, produced, and co-starred in the award-winning 2018 film “Blindspotting.” Daveed also leads TNT’s dystopian drama “Snowpiercer” and this year starred as Frederick Douglass on Showtime’s miniseries “The Good Lord Bird” and in Disney’s “Soul.” He’s appeared on ABC’s “Black-ish,” Netflix’s “Unbreakable Kimmy Schmidt,” and AppleTV+’s animated “Central Park,” and will next be seen in the live-action remake of “The Little Mermaid.” Check out Daveed answering our Backstage 5 actor questionniare here: https://bit.ly/3r0oeuC Also joining Jack on this episode is Elyse Roth, Backstage’s senior editor, to discuss the takeaways from the 2021 Oscar nominations: https://bit.ly/2P26GB5 --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intimate, in-depth conversations with today’s most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Jack Smart, Awards Editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Jack Smart - Producer: Jamie Muffett - Social media: Katie Minard, Alysa Cirelli - Design: Mark Stinson, Caitlin Watkins - Additional support: Kasey Howe, Samantha Sherlock, Benjamin Lindsay, Oriella St. Louis

Announcing the new season of the Lineage Podcast + Portrait Project! Lineage features intimate, in-depth interviews with contemporary socially engaged Black artists. Season Two will include conversations with renowned creatives and thought leaders Firelei Báez, R. Dwayne Betts, Camille A. Brown, Aimee Meredith Cox, Kamilah Forbes, Shani Jamila, Marc Bamuthi Joseph, Kiese Laymon, Fabiola Jean Louis, Haki Madhubuti, Alicia Hall Moran, Jason Moran, Lynn Nottage, Mary Lovelace O’Neal, Wendi Moore-O’Neal, Fahamu Pecou, Sonia Sanchez and Carrie Mae Weems. Stay tuned for bi-weekly audio interviews with each of the featured guests, beginning on Tuesday March 2nd. Subscribe to receive new episodes every other Tuesday.

A critically acclaimed theater director. A poet and TED Global Fellow. An award-winning composer. Join the artistic leadership trio of Kamilah Forbes, Marc Bamuthi Joseph, and Paola Prestini—from the Apollo Theater, the Kennedy Center, and National Sawdust—for an engaging public conversation exploring artistic intellect and national strategic leadership in the pursuit of inspiration for all. How can artists and arts workers shape the transformational and polarizing moments of today? How can we apply creative intelligence to cross borders and build a path for healing and the future? This pilot episode was recorded on Friday, January 8, 2021. We heard music by Jason Moran, the Robert Glasper Trio with DJ Jai Sundance. We heard music by Paola Prestini, Magos Herrera, and Tomas Mendez, as well as Square Peg Round Hole. Special thanks to Ta-Nehisi Coates and HBO. For more information on Active Hope, including a transcript of this episode, please visit https://www.kennedy-center.org/whats-on/special-programming/active-hope-podcast/

Welcome to Season Two! This first episode looks at being Black in educational settings, not just in the U.S., but also in Jamaica, a predominantly African-descent nation, but a country that subscribes to and abides by a white, British colonial system of inequality. My esteemed guest is someone who's been schooling me since birth: my big sis Njeri Semaj. As an expert Black woman and as an expert educator with two decades of professional experience across multiple educational models, I turn to her for perspective as we prepare for a new academic year in the midst of COVID-19 and racism. Spoiler alert: Njeri proposes that we decolonize everything. I recommend that you get in touch with her if you're interested in balancing for better: www.njerisemaj.com. (Additional Credits: Big up to @josh2funny for the viral #dontleavemechallenge and to my Ace Aminah for taking part. Recommended reading: Frederick Douglass' 1845 text Narrative of the Life of Frederick Douglass: An American Slave and Frantz Fanon's 1952 text Black Skin, White Masks. Recommending screening: Darrel Roodt's 1992 adaptation of Mbongeni Ngema's 1987 musical Sarafina! and the 2019 YAK Films short film based on the spoken word poetry of Marc Bamuthi Joseph titled About Face.)

In a breathtaking, jazz-inflected spoken-word performance, TED Fellow Marc Bamuthi Joseph shares a Black father's tender and wrenching internal reflection on the pride and terror of seeing his son enter adulthood. Hosted on Acast. See acast.com/privacy for more information.

Work. Shouldn't. Suck. LIVE: The Morning(ish) Show with special guests Marc Bamuthi Joseph and Lisa Yancey. [Live show recorded: May 8, 2020.] LISA YANCEY is a strategist, social impact entrepreneur, community builder, and visionary who believes that people build legacies in a lifetime. Originally from Atlanta, Georgia, Lisa Yancey is the president Yancey Consulting (YC) and co-founder of SorsaMED and The We’s Match. With 18 years of practice, YC has served over 100 nonprofit organizations, grantmakers, and individuals. Advising across arts and culture, public space, and justice-based sectors, YC specializes in strategic organizational development, economic modeling, evaluation and assessments, board development, leadership coaching, and executive transition support. SorsaMED is a biotechnology company engineering cannabinoids infused with nutrient-enriched microalgae for therapeutic pain management, with a specific concern for sickle cell anemia sufferers, especially youth. The We’s Match is dedicated to the wealth, scale, and wellness of Black women entrepreneurs. We match these entrepreneurs with resources and capital for business growth and success. Lisa’s dedication to supporting equitable outcomes for systemically disenfranchised people is the seamless thread that binds these companies. Three essential philosophies drive Lisa’s work. One, we must disrupt patterns that either sustain or are complicit to inequities that challenge any person’s or group’s ability to be their full selves. Two, we will never accomplish sustainable goals looking solely in the short-term. She touts, “It is imperative to assess and set generational impact goals (20-25 years from now) that connect to present-day efforts.” The third is best captured in Lilla Watson’s declaration, “If you have come here to help me you are wasting your time, but if you are here because your liberation is bound with mine, then let us work together.” Lisa believes, “I am one of WE.” Lisa matriculated from Boston College Law School and Emory University. She is a former dancer and choreographer. She is also a member of the New York State Bar Association. Lisa currently lives in Mount Vernon, New York, and serves on the board of Fractured Atlas. MARC BAMUTHI JOSEPH is a 2017 TED Global Fellow, an inaugural recipient of the Guggenheim Social Practice initiative, and an honoree of the United States Artists Rockefeller Fellowship. He is also the winner of the 2011 Herb Alpert Award in Theatre, and an inaugural recipient of the Doris Duke Performing Artist Award. In pursuit of affirmations of black life in the public realm, he co-founded the Life is Living Festival for Youth Speaks, and created the installation “Black Joy in the Hour of Chaos” for Creative Time. Joseph’s opera libretto, We Shall Not Be Moved, was named one of 2017’s “Best Classical Music Performances” by The New York Times. His evening length work, /peh-LO-tah/, successfully toured across North America for three years, including at BAM’s Harvey Theater as a part of the 2017 Next Wave Festival. His piece, “The Just and the Blind” investigates the crisis of over-sentencing in the prison industrial complex, and premiered at a sold out performance at Carnegie Hall in March 2019. Bamuthi is currently at work on commissions for the Perelman Center, Yale University, and the Washington National Opera as well as a new collaboration with NYC Ballet Artistic Director Wendy Whelan. Formerly the Chief of Program and Pedagogy at YBCA in San Francisco, Bamuthi currently serves as the Vice President and Artistic Director of Social Impact at The Kennedy Center.

Alicia Bauman-Morales is an Oakland born Boricua tomboi, a queer woman, a dancer/organizer/performer/trouble maker. During our conversation Alicia brings the wealth of her Ancestry forward by calling the names of many in her blood lineage as she speaks of coming from fantastical storytellers, people committed to doing things on their own terms. Alicia shares a bit about her piece: huracán: storm medicine - a personal dance story, living altar and town hall about destruction, translation, and the transformative power of storms. And she names some of her influences, as she shares her Journey of learning how to nurture/and be in her body. Alicia's performance practice is shaped by Oakland turf dance (she grew up in Oakland and her first studio was the sidewalk), tomboy physicality, house dance, martial arts, kitchen and backyard salsa, altar building, western modern forms and, recently, Step. She is or has been a proud collaborator/performer with Arthur Aviles Typical Theater, NWA Project, Renegade Performance Group, MBDance, Brown Girls Burlesque, Roots and River Productions and PISO Proyecto, and has shown work in four of the five boroughs of New York and Puerto Rico. She is a proud organizer with ACRE, Artists Co-Creating Real Equity. Regarding organizing in solidarity with people in Puerto Rico right Alicia suggests, "direct support of our people in PR via donations of money and supplies, and by writing notes...and putting political pressure on politicians in the U.S" and check out: Colectivo Ilé https://colectivo-ile.org, a women's collective doing racial justice work and community sustainability through women's entrepreneurship. During our conversation Alicia names some of her teachers and influences/including: Amara Tabor-Smith http://www.deepwatersdance.com Arthur Aviles http://www.baadbronx.org/arthur-aviles-typical-theater.html jumatatu m. poe https://www.jumatatu.org Luisah Teish https://www.yeyeluisahteish.com Marc Bamuthi Joseph https://www.kennedy-center.org/artist/B305518 More about Alicia at: https://www.whoyopeopleis.com/season-2

 Self-expression, Science and Mindfulness.In this episode with Nkechi we cover:Nkechi’s journey from growing up in Minneapolis, to LA, to Scotland, to San Francisco and what she learned along the wayNkechi’s background in Neuroscience and DanceHow through Neuroscience Nkechi learned that Mindfulness can change your brain and heal youHow dance has been a constant in Nkechi’s life since the age of 3The parallels between mindfulness and dancingNkechi’s experiences with performance anxiety and panic attacksHow our body is attempting to protect us in moments of panic, stress and anxietyMindfulness as an antidote to feelings of overwhelmThe impact of catastrophizing thoughtsWhat we can learn from the artsSan Francisco’s aversion to conflictNkechi’s experience as a woman of color in the Mindfulness spaceNkechi’s personal Mindfulness practiceWhat Nkechi’s calling in right now (using the Pathway from To Be Magnetic)The people who are inspiring Nkechi Get in touch with Nkechi:@ndnlifestylist on Instagramwww.ndnlifestylestudio.comThe Art of Presence @ the Assemblyhttps://soundcloud.com/ndnlifestylistLinks:The Pathway from To Be MagneticThe Assembly, where Nkechi teaches MindfulnessMixed Race in the US and UK by Dr. Chinelo Njaka (Nkechi’s sister)Shonna Chiles on InstagramLauren Ash, Black Girl in OmMark Bamuthi Joseph https://en.wikipedia.org/wiki/Marc_Bamuthi_Joseph https://www.ted.com/speakers/marc_bamuthi_josephKamelle Mills https://kamellemills.com/

Despite bring the fastest-growing population of American entrepreneurs, founders of color are systematically under-recognized and under-resourced in America today. How can we begin to build new systems that will support entrepreneurs of color? What will it take to build an inclusive impact economy? This past June, SOCAP convened the first-ever SPECTRUM event in Atlanta to discuss these challenges and begin building an action plan to solve them. In this episode, we offer a selection of inspirational and insightful moments recorded live at SPECTRUM.  Featured voices include Marc Bamuthi Joseph of the Kennedy Center for the Performing Arts, Jessica Stago of Change Labs, Frederick Hutson of Pigeonly, Jay Bailey of the Russell Center for Innovation and Entrepreneurship, and Nadia Brigham of Brigham Consulting.

이 멋진 재즈식의 구어체 공연에서, TED 펠로우인 마크 배무시 조세프는 아들이 성인이 되어가는 것에 대한 흑인 아버지의 자부심과 공포가 뒤섞인 부드러우면서도 고통스러운 내적 반영을 함께 나눕니다.

In a breathtaking, jazz-inflected spoken-word performance, TED Fellow Marc Bamuthi Joseph shares a Black father's tender and wrenching internal reflection on the pride and terror of seeing his son enter adulthood.

In a breathtaking, jazz-inflected spoken-word performance, TED Fellow Marc Bamuthi Joseph shares a Black father's tender and wrenching internal reflection on the pride and terror of seeing his son enter adulthood.

In a breathtaking, jazz-inflected spoken-word performance, TED Fellow Marc Bamuthi Joseph shares a Black father's tender and wrenching internal reflection on the pride and terror of seeing his son enter adulthood.

Dans une époustouflante interprétation de poésie parlée influencée par le jazz, le membre TED Marc Bamuthi Joseph partage la tendre et déchirante introspection d'un père sur la fierté et la terreur de voir son fils entrer dans l'âge adulte.

Durante este impresionante recital jazzístico de "Spoken Word" (o palabra hablada), el becario de TED Marc Bamuthi comparte con la sensible y dolorosa reflexión interna de un padre afroamericano sobre el orgullo y el temor de ver a su hijo pasar a la edad adulta.

Em uma apresentação emocionante de poesia falada modulada pelo jazz, o bolsista TED Marc Bamuthi Joseph compartilha a sensível e dolorosa reflexão interna de um pai negro sobre o orgulho e o terror de ver seu filho entrar na idade adulta.

How can we re-imagine political power? What is the role of culture in the current political climate? These were the questions framing the YBCA 100 Summit in San Francisco - an event recognizing some of the most exciting people, organizations and movements changing society for the better. Stance caught up with this year’s honorees Janet Mock; Tarana Burke; Nnedi Okorafor; Rafael Casal, as well as YBCA's Marc Bamuthi-Joseph to hear their takes. Stancepodcast.com @stancepodcast ybca.org   Music Credits: Janelle Monae - I Like That Blood Orange - Jewelry ft Janet Mock J Dilla - Rebirth is Necessary Sun Ra - Space is the Place Public Enemy - Fight the Power

"Soccer is the only thing on this planet that we can all agree to do together," says theater maker and TED Fellow Marc Bamuthi Joseph. Through his performances and an engagement initiative called "Moving and Passing," Joseph combines music, dance and soccer to reveal accessible, joyful connections between the arts and sports. Learn more about how he's using the beautiful game to foster community and highlight issues facing immigrants. Hosted on Acast. See acast.com/privacy for more information.

"O futebol é a única coisa neste planeta que todos nós podemos concordar em fazermos juntos", diz o produtor do teatro e TED Fellow Marc Bamuthi Joseph. Por meio de suas performances e uma iniciativa de engajamento chamada "Moving and Passing", Joseph combina música, dança e futebol para revelar conexões acessíveis e alegres entre a arte e o esporte. Saiba mais sobre como ele está usando o belo jogo para promover a comunidade e destacar os problemas enfrentados pelos imigrantes.

연극 제작자이자 TED 펠로우인 마크 바무티 요셉은 "축구는 지구상에서 우리 모두가 유일하게 함께 할 수 있는 한 가지일 것"이라고 말합니다. 그는 음악, 춤 그리고 축구가 결합된 "이동과 전달"이라는 이름의 참여 프로그램을 통해 예술과 스포츠간의 이해하기 쉽고 유쾌한 접목을 표현합니다. 그가 이 훌륭한 프로그램을 이용하여 어떻게 커뮤니티를 발전시키고 이민자들이 직면한 문제에 대하여 강조하는지 알아보세요.

"Soccer is the only thing on this planet that we can all agree to do together," says theater maker and TED Fellow Marc Bamuthi Joseph. Through his performances and an engagement initiative called "Moving and Passing," Joseph combines music, dance and soccer to reveal accessible, joyful connections between the arts and sports. Learn more about how he's using the beautiful game to foster community and highlight issues facing immigrants.

"El futbol es lo único en este planeta sobre lo que todos nos podemos poner de acuerdo en hacer juntos," dice el director de teatro y TED Fellow Marc Bamuthi Joseph. Por medio de sus presentaciones y una iniciativa llamada "Moviendo y pasando," Joseph combina música, danza y futbol para revelar accesibles y felices conexiones entre las artes y el deporte. Descubre más sobre cómo está utilizando este bello juego para empoderar a su comunidad y resaltar problemas que enfrentan los inmigrantes.

The Do List's Cy Musiker is joined by Marc Bamuthi Joseph to talk 'Black Panther,' Shabazz Palaces, 'Born Yesterday,' Sonya Renee Taylor and more.

[*If you’re listening with headphones, be sure to use both left & right for this episode!*] This month, we had the good fortune to catch Marc Bamuthi Joseph for a quick interview while he was in NYC! Marc is widely recognized as one of the most vital voices in performance, arts education, and artistic curation. […]

On this episode of The Poetry Gods, we talk to Lauren Whitehead about courting rejection, writing in multiple disciplines, The Handmaid's Tale by Margaret Atwood, masculinity, & much more. As always you can reach us at emailthepoetrygods@gmail.com. We love to hear from you, so please drop us a line! Leave us a review on iTunes! Bring us to your college/ local hummus emporium! LAUREN WHITEHEAD BIO: Lauren Whitehead is a writer, performer and Master of Fine Arts recipient in Dramaturgy from Columbia University where she was a Schubert Presidential Fellow and an Undergraduate Writing Teaching Fellow. Lauren has written, composed and performed two one-woman musicals. The first, Written in Blues, was presented in the Afro Solo Festival, The Left Coast Leaning Festival at Yerba Buena Center for the Arts and at DiverseWorks in Houston, Tx. An excerpt of her second one woman show, A Tribe Called Blessed, debuted at the Women Center Stage Festival (Lynn Redgrave Theater) and was featured at The Nuyorican Poets Cafe. Her first full length play, stunning, still was read at Naked Angels 1st Mondays Play Reading Series after a residency at Vineyard Arts Project and her second full length work, American Courage, was selected for a workshop with Crowded Outlet and will have a reading at Judson Memorial Church in January of 2018. This year, Virtuosically Invisible, her non-fiction prose manuscript was runner up in a book prized judged by Maggie Nelson and her poems have been published in Apogee, Winter Tangerine and Union Station Magazine. Lauren has performed her work in various venues around the country including The Sundance Film Festival and The Kennedy Center for Performing Arts. Lauren was featured on HBO's documentary, Brave New Voices and this fall, she will originate the role of Un/Sung in Opera Philadelphia's production of We Shall Not be Moved, a hybrid opera written by Marc Bamuthi Joseph and directed by Bill T. Jones. Prior to that, she played the role of “Zillah” in A Bright Room Called Day (Connelly Theater). As a dramaturg, Lauren has worked in various capacities both inside and outside of the theater. She recently directed How Bodies Reclaim Light (New York Live Arts) and was playwright/adapter of Three Sisters: Tulsa 1921 (The Secret Theater). She was the assistant director of Paradox of the Urban Cliche by Craig “muMs” Grant, the festival dramaturg for The Fire This Time Festival and co-curator of the Conscious Language Festival at The Wild Project. In addition to touring with The Dialogue Arts Project, an organization that uses the arts to facilitate difficult conversations about social identity, Lauren has given a number of lectures and workshops across the country. Most recently, Lauren worked as a research assistant to Oskar Eusits at New York University in partnership with The Public Theater. Currently, Lauren teaches an Advanced Playwriting Lab at The New School and she facilitates a poetry and performance workshop at Juilliard. Follow Lauren Whitehead on Instagram : @lady_whitehead & on Twitter: @ladywhitehead Visit Lauren's website: http://www.laurenawhitehead.com/ Follow The Poetry Gods on all social media: @_joseolivarez, @azizabarnes/ @azizabarneswriter (IG), @iamjonsands, @thepoetrygods & CHECK OUR WEBSITE: thepoetrygods.com/ (much thanks to José Ortiz for designing the website! shouts to Jess X Snow for making our logo)

In our last episode of the 2016-2017 season, Micah and Chuy recap the last residency of the season. And Micah sits down with /peh-LO-tah/ cast members Marc Bamuthi Joseph, Tommy Shepherd, Delina Patrice Brooks, Traci Tolmaire, and Yaw Agyeman to talk about the inspiration behind the show they call a "futbol framed freedom suite", their collaborative process, and whether it’s challenging or liberating to combine sports and the arts. We'll be back next season with more Hancher talk!

As Hancher's current season comes to a close we've been fielding questions on Marc Bamuthi Joseph's new multi-disciplinary work. "So what's /pe-LO-tah/?" "Is it a dance...is it poetry...is it about Fifa...the Black Lives Matter movement?" We turned to student assistant Atticus to help us explain how /peh-LO-tah crafts all these elements together in the final show of Hancher's 16/17 Season.

Unaccompanied minors make the Bay Area their home. An interview with artist Marc Bamuthi Joseph. San Francisco rapper Adam Vida.

Joshua Fisher Lee and Lubab Alkhayyat from AYPAL Tonight on APEX Express: Renee Geesler talks with members of AYPAL, Building API Community Power, join us to talk about their anti-displacement organizing work in Oakland; Cristal Fiel talks with Oliver Saria about Legions of Boom, a book by Oliver Wang on the Filipino American mobile DJ scene, and Bindlestiff Studio‘s  API Heritage Month events inspired by the book; And, we head to the dump — yes, the dump, to talk with visual artist Weston Teruya about his latest residency where he's exploring displacement and gentrification in San Francisco. Community Calendar Weston Teruya at his residency at Recology. Photo by Micah Gibson For a quick recap of what we featured on tonight's show: Legions of Boom, the discussion on Filipino American mobile DJs and the immersive theater experience is on Friday, May 13 for the panel discussion, and Saturday, May 14 for the immersive theater experience at 8 p.m. both nights at Bindlestiff Studio in San Francisco.  AYPAL's May Arts Festival is on Saturday, May 14 from 11 to 4 at San Antonio Park in Oakland.  and the Recology exhibition dates are Friday, May 20 from 5 to 9 p.m., Saturday the 21st from 1 to 3, and Tuesday, May 24 from 5 to 7 p.m. at 401 Tunnel Avenue in San Francisco. You may remember that on April 6, APEX covered a story about a Bay Area production of the Mikado where it was feared performers would be in Yellow Face. That controversy led to an important community discussion on equitable representation in the arts. It takes place on Monday May 9 from 6:30 to 8:30 at the Yerba Buena Center for the Arts. Arts activist Marc Bamuthi Joseph will be moderating a conversation on this topic with the members of the Ferocious Lotus Theater. May 10th is Asian American Mental Health Day. Asian & Pacific Islanders make up one of the fastest growing ethnic communities in the United States, yet they have the lowest rates of utilization of mental health services among ethnic populations. To destigmatize mental health issues, Kearny Street Workshop has teamed up with the Richmond Area Multi-Services Inc. to present “Frames of Mind,” a seven-week photography workshop. An exhibition of their work focused on mental health led by documentarian R.J. Lozada that will be on display at the I-Hotel in Manilatown on May 10 to May 12. As part of the National Queer Asian Pacific Islander Alliance's #RedefineSecurity week of action, a broad coalition of API community organizations are coming together to discuss what safety looks like for queer and trans API folks, particularly in the context of incarceration, immigration and racial profiling. This conversation will take place at Excelsior Works on May 15 from 3:30 to 5:30 with our friends at AACRE: API Equality of Northern California, the Alliance of South Asians Taking Action, Asian Prisoners Support Committee, and ASPIRE  And closing out May, spoken word artist and author Jason Bayani will be performing pieces drawing on stories from the fourth wave of Pilipino immigrants at Bindlestiff Studios on May 27 and 28. The post APEX Express – May 5, 2016 appeared first on KPFA.

Marc Bamuthi Joseph and Daniel Roumain join me and Donna in The Lounge this week. They gave us life! In Atlanta for a reprisal of Home In 7 with the Atlanta Ballet, Marc and Daniel share wonderful insight on art, activism, collaboration, community and a million nuances that occupy the space in between. Enjoy!

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Environmental advocate and former Obama administration advisor Van Jones and performance artist Marc Bamuthi Joseph discuss environment, race, social ecology and collective responsibility. This lecture is titled “At Your Own Risk: What Is To Be Done?”. Cathy Cohen, professor of Political Science at the University, joins Jones and Bamuthi's conversation after the performance.

Today we are joined by author and journalist Joanne Griffith who will is on tour with her book: Redefining Black Power: Reflections on the State of Black America with foreward by Pacifica Radio Archives director Brian DeShazor. Feb. 8, 7 p.m., she will be at MoAD, 685 Mission Street (at Third), San Francisco. There is a cost for adults. Feb. 9, 6:30-8 p.m. she will be at Marcus Books in Oakland, 40th & MLK Jr. Way. This event is free. Join the conversation. Visit http://redefiningblackpower.com/?page_id=14 Our next guest is African American Quilt Designer Helen Anderson, whose work as a part of the ACTA Apprenticeship program debuts Feb. 4, 1-3 p.m. at East Bay Church of Religious Science in Oakland. The program is free. Marc Bamuthi Joseph's "When Words Become Flesh" opens Black Choreographers Here and Now at Laney College in Oakland, Feb. 11. We are joined by Bamuthi and two members of the cast: Khalil Anthony & Daveed Diggs. Visit http://www.bcfhereandnow.com/Oaklandinfo12.html We close with Mahen Sophia Bonetti, founder and director of African Film Festival, Inc. Each year http://www.africanfilmny.org/ collaborates with UC Berkeley Pacific Film Archive to host the African Film Festival on tour Jan. 26 and continues through Feb. 29. Visit http://www.bampfa.berkeley.edu/filmseries/african_2012  

8:00 AM: "Beyond the Odds with Anita Johnson HIV/AIDS." Beyond the Odds is a multimedia arts project designed to illuminate the perspectives and personal stories of young people living with HIV/AIDS. Visit www.beyondtheodds.org Anita Johnson is a nationally-recognized, award-winning broadcast journalist and producer. 8:30 AM: Perfect Love with Michael Buck and Joey Tranchina. Michael Buck is an Inspirational Speaker, Peer Counselor, Community Activist, Founder & Creator of Perfect Love. He is also the creator and founder of ‘SISTHAS Supporting SISTHAS', ‘Hepatitis C Info Series', ‘NOT LISTENING', ‘HIV/AIDS Nutritional Series' and ‘UFAHAMU HIV, Swahili for understanding, is a collaboration of African and African American artists for the prevention of HIV & AIDS. Michael is a past board member of CAL-PEP, AIDS Community Research Consortium (ACRC). Joey Tranchina: Founding Executive Director, AIDS Prevention ACTION Network, (of which Michael is a board member), formerly CEO Hepatitis C Global Foundation. Joey is also: Co-Director Project Mali. The greatest natural resource in Africa is Africans. Tuesday, Dec. 1, World AIDS Day Perfect Love is hosting a free Community AIDS Awareness Breakfast in East Palo Alto at New Sweet Home Church, 2170 Capitol Ave., (650) 325-1467. 9:00 AM: Loretta Devine, opening @ The Rrazz Room at Hotel Nikko, Friday, November 27 through Sunday, November 29, 2009, 8 PM Fri/Sat. and 7 PM Sun. The Rrazz Room is located at 222 Mason Street in San Francisco, CA 94102. Visit www.therrazzroom.com 9:30: Marc Bamuthi Joseph curator of Left Coast Leaning, Thursday-Saturday, Dec. 3-5, in YBCA's “Forum Theatre,” 701 Mission Street, 8 p.m., www.ybca.org. Joining Bamuthi is musician, composer, Ambrose Akinmusire who is performing December 5, with Holcombe Waller, Denizen Kane, Erica Chong Shuch, Sean San José, Chinaka Hodge.

A Look at Marc Bamuthi Joseph, playwright/performer for "the break/s," part of the 32nd annual Humana Festival of New American Plays on stage now through Mar 30. More information about the Humana Festival online at http://www.actorstheatre.org/humana.htm