Podcasts about Cookie Monster

This week, Chad has had a long day and Cy is buying his son a Halloween costume. This episode is brought to you by Prize Picks and ⁠BetterHelp⁠! --- Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Chad Daniels (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ThatChadDaniels⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) is a Dad, Comedian, and pancake lover. With over 750 million streams of his 5 albums to date, his audio plays are in the 99th percentile in comedy and music on Pandora alone, averaging over 1MM per week. Chad's previous album, Footprints on the Moon was the most streamed comedy album of 2017, and he has 6 late-night appearances and a Comedy Central Half Hour under his belt. Cy Amundson (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@CyAmundson⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) With appearances on Conan, Adam Devine's House Party, and Comedy Central's This is Not Happening, Cy Amundson is fast-proving himself in the world of standup comedy. After cutting his teeth at Acme Comedy Company in Minneapolis, has since appeared on Family Guy and American Dad and as a host on ESPN's SportsCenter on Snapchat. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jared and Mike catch up on MAGA's witch hunt for "Antifa" terrorists and find that it isn't going particularly well. The White House has leaned on laughable influencers to persuade the public that Antifa actually exists and that protesters wearing Cookie Monster and Barney the Dinosaur costumes are proof of the problem. The guys play audio from an insane hype reel created by the White House and hear from Daryle Lamont Jenkins, who Andy Ngo since claimed is the "main leader" of Antifa.In the second half of this episode, the PTI crew details the history of "The Turner Diaries": an infamous white supremacist book that has inspired deadly acts of racist terrorism. They spoke to Kelvin Pierce, the son of William Luther Pierce, the prominent neo-Nazi who wrote the book, and hear how he rejected his father's ideology and worked to build a different world.The Turner Legacy: The Storied Origins and Enduring Impact of White Nationalism's Deadly Bible, J.M. Berger (2023)One People's ProjectLinks for Kelvin Pierce:Sins of My Father: Growing Up with America's Most Dangerous White Supremacist (2020)The Divine Child FoundationTransition Music: "Back to the Wind" by WhitneySign up for Patreon to get weekly bonus episodes

In this week's episode, we interview narrator Hollis McCarthy, who has narrated over 300 audiobooks, including many of THE GHOSTS and CLOAK MAGES. She is also co-author with her mother Dee Maltby of the MAGIC OF LARLION series, which you can learn more about at https://deemaltbyauthor.com/. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSKULL25 The coupon code is valid through October 27, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT Introduction and Writing Updates (00:00): Hello, everyone. Welcome to Episode 273 of The Pulp Writer Show. My name is Jonathan Moller. Today is October 17th, 2025, and today we have an interview with audiobook narrator Hollis McCarthy. Hollis has narrated many audiobooks, including numerous books from the Ghost and Cloak Mage series, so we'll talk with her about that. Before we get to our main topic, we'll have Coupon of the Week and then a progress update on my current writing projects. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store, and that coupon code is DRAGONSKULL25. The coupon code is valid through October 27th, 2025. So if you need some new ebooks to read for this fall, we've got you covered. And as always, the coupon code and the links to my store will be available in the show notes. Now for an update on my current writing projects. As of this recording, I am 80% of the way through the first round of edits in Cloak of Worlds, so making good progress and if all goes well, the book should be out before the end of the month. I'm also 14,000 words into Blade of Shadows, which will be my next main project after Cloak of Worlds is published, which means I also have to write the outline for Elven-Assassin soon, and that will be the fifth book in the Rivah series. In audiobook news, recording will be underway next week for Blade of Flames. That will be narrated excellently by Brad Wills. Ghost in Siege is now out. It should be available at of all the audiobook stories (except Spotify) and it should be available there in a few days. And that is the final book in my Ghost Armor series that is excellently narrated by Hollis McCarthy. So that is where I'm at with my current writing and audiobook and publishing projects, which makes for a good segue into our main topic, our interview with Hollis McCarthy, which begins now. 00:03:56 Interview With Hollis McCarthy Hi everyone. I'm here today with Hollis McCarthy, who is a classically trained actor. Hollis has played leads in regional and off-Broadway theater, specializing in Shakespeare. On CBS. she's been a recurring guest star judge on Bull, the president of Ireland on Bluebloods, and a senator on Netflix's House of Cards. She's narrated more than 300 books for a variety of publishers and is the proud co-author of her mom Dee Maltby's epic fantasy series, The Magic of Larlion. Hollis, thanks for coming on the show today. Hollis: My pleasure. Jonathan: So to start, can you tell us a little bit about yourself and how you got into acting and performing? Hollis: That's a great question. I think it all started with doing my little brother's Sesame Street finger puppets. He's 10 years younger than me, so I mean, I got to reread all my favorite books with him and I started voicing the finger puppets to Burt, Ernie and Cookie Monster and all those guys in the backseat of the car and playing all the characters. And then my brother went into theater. My other brother's seven years older than me, and I used to go see his shows up at the college when I was in high school and kind of fell in love with it there. I absolutely meant to be an aeronautical engineer/physicist like my dad, but it didn't end up working out. I fell in love with theater and went to Stratford. I had a dual major because I was in an honors program, so I didn't have to declare a major until my fifth year of undergrad. But then I went to Stratford up in Canada and I saw two Shakespeare shows in one day and that was it. I had to do that. That was what I loved. Jonathan: Well, since we've had many audiobooks together, I'm glad it worked out that way. Hollis: Me too. Yeah, so I got my BFA in acting, and then I got my MFA from the University of Missouri-Kansas City in performance, and I was lucky enough to have some great coaches from the RSC and did a bunch more Shakespeare, and I've done that regionally a lot. And then I fell into audiobooks because I got tired of traveling, and I love to work from my home in my jammies. Jonathan: That is the dream. Speaking of that, could you tell us a bit more about how you sort of got into audiobooks or ended up doing a lot of that? Hollis: Yeah. Well, again, it starts with my childhood. My mom, who was a writer and an artist, she had, there were five of us kids and she would read out loud to us in the kitchen to keep us from fighting when we were cleaning up. So she started with Tolkien and Watership Down and Narnia and all of that. And then I got to, like I said, read to my little brother all my favorite books. And so I started doing all different voices for the characters and I always thought that was normal until, of course I volunteered to read in class in high school and people thought I was some sort of freak, but I always loved playing all the characters. And so when I started looking at staying home more and what could I do to work from home instead of being on the road for work, which was great for a long time, but then at some point you want to stay home and have a life as an actor as well as doing what you love. And audiobooks seemed a good fit. So my husband, who's also an actor, took a class from Paul Rubin here in the city in New York. We live in the New York area now. And he got a bunch of good tips from that that he passed on to me. And then my agent got me an audition with Audible and Mike Charzuk there. I came in and read a couple of pieces for him and he came back to the booth with a book he wanted me to start on. And from there I just kept building and got a lot of great indie authors through ACX like you. I don't know how many books we've done together now. Jonathan: It's over 30, I think. Yeah, 30 over the last seven years. So it's been a while. Hollis: And you're seriously, I mean, I'm not saying this because I'm on your blog, but your series are absolutely my favorites, especially because, yeah, the two series that I do, one is Nadia from the Midwest like me and then the other one with Caina, the epic fantasy world, which uses all my British and Irish bits and I absolutely love them. So yeah, I've just kept building up, getting in with a few more publishers now, which is harder to do and I just love it. Our first booth, when the pandemic hit, we had to build a booth at home and I had been going to studios in the city up until that point, but it hit pretty suddenly. It was obvious on St. Patrick's Day when it was like us going to the studio and people who were absolutely desperate folks were the only other ones on the street. We had to stay home. So my husband took our rapier blade (we fight with swords. We're actor combatants, like you said). He took two broadsword blades and a rapier blade, and he's handy with carpentry, fortunately. That's how he worked his way through school. He bracketed those to the wall and we ordered through Amazon before they kind of shut down too. We ordered packing blankets to hang over them and I ordered a new microphone and a new interface and it was trial and error for a bunch of days. And we had an engineer on call who talked us through how to run the software programs and stuff, how to set them up. And from there I've just kept recording at home. I sometimes still go into the studios when they have a budget where they can spring for a studio, but mostly they want you to work from home these days. So that's mostly what I do. Jonathan: Oh, building a recording booth out of swords. That's very Caina. Hollis: It's very Caina. I love Caina. Caina is me as a young woman. If I had been a superhero, I would've been a Caina. All my favorite roles in Shakespeare were the girl as boy ones. You asked, one of my favorite roles in theater was when I was at Alabama Shakespeare and I was playing Queen Elizabeth in Richard III and dressing in gorgeous gowns and being very seductive and very powerful and manipulative and all that. But in the earlier scenes, we did the three plays and in the Richard III and the Henry VI we did all three. And in the earlier scenes where Elizabeth wasn't in, I got to dress up and doublet and hose and I like stippled some stipple of beard on my face and climbed a siege ladder with a sword in one hand and did a spectacular pratfall running away from the bad guys and would slide on my stomach on the deck of the stage and I would come out into the lobby and the other guys who were playing my fellow fighters would be holding up rating cards for how far I'd slid that day. Jonathan: Sounds like very practical cardio. Hollis: Yeah, very. It was a lot of fun. That was probably my most fun I've ever done, though I also loved Beatrice and Much Ado, which I got to do twice because she's just so funny and witty and passionate. She's great, and Shakespeare, you know. Jonathan: Very good. So after all these audiobooks, what goes into preparing to record an audiobook? Hollis: That's a great question, too. It depends on the book, really. And I'm lucky enough to do a lot of series now, so when you're doing a series, it gets easier as you go along. I remember with the first ones I did for you, the first Caina, it probably took me an hour of prep to get through the first chapter. There were so many made up place names that I needed to figure out how to say, and then you have to be consistent. Even if they're made up, you still have to be consistent. So I really used my theater training there because I learned the international phonetic alphabet when I was in school, and so I can write down phonetic pronunciations and for each book, I'm old school with my prep, I'll keep a legal pad and I'll write down phonetic pronunciations, the word, page number, and the phonetic pronunciation for each word, so I have a record. You don't retain them from book to book. Pronunciations is a big part of what you do. Also, character voices, because again, you want to be true to the author's intent and you want to stay consistent. Again, for Caina, it became very complicated because you had to have Caina's basic voice, which is this [speaks in Caina's voice]. She started out a bit higher because she was younger. And then as she aged, she's gotten more medium pitch-wise, but then she was in disguise as various people. She was disguised as a cockney guy for a while, and she was an Irish guy for a while. And so for each of those personas, you have to notate for yourself in the script. Oh, now she has this accent. Now she has this one. And really for each chunk of dialogue, every time a character speaks, I'll put the initial of their name and if there are a lot of characters in the scene, I will have to differentiate between them pretty frequently. If it's two characters and I know them both very well, then I kind of have the shorthand in my head. So the different character voices I also put on my legal pad so I have a record, so Calvia sounds like this [speaks a line in the character's voice]. And sometimes I'll write down physical aspects of them so that I can just kind of feel the character. And after I do them for a while, the feel of the character will give me the voice and you write down everything that the author says about the character too. I'll just notate for myself that will oftentimes give you the voice. If it's a good author, which thank God you are, you write in different voices, which makes my job easier. Jonathan: The joke I sometimes say is I didn't do audiobooks for the first seven years I was publishing, and people would ask me, how do you pronounce this? I say, I don't care, pronounce it however you want. And then suddenly we started doing audiobooks and suddenly no, it matters very much how it's pronounced. Hollis: Yeah, exactly. It's funny, I'm just looking at my tablet. I have your Shield of Power up on my tablet. I've been reading that on the treadmill and at lunch. But yeah, we have to keep tabs. And when we have so many books now, I've started special folders just for the Ghost series and the Cloak series because a lot of times a character will show up from several books previous and I go, I remember them, but I don't remember what they sounded like. So I will have notated forward alto, slightly Irish or something like that for them. I have shorthand for all of it, and so I'll do that. Jonathan: Yeah, I spent a lot of time with Control + F searching through Word documents, trying to remember the first time I wrote this character and what they looked like. Hollis: Yeah, I bet you do. Some writers I guess do, well, if they don't do it all themselves. And if they have somebody who's like an administrative assistant, they have somebody who gives you, I've gotten these from authors before. Their assistant will send me a story log of characters with everything that's said about the character. I'm like, oh, well, that's very organized and helpful, but I would think it would be massively time consuming. Jonathan: It is. I did hire someone to help me with that this year. It was getting to be too much to go back and search through things and it is a very time consuming project, but once it's done, it's very helpful because it's quite easy to find things and look things up and refresh your memory. Hollis: I bet so. When I was working on my mom's books, we hired an editor and she did a spreadsheet, a database kind of different terms and characters and what was said about them. And I go back to that and amend it all the time now that I'm trying to write book eight. Jonathan: Yeah, that kind of thing is very helpful. But on a related topic of preparation, since you've done audiobooks, stage, and TV, how would say narrating audiobooks is different from the experience of doing theater or TV? Hollis: The major thing and the hardest thing for me when I was starting out was you can't move around all the time. I had an engineer at Audible. It was just, and a lot of times the chair is very important because if you move, what you're bound to do, if you're producing your voice correctly, you need to sit up and you need to use your hands to express yourself, and you have to have an absolutely silent chair. And the chairs at Audible at that time, were not absolutely silent. So every time I moved, the chair would squeak and we'd have to stop and start again. So that was very, very hard for me. In fact, I've been doing so much audiobooks now, and I also do TV and film, but that's gone to all for auditioning for that. It's all self tape, which means it's just like head and shoulders, so still you're just kind of using a little part of your body. And I had a theater callback for Pygmalion in the city the other day, in person, in a studio, in a rehearsal room. The day before, I used to do those all the time, and that's so rare now for them to do in-person auditions since the pandemic. But I put on my character shoes and my skirt and I practice just being bigger, opening my body up and doing all this stuff I learned to do in school and that you do when you're on stage to own the space because the space is the back wall of the theater. And that's a big difference between theater, film, TV, and audiobooks is the scope of it. When I did Beatrice, I was in an 1,100 seat unamplified stone amphitheater outdoors in Colorado. So you can imagine the scope physically and vocally is so big. And then for TV, film and you have to what they say, reach the back wall of whatever space you're in. Well, for film and TV, the back wall is the camera. It's right in front of your face a lot of the times. And the back wall is really kind of the inside of your head. It's almost like you have to have internal gaze so that the thoughts are just happening. You don't have to project them, you don't have to project your voice because all the equipment comes right to you, and all you have to do is feel the feelings and think the thoughts and the camera and microphone picked that up. Similarly with audiobooks, I'm just in a little tiny padded booth. My microphone is just a few inches from my face, and so I could be very, very intimate and everything gets picked up, and you have to do a lot less work for the emotion to come through. Again, really all you have to do is kind of feel the emotion. And for me, that's always for me is being in the moment and feeling the moment and letting that dictate the pace and the vocals and everything. I guess I'm pretty Method. I'm very Method, but that's how I trained. It's what works for me. Not every narrator is like that. There's a million different proper ways to narrate, and that's just my take on it. But everything is right there. So it's just kind of keeping it much smaller and more intimate. And in fact, when you want to be big like [character name's said in the character's] voice and he was yelling a lot, and I would have to pull back from the microphone to let his scope come out. Jonathan: Well, after 30 audiobooks together, I can say that method definitely works. Related to that, as we mentioned earlier, you're now at over 300 titles on Audible over the last 12 years. Congratulations for that. What would you say is most surprising or unexpected things about audiobooks you learned during that time? Hollis: Oh, well, it was very surprising that we could make a booth out of sword blades and blankets. That surprised me. Yeah, that's a great question. It's surprising to me how simple I can be. I went back and I had an author recently who wanted me to do a new chapter to begin and end a book that I had done like 2014, something like that, shortly after I started. And I thought at the time that I was really filling these voices and what I did was fine. You're always your own worst critic. But what I've discovered now is the more you do it, the more you record, the more you use your instrument every single day for 300 some books, the more effortless it becomes and the more depth you can bring to it. And as a young actor, we always resist that. My acting coach used to say, age and experience. There's no substitute for it. I'm like, yeah, yeah, but talent and hard work, that's something. But it's really true that just the repetition, there's no substitute for it. Those chapters that I did, they were the same voices basically. But when I went back and listened to the original, I was like, oh, it surprised me how without really changing anything mechanically, the work has just gotten deeper, more effortless, but it sounds better at the same time. Does that make sense? Jonathan: It does. Because you've probably noticed I've redesigned the covers for the Caina series like seven times over the last 10 years. And every time you think this is it, this is it. I'm done. This is good. And then with more practice, you look back and think, well, maybe I can improve this again, though. I suppose that's not often something that happens in the audiobook world where you get to go back and revisit something you did previously. Hollis: That is one of the hardest and most surprising things about audiobooks. And I've heard people say that this happens to every young narrator when they're starting out, you get through the first two chapters of a new book and you go, oh God, now I get it. I want to go back and start again. Well, there's no do overs with audiobooks. With audiobooks, “done is good” is what they always tell you when you're starting out. So even in film and TV, which you don't get much rehearsal for, you get a couple of run run-throughs, but with audiobooks, you got your prep. Not everyone does, but I always read the whole book before I start if possible, because otherwise you get surprises. But you get your one read through, your prep, and then you go and yes, you can stop. You can punch and roll, edit over. If you make a mistake, you go back half a line, you start again there. But there's no evolution of the work, which is what's great about series too, I think, because with the series you get, yeah, Caina was here last time I did her and now she's going through something new. And then the character grows and it becomes less and less effortful, but it also becomes like someone you really know so that it gets so much deeper and it's so much more fun to play with. Jonathan: That makes sense. 12 years really is a long time to have done audio narration or anything. So what do you think is the key to sticking it out for audiobooks for the long term? Hollis: Well, a lot of things make a difference. I didn't do it before this interview, which is why my voice is kind of rocky, but I always warm up in the morning when I'm setting up a session. I always do a vocal warmup. You got to get a good night's sleep, you have to drink water every couple of pages. I have a tea that I drink that keeps my stomach quiet because stomach gurgles is another bad thing about audiobooks. You have to eat very carefully and drink tea to keep your stomach quiet. You don't want to have to stop every time for that. And a lot of training, a lot of vocal training. I had Linklater training and the Lavan training, and Linklater to me is the most useful. And a lot of the stuff that applies to Shakespeare applies to audiobooks too. You warm up, you get yourself breathing, you warm up your resonators, your sinus, your mask resonators, the back of your head, your chest resonators. For the men [imitates male voice], you really have to have your chest warmed up, get the vibrations going here. And so I get all that kind of going before I sit down in the booth. And that also keeps you, then you keep your throat open so you're not hurting yourself. You have to have good posture so that the air can move from your diaphragm up to your throat and have it be open. And then optimally, like with Caina, Caina has a lot of mask resonance. Brits do; they are very far forward. So you really have to have all that warmed up and then that has to have no impediments between the front of your face all the way down to your diaphragm where the breath originates. And if you can do all that, then you could be an audiobook narrator. Also diction. I warm up my diction to everything from [imitates several vocal exercises] in just to get your mouth moving. You don't want lazy mouth with, there's a lot of enunciation in audiobooks that's important. But I also don't like, I really hate when you hear people enunciating. I don't like that. And with Caina, even though she's upper class, she's not like that. She's not pretentious. And certainly Nadia, you want to be able to understand what she says, but you don't want her to be enunciating. That be weird. So all of all that stuff I worked on in grad school and did all the Shakespeare plays, I would always get to the theater an hour early. You have to be there half hour for makeup and check in, but I would always get there an hour early and do at least 15 to 20 minutes of physical and vocal warmups. And so those habits have really helped me. I think I have pipes of iron, fortunately. I'm very lucky. So all that stuff really matters with audiobooks. Jonathan: It's amazing in how many different fields of life the answer seems to boil down to do the things you're supposed to over and over again forever. Hollis: Exactly. That's really true. When are we going to get old enough that we don't have to do that anymore? [laughs] Jonathan: Just one side question. What is Linklater training? I don't think I've heard that term before. Hollis: Oh, Kristen Linklater is, she's probably the biggest American vocal coach. She has a lot of books out there about voice and the actor and all of her training stems from allowing the breathing to drop in as she calls it, not forcing it to drop into the diaphragm, and then creating a pool of vocal vibrations that go from the diaphragm through an open throat to the resonators. And you can use every resonator in your body to project that sound. When I was doing Beatrice and Gertrude at Colorado Shakes in that unamplified stone amphitheater in the foothills of the Rockies, there was winds that would come down out of the mountains when we were on stage, and that theater was known for eating women's voices. And I had to thank God the vocal coach that summer was a Linklater coach, which is the method that I trained in, and he helped me work with even resonators. If you can imagine in your back, just using the whole chest box and shaking the vibrations through your body so that basically you're making your whole human skeleton an amplifier for the vocal energy coming from your breath. And that's Linklater. She's fascinating. If you ever want to study voice, you can't do better than Linklater, to my mind. Cicely Berry is another one I studied. She's the British guru for the RSC and the Royal Shakespeare Company and all those people, and she's great too. Jonathan: Well, that's just exciting. I learned something new today. Hollis: That's always good. Always learning from your books too about Medieval combat. Jonathan: We always want to learn something new every day, whether we like it or not. Hollis: Right. Jonathan: So to turn it around a little bit, what advice would you give a new indie author who is working with a narrator for the first time? Hollis: Oh yeah, I actually, I made some notes. I thought that was such a good question. Make sure that your narrator knows what you expect from them upfront. If you go through ACX, they have this great thing called the first 15 where your narrator is, if you're new to this author, you record the first 15 minutes of the book and you put that on ACX for your author to listen to and approve. You don't have to approve it if you don't like it. And in fact, if you don't like it, it's very important you don't approve it and you tell your narrator specifics about what you need them to change before they go on with the book. Because what you can't really do is once a book is recorded, say, oh, I really don't like it. I'm not going to pay you for it. I need you to go back and do it again. That's not acceptable and it will make narrators never want to work with you. But what's great about the first 15 is you have that chance to say, well, this voice was, she was a little higher than I wanted. I hear her in my head more as an alto because for me as a narrator, what I want to do is I want to take what you, Jonathan, hear your characters being as you're writing them in your head. I want to take that and translate that into an audiobook for you. So the more you give your narrators information about your characters, the better they're going to voice it. Also, if there's a style in your head, like with Nadia books, there's a little touch of noir there. It was a dark and stormy night kind of feel. If there's a style you kind of hear in your head, that would be a good thing to give them. But ACX has also, I think a character sheet where you can tell them about the different characters. You can fill that out for your narrator. That's tremendously helpful, age of the character, if you hear a vocal pitch range, soprano, alto, tenor, bass, any dialects, they need to know that. The narrator's nightmare is you finish up a book and you shouldn't do this, you should read ahead, but you get to the last line: “I love you, darling,” he said in his beautiful French accent. Jonathan: It explicitly shows up there for the first time. Hollis: Exactly. And then for the narrator, it's like, oh my God, I have to go back and rerecord everything this guy said, which is hours and hours and hours of work for you and your editor who will kill you. But yeah, let them know about all the character traits that you can and just, I think it's on the narrator too, to, I've been lucky with my authors, we always have a good give and take. I come from a theater background and you want to collaborate. You want to realize the author's vision and you want to be a partner in creating that. So try to be partners and give them more information than you think they need and use that first 15. It is totally acceptable to send it back and say, I'm going to need you to do this again, and I'm going to need these changes. And then once you get that ironed out, then you'll probably be ready to go ahead and have a book. And when you get the book, you won't be shocked and you'll be happy (hopefully) with the read. Is that helpful? Jonathan: It does. New authors, if you're listening to this, listen to that advice. Hollis: Yeah. Jonathan: Now for a slightly different topic, can you tell us about the Magic of Larlion books and how you ended up publishing that series? Hollis: Yeah. The Magic of Larlion is an epic fantasy adventures series seven, almost eight volumes. I'm working on finishing book eight now. The first book, Wizard Stone, my brilliant mother Dee Maltby started years and years ago, probably, gosh, maybe 20 years ago now, I think when my little brother moved out from home and she had an empty nest and she had more time to write, and she wrote Wizard Stone, and she sent it out a few places, and that was the only way you could get published back when she wrote it and didn't pursue it, she got discouraged, I think, by rejections from publishers, sat in her drawer for a while, and my sister-in-law, Dana Benningfield, who's also an actor, and she was my best friend even before she married my brother. I introduced them. So yeah, that was all me. She was an editor professionally for a while, and when she moved to Ohio where I'm from and was living with my brother and my parents lived right across the orchard, I told her about this book. And she wasn't editing at the time, she was kind of done with it, but she asked mom if she could read it. So she read it and edited it, and then it became a much better book and really encouraged my mom to keep writing, which I had been telling her to do for years. But hearing somebody who wasn't family, somehow giving her that input that it was really something special, changed her perspective. So she kept writing and she and I started, I was on the road doing Shakespeare a lot. We started trading chapters. She'd send me a chapter a week and I would edit it and send it back. And so Wizard Stone evolved from there into its current form, and then she started the next book, Wizard Wind and Wizard Storm. And we went that way through five and a half books. And my dad finally, when he retired from being a physicist, said he was going to, I always told you I'd get your published Dee, I'm going to take it down to the print shop and get a hundred copies made. And by this time I was working with you and a bunch of other great indie authors who were letting thousands of happy readers read their books through an independent platform. And I said, well, wait a minute. I could do better than that. So I convinced them to hire an editor that I had worked with, and I did the rewrites and got it through the pre-production process and hired a cover artist, very talented artist. And you and Meara Platt, another of my authors, gave me so much information and help. And we got it published in 2022, I believe. We had three ready to go. And we published those all within a month of each other. One a month for three months, and then four and five, and then six came. And I co-authored five, six, and seven because my mother was losing her sight and her hearing at that point. We got those done. We had six out and a lot of people reading them and loving them and reviewing them before my mom passed. And I think it's probably one of the most satisfying things I've done in my life, because not only do I love the books, and they're just a rip roaring, fantastic adventure-filled epic trip through this incredible world my mom invented. But when she was about to, one of the last things she said to me was, I told her how many people had read her books. I just went through the Kindle numbers and thousands of people in different countries and all over the world were reading and loving her books. And I told her that, and she said, that's all that matters. And she felt such a sense of pride in herself and accomplishment because they were being received for what they are, which is a brilliant creative flight of fancy, this magical world in the tradition of all the books she loved, always Tolkien. And so I promised her I'd finish it. So after she died, I published six and seven and I've got eight about 90% written now, and I'm hoping to bring that out by the end of the year, although I've been too darn busy with narration to really spend the time. I've got the big climactic Jonathan Moeller type battle at the end sketched in my head and on an outline, but I got to write that. And then we can get that out there and finish that too. Jonathan: Will you stop with eight or keep going after eight? Hollis: My feeling is that this series will culminate with book eight. It's been a long saga of Beneban, this young wizard who kind of gets flung off a mountain by his evil wizard master and has to master his fledgling wizardry powers and his magical sword to win his love Laraynia, a powerful sorceress, and save the kingdom. And that's book one. And there's ice dragons, and then they have kids, and then the later books have become much more about their kids. And the more I write, the more it's become about young women fighting with swords. Jonathan: Well, they say write what you know. Hollis: Defeating the bad guys. Plucky young women, overachieving, competing with men. And so I think that's all going to come to a head with book eight, and that will be the end of that series. But I do think I'm going to spin it off into possibly more on the younger characters. I don't know if it's going to be YA per se, I think it'll still be for adults, but more of a YA feel to it, the younger characters of the ice dragon riding school of battle and the wizarding school. I don't know if I want to make it schools necessarily, it might limit you too much. And that's kind of been done too. But I do think the ice dragons are going to figure largely in it. Oh, and I don't know, there's a plot point I probably shouldn't give away, but my mother's full name was Willa Dee Maltby. She writes under Dee Maltby and there is a character, a very magical character named Willa that shows up in this book eight. So I think Willa will be a big character going forward and the younger generation of women and some boys too. I like boys, I do. Jonathan: Well, I suppose if people want to know more, they will have to read and find out. Hollis: Yes. And please go to the website is deemaltbyauthor.com and everything you want to know (well, maybe not everything), but everything you can know for now is there. Jonathan: Well, I was going to ask you what you would say was the most rewarding things about publishing the books, but I think you covered that pretty well. On the flip side, what was the biggest unexpected challenge in publishing them? Hollis: The PR is hard. You seem to be great at it. I even did PR professionally to work my way through undergrad and then in between grad school and undergrad and after I graduated and I had an assistantship in it at my university. But the book world specifically is a whole different kind of PR and learning Amazon ads and Facebook ads and it's a lot. It's a lot. And again, you have been so helpful with it. And I mean, there are a lot of online resources out there too, which is great. But what I'm really finding, trying to do it part-time is overwhelming. You really need a full-time block of time to not only write the books, but then to publicize them the way they deserve to be publicized. Jonathan: Yeah, the tricky part is, as you said, book advertising is very different from anything else. I was talking with a guy who is an Amazon reseller for various toiletries and hygiene products and makes a good living doing that. I was telling him how much I pay per click on Amazon ads. He's just appalled. It's like, you can't make any money doing that. And then the flip side of that too is that Internet marketing is so different than any other form of PR, so it's just sort of constant challenge there. Hollis: I know, and I know I actually signed up for a TikTok account and I just don't, again at the time. Plus every time I turn it on, I'm like, I don't want to watch that. I'm allergic to the format. You'd think being an actor, being used to being on camera, I could come up easily with little things to do for the books and I probably could for TikTok. But again, just learning the platform and then applying yourself to it is just such a big time hack that I don't have that amount of time. I know that narrators are now more and more marketing themselves by recording themselves on camera narrating and putting that out there, which I can do, I guess. And that's why I got this ring light and everything. I can do that now. I haven't done anything with it, but I guess if some of the book work dries up, I'll be more motivated to do it. Jonathan: Well, that's how anything works. You try it and if you enjoy it and it works, keep doing it. And if you don't enjoy it and it doesn't work, no point in carrying on with it. Hollis: I think that's true. And you just have to keep learning too, as we know with everything. You got to keep learning new things. Jonathan: Well, this has been a very enjoyable interview and thank you for coming on the show. Hollis: My pleasure. Jonathan: Let's close out with one last question. You've obviously done a lot of theater, so what, out of all the productions you've done was the one you would say was your favorite or that you enjoyed the most? Hollis: I think I have to go back to Beatrice probably. I mean, the Alabama Shakes getting to play a man thing, that was a lot of fun. But Beatrice, we did a Wild West Much Ado about Nothing at Colorado Shakespeare. The premise was that I was the niece of Leonardo, who is the tavern keeper, the bar keeper in this Wild West world. And there was a bar fight opening this Wild West production, and I entered through a swinging tavern door with a six shooter in one hand and a bull whip in the other. And I shot the pistol and cracked the bull whip and broke up the fight and then got to do Shakespeare's incredible Beatrice and Benedict story from there. It was so much fun. Jonathan: It almost seems like the soundtrack could have been “I Shot the Sheriff.” Hollis: Yeah. Yeah, it really could. It was a heck of a lot of fun. Jonathan: Well, speaking of fun, it was good talking with you, and thank you for taking the time to be on the show. Hollis: Yeah, I am excited to start the next Cloak book soon. So I was going to offer to do a little snatch of you want the introduction for Cloak here? Jonathan: Oh, I think we'll save it for the Real Thing. Hollis: Oh, okay. All right. Well thank you, Jonathan. It's been a pleasure. Jonathan: It's been a pleasure. And see you soon for Cloak Mage #10. Hollis: Alright. So that was our interview with Hollis McCarthy. Thank you for coming on the show and giving us a very informative and entertaining interview. A reminder that the website with the Magic of Larlion books is deemaltbyauthor.com. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.

Dan, James, Andy and Melanie Bracewell discuss currents, biscuit tins, jam dodgers and all sorts of pi. Visit nosuchthingasafish.com for news about live shows, merchandise and more episodes.  Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreon

This podcast covers New Girl Season 5, Episode 10, Goosebumps Walkaway, which originally aired on March 8, 2016 and was written by Berkeley Johnson and directed by Trent O'Donnell. Here's a quick recap of the episode:Jess is back and Reagan helps her find her missed connection! Meanwhile, Schmidt is learning to “let loose”.This episode got a 9/10 rating from both Kritika and Kelly; Kritika's favorite character was Winston and Kelly's favorite was Nick.Episode Sections:(00:00) Welcome (01:33) Episode Recap: Dancing(11:47) Episode Recap: Reagan Leaving and Finding Jess's Juror(41:48) Schmidtism(43:36) Pop Culture(47:24) Guest Stars(50:48) Trivia & Fun Facts + Bear Hunt(54:10) Rating & Favorite Character(56:49) SpoilersWhile not discussed in the podcast, we noted other references in this episode including:Goldilocks - When Reagan finds Jess in her bed, Jess explains that she "went full Goldilocks" because the bed looked so good."The Humpty Dance" / Digital Underground - This song by the group Digital Underground played in the dance class Winston took Schmidt and Cece to.Golden Girls Theme Song - Jess sings a version of this song with different lyrics to Reagan. 800-Pound Gorilla / Elephant in the Room - When trying to get Jess and Reagan to talk about his past with both of them, Nick confuses the phrase "800-pound gorilla" with "elephant in the room."Beijing Opening Ceremony - Schmidt mentions that he will call his "Beijing Opening Ceremonies contact" to learn a new wedding dance instead of taking a dance class. ()Pat Sajak - When referring to a designer named "Lawrence of Brentwood," Jess says he sounds like a sponsor at the end of a game show, like "Pat Sajak's wardrobe furnished by Lawrence of Brentwood." Time Warp - Schmidt hangs up on Jess while saying that someone is "desecrating the Time Warp" at the dance class.Cookie Monster - Winston compares Jess and Gary on the news to "Cookie Monster's parents" because of their muffled voices. Zuul - After being told that she and Gary sounded great on television, Jess jokingly says she wants to be remembered as "blurry and talking like Zuul." Thanks for listening and stay tuned for Episode 10 Bonus Episode!Music: "Hotshot” by ⁠scottholmesmusic.com⁠Follow us on ⁠Instagram⁠ or email us at ⁠whosthatgirlpod@gmail.com⁠!Website: ⁠https://smallscreenchatter.com/⁠

THESE EPISODES WERE RECORDED 10 YEARS AGO, PLEASE FORGIVE US OUR TRESPASSESPaul F. Tompkins joins Guy and Tim for a watch of Sex and The City 2. The comedy and podcasting great has seen both movies and every episode of the TV show so watch out for some in depth knowledge about everyone's favourite franchise! The trio cover ground including the Cookie Monster, the oppressive use of fashion and Canterbury prop great Col Barrell (four caps for the ABs but no international matches). ENJOY! Part two to come soon...Support the boys on their modern-day adventures at twioat.substack.com Hosted on Acast. See acast.com/privacy for more information.

Number One New York Times bestselling author Robert Edsel is the author of “The Greatest Treasure Hunt in History: The Story of the Monuments Men.” The book served as the basis for Academy Award winner George Clooney's 2014 film, which stars an ensemble cast including himself, Matt Damon, and Bill Murray. Edsel, whose father served as a Marine during World War II, is one of the world's foremost advocates for art preservation and the recovery of cultural treasures missing since World War II. The Monuments Men and Women were the soldier-scholars who helped save many of the world's great art and cultural treasures from the destruction of war and theft by the Nazis. Other topics in this episode include a wounded Navy veteran's “Alive Day,” how Sesame Street characters are giving back to the military community and more.Learn more about Robert EdselBuy "Remember Us" on AmazonJoin the USA 250 ChallengeWatch Robert Edsel at the 2025 American Legion National ConventionPoem: The Young Dead Soldiers Do Not SpeakNetherlands American Cemetery in MargratenThe Forever Promise ProjectArmy Monuments Officer TrainingAmerican Legion Oratorical ContestSesame Street helps military kids build healthy habits Sesame Street: Fun Recipes with Cookie Monster! 

SPONSORS: - Go to https://Hungryroot.com/DATE and use code DATE. Lauren Compton goes on a first date with Les Mascot's own John Feitelberg

Show Notes:Daniëlle began her academic path in psychology, later moving into criminology through her interest in decision making and online behaviour.Her PhD research at NSCR focuses on cybercriminal decision making, using honeypots and experiments in real online environments.Early experiments tested how different rewards affected access attempts on fake accounts.A major focus has been on the impact of Operation Cookie Monster (2023), which disrupted the Genesis Market. Danielle's work examined how this law enforcement operation influenced behaviour and moderation practices on hacker forums.She emphasizes the value of experiments in the field, which allow researchers to test criminological theories with live offender behaviour, while balancing strict ethical and legal safeguards.About our guest:Danielle StibbeNSCR Profile Page: https://nscr.nl/en/medewerker/danielle-stibbe-msc/Google Scholar: https://scholar.google.com/citations?user=1fsHJEgAAAAJ&hl=enLinkedIn: https://www.linkedin.com/in/danielle-stibbe/?originalSubdomain=nlPapers or resources mentioned in this episode:Onaolapo, J., Mariconti, E., & Stringhini, G. (2016). What happens after you are pwnd: Understanding the use of leaked webmail credentials in the wild. Proceedings of the 2016 Internet Measurement Conference. https://doi.org/10.1145/2987443.2987475Europol (2023). Operation Cookie Monster: Genesis Market taken down in coordinated international action.https://www.europol.europa.eu/media-press/newsroom/news/operation-cookie-monster-genesis-market-taken-down-in-coordinated-international-actionOxford Handbook of Criminal Decision Making (2016). Eds. Bruinsma & Weisburd. Oxford University Press.Other:The open science framework https://osf.io 

Laura's fave segment, Fun Fact Friday is BACK. This week, find out Cookie Monster's real name, which animal is 30x more likely to be struck by lightning than humans and MORE. See omnystudio.com/listener for privacy information.

THE Lance Jay Radio Network - Monologue on the Michigan Wolverines cheating scandal and NCAA punishment

We are all overdue to share some amusing celebrity impressions so witness the shitshow where Cam, Mike & James all go ballistic with their many celeb and politician impressions.   They include: Bill Clinton, Al Gore, Hugh Hefner, Richard Nixon, Liam Neeson, Norm McDonald & Al Pacino!   We then (unexpectedly) conclude with an impression of Allan Sherman, George Takei & Cookie Monster starring in Cruising: The Musical.   I wish I was making that up!

Send us a textJoin Gav and I for episode 99 as we discuss Harrison Graham, also known as The cookie monster killer, as well as The Frankford slasher, both active in Philadelphia at the same time.Support the showSupporting us: https://buymeacoffee.com/thehighstrangenesspodcastDeadbolt films Youtube:https://www.youtube.com/user/TheDeadBoltFilmsFOXIES FANTASTIC FABRICATIONS: https://www.facebook.com/profile.php?id=100057588545294THE PODCAST ON HAUNTED HILL: https://podcasts.apple.com/gb/podcast/the-podcast-on-haunted-hill/id1038613969

San Diego's hottest Hasbro exclusives came and went—leaving collectors with carts as empty as their souls. Plus, can you still call it crowdfunding if no one shows up? The Snow CAT and Republic Gunship are doing their best to dodge a date with Cookie Monster and the Rancor in HasLab limbo. I choo-choo-choose to believe NECA's Turtles train has gone off the tracks. It's The Reluctant Adult Podcast. Email TheReluctantAdultPodcast@gmail.com Save 10% with code RAP101 at New Meta Save and get Free Shipping from Entertainment Earth TikTok @TheReluctantAdultPodcast Instagram @TheReluctantAdultPodcast Twitter @Reluctant_Pod Facebook The Reluctant Adult Podcast YouTube The Reluctant Adult Podcast Paul's eBay Auctions  

After winning three times last season Tyler Reddick is still searching for his first victory this year. Plus Christopher Bell looking forward to Iowa despite what happened the first time around and the Cookie Monster would like to see a street race...on Sesame Street.

Tonight, on Trackside with Curt Cavin and Kevin Lee, they recap Alex Palou earning his 8th win of 2025 at Laguna Seca, inching closer to his fourth title and third in a row. They also talk about how Palou could clinch the title at Portland and how Pato O’Ward is the only mathematically eligible driver to catch him with just three races left. In the second segment, they look at the rest of the standings and how the leaders circle standings stand. They also talk about why the cautions took longer than usual this past weekend. To wrap up the first hour of the show, they talk about the upcoming IMSA weekend at Road America. To start the second hour of the show, they talk about the possibility of a return of the Wienie 500, and Cookie Monster giving the command for the Brickyard 400 this past weekend. They later answer fan questions on X, such as Kyle Kirkwood’s run in with Rinus VeeKay and the latest on VeeKay’s and Will Power’s future. In the penultimate segment, they look back at who is coming out of Laguna Seca with forward and negative momentum. They also talk about Zak Brown’s rookie oval test that would be “mega” and make their predictions for who it could be. In the final segment, Kevin talks a little bit about teams testing at Portland and Nashville.See omnystudio.com/listener for privacy information.

Click here to Shop Affirmation Decks, Oracle Decks, and more! Use Promo code: RCPODCAST20 for 20% off your first order!   Today's Power Affirmation: I drink libations of high vibrations.   Today's Oracle of Motivation: When shit gets crazy, stay away from toxic distractions that might drown out your high vibrations. You have magic doing cartwheels inside your gut, waiting on your permission to come out and play. Release any doubt attempting to sabotage your creativity. Kick your resistance gremlins in the teeth. Most of your worries will never happen, so do not give them power over you. Taking one small step will help propel you through anything life sends your way, even when the Cookie Monster steals your cookies. If you only drink libations of high vibrations, you'll never end up face-down-pants-down in the bushes.   Designed to Motivate Your Creative Maniac Mind The 60-Second Power Affirmations Podcast is designed to help you focus, affirm your visions, and harness the power within your creative maniac mind! Join us every Monday and Thursday for a new 60-second power affirmation followed by a blast of oracle motivation from the Universe (+ a quick breathing meditation). It's time to take off your procrastination diaper and share your musings with the world!   For more musings, visit RageCreate.com     Leave a Review & Share! Apple Podcast reviews are one of THE most important factors for podcasts. If you enjoy the show, please take a second to leave the show a review on Apple Podcasts! Click this link: Leave a review on Apple Podcasts Hit “Listen on Apple Podcasts” on the left-hand side under the picture. Scroll down under “Ratings & Reviews” & click “Write A Review” Leave an honest review. You're awesome!  

Indianapolis Public Schools is getting a 10.5 million dollar grant over the next five years to support the district's literacy programs. Two local nonprofits that serve Hoosiers experiencing homelessness announced a merger. A house that's been standing in Fishers since the late 1800s is soon to be torn down. Surgeons at Riley Children's Hospital in Indianapolis performed the state's first successful fetal spinal surgery on a severe spinal cord defect. Cookie Monster will be at the Indianapolis Motor Speedway this weekend as the Grand Marshal for the Brickyard 400. Want to go deeper on the stories you hear on WFYI News Now? Visit wfyi.org/news and follow us on social media to get comprehensive analysis and local news daily. Subscribe to WFYI News Now wherever you get your podcasts. WFYI News Now is produced by Drew Daudelin, Zach Bundy and Abriana Herron, with support from News Director Sarah Neal-Estes.

Join Jordan, Commish, Pitt Girl, Lord of the Spreadsheets Kevin, Big Sky Brigit and eventually Beth, along with our VP of Podcast Production Arthur. IT'S OUR 300TH EPISODE (we think) We discuss Commish's Southland Media Days Trip, Big Sky Brigit's Big Sky Media Days trip, some Anthropologie tailgate wear that'll likely break your budget, MC Harbaughs, the CAA adds Sacred Heart, Jimbo Fisher to the ACC, Memphis' flirtation with the Big XII and then pretending like nothing happened, Soar the American Conference mascot, UFL Breaking News, Skip Holtz unable to save Birmingham, Cookie Monster at the Brickyard 400, then SUPER SICKO SPINNING SELECTION SEASON PREVIEW FORECAST: SSSSSPF aka the 5SPF for the the Southland Conference and Missouri Valley Football Conference preview and much, much more!!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The monster who chews up time and resources in our public schools. CREDITS: Intro & Outro Music: "Bus Number 5" by Chiggerticky Resources: https://www.aei.org/carpe-diem/chart-of-the-day-administrative-bloat-in-us-public-schools/   https://www.educationnext.org/growth-administrative-staff-assistant-principals-far-outpaces-teacher-hiring/   https://www.aei.org/carpe-diem/the-staffing-surge-educratification-in-americas-public-schools-educrats-now-outnumber-teachers-in-25-states/

Krok Talk's Chris Krok fills in for James T. Harris in the center ring of the Conservative Circus. Trump orders Bondi to get courts to declassify all Epstein documents, PBS/NPR government funds come to an end, speaking of, Colbert is done, and Krok covers local Arizona illegal round ups and news.

The Canada brothers are back, and this week Matt is armed and dangerous! Whatever happened to the sillyband-sporting, Cookie-Monster-pajama-wearing, Monster-Energy-for-breakfast couples from your middle school?  We have some theories.  Merch Link: https://snack-spot-se.creator-spring.comTITC Instagram: https://www.instagram.com/twointhecooler/?hl=enInstacart Link: https://instacart.oloiyb.net/vAWXNSupport the show

Oh that's right. Lorne Michaels doesn't sound like Austin Powers— He sounds like Dr. Evil. Dead wringer. I don't know how I could mess that up. The Mike Meyers part? Was he both of them! I don't know— was he?? Jesus ChristS This is all your fault, Seth Meyers. Are you— a cinephile? Oh yeah. Of course. I love cinnamon. Idiot. So my insides get soft When I see your shadow Listen Everything glistens when it's golden Perhaps then If it isn't yellow She don't got a soul But she sure do got a body Dor dor nyc TRACY MORGAN OH YEA. I DID SOME WEIRD SHIT THIS MORNING. Tracy! What weird shit! I don't know! I just know it was weird! Wait, Tracy— what happened this morning. Well, the first thing was— I woke up. Yeah, after that. But not in my normal places that I wake up! What do you mean. Well, that was the first thing that was weird! I woke up in BROOKLYN. Why anything I like gets odd at Bedford And why Anything I like Just thinks I'm scum Imm succumbing to the numbness of the public And I love it But I love it cause I'm wholly made of love I don't even live here This place is filled with demons My home is filled with dead things The difference is the spirit We also come light hearted m We also formed from stardust I wonder what's SETH MEYERS finally gets out of the box, The problem is now, that he's marooned on what appears to be a desolate island. It's not entirely desolate, however— this is SUNNI BLU's island, on which there is a huge days long party Props for having a white mom I bed she adores you I can tell by your clothes And what you know That you're not Supposed to My mom Had no rules But was beautiful Suited me, But I'm not beauty queen Really I'd rather have a white mom I'd probably be discovered on Girls gone wild {Enter The Multiverse} If my Shazam can hear it bro it's too loud. Fuck this place. SETH MEYERS You blacked out under the Christmas tree. SUNNI Oh. I'm sorry— SETH MEYERS —but first you put up a Christmas tree. SUNNI Wow! #theblackout SETH MEYERS Yeah, i'm—seriously impressed, but.. SUNNI —-but what? Seth Meyers SETH MEYERS I—just don't understand how you got into my house. SUNNI Through the chimney, obviously. SETH MEYERE That's—I don't even have a chimney. SUNNI Yes you do! (He doesn't) Alternately: Or— (Didn't , previously, however—) SUNNI BLU has a CHIMNEY installed for an elaborate pranking, however, —DIE— ! Ok. —Due to the elaborateness of this prank, belligerent drunkenness then insued, which resulted in— SUNNI —well, were there presents? SETH MEYERS I mean; besides yourself? SUNNI Is what I'm asking! SETH MEYERS Yes! And they were really, very nice, but look— GOTH SETH ROGEN is killin it. Was this not about to be GOTH SETH MEYERS? By some awful Freudian slip, yes, it was— but that can't happen , Why not? Cause that guy's still locked inside a hot metal box. Actually, I'm not, Whaaaaa?? I'm like— on an island. Oh. Yeah. That's right. Marooned. On an island. That sucks. Yeah. So why can you hear us, like? I just figured imm hallucinating. Oh. Right, right. He doesn't know he's on the TV? I don't think so. Oh, I know I'm on TV, it's just— Shh. Let's get out of here before he— Actually, let's just turn this off. *off.* Phew, dodged a bullet there. Close one. Yikes. Thank goodness. This is getting meta. —aaand i'malone again. Christ CHRIST appears beside Seth Meyers on the island. Oh, it's you again. Hey, guy. What did you want? Out of the hot sticky metal box— but as you can see, I did that on my own. Hey, look— I get all my messages at the same time, alright? Do you not have a beeper or something? What year is this? Says the dude in the robe. Watch it. Fuck. Crisis. Speaking of Chrisis—is Jimmy Fallon Still suing me? Probably. I hope so, MEANWHILE Sorry but it had to be done Somehow I'm all for it I got holes in all my socks Like I got golf at 9 o clock I was bionic Now I'm supersonic Toxic for the hustle Russell brand up in this bitch Promote my brand up in this bitch Throw some hands up in this bitch Smoke some ham up on a sandwich Sand up in this castle Throw a flag up in this beach (bitch) Land Hoooooooooooooooooo Land hooooooooooooooo. Land ho Ho Ho Can applause I'm Santa clause I'm man; I'm a Possible Option for Drama Atlanta In a Cadillac In the Back with the Bosses and Models I got Bottle service Hold the phone My servitor say Already won an award And it just got awkward Cause I don't finish the song Tomorrow Flight to Auckland (Oy oy) I am her Boy toy We pick up some Mai tais Then she Ride on My thighs She just right A size nine And I like her eyes, Eyes, She don't want no ICE, Her life on the rocks already deported her twice From where I'm from (Aye aye) Some time this shit don't make no sense So I brought Christmas presents over Wearing cookie monster's— SETH. What. I had Cookie Monster's— uhhh— cookie monster's uh—! Cookie monster's what— Creepy puppet thing The actual puppet? YES! Why—? On my hand! What? IT WAS PART OF THE JOKE!! What! Oh NO, SETH MEYERS. What is happening right now . I don't know. I'm still drunk! But we gotta find Cookie Monster. What! The Cookie Monster fucking—c'mon. Let's check the chimney! I don't have a— CUT TO: …you built me a chimney. Technically, I had a chimney built for you, Seth Meyers, WHY. IT WAS PART OF THE JOKE. WHAT WAS THE JOKE! I FOUND YOU DRUNK UNDER MY CHRISTMAS TREE. It was MY Christmas tree! IN MY LIVING ROOM. [beat] This is just bad office politics. I'm your boss. I resent that. I also resent that. So—wait a second— as part of this “elaborate joke” you also stole a Cookie Monster puppet. I didn't steal it. I own everything, basically, pretty much. Okay— so wait, wait— what you're telling me is that when you came through the chimney— Yes— Which you built on my house— somehow within out my notice— —you take long vacations and your security system sucks— —that's— Also I hacked your security system. —for a joke?! …did it land? WHAT. I'm trying new bits. This scene is running long. —I'm gonna make some calls. Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved Wait something got kerfaufulled… No we're jumping parallel's it's this season's theme. What's the theme? THE REVERSE QUANTUM SIMULATION THEORY [REQŪÏSĪTE: The Experienxe] [postponed until further notice] Lulz

In this episode of the PowerShell Podcast, we catch up with returning guest and security research program manager at Microsoft, Miriam Wiesner. Recorded live at PowerShell Conference EU in Malmö, Sweden, we dive into her fascinating journey from Premier Field Engineer to her current role in security research. Miriam reflects on her early talks about Just Enough Administration (JEA), shares insights into MFA bypass techniques involving browser cookies (with a fun appearance from Cookie Monster), and emphasizes the importance of defense-in-depth and layered security.   We also explore her second talk at the conference, "Finding Your North Star," where she unpacks the value of having a guiding goal in your career, overcoming self-doubt, and growing through mentorship. Miriam offers guidance on managing stage fright, developing social skills, and embracing authenticity in technical communities. Whether you're navigating a career in tech or looking to level up your security awareness, this episode is full of practical insights and inspiration.   Links and Bio: https://www.linkedin.com/in/miriamwiesner/ https://www.amazon.com/PowerShell-Automation-Scripting-Cybersecurity-Hacking/dp/1800566379 https://x.com/MiriamXyra https://www.youtube.com/watch?v=8xDcq0pPNPs https://andrewpla.tech/links https://discord.gg/pdq The PowerShell Podcast on YouTube: https://youtu.be/nuhVTbpfQog The PowerShell Podcast hub: https://pdq.com/the-powershell-podcast  Miriam is the author of the book "PowerShell Automation and Scripting for CyberSecurity: Hacking and Defense for Red and Blue Teamers." She is a Senior Security Research Program Manager at Microsoft. Outside of work, Miriam is a dedicated wife and mother, residing with her family near Nuremberg, Germany.

Welcome to Jake's Happy Nostalgia Show, the podcast where nostalgia comes alive!This week, we talk puppetry and pop culture with the incredibly talented puppeteer and puppet builder John Cody! John shares his fascinating journey through the world of puppetry, from his freelance work on Sesame Street, including the Cookie Monster's Bake Sale specials and helping bring back fan-favorite Barkley, to performing at the beloved Sesame Street attractions. We also dive into his work on the Apple TV+ series Helpsters, puppeteering Paddington Bear in Paddington Gets in a Jam off-Broadway, SpongeBob SquarePants in Pineapple Playhouse, and building and designing puppets for the Winnie the Pooh stage musical. We also discuss John's involvement with the National Puppetry Conference at the Eugene O'Neill Theater Center. It's a fun and insightful conversation filled with creativity, nostalgia, and a deep love for the art of puppetry.

The World Health Organisation has agreed a treaty looking at tackling the issue of future pandemics. It's hoped it will help to avoid some of the disorganisation and competition for resources like vaccines and personal protective equipment that were seen during the Covid-19 outbreak. Victoria Gill speaks to global health journalist Andrew Green from the World Health Assembly in Geneva to ask if this will help to make the world a safer, fairer place.Marnie Chesterton visits Kew Gardens in London to speak to some of the artists and scientists behind a new installation that's digitally recreated one of the site's most famous trees.As it's announced the iconic American children's TV programme Sesame Street is moving to Netflix, Victoria speaks to the programme's scientific advisor and Associate Professor of Elementary and Environmental Education at the University of Rhode Island, Sara Sweetman, about exactly how the likes of Elmo, Big Bird and the Cookie Monster go about informing young people about science.And Caroline Steel joins Victoria in the studio to look through the most fascinating highlights from the world's scientific discoveries this week. Presenter: Victoria Gill Producers: Clare Salisbury, Jonathan Blackwell, Dan Welsh Editor: Martin Smith Production Co-ordinator: Jana Bennett-Holesworth

Katy Perry goes up into space - kind of. Cookie Monster caught speeding. Don't mess up deviled eggs. Dog pees on other dogs. Queen Elizabeth's frozen cake. More glory hole action. World records are bizarre. Angry Mittens the cat. Monkeys on the loose. No pubes in my food, please. Spider attack. Cops use stripper pole. Aliens, am I right?

Tawinee's Actual Factuals- Cookie Monster, Mumbai, fears by STAR 102.5/Des Moines

They call him the Cookie Monster—a scarred beast who slips from the woods at night, whispering lullabies and childhood horrors to the children he pins down… just before he drags them into the dark to never be seen again. Author: Dave Kavanaugh Huge thanks to our sponsor: BetterHelp: This episode is brought to you by BetterHelp. Head to ⁠⁠⁠⁠betterhelp.com/dns⁠⁠⁠⁠ to get 10% off your first month. * * * CONTENT WARNING: This episode contains disturbing themes including child endangerment, graphic violence, murder, and psychological trauma. Listener discretion is strongly advised. #drnosleep #scarystories #horrorstories #doctornosleep #truescarystories #horrorpodcast #horror Learn more about your ad choices. Visit megaphone.fm/adchoices

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Oh the stupid we have today... How to fortify prisons in Louisiana, 'Ice Pirates' on Betamax, Dan's imaginary friend, profound advice from Cookie Monster, hot dogs galore, and have you ever sneezed while peeing?LINKS:Polymarket Takes Bets Over Which Escaped New Orleans Convicts Will Be Captured FirstNew Bacteria Have Been Discovered on a Chinese Space Station | WIREDIndy 500 Carb Day gets a new twist with first-ever Wienie 500 | FOX SportsThe Treehouse is a daily DFW based comedy podcast and radio show. Leave your worries outside and join Dan O'Malley, Trey Trenholm, Raj Sharma, and their guests for laughs about current events, stupid news, and the comedy that is their lives. If it's stupid, it's in here.The Treehouse WebsiteCook DFW Roofing & Restoration | Dallas, Fort Worth TX | Roofing Company CLICK HERE TO DONATE:The RMS Treehouse Listeners Foundation

This week the boys talk about getting down with the sickness, the timeless urban cryptid who wears Muppet pajama pants, and help a caller who doesn't want to be a stepdad or a dad who steps up, and a misguided soul who wants to get back with their ex. Don't do it, bro! If you want to hear more bonus content please go to patreon.com/midnightsnacktv and support the boys there!

Please enjoy this encore of Career Notes. Host of the CyberWire Podcast, Dave Bittner, wanted to work with the Muppets, so naturally he landed in cybersecurity. Dave and his Cookie Monster puppet spent much of his childhood putting on shows for his parents friends. During one of those performances, he was discovered and got his start at the local PBS station. A radio, television and film major in college, Dave owned his own company and as the most tech-savvy member of the group, handled that side of things. Dave notes his cybersecurity challenges back then consisted of maybe a corrupt floppy disk. It wasn't until he joined the CyberWIre that cybersecurity became Dave's focus. A former boss showed him how to lead a team and treat everyone with kindness regardless of their role. We thank Dave for sharing his story with us. Learn more about your ad choices. Visit megaphone.fm/adchoices

Please enjoy this encore of Career Notes. Host of the CyberWire Podcast, Dave Bittner, wanted to work with the Muppets, so naturally he landed in cybersecurity. Dave and his Cookie Monster puppet spent much of his childhood putting on shows for his parents friends. During one of those performances, he was discovered and got his start at the local PBS station. A radio, television and film major in college, Dave owned his own company and as the most tech-savvy member of the group, handled that side of things. Dave notes his cybersecurity challenges back then consisted of maybe a corrupt floppy disk. It wasn't until he joined the CyberWIre that cybersecurity became Dave's focus. A former boss showed him how to lead a team and treat everyone with kindness regardless of their role. We thank Dave for sharing his story with us. Learn more about your ad choices. Visit megaphone.fm/adchoices

Don and Tom launch into a globe-trotting episode—complete with multilingual greetings and a cameo from Cookie Monster—before diving into the serious question of global investing. They challenge the "home country bias" that keeps investors overly concentrated in U.S. stocks, highlight the recent performance gap favoring international small-cap value, and remind listeners that chasing returns and market timing are just two sides of the same bad investing coin. With personal anecdotes, Japan's long recovery, and fund comparisons (VT, AVGE, DFAW), they make a rock-solid case for global diversification. Plus: a real-life trustee dilemma, a potentially smart annuity strategy, and a few dad jokes you didn't ask for. 0:04 Multilingual greetings, Cookie Monster, and off-the-rails intro1:38 Listeners ignore the banter—jump straight to annuity questions2:05 “Why would I want foreign stocks?” US home bias gets roasted2:39 International small-cap value up, S&P down—performance flips3:23 Blackberry nostalgia, Don's voiceover gigs, and cowboy auditions5:30 U.S. vs. international investing—timing or chasing returns?6:48 Market cycles and why global investing reduces regret8:26 Feelings aren't facts—own the planet, not your predictions10:08 Japan's 34-year climb back—and the real lesson of 199011:49 Dividends matter: Japan's returns weren't all dead12:20 Comparing VT, AVGE, and DFAW for global exposure14:33 Why Don prefers global funds over DIY U.S./intl combos15:30 A 1992 Japan vs. global return showdown—$10k becomes $41k or $233k17:50 They buried the lead—global diversification wins again18:14 Listener corrects math on 4% rule—Don admits the slip19:06 Comment on borrowing from 401(k) and the “double-tax” myth20:04 Facebook dad jokes derail Tom's patience20:53 Trust investing dilemma: annuity vs. portfolio income23:50 Immediate annuity may be the best fit for a “failed-to-launch” son25:23 Where to shop for no-load annuities—Fidelity, Ameritas, Stan the Annuity Man Learn more about your ad choices. Visit megaphone.fm/adchoices

Michelle Delp is the Regional GM for Fearless Restaurants, and she joined our host so we could SPRING into what's fashionable to eat in University City! Louie Louie offers a vibe that feels very European French Bistro, and with their sidewalk-based seating now open, and new spring menu available and Happy Hours extended...everyone who visits can enjoy the atmosphere and menu options no matter what they're looking for! Whether you're looking for a lighter, brighter meal or dining for a richly, decadent dinner...Louie Louie offers whatever you desire to indulge in. And stay tuned for all the new happenings for Louie Louie, including details about their Espresso Martini Tower, events that are coming up, and of course...what to dine on when you're there!https://louielouie.restaurantWhat you eat matters, which is something that Corie Coles, who is the 4th generation-owner of Triple C Angus, knows, works, and stands behind. Although Corie initially left the family farm to seek a different career path, she circled back to her family's business later on. Her parents still run the day-to-day operations related to farming, however Corie took on a different role at Triple C Angus. Today, everything that the farm produces has to pass through Corie's hands to ensure they're offering the best cuts of meat to offer each customer. And to her, the individuals who purchase either pieces or shares of her family's beef, pork, and chicken are not just customers--they are part of her community. So not only does it matter that the animals they raise are well-cared for, it matters to her that she gets to know the people who purchase their products. To the Coles, family and community matters--and so does what they take home to eat. To learn more about Corie and Triple C Angus, stay tuned to hear her story and then visit the family farm and website for more information on what they offer.https://triplecangus.comGet the latest scoop from Irv's Ice Cream when you tune in to hear from Chef and Owner Ilissa Shapiro! Chef Shapiro just opened her second location on East Passyunk Ave, where you can try out her newest ice cream flavor: Sweet Corn! Make every lick count as she creates her custard-based sweet treats from scratch. Chef Shapiro previously worked inside kitchens on both the West and East Coast, and has always enjoyed making ice cream while working for those restaurants. However, a collaboration created an opportunity that turned into owning her own business, and today Ilissa is scooping up her creative flavors for everyone to enjoy! To hear Ilissa's story and what she has in store, stay tuned to the end of the show and visit Irv's Ice Cream online and in-person at either of her locations!https://www.irvsicecream.com

OK, look, when you think of all the people who can give their thoughts on cookies, providing expertise on the matter, those who come to mind are Grandma, Amos, Cookie Monster, but not this family...at all. And if you spot a thing that shouldn't be, send it in to janesays@civicmedia.us and we might use it on the show! So join us Monday through Friday at 11:51 a.m. for “This Shouldn't Be A Thing!” or search for it on Spotify, Apple or wherever you get your podcasts.  And thanks for listening!!

At the end of this week's show, Elecia reads a Winnie the Pooh poem as Cookie Monster death metal. Before that, Chris and Elecia chat about mental health, journaling, personal projects, and listener questions.  Please sign up for the Nordic Giveaway!  You can also sign up for the Embedded newsletter. Maybe now with job postings? Elecia's journaling notebook is this one on JetPens (which is where she gets her nice pens and some of her stickers and washi tape).  From discussing some listener messages, we mentioned: Matt Keeter's talk on debuggability in production where you don't have access to the system that is faulting (video and slides) Letter boards (in the Adirondacks), see those in action here Wokwi simulator is a great place to get more embedded experience without buying all the kits. Christopher has said that there will not, definitely not, under any circumstances, be a whole death metal album of Winnie the Pooh poems. Elecia is practicing anyway.  Transcript Nordic Semiconductor has been the driving force for Bluetooth Low Energy MCUs and wireless SoCs since the early 2010s, and they offer solutions for low-power Wi-Fi and global Cellular IoT as well. If you plan on developing robust and battery-operated applications, check out their hardware, software, tools, and services.   On academy.nordicsemi.com, you'll find Bluetooth, Wi-Fi, and cellular IoT courses, and the Nordic DevZone community covers technical questions:  devzone.nordicsemi.com.   Oh, and don't forget to enter Nordic Semiconductor's giveaway contest! Just fill out the entrance form, and you're in the running. Good luck!

Click here to Shop Affirmation Decks, Oracle Decks, and more! Use Promo code: RCPODCAST20 for 20% off your first order!   Today's Power Affirmation: I drink libations of high vibrations.   Today's Oracle of Motivation: When shit gets crazy, stay away from toxic distractions that might drown out your high vibrations. You have magic doing cartwheels inside your gut, waiting on your permission to come out and play. Release any doubt attempting to sabotage your creativity. Kick your resistance gremlins in the teeth. Most of your worries will never happen, so do not give them power over you. Taking one small step will help propel you through anything life sends your way, even when the Cookie Monster steals your cookies. If you only drink libations of high vibrations, you'll never end up face-down-pants-down in the bushes.   Designed to Motivate Your Creative Maniac Mind The 60-Second Power Affirmations Podcast is designed to help you focus, affirm your visions, and harness the power within your creative maniac mind! Join us every Monday and Thursday for a new 60-second power affirmation followed by a blast of oracle motivation from the Universe (+ a quick breathing meditation). It's time to take off your procrastination diaper and share your musings with the world!   For more musings, visit RageCreate.com     Leave a Review & Share! Apple Podcast reviews are one of THE most important factors for podcasts. If you enjoy the show, please take a second to leave the show a review on Apple Podcasts! Click this link: Leave a review on Apple Podcasts Hit “Listen on Apple Podcasts” on the left-hand side under the picture. Scroll down under “Ratings & Reviews” & click “Write A Review” Leave an honest review. You're awesome!  

In a world driven by instant gratification—where Cookie Monster's motto, "see cookie, want cookie, eat cookie,” defines our impulses—Jesus invites us into a countercultural practice that transforms hunger into holy purpose. Join Wolfgang for a compelling exploration of fasting out of Matthew 6, where he unpacks how this ancient spiritual discipline isn't about deprivation but discovering a deeper appetite for God's presence. Through humor and practical insights, learn how fasting exposes the cravings beneath our cravings, redirecting our hunger toward the One who truly satisfies. Whether you're new to fasting or seasoned in spiritual practices, this sermon offers fresh perspective on surrendering control, embracing dependence, and finding joy in feasting on God's grace. Ready to trade temporary fixes for eternal nourishment? Press play and hunger for something more.

In a world driven by instant gratification—where Cookie Monster's motto, "see cookie, want cookie, eat cookie,” defines our impulses—Jesus invites us into a countercultural practice that transforms hunger into holy purpose. Join Wolfgang for a compelling exploration of fasting out of Matthew 6, where he unpacks how this ancient spiritual discipline isn't about deprivation but discovering a deeper appetite for God's presence. Through humor and practical insights, learn how fasting exposes the cravings beneath our cravings, redirecting our hunger toward the One who truly satisfies. Whether you're new to fasting or seasoned in spiritual practices, this sermon offers fresh perspective on surrendering control, embracing dependence, and finding joy in feasting on God's grace. Ready to trade temporary fixes for eternal nourishment? Press play and hunger for something more.

Rep. Robert Garcia mockingly invoked the names of several Sesame Street characters while arguing against potential cuts to national public broadcasting groups NPR and PBS. March 28th 2025 --- Please Like, Comment and Follow 'The Ray Appleton Show' on all platforms: --- 'The Ray Appleton Show’ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. --- 'The Ray Appleton Show’ Weekdays 11 AM -2 PM Pacific on News/Talk 580 AM & 105.9 KMJ | Website | Facebook | Podcast | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Subscribe to The Best Idea Yet here: https://wondery.com/links/the-best-idea-yet/Once upon a time, American kids had a problem—OK, two. They were watching way, WAY too much TV and they were falling way, way behind in school. But then a trailblazing producer and her psychologist friend asked a bold question: What if we used the first problem to solve the second? The result: Sesame Street, home of Big Bird, Cookie Monster, Bert & Ernie, and a social-media superstar named Elmo. Since Sesame Street's debut in 1969—the same year as the moon landing!—the show's helped educate more than 150 million kids in 70 different languages while breaking racial barriers along the way. It's also taught us the meaning of friendship, the value of neighbors, and the joy of a good rubber ducky. And it was only possible thanks to audacious creators, educators, and one shaggy-looking puppeteer named James Maury Henson (but you can call him Jim). Learn about Kermit The Frog's commercial past, why the only bets worth making are contrarian ones, and why Sesame Street is the best idea yet.Subscribe to The Best Idea Yet for the untold origin stories of the products you're obsessed with — and the bold risk takers who made them go viral.Episodes drop every Tuesday, listen here: https://wondery.com/links/the-best-idea-yet/—-----------------------------------------------------GET ON THE POD: Submit a shoutout or fact: https://tboypod.com/shoutouts FOR MORE NICK & JACK: Newsletter: https://tboypod.com/newsletter Connect with Nick: https://www.linkedin.com/in/nicolas-martell/ Connect with Jack: https://www.linkedin.com/in/jack-crivici-kramer/ SOCIALS:Instagram: https://www.instagram.com/tboypod TikTok: https://www.tiktok.com/@tboypodYouTube: https://www.youtube.com/@tboypod Anything else: https://tboypod.com/ See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode, Heather is in NYC to co-host the Today Show and so excited to give you a behind the scenes look into the start of her week with Jenna Bush Hager. We find out who her work crush is at the studio and how she took Jenna out on the town to a gay country bar. She also touches on the previous week in Iowa where there was a missed connection or a case of mistaken identity at a Walgreens full of Cookie Monster pajamas.Episode Sponsors:Go to Squarespace.com for a free trial, and when you're ready to launch, squarespace.com/ABSOLUTELY to save 10% off your first purchase of a website or domain.Listeners of Absolutely Not can claim an exclusive three-month free trial, with no credit card required at www.YNAB.com/absolutely.Visit JustThriveHealth.com and use code ABSOLUTELY for 20% off your first 90 day bottle.Head over to Addyi's website — Addyi.com — and see if Addyi is right for you.Shop SKIMS best intimates including the Fits Everybody Collection and more at SKIMS.com and SKIMS stores.Try VIIA! https://viia.co/ABSOLUTELY and use code ABSOLUTELY!Produced by Dear MediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

They say communications – specifically public relations – is one of the more tactical, strategic, and yes, I'll admit, stressful jobs, you can have. Eleanor Hawkins would probably agree. A former PR professional, she is now a reporter for Axios covering the PR & communications industry. In her Axios Communicators newsletter, she tracks the biggest news items of the day and looks at them through a PR lens. On this episode of Press Profiles, we talk to Eleanor about some recent newsworthy events – President Trump's DEI rollback, the tragic crash of American Airlines flight 5342 in Washington DC, and even, the knockdown, drag out Hollywood PR battle between Blake Lively and Justin Baldoni – and the role PR played in each event. It's an interesting conversation that pulls back the curtain on the industry. We also talk to Eleanor about her career journey, learning to write in Axios's signature “Smart Brevity” style, her go to restaurant in Alabama, and even her work with Cookie Monster. Yep, we cover all that and a whole lot more.

Happy 15th birthday to us! It's our Crystal Anniversary so join us along Memory Lane as we reminisce about scrapped episodes, missteps, regrets and harrowing encounters before we, yet again, proposition Dennis Quaid. We share memories of corporate retreats and defunct segments before interviewing Mrs Cubbinson and Cookie Monster and sharing advice to our past selves. After a group pinkie swear we play Real or Fake Episode before Molly refuses to get sappy and we reveal the location of our next corporate retreat.Dire Desires - our spin-off miniseries about erotic thrillers  Episodes Mentioned GrapesApplesPuffy snacksHeirloom TomatoesPopcornKorean Rice Cakes with Japanese Breakfast/Michelle ZaunerCast Iron Skillet with Michele NorrisGrilled CheeseCroutonsNew Zealand Junk FoodCanned ChildhoodHeat WaveMemoriesWinter SquashRomantic FoodSaltGerman ChristmasIrish SpringYeast    Support Spilled Milk Podcast!Molly's SubstackMatthew's Bands: Early to the Airport and Twilight DinersProducer Abby's WebsiteListen to our spinoff show Dire DesiresJoin our reddit

In episode 1761, Jack and guest co-host Pallavi Gunalan are joined by comedian, Django Gold, to discuss… America Is Relying On Unpaid Teenagers To Save Democracy, Trump's $100,000 Watch Headquarters In Are A Daycare? Also... He May Secretly Be Selling Erectile Dysfunction Honey, Tostitos And Doritos Are “Fighting Shrinkflation” – But Not Really and more! America Is Relying On Unpaid Teenagers To Save Democracy Poll Work Is in Crisis. Teens Are Stepping Up to Fill the Void. Election worker turnover has reached historic highs ahead of the 2024 vote, new data shows Poll of Election Officials Finds Concerns About Safety, Political Interference Right-wing activists pushed false claims about election fraud. Now they're recruiting poll workers in swing states. ‘SOS From Your SOS': How poll workers are being recruited in Kentucky Kentucky Secretary of State partners with breweries in campaign to recruit poll workers Poll workers can be hard to find. In Nebraska, election officials can draft them Long voting lines threaten our democracy. Fixing them is easier than you think States pass new laws to protect election workers amid ongoing threats Election workers worry that federal threats task force isn't enough to keep them safe Trump's $100,000 Watch Headquarters In Are A Daycare? Also... He May Secretly Be Selling Erectile Dysfunction Honey Tostitos And Doritos Are “Fighting Shrinkflation” – But Not Really President Joe Biden and Cookie Monster are both sick and tired of 'shrinkflation' America revolted against Tostitos and Ruffles. Now they're making big changes Tostitos introducing bags with more chips for the same price, but only in select locations Twitter Clip: Psy introduces himself LISTEN: No Caller ID by 1300See omnystudio.com/listener for privacy information.

0:00 Intro 0:06 Cookie 1:26 Settlement 3:54 Cable company 6:05 Spaghetti girl 13:52 Coworker Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we're taking a look back on Business Ethics, and the ladies go to the show bible to verify a continuity catch that fans wrote in about. Jenna and Angela interview Amy Ryan on what it was like to play Holly Flax! Amy even shares her own Cooper's Seafood House story. Angela shares about some very special DVD commentary guests who worked as craft services and caterers on The Office set. Jenna does a deep dive on how the Cookie Monster's parody of Tay Zonday's “Chocolate Rain” was made after this episode aired, and the ladies discover they both did the same deep dive on what people can do in, let's say, 19 minutes. So let's get ethical with this amazing Office Ladies episode! Check out Office Ladies Merch at Podswag: https://www.podswag.com/collections/office-ladies Office Ladies Website - Submit a fan question: https://officeladies.com/submitaquestionFollow Us on Instagram: OfficeLadiesPod