Podcast appearances and mentions of catherine grant

Send us a textCatherine Grant is Founder and CEO of ExperCARE and a candidate for the Board of Directors of the Urgent Care Association.

It has been three years since the first episode of Military Family Life!This month, Claudia and Julie are looking back at our first 20 episodes.  Here are some of our favourite stories, best pieces of advice and lessons learned along the way.  Thank you to everyone who has taken the time to join us on the podcast.  We have enjoyed getting to know each one of you, and we look forward to hearing more stories from Military family members in the new year.Here are the guests you will hear from in this episode:Clip 1 – Willie VanLankvelt, Joan Harvey and Marg ReidClip 2 – Kayla LamrockClip 3 – Tamara KleinschmidtClip 4 – Ariel from PMQ for Two and Dr Heidi CrammClip 5 – Tammy Barclay and Kim MillsClip 6 – Sandra Pinard and Laura FreyClip 7 –Melissa and Heath Bott and Norma and Tom CartwrightClip 8 – Christina McFadden, Ariel from PMQ, Denver Hilland, Catherine Grant, Andrea NautaClip 9 – Trisha MacLeodClip 10- Kimberly Glandon and Melissa Perry-Biezing (Canadian Military Wives Choir episode)Clip 11 – Ainsley ChristensenClip 12 – Ivy and Jonas Mills, Claudia and Ariel, Tammy Barclay and Crystal Donak Do you want to tell your story?  Send us an email to find out more about being a guest: Podcast.Feedback@PetawawaMFRC.com  

The tables have turned and our host Oriana Fox is in the hot seat while artist Felicity Allen doles out the questions. The two discuss the medium of the interview; those pesky feelings of shame, rivalry and envy; and the role of humour, seriousness and aesthetics in art. If you're struggling with a mid-career slump or suffering due to the upward comparison that social media breeds, this episode is for you!Oriana Fox is a London-based, New York-born artist with a PhD in self-disclosure. She puts her expertise to work as the host of the talk show performance piece The O Show.Felicity Allen produces work often collaboratively and over time, in various forms, from painting, writing, print, film and pedagogy as media. She works in the studio, in the social and the institutional. Her career is a manifestation of The Disoeuvre. Instagram: @docflickCredits:Produced, edited and hosted by Oriana FoxOriginal theme song written and performed by Paulette HumanbeingBackground music loop by Teddybeast6Special Thanks to the Read-Write group, Hilary Robinson, Catherine Grant, Lara Perry, Sven Van Damme, Katie Beeson and Janak Patel***Would you like to see your name in the above credits list? In a couple of short steps, you can make that happen by supporting this podcast via Patreon.***Please rate and review this podcast to help others to find it!How to Rate and Review a Podcast on iTunes:First, Search for the Podcast in the Podcasts App. Note: You'll need to look the show up in the app.From Here, Select the 'Reviews' Tab, Then 'Write a Review'You'll Then Be Asked to Log in to iTunes.Then Tap the Stars to Rate the Podcast and Write Your Headline and Review.How to Rate and Review a Podcast on Spotify:First of all, you have to log in to your Spotify account, then...Search Podcast pre-installed App on your phone.Hit the “Search” button. Here you will see “Write a Review” in the top right corner.You can also give ratings in the form of stars 1-5 (One star for lowest rating and five stars for highest ratings.)Submit your review.Send us a Text Message.Visit www.theoshow.live for regular updates or follow us on Instagram.

We're almost through the month of May and the peonies are getting ready to bloom.  Maybe you're wondering if it's too late to plant flowers or get some seeds in the vegetable plot. Well, it's not!MPR News host Angela Davis talked with two horticultural experts about how to make our yards and gardens flourish as we head into summer.  They talked about all the things you can still plant this season, ways to make your yard more friendly to the birds and the bees and how to adapt to the longer and warmer growing seasons brought by climate change.  Guests:  Laura Irish-Hanson is a horticulture educator with the University of Minnesota Extension. She works primarily out of the Minnesota Landscape Arboretum in Chaska.Catherine Grant is a horticulturalist and manages the greenhouses, medicinal garden and pollinator habitat for the Department of Biology at the University of St. Thomas in Saint Paul.Subscribe to the MPR News with Angela Davis podcast on: Apple Podcasts, Google Podcasts, Spotify or RSS.  Use the audio player above to listen to the full conversation.    

In A Time of One's Own: Histories of Feminism in Contemporary Art (Duke UP, 2022) Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists' engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art, politics, and ideas across generations, Grant demonstrates that for many contemporary feminist artists, the present moment can only be understood through an embodied engagement with history in which feminist pasts are reinhabited and reimagined. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In A Time of One's Own: Histories of Feminism in Contemporary Art (Duke UP, 2022) Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists' engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art, politics, and ideas across generations, Grant demonstrates that for many contemporary feminist artists, the present moment can only be understood through an embodied engagement with history in which feminist pasts are reinhabited and reimagined. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In A Time of One's Own: Histories of Feminism in Contemporary Art (Duke UP, 2022) Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists' engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art, politics, and ideas across generations, Grant demonstrates that for many contemporary feminist artists, the present moment can only be understood through an embodied engagement with history in which feminist pasts are reinhabited and reimagined. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In A Time of One's Own: Histories of Feminism in Contemporary Art (Duke UP, 2022) Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists' engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art, politics, and ideas across generations, Grant demonstrates that for many contemporary feminist artists, the present moment can only be understood through an embodied engagement with history in which feminist pasts are reinhabited and reimagined. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In A Time of One's Own: Histories of Feminism in Contemporary Art (Duke UP, 2022) Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists' engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art, politics, and ideas across generations, Grant demonstrates that for many contemporary feminist artists, the present moment can only be understood through an embodied engagement with history in which feminist pasts are reinhabited and reimagined. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

How do you achieve the exceptional - be it as a business or professional? Reaching the mountaintop can be overwhelming, but Catherine Grant and the ExperCARE organization have made tremendous progress in a relatively short span. Co-founding and leading the preeminent urgent care organization in a healthcare industry hub, Catherine shares her trials and triumphs in achieving rarefied air...the space with the least competition. Learn more about ExperCARE Urgent Care & Occupational Medicine: https://expercarehealth.com/ Learn more about Sol Insights: https://www.solinsights.com

The Video Essay Podcast turned three-years-old in July! On today's show, Will offers highlights from the first ten episodes of the show. Topics include: [02:15] - Catherine Grant on "working in the flow" [03:48] - Philip Brubaker on an early influence [05:20] - Grace Lee on drafting a script [06:59] - Jacob Swinney on the act of watching [08:17] - Adrian Martin on collaboration [10:51] - Jennifer Proctor on filmmakers as essayists [12:57] - Chloé Galibert-Laîné on the desktop documentary [14:43] - Johannes Binotto on inspirations [16:23] - Charlie Shackleton on an early work Be on the lookout for parts two and three! This episode was created as part of Will's preparation for an upcoming talk he is giving at "Theory & Practice of the Video-Essay: An International Conference on Videographic Criticism" later this month at the University of Massachusetts Amherst. Support the podcast on Patreon. Follow the show on Twitter. Learn more at the pod's website. Get the free newsletter. This show is hosted, produced, and edited by Will DiGravio. Emily Su Bin Ko is the show's associate producer. Music via Free Music Archive.

As military families, we have the opportunity - and the challenge - of moving from community to community. In the process we can make friends with people from across the country.  Sometimes when you move somewhere new, you have the good fortune of reconnecting with an old friend - someone you knew years ago in another time in another place - and to rekindle your friendship.  Catherine Grant met our co-host Claudia Beswick when they were both posted to Wainwright early in their journeys as military spouses. Recently, they had the opportunity to reconnect when Catherine and her family moved to Pembroke. Catherine is from St. John's Newfoundland.  She now lives with Pembroke, and is the owner of The Bath Boutique.  Catherine's husband Will recently retired from the Canadian Armed Forces after a 20-year career.In this episode we talk about: ·      life as new military spouses,·      the importance of connecting with friends and community, and ·      our best advice for anyone starting out – or making the transition to post-service life.  We also share our funniest stories about our experiences in a military family.If you have ideas for an episode, we would love to hear them.  You can reach us at Podcast.Feedback@PetawawaMFRC.comLinks:https://the-bath-boutique.square.sitehttps://m.facebook.com/BathBoutiqueKeepingItReal/

Today's episode features a short conversation with Ariel Avissar, a lecturer, PhD student and Tisch Film School Scholar at Tel Aviv University, and the creator and curator of the ongoing TV Dictionary project. The premise of the project? Try to capture the essence of a TV series with only a single word. The task? Make a short video that pairs the dictionary definition(s) of that work with a clip or clips from a single series. [3:20] - The origins of TV Dictionary [7:48] - Inviting new (and experienced) video essayists to join the project [10:28] - Why so little academic videographic criticism about TV? [14:30] - Who is contributing to the project? [15:29] - What kinds of videos are being made? [18:25] - How have creators responded to the process of making for the project? [20:08] - Collaboration with the Critical Studies in Television blog [more here] [25:13] - How to contribute to TV Dictionary Be sure to check out the ongoing series of blog posts on the CST blog: Post 1 by Ariel; Post 2 by Dan O'Brien; Post 3 by Tomer Nechushtan And also learn more about the upcoming roundtable dedicated to the project at the upcoming CST online slow conference. The roundtable will be held at 3:15 - 4:45 pm BST and feature Libertad Gills, Catherine Grant, Evelyn Kreutzer, Johannes Binotto, Ariel Avissar and Jason Mittell. More here. Support the podcast on Patreon. Follow the show on Twitter. Learn more at the pod's website. Get the free newsletter. This show is hosted, produced, and edited by Will DiGravio. Emily Su Bin Ko is the show's associate producer. Music via Free Music Archive: [here] and [here].

After an abnormally long, cold spring, it's finally starting to warm up in Minnesota. That means it's time to start working on your spring garden.  MPR News host Angela Davis talks with two master gardeners about their tips for what to plant this spring, how to manage your lawn and how to plant a climate-resilient garden. Guests: Julie Weisenhorn is an extension educator and associate extension professor in the University of Minnesota's department of horticultural science.  Catherine Grant is a horticulturalist and greenhouse manager in the Department of Biology at the University of St. Thomas.

When you think about historical reenactment, you probably think about reenacting Civil War battles orClick here for more about the episode...Reenacting the past (with Catherine Grant)

During this episode Mishia speaks with Catherine Grant-Alston to gain education on how to grow and manage personal finances. The pair touch on budgeting, spending, wealth mindset, overcoming obstacles, maintaining a lifestyle, and much more! Tune in to get inspired!DISCOVER more with Catherine here:   https://www.linkedin.com/in/catherine-latoya-grant-alstonhttps://www.instagram.com/alstonkingdom/https://linktr.ee/AlstonKingdomDiscover More with Mishia: https://linktr.ee/Mishia [Personal]Instagram: Namari Alexandrea (Mish) (@namarilifestyle) • Instagram photos and videosInstagram: Big Mish (@namari_a) • Instagram photos and videosInstagram: Namari Alexandrea (@everythingnamari) • Instagram photos and videosYouTube: Namari Hair - YouTubeSupport the show (Https://Cash.app/$everythingnamari)

This series, Experiments In Art Writing, features a set of highly innovative UK-based art writers, asking them to describe the encounters, materials, voices and texts that have shaped the very form of their writing. Episode image: Anna Bunting Branch, W.I.T.C.H. ("Wild Imaginations Transform Chauvinist Hegemony"), oil and acrylic paint on folded aluminium sheet, 2016. Courtesy of Anna Bunting Branch.

Today is international women’s day and our guest is a woman who is a recognised researcher and practitioner in trade negotiation and policy development , Catherine Grant Makokera. After serving as a diplomat for New Zealand for several years, Catherine relocated to South Africa and started the Tutwa Consulting Group, where she is the director. She shares with us some important insights on the potential impacts of the AfCFTA on Africa’s external trade relations as well as on the future of the WTO.

Sociologist John Clammer proposes that it’s through the creative and performing arts that the ‘re-enchantment of the world’ might take place. In Cambodia, the traditional performing arts are ‘re-enchanting’ the country in powerful and sometimes unexpected ways, disrupting old stories and creating new visions of a better Cambodia. Our host, Professor Renee Jeffery speaks with music researcher Dr Catherine Grant, Queensland Conservatorium Research Centre about some of the exceptional roles the creative arts are playing in contemporary Cambodia, including redressing past wrongs, upholding democratic principles, advancing peace and justice, and speaking truth to power. Catherine has been conducting collaborative research in Cambodia since 2013 and completed a 6-month Australia Endeavour Fellowship there in 2015; she is currently leading a British Museum-funded project documenting the makers and players of the critically endangered traditional musical instrument Angkuoch.

Playlist Intro: Jessica at Birth Theft ward north 5 from Head On  Clocked Out 84 pianos - Pandemic Edition 84 Pianos – Global Pandemic Edition was a one-time-only performance  live-streamed on June 12th, featuring  pianists performing live in their own homes & studios throughout Australia, plus the U.S. Canada, England, and New Zealand. During the performance listeners could engage with the YouTube live stream or visit the Locus Sonus Sound Map to listen to individual pianos and create their live mix http://locusonus.org/soundmap/051/ Director - Vanessa Tomlinson, Composer - Erik GriswoldLive sound mix - Leah Barclay, Live video mix - Greg Harm 84 Pianos was presented by Clocked Out, Queensland Conservatorium Research Centre, Tangible Media and the School of Creative Industries at USC. www.clockedout.orgwww.100waystolisten.com​Pianists – Louise Beare, Marie-Louise Bethune, Diana Blom, Emma Bond, Marilu Botes, Grace Bonfadini, Cam Bower, Wendy Brown, Pamela Buccini, Jesse Budel, Violet Chan, Natalia Carter, Jaidyn Chong, Caleb Colledge, Rebecca Cunningham, Tim Dargaville, Rosalie Day, Wendy Davis, Louise Denson, Matthew Dennett, Merinda Dias-Jayasinha, Jennifer Donovan, Elizabeth Drake, Alicia Elsom, Stephen Emmerson, Ciara Ferguson, Cindy Fox, Pam Freeman, Charlotte Fung, Sarah Gall, Bianca Gannon, Paula Girvan, Jane GrahamIsaac Graham, Catherine Grant, Anna Grinberg, Erik Griswold, William Griswold, Patricia Guthrie-Watt, Cameron Haigh, Elizabeth Handsley, Michael Hannan, Michael Kieran Harvey, Rachel Hocking, John Hoenig, Stuart James, Trevor Jones, Zubin Kanga, Maree Kilpatrick, Linda Kouvaras, David John Lang, Sonya Lifschitz, Sarah Matheson, Billy Mathieson, Sandi McMenamin, Lisa Miller, Judit Molnar, Ruth Munroe, Nicholas Ng, Alistair Noble, Colin Noble, Joseph O'Connor, Ron Ogden, Tomiyoshi Ota,Sean Quinn, Alex Raineri, Sharny Russell, Kathy Sanders, Tommy Seah, Rohan Seekers, Anton Sheptooha, Gabriella Smart, Crystal Smith, Alistair Spence, Oleg Stepanov, Arabella Teniswood-Harvey, Dan Thorpe, Vanessa Tomlinson, Cathryn Tully, Angela Turner, Federico Valdez, Andre Van, Liam Viney, Natasha Vlassenko, Peter Vowell, Jocelyn Wolfe, Felicity Wilcox, Liam Wooding, Kathryn Wyatt, Yitzhak Yedid, Xin Yi Tang. Isolation Improvisation Collective Grid Lake I Grid Lake I was performed by the Isolation Improvisation Collective and recorded live via remote video conference on 23/4/2020. The piece is an improvised reaction to a graphic score by visual artist, Briony Barr. The score was divided into 13 sections and offered to each performer as a starting point for the work. A duration of 20 minutes was agreed on prior to starting the improvisation. This piece was originally premiered through Make It Up Club's online concert series on June 2nd, 2020. The Isolation Improvisation Collective are: Lachlan Thompson - Tenor Saxophone/EffectsFlora Carbo - Alto SaxophoneSophie Weston - Alto Flute/Flute/PiccoloIsha Ram Das - Electronics/Telematic ProcessingAnthony Lyons - Buchla Music Easel/Modular SynthesiserTheo Carbo - GuitarLucky Pereira - Drums/PercussionEmma McMahon - HarpGordon Li - Percussion/Double BassMonica Lim - Electromagnetic PianoCharlie Evans - MovementKathlene Campone - MovementGiovanna Yate Gonzalez - MovementBriony Barr - DrawingPatrick Telfer - Audio Network EngineeringGwen Lin - Video Editing Mixed and mastered by Patrick TelferMaria Moles & Sam Hall “A Diamond And A Shard” from MIUC online concert #12 090620 

Ethnomusicologist Dr Catherine Grant has travelled the world in her efforts to save dying musical traditions and instruments. She was so struck by the haunting sounds of the Cambodian chapei that she learnt how to play it herself. By doing so she came to a much deeper understanding of this traditional music that is so intertwined with the social justice and human rights fabric of Cambodia. In this episode of The Gender Card, Catherine explains how she borrowed tools from linguistics to gauge the health of musical traditions and how inseparable music and cultural sustainability are.See omnystudio.com/listener for privacy information.

We move into fall with two fantastic interviews for you. First, Elizabeth Ellcessor talks with Margaret Price about disability and accessibility in academia, paying special attention to academic careers and the experiences of disabled faculty. We then talk with Catherine Grant in order to revisit the launch of [in]Transition five years on, discussing the state of videographic criticism as well as experiments with open access and peer review. Finally, Chris and Michael banter about “The Good Class,” Chris’s course (mentioned by THE Ted Danson!) on NBC’s The Good Place.

In the first true episode of The Video Essay Podcast, host Will DiGravio sits down with Catherine Grant, one of the leading video essay makers working today. In the episode, the two talk about Katie's first introduction to the form, her philosophy when it comes to making video essays, and her latest video essay, "The Haunting of THE HEADLESS WOMAN." They also discuss "Cotton - The Fabric of Genocide," an essay by Cydnii Harris. Learn more about the show and the homework for next week at www.thevideoessay.com.

In the pilot for "The Video Essay Podcast," host Will DiGravio discusses the show's origins, his background, the format of the podcast, and previews the next episode, which will feature an interview with Catherine Grant. Music:

This edition of New Aural Cultures is drawn from a podcasting workshop lead by Dr Dario Llinares at Birkbeck, University of London. Invited by Professor Catherine Grant, Dario introduced 5 PhD students to both the technical, structural and aesthetic elements of podcasting, along with the ways it can supplement or even be integrated as a key part of a researcher's methodology. The PhD students split into groups in which they produced 2 segments outlining the themes and commonalities of their work. What results is an incredibly fruitful discussion that touch on areas such as the voice, authenticity, embodiedness, mediation of the self, creating and revealing truth, composition and decomposition, all of which linked to aspects of podcasting as a medium. The PhD Students involved were: Henry Mulhall – Henry’s research looks at how language use in a specific area of Plymouth forms an informal constellation across a range of arts organisation. This is with an aim of identifying communities of practice through language and habitual uses of rhetoric limit that communities access to a wider public sphere. Paul Martin – Paul’s research looks at the music industry especially the role of A&R in the period of the 1990s in London and specifically Black British electronic music (e.g. Drum and Bass) of the period. Emily Best – Researching the wider contexts of changes in listening culture in the age of the smartphone and the mediation of voice through technology. Also through working with the National Literacy Trust Emily explores how audio can support literacy in different ways. Mah Rana - Mah's research derives from her current experience of being a daughter caring for her mother who has dementia, and also as an artist & researcher using crafts & creative practice in community projects. Lily Green - Lily's research is based on a series of interconnected performance-based social experiments focussing on eusocial insect's intricate social systems. As the first and most enduring global civilisation, what can we learn from them? And what is the basis for people's irrational fear of insects. Many thanks to Prof. Catherine Grant, Jo Coleman & Ayca Ince Onkal for their support. Transition music: http://freemusicarchive.org/music/Christian_Bjoerklund/ --- Send in a voice message: https://anchor.fm/newauralcultures/message

Sustainable Futures for Music Cultures: An Ecological Perspective (Oxford University Press, 2016), a multi-authored volume co-edited by Catherine Grant and Huib Schippers, examines a range of musical traditions from cultures around the world. The book deliberately places endangered musical practices alongside vibrant traditions like western opera and Hindustani music, each assessed along five domains: systems of learning music, musicians and communities, contexts and constructs, regulations and infrastructure, and media and the music industry. Doing so allows for both “vertical reading” (reading chapters in sequential order) and “horizontal reading” (in which one examines one or a handful of domains and focuses on these across different chapters). Beyond the book, information from the project is also available on the website soundfutures.org. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sustainable Futures for Music Cultures: An Ecological Perspective (Oxford University Press, 2016), a multi-authored volume co-edited by Catherine Grant and Huib Schippers, examines a range of musical traditions from cultures around the world. The book deliberately places endangered musical practices alongside vibrant traditions like western opera and Hindustani music, each assessed along five domains: systems of learning music, musicians and communities, contexts and constructs, regulations and infrastructure, and media and the music industry. Doing so allows for both “vertical reading” (reading chapters in sequential order) and “horizontal reading” (in which one examines one or a handful of domains and focuses on these across different chapters). Beyond the book, information from the project is also available on the website soundfutures.org. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sustainable Futures for Music Cultures: An Ecological Perspective (Oxford University Press, 2016), a multi-authored volume co-edited by Catherine Grant and Huib Schippers, examines a range of musical traditions from cultures around the world. The book deliberately places endangered musical practices alongside vibrant traditions like western opera and Hindustani music, each assessed along five domains: systems of learning music, musicians and communities, contexts and constructs, regulations and infrastructure, and media and the music industry. Doing so allows for both “vertical reading” (reading chapters in sequential order) and “horizontal reading” (in which one examines one or a handful of domains and focuses on these across different chapters). Beyond the book, information from the project is also available on the website soundfutures.org. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sustainable Futures for Music Cultures: An Ecological Perspective (Oxford University Press, 2016), a multi-authored volume co-edited by Catherine Grant and Huib Schippers, examines a range of musical traditions from cultures around the world. The book deliberately places endangered musical practices alongside vibrant traditions like western opera and Hindustani music, each assessed along five domains: systems of learning music, musicians and communities, contexts and constructs, regulations and infrastructure, and media and the music industry. Doing so allows for both “vertical reading” (reading chapters in sequential order) and “horizontal reading” (in which one examines one or a handful of domains and focuses on these across different chapters). Beyond the book, information from the project is also available on the website soundfutures.org. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sustainable Futures for Music Cultures: An Ecological Perspective (Oxford University Press, 2016), a multi-authored volume co-edited by Catherine Grant and Huib Schippers, examines a range of musical traditions from cultures around the world. The book deliberately places endangered musical practices alongside vibrant traditions like western opera and Hindustani music, each assessed along five domains: systems of learning music, musicians and communities, contexts and constructs, regulations and infrastructure, and media and the music industry. Doing so allows for both “vertical reading” (reading chapters in sequential order) and “horizontal reading” (in which one examines one or a handful of domains and focuses on these across different chapters). Beyond the book, information from the project is also available on the website soundfutures.org. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sustainable Futures for Music Cultures: An Ecological Perspective (Oxford University Press, 2016), a multi-authored volume co-edited by Catherine Grant and Huib Schippers, examines a range of musical traditions from cultures around the world. The book deliberately places endangered musical practices alongside vibrant traditions like western opera and Hindustani music, each assessed along five domains: systems of learning music, musicians and communities, contexts and constructs, regulations and infrastructure, and media and the music industry. Doing so allows for both “vertical reading” (reading chapters in sequential order) and “horizontal reading” (in which one examines one or a handful of domains and focuses on these across different chapters). Beyond the book, information from the project is also available on the website soundfutures.org. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China's Tibet.

We’ve been compiling this episode for about 6 months now and we’ve conducted interviews in New York, Bristol, The Shetland Islands and via Skype. We hope our delve into film criticism is worth the wait. Thank you firstly to our participants, so generous with their time and thoughts. A huge thank you also to our roving reporter Charlotte Crofts for the amazing interview with Tara Judah featured in the episode, and others we couldn’t manage to get in. Thank you finally to our listeners who suggested this episode. The wealth of material we got was overwhelming so look out for all the interviews being uploaded in January while we are on our winter break. That should keep you going in the cold winter months. Participants Tara Judah https://tarajudah.com/ @midnightmovies Sam Fragoso http://talkeasypod.com/ @SamFragoso Simran Hans https://www.theguardian.com/profile/simran-hans @heavier_things Ashley Clark http://www.bfi.org.uk/people/ashley-clark  @_Ash_Clark Violet Lucca https://www.filmcomment.com/author/vlucca/ @unbuttonmyeyes Mark Kermode https://www.theguardian.com/profile/markkermode @KermodeMovie Prof. Linda Ruth Williams https://humanities.exeter.ac.uk/film/staff/lwilliams/ @lindaruth1 Tom Shone http://tomshone.blogspot.co.uk/ @Tom_Shone Roll of Honour All the critics given shout outs across our interviews... Sophie Mayer, Alexandra Heller-Nicholas, Cerise Howard, Emma Westwood, Thomas Caldwell, Josh Nelson, Jack Sargeant, Dana Linssen, Kees Driessen, Rüdiger Suchsland, Adrian Martin, Catherine Grant, Cristina Alvarez Lopez, Kevin B. Lee, Michael Wood, Jonathan Rosenbaum, Robin Wood, Victor Perkins, David Bordwell, Kristin Thompson, Hadley Freeman, Marina Hyde, Ren Zelen, Christina Newland, Molly Haskell, Ashley Clark, James Baldwin, Graham Greene, Cahiers Critics, Bogdanovich & Schrader, Toby Hazlet, Violet Lucca, Doreen St. Felix, Jia Tolentino, Vinson Cunningham, Hilton Als, Wendy Ide, Simran Hans, Guy Lodge, Pauline Kael, Kim Newman, Roger Ebert, Andrew Sarris, Alan Jones, J Hoberman, Anne Billson, Kate Muir, Kay Austin Collins, Ira Madison, Alyssa Wilkinson, Scott Tobias, Keith Phipps, Tasha Robertson, Tim Grierson, Anjelica Jade, Nathan Heller, Jeremy O’Harris, Hunter Harris, Wesley Morris, Nick Pinkerton, Eric Hynes, Badlands Film Collective, AO Scott, Anthony Lane, David Edelstein, Elvis Mitchell, Amy Taubin,  Christian Lorentzen, Senses of Cinema, Four Columns and Reverse Shot. The incidental music for this episode is from Giorgio Gaslini's score for Antonioni's La Notte.

While Peter sometimes has questioned what digital cameras have wrought, there is no question that the digital revolution has changed the ways we can relate to our cinematic experiences (Exhibit A: this podcast). UK film scholar Catherine Grant has always seemed to be on the precipice of these changes. Her blog, Film Studies for Free, brought the idea of Open Access within the field to a whole array of scholars, and her pioneering work in video essays transformed the way that film scholarship can come closer to their objects of study than ever before. In this interview conducted in the heart of the annual SCMS conference, Catherine discusses her discovery of art cinema, her research on world cinema and auteurism in the digital age, and the role that these new visual tools have changed the way she approaches cinema. They top off their conversation by turning to The Headless Woman and how Argentine director Lucrecia Martel creates a hyper-attentive spectator in the most breathtaking drama of recent memory. 0:00-3:26 Opening 4:25-9:14 Establishing Shots — Preview of "This American Life — Jonathan Demme" 9:59-1:00:05 Deep Focus — Catherine Grant 1:00:55-1:03:11 Sponsorship Section 1:04:09-1:1:39 Double Exposure — The Headless Woman (Lucrecia Martel) 1:19:43-1:22:02 Close / Outtake

Catherine Grant is my guest on this episode's podcast. We discussed her recent blog post on diversity, and more. In the second hour: it's October! We talked about our favorite horror movies, plus some upcoming Lovecraftian and weird fiction books.

In a special bonus episode Dario talks to Dr. Catherine Grant, Senior Lecturer in Film Studies at the University of Sussex and founder of the Film Studies For Free online archive. The conversation covers a wide range of areas including Catherine's route in film academia, the current status of film and film studies particularly in the digital context, the Internet & open source publishing, teaching, research and the challenges of higher education for the arts and humanities, video essays, blogging & podcasting, feminism in film and academia, and discourses of free speech and political correctness. Link's to Catherine's Websites: Film Studies for Free; InTransition: Journal of Videographic and Film and Moving image Studies; Reframe Jason Mittell - Complex Television Catherines's introduction to Laura Mulvey and Possibilities for the Digital Bordwell and Thompson: Observations on Film Art Girish Shambu: Film Blog Kevin Lee: Shooting Down Pictures Catherine's video essay using Laura Mark's notion of Haptic Criticism Patricia White: Women's Cinema, World Cinema Sophie Myers: Political Animal Richard Dyer: Sissy Representations Brett Easton Ellis Podcast: with Quintin Tarantino

In the fifth episode of this six part series exploring themes in visual and material culture, hosted by Juliette Kristensen, we discuss the role of fashion in the mother-daughter relationship with sociologist Katherine Appleford; nineteenth century Invisible Mother portraits with art historian Catherine Grant and artist Lisa Castagner; and the suffragette Kitty Marion with historian Fern Riddell. The show was produced by Juliette Kristensen, and was engineered by Chris Dixon.