Podcasts about holly flax

This week we're taking a look back on Business Ethics, and the ladies go to the show bible to verify a continuity catch that fans wrote in about. Jenna and Angela interview Amy Ryan on what it was like to play Holly Flax! Amy even shares her own Cooper's Seafood House story. Angela shares about some very special DVD commentary guests who worked as craft services and caterers on The Office set. Jenna does a deep dive on how the Cookie Monster's parody of Tay Zonday's “Chocolate Rain” was made after this episode aired, and the ladies discover they both did the same deep dive on what people can do in, let's say, 19 minutes. So let's get ethical with this amazing Office Ladies episode! Check out Office Ladies Merch at Podswag: https://www.podswag.com/collections/office-ladies Office Ladies Website - Submit a fan question: https://officeladies.com/submitaquestionFollow Us on Instagram: OfficeLadiesPod

Matt and Brian discuss another fantastic episode of The Office; Goodbye Toby. In what is now their longest episode, Matt and Brian are joined by Andrew Elmquist to talk about the Season 4 Finale. There are proposals, hijinx, Superfan cuts, and, of course, Holly Flax. All of this and more as we walk you through the episode

“This is Holly Flax, I can't come to the phone right now, but please leave a message at the sound of the tiny truck backing up." Once again we're taking listener voicemails! We talk about Michael getting promoted to manager, receive an evaluation of our auction draft, learn more about juggling and more. Then in the Conference Room we listen to a few burning topics from Edwin before closing with the second half of our listener-submitted trivia about the episode 'Trivia'! Support our show and become a member of Scott's Tots on Patreon! For only $5/month, Tots get ad-free episodes plus exclusive access to our monthly Mailbag episodes where we casually pick through every single message/question/comment we receive. We also have Season 2 of our Ted Lasso podcast Biscuits with the Boss available to our Patrons, as well as our White Lotus Christmas Special, Party Down, and early episodes of our new show Captive Audience. Oh, and Tots get access to exclusive channels on our Discord. Visit our merch store at mspcstore.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Actress Amy Ryan joins Dan to remember her time on "The Office", specifically the heartwarming scene where Michael Scott (Steve Carell) proposes to Holly Flax in Season 7. She also talks about her role as Beadie Russell on "The Wire", her background in theatre, how her professional career changed after her Academy Award-nominated role as Helene in "Gone Baby Gone", and what it's like to work with Hollywood legends Steve Martin and Martin Short on Hulu's "Only Murders in the Building".See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What's it like growing up Black and brown in a predominantly white town? Joe Sparkman and Julián Esteban Torres López share their experiences of growing up together in the 1990s as teenagers in Nashua, New Hampshire. If you are a fan of the show The Office, you may know that Nashua is the location of one of Dunder Mifflin's branches—the very branch where Holly Flax was working out of before she got transferred to the Scranton branch.  Others may be familiar with Nashua as having been the place where JFK launched his presidential campaign at the steps of City Hall.Or, maybe you heard that Nashua was ranked both in 1987 and 1997 by Money magazine as the best place to live in the United States. Some of you may even know the obscure fact that Nashua was one of the only places in the country (if not the only place, period) where you could find triangular manhole covers covering most of the city's sewer connections. Others may remember the Good Will Hunting scene where Will tells Sean during his therapy session that he wants “to move up to Nashua, get a nice little spread, get some sheep and tend to them.” I remember being in Nashua watching this movie when it came out and everyone in the movie theatre just looked at each other and started laughing with pride, even though the movie was actually making fun of our city. For me, however, my favorite historical fact was that the Nashua Dodgers—a farm club of the Brooklyn Dodgers in the 1940s—is believed to be the first professional baseball team based in the United States in the twentieth century to play with a racially integrated roster. The team was based at Holman Stadium in Nashua, New Hampshire, the very stadium that hosted my high school graduation ceremony in 1999. The very same stadium where Joe Sparkman and I used to play football together. Yet, despite Nashua having the history of hosting the first racially integrated U.S. team in modern baseball, the racism in Nashua in the 1990s was still very much alive when Joe Sparkman and I moved to the city to attend Jr. High School and Sr. High School together. So what it was it really like growing up as Black and brown in New Hampshire in the 1990s in a predominantly white state and a city that saw itself as racially progressive? That's what this episode unpacks. And to dig in, I invited one of my oldest and closest friends, Joe Sparkman, to join me for the conversation. Joe Sparkman is an inspiration to others and has been one of the reasons why The Nasiona flourished in the first place. Back in the mid-1990s, when Joe and I were classmates in 8th grade together, Joe gave me my first social justice awakening. In this episode, along with forthcoming episodes, I want to humanize The Nasiona by introducing you to the behind the scenes conversations we have with each other here, and to the people who have made The Nasiona possible.  Joe Sparkman joined the team last year to become our podcast's music producer, and this year he is helping us to officially make our transition into becoming a non-profit organization. In light of this, I wanted to re-introduce you to one of The Nasiona's visionaries. Joe Sparkman decided to follow his dreams in music after he got his multiple sclerosis diagnosis. He started working with Ne-Yo and went on to produce several prominent artists, such as Rihanna, Mary J. Blige, Joe, Snoop, Christina Milian, Heather Headley, Emeli Sande, Nicole Scherzinger, Missy Elliot, Prince Royce, among others. He won several awards: Grammy, ASCAP Award, multiple Platinum and Gold plaques, and an African Music Award. After his music career, he continued to dream big and co-founded a million-dollar medical and pharmaceutical company (Medsav). He's currently an advisor to the board at Roche and The Adira Foundation,, a district activist leader for the National MS Society, a member of the Government Relations Advisory Committee, and during the 2020 elections the Georgia Democrats delegated Joe as a precinct chairman. As The Nasiona Podcast‘s music producer, Joe returned to his musical roots, and now he's taking on a bigger leadership role as we take The Nasiona into the next phase so we can more effectively center, elevate, and amplify the personal stories of those Othered by dominant cultures and systems of oppression. Given that Joe and I have a friendship nearing three decades, I thought it'd be worthwhile to give you a glimpse into the kinds of situations that give rise to activists and social justice warriors like myself and Joe. Joe Sparkman and I spoke in July of 2020. This is the 1st part or our 3-part conversation.   The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can't discover. Hosted, edited, and produced by Julián Esteban Torres López.  Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram. The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona's Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps. Thank you for listening and reading, and thank you for your support.

Special guest having this week Brian does… that's right, Oscar-nominated Amy Ryan aka Holly Flax, the one who stole Michael Scott's heart joins us on the podcast. They talk about going from serious drama to an off-the-wall comedy role, acting while drenched, how Holly broke the chain of Michael's bad relationships, and the “special” relationship between Holly and Kevin. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Special guest having this week Brian does… that's right, Oscar-nominated Amy Ryan aka Holly Flax, the one who stole Michael Scott's heart joins us on the podcast. They talk about going from serious drama to an off-the-wall comedy role, acting while drenched, how Holly broke the chain of Michael's bad relationships, and the “special” relationship between Holly and Kevin. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

SEASON 3 BABY! We're back! And we've got lots to talk about! Today we discuss NBC's The Office's iconic couple Michael Scott and Holly Flax! We get into relationship balance, complementary roles, invasion of privacy, (DO YOU CHECK PHONES?), goofiness, friends liking your partner, and more. Finally, we rate our FIRST couple of the season - listen to find out how they do! Don't forget to follow us on Patreon for early access, sneak peeks, and full bonus episodes! Instagram: @RatedExPod Twitter: @RatedExPod --- Send in a voice message: https://anchor.fm/ratedexpod/message

This week we’re breaking down Business Ethics. Jenna and Angela interview Amy Ryan on what it was like to play Holly Flax! Amy even shares her own Coopers Seafood House story. Angela shares about some very special DVD commentary guests who worked as craft services and caterers on The Office set. Jenna does a deep dive on how the Cookie Monster’s parody of Tay Zonday’s “Chocolate Rain” was made after this episode aired, and the ladies discover they both did the same deep dive on what people can do in, let’s say, 19 minutes. So let’s get ethical with this amazing Office Ladies episode!

Today we’re breaking down Goodbye Toby. To kick off this two part episode, Paul Lieberstein sent in audio clips to talk about what it was like to write himself off the show and introduce Holly Flax, played by Amy Ryan. When Toby has his last day at Dunder Mifflin, Michael insists on throwing him a huge going away party. Angela Martin scoffs at the idea, so Phyllis steps in. While breaking down Pratt Institute, Jenna ends up quoting her own book, The Actor’s Life: A Survival Guide. Creed chimes in about his famous “quabity assuance” scene and Angela learns the difference between “hot to trot” and “fired up”. This episode is cruisin’ for a bruisin’, so listen up!   Link to Jenna’s book, The Actor’s Life: A Survival Guide: https://www.amazon.com/Actors-Life-Survival-Guide/dp/1944648224

"Everybody, I want you to look at Holly right now, and maybe if you look at her deeply enough, you will see what I see in her. And that is that we are all very lucky to have her here. Holly is the best thing that has happened to this company since World War II. Fifty years, she is the best.” - Michael G. Scott This week we focus on the Holly Flax the HR rep, improv / life partner to Michael Scott, and potential professional baker. We follow her arc in the show through her move to Colorado with Michael, highlighting all the weight loss initiatives, PDAs, and soup snake moments along the way. Then we discuss an email from David Wallace on The Office’s impending move to Peacock before closing with some ‘would you rathers’.   Support our show and become a member of Scott's Tots on Patreon! For only $5/month, Tots get exclusive access to our monthly Mailbag episodes (+ the video version!) where we casually pick through every single message/question/comment we receive. On top of that, a portion of all show proceeds are donated every  month to organizations that help fund education opportunities for minority students. Help us accomplish the mission that Michael Scott could not.

Dziś chciałbym wam opowiedzieć o moim ulubionym serialu, a także o książce, która o nim opowiada. Chodzi oczywiście o serial The Office - wersja amerykańska, czyli krótko The Office US. Pierwowzorem był brytyjski serial, który będę nazywać The Office UK. W tej chwili uczę się hiszpańskiego i oglądam sobie wersję z Chile, która nazywa się La Ofis. Tak więc będę dzisiaj mówił o tych serialach, szczególnie tym amerykańskim oraz o książce: “The Office: The Untold Story of the Greatest Sitcom of the 2000s: An Oral History”, co można by przetłumaczyć jako: “The Office: Nieznana historia najlepszego Sticomu z 2000 opowiedziana w wywiadach”.Zacznę od książki. Niedawno zacząłem słuchać podkastu: “Office Ladies”, w którym dwie aktorki z The Office US omawiają kolejne odcinki serialu. Tamten podkast prowadzą Jenna Fischer czyli serialowa Pam Beesly oraz Angela Kinsey czyli serialowa Angela Martin. Początkowo ich audycje bardzo mi się podobały. Podawały wiele fajnych szczegółów odnośnie serialu. Niestety później poszły w kierunku historii typu “podczas kręcenia tego odcinka jadłam jogurt malinowy”, a drugi odpowiada “jak ty śmiesznie wypowiadasz słowa jogurt malinowy”. Wtedy wpadł mi w ręce audiobook “The Office Untold Story”.Podkast “Office Ladies” ma jedną zaletę. Prowadzą go autentyczne aktorki, które zapraszają innych aktorów. Tak więc można ponownie usłyszeć znajome głosy. Książka “The Office Untold Story” jest zbiorem wywiadów z aktorami, reżyserami, producentami itd. Audiobooka czyta wielu lektorów, niestety nie są to aktorzy. Lektorów dobrano dość dobrze tak więc np. wypowiedzi Creeda Brattona czyta lektor mówiąc w dość podobny sposób. Niestety to nie jest oryginalny Creed jak w podkaście “Office Ladies”. Niemniej treść książki jest o wiele ciekawsza.Jak już powiedziałem są to wywiady z osobami pracującymi przy serialu, nie tylko aktorami. Opowiadają oni to co pamiętają. Czasami jedni zaprzeczają drugim bo jakiś szczegół pamiętają zupełnie inaczej. Autor czyli Andy Greene zaczyna od brytyjskiego oryginału. Opowiada jak Ricky Gervais i Stephen Merchant stworzyli The Office UK. Opowiada oczywiście przy pomocy wywiadów. Później przechodzi do Grega Danielsa czyli geniusza, który stworzył amerykańską wersję The Office. Greg pracował przy wielu znanych produkcjach, ale najbardziej znane to chyba The Simpsons oraz The Office.Nie będę opowiadał wszystkiego co jest w książce, bo chciałbym was zachęcić do jej przeczytania albo przesłuchania. Warto jednak zwrócić uwagę na zmiany, które wprowadzono w amerykańskiej wersji. Brytyjska wersja jest krótka to tylko dwa sezony po 6 odcinków oraz dwa odcinki tz. Christmas Special z dwoma odcinkami. Amerykańska wersja to 9 sezonów, które miały około 20 odcinków. Pierwszy sezon jest najbardziej zbliżony do brytyjskiego pierwowzoru i ma tylko 6 odcinków. Pilot jest niemal dokładnie taki sam. Innymi słowy Amerykanie na początku kopiowali Brytyjczyków. Na szczęście później coś się wydarzyło.Steve Carell, który gra szefa w amerykańskiej wersji czyli Michaela Scotta zagrał w filmie “40-letni prawiczek” (ang. The 40-Year-Old Virgin). Brytyjski szef grany przez Ricky’iego Gervaisa jest popisującym się palantem, którego muszą znosić pracownicy. Amerykański Michael Scott też taki był w pierwszym sezonie. Jednak po filmie Steve’a Carella postanowiono zmienić postać amerykańskiego szefa. Dalej jest on popisującym się głupkiem, ale jest to pokazane w taki sposób, że mimo wszystko da się go lubić, a czasami nawet mu współczuć. To ta zmiana sprawia, że The Office US można oglądać wciąż na nowo podczas gdy brytyjski pierwowzór jest momentami bardzo uciążliwy do oglądania. Tak więc czytając (lub jak jak słuchając) “The Office Untold Story” można dowiedzieć się wielu rzeczy. Np. ewolucji postaci Michaela Scotta, powodów dlaczego odszedł w 7 sezonie. Ale dlaczego był to tak dobry serial?Za ten sukces odpowiada producent Greg Daniels, który z docenianiem podchodził do ludzi, którzy z nim pracowali. Pamiętał imiona nawet ludzi odpowiedzialnych za drobne rzeczy, ale co ważniejsze pozwalał innym podejmować wiele decyzji. Szczególnie ważne, że pozwalał na to scenarzystom. The Office US wyróżnia właśnie zespół ludzi piszących scenariusz. Wielu z nich nie tylko pisało, ale także grało w serialu, np. B. J. Novak grał Ryana Howarda, Paul Lieberstein - Toby’iego Flendersona, a Mindy Kaling - Kelly Kapoor. Łatwo zauważyć, którzy aktorzy byli scenarzystami. Nie mogli oni za dużo grać, tak więc rzadko przebywali w głównym pomieszczeniu The Office.Fakt, że scenarzyści grali w serialu sprawił też chyba, że mieli lepszy kontakt z aktorami. Nie tylko scenarzyści pisali. Pozwalano także aktorom na zmiany i improwizację. Np. ostatni odcinek drugiego sezonu czyli “Casino Night” napisał sam Steve Carell. Ciekawe są też postacie drugoplanowe, początkowo nie miały one swoich filmowych imion, tak więc aktorzy posługiwali się prawdziwymi imionami. Z tego powodu Angela i Oscar mają takie same imiona jak aktorzy, którzy ich grają. A Creed Bratton naprawdę też nazywa się Creed Bratton. Scenarzyści wykorzystywali też umiejętności aktorów. Np. Rainn Wilson umiał grać na wielu instrumentach, tak więc i jego postać czyli Dwight Schrute także umie grać.Były to czasy tz. pozytywnej dyskryminacji i niektórzy scenarzyści zostali zatrudnieni ze względu na rasę. Takim przykładem jest Mindy Kaling grająca Kelly Kapoor. Dzięki niej powstał jeden z moich ulubionych epizodów - sezon 3, epizod 6 czyli “Diwali”. Później w ramach tej pozytywnej dyskryminacji zatrudniono więcej kobiet scenarzystów. Choć warto wspomnieć, że kobiety pracował tam od początku, po prostu zatrudniono ich więcej. Moje osobiste zdanie na temat tej pozytywnej dyskryminacji jest takie, że to jest oksymoron i w dyskryminacji nie może być niczego pozytywnego - to dalej dyskryminacja. Niemniej cieszę się, że zatrudniono Mindy Kaling.Wielu scenarzystów było fanami The Wire (polski tytuł “Prawo ulicy”). Zaowocowało to tym, że zatrudniono kilku aktorów z tamtego serialu. W ten sposób pojawił się Idris Elba grający Charlesa Minera oraz Amy Ryan grająca Holly Flax. Co ciekawe zatrudniono ich bez prób. Po prostu scenarzyści tak ubóstwiali The Wire, że bez przesłuchań (ang. audition) brali ich do The Office.Jak już wcześniej wspomniałem autorki podkastu “Office Ladies” skupiają się na prywatnych sprawach aktorów. W książce jest na odwrót wszyscy skupiają się na serialu, co jednak nie znaczy, że nie pojawiają się tutaj prywatne sprawy. Np. w czerwcu 2000 roku Angela wyszła za mąż za Warrena Liebersteina, brata Paula, który grał Toby’iego. Mieli córkę, ale niestety w 2009 doszło do separacji, a w 2010 roku do rozwodu. Innym takim wydarzeniem, które miało wpływ na serial był strajk scenarzystów w USA.Gdy rozpoczynano kręcenie The Office US nie były jeszcze tak popularne sieci społecznościowe. Jednak w 2007 roku pojawił się pierwszy iPhone i podczas prezentacji tego smartfona Steve Jobs pokazał, że można na nim oglądać seriale, np. The Office. Był tam pokazany jeden z dowcipów jaki Jim zrobił Dwightowi. Był to ważny moment dla The Office, które zyskało wtedy nowych fanów. Między innymi mnie. Ja oglądałem tą prezentację i wprawdzie nigdy nie kupiłem obie iPhone’a ale za to stałem się fanem The Office US.Książka opisuje ogromny sukces miał odcinek przygotowany na Super Ball. Był to odcinek 14/15 z 5 sezonu “Stress Relief”. Pojawili się w nim Jack Black, Jessica Alba and Cloris Leachman. To był kolejny moment gdy przybyli fani The OfficePóźniej sieci społecznościowe miały wpływ na losy postaci. Np. Andy miał zniknąć z serialu na koniec 3 sezonu, ale ponieważ widownia go polubiła później wrócił. Ciekawe jest to, że scenarzyści sami nie znali zakończenia historii The Office, a szczególnie wątku miłosnego. Debatowano wiele scenariuszy, a decyzje podejmowano też na podstawie tego co pisali fani na forach i w sieciach społecznościowych.Dzisiaj żyjemy w czasach poprawności politycznej. Wydaje mi się, że taki serial jak The Office nie mógłby powstać dzisiaj. Np. szef używa słowa “nigger”, ma konflikt z “gejami”. Wszystko to jednak zrobiono w taki sposób, że rasizm szefa jest śmieszny, podobnie z jego homofobią. Scena z pierwszego odcinka drugiego sezonu “Gay Witch Hunt” przeszła do historii. Niestety już wtedy było widać pewne oznaki lewicowości Hollywood. Np. postać Dwighta pokazuje jak Demokracji widzą Republikanów. A trzeba wam wiedzieć, że wszyscy scenarzyści, producenci i chyba większość innych pracowników serialu głosowali na partię Demokratyczną. Jaki to miało wpływ na serial?W 2012 roku debatowano nad tym czy Dwight nie mógłby został szefem. Odbywało się to jednak podczas kampanii prezydenckiej 2012 roku, kiedy to republikanin Mitt Romney walczył z demokratą Barackiem Obamą. Dwight szefem nie został, a scenarzyści i producenci tłumaczyli to w ten sposób, że nie mogli szefem uczynić kogoś kto był tak republikański jak Dwight. Takie uprzedzenia są w zasadzie wszędzie w Hollywood. Wtedy jednak mimo wszystko mimo tego wychylenia w lewo w stronę partii demokratycznej dało się to oglądać, bo serial był po prostu śmieszny. W 2020 roku Greg Daniels wraz ze Stevem Carellem zrobili nowy serial “Siły kosmiczne”, w którym wyśmiewają się z obecnego prezydenta. Niestety poszli chyba zbyt daleko w swoich uprzedzeniach i ten nowy serial trudno nazwać komedią.Nic chyba dziwnego, że teraz The Office US odkrywa młode pokolenie. Niedawno prawa do tego serialu dostał Netfliks i młodzi, nawet 12-latkowie bindżują ten serial. Tak ja określam klasykę. Dla mnie klasyczne powieści, to takie, które zostały napisane dawno temu, ale ludzie, którzy urodzili się później także znajdują w nich coś dla siebie. Takie powieści są nieśmiertelne. Tak samo jest z serialami. Seriale takie jak The Office US czy The Wire miały swoich fanów, ale później odkrywają je kolejne pokolenia. Odkrywają je i oglądają. Tak ja definiuję klasykę. Tak więc w

Season 5: Episode 3 - "Business Ethics" - "Let's get ethical!" Holly holds a business ethics seminar that goes horribly wrong because Michael allows everyone to speak freely about their unethical behaviors in the workplace. Watch along as Meredith reveals a scandalous secret and Jim checks Dwight on his time theft. We will also discuss Holly Flax and the actress that portrayed her, Amy Ryan. 

We're taking you back to Sundance, where we interviewed director Liz Garbus and star Amy Ryan of the film Lost Girls.  The film is based on the true story of a desperate mother searching for her missing daughter, which eventually leads the police to the unsolved cases of murdered sex workers. We discuss these real life cases (which are STILL unsolved to this day) and what it means to be a bad bitch.  This is an important story, beautifully told, streaming now on Netflix!  We'd just like to mention that Amy Ryan is a national treasure, and despite the urge, there was no mention of The Office, or Holly Flax.  Saving that for our second interview...  :)--Rate and review us wherever you listen to podcasts!Let us know how we're doing: therealbtpod@gmail.comVisit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen in every Monday from 6:00 - 6:30 AM on BFF.FMPOWERED BY GO-TO Productions

A Career Retrospective Conversation with Amy Ryan, currently starring in Lost Girls, on March 5, 2020. Moderated by Mara Webster. Amy Ryan is an Academy Award nominated actress, well-known for her work on the big and small screen, as well as her Tony-nominated work on stage. Ryan will next be seen in the Netflix Independent film, LOST GIRLS, which premiered at Sundance in January 2020 to critical acclaim. The Liz Garbus-directed film recounts a true story of the “Craigslist Killer,” who used the waterfront roadside on Long Island's South Shore as the dumping ground for his victims. Amy Ryan stars as ‘Mari Gilbert’ who tries to uncover what happened to her daughter following her sudden disappearance. LOST GIRLS will officially premiere on March 13, 2020. Amy Ryan also starred in a second film premiere at Sundance this year; WORTH, starring opposite Michael Keaton and Stanley Tucci. Keaton and Ryan play famed attorneys Ken Feinberg and Camille Biros who oversaw the 9/11 Victims Compensation Fund. Additional past film credits include the critically-acclaimed Amazon film, BEAUTIFUL BOY, opposite Steve Carrell, Timothée Chalamet and Maura Tierney and directed by Felix van Groeningen. She was also seen in Alejandro González Iñárritu’s Oscar®-winning BIRDMAN, for which she received the 2015 SAG Award for Outstanding Performance by a Cast in A Motion Picture, STRANGE BUT TRUE, CENTRAL INTELLIGENCE, LOUDER THAN BOMBS, Steven Spielberg's BRIDGE OF SPIES, GOOSEBUMPS, DON VERDEAN, and ABUNDANT ACREAGE AVAILABLE. Ryan is perhaps best known on the big screen for her performance in Ben Affleck’s GONE BABY GONE, for which she was recognized with Academy Award, Golden Globe and SAG Award nominations for Best Supporting Actress. She also won numerous Best Supporting Actress awards for this role, including those from the National Board of Review, the Broadcast Film Critics Association, the New York Film Critics Circle and the L.A. Film Critics. Her other film credits include LATE NIGHT opposite Mindy Kaling, Emma Thompson and Reid Scott, BREATHE IN with Guy Pearce and Felicity Jones, CLEAR HISTORY directed by Greg Mottola and co-starring with Larry David, DEVIL’S KNOT directed by Atom Egoyan and co-starring with Colin Firth, Tom McCarthy's WIN WIN, MOSTER TRUCKS, THE INFILTRATOR, ESCAPE PLAN, BOB FUNK, THE MISSING PERSON, GREEN ZONE, JACK GOES BOATING, CHANGELING, BEFORE THE DEVIL KNOWS YOU’RE DEAD, CAPOTE, DAN IN REAL LIFE, WAR OF THE WORLDS, KEANE, and YOU CAN COUNT ON ME. Amy is also widely acclaimed for her work on the small screen, including her memorable portrayals as Holly Flax on THE OFFICE, Adele on IN TREATMENT and Officer Beatrice ‘Beadie’ Russell on THE WIRE. Additional television credits for Ryan include HIGH MAITENANCE, ROBOT CHICKEN, BROAD CITY, CLEAR HISTORY, MILDRED PIERCE, KIDNAPPED, LAW & ORDER: CRIMINAL INTENT, M.O.N.Y., AMERICAN EXPERIENCE, LAW & ORDER, THIRD WATCH, HACK, BASEBALL WIVES, 100 CENTRE STREET, LAW & ORDER: SPECIAL VICTIMS UNIT, HOMICIDE: LIFE ON THE STREET, THE NAKED TRUTH, ER, and I’LL FLY AWAY. On stage, Amy Ryan had her Broadway debut in Wendy Wasserstein’s The Sisters Rosensweig. She received a Tony Award nomination for Best Featured Actress in a Play for her work in the 2000 production of Uncle Vanya, and she received her second Tony nod for her portrayal of ‘Stella’ in A Streetcar Named Desire. Ryan has also appeared in London’s West End during Neil LaBute’s The Distance From Here and Lisa D’Amour’s critically-acclaimed play Detroit, directed by Anne Kauffman at Playwrights Horizons.

In ‘Goodbye Toby’, we say goodbye to Toby Flenderson and hello to Holly Flax. The season 4 finale weaves together various plot threads between different characters, wrapping it up with a fireworks, a proposal, and a performance from acclaimed song parody writer Michael Scott. The Dunder Mifflin Portland branch focuses on this important episode and what it means to the show before closing with deleted scenes and an episode trivia.

In Episode 80 of An American Workplace, Chad and Katie talk about Season 7 Episode 22 of The Office, “Goodbye Michael”! LEAVE US A VOICEMAIL TO BE HEARD ON THE SHOW! Dial 93-PRETZ-DAY (937-738-9329) OUR PATREON PAGE! Bonus content for as little as $1 per month! An American Workplace on iTunes P.O. Box: An American Workplace P.O. Box #852134 Mesquite, TX 75185 Show Notes “Threat Level Midnight” on iTunes 722 - “Goodbye Michael” Aired April 28, 2011 Dir. by Paul Feig Written by Greg Daniels Contact Katie Twitter Facebook Chad Twitter Facebook Cinescope An American Workplace Facebook Twitter Website Email workplacepod@gmail.com iTunes/Amazon links contain affiliate tags that help us to earn a bit of money when you click on them. Your support is much appreciated!

In Episode 79 of An American Workplace, Katie and Chad talk about Season 7 Episodes 20 and 21 of The Office, “Training Day” and “Michael’s Last Dundies”! LEAVE US A VOICEMAIL TO BE HEARD ON THE SHOW! Dial 93-PRETZ-DAY (937-738-9329) OUR PATREON PAGE! Bonus content for as little as $1 per month An American Workplace on iTunes P.O. Box: An American Workplace P.O. Box #852134 Mesquite, TX 75185 Show Notes “Training Day” on iTunes “Michael's Last Dundies” on iTunes 720 - “Training Day” Aired April 14, 2011 Dir. by Paul Lieberstein Written by Daniel Chun 721 - “Michael’s Last Dundies” Aired April 21, 2011 Dir. by Mindy Kaling Written by Mindy Kaling Contact Katie Twitter Facebook Chad Twitter Facebook Cinescope An American Workplace Facebook Twitter Website Email workplacepod@gmail.com iTunes/Amazon links contain affiliate tags that help us to earn a bit of money when you click on them. Your support is much appreciated!

In Episode 78 of An American Workplace, Chad and Katie talk about Season 7 Episode 19 of The Office, “Garage Sale”! LEAVE US A VOICEMAIL TO BE HEARD ON THE SHOW! Dial 93-PRETZ-DAY (937-738-9329) OUR PATREON PAGE! Bonus content for as little as $1 per month! An American Workplace on iTunes P.O. Box: An American Workplace P.O. Box #852134 Mesquite, TX 75185 Show Notes “Garage Sale” on iTunes 719 - “Garage Sale” Aired March 24, 2011 Dir. by Steve Carell Written by Jon Vitti Contact Katie Twitter Facebook Chad Twitter Facebook Cinescope An American Workplace Facebook Twitter Website Email workplacepod@gmail.com iTunes/Amazon links contain affiliate tags that help us to earn a bit of money when you click on them. Your support is much appreciated!

In Episode 77 of An American Workplace, Katie and Chad talk about Season 7 Episodes 17 and 18 of The Office, “Threat Level Midnight” and “Todd Packer”! LEAVE US A VOICEMAIL TO BE HEARD ON THE SHOW! Dial 93-PRETZ-DAY (937-738-9329) OUR PATREON PAGE! Bonus content for as little as $1 per month! An American Workplace on iTunes P.O. Box: An American Workplace P.O. Box #852134 Mesquite, TX 75185 Show Notes “Threat Level Midnight” on iTunes “Todd Packer” on iTunes 717 - “Threat Level Midnight” Aired February 17, 2011 Dir. by Tucker Gates Written by BJ Novak 718 - “Todd Packer” Aired February 24th, 2011 Dir. by Randall Einhorn Written by Amelie Gillette Contact Katie Twitter Facebook Chad Twitter Facebook Cinescope An American Workplace Facebook Twitter Website Email workplacepod@gmail.com iTunes/Amazon links contain affiliate tags that help us to earn a bit of money when you click on them. Your support is much appreciated!

In Episode 76 of An American Workplace, Chad and Katie talk about Season 7 Episodes 15 and 16 of The Office, “The Search” and “PDA”! LEAVE US A VOICEMAIL TO BE HEARD ON THE SHOW! Dial 93-PRETZ-DAY (937-738-9329) OUR PATREON PAGE! Bonus content for as little as $1 per month! An American Workplace on iTunes P.O. Box: An American Workplace P.O. Box #852134 Mesquite, TX 75185 Show Notes “The Search” on iTunes “PDA” on iTunes 715 - “The Search” Aired February 3, 2011 Dir. by Michael Spiller Written by Brent Forrester 716 - “PDA” Aired February 10, 2011 Dir. by Greg Daniels Written by Robert Padnick Contact Katie Twitter Facebook Chad Twitter Facebook Cinescope An American Workplace Facebook Twitter Website Email workplacepod@gmail.com iTunes/Amazon links contain affiliate tags that help us to earn a bit of money when you click on them. Your support is much appreciated!

In Episode 75 of An American Workplace, Katie and Chad talk about Season 7 Episodes 13 and 14 of The Office, “Ultimatum” and “The Seminar”! LEAVE US A VOICEMAIL TO BE HEARD ON THE SHOW! Dial 93-PRETZ-DAY (937-738-9329) OUR PATREON PAGE! Bonus content for as little as $1 per month! An American Workplace on iTunes P.O. Box: An American Workplace P.O. Box #852134 Mesquite, TX 75185 Show Notes “Ultimatum” on iTunes “The Seminar” on iTunes 713 - “Ultimatum” Aired January 20, 2011 Dir. by David Rogers Written by Carrie Kemper 714 - “The Seminar” Aired January 27, 2011 Dir. by BJ Novak Written by Steve Hely Contact Katie Twitter Facebook Chad Twitter Facebook Cinescope An American Workplace Facebook Twitter Website Email workplacepod@gmail.com iTunes/Amazon links contain affiliate tags that help us to earn a bit of money when you click on them. Your support is much appreciated!

Episode # 72 of THAT'S WHAT SHE SAID finds both Matt and Kevin grinning silently at each other behind a glass wall. Papa don't preach. It's time for the annual company picnic, and Michael plans to finally make his move on soup snake Holly Flax. SlumDunder Mifflinaire? No highly choreographed Indian dance number at the end of THIS one, I fear. Meanwhile, Rolf rips Angela a new one, Charles Miner hates Jim (still), Pam is surprisingly awesome at sports, Stanley drinks, Phyllis sits, Dwight stalls, and a potential JAMbino rears its sure-to-be impossibly cute head. Is it time to strap on the waterskiis? Office, don't fail me now! Incidental music provided by the Podshow Podsafe Music Network. Email us at TWSSpodcast @ gmail.com, or leave a comment on our blog page at TWSSpodcast. com. iTunes reviews are always appreciated! Help spread the word! Also, PLEASE help support the show by signing up for a FREE 14-day trial of Netflix. Instantly watch every episode of the office from the comfort of your laptop, desktop, or xbox360-connected TV. Go to http://www.netflix.com/twss to start your free trial today. Also, check out http://www.audible.com/shesaid for a free audiobook download credit.