Podcasts about David Brent

This week's OUTRAGEOUS royal gossip! Megyn Kelly sparks FURY claiming Meghan "KILLED THE QUEEN" while Harry faces BRUTAL criticism after his BBC interview, with one columnist comparing him to DAVID BRENT from The Office! King Charles makes EMOTIONAL cancer confession calling it "frightening" before celebrating VE Day on palace balcony WITHOUT military medals! Meanwhile, Charles tours London's "SUPER SEWER" making CHEEKY JOKES about sewage while the "Living Nostradamus" predicts a MAJOR ROYAL HEALTH CRISIS coming in 2025! Plus: Harry and William's RARE cooperation on Diana Award despite their ongoing feud!Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories' with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!We now have Merch!  FREE SHIPPING! Check out all the products like T-shirts, mugs, bags, jackets and more with logos and slogans from your favorite shows! Did we mention there's free shipping? Get 10% off with code NewMerch10 Go to Caloroga.comGet more info from Caloroga Shark Media and if you have any comments, suggestions, or just want to get in touch our email is info@caloroga.com

Strum your sitar and prepare to launch all Eagles as Miles and Charlie once more become the Space Scamps as they make a second trip to the moon for three more episodes of Gerry Anderson's ‘Event Horizon meets Garth Marenghi's Darkplace' show Space 1999 (Miles is now worried he has created a monster by showing Charlie this show) and in doing so, get to talk about psychadelic trippiness and Kano's obsession with Computer in ‘Black Sun,' Christopher Lee (although he's totally phoning it in,) and the dispatch of a weasly middle manager in ‘Earthbound' and then with ‘The Troubled Spirit,' Halloween comes a little early and it's probably more spooky than whatever we'll end up doing for our Halloween episode… EPISODES DISCUSSED: Black Sun (11:32), Earthbound (34:20) and The Troubled Spirit (58:40)Talking Points Include: More Space 1999, Death Stranding, a trip to Scotland, the science is impossible, Moon Base Alpha's limited resources, British Pessimism vs. American Gung-Ho, Gene Roddenberry would never, Hard SF has a tendency to go full magic weirdness, Bohemian Rhapsody deserves it's rep, Christopher Lee is phoning it in, Simmons is the David Brent in Space, cowardly heroes, our brave explorers enjoying shouting MMMMUUUUUUUUTAAAAAAAAAAANNNNNNNNNNT like in ‘Mission of the Darians,' Charlie repeats a Johnny Byrne joke from the last episode, awesome sitar music this is the most halloween episode we've done for the show, a wicked burn from Charlie's old teacher Mr. Jafferji, is Moonbase Alpha a liminal space? M. Night Shyamalan films and surprisingly… some Star Trek.

This week: Woman discovers Doctor Dan's menu in grandma's house, clickbait podcast clips, offensive caricatures, real life David Brent moments, Glastonbury line up, gigging with dumplings, keeping the socks on, embarrassing guy moments, meme concerts, taking up a new vice for lent, swimming lessons, kid's books & much more.Sign up to Patreon⁠⁠⁠⁠ for access to exclusive episodes out every Thursday.⁠patreon.com/TheBombSquadPod⁠The Bomb Squad Pod live at the SSE Arena, Belfast: ⁠⁠⁠TICKETS⁠⁠⁠(Paid Ad) BetterHelp⁠https://www.betterhelp.com/bsp⁠Sign up and get 10% off your first month.Follow @TheBombSquadPod on⁠⁠⁠YouTube⁠⁠⁠,⁠⁠⁠Instagram⁠⁠⁠,⁠⁠⁠TikTok⁠⁠⁠ &⁠⁠⁠X⁠⁠⁠.Hosted by:⁠⁠⁠Colin Geddis⁠⁠⁠ &⁠⁠⁠Aaron McCann⁠⁠⁠Produced & Edited by:⁠⁠⁠Niall Fegan

Ricky Gervais look-alike & impressionist Tim Oliver joins Andy Goldstein & Darren Bent in the studio! Hosted on Acast. See acast.com/privacy for more information.

In honor of the 20th anniversary of the premiere of NBC's The Office, we discuss David Brent, Scrantonicity, Andy Bernard, and the other fake bands and musicians from both the UK and US versions.

Kev returns from Spain and seems to have found a new career as a handyman, finding a particular passion for cutting stuff down to size with a chainsaw!!! Also on the show today from the mailbag, Neale and Kev answer questions about photographing solo professionally, shooting video alongside stills, showing unedited material to clients, posing v doc, choosing email and mailing list providers, Substack, invoicing software, and why do people think Kev looks like David Brent??!? Email the show with your questions: click@fujicast.co.uk  Pic Time: https://www.pic-time.com/ - use FUJICAST when creating an account for discount offers to apply For links go to the showpage.

Na onze diepgaande analyse van de VS-versie in aflevering 17 (12 mei 2023), is nu de UK-versie aan de beurt. We geven alle achtergrond over deze Britse sitcomklassieker, die zo vernieuwend was, dat veel mensen het niet begrepen.Daarnaast bepalen we wat nou de beste versie van The Offie is, het Britse origineel of de Amerikaanse remake! In vijf rondes – tune, hoofdpersoon, verhaal, legacy en de doorslaggevende publieksstem –  maken we uit wie de echte 'baas' is op kantoor...  Ben jij Team UK of VS? David Brent of Michael Scott? Deel het in de reacties!Volg ons op:Instagram https://www.instagram.com/desitcomcast/ Facebook: https://www.facebook.com/profile.php?id=100088431939984Of mail naar: desitcomcast@gmail.comHosts: Mark van Lier en Joost de KruijterProductie: Dejos Media https://dejosmedia.nl

Beach Like The Tree. Busted live drummer, Lower Than Atlantis rhythm master and professional sneaker-head, Eddy Thrower, is our guest on Episode 320 of Sappenin' Podcast! The session sensation talks snare secrets playing behind the kit for Charlie Simpson, Matt Willis and James Bourne, exclusive LTA reunion confessions and setting up his own online drum lesson business. In this conversation, Thrower reflects on getting the Busted job vs Lower Than Atlantis hiatus, the stress of re-recording Year 3000, techniques vs tricks, how a LTA comeback almost happened, nearly hiring a helicopter, extreme David Brent moments, recording for One Direction and 5 Seconds of Summer, emo nostalgia, why the 2010s UK alternative scene felt so special, fighting that 9-5 lifestyle, his shoe-a-holic hustle, wanting to teach new drummers, dyslexia hurdles, planning to fight Harry Judd on the Busted vs McFly 2025 tour and more! Turn it up and join Sean and Morgan to find out Sappenin' this week!Follow us on Social Media:Twitter: @sappeninpodInstagram: @sappeninpodSpecial thank you to our Sappenin' Podcast Patreons:Join the Sappenin' Podcast Community: Patreon.com/Sappenin.Kylie Wheeler, Janelle Caston, Paul Hirschfield, Tony Michael, Scarlet Charlton, Dilly Grimwood, Mitch Perry, Nathan Crawshaw, Molly Molloy, James Bowerbank, Amee Louise, Kat Bessant, Kieran Lewis, Alexandra Pemblington, Jonathan Gutierrez, Jenni Robinson, Stuart McNaught, Jenni Munster, Louis Cook, Carl Pendlebury, James Mcnaught, Martina McManus, Jason Heredia, John&Emma, Danny Eaton, RahRah James, Sian Foynes, Evan, Ollie Amesbury, Dan Peregreen, Emily Perry, Kalila Keane, Adam Parslow, Josh Crisp, Vicki Henshaw, Laura Russell, Fraser Cummings, Sophie Ansell, Kyle Smith, Connor Lewins, Billy Hunter, Harry Radford, George Evans, Em Evans Roberts, Thomas O'Neill, Sinead O'Halloran, Kael Braham, Jade Austin, Charlie Wood, Aurora Winchester, Jordan Harris, James Page, Georgie Hopkinson, Helen Anyetta, John Wilson, Lisa Sullivan, Ayla Emo, Kelly Young, Jennifer Dean, Tj Ambler-Shattock, Chaz Howkins, Michael Snowden, Justine Baddeley, David Winchurch, Jim Farrell, Scott Evans, Andrew Simpson, Shaun Croucher, Lewis Sluman, Ellie Gowers, Luke Wardle, Grazyna McGroarty, Nathan Matheson, Matt Roberts, Joshua Lewis, Erin Howard,, Chris Harris, Lucy Neill, Amy Thomas, Jessie Hellier, Stevie Burke, Robert Pike, Anthony Matthews, Samantha Neville, Sarah Maher, Owen Davies, Bethan Downing, Jessica Tiernan, Danielle Oldershaw, Samantha Bowen, Ruby Price, Jule Ferl, Alice Wood, Billy Parmiter, Emma Musgrave, Rhian Friggens, Hannah Kenyon, Patrick Floyd, Hayley Taylor, Loz Sanchez, Cerys Andrews, Dan Johnson, Eva B, Emma Barber, Helen Macbeth, Melissa Mercury, Joshua Ryan, Cate Stevenson, Emily Moorhouse, Jacob Turner, Madeleine Inez, Robert Byrne, Christopher Goldring, Chris Lincoln, Beth Gayler, Lesley Dargie-Walker, Sabina Grosch, Tom Hylands, Andrew Keech, Kerry Beckett, Leanne Gerrard, Ieuan Wheeler, Hannah Rachael, Gemma Graham, Andy Wastell, Jay Smith, Nuala Clark, Liam Connolly, Lavender Martin, Lloyd Pinder, Ghostly Grimoire, Amy Hogg.Diolch and Thank You x Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Johnny Mac covers the upcoming Golden Globes, hosted by Taylor Swift fan Nikki Glaser, and the complexities of making comedy for such an event. Glaser shares her excitement and the inherent challenges of the gig. Highlights include a recap of Jo Koy's failed joke about Taylor Swift from last year, Ted Danson receiving the Carol Burnett Award, and the nominees for Best Stand-Up Comedian on Television. The episode also features insights from comedian Josh Blue on the sacrifices of living outside major comedy hubs, and Nick Swardson's personal struggles with dietary changes and diabetes. Additionally, it delves into the life of Tim Oliver, a David Brent impersonator, showcasing the quirky and often strange gigs he undertakes, including being asked to perform at a wake and entertaining the idea of an office-themed adult film.00:00 Introduction and Golden Globes Preview00:20 Nikki Glaser's Hosting Gig01:09 Jo Koy's Taylor Swift Joke01:34 Ted Danson Honored01:54 Best Stand-Up Comedian Nominees02:25 Josh Blue's Stand-Up Philosophy03:47 Nick Swardson's Diet Struggles04:19 Impersonating David Brent05:46 Fake David Brent's AdventuresUnlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!  You also get 20+ other shows on the network ad-free!    This podcast supports Podcasting 2.0 if you'd like to support the show via value for value and stream some sats! https://linktr.ee/dailycomedynews Contact John at john@thesharkdeck dot com  John's free substack about the media:  Media Thoughts  is mcdpod.substack.com DCN on Threads: https://www.threads.net/@dailycomedynews You can also support the show at www.buymeacoffee.com/dailycomedynews Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news--4522158/support.

“Big day today. Swindon mob are arriving. Um, I've laid on a do for them. Part of the job…If you ask me what kind of vibe I'm going to lay down, it's gonna be a very much just a chill out let's-get-to-know-each-other type of vibe" This week we dive into Series 2 in our rewatch of the BBC Office! We look at ‘Merger' and ‘Appraisals', the first 2 episodes in the next series. We go through all of the story lines, talking heads, and performance reviews that go into them. And we make sure to highlight all of the comedy routines, talking cookie jars, and David Brent poetry that go into them. Then we head to the Conference Room for another segment comparing these 2 episodes with the US version of the show—this week it's entitled, ‘I've Forgot Me Snotted Creams”—before closing with an extra-challenging round of listener submitted trivia!  Support our show and become a member of Scott's Tots on Patreon! For only $5/month, Tots get ad-free episodes plus exclusive access to our monthly Mailbag episodes where we casually pick through every single message/question/comment we receive. We also have Season 2 of our Ted Lasso podcast Biscuits with the Boss available to our Patrons, as well as our White Lotus Christmas Special, Party Down, and unreleased episodes of this show. Oh, and Tots get access to exclusive channels on our Discord. Learn more about your ad choices. Visit megaphone.fm/adchoices

"David Brent. I've been in the business for twelve years, been at Wernham Hogg as General Manager for eight of those, so putting together my team." After many years of anticipation we finally go across the pond and dive into the BBC version of The Office! We finally are rewatching and discussing the episodes and seasons that started it all, 2 episodes at a time. We start with the first 2 episodes of series 1 (Downsize & Work Experience), profiling the different characters and how they establish iconic profiles in the show. Then in the Conference Room we make a deeper comparison between the US and UK versions of The Office, with a special focus on the two pilot episodes and how they match up with one another, all the way down to the staplers in jello.  So grab your portable phone holster and get some batteries for Big Mouth Billy, as the ‘MSPC INVESTIGATES'!  Support our show and become a member of Scott's Tots on Patreon! For only $5/month, Tots get ad-free episodes plus exclusive access to our monthly Mailbag episodes where we casually pick through every single message/question/comment we receive. We also have Season 2 of our Ted Lasso podcast Biscuits with the Boss available to our Patrons, as well as our White Lotus Christmas Special, Party Down, and unreleased episodes of this show. Oh, and Tots get access to exclusive channels on our Discord. Learn more about your ad choices. Visit megaphone.fm/adchoices

Att fungera ihop i grupp är svårt av ungefär tusen anledningar – oavsett om det handlar om teamet på jobbet, i grupparbetet i skolan eller i fotbollslaget. Men det finns en magisk trollformel för hur man ska vara tillsammans som visat sig göra underverk för både mående och resultat.Klipp:10.03 The Internship (2013) - Google Intern Program Intro17.38 Simon Sinek's Guide to Cultivating Psychological Safety at Work28.00 The Office Values - Microsoft UK Training with David Brent35.40 The Bear Non-Negotiables42.39 Charlie Brown SnobbenRedigering: Peter Malmqvist.Kontakta oss på dummamanniskor@gmail.com. Vill du slippa reklamen? Prenumerera på Dumma Människor för 19 kr/månaden (ink moms). https://plus.acast.com/s/dummamanniskor. Hosted on Acast. See acast.com/privacy for more information.

In this week's episode, we consider how the Nintendo Switch does the simple things well, and examine how writers can likewise do the simple things well to write excellent books. TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 223 of The Pulp Writer Show. My name is Jonathan Moeller. Today is October the 18th, 2024 and today we are discussing five lessons for writers from the Nintendo Switch, of all things. Don't worry, the analogy will make sense later in the show. Before we get into that, let's have an update on my current writing projects. I am pleased to report that Ghost in the Tombs is completely done and is currently publishing on Amazon, Barnes and Noble, Kobo, Google Play, Apple Books, Smashwords, and my Payhip store. The links are already live on some of those stores. This episode should go out on the same day as my newsletter, so by the time this episode goes out, the book should be available at all ebook stores. If you are subscribed to my newsletter, you will also get a free ebook copy of the short story Ghost Tablet. So that is one of the many excellent reasons it is a good idea to subscribe to my newsletter. You can find the details how to do that on my website right at the top. My next main project now that Ghost in the Tombs is out will be Cloak of Illusion, the 12th Cloak Mage book. I am 31,000 words into that. I'm hoping to have that out before the end of November, if all goes well. After that, I am 11,000 words into Orc Hoard and hopefully that will be out in December, if all goes well. As I mentioned earlier, the audiobook of Shield of Darkness is out, as excellently narrated by Brad Wills. You can get that at Audible, Apple, Google Play, and all the usual audiobook stores. We are also working on Shield of Conquest right now, and that is being recorded as we speak. Hollis McCarthy is also recording Cloak of Spears and that should hopefully be out before the end of the year, if all goes well. This week, we're not doing Question of the Week because all my time was going to finishing Ghost in the Tombs, but we will be doing another Question of the Week next week, so watch for that on my website and social media. 00:01:54 Main Topic: 5 Lessons Writers Can Learn from the Switch Now let's go to our main topic for the week, five lessons that writers can learn from the Nintendo Switch. So what can writers learn from the Nintendo Switch? A common complaint I sometimes see among newer writers is that all the stories have been told already, and that there are no truly original stories. Why try writing a mystery novel? Haven't they all been told? Why try writing a romance novel? How many different ways are there for a woman to meet a man and fall in love? Why attempt to write an epic fantasy when there's already Lord of the Rings and Mistborn and Shannara? Haven't all the stories already been told? That is a fair question, but it misunderstands the nature of stories. It's as profound a misunderstanding as saying that just because you've eaten one cheeseburger in your life, there is no need to ever have another or saying that since Pizza Hut makes pizzas, there is no need for anyone else to ever open a pizza restaurant or even to sell frozen pizzas. To dispel this misapprehension, let us turn to the Nintendo Switch. It is not unfair to say that the Switch is one of the most popular game consoles in the world and is likely Nintendo's second best-selling device of all time. The Switch is also significantly less powerful than its chief competitors, the various Xbox and PlayStation models offered by Microsoft and Sony. For that matter, the Switch has only received moderate updates in the seven years it has been on the market. Its internal components are basically those of a decent smartphone from 2017, yet despite that, the Switch has significantly outsold both the Xbox and the PlayStation over the last seven years. It was a remarkable reversal of fortune for Nintendo. The Switch's predecessor, the Wii U, did so badly that the CEO of Nintendo at the time took a 50% pay cut to help avoid layoffs. One thinks American CEOs could stand to learn from this example, but that's a different topic. So to go from that to the best-selling console of the last seven years is quite a swing of fate's pendulum. So let us then ask the obvious question: why did the Switch do better than its competitors, especially when it was so relatively underpowered compared to them in terms of hardware? The answer is simple. The Switch did the basics, but it did the basics exceptionally well and doing the basic simple things exceptionally well is often much harder than people imagine. The Switch doesn't have a lot of the more advanced features from the PC, Xbox, and PlayStation ecosystems, but it doesn't really need them. The Switch is easily portable. It has a strong library of first-party titles. The loading speed isn't great, but it's adequate. It has Switch Online for all the old Nintendo classics. You can play it handheld or docked. It's popular enough that developers want to bring their games to the console whenever possible, including some that some that were very technically difficult, like Skyrim or The Witcher 3. All that sounds simple, but it's much harder to do than it sounds, and the basics done well are always a good thing, regardless of the field. In fact, that is traditionally part of Nintendo's design philosophy. Nintendo has a thing they call “withered technology” (another translation from the Japanese would be “lateral thinking with seasoned technology”), which means rather than trying to use cutting edge technology, they use tried and true older technology and think about developing unique experiences with it. In other words, they used well established basic technology to build the Switch (which wasn't exactly cutting edge even in 2017) and then just tried to use that established technology well. So how does this apply to storytelling and writing? This is, after all, a writing podcast and not a video game podcast (even if I do talk about video games a fair bit). The same approach taken to writing can work out quite well. Don't try to be excessively fancy or flashy. Focus on the simple things and do them as well as you can, and that will probably work out better than trying to be flashy or creative in a way that only ends up being off putting to the reader. So when it comes to writing fiction, what are the simple things that you can do well? What is the “lateral thinking with seasoned technology” you can employ with writing a novel? I think there are five lessons we can take here. #1: Understand the genre you are writing in and try to hit the appropriate tropes for that genre. A lot of writers when they are first starting out try to do too much, like a fantasy author tries to write a 12 volume epic fantasy series as their first writing attempt, or someone tries to fuse a bunch of genres and write a book that is simultaneously romance, a magical realism coming of age story, and somehow also a memoir. If you can't clearly state the genre of your book, you're going to have a hard time selling it. You might also have a hard time even finishing it. What do I mean by the appropriate tropes for the genre? That's just a way of saying that the storytelling conventions that readers come to expect in specific genres. For example, in a happily ever after clean romance, the readers will expect no explicit scenes and that the heroine and the love interest will end up together by the end of the book. Romance tends to have a lot of very specific subgenres, but the rule holds for many other genres as well. Epic fantasy readers typically expect a quest, some journeying, and a band of arguing adventures. Mystery readers expect a mystery with an actual solution at the end. Thriller readers look forward to some well executed fight scenes in a secret government building. Some writers dislike the idea of writing to genre tropes but think of it this way: If you go to an Italian restaurant and order spaghetti carbonara, but the waiter instead brings out a steak burrito bowl with a side of French toast sticks and maple syrup, you're going to be disappointed. Are there people who would enjoy a lunch of a burrito bowl and French toast sticks? Almost certainly, but you ordered spaghetti carbonara. The vast majority of people who go to an Italian restaurant are going to expect Italian food. The same thing applies to genres. If you buy a mystery book, you will expect a mystery novel and not an experimental cross genre thing. If you dislike writing to genre tropes, remember that readers only dislike tropes written to genre conventions if it's done badly, but if you do it well, they appreciate it and that could be one of the simple things that you focus on doing well. #2: A protagonist with relatable problems. Another important basic in genre fiction is the protagonist with problems that the reader can find compelling. There's an endless tedious discussion about whether or not the protagonist should be likable or not, and frankly, it often degenerates into the standard Internet discussion about gender politics, whether or not a female protagonist has to be likable when a male one does not. But in my opinion, that discussion completely misses the point. What makes a character relatable, or more accurately sympathetic to the reader, is the character experiencing a conflict or some sort of emotional pain that allows the reader to sympathize with them. Whether their character is likable is less important than sympathy. Let's take two examples from recent television, specifically Disney properties. The characters of Syril Karn and Dedra Meero from the Star Wars show Andor are unlikable but sympathetic characters, while Jennifer Walters from She Hulk is both unlikable and unsympathetic. The difference between them is instructive for writers. Syril Karn and Dedra Meero are both essentially unlikable villains. Karn is a wannabe mall cop with puffed up delusions of his own importance and Meero is working for the Empire's sinister secret police as a mid-level officer. Yet Karn's circumstances make him emotionally sympathetic. He is stuck in a dead-end job and living with his cruel mother. Meero is trying to do the best job she can in the secret police and is fighting against her obstinate and clueless colleagues within a cumbersome bureaucracy, something many office workers can sympathize with. Indeed, it's clever how the show sets her up as a strong woman making headway in the male dominated secret police, only to yank away the sympathy when she brutally tortures one of the show's protagonists. By contrast, Jennifer Walters is both unlikable and unsympathetic. She's a rich lawyer who has rich lawyer problems, which is generally not sympathetic to most people. Indeed, she strongly establishes herself as unlikable in the first episode when she lectures Bruce Banner (who in past movies tried to kill himself in despair, was hunted by the US government, held as an enslaved gladiator for two years, brutally beaten by Thanos, and fried his right arm with the Infinity Gauntlet) about how much harder her life has been than his, which is objectively not true. As we mentioned with Karn and Meero, it's very possible for unlikable characters to be sympathetic, but Jennifer Walters is so unsympathetic that the best episodes of She Hulk were the ones where she becomes the unsympathetic comedy protagonist like David Brent from the UK Office or Basil Fawlty from Fawlty Towers and she suffers the comedic results of her own bad decisions. What's really compelling is when you have a likeable character who has a sympathetic problem. As an added bonus, it's usually easier to write a likeable character with a sympathetic problem. Striking the balance between an unlikable character with a sympathetic problem is often a challenge for even experienced writers. But if the reader likes your protagonist and the protagonist's problem inspires emotional sympathy in the reader, then that's half the battle. What is the other half of the battle lesson? #3: A strong conflict. I've said on the podcast many times before that conflict is central to storytelling. If you have a sympathetic protagonist who has a serious conflict, you've got yourself the potential for a strong book. Another way of saying conflict is “the problem the protagonist must solve, face, overcome.” If the protagonist doesn't have a problem, he or she might as well sit at home playing well, Nintendo Switch. Fortunately, it is easy to think of a suitable conflict for your story, because in Real Life, the potential causes of conflict are sadly infinite, and you can easily apply that to fiction. Like if you write epic fantasy, you could have the conflict be the quest to stop the Dark Lord, or if you write sci-fi, it could be defeating the invasion of the space bugs. Mysteries have a conflict built in for the genre. Solving the crime, finding a missing person, etc. Thrillers tend to be all about violent conflict, but conflicts don't have to be violent or even high stakes to be emotionally significant. It could be a conflict with a rival at work, or not even involve a person at all, like trying to survive the aftermath of a natural disaster. It boils down to that the protagonist must have a conflict and the protagonist must take some sort of action to resolve that conflict. Stories where this doesn't happen tend to become boring quite quickly. #4: A satisfactory ending. The ending is really, really important. You know how a joke isn't funny if it doesn't have a good punchline? A story with a bad ending, unfortunately, almost always turns out to be a bad story that leaves an unpleasant taste in a reader's mouth. What makes for a good ending? The story's central conflict has to be resolved in a satisfactory way, in a way that generates emotional catharsis. In fantasy, the quest needs to be achieved. In science fiction, the space bugs need to be defeated. In mystery, the killer has to be caught or the mystery resolved in a satisfactory way. In romance, the heroine needs to end up with her love interest. Bad endings are ones that don't resolve the conflict or resolve the conflict in a way that feels like cheating to the reader. This can include the protagonist solving the conflict through no effort or struggle or a Deus Ex Machina style ending where the conflict is solved simply because the author wants to hurry up and finish the book. Granted, this doesn't mean that a good ending is a happy one. The Lord of the Rings had a famously bittersweet ending. Sauron is defeated and the One Ring destroyed, but the Elves leave Middle Earth forever, and Frodo is too wounded to return to his homeland, instead choosing to accompany the Elves into the West. There are many other examples. The mystery could have the detective solving the crime, but at the cost of his career and his marriage. The protagonist of a military science fiction story could win the battle but be the only surviving member of his squad. The ending must resolve the conflict in an emotionally satisfying manner that doesn't leave the reader feeling cheated. #5: The fifth simple thing you can do: write clear prose. Writing clear prose that unambiguously conveys your meaning is one of the vital basics for storytelling, and this is harder than it seems. An anecdote from this topic about this topic: back in 2023, Wired magazine ran a hit piece on fantasy author Brandon Sanderson about his Kickstarter. One of the criticisms in the article was that Sanderson's books were written at a sixth-grade level, which is debatable, but that's not the point. The point is the writer of the article and many other people have the profound misapprehension that simple, clearly written prose is somehow easier to write than more dense or complex prose. It's really not, and this fact is easily proven. Think about how many people you know in real life who struggle to communicate through written communications such as emails or text messages. Think how many times you've gotten an e-mail from a manager or client only to have no idea what the person in question is trying to ask for, or even say. Or how much family drama can be created by a badly written text message or social media post that is easily misunderstood. In all of these examples, people failed to communicate effectively through written prose and would have benefited from the ability to write simple, clear, not easily misunderstood prose. Therefore, developing the ability to write clear, transparent prose that precisely conveys your meaning is a useful skill for anyone, not just fiction writers. It just happens to be especially useful for writers of fiction. When writing fiction, it is probably best to remain as clear and concise as possible. So in conclusion, these are the five simple things you can do well to have a good book: #1: Understand the genre #2: Have a protagonist with a sympathetic problem #3: A strong conflict #4: A satisfactory ending #5: As clear of prose as possible All relatively simple things, but if you do them well, I think you are well on the way to writing a good book. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes of the podcast on https://thepulpwritershow.com, often with transcripts. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

Episode 33 (11/09/24) - The chaps kick off with a tiny bit of admin from last week's show. Then there's “Wrongun of the Week”, Barry's new segment “You'd think they were older than they were… when they died”, the David Brent lookalike, songs to do a first dance to if getting married, nosy waiting staff on First Dates, Greg's minor birthday Nando's fail, the 2 different Dennis the Menaces', Hollyoaks plans for a new series, Gillian Anderson's new book, a “guess who won what at the 2003 TV Awards” quiz, the new Goonies movie and who should direct it, the so called “celebrities” on Celebrity Masterchef, Keir Starmer on Kilroy, another ‘Dead Celebrity Seance', gender reveal parties through the ages, new segment “forgotten Radio 1 DJ of the week”, the Harris vs Trump debate, recommendations, Future Greg and a whole lot more!

On today's show, our very special guest is the world's best David Brent impersonator, Tim Oliver. So once Joe and David have calmed down after first seeing and hearing him in character (he's so good it's all a bit overwhelming), they chat to Tim about how on earth he got into it all. Plus, appearances at work parties, stag-do's and a even wake, doing 1000's of Cameo videos, how best to maintain a permanent goatee and the time he got to interview Ricky Gervais himself. It has to be said, Tim is one of the guy's favourite guests ever - fact! FOR ALL THINGS CHATABIX'Y FOLLOW/SUBSCRIBE/CONTACT: YouTube: https://www.youtube.com/@chatabixpodcast Twitter: https://twitter.com/chatabix1 Insta: https://www.instagram.com/chatabixpodcast/ Patreon: https://www.patreon.com/chatabix Merch: https://chatabixshop.com/ Contact us: chatabix@yahoo.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Owen Blackhurst, Seb White and Tommy Stewart chat pundits crossing the divide, football pie, Carlos Roa, World Cup 98, David Brent, Zinedine Zidane, Redondo at Old Trafford, Dwight Schrute, Creed Bratton, Steve Carell, the US Office, crossing swords, Henrik Larsson, Manchester United, Sir Alex Ferguson, a touch of the Pruniers, Alan Smith, Wayne Rooney, Cristiano Ronaldo, Louis Saha, Martin O'Neill, Celtic, Helsingborgs IF, the Goosewagon, Eric Cantona face paint, George Weah, Carl Anka, World Cup 94, The Big Match, Eastenders, Queen Vic FC, Barbara Windsor, the Mitchell Brothers, The Sopranos, The Wire, Sad Ricky, Wellard, Bouncer, Lassy, dipsticks, Harrow Borough FC, pub football teams, Harry Redknapp on Albert Square, Sonia Fowler, Danny Dyer, Bobby Moore, West Ham, Harold ten-Pinter, photobombing Billy Mitchell, Gary Johnson, respecting the turf, Steven the squirrel, OtterPilot, Expected Pints, basketball, the Chicago Bulls, Five Guys, milkshakes, Seb shakes, Dumb and Dumber, Nutribullet coffee, Snatch, GRUB in Sheffield, Gilles Peterson, broken ribs, work summer Olympics, therapy twice a week, the wet bandits, CBD gel, arnica, foam hands, pebbly beaches, sand, homemade showers, Hugh Gleave, Gareth Jones, and somehow so much more. Get the latest issue of MUNDIAL Mag hereFollow MUNDIAL on Twitter - @mundialmagFollow MUNDIAL on Instagram - @mundialmag Hosted on Acast. See acast.com/privacy for more information.

In this episode of 'Past Tens: A Top 10 Time Machine', hosts Dave and Milt revisit the Billboard Top 10 hits from July 22nd, 1989, featuring songs by Milli Vanilli, Bon Jovi, Fine Young Cannibals, and more. They discuss the impact of Prince's Batman soundtrack, quirky moments like Dolly Parton's rendition of a Bon Jovi classic, and include a playful quiz on songs by bands with colors in their names. The episode also explores the Joker movie, music videos, and the origin behind Simply Red's name. It takes an emotional turn as the hosts pay tribute to their late fraternity brother, Mike 'Fozzie' Frumowitz, sharing heartfelt and humorous stories in his honor.Topics00:38 Tribute to a Friend: Remembering Fozzie01:34 Listener Reviews and Podcast Community04:55 Back in Time: July 22nd, 198914:57 COUNTDOWN BEGINS with Milli Vanilli39:33 The Rules of College Radio40:55 Fine Young Cannibals: A Brief History49:04 Bobby Brown and the Ghostbusters56:24 The Playdate: Colorful Bands and Artists01:07:44 Prince's Batdance and the Batman Soundtrack01:18:09 Simply Red's Hit Remake01:20:36 The British Office and David Brent's Pop Album01:22:25 Mick Hucknall's Punk Roots01:23:17 Family Guy's Simply Red Reference01:26:30 Madonna's Empowering Anthem01:34:41 Martika's Toy Soldiers01:49:12 Honoring a Friend: Remembering Fozzie

It's the morning after the night before and we're all still digesting that incredibly turgid England performance. And here to help us relive the drama from his Italian vacation is Michael Marden. Plus: has there ever been a better lookalike than Xherdan Shaqiri and the thumb people from ‘Spy Kids'? How gutted are we not to have seen Alex dribble a football around the offices of GMB like David Brent? And we're here to defend our beautiful boy Frank Lampard from the attacks of Gary Lineker. If you've got anything else to add to the conversation, you can email us at: hello@letsbehavingyou.com And if you've enjoyed this episode, please feel free to leave a review (let's be honest, a 5 star would be ideal) on your podcast app of choice. And if you manage to get a pun in there featuring a 00s footballer, we'll be almost certain to give it a mention.  Thank you for listening and if you're a subscriber, we'll see you very shortly for more Euros coverage. So good night, Richard Wright, Chris, Alex and Nick x And don't forget to follow the pod on the new feed(!!) at: https://podfollow.com/lets-be-having-you-the-00s-football-podcast (Ps. Oh and please send on more 00's outro ideas! We can never have enough!) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Seb White's in Owen's hot seat and is with James Bird and Tommy Stewart to discuss Hotel MUNDIAL, Dom's Subs, InBev, Allpress Espresso, throwing shapes not pints, EURO Fever, slushies, Alan Carr, Alan Brazil, Alan Pardew, banter, rapport, Charles the Bald and Fat, Escape to Victory, war and football, Donald Trump, Darius Vassell, being love bombed by fans, England losing on penalties, the Cruyff turn, the Hal Robson-Kanu turn, Pierre-Emerick Aubameyang at AS Saint-Étienne, AC Milan, David Brent, Christophe Galtier, Euro Goals, cartoon goals, diamond-encrusted Nikes, Jurgen Klopp, the Golden Boot, football pirouettes, the magic of green and white teams, Borussia Dortmund on FIFA 13, Adriano on Pro Evo, Spiderman, Richard Nixon, Looking For Eric, Fran Kirby, Bruno Fernandes, David Squires' Guardian cartoons, Gordon Brown, Manchester United, Michael Head, superstitions, Nike Cortez, Adidas Sambas, baps in pubs, the Gloucestershire Cheese Roll, woke jokes, pink noise, cats and foxes, Sam Fox, Diesel Jeans, Bench., Firetrap, Fawlty Towers, nostalgia and somehow so much more.Get the latest issue of MUNDIAL Mag hereFollow MUNDIAL on Twitter - @mundialmagFollow MUNDIAL on Instagram - @mundialmag Hosted on Acast. See acast.com/privacy for more information.

Ben and Nemone stroll into The Office (USA). They consider the differences between Michael Scott and David Brent, explore ego and ask why some people think they're funny (when they're just not). We want to hear about any theories we might have missed, what you've thought of the show so far and your character suggestions. Please drop the team an email (which may be part of the show): shrinkthebox@sonymusic.com  NEXT CLIENTS ON THE COUCH. Find out how to view here Chandler, Friends (selected episodes)  Sydney, The Bear (season 2)  Tyrion, Game of Thrones (seasons 1&2).  Alex and Bradley, The Morning Show (Season 1)   Tasha, Orange is the New Black (season 2)  Polly, Peaky Blinders (seasons 1&2)  CREDITS  We used clips from The Office USA, series 1 on Netflix.   Starring  Steve Carell as Michael Scott,   Rainn Wilson as Dwight Schrute  John Krasinski as Jim Halpert  Jenna Fischer as Pam Beesly  Created by: Greg Daniels, Ricky Gervais and Stephen Merchant.   Written by: reg Daniels, Ricky Gervais, Stephen Merchant, Mindy Kaling, B.J Novak,   Directed by: Ken Kwapis, Ken Whittingham, Greg Daniels.  Produced by: Deedle Dee Productions, Reveille Productions and NBC Universal. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts.  To bring your brand to life in this podcast, email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

If you have seasonal allergies, I don't need to tell you it's been a brutal allergy season. I've felt a little stuffed up here for about a week. I go out to look at my car, and it's got a dusting of yellow pollen all over it, so it's no wonder. Two people fighting a war against seasonal allergies are in the studio now. David Brent Noel and Kris Klein are with Pollen Sense.

Felicity Ward is a multi-award-winning comedian, actor and writer. She has toured her award-winning, sell-out shows worldwide, winning the hearts of audiences and critics everywhere she performs. She is coming home to Australia for her first national tour in more than five years! So, before you see her as the new ‘David Brent' in the Aussie remake of The Office this year, Felicity is returning to her first love – stand-up comedy – in her first tour since being nominated for the biggest award in live comedy at the Edinburgh Fringe. Felicity has appeared on Spicks and Specks, The Ronnie Johns Half Hour, Good News Week, Talking About Your Generation, Thank God You're Here, The Librarians, The Project and Ronny Chieng: International Student along with multiple appearances on The MICF Oxfam Gala and MICF Comedy All Stars. Felicity has also appeared in Wakefield, The Inbetweeners Movie 2 and Any Questions For Ben? She has been a regular face on many other international TV shows including Russell Howard's Good News (UK), Alan Davies' As Yet Untitled (UK), The John Bishop Show (UK), Mock the Week (UK), Gotham Comedy (US), Make You Laugh Out Loud (UK), Sam Delaney's News Thing (UK) and Access All Areas (CAN). She also has her very own Amazon Prime stand-up comedy special and as heard on 'The Guilty Feminist'. Her new show, 'I'm Exhausting!' Is now out! We chat about her unique outlook on life and start to stand up, auditioning and getting on The Office (Aus), nerves & panic attacks, almost quitting, UK vs AUS, her fork in the road moment, life changing helpers, having fun, her new shows, plus plenty more! The video footage of this entire chat is now out as well (one day after release)! So check them out on YouTube under Michael Kahan Check Felicity out on: Instagram: https://www.instagram.com/felicityward/ Website: https://www.felicityward.com/ Facebook: https://www.facebook.com/felicityward X/ Twitter: https://twitter.com/felicityward Tiktok: https://www.tiktok.com/@felicityjward ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

In this week's episode, I rate the movies and TV shows I shaw in Winter 2024. This week's coupon is for the audiobook of GHOST IN THE PACT as excellently narrated by Hollis McCarthy. You can get the audiobook of GHOST IN THE PACT for 50% off at my Payhip store with this coupon code: MARCHEXILE The coupon code is valid through April 5th, 2024, so if you find yourself needing an audiobook to leap into spring, we've got one ready for you! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 192 of The Pulp Writer Show. My name is Jonathan Moeller. Today is March 15th, 2024, The Ides of March, which we're traditionally told to beware, and today we are looking at my Movie and TV Review Roundup for Winter 2024. Before we do that, we will do Coupon of the Week, an update on my current writing projects, and our Question of the Week. So first up, Coupon of the Week. This week's coupon is for the audiobook of Ghost in the Pact, as excellently narrated by Hollis McCarthy. You can get the audiobook for Ghost in the Pact for 50% off at my Payhip store with this coupon: MARCHEXILE and that is spelled MARCHEXILE. As always, the coupon code will be in the show notes. This coupon code is valid through April the 5th 2024. So if you find yourself needing an audiobook on this Ides of March, we've got one ready for you. So an update on my current writing projects. I am about 56% of the way through the first edit of Ghost in the Veils. That means the book should be on track to come out before Easter (which is at the end of March this year), if all goes well. I'm also 40,000 words into Wizard Thief, so hopefully that will come out before too much longer after Ghost in the Veils. I'm 11,000 words into Cloak of Titans. So that is where we're at with my current writing projects. 00:01:19 Question of the Week Now on to our new feature: Question of the Week. This week's question is inspired by the fact that I've spent a lot of the last few weeks setting up my new computer and getting it configured properly. So the question is: what is the first computer you ever used? No wrong answers, obviously. Joachim says his first personal computer was an Atari 1040 ST with 1 MB of RAM. I participated in the “religious war” with the Amiga 500 users, which was better and looked down at the MS-DOS PCs, which only has 640 kilobytes of RAM. Justin says: my first computer was a Timex Sinclair. It had two kilobytes of RAM and I forked out $50 for the 16 KB RAM extender module. The manual that comes with it says you will never need this much memory. I use a cassette tape recorder/player to record more programs and it ran a 300 baud. Todd says his first computer was in 1994. I purchased a 486 DX 2 8 megabytes of RAM for use in school. I believe the hard drive was about 250 MB. The monitor weighed a ton. I wrote a bunch of machine code and played Wolfenstein 3D like crazy. Tarun says in 1993 it was a 386 with four megawatts of RAM with Windows 3.1. I played a lot of Prince of Persia and got bad grades in school. Then the computer was locked up. In my educational defense, I did do some Pascal programming. AM says: my first computer was an Apple IIe at school. Getting to play Number Munchers or Oregon Trail on it was some kind of behavioral reward (and a very effective one at that). William says his first computer was a Macintosh SE in my parent's home office, though “using” is an overstatement since all I did was play a few simple preinstalled games. I also have fond memories of playing the original King's Quest with said parents and something like a Compaq Portable. Rich says Commodore 64 with cassette drive. Didn't have cassette the first day. Spent the whole day punching in code for a blackjack game. My sister walks into the room to turn the computer off, erasing everything. That is a bummer. Juana says: a Gateway. My whole family came to gawk at it, and me setting it up! It had 120 megabytes of RAM. Twice what was the ones that used in the college computer lab! I thought I was set for life. Venus says Commodore Vic20. We played Radar Rat Race and Mom gave us a stack of computer magazines and tape recorder, so we played every game that was in the magazines at the time after we typed in the programs and saved them to the tapes. You are the first person outside my family that ever heard also had one. More on that later. Cheryl says: we got our first computer in the early ‘90s: an Amstrad with an AWA printer. I was doing courses for work, so I needed something to print the assignments, but we also played games on it: Wolfenstein, Lemmings, and Stock Markets. They're the only ones I can remember. Craig says: Apple IIe. I'm oldish. With dot matrix printer and handheld modem, dial-up Internet access, the one you had the dial phone into the holding cradle after you called it in. Tracy says: at college we used the TRS80s. I think she may win the award for oldest computer mentioned in this topic. And Perry says: IBM PC clone at school, a friend's family had a Commodore 64. Our first family computer was a Commodore 128. For myself, I had the same first computer as Venus earlier in the thread. That would be a Commodore Vic20. It had 20 kilobytes of RAM and the Word file for the rough draft of Ghosts in the Veils, which I'm editing right now, is 355 kilobytes in size. So to load the Microsoft Word document of Ghosts in the Veils in Microsoft Word format, I would need about 18 different Commodore Vic 20 computers. That's like 1 computer per chapter and a half. So it is amusing to see how computer technology has changed quite a bit over time. 00:04:56 Winter 2024 Movie/TV Review Roundup Now to our main topic. We are inching closer to spring, so I think it's time for my Winter 2024 Movie Review Roundup. I got a Paramount Plus subscription to watch the Frasier reboot and since Paramount owns Star Trek and the Frasier reboot was only 10 episodes long, I ended up watching a chunk of modern Star Trek this winter. This was a new-ish experience because the last new Star Trek I watched was Star Trek Beyond way back in 2016. That was only eight years ago, but it's been a very eventful eight years, you know? I did watch a lot of Star Trek back in the 1990s. If you had held a gun to my head and demanded, you know, if I consider myself a Trekkie, I would say no, because I think Gene Roddenberry's socialist/utopian vision for the Federation that he put into Star Trek is fundamentally kind of goofy. The shows and movies were at their best when they stayed away from it or subverted it, like how the Federation can only be a utopia because Starfleet seems to have a Black Ops section that does all the unsanctioned dirty work and regularly runs amuck. Or like how Starfleet seems to have an actual mad science division that cooks up all kinds of nasty stuff. So anyway, these are the movies and shows I watched in Winter 2024, and as always, my ratings are wholly subjective and based on nothing more rigorous than my own opinions. We will go through these in order from least favorite to most favorite. So the first movie I watched was Now You See Me, which came out in 2013. Last year, I compared Adam Sandler's Murder Mystery movie to a C- student, but a fun C- student who everyone likes for his great parties and goes on to have a successful career as a regional sales manager. By contrast, Now You See Me is the sort of moody art student who always wears a black porkpie hat and thinks of himself or herself as deep and complicated, but in fact, they're just confusing. This is an apt comparison for this movie. Anyway, the plot centers around four sketchy magicians who are recruited by a mysterious organization called The Eye to carry out a series of high-profile heists using stage magic. I have to admit, that concept sounds even more ridiculous as I said the previous sentence. Anyway, after the first heist, the magicians become fugitives from the FBI but keep carrying on shows, sometimes staying ahead of law enforcement. The trouble is that nothing they do makes very much sense, and it all falls apart if you think about it for more than two seconds. Additionally, the movie overall feels very choppy since they rushed from scene to scene very quickly. The actors all gave very good performances that were entertaining to watch, but honestly, that was about the only thing the movie had going for it. Overall grade: D- Next up is The Marvels, which came out in 2023. This movie was logically incoherent, but actually rather charming and funny. It kind of reminds me of those ‘70s or ‘80s style science fiction movies that don't make much sense, though The Marvels was much lighter in tone than anything that came out in the science fiction space in the ‘60s or ‘70s. The movie got a bad rap because it didn't make back its budget, and apparently Disney rather shamefully threw the director under the bus. But to be fair, the budget for The Marvels was an enormous $274,000,000. To put this into context, the top three movies of 2023 (Barbie, Super Mario Brothers, and Oppenheimer) combined had a total budget across these three movies of $350 million, and together they grossed something like 15 times more than The Marvels did. Anyway, the plot picks up from the end of Ms. Marvel when Kamala Khan, Captain Marvel, and Monica Rambeau discover that their superpowers have become entangled. This means that if two of them use their powers at the same time, all three of them switch places randomly. This makes for a rather excellent fight scene earlier in the movie when the three characters don't know what's going on and are randomly teleporting between three different battles, much to the frequently amusing confusion of all participants. Once things settle down, Captain Marvel and her new friends realize that an old enemy of Captain Marvel is harvesting resources from worlds she cares about. So it's up to them to save Earth from this old enemy's vengeance. I have to admit, the plot of the movie didn't actually make much sense, but it was overall much funnier than Ant-Man 3 and Secret Invasion. The best thing about the movie was Kamala Khan and her family. Kamala, Monica, and Captain Marvel also had an entertaining dynamic together and the planet of space musicals was also pretty funny. I think the movie's biggest, unconquerable weakness was that it was the 33rd Marvel movie. There are all sorts of theories of why the movie didn't perform at the box office: superhero genre fatigue, everyone knew it would be on Disney Plus eventually, the lasting effects of COVID on movie theaters and the movie business, Disney throwing the director under the bus, Disney inserting itself into the US Cultural Wars, etcetera. All those reasons are subjective and subject to personal interpretation. What I think is objectively quantifiable is that The Marvels is the sequel to a lot of different Marvel stuff: The Avengers movie, Wandavision, Captain Marvel, the Guardians of the Galaxy movies, Secret Invasion, and Thor: Love and Thunder. That's like 50 to 60 plus hours of stuff to watch to fully understand the emotional significance of all the various characters in The Marvels. 50 to 60 hours of watching sounds like almost an entire entire semester's worth of homework assignments at this point. As someone who has written a lot of long series, I know that you lose some of the audience from book to book. I think that's ultimately why The Marvels didn't make back its budget. The Marvel movies as a series have just gone on too long and are just too interconnected. Ultimately, I am grateful to The Marvels. Realizing and understanding the concept of Marvel Continuity Lockout Syndrome helped me decide to write something new that wasn't a sequel or even connected to anything else I had written, which eventually led to Rivah Half-Elven and Half-Elven Thief. Overall grade: B- Our next movie is My Man Godfrey, which came out all the way back in 1936. This movie is considered the progenitor or one of the progenitors of the screwball comedy genre. A homeless man named Godfrey is living in a trash dump in New York, though despite his circumstances, Godfrey remained sharp and quick on his feet. One night, a wealthy woman named Cornelia approaches him and offers $5 if he'll come with her. Godfrey is naturally suspicious, but Cornelia assures him that she only needs to take him to a hotel to win a scavenger hunt by finding a forgotten man, which was a term President Roosevelt used to describe people who have been ruined by the Great Depression and then forgotten by the government. I have to admit, Cornelia immediately reminded me of the way the more obnoxious YouTubers and TikTokers will sometimes pay homeless people to participate in dance challenges and suchlike. King Solomon was indeed right when he said that there is nothing new under the sun and what has been done before will be done again. Anyway, Godfrey is offended by Cornell's imperious manner but after he sees Cornelia bullying her kindly but none too bright younger sister Irene, Godfrey decides he'll go with Irene so she can win. A grateful Irene offers him a job as the family's butler. At his first day at work, Godfrey very soon realizes the reason the family has gone through so many butlers: they are all certified certifiably and comedically insane. In addition to these other problems, Cornelia is harboring a massive grudge against Godfrey for losing the scavenger hunt and wants payback. Wacky hijinks ensue. Fortunately, Godfrey has some hidden depths that he will need, which include being much smarter than his employers. Admittedly, this is not hard. 1936 was towards the second half of the Great Depression in the United States, so obviously the movie has more than a bit of social commentary. The characters joked that prosperity is just around the corner and wonder where they can find that corner. The rich characters are uniformly portrayed as some combination of frivolous, clueless, or malicious. I think the movie was pretty funny, if sharply so, but the big weakness was that the male and female leads were so clearly unsuited for each other but got together at the end of the movie simply because it was the end of the movie. Still, it was definitely worth watching because you can see how this movie influenced many other movies after it. I definitely recommend watching it with captions if possible, because while human nature has not changed in the last 90 years, sound technology has in fact improved quite a bit. Overall grade: B. Next up is Charade, which came out in 1963. This is a sort of romantic comedy, sort of thriller that has Audrey Hepburn playing Regina, an American living in Paris who is in the process of getting divorced from her husband. When she returns to Paris, she learns that her husband was murdered in her absence and it turns out that he was in possession of $250,000 he stole from the US government during World War II. Regina had no idea about any of this, but the US government thinks that she has the money stashed away somewhere. It turns out that her late husband also betrayed the men he worked with to steal the money and they're convinced that she has the money as well, and they're going to get it from Regina regardless of what they have to do. Regina's only ally in this mess is a mysterious man calling himself Peter Joshua (played by Cary Grant), who may or may not be one of the other thieves operating under an assumed identity. I liked this movie, but I think it had two structural problems. First, Regina wasn't all that bright, though she did get smarter as the movie went on, probably out of sheer necessity. Second, it had some severe mood whiplash. The movie couldn't decide if he was a lighthearted romantic comedy or gritty thriller, though finally snapped into focus as a pretty good thriller in the last third of the movie. Amusing tidbit: Cary Grant only agreed to do the movie if Audrey Hepburn's character would be the one chasing his character in their romance, since he thought their age gap would be inappropriate otherwise, because he was so much older than Hepburn at the time of filming. Overall grade: B+ Next up is the new Frasier series from 2023. I admit I had very, very low expectations for this, but it was considerably better than I thought it would be. My low expectations came partly because the original show was so good. Some seasons were stronger than others, of course, but the show had some absolute masterpieces of sitcom comedy throughout its entire run. Some of this was because I think the 2020s are a much more humorless and dour age than the 1990s, so I had my doubts whether the new show could be funny at all. Fortunately, my doubts were misplaced. The new Frasier is actually pretty good. It's interesting that the show's generational dynamic has been flipped on its head. In the original show, the pretentious Frasier lived with his working-class father. 20 years later, it's now Frasier who lives with his son Freddie, who dropped out of Harvard to become a firefighter and consciously rejected his father's love of intellectualism and cultural elitism. The inversion of the original dynamic works quite well. It has some moments of genuine comedy because, like his father before him, Freddie is more like his father than he realizes. The show also avoided the pitfall of bringing back legacy characters that Disney and Lucasfilm stumbled into with Star Wars and Indiana Jones and the Dial of Destiny. Disney brought back legacy characters like Luke Skywalker and Indiana Jones but made them into sad, old losers. Frasier, by contrast, while frequently an unsympathetic comedy protagonist who brings his own misfortunes onto his own head, is most definitely not a sad old loser. He's famous, respected, and wealthy enough that he can afford to buy an apartment building in Boston at the drop of a hat. If you know anything about the United States, you know that the East Coast is the most expensive area of the of the country. Despite that, he remains the same well-meaning buffoon that he always was, the sort of man who, as a colleague aptly says, always goes that extra, ill-advised mile. There's a story that when Ricky Gervais was advising the creators of the American version of The Office, one of his chief pieces of advice was that Michael Scott could not be as incompetent as David Brent was in the original UK version of the show. American culture, Mr. Gervais said, was generally much less forgiving of incompetence than British culture. I thought of this as I watched Frasier because all the characters were in fact extremely competent at their jobs. Even Frasier himself, when he finally gets out of his own way, is a very good psychiatrist and teacher. Anyway, the show was funny and I think it deserves a second season. We'll see if that happens or not. Overall grade: A- Next up is Star Trek: Lower Decks Seasons One through Four, which came out from between 2020 and 2023. As I mentioned earlier, I ended up subscribing to Paramount Plus for a month after I watched Frasier, so I decided to watch Star Trek Lower Decks, since I'm forever seeing clips of that show turning up on social media. Lower Decks is a pitch perfect, affectionate parody of Star Trek from the point of view of four relatively hapless ensigns on the Cerritos, one of Starfleet's somewhat less prestigious ships. We have the self-sabotaging rebel Mariner, the insecure and ambitious Boimler, the enthusiastic science girl Tendi, and cheerful engineer Rutherford, who nonetheless has a dark and mysterious past that he can't remember. Season Four also adds T'Lyn, a Vulcan whose mild expressions of carefully measured annoyance make her a dangerous loose cannon by Vulcan standards. The show is hilarious because it makes fun of Star Trek tropes while wholeheartedly embracing them. The ensigns run into a lot of insane computers, random space anomalies, rubber forehead aliens, and other Star Trek tropes, including the grand and venerable Star Trek tradition of the Insane Admiral. Starfleet officers always seem to go off the deep end when they get promoted to Starfleet Command. The senior officers are also varying degrees of insane and drama generators. Starfleet, from the point of view of the Cerritos crew, is a vast bureaucratic organization that veers between ineffective idealism, blatant careerism, and whatever crazy project the Insane Admiral of the Week is pursuing. Yet since American sitcom characters have to be competent (like we just talked about above with Frasier), when the crisis really kicks into high gear, the Cerritos crew can pull itself together and save the galaxy with the best of them. I did like how the show grows from an affectionate parody to its own thing, with all the characters experiencing struggles and personal growth in their arcs. I liked it enough that when the 5th season of Lower Decks comes out, I'll subscribe to another month of Paramount Plus (assuming Paramount Plus still exists and hasn't been brought up by Warner Brothers or Skydance or something). Overall grade: A- Next up is Predator, which came out in 1987. When Carl Weathers died in early February of 2024, I realized I had never actually got around to seeing Predator. So I did and I'm glad that I watched it. Predator was an excellent blending of thriller, science fiction, and horror. Arnold Schwarzenegger plays Dutch, who commands a team of operators who do Black Ops work for the CIA. Since it's 1987, the CIA is up to its traditional shenanigans in Central America and Dutch is dispatched to help out his old friend Dillon (played by Carl Weathers), who has been ostensibly assigned to rescue a Pro-American cabinet minister from rebel guerrillas in the jungle. Since this is the CIA, naturally there is more than the mission than is apparent on the surface. However, the mission quickly becomes irrelevant when Dutch and his team realize they are being hunted by an unknown creature with capabilities unlike anything they have ever seen before. It turns out the creature is the Predator, an alien hunter who comes to Earth and takes human skulls as trophies. Soon the movie turns into a death match duel between Dutch and the Predator. The movie did a very good job of showing the Predator's capabilities such as stealth, heat vision, and his shoulder laser without explicitly spelling them out for the audience. It was a very well put together piece of storytelling and it is of course the source of the famous Internet meme of a muscular white arm gripping a muscular black arm and also Schwarzenegger's famous line of “Get to the choppa!” Also to quote a famous Internet meme, if you had a nickel for every future governor of a US state who is in this movie, you would have two nickels, which is not a lot, but even two is pretty weird, right? Overall grade: A. Now for the favorite thing I saw in winter 2024. That honor goes to Star Trek: Picard Season Three, which came out in 2023. Honestly, this was so much better than I thought it was going to be. I thought I would watch one or two episodes and then give up. Instead I watched the whole thing in like two days over the New Year's holiday. I watched the first episode of Picard Season One way back in 2020 was free on YouTube, but I didn't like it enough to subscribe to CBS All Access (or whatever the heck it was back then). The first episode also seemed more ponderous and dour in the sort of 21st century realistic prestige television snooze fest than I really wanted to watch. But Season Three of the show got high reviews from people whose opinions I generally respect when it came out in early 2023. Since I had Paramount Plus for a month because of Frasier, I decided to give it a go. I'm glad I did. How to describe the plot? You may remember that back in summer 2023, I watched the Battleship movie. Battleship is objectively a bad movie, but it does have one interesting subplot that would make a good movie all on its own. When space aliens imprison most of the US Navy, a bunch of retired veterans take a decommissioned battleship out to war to save the day. This basically is the plot of Picard Season 3. The plot kicks off when Doctor Crusher contacts Admiral Picard after they have not spoken for twenty years. Apparently, Picard had a son named Jack with Crusher that she never told him about and mysterious assailants are trying to kidnap Jack. On the original show, Picard and Crusher definitely gave off the vibe that they probably got romantic whenever they were alone in the elevator together. The fact that Doctor Crusher got pregnant with Picard's son is not all that surprising. Picard had always been adamant about his desire not to start a family and given that any son of the legendary Captain Picard would be a target for his equally legendary enemies, Crusher decided to keep the boy a secret. Picard, understandably, is shocked by the news, but teams up with his former first officer, Captain Riker, to rescue his son. Jack has an extensive Robin Hood-esque criminal history, so it seems that his misdeeds might have caught up to him. It turns out that deadly weapon is locked in Jack's DNA and the people pursuing him aren't merely criminals but powerful enemies intent on destroying Starfleet and the Federation. Jack Crusher's DNA will give them a weapon to do it, which means it's up to the crew of The Enterprise to save the galaxy one last time. This was ten episodes, but it was very, very tightly plotted, with not many wasted moments. Sometimes you see movies that seem like they should have been streaming shows, and sometimes streaming shows seem like they really should have been cut down to movie length. But Picard's Season Three does a good job of telling a tense story that we've been impossible either in a movie or the old days of network television. The show very quickly plunges into the crisis and keeps moving from new tension to new tension. The gradual reveal where Picard at first feels guilty that he has to ask his friends to help rescue his estranged son and ex-girlfriend like he's living his own personal version of some trashy daytime TV show, only to slowly realize that something much more dangerous and much, much bigger than his personal problems is happening, was put together well. The show was also another good example of how to bring back legacy characters right. All the characters from Star Trek: The Next Generation are older and have been knocked around by life or suffered personal tragedies, but none of them are sad old losers like in a Disney or Lucasfilm project. The new and supporting characters were also great. Seven of Nine returns as the first officer to Captain Shaw, a by the book officer who thinks Picard and Riker are dangerous mavericks. He has a point. Shaw turns out to be extremely competent in a crisis. Amanda Plummer was great as Vadic, a scenery chewing villain who has very good reasons to hate Starfleet and the Federation. Vadic's love of spinning directly in her command chair was a great homage to Amanda Plummer's late father, Christopher Plummer, who played a villain with a similar tic way back in Star Trek VI in the ‘90s. It is also great how the show wrapped up some of the dangling plot threads from the ‘90s, like Picard's strained relationship with his former mentee Commander Ro Laren or the brief return of Elizabeth Shelby, Riker's former First Officer. A few people have complained that Worf is now a pacifist, but he's a Klingon pacifist, which basically means he'll attempt negotiation before cutting off your head, but he is still probably going to cut off your head. Less Conan the Barbarian, more serene Warrior Monk. I think Data had an excellent ending to his character arc, which started with his character's very first appearance way back in the ‘80s and Brent Spiner did a good job of portraying Data's fractured personalities and then how they achieved unity. I'd say the weakest point of the show was how consistently dumb Starfleet command is. The plot hinged around Starfleet gathering its entire fleet together for a celebration and then putting all those ships under a remote control system, which seems both exceptionally stupid and very convenient for the bad guys. But to be fair, this is Starfleet, an organization whose high command regularly spits out insane Admirals and also has an unsanctioned Black Ops/Mad Science division that it can't control, so it definitely fits within the overall context of Star Trek. I mean, that's like half the premise of Lower Decks. And if you've ever worked for a large governmental, military, healthcare, or educational institution, you understand. We all know that working in a large institution under leaders who are either insane or dumb isn't exactly an anomaly in the human experience. I mean, the Roman Empire circa 190 A.D. was the most powerful institution on the planet and the Empire's maximum leader liked to spend his time LARPing as a gladiator in the Coliseum. Anyway, the emotional payoff at the end of Picard Season Three was very satisfying, and how the show wrapped up a lot of threads from Next Generation, Deep Space Nine, and Voyager was pretty great. It's like the people who were in charge of Season Three of Picard watched the Star Wars sequel trilogy and thought, you know, we can do better and then they did. Overall grade: A So those are the movies and TV shows I watched in Winter 2024. If you're looking for something to watch, hopefully one of them sounds like it will catch your interest. That's it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform or choice. Stay safe and stay healthy and see you all next week.

"If you enjoyed part 1, brace for impact. Wilman tells us what really went down in the Deep South on the American Special, the Argentina debacle, why & how Top Gear became a hit, Clarkson vs Special Forces. How Wilman identifies as David Brent. I also included some revenge from the editors whose eyes bled on many a late night working with Wilman into the small hours to whittle the show into the masterpiece we wanted to see on Sunday at 8pm. This one's for the Top Gear die hards!!!! :)

Owen Blackhurst, Seb White, Asad Raza, and Tommy Stewart get together again to talk winning and inventing awards, jazz cigarettes, Lil Dicky, G-funk, strings and spots, Snoop Dogg & Dr. Dre, Club Atlético de Madrid, Antoine Griezmann, David Moyes' Manchester United, Diego Simeone's “cloggers”, the 2018 World Cup, chipping keepers, chip pans, Sergio Agüero, Diego Forlán, Mario Mandžukić, Wayne Rooney, Head & Shoulders adverts, Football Manager, the return of Midfield Blunt Rotation AND Gladiators, Gareth Ainsworth, Roberto Martínez, Warren Aspinall, Jan Mølby, John West salmon, lovers and leathers, AC/DC, David Brent, Brendan Rodgers, Ceefax transfers, “The Lost Goal”, texting Cristiano Ronaldo, Clattenburg's tattoos, Bayern Munich's Bernie the Bear, Spotify shuffle, Colin from Accounts, the Big Bash, schooners, two-touch tantrums, Julia Roberts the red, Peep Show, David Beckham's Instagram stories, and remember, please subscribe to the magazine so that we can keep doing the podcast!Get the latest issue of MUNDIAL Mag hereSign up for the The Hat-Trick NewsletterFollow MUNDIAL on Twitter - @mundialmagFollow MUNDIAL on Instagram - @mundialmag Hosted on Acast. See acast.com/privacy for more information.

Ricky Gervais' new special Armageddon is out today and we have a clip.We discuss the controversy surrounding Ricky Gervais' new show. One social media user condemns a joke about terminally ill children and others describe the comedy as vile and offensive. Despite the backlash, Ricky stands his ground, firmly stating that people often take offense without fully understanding the intentions behind a joke. He even applauds those calling for Netflix to edit the special, sarcastically wishing them good luck.Taking a trip down memory lane, we reflect on the legacy of Ricky Gervais' "The Office." Celebrating its 20th anniversary, this iconic British sitcom, embraced the charm of Christmas specials. We explore the influence that Christmas TV had on Ricky Gervais and his co-writer Steven Merchant, and how it shaped their view on creating their own holiday specials.The Office Christmas Specials, which originally aired on December 26th and 27th, 2003, allows us to catch up with the beloved characters a year after the initial series. David Brent, the epitome of hilarious yet cringe-worthy comedy, navigates his way through fame and the harsh realities that come with it. Ricky Gervais wanted viewers to feel the discomfort of David Brent's journey, exploring both his comedic and vulnerable sides.Shifting gears, we explore the Twelve Pubs of ChristmasTo round things off, we dive into Harper's Bazaar's list of the 50 Christmas movies that'll lighten your spirits this holiday season. From classics like "The Santa Clause" and "Home Alone 2" to unexpected choices like "Trading Places," we explore the diverse range of films that capture the essence of Christmas.And speaking of Christmas movies, our host Johnny Mac couldn't help but wonder why there's no Adam Sandler movie on the list. He playfully asks ChatGPT to generate a plot for an imaginary Adam Sandler Christmas flick called "The Christmas Chaos Crusaders."If you're a regular listener of the podcast, there's a really easy way to show your support and help us grow. Download the Fountain app on iOS or Android, follow Daily Comedy News and start listening. You can share your thoughts on this episode by sending a Boost (like a payment with a message) and see what other listeners have to say, or create clips of the best moments. Getting started is easy - you can top up your Fountain wallet with a bank card. Oh - and you can earn rewards just by listening on Fountain too. Then listen to the podcast using the Fountain app every day. https://fountain.fm/show/Hv83LA5rbkciyuy7tG12Support the show! Join the $2 Club! at Buy Me A Coffee: www.buymeacoffee.com/dailycomedynews www.linktr.ee/dailycomedynews Facebook group: www.facebook.com/groups/dcnpod - join us to to discuss comedy and your favorite comedians. YouTube channel:https://www.youtube.com/@dailycomedynews?sub_confirmation=1 Instagram is @dailycomedynews https://www.instagram.com/dailycomedynews/?hl=en Reddit https://www.reddit.com/r/dailycomedynews/ Web version at www.dailycomedynews.com Twitter X is @dcnpod because the person with what I want tweeted once Email: john at thesharkdeck dot com Daily Comedy News commentary includes satire and parody. Daily Comedy News is a production of Caloroga Shark Media, the leading company in short form daily podcastsBecome a supporter of this podcast: https://www.spreaker.com/show/daily-comedy-news-a-podcast-about-comedi/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4522158/advertisement

Event Objectives:Identify primary prevention of adolescent suicidal behavior.Discuss approaches to screening for suicidal risk.Identify ultra-brief interventions; including safety planning, method restriction, and how to do a safety plan.Claim CME Credit here!

What does it take to run an Empire? Armies and slaves, of course, but also bureaucrats. At its height the Roman Empire employed thousands of men charged with keeping Rome and its provinces fed, watered and content. This was no easy job. A remarkable set of papyrus scrolls reveals the life of Roman Egypt's very own David Brent, preparing for a a visit from the fearsome Emperor Diocletian.Infuriated by hopeless staff and venal local politicians and continuously harassed by his superiors, Apolinarius of Panopolis becomes increasingly desperate as Diocletian approaches and the tension cranks up. Mary Beard follows Apolinarius's story to reveal the messy realities of Roman administration.Producer: Alasdair CrossExpert Contributors: Colin Adams, Liverpool University and Margaret MountfordCast: Apolinarius played by Josh Bryant-JonesSpecial thanks to Jill Unkell and the Chester Beatty collection, Dublin

#472 The Fonz's Parking Space - Richard liked Liverpool so much last week that he's come back again and his guest is Neil Fitzmaurice, a man who defied his career's advisor to become an actor, writer and stand up with an incredibly impressive CV including Phoenix Nights, The Office and Peep Show. They talk about being one of the first people to have to interact with David Brent, terrifying David Mitchell for real, being heckled by Samuel L Jackson, how Neil almost ended up with a major role in The Crown and why he was determined to have a career without leaving his family and city behind and an emotional and passionate explanation of why this city is so unique and the trauma of Hillsborough.Come and see RHLSTP on tour http://richardherring.com/rhlstpSUPPORT THE SHOW!Watch our TWITCH CHANNELSee extra content at our WEBSITE Become a member at https://plus.acast.com/s/rhlstp. Hosted on Acast. See acast.com/privacy for more information.

Darryl's unique spicy coffee blend is exceptional! alttnmessianic.com Your 5-star Review Helps Expand the Ministry Participate in Transforming Lives! DavidHeavener.GiveVirtuous.org/Donate Thank you for paying it forward

Darryl's unique spicy coffee blend is exceptional! alttnmessianic.com Your 5-star Review Helps Expand the Ministry Participate in Transforming Lives! DavidHeavener.GiveVirtuous.org/Donate Thank you for paying it forward

Today we're chatting about characters who're mainly based on tropes VS those that grow. You see this difference quite clearly in a lot of British comedy VS American comedy where characters are set up in certain ways, e.g. the nerd, the sassy one, the mature one etc- in British stuff they tend to revert to type, which is their most important trait, while in American stuff they tend to change and grow based on interactions and experiences. There are MANY exceptions though and one way isn't inherently better than the other. There seems to be a few reasons for that: a huge established history of it in Britain and the BBC being a massively influential engine of creation that people emulate without even thinking, but mainly I think it's because most British stuff always used to have a single writer or a pair of writers working on something at a time and often changing them episode to episode, while American stuff often tends to be written by team. This means there's more continuity on American projects because when part of the team leaves they're replaced by others who join the existing team, while with British stuff you'll often have a full replacement. This means that with the single writer approach it's much easier to simply rely on tropes rather than keep track of what all the previous people who worked on it were thinking, but when you have a team people will remember from episode to episode so it's easier to build on characters and change them. The original British Office Vs the American adaptation is a good illustration of the tendency of tropes VS change. Both sets of characters were based on certain tropes but over the course of the 2 seasons and the special episodes the characters in the original didn't really change or grow at all (Gareth is still a knob, David Brent never changes from being a sad wanker, Tim always thinks he's better than everyone despite hating himself), while as soon as the US episodes stopped directly copying the originals the characters began to grow (way before it went off into its multi season run). The British version had the same two writers, but they were following the popular British style. Both versions are great in their own very different ways and despite being trope based the British version is more serious and realistic, while the growing characters of the US version are cartoony and stylised. There are other factors though and a lot of exceptions - show-runners can make sure things go in certain ways, The Simpsons have been going for a million years with many different writers and barely change, and things made with the same one or two writers episode to episode can still change and grow because you have creative continuity. Then you have creators who simply force characters to reset and revert to type regardless of the growth and experiences they've had,which is a terrible betrayal of the audience, but that's how bad writers roll. Related to that is the opposite version; where characters score unearned growth that just comes out of nowhere, which is another betrayal of the audience. Do your characters grow and change or are they informed by the way they were originally setup? Which style do you prefer? This week Gunwallace has given us the theme to Beg - Platforming pixels in the deep, dark, scream haunted depths of a magical video game dungeon where only the bravest are able to carefully creep. Topics and shownotes Links Featured comic: Lauren Ipsum - https://www.theduckwebcomics.com/news/2023/sep/19/featured-comic-lauren-ipsum/ Featured music: Beg - https://www.theduckwebcomics.com/Beg/ - by BettyTeaHorse, rated M. Special thanks to: Gunwallace - http://www.virtuallycomics.com Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS

Ben James is joined by Wales back-row Aaron Wainwright for a bonus episode after Wales' team announcement to face Australia, talking the mood in camp, the committees and who's picking the music in camp. Brought to you by WalesOnline/ReachPLC.

This week we're reading Tottenham Hotspur legend and face of L'Oreal David Ginola's 2000 classic 'Le Magnifique', and joining us to read it is the brilliant comedian and huge Spurs fan, Rhys James (Mock The Week, Live At The Apollo, Fit and Proper podcast).Featuring David channeling his namesake David Brent, strong words about George Graham and Alan Sugar, and getting trapped on a yacht by Sir Alan Sugar. Plus an extensive look at David's acting career (including how he thinks should've been cast in Dances With Wolves) and a young David raises the dead with his school friends.Enjoy the show and want to hear more? Join the Football Book Club *Club* at www.patreon.com/footballbookclubFollow us on Twitter - https://twitter.com/FootieBookClubInstagram - https://www.instagram.com/footballbookclub/ Hosted on Acast. See acast.com/privacy for more information.

Jared, Oriana and Ned discuss Ned's choice of topic: The Fall of Númenor. Published in fall of 2022, The Fall of Númenor is the most recent posthumously published collection of Middle-earth writings, acting as an overall guide to the Second Age of Middle-earth, with its key defining moments in Tolkien's legendarium being the fall of the titular kingdom of the Dúnedain and the subsequent Last Alliance's temporary defeat of Sauron. Given that most of the material the book draws on comes from a wide variety of other posthumous Tolkien publications, it can serve as a guide and introduction for those unaware of this deeper history to get a sense of how Tolkien envisioned, however haltingly in some cases, this particular era of his creation. But at the same time, since there is no new material presented in the first place, it can be argued in turn that there is little more here for some readers to learn about, while the fact that it was published in tandem with Amazon's Rings of Power series while not specifically calling attention to the general connection with that series's setting raises further overall questions. Does the book do a service in bringing the story of Aldarion and Erendis back to the fore after some decades, given its particular detail in comparison with the rest of the material presented? Is the choice of Alan Lee to present more illustrations as with other posthumous collections an understandable point of continuity or a sign of relying too much on one particular artistic vision of Middle-earth? Are there any particular details or points of interest that have sometimes been overlooked in Tolkien's conception of his world that come back to the fore more here as a result? And really…just what IS it with Elendil's description of his son at a couple of points?SHOW NOTES.Jared's doodle. Those birds have to be at least a little distressed.News of the expanded edition of The Letters of J. R. R. Tolkien. 700 pages? Why not?A detailed report on The War of the Rohirrim's event at Annecy. Enjoy a separate interview as well.The Fall of Númenor. It fell indeed.Our episode on Aldarion and Erendis. Give it a listen, it's one of our favorites. Brian Sibley's done a lot. The Lost Road and Other Writings does have quite a lot to delve into.C. S. Lewis's space trilogy. It…goes places.The New Shadow and The Notion Club Papers are indeed very unusual and interesting.Nope, we're still not over The Rings of Power.Lebensraum, hoo boy. (We do not approve of the idea at all.)Mary Renault is truly a vibe and we appreciate her. And we love that she loved Tolkien's work in turn!Strictly speaking California doesn't have private beaches full on…but boy some try. Further discussion of the physical body in Tolkien can be found in the essay collection The Body in Tolkien's Legendarium.Alan Lee's illustrations of Sauron's Temple and Moria from the book.Mike Mignola would have been a fine addition for del Toro's planned Hobbit films. (And indeed, episode 50 is there for you.)Ah, David Brent.Our episode on orcs.Support By-The-Bywater through our network, Megaphonic, and hang out with us in a friendly Discord!

It's the Season 5 finale and the ReconCinmation team rewinds back to the glorious 1970s with a review of THE DAY OF THE JACKAL! Jon, David & Brent are looking back at this Fred Zinnemann classic to see how an assassin film from 1973 holds up in today's overcrowded market, the deliberate casting of Edward Fox & Michael Lonsdale (and why they add so much credibility to the film), early memories of the film & so much more! The Jackal spent 71 days, 56 minutes thinking a bullet into the brain of de Gaulle. Three podcasters spent 1 hour, 24 minutes discussing it... it's THE DAY OF THE JACKAL! Twitter/IG: @reconcinemation facebook.com/reconcinemation Cover and Episode Art by Curtis Moore (IG: curt986) Theme by E.K. Wimmer (ekwimmer.com)

Season 5 is rapidly winding down and this week, the team unites to look back at the much maligned 1994 version of THE SHADOW! What could have been with this film! Was it too close in style to Batman?  Was the story not captivating enough? Was Russell Mulcahy the right storyteller for the job? Was this the right movie to continue the attempt to make Alec Baldwn a leading man? Jon, David & Brent tackle all this plus early memories of the film, a dive into the incredible cast that surrounds this movie, how it hold up today and so much more!   Who knows what podcasts lurk in the hearts of men? The ReconCinemation Team knows... it's THE SHADOW!   Twitter/IG: @reconcinemation facebook.com/reconcinemation Cover and Episode Art by Curtis Moore (IG: curt986) Theme by E.K. Wimmer (ekwimmer.com)

If you've done nothing wrong, then you've got nothing to hide; he's back for revenge! And it's finally time for the ReconCinemation team to take a long look at the 1986 Charlie Sheen classic, THE WRAITH! With so much to cover with this cult favorite, where do Jon, David & Brent even begin? From Charlie's standing in 1986 to the development of the film by Mike Marvin to fans' bizarre fascination with the film to Sherilyn Fenn, Randy Quaid and Nick Cassavetes. Plus, early memories of the film, the incredible soundtrack, unanswered questions, how it holds up today and so much more!   An evil force took his life, now a podcast brings him back... it's THE WRAITH!   Twitter/IG: @reconcinemation facebook.com/reconcinemation Cover and Episode Art by Curtis Moore (IG: curt986) Theme by E.K. Wimmer (ekwimmer.com)

This episode, the ReconCinemation team gets extreme with a look back at the 1987 Walter Hill classic, EXTREME PREJUDICE! Jon, David & Brent take a very deep dive into the career path of Walter Hill, the origins of the story with John Milius, the fallout after 48 HRS., Nick Nolte's journey through Hollywood, and lots of love for Michael Ironside, Clancy Brown, Maria Conchita Alonso, and the rest of the incredibly talented cast! Plus early memories of the film, comparisons between this film and THE WILD BUNCH, how it holds up today and so much more!   An army of forgotten heroes that live for podcasts have met the wrong man... it's EXTREME PREJUDICE!    Twitter/IG: @reconcinemation facebook.com/reconcinemation Cover and Episode Art by Curtis Moore (IG: curt986) Theme by E.K. Wimmer (ekwimmer.com)

With the recent passing of Tom Sizemore, the ReconCinemation team comes together to look back at HEAT, Michael Mann's 1995 epic. Jon, David & Brent examine arguably the greatest crime drama of our generation, Michael Mann's long backstory coming into this film, the true origins of the story, the formation of one of the greatest casts in movie history, where Robert DeNiro and Al Pacino are in 1995, and a comparison between HEAT and LA TAKEDOWN. Plus, early memories of the film, a look into Tom Sizemore's career, the finer details of the bank robbery scene, how the film holds up today and so much more!   A podcast like Los Angeles has never seen before... it's HEAT!   Twitter/IG: @reconcinemation facebook.com/reconcinemation Cover and Episode Art by Curtis Moore (IG: curt986) Theme by E.K. Wimmer (ekwimmer.com)

ReconCinemation talks family film this week, with a look back at the Amblin Entertainment 1987 classic, *BATTERIES NOT INCLUDED! Join Jon, David & Brent as they deep-dive into the creation of the script, Steven Spielberg's producorial hand in the 80s, the connection to Spielberg's AMAZING STORIES, the Hume Cronyn-Jessica Tandy teamups, the comparison of this film to other friendly extraterrestrial films of the era and so much more! Plus, early memories of the film, the love for Frank McRae, how the film has aged in the modern era and more! Five ordinary people needed a miracle. Then one night Faye Riley turned on a podcast... it's *BATTERIES NOT INCLUDED! Twitter/IG: @reconcinemation facebook.com/reconcinemation Cover and Episode Art by Curtis Moore (IG: curt986) Theme by E.K. Wimmer (ekwimmer.com)

The Wayback Machine's been set to 1992 and the ReconCinemation team gathers to look back at a hidden gem in the careers of Bill Paxton & Billy Bob Thornton: ONE FALSE MOVE! Jon, David & Brent unite to deep-dive into this neo-noir thriller, examining the career path of Bill Paxton, where Billy Bob Thornton stood in Hollywood, the discovery of the great Carl Franklin, Michael Beach, setting the tone for the film & so much more! Plus, early memories of the film, the state of independent film in 1992, the joy of new discoveries of older films, how it holds up today & more!   Nothing is as dangerous as the past... or this podcast... it's ONE FALSE MOVE!   Twitter/IG: @reconcinemation facebook.com/reconcinemation Cover and Episode Art by Curtis Moore (IG: curt986) Theme by E.K. Wimmer (ekwimmer.com)

Jason Voorhees! Telekinesis! Terry Kiser! The ReconCinemation team unites to look back at the next chapter in the Friday series: FRIDAY THE 13TH PART VII: THE NEW BLOOD! Jon, David & Brent deep-dive into what happened with the 7th installment into this beloved franchise. From the hiring of John Carl Buechler, the rebirth of Jason Voorhees with the casting of the amazing Kane Hodder, the MPAA's butchering of the film, creating Carrie vs Jason & so much more! Plus, early memories of the film, the brilliance of Terry Kiser, how the film holds up today & more! Jason is back, but this time someone's podcasting... it's FRIDAY THE 13TH PART VII: THE NEW BLOOD!   Twitter/IG: @reconcinemation facebook.com/reconcinemation Cover and Episode Art by Curtis Moore (IG: curt986) Theme by E.K. Wimmer (ekwimmer.com)

It's getting cold out there and we're getting the blues... the Babysitting Blues! ReconCinemation goes back to 1987 with Chris Columbus's directorial debut ADVENTURES IN BABYSITTING! Jon, David & Brent are looking back at this classic from the decade of decadence to see how it holds up today including a deep-dive into Columbus's evolution from writer to director, Elisabeth Shue's rise to stardom, the supporting cast (including Bradley Whitford, Anthony Rapp & Vincent D'Onofrio), how Brenda's storyline comes across in 2022, the insanity of the story, early memories of the film, the impact of the Drew Struzan poster, how the film's had such a shelf life & so much more! It's so hard, podcasting with these guys... it's ADVENTURES IN BABYSITTING!   Twitter/IG: @reconcinemation facebook.com/reconcinemation Cover and Episode Art by Curtis Moore (IG: curt986) Theme by E.K. Wimmer (ekwimmer.com)

Noirvember continues and ReconCinemation is leaving traditional noir behind for a more modern approach! The team is taking it to the 90s with a look back at L.A. CONFIDENTIAL! Jon, David & Brent turn the clock back to 1997 to deep-dive Curtis Hanson, Guy Pearce, Russell Crowe, Danny DeVito, Kim Basinger, how noir evolved after its initial period, exactly how noir is this film, Los Angeles locations! Plus early memories, the blend of reality and fiction, that surprise twist, the legacy of the film, how it holds up today & more!   Off the record, on the QT and very hush hush... it's L.A. CONFIDENTIAL!   Twitter/IG: @reconcinemation facebook.com/reconcinemation Cover and Episode Art by Curtis Moore (IG: curt986) Theme by E.K. Wimmer (ekwimmer.com)

Noirvember begins and the ReconCinemation is kicking it off with a bang! The Wayback Machine is set all the way back to 1944 as the team looks back at arguably the greatest film noir of them all: DOUBLE INDEMNITY! Jon, David & Brent take a deep-dive into Billy Wilder's rise to success, Fred MacMurray's status prior to the movie, Barbara Stanwyck's iconic performance, the legend that is Edward G. Robinson, what sets film noir apart from other styles at the time, and how noir has aged and changed over the years! Plus, early memories of the film, how the film holds up today, its influence on film through the years & so much more! It's love... murder... and a podcast... it's DOUBLE INDEMNITY! Twitter/IG: @reconcinemation facebook.com/reconcinemation Cover and Episode Art by Curtis Moore (IG: curt986) Theme by E.K. Wimmer (ekwimmer.com)

Shocktober 2022 come to an epic finale with a look back at not one but TWO entries into the storied Halloween franchise! First up, the boys continue their look back at the next entry of the series: HALLOWEEN 5: THE REVENGE OF MICHAEL MYERS! Jon, David & Brent dive deep into the film's quick launch and rush into production after HALLOWEEN 4, the creative challenges of working without a completed script, disrespecting the surviving characters, early memories of the film, how it holds up today, where it ranks amongst the Halloween films, the overlooked greatness of Danielle Harris & so much more! PLUS, the ReconCinemation team takes a special look at the latest entry: HALLOWEEN ENDS. This is a doozy of an episode you don't want to miss!   Michael Myers is podcasting with a vengeance... it's HALLOWEEN 5 (and ENDS)!   Twitter/IG: @reconcinemation facebook.com/reconcinemation Cover and Episode Art by Curtis Moore (IG: curt986) Theme by E.K. Wimmer (ekwimmer.com)

Even before the pandemic, suicide was the second leading cause of death among young people ages 10 to 24. Teenage emergency room visits for suicide attempts have risen sharply since 2020, with a 50 percent rise in cases involving young women alone. What has been driving these startling increases? And is there more our schools can do to help identify and intervene with at-risk kids before they attempt to hurt themselves or others? In this episode, Dr. David Brent, the Endowed Chair in Suicide Studies at the University of Pittsburgh, joins Kevin to discuss what more we can do to combat a problem that is reaching epidemic proportions.

Starting a podcast is one thing, but efficiently compartmentalizing the essentials for your show to achieve higher quality is another. Give this episode a good listen as David Brent Dowlen ranks vital components to build better content, strengthen your reach, get your audience to listen consistently, and attain success.     WHAT TO LISTEN FOR Video podcasting versus audio podcasting  Essential factors to consider to achieve better podcast quality The importance of qualifying and knowing your guests  How to create captivating content for your podcast? Podfading: Why does it happen and how to avoid it?     RESOURCES/LINKS MENTIONED Rode public.com ABOUT DAVID BRENT DOWLEN David Brent Dowlen is the founder and creator of The Fallible Man. The Fallible Man is every Man, Husband, and Father seeking to improve the world by improving one's self daily. David makes content for men who want to grow as a man. He has a podcast, YouTube Channel, Blog, Website, and most major social media. He puts out content daily on social and regularly on all other platforms. He cares about masculinity and how very necessary it is in the world. He works a full-time job, but his wife and he believe so much in what he is doing that, they started a business with one idea - to help men be the men they can be, should be, and want to be. They believe in incremental daily growth because men are a dying value in this world.    CONNECT WITH DAVID Podcast: The Fallible Man Podcast Apple & Spotify Website: The Fallible Man – Building Better Men   CONNECT WITH US If you are interested in getting on our show, email us at team@growyourshow.com. Thinking about creating and growing your own podcast but not sure where to start? Click here and Schedule a call with Adam A. Adams! Upgrading your podcast equipment or maybe getting your first microphone? Get Your Free Equipment Guide! We also have free courses for you on everything you need to know about starting a great podcast! Check out our first 6 episodes through the links below! Identify Your Avatar - Free Course 1/6 What To Do BEFORE You Launch Your Podcast - Free Course 2/6 How To Launch A TOP Show - Free Course 3/6 Best Marketing And Growth Strategies - Free Course 4/6 How To Monetize Your Podcast - Free Course 5/6  Top 22 Pitfalls On Starting Your Own Podcast - Free Course 6/6 If you want to make money from your podcasts, check out this FREE resource we made. Our clients use a sponsor sheet, and now they are making between $2,000 to $5,000 from sponsorship!  Subscribe so you don't miss out on great content and if you love the show, leave an honest rating and review here!

New reporting reveals further details about Rudy Giuliani's role in trying to overturn the 2020 election. The Georgia official who defied Trump calls Dems “the party of stolen election claims”. Nancy Pelosi backtracks on her opposition to a congressional stock trading ban. More information emerges surrounding the FBI raid of Congressman Cuellar's Texas home. A CIA report finds alternative explanations for most cases of “Havana Syndrome''. Lauren Boebert asks Jewish Capitol visitors if they're there to conduct “reconnaissance.” Co-Host: Brett Erlich See acast.com/privacy for privacy and opt-out information.