Podcasts about horn concerto

References Front Cell Dev Biol. 2022; 10: 946393. Adv Exp Med Biol. 2024:1440:149-161 Mozart, WA..1786.Horn Concerto in E-flat major # 4 KV 495 https://youtu.be/MMjqU461WpI?si=o2OWIijoe-mbF-pM Sebastian, J. 1968 She's a Lady https://youtu.be/xyFdzevDOHg?si=wgmv5z_jGrtA9x7c --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

SynopsisAt Carnegie Hall on today's date in 2015, the Met Chamber Ensemble gave the posthumous premiere of a new work by American composer Elliott Carter, who died in November 2012, a month or so shy of what would have been his 104th birthday.The debut of The American Sublime marked the last world premiere performance of Carter's 75-year-long composing career.Hearing Igor Stravinsky's Rite of Spring at Carnegie Hall in the 1920s inspired Carter to become a composer. A high school teacher introduced him to Charles Ives, who became a mentor. By the mid-1930s, Carter was writing music in the “populist modern” style, à la Copland, but during a year spent in the Arizona desert in 1950, Carter finished his String Quartet No. 1 — 40 minutes of music uncompromising in both its technical difficulty and structural intricacy."That crazy long first quartet was played in Belgium," Carter recalled. "It was played over the radio, and I got a letter from a coal miner, in French, who said, 'I liked your piece. It's just like digging for coal.' He meant that it was hard and took effort."Music Played in Today's ProgramElliott Carter (1908-2012): Horn Concerto (2006); Martin Owen, fh; BBC Symphony; Oliver Knussen, cond. Bridge 9314

Celebrating the 268th Birthday of Wolfgang Amadeus Mozart. Excerpts from the Symphony #39, Piano Sonata #17, String Quartet #23, Horn Concerto #4 and The Magic Flute. Performers include: Herbert Von Karajan, Claudio Arrau, The Budapest String Quarter and Dennis Brain. 

Sarah Willis — Mozart y Mambo: Cuban Dances (Alpha) Jump to giveaway form New Classical Tracks - Sarah Willis by When Sarah Willis travelled to Cuba two years ago to record Vol. 1 of her three-part series Mozart y Mambo, she wanted to make music and to make a difference. Thanks to profits from that first album, members of the Havana Lyceum Orchestra now have new instruments, and you can hear the difference those instruments make on Mozart y Mambo, Vol. 2, which was recently released. “Mozart y Mambo has become more than just an album. It's a real project. And we're looking after younger players in Cuba and trying to help them get better instruments and play in the Havana Lyceum Orchestra. So we're doing the same with album two. It's a lot of fun, and it's lovely to see how generous people are.” You start off the recording of Vol. 2 with Mozart's Horn Concerto No. 2. What made you decide to begin with this specific piece? “Recording that [concerto] in Havana with the Havana Lyceum Orchestra and seeing them dance this Mozart, because they literally dance when they play. I thought it could start the album really well, because we've we've called it Mozart Y Mambo: Cuban Dances in a reference to the Horn Concerto that's on the album. But I thought Mozart No. 2 was the most danceable of them all. Also, it's in the key of E-flat. And E-flat is a bit of a happier key for me than the first Concerto in D, and D is a little ‘fumbly' on the horn, so we put that in a bit later.” Concerto No. 1 also appears on this recording. It's a piece that requires a lot of slow practice with the metronome. Can you talk about why that is so critical to this work? “When you're playing in E-flat, you use a lot of your first and second fingers. Now, when you're playing in D, you use your second and third finger. Everyone listening to this, try wiggling your third finger. And now the ring finger. It's slower, isn't it? [It's the same for us when] we are trying to play, like in the first movement of the First Concerto on a natural horn. For all of us, modern-day horn players, Mozart Concerto No. 1 means a lot of third finger work. And I had to really [practice]; it's like training my fingers for the ‘Horn Olympics.'” The music of Mozart frames Vol. 2, and nestled in the middle is a landmark original work. The original idea was to create the first Cuban Horn Concerto, but it really turned out to be more of a suite of dances. Talk a little bit about this suite and how it's also created this wonderful map of Cuba's musical heritage.  “It's all very well mixing Mozart and mambo together and doing this fusion that we love so much. But I really wanted to do something for future generations of horn players, and I also wanted to find out more about Cuban music. So each of these six dances [are] completely different, and I'm so happy that I have these six young composers. I mean, for me, it's a little bit like … a young version of the Buena Vista Social Club. “I still didn't feel like I was qualified to do these dances justice because I've heard Cuban music. It's really easy and loose and you just [have to] feel it in your body. And I was going, pa pa pa pa pa pa pa.  And I called on one of the composers to help me. He was in Germany at the time, Richard Egues, and he was like, ‘Yeah, you play really good horn, but that's not Cuban! What are you doing? Sing it to me.' So, we sang it and it got a bit better. And [then] he said, ‘I'm sorry, “chica,” you're going to have to dance it.' So he got me up out of my chair and we literally danced all these different dances, and I spent two or three months really learning these dances.” The recording sessions for this release took place in a church, and one of those late-night sessions produced a piece that's kind of a surprise ending to this recording. Can you talk about that? “When I was creating this with the arranger Edgar Olivero, who's a Cuban who now lives in Spain, I said, ‘Can you make it funny? Who should be my Papageno?' And he came up with the idea of the baritone saxophone, which is one of my favorite instruments of all time. We've called it Pa Pa Pa, and we put a very famous Cuban contra dance in the middle of it. So, it's yet another dance. I just wanted to send people out with a smile on their faces.” Mozart y Mambo - Cuban Dances Sarah Willis & the Havana Lyceum Orchestra To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. More on Sarah Willis New Classical Tracks Sarah Willis mambos with Mozart on project with the Havana Lyceum Orchestra Giveaway Time For Three New Classical Tracks Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Sarah Willis — Mozart y Mambo/Cuban Dances (DG store) Sarah Willis — Mozart y Mambo/Cuban Dances (Amazon store) Sarah Willis (official site)

Gwiazdy, jadący pociąg i waltornia oraz geniusz Christiana Dopplera i Christophorusa Buys Ballota - to wszystko było potrzebne, aby dziś każdy aparat ultrasonograficzny miał opcję dopplerowskiego obrazowania naczyń.    Scenariusz i reżyseria: Tomasz Batko i Mateusz Kosiak  Muzyka: Wolfgang Amadeus Mozart, Horn Concerto no. 1 in D major, K. 412 Udźwiękowienie: Studio eduson.pl Głosów użyczyli: Tomasz Batko i Mateusz Kosiak 

Lilburn, Aotearoa Overture Schubert, Fantasie in C, 3rd movt Gesualdo, Eram quasi agnus innocens Mozart, Horn Concerto #4, 1st movt Vaughan Williams, Silent Noon Janacek, Sinfonietta, 3rd movt Elgar, Cello Concerto, 4th movt This show was broadcast on OAR 105.4FM Dunedin - oar.org.nz

In this episode of the Open Notes Podcast, Jeremy talks with French Hornist Oto Carrillo about Mozart's 3rd Horn Concerto, why he started playing the horn, and how he escaped from an elevator shaft just before his first performance at Carnegie Hall.Join us in-person or live-streamed on March 5th, 2022, for Signature Concert #4: Anxious, Tender & Jaunty, featuring guest horn soloist Oto Carrillo. Tickets and more information at https://fcsymphony.org/events/anxious-tender-and-jaunty/Recordings by Abel Pereira and the  Lisbon Metropolitan Orchestra.Learn how you can help support the Fort Collins Symphony at https://fcsymphony.org/support To stay up to date with the FCS, be sure to subscribe to the Open Notes Podcast in your favorite podcast player, join the FCS email list, and follow us on Facebook and Instagram.Support the show (https://www.coloradogives.org/FortCollinsSymphony/overview)

Our sponsor: Houghton Hornswww.houghtonhorns.comUse these codes at checkout!hornspit1221 = $300 gift card with the purchase of any new horn over $3000casespit1221 = $50 gift card with the purchase of any new horn case over $400mouthpiecespit1221 = $10 gift card with the purchase of any new horn mouthpiece over $60Scott Leger, from The Woodlands, TX, is pursuing his Master of Music degree from the Yale School of Music. Previously, he studied Music Education, Performance, and Mathematics at Southern Methodist University's Meadows School of the Arts, graduating summa cum laude. Leger has spent summers at a variety of music festivals including the Tanglewood Music Center, National Repertory Festival, Norfolk Chamber Music Festival, and others. He has received many awards, most recently winning Second Prize at the International Horn Competition of America. Other awards include an Honorable Mention in the Woolsey Concerto Competition (performing Oliver Knussen's Horn Concerto), SMU's Undergraduate Award for Excellence in Music, and being one of two winners of the Meadows School of the Arts' Undergraduate Concerto Competition, where he performed Gordon Jacob's Concerto for Horn and String Orchestra. As a chamber musician, he has appeared on the Yale School of Music's Vista recital series and on Yale's Oneppo Chamber Series.  He has arranged music for horn, wind quintet, and other instrumentations, with the specific goal of adapting genres and styles that are uncommon for these ensembles, to refresh and expand the repertoire.Support the show (https://thatsnotspit.com/support/)

Synopsis For many professional musicians, summertime is spent away from home at one or more summer music camps and festivals. And if the camp or festival just happens to in a gorgeous mountain or lakeside setting, well, so much the better. Since 1987, world-class musicians and ensembles have made the climb to scenic Vail, Colorado, at this time of year for the Bravo! Music Festival. And on today's date in 1993, it was at the Bravo! Festival that this new Concerto for Horn and Strings by the American composer Ellen Taaffe Zwilich received its premiere. The concerto was a triple commission from the Rochester Philharmonic, the Orpheus Chamber Orchestra, and the New York-based French horn virtuoso David Jolley, who was the soloist for the Vail premiere. Zwilich writes: “While I think of the solo horn as a heroic figure, I enjoyed the interplay and dialogue between horn and strings and allowed the character and nature of the horn to influence the strings and visa-versa… For me, the combination of solo horn and string orchestra is rich and evocative, as is the unique nature of the horn: its warmth and color, its dramatic legato as well as it pungent staccato, the sheer breadth of its sound.” Music Played in Today's Program Ellen Taaffe Zwilich (b. 1939) — Horn Concerto (David Jolley, horn; MSU Symphony Orchestra; Leon Gregorian, cond.) Koch 7487

Guitar guru Miloš invents a new game with Sam as they chat about his latest album, The Moon & the Forest. Meanwhile BBC Young Musician inspires some analysis of Ruth Gipps's underperformed Horn Concerto. PLUS all the usual shenanigans, jingles and Star Trek references. Fascinating. …Listen to Miloš's latest album, The Moon & the Forest: https://milos.lnk.to/ListenNowWE Watch Annemarie Federle perform the Horn Concerto by Ruth Gipps at the BBC Young Musician 2020 Grand Final: https://www.bbc.co.uk/programmes/p09h7qxn The Bogota Philharmonic Orchestra perform Copland's Fanfare for the Common Man in the city centre: https://www.facebook.com/filarmonibogota/videos/291096602634329/ …Music referenced:‘Tim and Sam's Podcast' written and performed by Harry SeverFanfare for the Common Man by Aaron Copland‘Oh Gloria Inmarcesible!' (Oh Unfading Glory!), performed by ShakiraThe Sarabande from Bach's 4th cello suite, performed by Yo-Yo MaRuth Gipps's Horn Concerto, performed by David Pyatt and the LPO and under Nicholas BraithwaiteJoby Talbot's Ink Dark Moon, performed by Miloš and the BBC Symphony Orchestra under Ben GernonHoward Shore's The Forest, performed by Miloš and the National Arts Centre Orchestra under Alexander Shelley…Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

In episode 8 of the podcast, Paul Kildea sits down with the native French, French Horn player Nicolas Fleury. During the episode, Paul and Nicolas discuss some of the most iconic works written for the horn.Nicolas describes some of the unique features of the horn, how the instrument works and explores the most interesting facts about a few of his favourite pieces, such as Mozart's Horn Concerto and the Serenade for Tenor, Horn and Strings written by Benjamin Britten.They touch on Nicolas' passion for the horn and explore his journey from a young music student to an internationally renowned artist. Nicolas also touches on collaboration and touring with Emily Sun and Amir Farid, missing London and the similarities between the French and Australian lifestyles.

Donald Macleod explores the life and music of the English composer Ruth Gipps. Ruth Gipps was born in Bexhill-on-Sea in 1921. Her Swiss-born mother was an accomplished pianist and, recognising her daughter’s aptitude, taught her piano from an early age. Gipps was four years old when she gave her first public performance, at Grotrian Hall in London. It was from that moment on, she said later, that she knew without a shadow of a doubt, that playing the piano was her job and that she wanted to be a composer. A highly gifted and versatile musician, on 25th March 1945, Gipps took part in a public concert as the soloist in Glazunov’s Piano Concerto before re-joining the woodwind section of the City of Birmingham Orchestra as an oboist for the premiere of her first symphony. Four more symphonies were to follow. But a troublesome injury to her hand, which she had sustained in childhood, brought her career as a concert pianist to an end in the 1950s. By this stage she had achieved some notable successes as a composer. The recipient of several composition prizes, an early high point was the selection of her orchestral work “Knight in Armour” by Sir Henry Wood for the Last Night of the Proms broadcast in 1942. Awarded a doctorate in music in 1947, Gipps held teaching posts at London’s Trinity College of Music, the Royal College of Music and Kingston Polytechnic and did terms as Chair of both the Composers’ Guild and the newly founded British Music Information Centre. There’s little doubt though that Gipps faced considerable gender discrimination in several of the fields in which she excelled. On discovering her enjoyment of conducting, she overcame this by founding two orchestras, the London Repertoire Orchestra in 1955, and then the Chanticleer Orchestra. A composition pupil of Vaughan Williams, Gipps defined her music as, “a follow-on from her teacher, Bliss and Walton, the three giants of British music since the Second World War.” While all these composers can be heard in her music, her music has its own distinctive and original qualities. Publicly outspoken, Gipps remained firmly anti-modernist. She regarded 12-tone music, serial music, electronic music and avant-garde music as utter rubbish. From the late 1950s the musical establishment felt her music was out of step with the times, and they bypassed her work. She did have some admirers, including Sir Arthur Bliss, whom she had first met in 1942, who continued to support and admire her music but in general it fell to her own resourcefulness to get her music heard, arranging performances, which she would then conduct with her own orchestras. Across the week Donald Macleod is joined by Victoria Rowe, the keeper of Gipps’ archive and her daughter-in-law. Together they build a picture of Gipps as a child performer, a young student, an educator, a conductor and a composer. The series features specially recorded material from the BBC’s performing groups, including Gipps’ second, third and fourth symphonies. There’s also a brand-new recording of Cringlemire Garden, for string orchestra, and two more new releases, both of which explore her chamber music. All three recordings are planned for release later this year, to mark the centenary year of her birth. Music Featured: The Fairy Shoemaker The Kelpie of Corrievreckan Op 5b Quintet Op 16 Piano Concerto in G minor Op 34 Clarinet Concerto in G minor Op 9 (III: Vivace) Symphony No 2 (excerpt) Knight in Armour Rhapsody in E flat Op 23 Jane Grey Fantasy Op 15 Sonata Op 45 (4th movt) Cringlemire Garden Seascape for 10 wind instruments An Easter Carol Op 52 Gloria in excelsis Op 62 Symphony No 3 (3rd & 4th movts) Symphony No 4 Op 61 (II: Adagio – piu mosso – Tempo I (Adagio)) Sonata for cello and piano, Op 63 (excerpt) Theme and Variations, Op 57a Symphony No 4 Op 61 (1st movt) Horn Concerto, Op 58 David Pyatt, horn Octet for Wind, Op 65 (2nd movt: Waltz) Opalescence, Op 72 Pan and Apollo, Op 78 Wind Sinfonietta, Op 73 Symphony No 4, Op 61 (IV: Finale) Presented by Donald Macleod Produced by Johannah Smith for BBC Wales For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Ruth Gipps (1921-1999) https://www.bbc.co.uk/programmes/m000sxbl And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Vittoria Ricci, principle horn of the CMD Grand Opera Company of Venice, performs Mozart. 1 - Horn Concerto in D Major, K. 412 2 - Horn Concerto in E-flat Major, K. 417 3 - Horn Concerto in E-flat Major, K. 447 4 - Horn Concerto in E-flat Major, K. 495 Kathryn Cavanaugh, conductor/director CMD Grand Opera Company of Venice Orchestra Purchase the music (without talk) at: http://www.classicalsavings.com/store/p773/Vittoria_Ricci_Performs_Mozart.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

In today's Sound Perimeter with University of Arkansas Professor of Music Lia Uribe, we explore how Frederic Chopin turned etudes from a piece of practice music to stand alone pieces performed in concert halls. We hear Chopin's Etude Op. 10, No. 12 in C minor Revolutionary performed by Evgeny Kissin, Sonido Bestial by Bobby Cruz and Richie Ray, and Wolfgang Amadeus Mozart's Horn Concerto, K. 447, 3rd movement performed by Sarah Willis and the Havana Lyceum Orchestra.

This week Tim talks to Classic FM's composer-in-residence Debbie Wiseman about her latest project with Stephen Fry, Sam points out the similarities between Rachmaninov and Jacob Collier and the pair review music by Krzysztof Penderecki, Stephen Swartz and Gustavo Díaz-Jerez. Arts Professional's Report: https://www.artsprofessional.co.uk/pulse/survey/freedom-expressionMichael Hann on the connection between musicians and their instruments: https://www.theguardian.com/music/2020/feb/20/it-feels-like-an-extra-limb-musicians-on-the-bond-with-their-instrumentsMusic Credits: ‘Tim and Sam's Podcast', written and performed by Harry Sever '976 Love', written and performed by Dan Brown 'Rhapsody on the Theme of Paganini' by Rachmaninov, performed by Rachmaninov and the Philadelphia Orchestra under Leopold Stokowski'The Story of Rhea' from The Mythos Suite, by Debbie Wiseman and Stephen Fry, performed by Stephen Fry and the National Symphony Orchestra under Debbie Wiseman Krzysztof Penderecki's Horn Concerto performed by the LPO and Radovan Vlatković under Michał Dworzyński Ymarxa (Tenerife) from Gustavo Díaz-Jerez's Maghek, performed by the Royal Scottish NO under Eduardo Portal Jean Sibelius's Fifth Symphony, arranged and performed by Timmy Fisher Handel's ‘Eternal source of light divine', performed by Antonia Dunjko, Edmund Andler-Borić and Igor MrnjavčićFollow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

Vittoria Ricci, principle horn of the CMD Grand Opera Company of Venice, performs Mozart. 1 - Horn Concerto in D Major, K. 412 2 - Horn Concerto in E-flat Major, K. 417 3 - Horn Concerto in E-flat Major, K. 447 4 - Horn Concerto in E-flat Major, K. 495 Kathryn Cavanaugh, conductor/director CMD Grand Opera Company of Venice Orchestra Download now at: http://www.classicalsavings.com/store/p773/Vittoria_Ricci_Performs_Mozart_%28digital_download%29.html

선곡표 1.W.A. Mozart -피아노 협주곡 21번 C장조 K.467 中 2악장:Andante 2.R. Glière -콜로라투라 소프라노를 위한 협주곡 Op.82 中 2악장:Allegro 3.G. Verdi -라 트라비아타 中 언제나 자유롭게 (Sempre libera) 4.M. Ravel -고풍스런 미뉴엣(Menuet antique) 5.네루다 호른 협주곡 Horn Concerto in E flat Major - 1. Allegro 6.J. Haydn -교향곡 94번 G장조 ‘놀람' 中 2악장:Andante 7.S. Rachmaninov -회화적 연습곡 2번 a단조 8.P. Tchaikovsky —교향곡 5번 e단조 Op.64 中 2악장:Andante cantabile, con alcuna licenza - Moderato con anima 9.Here as one - 조수미, 소향

Principal players from the Nashville Symphony Orchestra step up to the solo spotlight in world premiere recordings of 3 wind concertos. Frank Ticheli’s Clarinet Concerto pays homage to a different American composer in each of its three movements; Brad Warnaar’s Horn Concerto attests to the composer’s own professional mastery of the instrument; while Behzad Ranjbaran’s Flute Concerto is imbued with the rhythms, melodies and instrumental colours of his native Iran. Raymond Bisha introduces this latest release in the American Classics series.

Pete Hillier presents the first of three programmes exploring the sea using music from the BBC's 'Ten Pieces'. Today's music includes 'Storm' by Benjamin Britten - one of the 'Sea Interludes' from his opera 'Peter Grimes' - and the famous Horn Concerto by Wolfgang Amadeus Mozart.

Pete Hillier presents the first of three programmes exploring the sea using music from the BBC's 'Ten Pieces'. Today's music includes 'Storm' by Benjamin Britten - one of the 'Sea Interludes' from his opera 'Peter Grimes' - and the famous Horn Concerto by Wolfgang Amadeus Mozart.