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6 episodes with Cookie Monster
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Recorded live at PSConfEU 2026, Andrew sits down with returning guest Miriam Wiesner, Senior Security Researcher at Microsoft, for a wide-ranging conversation on PowerShell security, cookie-based attacks, and the evolving threat landscape. Miriam walks through her two conference talks — one on Microsoft Teams session cookie hijacking (a follow-up to her 2025 Entra ID cookie talk, complete with Cookie Monster branding and actual handcuffs), and a joint session with Stéphane van Gulick on using Microsoft Defender's Live Response feature for incident investigation. The conversation also covers the current state of PowerShell security, why sophisticated attackers are moving away from PowerShell, and why defenders who haven't enabled script block logging and AMSI are leaving easy wins on the table. On top of the technical deep dive, Miriam and Andrew get into the human side of the conference community — nerves before presenting, imposter syndrome, and why showing up is already half the battle. Key Takeaways: Cookie-based identity attacks are an active and growing threat. Microsoft Teams, SharePoint, and OneDrive share session cookies, meaning a single cookie theft can give an attacker broad access across your organization's collaboration tools — no re-authentication required. Sophisticated threat actors are moving away from PowerShell specifically because its security features work. Script block logging, AMSI, and Constrained Language Mode make PowerShell activity highly visible and detectable. If your org hasn't enabled these, you're handing attackers an easy path. Visibility beats prevention. You can't prevent what you can't see. Detection through proper logging is not a consolation prize — it's a core security strategy, and Microsoft Defender's Live Response feature gives teams a powerful way to investigate isolated endpoints without needing RDP or PowerShell remoting enabled. Guest Bio: Miriam Wiesner is a Senior Security Research Program Manager at Microsoft with over 15 years of experience in IT security, penetration testing, and security automation. She works on research behind Microsoft Defender and Sentinel and is the creator of widely used open source PowerShell security tools EventList and JEAnalyzer. Miriam is a sought-after speaker at major security and PowerShell conferences including Black Hat, PSConfEU, and MITRE ATT&CK Workshops. She's also the author of "PowerShell Automation and Scripting for Cybersecurity," published by Packt. Her conference speaker career started at PSConfEU 2018 and she's been a fixture of the community ever since. Resource Links Miriam's 2025 Cookies talk - https://www.youtube.com/watch?v=8xDcq0pPNPs Book – PowerShell Automation and Scripting for Cybersecurity (Packt): https://www.amazon.com/PowerShell-Automation-Scripting-Cybersecurity-Hacking/dp/1800566379 Miriam on LinkedIn: https://www.linkedin.com/in/miriamwiesner Miriam on X/Twitter: https://x.com/MiriamXyra Miriam's GitHub (EventList, JEAnalyzer, and more): https://github.com/miriamxyra Miriam's Website: https://miriamxyra.com Connect with Andrew: https://andrewpla.tech/links The PowerShell Podcast on YouTube: https://youtu.be/zxJOqcEwgWE
#Tony and I WITH #PHONE #LEAKAGE #FROM #MARK #PASSIO AND #RACIST #COOKIE #MONSTER!!!
We break away from our usual educational episodes to talk about what's actually going on in our lives. Steve's daughter is graduating, Brad's rebuilding a trailer, and the roasting begins immediately starting with Steve's 40 yards of concrete project that never happened.Our conversation bounces from home improvement disasters to paint color debates (chartreuse with zebra stripes, anyone?) to what summer looks like when we're not recording podcast episodes. Brad's golfing in 31-degree weather. Steve refuses to shingle his own roof despite knowing how. We argue about whether Cookie Monster blue or lime green with pink LEDs makes more sense for a trailer.We wrap the episode with what's next for the show. We're thinking about an in-person event late 2026 or 2027, somewhere between Detroit and Milwaukee. We want to know what would get you to show up. What would make it worth your time?Highlights:We ditch the usual format for a conversation about summer plans and roasting each other.Steve's daughter graduates and heads to college.Brad debates trailer paint colors while Steve deals with deck repairs and roof quotes.What's next for the show: a potential in-person event if you want one.Let us know. Would you attend an event? If so what would make it a "Hell Yes" to attend? Email us your ideas. We appreciate you being here.Get in touch with us:Check out the Blue Collar BS website.Steve Doyle:WebsiteLinkedInEmailBrad Herda:WebsiteLinkedInEmailThis podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrpOP3 - https://op3.dev/privacy
Scott Cameron is a two-time Emmy Award-winning creative leader who has spent his career executive producing international adaptations of Sesame Street, bringing this iconic brand to audiences in 190 countries and 31 languages. He joins us for this special episode to talk about what 57 years of research-driven storytelling has taught him about how story actually changes people.
Your ears are in for a treat -- this week they'll be graced by the velveteen voice of Hrishikesh Hirway! Hrishikesh is a prolific podcaster & he hosts and produces many, including my favorite food podcast of all time, Home Cooking, co-hosted by past Your Last Meal guest, Samin Nosrat, and the excellent music podcast, Song Exploder, that was turned into a Netflix show. He's also a musician and his new album is out now!Hrishikesh tells host Rachel Belle: How his lifelong cookie obsession began About his mom's mango pie, which has been featured in the New York Times and turned into a Salt & Straw ice cream flavor Why he started drinking coffee, for the first time, in his mid-40s Then we're joined by Jim Henson Company "puppet wrangler" Lara MacLean, who took it upon herself to start baking the cookies that Cookie Monster demolishes on Sesame Street, because she wasn't happy with the last iteration! Become a Cascade PBS member and support public media! Watch Rachel's Cascade PBS TV show The Nosh with Rachel Belle. Sign up for Rachel's (free!) biweekly Cascade PBS newsletter for more food musings. Follow along on Instagram. Order Rachel's cookbook Open Sesame.
Do you ever wonder if you are wasting money on your marketing efforts? Or how do you navigate today's big changes in paid marketing? Our guest today is Jeff Greenfield, and he shares with us his marketing insights and the changing paid advertising landscape. TODAY'S WIN-WIN: Aspire to be less wrong today than you were yesterday as there is no right answer to measurement. LINKS FROM THE EPISODE:Schedule your free franchise consultation with Big Sky Franchise Team: https://bigskyfranchiseteam.com/. You can visit our guest's website: www.getprovalytics.com.Attend our Franchise Sales Training Workshop: https://bigskyfranchiseteam.com/franchisesalestraining/Connect with our guests on social:https://www.linkedin.com/in/jeffgreenfield/ABOUT OUR GUEST:Jeff Greenfield is an entrepreneur, advisor, and disruptor with more than three decades of leadership in strategy, growth, and marketing. He is the Co-Founder and CEO of Provalytics, an AI-driven, cookie-less attribution and measurement platform that helps marketers prove the impact of upper funnel channels such as CTV and podcasts to drive smarter budget decisions. Previously, Jeff was the COO and Co-Founder of C3 Metrics, a leading multi-touch attribution platform serving brands such as JP Morgan, US Bank, Hertz, Nestlé, Carhartt, Edward Jones, Fender, and Peapod. Widely known as the “Cookie Monster,” Jeff is a recognized expert on cookies and their impact on the digital advertising ecosystem.Jeff has spoken at hundreds of industry conferences and his thought leadership has appeared in The New York Times, The Washington Post, The Wall Street Journal, Bloomberg, ABC, CBS, and Investor's Business Daily.This episode is powered by Big Sky Franchise Team. Big Sky Franchise Team is consistently recognized as one of the best franchise consulting firms in the United States, helping entrepreneurs franchise their businesses through a proven 3-Step franchise process rooted in ethical principles, hands-on guidance, and customized deliverables. If you are ready to talk about franchising your business you can schedule your free, no-obligation, franchise consultation online at: https://bigskyfranchiseteam.com/. The information provided in this podcast is for informational and educational purposes only and should not be considered financial, legal, or professional advice. Always consult with a qualified professional before making any business decisions. The views and opinions expressed by guests are their own and do not necessarily reflect those of the host, Big Sky Franchise Team, or our affiliates. Additionally, this podcast may feature sponsors or advertisers, but any mention of products or services does not constitute an endorsement. Please do your own research before making any purchasing or business decisions.
Peter Dasent is an incredibly versatile pianist, composer, and musical director best known for his long tenure as the resident keyboardist on ABC’s Play School, a role he has held for over two decades. While he is well known for his daily on-set improvisations for children, his impressive resume also includes leading his chamber-jazz ensemble The Umbrellas for over 30 years, as well as composing soundtracks for early Peter Jackson films like Meet The Feebles and Heavenly Creatures. We chat with Peter about that amazing history, his approach to playing and composing across so many different genres, and lots more. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab): The iconic, and Cookie Monster endorsed, Play School, turns 60 Peter’s musical upbringing Forming SPATS alongside Fane Flaws SPATS – New Wave Goodbye Joining The Crocodiles alongside the brilliant Jenny Morris The Crocodiles – Telephone Lover The very interesting Kim Fowley Peter’s admiration of Steve Nieve’s work The Crocodiles – Tears The underadmired (and according to Peter, Mushroom Records’ worst selling album ever): I Am Joe’s Music (Self-Titled) The inimitable Lobby Loyde Formation of The Umbrellas The Umbrellas live Some timely advice from Don Burrows Moving into film composition Peter’s work on Peter Jackson’s Meet The Feebles The composition and recording process for Meet The Feebles Working on Peter Jackson’s Braindead / Dead Alive The legendary E-mu Proteus 2 Working on Peter Jackon’s Heavenly Creatures Working as the Pianist on Play School Discussion on the level of improvisation required on set of Play School Pivoting on the fly between musical genres on Play School Working with Justine Clarke Peter in action live with Justine Clarke Peter’s solo work including Songs for Solo Piano Peter in action in Studio 3 at Abbey Road Sterling Sound in New York Desert Island Discs: Sgt Pepper’s Lonely Hearts Club Band – The Beatles, Satie: Works for Piano – Aldo Ciccolini, Plays Duke Ellington – Thelonius Monk, The Fellini Album: The Film Music of Nino Rota: Nino Rota, Hot Rats – Frank Zappa. Key links: Become a member of our YouTube channel and receive extra content Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our audience survey to help us improve! Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Peter Dasent, Pianist / Play School / The Umbrellas appeared first on The Keyboard Chronicles.
You've been trained to stay on message. The problem? “On message” is forgettable. Bill McGowan, author of Speak, Memorably and founder of Clarity Media Group, has spent 25 years coaching executives on how to be memorable, even working with clients like Kim Kardashian and Cookie Monster. In this episode, he breaks down the difference between speakers people remember and speakers people tune out. From how to open your presentation to the physical and verbal techniques that keep people listening, he shares what actually works and what to avoid. ⏰Timestamps 00:00 Introduction 01:00 Staying on Message 02:15 Be 22x More Memorable 03:30 Keeping Attention 05:09 The 60-Second Rule 08:13 The Three Ps of voice 09:32 Projection and Energy 16:03 Spotting Clichés 18:25 The Magnificent Seven 20:34 What to Do With Your Hands 22:30 Crafting a Memorable Talk 25:01 Kardashians and Cookie Monster 27:33 Reading the Zoom
Julie Therrien has spent 28 years selling Canadian cookies to the world — and she's got the stories to prove it. As Western Canada Sales Rep for Biscuits Leclerc (the family behind Celebration Cookies, Go Pure bars, and that iconic air travel snack you definitely know), Julie joins Kenny and Phil to talk about her unlikely path from Quebec City to Guadalajara to Vancouver, what it really takes to break into export markets, and why the Canadian food industry's tight-knit community is one of its greatest competitive advantages.
Sidney Gantt and Matt Maran join Zac Amico and they discuss the Zookeeper attacked by a lion but saved by a lioness, the safari park owner trampled by an elephant, the motorcycle that crashed into a car, the teen who got impaled while getting arrested, the sex offender "Cookie Monster" found in a little boy's bedroom, is cheating sexual assault, the woman who threw dynamite at her boyfriend, pick they slice of pizza you want and so much more! Air Date: 04/28/26 Support our sponsors!BodyBrainCoffee.com - Use promo code: ZOO15 to get 15% off!Zac Amico's Morning Zoo plug music can be found here: https://www.youtube.com/watch?v=oMgQJEcVToY&list=PLzjkiYUjXuevVG0fTOX4GCTzbU0ooHQ-O&ab_channel=BulbyTo advertise your product or service on GaS Digital podcasts please go to TheADSide.com and click on "Advertisers" for more information!Submit your artwork via postal mail to:GaS Digital Networkc/o Zac's Morning Zoo151 1st Ave, #311New York, NY 10003You can sign up at GaSDigital.com with promo code: ZOO for a discount of $1.50 on your subscription and access to every Zac Amico's Morning Zoo show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Sidney GanttTwitter: https://twitter.com/SidneyGanttInstagram: https://www.instagram.com/sidneyganttMatt MaranTwitter: https://twitter.com/realmattmaranInstagram: https://instagram.com/realmattmaranZac AmicoTwitter: https://twitter.com/ZASpookShowInstagram: https://instagram.com/zacisnotfunnyDates: https://punchup.live/ZacAmicoSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Elmo, Big Bird, and Cookie Monster probably helped raise you, and the woman now leading Sesame Street traces her path there back to one transformative act: adopting her daughter Lily from China. Before joining Sesame Workshop, Sherrie Westin had already built a remarkable career at ABC News and as one of the highest-ranking women in George H.W. Bush's White House. On this episode, Sherrie shares how adopting Lily in 1995 sparked a profound pivot, and how that personal transformation shaped her 26-year journey at the helm of one of the most beloved nonprofits in the world. She opens up about leading the creation of Julia, Sesame Street's first autistic Muppet, securing a landmark $100 million grant to bring early education to refugee children across the globe, and navigating the financial uncertainty that ultimately led to a groundbreaking new deal with Netflix. Chapters: 00:00.00 Welcome to She Pivots 00:25.836 Guest Introduction: Sherrie Westin 01:58.259 Childhood and Early Life 03:28.160 Communications and the White House 09:44.959 The Transformative Power of Motherhood 12:53.840 From ABC News to Sesame Street 17:56.682 Representation and Global Impact 23:48.774 The Experiment of Sesame Street 25:20.535 The Power of The Arts on Children 27:55.460 Making a Difference To Communities in Need 31:44.265 Financial Challenges and Becoming CEO 36:00.269 What I Learned From Mom 36:53.572 From Low Point to Launch Point 37:20.029 Do You Think You'll Pivot Again? 38:09.920 Children and AI 39:20.765 Closing Thoughts and Credits Learn more about Sesame workshop’s mission at Sesameworkshop.org Check out Sherrie’s new book: What I Learned From Mom: 27 Celebrated Individuals on How Mother's Wisdom Shaped Their Lives. Be sure to subscribe so you never miss a pivot story, leave us a rating (it really helps!), and share this episode with a woman in your life who you think needs a little inspiration. She Pivots is a podcast created by host Emily Tisch Sussman to highlight influential women voices, share stories of bold career moves, and inspire women with interviews about career reinvention and how personal pivots can redefine professional success. Join our Substack community! Subscribe here for exclusive content and to connect with other pivoters: shepivots.substack.com Learn more about the inspiring women in our pivoter community by following us on instagram @ShePivotsThePodcast, and check out our website shepivotspod.com for resources and updates. She Pivots is proud to be an iheart podcast.Support the show: https://www.shepivotsthepodcast.com/See omnystudio.com/listener for privacy information.
The TCR crew travels to Jamaica to broadcast live from Sandals Negril... Serina crosses something off her bucket list, Matt's not sober, Tino recaps his California comedy run, and Nicasio's kid parties with Cookie Monster! Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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Building healthy habits for their kids is something every parent strives to do. The foundations for lifelong health are built very early between the ages of 3 and 5 years as per experts.At #KSPAwards2025 Dr Rohita Shetty, Medical Affairs Head, Abbott India & Dr Jayanti Prakash, Director, Education, Content & Curriculum, Sesame Workshop India chatted with Mansi Zaveri, Founder Kidsstoppress on how to empower children and families to build healthy routines around three important behaviors. 80% of a child's brain is developed by the age of 5. Using characters like Elmo, Cookie Monster & Chumki, from Sesame Street, they are trying to educate kids & parents on the 3 essential pillar of good health for our kids. Must watch episode.Kidsstoppress Podcast — India's #1 Parenting PodcastRanked India's Top Parenting Podcast by Feedspot. Trusted by millions of Indian parents for over a decade — bringing you real conversations with experts on parenting, wellness, and family life.
Send us Fan MailSean rambles about Kid Cuisine versus the healthy lunches that his son eats. He also talks about Cookie Monster, Marg buckets, Crows, Netflix raising prices, Unread Emails, and 7Brew Coffee. Then he gets into two articles. One on the danger of using AI for dating and relationship advice and the other about the latest important scientist that has gone missing who worked in the UFO sector. Don't touch that dial! You're listening to 103.9, The SEAN!Today's show is brought to you by the Crow Community Group.Tip Sean money on Goodpods! https://goodpods.com/profile/1039thesean-53819Or DM us to tip via Venmo!Follow us! https://www.instagram.com/103.9thesean/Follow us! https://twitter.com/1039TheSEANSubmit questions, topics, and hate mail!103.9thesean@gmail.com
This week we're breaking down Business Ethics. Jenna and Angela interview Amy Ryan on what it was like to play Holly Flax! Amy even shares her own Coopers Seafood House story. Angela shares about some very special DVD commentary guests who worked as craft services and caterers on The Office set. Jenna does a deep dive on how the Cookie Monster's parody of Tay Zonday's “Chocolate Rain” was made after this episode aired, and the ladies discover they both did the same deep dive on what people can do in, let's say, 19 minutes. So let's get ethical with this amazing Office Ladies episode! Office Ladies Website - Submit a fan question: https://officeladies.com/submitaquestion Follow Us on Instagram: OfficeLadiesPod Follow Us on YouTube Follow Us on TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Daily Power Affirmations for your Creative Maniac Mind (in 60 Seconds)
Click here to Shop Affirmation Decks, Oracle Decks, and more! Use Promo code: RCPODCAST20 for 20% off your first order! Today's Power Affirmation: I drink libations of high vibrations. Today's Oracle of Motivation: When shit gets crazy, stay away from toxic distractions that might drown out your high vibrations. You have magic doing cartwheels inside your gut, waiting on your permission to come out and play. Release any doubt, attempting to sabotage your creativity. Kick your resistance gremlins in the teeth. Most of your worries will never happen, so do not give them power over you. Taking one small step will help propel you through anything life sends your way, even when the Cookie Monster steals your cookies. If you only drink libations of high vibrations, you'll never end up face-down-pants-down in the bushes. Designed to Motivate Your Creative Maniac Mind The 60-Second Power Affirmations Podcast is designed to help you focus, affirm your visions, and harness the power within your creative maniac mind! Join us every Monday and Thursday for a new 60-second power affirmation followed by a blast of oracle motivation from the Universe (+ a quick breathing meditation). It's time to take off your procrastination diaper and share your musings with the world! For more musings, visit RageCreate.com Leave a Review & Share! Apple Podcast reviews are one of THE most important factors for podcasts. If you enjoy the show, please take a second to leave the show a review on Apple Podcasts! Click this link: Leave a review on Apple Podcasts Hit “Listen on Apple Podcasts” on the left-hand side under the picture. Scroll down under “Ratings & Reviews” & click “Write A Review” Leave an honest review. You're awesome!
In today's Update Journal, a contestant on The Weakest Link proves that sometimes confidence and knowledge are two very different things after naming Big Bird as the U.S. Secretary of State. Somewhere on Sesame Street, Big Bird is now preparing a foreign policy briefing with Cookie Monster handling snacks and Oscar the Grouch in charge of negotiations.Meanwhile, I've discovered a new snack that has him questioning my willpower, my diet, and possibly my life choices. What started as “just trying something new” has quickly turned into the kind of snack obsession where the bag mysteriously empties itself while you're not looking.And in Brandon's Take, we brace for the spring side of Daylight Saving Time—the one where we all lose an hour of sleep and spend the next week wondering why we feel like we got hit by a bus. The clocks jump forward, our patience jumps backward, and coffee suddenly becomes a required life support system.So today: questionable game show answers, questionable snack discipline, and the annual tradition of arguing with the clock. Just another completely normal day around here.In the headlines on #TheUpdate this Wednesday, a federal judge has blocked President Trump's administration's efforts to halt New York's first-in-the-nation congestion fee meant to reduce traffic and pump revenue into the region's aging transit system.The NYPD were searching for two suspects believed to have been involved in an attack near Manhattan's Penn Station when a 37-year-old man was set on fire as he slept.And in Washington, Homeland Security Secretary Kristi Noem defended her department's immigration enforcement tactics in front of a Senate committee and pushed back against criticism from Democrats who say she wrongly disparaged two protesters killed by federal officers in Minneapolis earlier this year.
It's the special weekend “Opinions Matter: Uncut” edition — and it's as random as it gets as Adrian and Jeremy waffle while waiting for the live show to start.First up: is it rude or fair enough to ban people from eating in your car… especially when Jeremy eats like the Cookie Monster!! Then the lads derail into “strings to your bow”, DJ gigs, wearing Under Armour is for people in council estates....and Jeremy admits he only learned what “redacted” means because of the Epstein files.And just when the sad music comes out for a “diagnosis”… it turns out the real tragedy is bowling alleys (or are they?).
Hey HBs! We're back! And we're back with some stabby energy because what could be better in this moment? We've got a Brynn Weaver spinoff that made all our dreams come true, and made Mel's gardening heart very jealous: TOURIST SEASON. It's book one in her new trilogy The Seasons of Carnage. She's a transplant taking over the mantle of "protecting" her new small town, one wood-chipped tourist at a time. He's a tourist who's determined to turn the tables on her and enact his revenge for the accident that killed his brother and ruined his life. But there's a magnetism neither of them can explain! TW: depictions of caring for an elder loved one with dementia/Alzheimer's. Oh and, like, brutal murder, drowning, dismemberment, and more. Look, man, it's a Brynn Weaver book. Bonus content: Cookie Monster impressions, Mel gets jealous of Harper's compost resources, BIRD watching because she's Harper STARLING, we've upgraded to a Cuck Couch here at HBHQ, and so much more! Want to support the show? Rate and review us on your favorite podcast app! It super helps the algorithm connect us to new listeners. Want more of us? Check out our PATREON! This week we're talking about the 2nd and 3rd books in Brynn Weaver's Ruinous Love Trilogy LEATHER & LARK and SCYTHE & SPARROW! We're also hosting a Watch Party (virtual live event) on Friday February 20th! Credits: Theme Music: Brittany Pfantz Art: Author Kate Prior Want to tell us a story, ask about advertising, or anything else? Email: heavingbosomspodcast at gmail Follow our socials: Instagram @heavingbosoms Tiktok @heaving_bosoms Facebook group: the Heaving Bosoms Geriatric Friendship Cult The above contains affiliate links, which means that when purchasing through them, the podcast gets a small percentage without costing you a penny more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Are we still judging people by their tattoos? If a doctor was covered in face tattoos, would that make you ask for a second opinion? We need the help of the audience to settle this one. How long does a relationship have to be for it to be considered serious? What should you go through in a relationship to really test the waters? We make a list of all the things you should experience in a relationship before you know it's meant to be. A fact about Cookie Monster that blew our minds. It may or may not be the fact of the year! What it's like to get hit by lightning.
Welcome to Jake's Happy Nostalgia Show, the podcast where nostalgia comes alive!This week, we're honored to welcome legendary sound effects and foley artist Dick Maitland, whose masterful work has helped shape the soundscape of children's television for over five decades. Since Sesame Street first hit the airwaves in 1969, Dick has been behind countless iconic noises, from Cookie Monster's cookie eating noises to Muppet footsteps, crashes, squeaks, rustles, the list goes on! Dick shares stories from his remarkable run creating manual foley for the series, as well as contributing to its beloved recurring segments, specials, home videos, and more.. Fans will also enjoy hearing how he brings the charming, squeaky voice of Slimey the Worm to life. Beyond the Street, we dive into Dick's work on other classic Children's Television Workshop productions including The Electric Company, 3-2-1 Contact, and Square One TV, along with his collaborations with The Muppets, The Jim Henson Company, and other children's series, including Between the Lions, Oobi, Wonder Pets!, Maya & Miguel, and many more. We also explore Dick's extensive career as a live sweetener, shaping the audience experience for major televised events like the Macy's Thanksgiving Day Parade, the Grammy Awards, the Tony Awards, and A Capitol Fourth. Tune in for a fascinating deep dive into the art of sound and the man who helped define it.Taping date: February 9, 2025Edited by: Simon A. (Baby Lamb Creations)https://www.youtube.com/@BabyLambCreationshttps://www.tiktok.com/@babylambcreationshttps://www.instagram.com/babylambcreations/https://www.reddit.com/user/BabyLambCreationsYT/Be sure to check out our website, where you can learn more about the podcast and find how to follow the Happy Nostalgia team!https://jakeshappynostalgiashow.weebly.com/Listen to the audio version wherever you find your podcasts!https://linktr.ee/JakesHappyNostalgiaShow
Download Cash App Today: [https://capl.onelink.me/vFut/crftch8p] #CashAppPod. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. See terms and conditions at https://cash.app/legal/us/en-us/card-agreement. Cash App Green, overdraft coverage, borrow, cash back offers and promotions provided by Cash App, a Block, Inc. brand. Visit http://cash.app/legal/podcast for full disclosures.If you're 21 or older, get 25% OFF your first order + free shipping on orders $89+ @IndaCloud with code [DIYS] at https://inda.shop/[DIYS]! #indacloudpodThe internet is already doing too much in 2026.In this episode of Dam Internet, You Scary!, Patrick Cloud and Tahir Moore sit down with Khleo Thomas to break down everything from dating expectations and social media overstimulation to AI robots, dystopian futures, and the wildest news stories on the internet right now.We talk:Why dating feels like a monthly expenseHow social media drains your energy before noonAI robots replacing humans (and using up our water)A man arrested with over 100 skeletons in his basementInternet fame, clickbait beef, and why nothing shocks us anymoreTech nostalgia, childhood dreams, and adult moneyKhleo Thomas' NAACP Image Award nominationVote Here: https://naacpeoty.judge.live/categories/6ef87081-d4ec-405a-ac86-08de4c8933d8/entrantsThis episode is funny, uncomfortable, and way too real.00:00 – Cold Open: Dating Expectations & “Paying for Everything”02:01 – Welcome to Damn Internet, You Scary!03:14 – Guest Intro: Khleo Thomas05:10 – Social Media Overstimulation & Morning Phone Habits10:41 – Dating Costs, Red Flags & Relationship Expectations18:40 – Selena Powell, Rappers & Internet Villain Energy25:02 – Why Men Ignore Warnings in Dating31:12 – Would You Rather: Late With an Excuse or On Time Miserable?40:15 – Being Early, Airports & Anxiety47:10 – Tech Unboxings, Collecting & Organization55:20 – Living Childhood Dreams as Adults01:02:55 – Disneyland Turkey Leg Debate01:06:35 – Kraft Mac & Cheese vs Homemade (Conversion Story)01:12:05 – Cash App Ad Read01:15:50 – Robot Club Sightings in Vegas01:19:40 – AI Robots Replacing Humans01:23:05 – AI Using Water & Dystopian Future Talk01:29:00 – Internet Fame, Clickbait & Manufactured Beef01:35:10 – Man Arrested With 100 Skeletons in His Basement01:43:45 – Why Nothing Surprises Us Anymore01:47:50 – In The Cloud Ad Read (THC Gummies & Drinks)01:52:35 – Cookie Monster's Real Name01:58:40 – Tickle Me Elmo & 90s Toy Chaos02:06:20 – Old Cell Phones, Razr Era & Tech Nostalgia02:18:30 – Khleo Thomas NAACP Image Award Nomination02:24:50 – Where to Vote for Khleo02:27:45 – Upcoming Shows & Closing
Why does eliminating alcohol suddenly make you crave sugar like Cookie Monster, struggle with sleep (though everyone swears you'll snooze like a baby), or find yourself existentially bored? These aren't signs that Dry January "isn't working." They're signs that your nervous system, hormones, and dopamine pathways are recalibrating. I talk a lot about the incredible benefits of going alcohol-free: the confidence, the creativity, the clarity, and the INSANE biological changes. But some of these benefits take time. If this is your first Dry January or you've had a very "wet" December, your body might take awhile to heal and rebalance itself. This episode is about some of the weirdest and most misunderstood side effects of Dry January and how to work through them so you don't spiral or quit early. What comes next is the life-changing part. P.S. We're running a Dry January series all month long alongside our annual Dry Bootcamp (community, coaching, training, guides, meditations, for $55) which starts TOMORROW, January 8. It doesn't matter where you are on your alcohol-free journey – come join us! IN THIS EPISODE: Why your sweet tooth might be off the charts during Dry January, plus, guilt-free tricks to manage it without losing your mind The reasons why your sleep might get worse before it gets better, and how to leverage next-level sleep hygiene for that best-sleep-ever feeling How eliminating alcohol exposes just how much "fake fun" has taken over your day, and why boredom is actually your secret for unlocking untapped creativity and authentic joy Ideas for making Dry January exciting, from pleasure experiments to daily rituals that help you rediscover what YOU truly find fun LINKS/RESOURCES MENTIONED Listen to Episode 276 about how to sleep like a freaking baby, and listen to last week's episode, Episode 309, about the mindset shifts to take when going alcohol-free. Download my FREE 50 Things to Do Instead of Drinking checklist. Dry Bootcamp is an immersive 22-day challenge with a course, live trainings, workbooks, meditations, and a private community. Only $55 to join. Sign up now before we kick off on January 8. Our next Thought Leader Mastermind starts at the end of January and includes a VIP weekend in Hawaii. This 6-month program is for alcohol-free entrepreneurs who want to grow their impact and income and step into their brilliance as an industry thought leader. Spots are limited. Apply now. If you know you're meant to help other people change their relationship with alcohol and achieve deep healing (along with their bigger dreams), get on the waitlist for the Empowered AF 5X Coach Certification Program – and get 5x certified as a world class alcohol-free empowerment coach, mindset coach, success coach, NLP practitioner, and hypnosis practitioner when applications open. Check out Euphoric the Club, the premier club for successful women who don't drink (and the women who are becoming them) where you can get access to all my alcohol-free programs and methodology, coaching, and trainings for only $62. Awarded the most empowering book in the sober curious genre, be sure to get your copy of Euphoric: Ditch Alcohol and Gain a Happier, More Confident You today and leave a review. Follow @euphoric.af on Instagram. And as always, rate, review, and subscribe so we can continue spreading our message far and wide.
Rob Has a Podcast | Survivor / Big Brother / Amazing Race - RHAP
The Amazing Race 38 Finale Recap Rob Cesternino, Jessica Liese, and Mike Bloom are back for another incredible journey around the world watching The Amazing Race! Our TAR experts will be back with a recap each and every week! Make sure to also tune into our weekly exit interview with the eliminated team. Today, Rob Cesternino, Mike Bloom and Jess Liese discuss the finale, episode 12, of The Amazing Race 38. On this episode, the Rob, Mike, and Jessica gather to recap the finale of Amazing Race 38, celebrating Jag and Jazz's victory and scrutinizing the highs and lows of the final leg. The team brings in insights from the city where the race concluded, New York, providing on-the-ground context. Rob, Jessica, and Mike discuss: behind-the-scenes exit interview anecdotes. the leg design and wonder about the lack of detours, while also championing a more competitive shake-up in future seasons. the need for harder tasks in the finale and ways to enhance the Cookie Monster challenge, like a cookie-making task and subway travel over taxis. the cab driver factor, the logistics of repelling the Empire State Building, and the simplicity of the fabric-delivery challenge the crossword puzzle task, pointing out its ease and lack of New York authenticity The episode rounds out with reflections on the Big Brother crossover, season-long trends, standout teams, and speculation on future reality TV themes and contestants. Listen in for interview highlights, commentary on leg design, and hillarious banter! Pre-order Rob’s book, The Tribe and I Have Spoken, at http://www.robhasabook.com Race on over to Twitter to follow these hosts and share all of your thoughts with us on Twitter by tagging @RobHasAPodcast and using the hashtag #RHAP! Rob Cesternino @robcesternino Jessica Liese @HaymakerHattie Mike Bloom @AMikeBloomType Join our Facebook group at robhasawebsite.com/targroup LISTEN: Never miss an episode of Amazing Race coverage by subscribing to RHAP's Amazing Race Feed. WATCH: Watch and subscribe to all RHAP podcasts on YouTube SUPPORT: Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!
Welcome to a special Holiday Edition of Pop Goes the Couch, a limited series that looks at some of the greatest Christmas TV Specials in history. In this edition, Steve Riddle is joined by James Gruenberg as they live-watch the 1978 special, "Christmas Eve on Sesame Street". Join the pair as they discuss what was on TV that same night, Christmas memories, differences between Sesame Street and the Muppets, favorite Christmas songs, the opening scene at the skating rink, Big Bird's dilemma of how Santa can come down a chimney, Kermit making random appearances, Bert and Ernie giving up their prized possessions for each other, Cookie Monster having a stomach of iron, the fun songs throughout the special, thoughts of a crossover with Oscar the Grouch and the Grinch, Big Bird's final plan to see Santa, and the simple yet heartwarming ending to the special. So join Steve and Gruney as they tell you how to get to Sesame Street and discuss a forgotten Christmas TV Special.
We got a big dog here. 6'4". Three hundo. And the IQ of a third grader. Stray dogs and crack addicted prostitutes in North Philly needed to stay clear of this guy. Rainey regales the boys with the Tale of The Cookie Monster Killer. Support the show & get simple, online access to personalized, affordable care with HIMS @ http://hims.com/STINKER Support Lil Stinkers at https://www.patreon.com/lilstinkers to get every episode AD FREE and a week early PLUS weekly bonus content. Get your Lil Stinkers merch today at https://www.lilstinkerspod.com Follow us on Twitter and Instagram: Jon DelCollo: @jonnydelco Jake Mattera: @jakemattera Mike Rainey: @mikerainey82
Listen to today's podcast... Crispy or chewy' Palm-sized, or bite-sized' Sprinkles or no' One of the first signs that the holidays are close is the invite to participate in the Cookie Exchange. Have you ever been involved in a cookie exchange' I have and it was so much fun…but for others I know, this is the last thing that they want to participate in. Take One Action Today To Build Your #Resiliency! Here are today's Tips For Building Resilience and Celebrating National Cookie Cutter Week: A Cookie Exchange doesn't have to be a strictly C2C (cookie to cookie) transaction. At your workplace you can enjoy the holiday spirit by giving out cookies in exchange for smiles, holiday singing, or anything else you can think of to bring cheer to your colleagues. Use the cookies as a way of fundraising to support a family in need. Finally, make sure that if you are involved in a cookie exchange that it is fun and for connection. It shouldn't be extra work or add to your stress-level…especially at this time of year. When looking up National Cookie Exchange Week, I came across a site that told me what kind of a cookie I was…I am a Peanut Butter Cookie. I am not one to skimp on the finer things in life, and keeping my finances in check is crucial. You may want to check out that quiz. Looking for more ways to build your resiliency? Take my free on-line vulnerability test at worksmartlivesmart.com under the resources and courses tab. #mentalhealth #hr
Secretary of Transportation Sean Duffy says people should dress up to go to the airport, Grace and Taylor discuss whether they agree. Then, Grace talks about President Trump's meeting with Mamdani on Friday. Visit the Howie Carr Radio Network website to access columns, podcasts, and other exclusive content.
Daily Power Affirmations for your Creative Maniac Mind (in 60 Seconds)
Click here to Shop Affirmation Decks, Oracle Decks, and more! Use Promo code: RCPODCAST20 for 20% off your first order! Today's Power Affirmation: I drink libations of high vibrations. Today's Oracle of Motivation: When shit gets crazy, stay away from toxic distractions that might drown out your high vibrations. You have magic doing cartwheels inside your gut, waiting on your permission to come out and play. Release any doubt, attempting to sabotage your creativity. Kick your resistance gremlins in the teeth. Most of your worries will never happen, so do not give them power over you. Taking one small step will help propel you through anything life sends your way, even when the Cookie Monster steals your cookies. If you only drink libations of high vibrations, you'll never end up face-down-pants-down in the bushes. Designed to Motivate Your Creative Maniac Mind The 60-Second Power Affirmations Podcast is designed to help you focus, affirm your visions, and harness the power within your creative maniac mind! Join us every Monday and Thursday for a new 60-second power affirmation followed by a blast of oracle motivation from the Universe (+ a quick breathing meditation). It's time to take off your procrastination diaper and share your musings with the world! For more musings, visit RageCreate.com Leave a Review & Share! Apple Podcast reviews are one of THE most important factors for podcasts. If you enjoy the show, please take a second to leave the show a review on Apple Podcasts! Click this link: Leave a review on Apple Podcasts Hit “Listen on Apple Podcasts” on the left-hand side under the picture. Scroll down under “Ratings & Reviews” & click “Write A Review” Leave an honest review. You're awesome!
What major Hollywood event would you get by crossing a grouch with Cookie Monster? Oscar Noms. That one's for Reed. And Sal Saperstein. This week: durable goods orders, George Stephanopoulos, and the Don Draper HBO Max meme comes full circle (this time in 4K).
Morgan Chesky sits down with the award-winning team behind the LA Chargers' social media. Also, Billy Bob Thornton stops by to discuss the newest season of his show “Landman”. Plus, Big Bird, Elmo, Abby Cadabby, and Cookie Monster chat with Savannah and Craig ahead of the 56th season of Sesame Street. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Hasbro's TRON Haslab is on a collision course with history. With only two weeks left to fund the project, will it become the lowest-backed Haslab since Cookie Monster? Plus, is the collectibles bubble about to Pop? Funko admits their days may be numbered lower than a Comic-Con exclusive. And, the Power Ranges and Godzilla team up for what may be the most logical crossover since Alien vs. Predator. It's The Reluctant Adult Podcast. Email TheReluctantAdultPodcast@gmail.com TikTok @TheReluctantAdultPodcast Instagram @TheReluctantAdultPodcast Facebook The Reluctant Adult Podcast YouTube The Reluctant Adult Podcast Paul's eBay Auctions Save 10% with code RAP101 at New Meta Save and get Free Shipping from Entertainment Earth
This week, Chad has had a long day and Cy is buying his son a Halloween costume. This episode is brought to you by Prize Picks and BetterHelp! --- Follow us on Instagram! Chad Daniels (@ThatChadDaniels) is a Dad, Comedian, and pancake lover. With over 750 million streams of his 5 albums to date, his audio plays are in the 99th percentile in comedy and music on Pandora alone, averaging over 1MM per week. Chad's previous album, Footprints on the Moon was the most streamed comedy album of 2017, and he has 6 late-night appearances and a Comedy Central Half Hour under his belt. Cy Amundson (@CyAmundson) With appearances on Conan, Adam Devine's House Party, and Comedy Central's This is Not Happening, Cy Amundson is fast-proving himself in the world of standup comedy. After cutting his teeth at Acme Comedy Company in Minneapolis, has since appeared on Family Guy and American Dad and as a host on ESPN's SportsCenter on Snapchat. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Jared and Mike catch up on MAGA's witch hunt for "Antifa" terrorists and find that it isn't going particularly well. The White House has leaned on laughable influencers to persuade the public that Antifa actually exists and that protesters wearing Cookie Monster and Barney the Dinosaur costumes are proof of the problem. The guys play audio from an insane hype reel created by the White House and hear from Daryle Lamont Jenkins, who Andy Ngo since claimed is the "main leader" of Antifa.In the second half of this episode, the PTI crew details the history of "The Turner Diaries": an infamous white supremacist book that has inspired deadly acts of racist terrorism. They spoke to Kelvin Pierce, the son of William Luther Pierce, the prominent neo-Nazi who wrote the book, and hear how he rejected his father's ideology and worked to build a different world.The Turner Legacy: The Storied Origins and Enduring Impact of White Nationalism's Deadly Bible, J.M. Berger (2023)One People's ProjectLinks for Kelvin Pierce:Sins of My Father: Growing Up with America's Most Dangerous White Supremacist (2020)The Divine Child FoundationTransition Music: "Back to the Wind" by WhitneySign up for Patreon to get weekly bonus episodes
In this week's episode, we interview narrator Hollis McCarthy, who has narrated over 300 audiobooks, including many of THE GHOSTS and CLOAK MAGES. She is also co-author with her mother Dee Maltby of the MAGIC OF LARLION series, which you can learn more about at https://deemaltbyauthor.com/. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSKULL25 The coupon code is valid through October 27, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT Introduction and Writing Updates (00:00): Hello, everyone. Welcome to Episode 273 of The Pulp Writer Show. My name is Jonathan Moller. Today is October 17th, 2025, and today we have an interview with audiobook narrator Hollis McCarthy. Hollis has narrated many audiobooks, including numerous books from the Ghost and Cloak Mage series, so we'll talk with her about that. Before we get to our main topic, we'll have Coupon of the Week and then a progress update on my current writing projects. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store, and that coupon code is DRAGONSKULL25. The coupon code is valid through October 27th, 2025. So if you need some new ebooks to read for this fall, we've got you covered. And as always, the coupon code and the links to my store will be available in the show notes. Now for an update on my current writing projects. As of this recording, I am 80% of the way through the first round of edits in Cloak of Worlds, so making good progress and if all goes well, the book should be out before the end of the month. I'm also 14,000 words into Blade of Shadows, which will be my next main project after Cloak of Worlds is published, which means I also have to write the outline for Elven-Assassin soon, and that will be the fifth book in the Rivah series. In audiobook news, recording will be underway next week for Blade of Flames. That will be narrated excellently by Brad Wills. Ghost in Siege is now out. It should be available at of all the audiobook stories (except Spotify) and it should be available there in a few days. And that is the final book in my Ghost Armor series that is excellently narrated by Hollis McCarthy. So that is where I'm at with my current writing and audiobook and publishing projects, which makes for a good segue into our main topic, our interview with Hollis McCarthy, which begins now. 00:03:56 Interview With Hollis McCarthy Hi everyone. I'm here today with Hollis McCarthy, who is a classically trained actor. Hollis has played leads in regional and off-Broadway theater, specializing in Shakespeare. On CBS. she's been a recurring guest star judge on Bull, the president of Ireland on Bluebloods, and a senator on Netflix's House of Cards. She's narrated more than 300 books for a variety of publishers and is the proud co-author of her mom Dee Maltby's epic fantasy series, The Magic of Larlion. Hollis, thanks for coming on the show today. Hollis: My pleasure. Jonathan: So to start, can you tell us a little bit about yourself and how you got into acting and performing? Hollis: That's a great question. I think it all started with doing my little brother's Sesame Street finger puppets. He's 10 years younger than me, so I mean, I got to reread all my favorite books with him and I started voicing the finger puppets to Burt, Ernie and Cookie Monster and all those guys in the backseat of the car and playing all the characters. And then my brother went into theater. My other brother's seven years older than me, and I used to go see his shows up at the college when I was in high school and kind of fell in love with it there. I absolutely meant to be an aeronautical engineer/physicist like my dad, but it didn't end up working out. I fell in love with theater and went to Stratford. I had a dual major because I was in an honors program, so I didn't have to declare a major until my fifth year of undergrad. But then I went to Stratford up in Canada and I saw two Shakespeare shows in one day and that was it. I had to do that. That was what I loved. Jonathan: Well, since we've had many audiobooks together, I'm glad it worked out that way. Hollis: Me too. Yeah, so I got my BFA in acting, and then I got my MFA from the University of Missouri-Kansas City in performance, and I was lucky enough to have some great coaches from the RSC and did a bunch more Shakespeare, and I've done that regionally a lot. And then I fell into audiobooks because I got tired of traveling, and I love to work from my home in my jammies. Jonathan: That is the dream. Speaking of that, could you tell us a bit more about how you sort of got into audiobooks or ended up doing a lot of that? Hollis: Yeah. Well, again, it starts with my childhood. My mom, who was a writer and an artist, she had, there were five of us kids and she would read out loud to us in the kitchen to keep us from fighting when we were cleaning up. So she started with Tolkien and Watership Down and Narnia and all of that. And then I got to, like I said, read to my little brother all my favorite books. And so I started doing all different voices for the characters and I always thought that was normal until, of course I volunteered to read in class in high school and people thought I was some sort of freak, but I always loved playing all the characters. And so when I started looking at staying home more and what could I do to work from home instead of being on the road for work, which was great for a long time, but then at some point you want to stay home and have a life as an actor as well as doing what you love. And audiobooks seemed a good fit. So my husband, who's also an actor, took a class from Paul Rubin here in the city in New York. We live in the New York area now. And he got a bunch of good tips from that that he passed on to me. And then my agent got me an audition with Audible and Mike Charzuk there. I came in and read a couple of pieces for him and he came back to the booth with a book he wanted me to start on. And from there I just kept building and got a lot of great indie authors through ACX like you. I don't know how many books we've done together now. Jonathan: It's over 30, I think. Yeah, 30 over the last seven years. So it's been a while. Hollis: And you're seriously, I mean, I'm not saying this because I'm on your blog, but your series are absolutely my favorites, especially because, yeah, the two series that I do, one is Nadia from the Midwest like me and then the other one with Caina, the epic fantasy world, which uses all my British and Irish bits and I absolutely love them. So yeah, I've just kept building up, getting in with a few more publishers now, which is harder to do and I just love it. Our first booth, when the pandemic hit, we had to build a booth at home and I had been going to studios in the city up until that point, but it hit pretty suddenly. It was obvious on St. Patrick's Day when it was like us going to the studio and people who were absolutely desperate folks were the only other ones on the street. We had to stay home. So my husband took our rapier blade (we fight with swords. We're actor combatants, like you said). He took two broadsword blades and a rapier blade, and he's handy with carpentry, fortunately. That's how he worked his way through school. He bracketed those to the wall and we ordered through Amazon before they kind of shut down too. We ordered packing blankets to hang over them and I ordered a new microphone and a new interface and it was trial and error for a bunch of days. And we had an engineer on call who talked us through how to run the software programs and stuff, how to set them up. And from there I've just kept recording at home. I sometimes still go into the studios when they have a budget where they can spring for a studio, but mostly they want you to work from home these days. So that's mostly what I do. Jonathan: Oh, building a recording booth out of swords. That's very Caina. Hollis: It's very Caina. I love Caina. Caina is me as a young woman. If I had been a superhero, I would've been a Caina. All my favorite roles in Shakespeare were the girl as boy ones. You asked, one of my favorite roles in theater was when I was at Alabama Shakespeare and I was playing Queen Elizabeth in Richard III and dressing in gorgeous gowns and being very seductive and very powerful and manipulative and all that. But in the earlier scenes, we did the three plays and in the Richard III and the Henry VI we did all three. And in the earlier scenes where Elizabeth wasn't in, I got to dress up and doublet and hose and I like stippled some stipple of beard on my face and climbed a siege ladder with a sword in one hand and did a spectacular pratfall running away from the bad guys and would slide on my stomach on the deck of the stage and I would come out into the lobby and the other guys who were playing my fellow fighters would be holding up rating cards for how far I'd slid that day. Jonathan: Sounds like very practical cardio. Hollis: Yeah, very. It was a lot of fun. That was probably my most fun I've ever done, though I also loved Beatrice and Much Ado, which I got to do twice because she's just so funny and witty and passionate. She's great, and Shakespeare, you know. Jonathan: Very good. So after all these audiobooks, what goes into preparing to record an audiobook? Hollis: That's a great question, too. It depends on the book, really. And I'm lucky enough to do a lot of series now, so when you're doing a series, it gets easier as you go along. I remember with the first ones I did for you, the first Caina, it probably took me an hour of prep to get through the first chapter. There were so many made up place names that I needed to figure out how to say, and then you have to be consistent. Even if they're made up, you still have to be consistent. So I really used my theater training there because I learned the international phonetic alphabet when I was in school, and so I can write down phonetic pronunciations and for each book, I'm old school with my prep, I'll keep a legal pad and I'll write down phonetic pronunciations, the word, page number, and the phonetic pronunciation for each word, so I have a record. You don't retain them from book to book. Pronunciations is a big part of what you do. Also, character voices, because again, you want to be true to the author's intent and you want to stay consistent. Again, for Caina, it became very complicated because you had to have Caina's basic voice, which is this [speaks in Caina's voice]. She started out a bit higher because she was younger. And then as she aged, she's gotten more medium pitch-wise, but then she was in disguise as various people. She was disguised as a cockney guy for a while, and she was an Irish guy for a while. And so for each of those personas, you have to notate for yourself in the script. Oh, now she has this accent. Now she has this one. And really for each chunk of dialogue, every time a character speaks, I'll put the initial of their name and if there are a lot of characters in the scene, I will have to differentiate between them pretty frequently. If it's two characters and I know them both very well, then I kind of have the shorthand in my head. So the different character voices I also put on my legal pad so I have a record, so Calvia sounds like this [speaks a line in the character's voice]. And sometimes I'll write down physical aspects of them so that I can just kind of feel the character. And after I do them for a while, the feel of the character will give me the voice and you write down everything that the author says about the character too. I'll just notate for myself that will oftentimes give you the voice. If it's a good author, which thank God you are, you write in different voices, which makes my job easier. Jonathan: The joke I sometimes say is I didn't do audiobooks for the first seven years I was publishing, and people would ask me, how do you pronounce this? I say, I don't care, pronounce it however you want. And then suddenly we started doing audiobooks and suddenly no, it matters very much how it's pronounced. Hollis: Yeah, exactly. It's funny, I'm just looking at my tablet. I have your Shield of Power up on my tablet. I've been reading that on the treadmill and at lunch. But yeah, we have to keep tabs. And when we have so many books now, I've started special folders just for the Ghost series and the Cloak series because a lot of times a character will show up from several books previous and I go, I remember them, but I don't remember what they sounded like. So I will have notated forward alto, slightly Irish or something like that for them. I have shorthand for all of it, and so I'll do that. Jonathan: Yeah, I spent a lot of time with Control + F searching through Word documents, trying to remember the first time I wrote this character and what they looked like. Hollis: Yeah, I bet you do. Some writers I guess do, well, if they don't do it all themselves. And if they have somebody who's like an administrative assistant, they have somebody who gives you, I've gotten these from authors before. Their assistant will send me a story log of characters with everything that's said about the character. I'm like, oh, well, that's very organized and helpful, but I would think it would be massively time consuming. Jonathan: It is. I did hire someone to help me with that this year. It was getting to be too much to go back and search through things and it is a very time consuming project, but once it's done, it's very helpful because it's quite easy to find things and look things up and refresh your memory. Hollis: I bet so. When I was working on my mom's books, we hired an editor and she did a spreadsheet, a database kind of different terms and characters and what was said about them. And I go back to that and amend it all the time now that I'm trying to write book eight. Jonathan: Yeah, that kind of thing is very helpful. But on a related topic of preparation, since you've done audiobooks, stage, and TV, how would say narrating audiobooks is different from the experience of doing theater or TV? Hollis: The major thing and the hardest thing for me when I was starting out was you can't move around all the time. I had an engineer at Audible. It was just, and a lot of times the chair is very important because if you move, what you're bound to do, if you're producing your voice correctly, you need to sit up and you need to use your hands to express yourself, and you have to have an absolutely silent chair. And the chairs at Audible at that time, were not absolutely silent. So every time I moved, the chair would squeak and we'd have to stop and start again. So that was very, very hard for me. In fact, I've been doing so much audiobooks now, and I also do TV and film, but that's gone to all for auditioning for that. It's all self tape, which means it's just like head and shoulders, so still you're just kind of using a little part of your body. And I had a theater callback for Pygmalion in the city the other day, in person, in a studio, in a rehearsal room. The day before, I used to do those all the time, and that's so rare now for them to do in-person auditions since the pandemic. But I put on my character shoes and my skirt and I practice just being bigger, opening my body up and doing all this stuff I learned to do in school and that you do when you're on stage to own the space because the space is the back wall of the theater. And that's a big difference between theater, film, TV, and audiobooks is the scope of it. When I did Beatrice, I was in an 1,100 seat unamplified stone amphitheater outdoors in Colorado. So you can imagine the scope physically and vocally is so big. And then for TV, film and you have to what they say, reach the back wall of whatever space you're in. Well, for film and TV, the back wall is the camera. It's right in front of your face a lot of the times. And the back wall is really kind of the inside of your head. It's almost like you have to have internal gaze so that the thoughts are just happening. You don't have to project them, you don't have to project your voice because all the equipment comes right to you, and all you have to do is feel the feelings and think the thoughts and the camera and microphone picked that up. Similarly with audiobooks, I'm just in a little tiny padded booth. My microphone is just a few inches from my face, and so I could be very, very intimate and everything gets picked up, and you have to do a lot less work for the emotion to come through. Again, really all you have to do is kind of feel the emotion. And for me, that's always for me is being in the moment and feeling the moment and letting that dictate the pace and the vocals and everything. I guess I'm pretty Method. I'm very Method, but that's how I trained. It's what works for me. Not every narrator is like that. There's a million different proper ways to narrate, and that's just my take on it. But everything is right there. So it's just kind of keeping it much smaller and more intimate. And in fact, when you want to be big like [character name's said in the character's] voice and he was yelling a lot, and I would have to pull back from the microphone to let his scope come out. Jonathan: Well, after 30 audiobooks together, I can say that method definitely works. Related to that, as we mentioned earlier, you're now at over 300 titles on Audible over the last 12 years. Congratulations for that. What would you say is most surprising or unexpected things about audiobooks you learned during that time? Hollis: Oh, well, it was very surprising that we could make a booth out of sword blades and blankets. That surprised me. Yeah, that's a great question. It's surprising to me how simple I can be. I went back and I had an author recently who wanted me to do a new chapter to begin and end a book that I had done like 2014, something like that, shortly after I started. And I thought at the time that I was really filling these voices and what I did was fine. You're always your own worst critic. But what I've discovered now is the more you do it, the more you record, the more you use your instrument every single day for 300 some books, the more effortless it becomes and the more depth you can bring to it. And as a young actor, we always resist that. My acting coach used to say, age and experience. There's no substitute for it. I'm like, yeah, yeah, but talent and hard work, that's something. But it's really true that just the repetition, there's no substitute for it. Those chapters that I did, they were the same voices basically. But when I went back and listened to the original, I was like, oh, it surprised me how without really changing anything mechanically, the work has just gotten deeper, more effortless, but it sounds better at the same time. Does that make sense? Jonathan: It does. Because you've probably noticed I've redesigned the covers for the Caina series like seven times over the last 10 years. And every time you think this is it, this is it. I'm done. This is good. And then with more practice, you look back and think, well, maybe I can improve this again, though. I suppose that's not often something that happens in the audiobook world where you get to go back and revisit something you did previously. Hollis: That is one of the hardest and most surprising things about audiobooks. And I've heard people say that this happens to every young narrator when they're starting out, you get through the first two chapters of a new book and you go, oh God, now I get it. I want to go back and start again. Well, there's no do overs with audiobooks. With audiobooks, “done is good” is what they always tell you when you're starting out. So even in film and TV, which you don't get much rehearsal for, you get a couple of run run-throughs, but with audiobooks, you got your prep. Not everyone does, but I always read the whole book before I start if possible, because otherwise you get surprises. But you get your one read through, your prep, and then you go and yes, you can stop. You can punch and roll, edit over. If you make a mistake, you go back half a line, you start again there. But there's no evolution of the work, which is what's great about series too, I think, because with the series you get, yeah, Caina was here last time I did her and now she's going through something new. And then the character grows and it becomes less and less effortful, but it also becomes like someone you really know so that it gets so much deeper and it's so much more fun to play with. Jonathan: That makes sense. 12 years really is a long time to have done audio narration or anything. So what do you think is the key to sticking it out for audiobooks for the long term? Hollis: Well, a lot of things make a difference. I didn't do it before this interview, which is why my voice is kind of rocky, but I always warm up in the morning when I'm setting up a session. I always do a vocal warmup. You got to get a good night's sleep, you have to drink water every couple of pages. I have a tea that I drink that keeps my stomach quiet because stomach gurgles is another bad thing about audiobooks. You have to eat very carefully and drink tea to keep your stomach quiet. You don't want to have to stop every time for that. And a lot of training, a lot of vocal training. I had Linklater training and the Lavan training, and Linklater to me is the most useful. And a lot of the stuff that applies to Shakespeare applies to audiobooks too. You warm up, you get yourself breathing, you warm up your resonators, your sinus, your mask resonators, the back of your head, your chest resonators. For the men [imitates male voice], you really have to have your chest warmed up, get the vibrations going here. And so I get all that kind of going before I sit down in the booth. And that also keeps you, then you keep your throat open so you're not hurting yourself. You have to have good posture so that the air can move from your diaphragm up to your throat and have it be open. And then optimally, like with Caina, Caina has a lot of mask resonance. Brits do; they are very far forward. So you really have to have all that warmed up and then that has to have no impediments between the front of your face all the way down to your diaphragm where the breath originates. And if you can do all that, then you could be an audiobook narrator. Also diction. I warm up my diction to everything from [imitates several vocal exercises] in just to get your mouth moving. You don't want lazy mouth with, there's a lot of enunciation in audiobooks that's important. But I also don't like, I really hate when you hear people enunciating. I don't like that. And with Caina, even though she's upper class, she's not like that. She's not pretentious. And certainly Nadia, you want to be able to understand what she says, but you don't want her to be enunciating. That be weird. So all of all that stuff I worked on in grad school and did all the Shakespeare plays, I would always get to the theater an hour early. You have to be there half hour for makeup and check in, but I would always get there an hour early and do at least 15 to 20 minutes of physical and vocal warmups. And so those habits have really helped me. I think I have pipes of iron, fortunately. I'm very lucky. So all that stuff really matters with audiobooks. Jonathan: It's amazing in how many different fields of life the answer seems to boil down to do the things you're supposed to over and over again forever. Hollis: Exactly. That's really true. When are we going to get old enough that we don't have to do that anymore? [laughs] Jonathan: Just one side question. What is Linklater training? I don't think I've heard that term before. Hollis: Oh, Kristen Linklater is, she's probably the biggest American vocal coach. She has a lot of books out there about voice and the actor and all of her training stems from allowing the breathing to drop in as she calls it, not forcing it to drop into the diaphragm, and then creating a pool of vocal vibrations that go from the diaphragm through an open throat to the resonators. And you can use every resonator in your body to project that sound. When I was doing Beatrice and Gertrude at Colorado Shakes in that unamplified stone amphitheater in the foothills of the Rockies, there was winds that would come down out of the mountains when we were on stage, and that theater was known for eating women's voices. And I had to thank God the vocal coach that summer was a Linklater coach, which is the method that I trained in, and he helped me work with even resonators. If you can imagine in your back, just using the whole chest box and shaking the vibrations through your body so that basically you're making your whole human skeleton an amplifier for the vocal energy coming from your breath. And that's Linklater. She's fascinating. If you ever want to study voice, you can't do better than Linklater, to my mind. Cicely Berry is another one I studied. She's the British guru for the RSC and the Royal Shakespeare Company and all those people, and she's great too. Jonathan: Well, that's just exciting. I learned something new today. Hollis: That's always good. Always learning from your books too about Medieval combat. Jonathan: We always want to learn something new every day, whether we like it or not. Hollis: Right. Jonathan: So to turn it around a little bit, what advice would you give a new indie author who is working with a narrator for the first time? Hollis: Oh yeah, I actually, I made some notes. I thought that was such a good question. Make sure that your narrator knows what you expect from them upfront. If you go through ACX, they have this great thing called the first 15 where your narrator is, if you're new to this author, you record the first 15 minutes of the book and you put that on ACX for your author to listen to and approve. You don't have to approve it if you don't like it. And in fact, if you don't like it, it's very important you don't approve it and you tell your narrator specifics about what you need them to change before they go on with the book. Because what you can't really do is once a book is recorded, say, oh, I really don't like it. I'm not going to pay you for it. I need you to go back and do it again. That's not acceptable and it will make narrators never want to work with you. But what's great about the first 15 is you have that chance to say, well, this voice was, she was a little higher than I wanted. I hear her in my head more as an alto because for me as a narrator, what I want to do is I want to take what you, Jonathan, hear your characters being as you're writing them in your head. I want to take that and translate that into an audiobook for you. So the more you give your narrators information about your characters, the better they're going to voice it. Also, if there's a style in your head, like with Nadia books, there's a little touch of noir there. It was a dark and stormy night kind of feel. If there's a style you kind of hear in your head, that would be a good thing to give them. But ACX has also, I think a character sheet where you can tell them about the different characters. You can fill that out for your narrator. That's tremendously helpful, age of the character, if you hear a vocal pitch range, soprano, alto, tenor, bass, any dialects, they need to know that. The narrator's nightmare is you finish up a book and you shouldn't do this, you should read ahead, but you get to the last line: “I love you, darling,” he said in his beautiful French accent. Jonathan: It explicitly shows up there for the first time. Hollis: Exactly. And then for the narrator, it's like, oh my God, I have to go back and rerecord everything this guy said, which is hours and hours and hours of work for you and your editor who will kill you. But yeah, let them know about all the character traits that you can and just, I think it's on the narrator too, to, I've been lucky with my authors, we always have a good give and take. I come from a theater background and you want to collaborate. You want to realize the author's vision and you want to be a partner in creating that. So try to be partners and give them more information than you think they need and use that first 15. It is totally acceptable to send it back and say, I'm going to need you to do this again, and I'm going to need these changes. And then once you get that ironed out, then you'll probably be ready to go ahead and have a book. And when you get the book, you won't be shocked and you'll be happy (hopefully) with the read. Is that helpful? Jonathan: It does. New authors, if you're listening to this, listen to that advice. Hollis: Yeah. Jonathan: Now for a slightly different topic, can you tell us about the Magic of Larlion books and how you ended up publishing that series? Hollis: Yeah. The Magic of Larlion is an epic fantasy adventures series seven, almost eight volumes. I'm working on finishing book eight now. The first book, Wizard Stone, my brilliant mother Dee Maltby started years and years ago, probably, gosh, maybe 20 years ago now, I think when my little brother moved out from home and she had an empty nest and she had more time to write, and she wrote Wizard Stone, and she sent it out a few places, and that was the only way you could get published back when she wrote it and didn't pursue it, she got discouraged, I think, by rejections from publishers, sat in her drawer for a while, and my sister-in-law, Dana Benningfield, who's also an actor, and she was my best friend even before she married my brother. I introduced them. So yeah, that was all me. She was an editor professionally for a while, and when she moved to Ohio where I'm from and was living with my brother and my parents lived right across the orchard, I told her about this book. And she wasn't editing at the time, she was kind of done with it, but she asked mom if she could read it. So she read it and edited it, and then it became a much better book and really encouraged my mom to keep writing, which I had been telling her to do for years. But hearing somebody who wasn't family, somehow giving her that input that it was really something special, changed her perspective. So she kept writing and she and I started, I was on the road doing Shakespeare a lot. We started trading chapters. She'd send me a chapter a week and I would edit it and send it back. And so Wizard Stone evolved from there into its current form, and then she started the next book, Wizard Wind and Wizard Storm. And we went that way through five and a half books. And my dad finally, when he retired from being a physicist, said he was going to, I always told you I'd get your published Dee, I'm going to take it down to the print shop and get a hundred copies made. And by this time I was working with you and a bunch of other great indie authors who were letting thousands of happy readers read their books through an independent platform. And I said, well, wait a minute. I could do better than that. So I convinced them to hire an editor that I had worked with, and I did the rewrites and got it through the pre-production process and hired a cover artist, very talented artist. And you and Meara Platt, another of my authors, gave me so much information and help. And we got it published in 2022, I believe. We had three ready to go. And we published those all within a month of each other. One a month for three months, and then four and five, and then six came. And I co-authored five, six, and seven because my mother was losing her sight and her hearing at that point. We got those done. We had six out and a lot of people reading them and loving them and reviewing them before my mom passed. And I think it's probably one of the most satisfying things I've done in my life, because not only do I love the books, and they're just a rip roaring, fantastic adventure-filled epic trip through this incredible world my mom invented. But when she was about to, one of the last things she said to me was, I told her how many people had read her books. I just went through the Kindle numbers and thousands of people in different countries and all over the world were reading and loving her books. And I told her that, and she said, that's all that matters. And she felt such a sense of pride in herself and accomplishment because they were being received for what they are, which is a brilliant creative flight of fancy, this magical world in the tradition of all the books she loved, always Tolkien. And so I promised her I'd finish it. So after she died, I published six and seven and I've got eight about 90% written now, and I'm hoping to bring that out by the end of the year, although I've been too darn busy with narration to really spend the time. I've got the big climactic Jonathan Moeller type battle at the end sketched in my head and on an outline, but I got to write that. And then we can get that out there and finish that too. Jonathan: Will you stop with eight or keep going after eight? Hollis: My feeling is that this series will culminate with book eight. It's been a long saga of Beneban, this young wizard who kind of gets flung off a mountain by his evil wizard master and has to master his fledgling wizardry powers and his magical sword to win his love Laraynia, a powerful sorceress, and save the kingdom. And that's book one. And there's ice dragons, and then they have kids, and then the later books have become much more about their kids. And the more I write, the more it's become about young women fighting with swords. Jonathan: Well, they say write what you know. Hollis: Defeating the bad guys. Plucky young women, overachieving, competing with men. And so I think that's all going to come to a head with book eight, and that will be the end of that series. But I do think I'm going to spin it off into possibly more on the younger characters. I don't know if it's going to be YA per se, I think it'll still be for adults, but more of a YA feel to it, the younger characters of the ice dragon riding school of battle and the wizarding school. I don't know if I want to make it schools necessarily, it might limit you too much. And that's kind of been done too. But I do think the ice dragons are going to figure largely in it. Oh, and I don't know, there's a plot point I probably shouldn't give away, but my mother's full name was Willa Dee Maltby. She writes under Dee Maltby and there is a character, a very magical character named Willa that shows up in this book eight. So I think Willa will be a big character going forward and the younger generation of women and some boys too. I like boys, I do. Jonathan: Well, I suppose if people want to know more, they will have to read and find out. Hollis: Yes. And please go to the website is deemaltbyauthor.com and everything you want to know (well, maybe not everything), but everything you can know for now is there. Jonathan: Well, I was going to ask you what you would say was the most rewarding things about publishing the books, but I think you covered that pretty well. On the flip side, what was the biggest unexpected challenge in publishing them? Hollis: The PR is hard. You seem to be great at it. I even did PR professionally to work my way through undergrad and then in between grad school and undergrad and after I graduated and I had an assistantship in it at my university. But the book world specifically is a whole different kind of PR and learning Amazon ads and Facebook ads and it's a lot. It's a lot. And again, you have been so helpful with it. And I mean, there are a lot of online resources out there too, which is great. But what I'm really finding, trying to do it part-time is overwhelming. You really need a full-time block of time to not only write the books, but then to publicize them the way they deserve to be publicized. Jonathan: Yeah, the tricky part is, as you said, book advertising is very different from anything else. I was talking with a guy who is an Amazon reseller for various toiletries and hygiene products and makes a good living doing that. I was telling him how much I pay per click on Amazon ads. He's just appalled. It's like, you can't make any money doing that. And then the flip side of that too is that Internet marketing is so different than any other form of PR, so it's just sort of constant challenge there. Hollis: I know, and I know I actually signed up for a TikTok account and I just don't, again at the time. Plus every time I turn it on, I'm like, I don't want to watch that. I'm allergic to the format. You'd think being an actor, being used to being on camera, I could come up easily with little things to do for the books and I probably could for TikTok. But again, just learning the platform and then applying yourself to it is just such a big time hack that I don't have that amount of time. I know that narrators are now more and more marketing themselves by recording themselves on camera narrating and putting that out there, which I can do, I guess. And that's why I got this ring light and everything. I can do that now. I haven't done anything with it, but I guess if some of the book work dries up, I'll be more motivated to do it. Jonathan: Well, that's how anything works. You try it and if you enjoy it and it works, keep doing it. And if you don't enjoy it and it doesn't work, no point in carrying on with it. Hollis: I think that's true. And you just have to keep learning too, as we know with everything. You got to keep learning new things. Jonathan: Well, this has been a very enjoyable interview and thank you for coming on the show. Hollis: My pleasure. Jonathan: Let's close out with one last question. You've obviously done a lot of theater, so what, out of all the productions you've done was the one you would say was your favorite or that you enjoyed the most? Hollis: I think I have to go back to Beatrice probably. I mean, the Alabama Shakes getting to play a man thing, that was a lot of fun. But Beatrice, we did a Wild West Much Ado about Nothing at Colorado Shakespeare. The premise was that I was the niece of Leonardo, who is the tavern keeper, the bar keeper in this Wild West world. And there was a bar fight opening this Wild West production, and I entered through a swinging tavern door with a six shooter in one hand and a bull whip in the other. And I shot the pistol and cracked the bull whip and broke up the fight and then got to do Shakespeare's incredible Beatrice and Benedict story from there. It was so much fun. Jonathan: It almost seems like the soundtrack could have been “I Shot the Sheriff.” Hollis: Yeah. Yeah, it really could. It was a heck of a lot of fun. Jonathan: Well, speaking of fun, it was good talking with you, and thank you for taking the time to be on the show. Hollis: Yeah, I am excited to start the next Cloak book soon. So I was going to offer to do a little snatch of you want the introduction for Cloak here? Jonathan: Oh, I think we'll save it for the Real Thing. Hollis: Oh, okay. All right. Well thank you, Jonathan. It's been a pleasure. Jonathan: It's been a pleasure. And see you soon for Cloak Mage #10. Hollis: Alright. So that was our interview with Hollis McCarthy. Thank you for coming on the show and giving us a very informative and entertaining interview. A reminder that the website with the Magic of Larlion books is deemaltbyauthor.com. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.
Dan, James, Andy and Melanie Bracewell discuss currents, biscuit tins, jam dodgers and all sorts of pi. Visit nosuchthingasafish.com for news about live shows, merchandise and more episodes. Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreon
This podcast covers New Girl Season 5, Episode 10, Goosebumps Walkaway, which originally aired on March 8, 2016 and was written by Berkeley Johnson and directed by Trent O'Donnell. Here's a quick recap of the episode:Jess is back and Reagan helps her find her missed connection! Meanwhile, Schmidt is learning to “let loose”.This episode got a 9/10 rating from both Kritika and Kelly; Kritika's favorite character was Winston and Kelly's favorite was Nick.Episode Sections:(00:00) Welcome (01:33) Episode Recap: Dancing(11:47) Episode Recap: Reagan Leaving and Finding Jess's Juror(41:48) Schmidtism(43:36) Pop Culture(47:24) Guest Stars(50:48) Trivia & Fun Facts + Bear Hunt(54:10) Rating & Favorite Character(56:49) SpoilersWhile not discussed in the podcast, we noted other references in this episode including:Goldilocks - When Reagan finds Jess in her bed, Jess explains that she "went full Goldilocks" because the bed looked so good."The Humpty Dance" / Digital Underground - This song by the group Digital Underground played in the dance class Winston took Schmidt and Cece to.Golden Girls Theme Song - Jess sings a version of this song with different lyrics to Reagan. 800-Pound Gorilla / Elephant in the Room - When trying to get Jess and Reagan to talk about his past with both of them, Nick confuses the phrase "800-pound gorilla" with "elephant in the room."Beijing Opening Ceremony - Schmidt mentions that he will call his "Beijing Opening Ceremonies contact" to learn a new wedding dance instead of taking a dance class. ()Pat Sajak - When referring to a designer named "Lawrence of Brentwood," Jess says he sounds like a sponsor at the end of a game show, like "Pat Sajak's wardrobe furnished by Lawrence of Brentwood." Time Warp - Schmidt hangs up on Jess while saying that someone is "desecrating the Time Warp" at the dance class.Cookie Monster - Winston compares Jess and Gary on the news to "Cookie Monster's parents" because of their muffled voices. Zuul - After being told that she and Gary sounded great on television, Jess jokingly says she wants to be remembered as "blurry and talking like Zuul." Thanks for listening and stay tuned for Episode 10 Bonus Episode!Music: "Hotshot” by scottholmesmusic.comFollow us on Instagram or email us at whosthatgirlpod@gmail.com!Website: https://smallscreenchatter.com/
THESE EPISODES WERE RECORDED 10 YEARS AGO, PLEASE FORGIVE US OUR TRESPASSESPaul F. Tompkins joins Guy and Tim for a watch of Sex and The City 2. The comedy and podcasting great has seen both movies and every episode of the TV show so watch out for some in depth knowledge about everyone's favourite franchise! The trio cover ground including the Cookie Monster, the oppressive use of fashion and Canterbury prop great Col Barrell (four caps for the ABs but no international matches). ENJOY! Part two to come soon...Support the boys on their modern-day adventures at twioat.substack.com Hosted on Acast. See acast.com/privacy for more information.
Number One New York Times bestselling author Robert Edsel is the author of “The Greatest Treasure Hunt in History: The Story of the Monuments Men.” The book served as the basis for Academy Award winner George Clooney's 2014 film, which stars an ensemble cast including himself, Matt Damon, and Bill Murray. Edsel, whose father served as a Marine during World War II, is one of the world's foremost advocates for art preservation and the recovery of cultural treasures missing since World War II. The Monuments Men and Women were the soldier-scholars who helped save many of the world's great art and cultural treasures from the destruction of war and theft by the Nazis. Other topics in this episode include a wounded Navy veteran's “Alive Day,” how Sesame Street characters are giving back to the military community and more.Learn more about Robert EdselBuy "Remember Us" on AmazonJoin the USA 250 ChallengeWatch Robert Edsel at the 2025 American Legion National ConventionPoem: The Young Dead Soldiers Do Not SpeakNetherlands American Cemetery in MargratenThe Forever Promise ProjectArmy Monuments Officer TrainingAmerican Legion Oratorical ContestSesame Street helps military kids build healthy habits Sesame Street: Fun Recipes with Cookie Monster!
SPONSORS: - Go to https://Hungryroot.com/DATE and use code DATE. Lauren Compton goes on a first date with Les Mascot's own John Feitelberg
San Diego's hottest Hasbro exclusives came and went—leaving collectors with carts as empty as their souls. Plus, can you still call it crowdfunding if no one shows up? The Snow CAT and Republic Gunship are doing their best to dodge a date with Cookie Monster and the Rancor in HasLab limbo. I choo-choo-choose to believe NECA's Turtles train has gone off the tracks. It's The Reluctant Adult Podcast. Email TheReluctantAdultPodcast@gmail.com Save 10% with code RAP101 at New Meta Save and get Free Shipping from Entertainment Earth TikTok @TheReluctantAdultPodcast Instagram @TheReluctantAdultPodcast Twitter @Reluctant_Pod Facebook The Reluctant Adult Podcast YouTube The Reluctant Adult Podcast Paul's eBay Auctions
Tonight, on Trackside with Curt Cavin and Kevin Lee, they recap Alex Palou earning his 8th win of 2025 at Laguna Seca, inching closer to his fourth title and third in a row. They also talk about how Palou could clinch the title at Portland and how Pato O’Ward is the only mathematically eligible driver to catch him with just three races left. In the second segment, they look at the rest of the standings and how the leaders circle standings stand. They also talk about why the cautions took longer than usual this past weekend. To wrap up the first hour of the show, they talk about the upcoming IMSA weekend at Road America. To start the second hour of the show, they talk about the possibility of a return of the Wienie 500, and Cookie Monster giving the command for the Brickyard 400 this past weekend. They later answer fan questions on X, such as Kyle Kirkwood’s run in with Rinus VeeKay and the latest on VeeKay’s and Will Power’s future. In the penultimate segment, they look back at who is coming out of Laguna Seca with forward and negative momentum. They also talk about Zak Brown’s rookie oval test that would be “mega” and make their predictions for who it could be. In the final segment, Kevin talks a little bit about teams testing at Portland and Nashville.See omnystudio.com/listener for privacy information.
They call him the Cookie Monster—a scarred beast who slips from the woods at night, whispering lullabies and childhood horrors to the children he pins down… just before he drags them into the dark to never be seen again. Author: Dave Kavanaugh Huge thanks to our sponsor: BetterHelp: This episode is brought to you by BetterHelp. Head to betterhelp.com/dns to get 10% off your first month. * * * CONTENT WARNING: This episode contains disturbing themes including child endangerment, graphic violence, murder, and psychological trauma. Listener discretion is strongly advised. #drnosleep #scarystories #horrorstories #doctornosleep #truescarystories #horrorpodcast #horror Learn more about your ad choices. Visit megaphone.fm/adchoices
Please enjoy this encore of Career Notes. Host of the CyberWire Podcast, Dave Bittner, wanted to work with the Muppets, so naturally he landed in cybersecurity. Dave and his Cookie Monster puppet spent much of his childhood putting on shows for his parents friends. During one of those performances, he was discovered and got his start at the local PBS station. A radio, television and film major in college, Dave owned his own company and as the most tech-savvy member of the group, handled that side of things. Dave notes his cybersecurity challenges back then consisted of maybe a corrupt floppy disk. It wasn't until he joined the CyberWIre that cybersecurity became Dave's focus. A former boss showed him how to lead a team and treat everyone with kindness regardless of their role. We thank Dave for sharing his story with us. Learn more about your ad choices. Visit megaphone.fm/adchoices
Questions? Comments?Don and Tom launch into a globe-trotting episode—complete with multilingual greetings and a cameo from Cookie Monster—before diving into the serious question of global investing. They challenge the "home country bias" that keeps investors overly concentrated in U.S. stocks, highlight the recent performance gap favoring international small-cap value, and remind listeners that chasing returns and market timing are just two sides of the same bad investing coin. With personal anecdotes, Japan's long recovery, and fund comparisons (VT, AVGE, DFAW), they make a rock-solid case for global diversification. Plus: a real-life trustee dilemma, a potentially smart annuity strategy, and a few dad jokes you didn't ask for.0:04 Multilingual greetings, Cookie Monster, and off-the-rails intro1:38 Listeners ignore the banter—jump straight to annuity questions2:05 “Why would I want foreign stocks?” US home bias gets roasted2:39 International small-cap value up, S&P down—performance flips3:23 Blackberry nostalgia, Don's voiceover gigs, and cowboy auditions5:30 U.S. vs. international investing—timing or chasing returns?6:48 Market cycles and why global investing reduces regret8:26 Feelings aren't facts—own the planet, not your predictions10:08 Japan's 34-year climb back—and the real lesson of 199011:49 Dividends matter: Japan's returns weren't all dead12:20 Comparing VT, AVGE, and DFAW for global exposure14:33 Why Don prefers global funds over DIY U.S./intl combos15:30 A 1992 Japan vs. global return showdown—$10k becomes $41k or $233k17:50 They buried the lead—global diversification wins again18:14 Listener corrects math on 4% rule—Don admits the slip19:06 Comment on borrowing from 401(k) and the “double-tax” myth20:04 Facebook dad jokes derail Tom's patience20:53 Trust investing dilemma: annuity vs. portfolio income23:50 Immediate annuity may be the best fit for a “failed-to-launch” son25:23 Where to shop for no-load annuities—Fidelity, Ameritas, Stan the Annuity ManLearn more about your ad choices. Visit megaphone.fm/adchoices
Don and Tom launch into a globe-trotting episode—complete with multilingual greetings and a cameo from Cookie Monster—before diving into the serious question of global investing. They challenge the "home country bias" that keeps investors overly concentrated in U.S. stocks, highlight the recent performance gap favoring international small-cap value, and remind listeners that chasing returns and market timing are just two sides of the same bad investing coin. With personal anecdotes, Japan's long recovery, and fund comparisons (VT, AVGE, DFAW), they make a rock-solid case for global diversification. Plus: a real-life trustee dilemma, a potentially smart annuity strategy, and a few dad jokes you didn't ask for. 0:04 Multilingual greetings, Cookie Monster, and off-the-rails intro1:38 Listeners ignore the banter—jump straight to annuity questions2:05 “Why would I want foreign stocks?” US home bias gets roasted2:39 International small-cap value up, S&P down—performance flips3:23 Blackberry nostalgia, Don's voiceover gigs, and cowboy auditions5:30 U.S. vs. international investing—timing or chasing returns?6:48 Market cycles and why global investing reduces regret8:26 Feelings aren't facts—own the planet, not your predictions10:08 Japan's 34-year climb back—and the real lesson of 199011:49 Dividends matter: Japan's returns weren't all dead12:20 Comparing VT, AVGE, and DFAW for global exposure14:33 Why Don prefers global funds over DIY U.S./intl combos15:30 A 1992 Japan vs. global return showdown—$10k becomes $41k or $233k17:50 They buried the lead—global diversification wins again18:14 Listener corrects math on 4% rule—Don admits the slip19:06 Comment on borrowing from 401(k) and the “double-tax” myth20:04 Facebook dad jokes derail Tom's patience20:53 Trust investing dilemma: annuity vs. portfolio income23:50 Immediate annuity may be the best fit for a “failed-to-launch” son25:23 Where to shop for no-load annuities—Fidelity, Ameritas, Stan the Annuity Man Learn more about your ad choices. Visit megaphone.fm/adchoices
Subscribe to The Best Idea Yet here: https://wondery.com/links/the-best-idea-yet/Once upon a time, American kids had a problem—OK, two. They were watching way, WAY too much TV and they were falling way, way behind in school. But then a trailblazing producer and her psychologist friend asked a bold question: What if we used the first problem to solve the second? The result: Sesame Street, home of Big Bird, Cookie Monster, Bert & Ernie, and a social-media superstar named Elmo. Since Sesame Street's debut in 1969—the same year as the moon landing!—the show's helped educate more than 150 million kids in 70 different languages while breaking racial barriers along the way. It's also taught us the meaning of friendship, the value of neighbors, and the joy of a good rubber ducky. And it was only possible thanks to audacious creators, educators, and one shaggy-looking puppeteer named James Maury Henson (but you can call him Jim). Learn about Kermit The Frog's commercial past, why the only bets worth making are contrarian ones, and why Sesame Street is the best idea yet.Subscribe to The Best Idea Yet for the untold origin stories of the products you're obsessed with — and the bold risk takers who made them go viral.Episodes drop every Tuesday, listen here: https://wondery.com/links/the-best-idea-yet/—-----------------------------------------------------GET ON THE POD: Submit a shoutout or fact: https://tboypod.com/shoutouts FOR MORE NICK & JACK: Newsletter: https://tboypod.com/newsletter Connect with Nick: https://www.linkedin.com/in/nicolas-martell/ Connect with Jack: https://www.linkedin.com/in/jack-crivici-kramer/ SOCIALS:Instagram: https://www.instagram.com/tboypod TikTok: https://www.tiktok.com/@tboypodYouTube: https://www.youtube.com/@tboypod Anything else: https://tboypod.com/ See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
On this episode, Heather is in NYC to co-host the Today Show and so excited to give you a behind the scenes look into the start of her week with Jenna Bush Hager. We find out who her work crush is at the studio and how she took Jenna out on the town to a gay country bar. She also touches on the previous week in Iowa where there was a missed connection or a case of mistaken identity at a Walgreens full of Cookie Monster pajamas.Episode Sponsors:Go to Squarespace.com for a free trial, and when you're ready to launch, squarespace.com/ABSOLUTELY to save 10% off your first purchase of a website or domain.Listeners of Absolutely Not can claim an exclusive three-month free trial, with no credit card required at www.YNAB.com/absolutely.Visit JustThriveHealth.com and use code ABSOLUTELY for 20% off your first 90 day bottle.Head over to Addyi's website — Addyi.com — and see if Addyi is right for you.Shop SKIMS best intimates including the Fits Everybody Collection and more at SKIMS.com and SKIMS stores.Try VIIA! https://viia.co/ABSOLUTELY and use code ABSOLUTELY!Produced by Dear MediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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