Podcasts about andr previn

"Jesus Christ Superstar" (1973), música de Andrew Lloyd Webber y Tim Rice, arreglos de André Previn.

Sadie Sink and Amalia Yoo in John Proctor is the Villain Photo by Julieta Cervantes Peter Filichia, Jena Tesse Fox, James Marino, and Michael Portantiere talk about John Proctor is the Villain, Smash, Vanya @ Lucille Lortel, and 54 Sings Coco by Alan Jay Lerner and André Previn “This Week read more The post This Week on Broadway for April 20, 2025: John Proctor is the Villain appeared first on BroadwayRadio.

durée : 01:29:13 - André Previn, musicien aux dons multiples - par : Aurélie Moreau - Compositeur, pianiste, jazzman et chef d'orchestre, André Previn a interprété avec bonheur tous les répertoires. Le voici notamment en tant que chef dans des œuvres de Mendelssohn, Holst, Tchaïkovski, Walton, Grieg, Vaughan Williams, Offenbach…

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A minuit, Marie se lève pour aller voir comment va le Casse-Noisette. Malheur, les rats attaquent les jouets ! Texte : Elodie Fondacci Compositeur : Piotr Tchaïkovski Œuvre : Casse-Noisette Interprètes : André Previn, LSO Âge : dès 4 ans Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Pauvre Casse-Noisette. Il est grièvement blessé... Texte : Elodie Fondacci Compositeur : Piotr Tchaïkovski Œuvre : Casse-Noisette Interprètes : André Previn, LSO Âge : dès 4 ans Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Pour remercier Marie, le Prince l'emmène visiter le Royaume des Douceurs.  Texte : Elodie Fondacci Compositeur : Piotr Tchaïkovski Œuvre : Casse-Noisette Interprètes : André Previn, LSO Âge : dès 4 ans Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

L'oncle Drosselmeyer révèle à Marie qui est réellement le Casse-Noisette. Un prince ensorcelé par le Roi des rats.  Texte : Elodie Fondacci Compositeur : Piotr Tchaïkovski Œuvre : Casse-Noisette Interprètes : André Previn, LSO Âge : dès 4 ans Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

C'est le soir de Noël chez Franz et Marie... Texte : Elodie Fondacci Compositeur : Piotr Tchaïkovski Œuvre : Casse-Noisette Interprètes : André Previn, LSO Âge : dès 4 ans Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:23:24 - Disques de légende du vendredi 04 octobre 2024 - André Previn et le London Symphony Orchestra jouent Rachmaninov et Prokofiev.

durée : 00:23:24 - Disques de légende du vendredi 04 octobre 2024 - André Previn et le London Symphony Orchestra jouent Rachmaninov et Prokofiev.

Chelsea welcomes actor and filmmaker Armida López to unpack Mia Farrow's memoir, “What Falls Away.” They explore Mia's life, from her Hollywood upbringing as the daughter of director John Farrow and actress Maureen O'Sullivan to her high-profile relationships with Frank Sinatra, André Previn, and Woody Allen. And then as I'm sure you guessed the last half of the episode is all about Woody and Mia's court case that set out prove or disprove allegations of his child abuse, and Chelsea yells a lot. A content warning: this episode contains discussions of sensitive topics including sexual abuse. Take care while listening and find helpful resources here. Where to order Chelsea's book: Bookshop.org Find other places to order Follow Chelsea: Instagram @chelseadevantez Join the cookie community: Become a member of the Patreon Show Notes: HBO docuseries “Allen v. Farrow” Netflix documentary "Victim/Suspect"  Where to find our guest: Armida López Instagram *** Glamorous Trash is all about going high and low at the same time— Glam and Trash. We recap and book club celebrity memoirs, deconstruct pop culture, and sometimes, we cry! If you've ever referenced Mariah Carey in therapy... then this is the podcast for you. Thank you to our sponsors: Visit Brooklinen.com and use code TRASH to get $20 off your order of $100 or more. Libro.fm - Click here to get 2 audiobooks for the price of 1 with your first month of membership using code TRASH. Learn more about your ad choices. Visit megaphone.fm/adchoices

Errollyn Wallen is one of the world's most performed living composers. Her work, which includes 22 operas, orchestral, chamber and vocal works, was played at the opening ceremony of the Paralympic Games in 2012 and at Queen Elizabeth II's Golden and Diamond Jubilees. She was the first black woman to have a piece featured in the BBC Proms and the first woman to receive an Ivor Novello award for Classical Music for her body of work.Errollyn was born in Belize in Central America and was brought up in North London. The passion for music came early to her - as a baby she sang in her cot - and later she enjoyed free music lessons at her local primary school. She fell in love with the piano at five and went on to have formal lessons four years later.She studied music and dance at Goldsmith's, University of London and took a Master's in composition at King's College London. After working as a session musician, Errollyn formed her own band Ensemble X whose motto is “we don't break down barriers in music…we don't see any”. In 1990 she composed a tribute to Nelson Mandela to mark his release from prison. In 2020 she was awarded a CBE for services to music in The Queen's New Year's Honours. Errollyn lives and works in a lighthouse at Strathy Point in the north of Scotland.DISC ONE: Beethoven, Symphony No. 7 in A Major, Op. 92, 4th Movement: Allegro Con Brio. Composed by Ludwig van Beethoven and performed by André Previn (piano) with the London Symphony Orchestra DISC TWO: Bewitched, Bothered and Bewildered - Ella Fitzgerald DISC THREE: L'Oiseau de Feu (The Firebird) (1910 Ballet Score) ('Fairy-tale Ballet In Two Tableaux For Orchestra') Introduction. Composed by Igor Stravinsky and performed by Bergen Philharmonic, conducted by Andrew Litton DISC FOUR: I Am Sitting In a Room - Alvin Lucier DISC FIVE: Bach, Concerto for 2 Violins in D Minor BWV 1043 (II movement) Composed by Johann Sebastian Bach and performed by Isaac Stern and Itzhak Perlman (violin) with the New York Philharmonic, conducted by Zubin Mehta DISC SIX: Signed, Sealed, Delivered (I'm Yours) - Stevie Wonder DISC SEVEN: What's Up Doc? - Errollyn Wallen DISC EIGHT: Peter Grimes, Op. 33, Act III, Scene 7: Mister Swallow! Mister Swallow! (Mrs Sedley) Composed by Benjamin Britten and performed by Bergen Philharmonic Orchestra, Catherine Wyn-Rogers and Susan Bickley (Mezzo-soprano), Neal Davies (bass-baritone), Barnaby Rea (bass) and conducted by Edward Gardner BOOK CHOICE: A collection of Bach sheet music LUXURY ITEM: Wigmore Hall CASTAWAY'S FAVOURITE: Bach, Concerto for 2 Violins in D Minor BWV 1043 (II movement) Composed by Johann Sebastian Bach and performed by Isaac Stern and Itzhak Perlman (violin) with the New York Philharmonic, conducted by Zubin Mehta Presenter Lauren Laverne Producer Paula McGinley

Andre Previn was still in high school when MGM gave him a job in their music department, doing piece work. His first official movie credit came in 1949, and over the next dozen or so years Previn was involved in creating the musical scores for over 50 MGM films. In this 1991 interview discusses his memoir of his 16-year MGM career, No Minor Chords. Get No Minor Chords by Andre PrevinAs an Amazon Associate, Now I've Heard Everything earns from qualifying purchases.You may also enjoy my interviews with Robert Evans and Mia Farrow For more vintage interviews with celebrities, leaders, and influencers, subscribe to Now I've Heard Everything on Spotify, Apple Podcasts. and now on YouTube Photo by Bert Verhoeff for Anefo #movies #Hollywood #MGM #1950s

This is part of a series about movies from 1971. ***Referenced media:“The Big Doll House” (Jack Hill, 1971)“Crimes of Passion” (Ken Russell, 1984)“Deep Throat” (Gerard Damiano, 1972)“Behind the Green Door” (Artie Mitchell and Jim Mitchell, 1972)“Whore” (Ken Russell, 1991)“E.T.” (Steven Spielberg, 1982)“Pretty Woman” (Garry Marshall, 1990)“The Transformers: The Movie” (Nelson Shin, 1986)“Elmer Gantry” (Richard Brooks, 1960)“Blue” (Derek Jarman, 1993)“Citizen Kane” (Orson Welles, 1941)“The Passion of the Christ” (Mel Gibson, 2004)“Gladiator” (Ridley Scott, 2000)“Spartacus” (Stanley Kubrick, 1960)Audio quotation:“The Devils” (Ken Russell, 1971)“Whore” (Ken Russell, 1991)Theme from “Elmer Gantry” (Richard Brooks, 1960), written by André Previn, https://www.youtube.com/watch?v=jL6UGHLl3hk“Goodbye, My Life, My Love” from “Spartacus” (Stanley Kubrick, 1960), written by Alex North,https://www.youtube.com/watch?v=pajZbfZvgXE&list=PL91EBC569483515E4&index=21

Who finished on top in the Stage Door Athletic's inaugural betting comp at the races?!The boys analyse their betting performances from this year's Cheltenham Festival. Jack and Rob both had £20 to play with. We find out who made the most winnings for their chosen charity! There's also chat about their betting tactics, the festival as a whole this year and whether it lived up to expectations, the prices of pints there and so much more! There's a round up of the week's sporting highlights including the conclusion of the Six Nations, Leeds United climbing to the top of the Championship and Producer James talks Brighton town centre being overtaken by Romans!Who do you think won the betting comp? What are your betting tips and tricks? How much would you pay for a pint of Guinness?! Let us know! @StageDoorAthleticHosts: Jack Loxton & Rob Shaw CameronProducer: James CourtEdited by: Rob Shaw CameronDesign by: Charlie Finn@jackloxton1 @robshawcameron@thecourtofjames @finn__studioStage Door Athletic is a [non]fiction PEOPLE Ltd Production© Robert Shaw Cameron, Jack Loxton and James CourtPRS Licence Reference: LE-0031956Ascot Gavotte by André Previn, Orchestra & Chorus - ℗ Originally released 1964. All rights reserved by Sony Music EntertainmentAdelaide's Lament by Faith Prince - ℗ 1992 BMG Music Hosted on Acast. See acast.com/privacy for more information.

My dear friend and colleague soprano Sarah Pillow introduces one of her favorite Countermelody programs, which I repost as the first of this month's Listeners' Favorites episodes. Since Sarah is herself an enormously eclectic singer, it's entirely fitting that she should choose to foreground Eileen Farrell. The American dramatic soprano Eileen Farrell (1920–2002) was one of the finest and most versatile singers the United States has ever produced. Her singing career lasted more than fifty years, and this episode covers the entire chronological range of that career, from her early work as a radio singer in the 1940s to her final pop albums in the 1990s. While the episode focuses on her crossover work (and includes work by, among others, Harold Arlen, Jule Styne, Alec Wilder, George Gershwin, Rodgers and Hart, as heard on two of her lesser-known pop albums with Percy Faith and the late André Previn), we also sample her opera and concert work, with examples from Verdi and Wagner to Debussy and Charpentier, to Barber and Menotti. A late reunion with her favorite conductor Leonard Bernstein caps the episode. In all her singing Farrell combines ease of delivery and a relaxed, insouciant response to the words and music with a vocal and interpretive precision that inevitably strikes a bullseye. Bow down to the Queen of Crossover, nay, the Queen of Song!

On Saturday, May 30, 1964, Bob Crane hosted a four-hour 8th anniversary special of his KNX-CBS radio program. For this special broadcast, he aired clips from many of the interviews he had conducted over the years at KNX. Part 3 of his 8th anniversary special is presented here. Celebrity guests include Olivia de Havilland, André Previn, Phyllis Diller, Barbra Streisand, Gig Young, Stephanie Powers, Gene Krupa, Danny Kaye, Richard Chamberlain, Bronislau Kaper, Eddie Cantor, and Norman Vincent Peale. Advertising includes commercials for American Savings and Loan, PSA Airlines, Hertz Rent-A-Car, Fullvita Vitamins, Burgermeister Beer, Plymouth, Doublemint Gum, Aetna Insurance, and more.© Carol M Ford Productions, LLCAll rights reserved.Selected music is licensed through Epidemic Sound and used with permission.Bob Crane's 8th anniversary KNX special was provided to Bob Crane's official biographers by a former KNX employee who worked with Bob at the station and is used here with permission of Scott Crane.For more information about Bob Crane, visit https://vote4bobcrane.org/

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Here's another great compilation album from my father's collection. It's filled with music from some pretty big names in the music world. And every tune swings…hard. There is some serious 1950s grooving going on within these recordings. And it was put together to promote pens. And not the ballpoint kind. So, get ready to hear some of the most uptempo music you'll find on this show with Volume 154: Swingin' Sounds. Credits and copyrights Various – Swingin' Sound! Label: Columbia Special Products – XTV-8229 and 30 (each side has a number) Format: Vinyl, LP, Compilation, Limited Edition, Stereo Nobody seems to know when this ablum was released, it's not even listed on the CSP discography with a date, but I'm going with about 1961 or 62.  Genre: Jazz, Classical Dave Brubeck - I'm in a Dancing Mood written by Al Hoffman, Al Goodhart, and Maurice Sigler recorded at Newport Jazz Festival July 6, 1956. Duke Ellington - Perdido written by Juan Tizol First recorded on January 21, 1942. Ellington went on to record this song many times and I'm not sure when the version you just heard was recorded. Buddy Greco - The Lady Is A Tramp written by Richard Rodgers, and Lorenz Hart recorded at Le Bistro, on Rush Street in Chicago some time in 1959. André Previn, His Piano And Orchestra - Like Love written by André Previn, and Dory Previn Released in 1960 Lambert, Hendricks & Ross - Cloudburst written by Jon Hendricks, Leroy Kirkland, and Jimmy Harris Dave Lambert, Jon Hendricks and Annie Ross Recorded that in 1959 The Dave Brubeck Quartet With Carmen McRae - Paradiddle Joe Written by John Morris Recorded in New York City on September 9, 1960 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

Rerun: Oscar-winning conductor André Previn was an unlikely choice of celebrity guest for the Christmas special of ‘The Morcambe and Wise Show' recorded on 7th December, 1971 - but the 13-minute sketch they taped together remains one of Britain's all-time favourites. The music hall-style caper - which revolves around a comically catastrophic interpretation of Grieg's Piano Concerto - was actually a reversion of a sketch Eric and Ernie had performed at least twice before, but never with a guest performer. In this episode, Arion, Rebecca and Olly explain how Mia Farrow helped Previn nail his role in this iconic skit; explore whether the duo's comic schtick was truly as ‘classless' as is often claimed; and reflect on whether ‘Mr Preview' really knew what he was letting himself in for… Further Reading: • André Previn on ‘The Morcambe and Wise Show' (BBC, 1971): https://www.dailymotion.com/video/xds7am • 'Make any fool of me you like, but I won't have you make fun of the music' - André Previn at 80 (Classic FM, 2018): https://www.classicfm.com/artists/andre-previn/guides/andre-previn-80/ • ‘The Prelude of Mr Preview: How André Previn won over Morecambe & Wise' (British Comedy Guide, 2020): https://www.comedy.co.uk/features/comedy_chronicles/andre-previn-prelude-preview/ ‘Why am I hearing a rerun?' Every Thursday is 'Throwback Thursday' on Today in History with the Retrospectors: running one repeat per week means we can keep up the quality of our independent podcast. Daily shows like this require a lot of work! But as ever we'll have something new for you tomorrow, so follow us wherever you get your podcasts: podfollow.com/Retrospectors Love the show? Join 

Jess Gillam and cellist Matthew Barley sit down to listen together to the music they love. Matthew's career as a cellist has seen him straddle any number of different genres and continents. He's just as at home in front of an orchestra as he is improvising in a nightclub, playing chamber music with his wife – the violinist Viktoria Mullova - or going solo and combining his cello with electronics. Their playlist today is suitably eclectic - Matthew brings a taste of Brazil from the singer Elza Soares and legendary songwriter Jobim, a lament on the duduk and reminisces his first childhood experience of classical music via the music of Beethoven. Jess has Tchaikovsky ballet music bursting with tunes, some sunshine by Marianna Martines and mandolin player Avi Avital and a beautiful piece of Junk by Paul McCartney. Playlist: ANTONIO CARLOS JOBIM: Agua de Beber [Gonzalo Rubalcaba (piano)] TCHAIKOVSKY: Swan Lake – Act 4 finale [London Symphony Orchestra, André Previn (conductor)] ELZA SOARES: Flores Horizontais MANUEL DE FALLA: No. 4 Jota from Canciones populares españolas [Avi Avital (mandolin)] DJIVAN GASPARYAN: 7 December 1988 [Djivan Gasparyan (duduk/voice)] MARIANNA MARTINES: Overture in C major – 1st mvt [La Floridiana] PAUL MCARTNEY: Junk BEETHOVEN: Symphony no 6 (Pastoral) – 1st mvt “Erwachen heiterer…” [Deutsche Kammerphilharmonie Bremen, Paavo Jarvi (conductor)]

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SynopsisOn today's date in 1930, in Kingsway Hall in London, the British composer Sir Edward Elgar conducted the first performance of his Pomp and Circumstance March No. 5, the last in this popular series.Two of the previous marches had been dedicated to organist friends of the composer, and so when organist Percy Hull asked Elgar for a new work for the 1930 Hereford Festival, the Pomp and Circumstance March No. 5 is dedicated to him.In 1930, Elgar was 73 years old and he liked to go for automobile rides in the country. Hull had given Elgar some driving lessons, and, appropriately enough, Elgar got the idea for the musical themes of his new march on a drive through the countryside with a friend. Elgar suddenly asked for something on which he could jot down his ideas. All the driver could produce was a road map of Worcestershire—so on its margins the first notes of Elgar's new score were scribbled.The march proved to be one of his last new orchestral works. Elgar planned to write a sixth Pomp and Circumstance March, a kind of soldier's funeral march, he said, but Elgar himself died in 1934.Music Played in Today's ProgramEdward Elgar (1857 – 1934) Pomp and Circumstance March No. 5 Royal Philharmonic; André Previn, cond. Philips 454 250

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Legendary Recording Engineer, Studio Owner, Speaker Design, Record Producer & Businessman Allen Sides sits down with Drew Dempsey in Studio 2 at Sunset Sound as well as special guests, 10x Grammy Winning Recording Engineer & Producer Joe Chiccarelli as well as Sunset Sound studio owner Paul Camarata. Allen began his Ocean Way Recording in a garage in Santa Monica, California, in 1968, as a place to showcase his custom monitors. From these humble beginnings the empire expanded to include partnering with Bill Putnam and acquiring his United Recording Studio in Hollywood, and building state of the art recording facilities in Nashville, St. Barths, and nearby Sherman Oaks. The Ocean Way "brand" also includes Allen's high-end (and excellent sounding) monitors, a unique and affordable microphone, excellent UAD plug-ins, drum samples, and even an iPad/iPhone app. Allen is also well known for being a meticulous engineer/producer, having worked with such artists as Phil Collins, Green Day, Eric Clapton, Faith Hill, Wynonna Judd, Beck, Mary J. Blige, Ry Cooder, Joni Mitchell, Frank Sinatra, Ray Charles, John Williams, Jerry Goldsmith, André Previn, Michael Jackson, and Frank Zappa. He's also well known for leading the charge on reclaiming classic tube mics and gear that was being abandoned in the '80s; he has probably listened to, and evaluated, more microphones than most of us ever will. Having owned Record One Studio in the hey-day of recording, Allen was very open about the Michael Jackson sessions as well as selling the establishment to Rap Mogul Dr. Dre Allen has since sold Ocean Way Recording Studio as well and is now fully engulfed in the speaker game. Producer/Host: Drew Dempsey: https://www.instagram.com/dfdproducti... Co- Host: Joe Chiccarelli https://www.instagram.com/joechiccare... Audio: Farokh Shroff Sunset Sound Merchandise: www.sunsetsoundstore.com Sunset Instagram: https://www.instagram.com/sunsetsound... Sunset Facebook: @sunsetsoundrecorders Sunset Sound Website: www.sunsetsound.com #recordingstudio #audioengineer #recordingengineer

Synopsis On today's date in 1945 Peter Grimes, a new opera by the English composer Benjamin Britten, debuted at Sadler's Wells Theater in London. The libretto was based on George Crabbe's long poem, The Borough, published in 1810, which described life along England's North Sea coast. In the early 1940's, Britten was living in America, and had read Crabbe's poem in California. The commission for the opera was also American, coming from Serge Koussevitzky, conductor of the Boston Symphony and one of the leading music patrons of the day. But Britten's opera is intensely English – evoking, as it does, the images and sounds of the North Sea off the east coast of Suffolk. Britten was born within sight of this seascape, and lived, for the better part of his later life, a little farther down the coast at Aldeburgh – the "Borough," on which George Crabbe had based his poem. From the start, Peter Grimes was an immediate success. Within a week of its June 7th premiere, Britten conducted the London Philharmonic in an orchestral suite of Sea Interludes from his new opera, and these, too, have since firmly established themselves in the concert repertory. Music Played in Today's Program Benjamin Britten (1913 - 1976) Sea Interludes, fr Peter Grimes London Symphony; André Previn, conductor. EMI 72658

Broadway to Main Street is a most congenial spot as we look at a variety of pop recordings from Lerner and Loewe's score to Camelot; no Burton, no Andrews, no Goulet--but Mel Tormé, Aretha Franklin, André Previn, Johnny Mathis, and more.

Synopsis In Beethoven's day, there were no independent symphonic orchestras in Vienna, so when Ludwig van wanted to put on an orchestral concert, the way he did it was to hire a theater orchestra for a night or two.  Now, Viennese theaters were usually pretty busy and well booked up, but in Catholic Austria, they would shut down for a few weeks each year during Lent, which explains why a number of Beethoven's symphonies premiered in April when the orchestras were available for hire. It wasn't until today's date in 1842 that Vienna's most famous independent orchestra played its first concert, and even then, as it still does today, the Vienna Philharmonic also doubles as the orchestra of the Vienna Opera. The German composer and conductor, Otto Nicolai, led that first concert of the Vienna Philharmonic.  The program included Beethoven's Seventh Symphony and, not surprisingly, Beethoven remains core repertory for the Vienna Philharmonic, along with those other two Viennese “B's” – Brahms and Bruckner.  But in the 20th century, the Austrian orchestra presented important European premieres of works by Samuel Barber and Leonard Bernstein, two notable American “B's.”  And more recently, the Vienna Philharmonic premiered Diversions” by the German-born, American composer and conductor, Andre Previn. Music Played in Today's Program Ludwig van Beethoven (1770 - 1827) Symphony No. 7 Vienna Philharmonic; Leonard Bernstein, conductor. DG 419 434 André Previn (b. 1930) Diversions Vienna Philharmonic; André Previn, conductor. DG 471 028

Synopsis On today's date in 1948, Leonard Bernstein, age 29, conducted the Boston Symphony in the premiere of a new orchestral work by Harold Shapero, age 27. This was Shapero's “Symphony for Classical Orchestra,” a work modeled on Beethoven but sounding very much like one of the Neo-Classical scores of Igor Stravinsky. This was exactly what Shapero intended, but some found the music perplexing. Aaron Copland, for one, wrote: “Harold Shapero, it is safe to say, is at the same time the most gifted and baffling composer of his generation.” That comment by Copland, one should remember, came at a time when Shapero's generation included the likes of Barber, Bernstein, Menotti and Rorem. But Copland continued, “Stylistically, Shapero seems to feel a compulsion to fashion his music after some great model. He seems to be suffering from a hero-worship complex – or perhaps it is a freakish attack of false modesty.” “Copland was so original,” Shapero responded, “that he just couldn't understand anyone who wasn't.” Even so, Shapero's superbly crafted orchestral imitations suffered many decades of neglect. In the 1980s, however, conductor and composer Andre Previn fell in love with Shapero's Symphony, performing and recording it with the LA Philharmonic, and declared its Adagietto movement the most beautiful slow movement of any American symphony. Music Played in Today's Program Harold Shapero (b. 1920) Symphony for Classical Orchestra Los Angeles Philharmonic; André Previn, conductor New World 373 On This Day Births 1697 - German composer and flutist Johann Joachim Quantz, in Oberscheden, Hannover; 1861 - French-born American composer Charles Martin Loeffler, in Alsace; 1862 - German-born American composer and conductor, Walter Damrosch, in Breslau; Deaths 1963 - French composer Francis Poulenc, age 64, in Paris; Premieres 1724 - Bach: Sacred Cantata No. 81 ("Jesus schläft, was soll ich hoffen?") performed on the 4th Sunday after Epiphany as part of Bach's first annual Sacred Cantata cycle in Leipzig (1723/24); 1735 - Bach: Sacred Cantata No. 14 ("Wär Gott nicht mit uns diese Zeit") performed in Leipzig on the 4th Sunday after Epiphany; 1892 - Rachmaninoff: “Trio élégiaque” No. 1 in G minor (Gregorian date: Feb. 11); 1893 - Brahms: Fantasies for piano Nos. 1-3, from Op. 117 and Intermezzo No. 2, from Op. 117, in Vienna; 1917 - Zemlinsky: opera "A Floretine Tragedy," in Stuttgart at the Hoftheater; 1920 - Frederick Converse: Symphony in c, by the Boston Symphony, Pierre Monteux conducting; 1942 - Copland: Orchestral Suite from "Billy the Kid" ballet, by the Boston Symphony; 1948 - Harold Shapero: "Symphony for Classical Orchestra," by the Boston Symphony conducted by Leonard Bernstein; 1958 - Walton: "Partita" for orchestra, in Cleveland; 1959 - Hindemith: "Pittsburgh Symphony," by the Pittsburgh Symphony, conducted by the composer; 1970 - William Schuman: "In Praise of Shahn," in New York; 1985 - Libby Larsen: Symphony ("Water Music"), by the Minnesota Orchestra, Sir Neville Marriner conducting. Links and Resources On Harold Shapero

Synopsis Late in 2013, the musical world was gearing up to celebrate the 70th birthday of British composer John Tavener, but sadly he died, so his 70th birthday, which fell on today's date in 2014, became a memorial tribute instead. Tavener had suffered from ill health throughout his life: a stroke in his thirties, heart surgery and the removal of a tumor in his forties, and two subsequent heart attacks. In his early twenties, Tavener became famous in 1968 with his avant-garde cantata entitled The Whale, based loosely on the Old Testament story of Jonah. That work caught the attention of one of The Beatles, and a recording of it was released on The Beatles' own Apple label. Tavener converted to the Russian Orthodox Church in 1977, and his music became increasingly spiritual. Millions who watched TV coverage of the funeral of Diana, Princess of Wales, in 1997, were deeply moved by his “Song for Athene,” which was performed to telling effect as Diana's casket left Westminster Abbey. Taverner was knighted in 2000, becoming Sir John Tavener In 2003, Tavener's Ikon of Eros, commissioned for the Centennial of the Minnesota Orchestra, and premiered at St. Paul's Cathedral—the one in St. Paul, Minnesota, that is, not the one in London—and Tavener came to Minnesota for the event. Music Played in Today's Program Sir John Tavener (1944-2013) Ikon of Eros Jorja Fleezanis, vn; Minnesota Chorale; Minnesota Orchestra; Paul Goodwin, conductor. Reference Recording 102 On This Day Births 1791 - French opera composer Louis Joseph F. Herold, in Paris; 1898 - Italian-American composer Vittorio Rieti, in Alexandria, Egypt; 1944 - British composer Sir John Tavener, in London; Deaths 1935 - Russian composer Mikhail Ippolitov-Ivanov, age 75, in Moscow; 1947 - Venezuelan-born French composer Reynaldo Hahn, age 72, in Paris; Premieres 1725 - Bach: Sacred Cantata No. 92 ("Ich hab in Gottes Herz und Sinn") performed on Septuagesimae Sunday after Epiphany as part of Bach's second annual Sacred Cantata cycle in Leipzig (1724/25); 1828 - Schubert: Piano Trio in Bb, Op. 99 (D. 898), at a private performance by Ignaz Schuppanzigh (violin), Josef Linke (cello), and Carl Maria von Bocklet (piano); 1830 - Auber: opera "Fra Diavolo" in Paris at the Opéra-Comique; 1876 - Tchaikovsky: "Serenade mélancolique" for violin and orchestra, in Moscow (Julian date: Jan. 18); 1897 - Glazunov: Symphony No. 5, in London; 1915 - Ravel: Piano Trio in a, in Paris, by Gabriel Wilaume (violin), Louis Feuillard (cello), and Alfredo Casella (piano); 1916 - Granados: opera "Goyescas," at the Metropolitan Opera in New York; 1927 - Copland: Piano Concerto, by the Boston Symphony conducted by Serge Koussevitzky, with the composer as soloist; 1941 - Copland: "Quiet City," at Town Hall in New York City by the Little Symphony conducted by Daniel Saidenberg; This music is based on incidental music Copland wrote for Irwin Shaw's play of the same name produced by the Group Theater in New York in 1939; 1944 - Bernstein: Symphony No. 1 ("Jeremiah"), at the Syria Mosque in Pittsburgh by the Pittsburgh Symphony conducted by the composer, with mezzo-soprano Jennie Tourel as vocal soloist; 1972 - Scott Joplin: opera "Treemonisha" (orchestrated by T.J. Anderson), in Atlanta; 1990 - Joan Tower: Flute Concerto, at Carnegie Hall in New York, with soloist Carol Wincenc and the American Composers Orchestra, Hugh Wolff, conducting; 1995 - Elinor Armer: “Island Earth” (to a text by Sci-Fi writer Usula K. Le Guin), at the University of California, Berkeley, by the various San Francisco choirs and the Women's Philharmonic, conducted by JoAnn Falletta; On the same program were the premiere performance's of Chen Yi's “Antiphony” for orchestra and Augusta Read Thomas's “Fantasy” for piano and orchestra (with piano soloist Sara Wolfensohn); 1997 - Morten Lauridsen: “Mid-Winter Songs” (final version) for chorus and orchestra, by the Los Angeles Master Chorale, John Currie conducting; Earlier versions of this work with piano and chamber orchestra accompaniment had premiered in 1981, 1983, and 1985 at various Californian venues; 2000 - André Previn: "Diversions," in Salzburg, Austria, by the Vienna Philharmonic, the composer conducting; Others 1742 - Jonathan Swift, Dean of St. Patrick's Cathedral in Dublin (and the author of "Gulliver's Travels"), objects to the cathedral singers taking part in performances of Handel's works while the composer is in that city (Gregorian date: Feb. 8); Rehearsals for the premiere performance of Handel's "Messiah" would begin in April of that year, involving the choirs of both Christ Church and St. Patrick's Cathedrals in Dublin; 1971 - William Bolcom completes his "Poltergeist" Rag (dedicated to Teresa Sterne, a one-time concert pianist who was then a producer for Nonesuch Records); According to the composer's notes, the "Poltergeist" Rag was written "in a converted garage next to a graveyard in Newburgh, N.Y." Links and Resources On Tavener

Pauvre Casse-Noisette. Il est grièvement blessé… Texte : Elodie Fondacci Compositeur : Piotr Tchaïkovski Œuvre : Casse-Noisette Interprètes : André Previn, LSO Âge : dès 4 ans Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

Pour remercier Marie, le Prince l'emmène visiter le Royaume des Douceurs.  Texte : Elodie Fondacci Compositeur : Piotr Tchaïkovski Œuvre : Casse-Noisette Interprètes : André Previn, LSO Âge : dès 4 ans

C'est le soir de Noël chez Franz et Marie… Texte : Elodie Fondacci Compositeur : Piotr Tchaïkovski Œuvre : Casse-Noisette Interprètes : André Previn, LSO Âge : dès 4 ans

L'oncle Drosselmeyer révèle à Marie qui est réellement le Casse-Noisette. Un prince ensorcelé par le Roi des rats.  Texte : Elodie Fondacci Compositeur : Piotr Tchaïkovski Œuvre : Casse-Noisette Interprètes : André Previn, LSO Âge : dès 4 ans

A minuit, Marie se lève pour aller voir comment va le Casse-Noisette. Malheur, les rats attaquent les jouets ! Texte : Elodie Fondacci Compositeur : Piotr Tchaïkovski Œuvre : Casse-Noisette Interprètes : André Previn, LSO Âge : dès 4 ans

Synopsis On today's date in 1948, Maestro Efrem Kurtz led the first subscription concert of the newly reorganized Houston Symphony Orchestra. The orchestra was founded in 1913, but after struggling through the “minor” disruptions of two World Wars and the Great Depression, the symphony's 1948 season marked its rebirth as a major player among American orchestras. Since then, the Houston Symphony's roster of conductors has included some of the greatest: Leopold Stokowski, Sir John Barbirolli, André Previn, to name just a few. For its 1948 debut concert, the new Houston Symphony commissioned and premiered a new work by Aaron Copland—a concert suite adapted from his latest film score. Copland had gone to Hollywood early in 1948 to write the music for the cinematic version of John Steinbeck's novella, “The Red Pony,” and spent ten weeks writing about an hour's worth of music for the new film, which was scheduled for release in 1949—so that meant his 1948 concert suite from “The Red Pony” debuted even before the movie. The Houston Post's review called Copland's suite “clean, joyous, ingenious and irresistibly spirited,” and correctly predicted “Mr. Copland's ‘Red Pony' has grand little gaits, and will stand playing again—here and in a lot of other places.” Music Played in Today's Program Aaron Copland (1900-1990) The Red Pony Suite Dallas Symphony; Andrew Litton, cond. Delos 3221

My guest this week is cellist, Gloria Lum. Gloria has been a member of the Los Angeles Philharmonic since 1985, and in her 30 plus years with the orchestra has performed all over the world, and for many of the world's best conductors. A frequent participant in the LA Phil's Chamber Music series, she has appeared with André Previn, Emanuel Ax, Lars Vogt, and Joshua Bell. Gloria also currently teaches cello and chamber music at Occidental College. In addition to her impressive performance career and reputation, Gloria is the founder of Audition Confidential, a program that helps cellists train more efficiently for auditions through detailed techniques and strategies, both musical and mental. In this interview we discuss the inspiration for Gloria's program, what she has seen in her many years serving on audition committees for the LA Phil, and how she helps students strengthen their mental approach to performance. Gloria is a kind, passionate educator and mentor, and offers a lot of valuable advice for musicians at all stages of performance preparation.

durée : 00:58:22 - SdC du 22/09 - par : Christophe Dilys - André Previn est le musicien parfait pour ceux qui aiment passer de style en style : chef d'orchestre, pianiste de jazz et compositeur de musiques de film. Il a su manier tous les genres avec élégance... et avec un peu d'humour !

Kate Ewart-Biggs is the deputy chief executive of the British Council, which aims to build connections between the UK and countries worldwide, through education programmes, language learning and cultural activities. Kate was born into a diplomatic family and her early childhood years were spent in France and Belgium. In 1976, when she was eight years old, her father Christopher Ewart-Biggs was appointed British ambassador to Ireland. Two weeks into his new job, he was killed by an IRA landmine. Kate's mother Jane moved the family back to London and began to campaign for peace and reconciliation in Ireland: she became a life peer in 1981. After studying anthropology at university, Kate worked on charity projects for street children in Brazil and South Africa before joining the British Council. Her career has taken her all around the world including postings in Uganda, Tanzania and Indonesia. She lives in London with her daughter. DISC ONE: I Could Have Danced All Night by My Fair Lady Orchestra, My Fair Lady Chorus, Marni Nixon (soprano), André Previn (conductor), Mona Washbourne (played Mrs. Pearce), My Fair Lady Original Motion Picture Cast and Warner Brothers Studio Orchestra DISC TWO: Et Si Tu N'existais Pas by Joe Dassin DISC THREE: Mr Tambourine Man by Bob Dylan DISC FOUR: I Don't Like Mondays by The Boomtown Rats DISC FIVE: Lambada by Kaoma DISC SIX: Namagembe by Madoxx Sematimba DISC SEVEN: I And Love And You by The Avett Brothers DISC EIGHT: American Pie by Don McLean BOOK CHOICE: The Complete Novels of Jane Austen LUXURY ITEM: An asthma inhaler CASTAWAY'S FAVOURITE: Mr. Tambourine Man by Bob Dylan Presenter Lauren Laverne Producer Sarah Taylor

Ignat Solzhenitsyn is recognized as one of today's most gifted artists, and enjoys an active career as both a conductor and pianist. His lyrical and poignant interpretations have won him critical acclaim throughout the world. Principal Guest Conductor of the Moscow Symphony Orchestra and Conductor Laureate of the Chamber Orchestra of Philadelphia, Ignat has recently led the symphonies of Baltimore, Cincinnati, Dallas, Indianapolis, Milwaukee, Seattle, and Toronto, the Nordwestdeutsche Philharmonie, the Czech National Symphony, as well as the Mariinsky Orchestra and the St. Petersburg Philharmonic. He has also partnered with such world-renowned soloists as Richard Goode, Gary Graffman, Gidon Kremer, Anne-Sophie Mutter, Garrick Ohlsson, Mstislav Rostropovich, and Mitsuko Uchida. His extensive touring schedule in the United States and Europe has included concerto performances with numerous major orchestras, including those of Boston, Chicago, Philadelphia, Los Angeles, Seattle, Baltimore, Montreal, Toronto, London, Paris, Israel, and Sydney, and collaborations with such distinguished conductors as Herbert Blomstedt, James Conlon, Charles Dutoit, Valery Gergiev, André Previn, Gerard Schwarz, Wolfgang Sawallisch, Yuri Temirkanov and David Zinman. A winner of the Avery Fisher Career Grant, Ignat Solzhenitsyn serves on the faculty of the Curtis Institute of Music. He has been featured on many radio and television specials, including CBS Sunday Morning and ABC's Nightline. Follow Ignat on Twitter here:https://www.twitter.com/isolzhSUPPORT ME ON TWITTER: https://www.twitter.com/cliftonaduncan SUBSCRIBE TO MY SUBSTACK: https://cliftonduncan.substack.com Intro/Outro: https://www.epidemicsound.com/track/s...Support this podcast, as well as small business, by clicking the link below and enjoying some delicious Twin Engine Coffee, our first sponsor!

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Für Anne-Sophie Mutter haben beinahe alle großen, lebenden Komponisten geschrieben. 30 Werke hat sie uraufgeführt. Eines ist ihr besonders auf den Leib geschrieben: Das Violinkonzert von André Previn. Er hat sein Stück sogar "Anne-Sophie" genannt. Am Freitag, den 20. Mai, gastiert sie mit dem Werk in der Isarphilharmonie in München.

André Previn, ganador de once premios Grammy, incluyendo un premio especial por su trayectoria, y nominado a 6 premios Emmy por su trabajo en especiales para televisión, nació un día como hoy en 1929. Famoso pianista, director de orquesta y compositor estadounidense, de origen alemán, Previn, cuya impresionante vida que sobrevivió al nazismo y los escándalos de Hollywood, reúne en su filmografía más de cien películas, en las que participó como compositor, arreglista o intérprete. Previn, fue director de la Sinfónica de Londres, hasta 1979 donde dirigió memorables conciertos con obras de autores de finales del romanticismo y principios del siglo XX. Desde finales de los ochenta, Previn se desarrolló por completo en el jazz, creando el grupo André Previn Jazz Trio, con el que recorrió Japón, Estados Unidos y Europa. A continuación escucharemos del album de estudio After hours, el tema There'll Never Be Another You compuesta por Harry Warren en la música y Mack Gordon.

Synopsis On today's date in 2002, a new Violin Concerto received its premiere by the Boston Symphony and  German violinist Anne-Sophie Mutter, with the new work's composer, Sir Andre Previn conducting. Previn was born in Berlin, came to the United States in 1939, and became an American citizen in 1943. His Concerto reflects a homecoming of sorts in its third movement, subtitled “From a Train in Germany.”  In 1999, while riding on a German train Previn had telephoned a birthday greeting to his manager, who suggested that the new composition he was planning for Boston might reflect that return to the country of his birth. And so its 3rd movement ended up incorporating a German children's song suggested by Anne-Sophie Mutter, one that Previn had known as a child. Autobiographical inferences throughout the Concerto are also suggested by an inscription from T. S. Eliot's “Four Quartets,” which reads: “We shall not cease from exploration/And the end of all our exploring/will be to arrive where we started/and know the place for the first time.” And, as if to underscore the autobiographical interplay of life and art, Mutter and Previn were married on August 1, 2002, five months after the premiere of “their” Concerto. Music Played in Today's Program André Previn (b. 1930) — Violin Concerto (Anne-Sophie Mutter, violin; Boston Symphony; André Previn, cond.) DG 474500 On This Day Births 1681 - German composer Georg Philipp Telemann, in Magdeburg; 1727 - Baptism of German composer and keyboard virtuoso Johann Gottlieb Goldberg, in Danzig (now Gdansk); 1804 - Austrian composer and conductor Johann Strauss, Sr., in Vienna; Premieres 1734 - Handel: anthem "This is the day which the Lord hath made" in London at the French Chapel of St. James's Palace, for the wedding of Princess Anne and Prince Willem, the Prince of Orange (Gregorian date: March 25); 1824 - Schubert: String Quartet in a (D. 804) in Vienna, by the Schuppanzigh Quartet; Published the following September, this was the only chamber work of Schubert's published in his lifetime; 1847 - Verdi: opera "Macbeth," in Florence at the Teatro della Pergola; 1885 - Gilbert & Sullivan: operetta "The Mikado," at the Savoy Theatre in London; 1963 - Simpson: Symphony No. 3, in Birmingham, England; 1975 - Ulysses Kay: Quintet Concerto for brass and orchestra, in New York City; 1976 - Paul Creston: "Hyas Illahee" for chorus and orchestra, in Shreveport, La.; 1986 - Harrison Birtwistle: "Earth Dances" for orchestra, at Royal Festival Hall in London by the BBC Symphony, Peter Eotvos conducting; 1996 - Leo Ornstein: Piano Sonata No. 6, at the Yerba Buena Center in San Francisco, by pianist Marvin Tartak; 2000 - David Maslanka: Wind Quintet No. 3, in Columbus, Mo., by the Missouri Quintet; 2001 - Danielpour: Cello Concerto No. 2 ("Through the Ancient Valley"), by the New York Philharmonic, Kurt Masur conducting, with soloist Yo-Yo Ma; 2002 - Previn: Violin Concerto, by the Boston Symphony with the composer conducting and soloist Anne-Sophie Mutter; 2003 - Jim Mobberley: "Vox Inhumana" for live and prerecorded sounds, in Kansas City, by the NewEar ensemble. Links and Resources On André Previn More on Previn

This is a fascinating episode that I learned so much! I have on the Millionaire's Magician, Steve Cohen, who has performed for Warren Buffett, Michael Bloomberg, Barry Diller, Martha Stewart, Jack Welch, Michael Eisner, Stephen Sondheim, André Previn, Anne-Sophie Mutter, the Queen of Morocco, and the Crown Prince of Saudi Arabia, and also done more than 5000 shows around the world! In this episode, we don't just talk about magic, we don't just talk about his journey of becoming the Millionaire's Magician, we talked about his book, Win The Crowd, and how we can use the misdirection techniques and influence techniques in our life! One quick sneak peek, do you know that people are more willing to do what you ask if you give them two commands instead of one? Give it a try! My new book Skip The Line is out! Make sure you get a copy wherever you get your new book! Join You Should Run For President 2.0 Facebook Group, and we discuss why should run for president. I write about all my podcasts! Check out the full post and learn what I learned at jamesaltucher.com/podcast. Thanks so much for listening! If you like this episode, please subscribe to "The James Altucher Show" and rate and review wherever you get your podcasts: Apple Podcasts Stitcher iHeart Radio Spotify Follow me on Social Media: YouTube Twitter Facebook ------------What do YOU think of the show? Head to JamesAltucherShow.com/listeners and fill out a short survey that will help us better tailor the podcast to our audience!Are you interested in getting direct answers from James about your question on a podcast? Go to JamesAltucherShow.com/AskAltucher and send in your questions to be answered on the air!------------Visit Notepd.com to read our idea lists & sign up to create your own!My new book, Skip the Line, is out! Make sure you get a copy wherever books are sold!Join the You Should Run for President 2.0 Facebook Group, where we discuss why you should run for President.I write about all my podcasts! Check out the full post and learn what I learned at jamesaltuchershow.com------------Thank you so much for listening! If you like this episode, please rate, review, and subscribe to "The James Altucher Show" wherever you get your podcasts: Apple PodcastsiHeart RadioSpotifyFollow me on social media:YouTubeTwitterFacebookLinkedIn

Season Two is winding down for us, but Bob and the band just keep getting better. Ray Sherman really anchors things melodically on piano, Jud De Naut provides the steady bass, and Frank Flynn shows just how many percussive sounds one man can make. Our "Sweet Georgia Brown" theme is followed by a tune we've heard many times before, but "Brazil" here sounds as fresh and lively as ever. Ruth Martin, our song star for the duration, sings a lovely version of "I Can Dream, Can't I" with Frank providing a glowing accompaniment on vibraphone. The next tune is Bob's original be-bop riff, "Ooh Bop Shbam". So great to hear Bob's vocal, and listen to how tight he and Ray are! Ruth comes back for a great rendition of "Gypsy In My Soul", a tune Bob had recorded with André Previn months earlier. Another great show closes out with Bob's seductive version of "Lady Be Good". 

The Trio for Clarinet, Cello, and Piano in B-flat major, Op. 11 by Ludwig van Beethoven is featured in this week's installment of The Phenomenal 50. Recorded in 1993, this performance features clarinetist David Shifrin, cellist Carter Brey, and pianist André Previn.

As Jay says, Anne-Sophie Mutter is not just one of the great violinists of our time, she is one of the great musicians of our time. She is also a fascinating – fascinating – interviewee. Smart as a whip, for one thing. From the Salzburg Festival, she and Jay talk about a number of things, including a number of personalities: André Previn (to whom she was married), Herbert von Karajan (who launched... Source