Podcast appearances and mentions of john conte

John Conte Live on Game Changers With Vicki Abelson What crazy fun to sit down with my old dear friend, bassist John Conte, whom I hadn't seen in decades. How is it possible that he appears to have aged barely a day? Seriously! John took us back to childhood days, his jazz-singing mother, Rosemary, his early days on guitar, and his brother Steve at first on drums. Their first band when John was 8 or 9, their early songwriting, including John's first song, Maryanne, Sittin on a Log, which he gave us a little taste of. He was a boy with a dream of playing arenas with rock stars. He told us how they flipped instruments, with John choosing bass. His college days, jazz-infused, where he gigged around with stellar players like Terence Blanchard. We tripped down memory lane, where we met, in the md-80s at The Rock 'n Roll Cafe on Bleecker Street, 1/2 of The Brothers of Conte, as I affectionately came to call them, with his brother Steve, they were weekly regulars whenever their schedules allowed. John was in Blood, Sweat & Tears, his first major gig, at the time, and told us all about that. Great stories there, including playing Madison Square Garden. Not bad for a 23-year-old. During their tenure at the Rock 'N Roll, late one rainy night they brought in their friend, Phoebe Snow, a life changer for me who had been a diehard fan since high school. The Phoeb's and I became fast friends, and I have the boys to thank for that as well as for years of amazing live music there, and at Spo-dee-o-dee's, Woody's, RockGirl, The Marquee, The Cafe Wha, True Blue and The China Club, where they were also a part of my RockGirl Jam Band. A stellar bassist, with an easy temperament and oh so easy on the eyes, it was always a joy when John was around. I made him tell his requisite Chuck Berry story. At that same time, the Conte brothers, as part of The Hudson River Rats, were laying the foundation for much of the session and road work that was to follow. Like Finding himself in the studio with Tony Visconti and David Bowie. John's description of hearing Bowie vocalize in his ear gave me goosebumps. He talked about laying down tracks with Peter Wolf and Ian Hunter, getting to jam with loads of his heroes. The Conte Brothers connected with Kyf Brewer and Company of Wolves were borne. They did some showcases, got signed, did a tour with Richard Marx, and foreshadowed John's future, one with Southside Johnny and The Asbury Jukes. John talked us through touring with Joan Osbourne (beautiful words here), Roseanne Cash, and Southside Johnny choosing him in 2007, a gig that would take him through to present day. There was a short tour with Billy Joel during his 2012 comeback with our friend, Tommy Byrnes, lovely to hear John's take on it, and great stories about his tenure playing with The Disciples of Soul, the house band for the American Music Honors where he got to play with honorees, Jackson Browne, Mavis Staples, John Mellencamp and Dion, as well as host, Bruce Springsteen and Steven Van Zandt. John's shared the stage with Bruce numerous times before, memorably for an impromptu 45-minute set with Southside. John's recounting of that and of playing with Peter Frampton (and Sheryl Crow) at the Sandy Hook Promise Benefit is another moving, goosebump-inducing tale. I loved every single second with my old friend. It's thrilling to see how his life has played and continues to play out. The young boy living his dream. Southside Johnyy's future may be unsure, but John's certainly isn't. He's always got multiple projects cooking, his own music in the works - check him out here johnconte.bandcamp.com and here Facebook.com/johncontebass I just adore the boy. He'll always be a rockboy to me and damn, he sure still looks like one. John Conte Live on Game Changers With Vicki Abelson ****Wednesday, 1/29/25, 1 PM PT, 4 PM ET**** Streamed Live on my Facebook Replay here: https://bit.ly/4hbKHj6

The OTRNow Radio Program 2024-015The Shadow Of Fu Manchu. June 28, 1939. Program #23. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. "The Flower of Silence.". Hanley Stafford, Gale Gordon. The Shadow Of Fu Manchu. June 30, 1939. Program #24. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. Nayland Smith has vanished. The Si-Fan?. Hanley Stafford, Gale Gordon.The Fabulous Doctor Tweedy. January 08, 1947. NBC net origination, AFRS rebroadcast. The professor is the Dean Of Men at Potts College and plays the bassoon! The date is subject to correction. The Tweedy Chamber Music Society rehearses. A big basketball game is going to be held...with a big player for Potts! Minerva Pious plays a character with a Greek accent. Harry Von Zell plays a character with a low I.Q. Frank Morgan, Minerva Pious, Harry Von Zell, Gale Gordon, Robert Riley Crutcher (creator).The Silver Theatre. May 07, 1939. CBS net. "The Train Ride". Sponsored by: International Silver. A date with the electric chair, and a romance that goes beyond death!. Bud Hiestand (announcer), Carlton KaDell, Charles Martin (producer, director), Conrad Nagel (host, director), Felix Mills (composer), Joan Crawford, John Conte (announcer), Lindsay MacHarrie. The Smiths Of Hollywood. January 10, 1947. Program #1. Mutual net origination, Finley syndication. Sponsored by: Music fill for local commercial insert. Uncle Cecil arrives from Britain...with a crash! The first show of the series. The script is similar to the one used for an audition recording of September 20, 1946 (see cat. #84161). Promotional literature for the program boasts that, "Every program is recorded before a large, live audience at NBC studios in Hollywood.". Andrew Hickox (producer), Arthur Treacher, Billy Roy, Brenda Marshall, Dick Nosserman (writer), Harry Von Zell, Jan Ford, Joe Forte, Ruth Perrott, Sara Berner, Tyler McVey, Vic Knight (producer, director). Whitehall 1212. December 23, 1951. NBC net. Sustaining. An intelligent criminal plans to rob Heathrow airport of a shipment of gold. Beware the poisoned tea! The final public service announcement and the system cue have been deleted. Percy Hoskins (researcher), Wyllis Cooper (writer, director).   The Witch's Tale. May 30, 1935. WOR, Newark, New Jersey, , Air Features Syndicate syndication. "The Deserter". Old Nancy is 125 years old today. A Civil War story "of 80 years ago" (which would put the date of broadcast at 1944 if true), loosely based on Ambrose Bierce's, "An Occurence At Owl Creek Bridge." Well-done and well-written, if somewhat melodramatic. The script was previously used on "The Witch's Tale" on January 23, 1933. This might be an Artransa (Australian) syndication. Alonzo Deen Cole (writer, producer, performer). 

2024-009_The OTRNow Radio Program3 hours of classic old time radio.The Shadow Of Fu Manchu. May 31, 1939. Program #11. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. Sir Nayland vs. "The Curse Of Siva!". Hanley Stafford, Gale Gordon. 10991. The Shadow Of Fu Manchu. June 02, 1939. Program #12. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. Fu Manchu escapes, the Dacoit strikes!. Hanley Stafford, Gale Gordon. Maxwell House Coffee Time. December 10, 1942. NBC net. Sponsored by: Maxwell House Coffee, Log Cabin Syrup. The first tune is, "The Pennsylvania Polka." The first appearance by Frank Tours as the program's orchestra leader, replacing Meredith Willson (who has possibly entered military service). Frank Morgan (the Englishman) tries to impress Frank Tours. The Maxwell House commercial is based on, "Melancholy Baby." Daddy takes Baby Snooks duck hunting!. John Conte (host), Fanny Brice, Hanley Stafford, Frank Tours (conductor), Frank Morgan, Phil Rapp (writer), Harlow Wilcox (announcer).    Stars On Parade. June 22, 1951. Program #558. Army and Air Force syndication. "Miss Turner Retires". Sponsored by: Army and Air Force recruiting. A fifty eight year old spinster English teacher is nearing the end of her career, and it won't be an easy transition. Flora Robson, Charles Wilkes (director), Helen Christian (writer), Joe Ripley (announcer), Johnny Guarnieri (composer, conductor).     WILD BILL HICKOK - In this second episode of WILD BILL HICKOK from 1951, he encounters The Missouri Wild Bill Hickok. June 03, 1951. Program #2. Mutual net. Sponsored by: Kellogg's Corn Pops. Wild Bill and Jingles are nearly killed in the old "Skeleton" mine when the entrance is blown up! The system cue is added live. Guy Madison, Andy Devine, Paul Pierce (director), David Hire (producer), Charles Lyon (announcer), Richard Aurandt (music).   OBSESSION  "Ebb Tide" Gale Page and Elliott Lewis stars in a mystery show about human beings in conflict with themselves.    MYSTERY IS MY HOBBY "Allan Fisher (Faithless Wife)" Glen Langan is Barton Drake in Mystery is My Hobby. In an unusual move for a crime show, the show is played before a live audience. This is the premiere episode.   Lights Out. January 05, 1943. CBS net. "The Fast One". Sponsored by: Ironized Yeast, Molle Shaving Cream. A story about two men with a mighty power, the ability to move very, very rapidly. Excellent radio writing. The story is also known as, "Speed." This is a network, sponsored version of cat. #11279. Arch Oboler (writer, host), Frank Martin (commercial spokesman)

With over 50% of shipping costs and a staggering 94% of online shoppers placing paramount importance on this phase, it's clear that the last mile carries immense weight.In this electrifying episode of Supply Chain Now, sponsored by FRAYT, we embark on an exploration of the dynamic world of last-mile delivery, an absolute game-changer in the realm of e-commerce. Hosts Scott Luton and Greg White welcome special guests Michael Campese with Estes Forwarding Worldwide, John Conte with FinditParts, and industry thought leader Bart De Muynck, as they unveil the strategies to not only meet but exceed ever-evolving customer expectations, underscoring that last-mile fulfillment isn't solely about punctuality – it's about projecting your brand's identity. They also dive deep into the innovative technologies reshaping this final stretch of the journey, transforming it into a hotbed of groundbreaking solutions. Join us for an unmissable voyage into mastering the last mile and seizing the lead in the fast-evolving delivery landscape.Additional Links & Resources:Learn more about Supply Chain Now: https://supplychainnow.comCheck out our new Supply Chain Now Media Kit: https://bit.ly/3emdLcKSubscribe to Supply Chain Now and all other Supply Chain Now programs: https://supplychainnow.com/subscribeJoin the NOW Community: http://bit.ly/41kpUSO2023 Q2 U.S. Bank Freight Payment Index: https://bit.ly/3VuwnIkWEBINAR- How Do Supply Chains Stay Lean in a Disrupted World? https://bit.ly/46NAOmbThis episode is hosted by Scott Luton and Greg White. For additional information, please visit our dedicated show page at: https://supplychainnow.com/how-carriers-deliver-last-mile-excellence-1187

In this episode of The Perry Pod, I look at Season 4 Episode 19: The Case of the Blind Man's Bluff. This episode includes: Law Library: Jewel Contracts Plot: Episode plot and survey question Trivia: Jewel dust, John Conte, and Perry's defense outside court The Theme: Blindness The Perry Proverb: "Since when..." The Water Cooler: Deleted Scenes, last ep's Paul Prompt, PLUS listener letters Contact me at theperrypod@gmail.com. Keep on walking that Park Avenue Beat!

The OTRNow Radio Program Easter Celebration (01)Fibber McGee and Molly. March 23, 1948. NBC net, WMAQ, Chicago aircheck. Johnson's Wax. Molly has won the Wistful Vista "I Like To Patronize Local Merchants Because..." contest. The prize is an Easter frock. This is a network, sponsored version of cat. #12034. Jim Jordan, Marian Jordan, Harlow Wilcox (announcer), Billy Mills and His Orchestra, The King's Men, Sandra Gould, Bill Thompson, Arthur Q. Bryan, Gale Gordon, Don Quinn (writer), Phil Leslie (writer). The Great Gildersleeve. April 25, 1943. NBC net. Kraft Pabst-Ett. Leroy's going to make big money raising rabbits. Kay Francis makes an appeal for the Second War Loan. The president of the Kraft Cheese Company, J. L. Kraft, delivers his annual Easter message. Ben Alexander, Earle Ross, Harold Peary, James L. Kraft, John Whedon (writer), Kay Francis, Ken Carpenter (announcer), Lillian Randolph, Lurene Tuttle, Richard LeGrand, Sam Moore (writer), Shirley Mitchell (?), Walter Tetley. The Jell-O Program Starring Jack Benny. April 09, 1939. Red net. Jell-O. Kenny sings, "I'm Building A Sailboat Of Dreams." The cast does a nursing drama called, "Four Girls In White." The patient turns out to be Shlepperman!. Jack Benny, Don Wilson, Mary Livingstone, Phil Harris and His Orchestra, Kenny Baker, Sam Hearn, Harry Baldwin, Ed Beloin (writer, performer: doubles), Bill Morrow (writer), Blanche Stewart (doubles).The Lucky Strike Program Starring Jack Benny. April 13, 1952. CBS net. Lucky Strike. A stroll down Wilshire Boulevard for the Easter Parade. Jack and Mary sing! One of the commercials features a message from "The National Tobacco Tax Research Council," praising the industry for supporting many farm families and financing the federal, state and local governments. The script is similar to the one used on April 17, 1949. The show was recorded on April 6, 1952. Artie Auerbach, Bea Benaderet, Del Sharbutt (commercial spokesman), Dennis Day, Don Wilson, Jack Benny, Mary Livingstone, Mel Blanc, Phil Harris, Eddie Anderson, Sara Berner, Sheldon Leonard, The Sportsmen, Arthur Q. Bryan, L. A. Speed Riggs (tobacco auctioneer), Stuffy Singer, Mahlon Merrick (music director), Hilliard Marks (producer), Milt Josefsberg (writer), Sam Perrin (writer), George Balzer (writer), John Tackaberry (writer). The Gulf Screen Guild Theatre. April 09, 1939. CBS net. Revue. Gulf. A revue and a skit titled "We're Taking Off." Mickey shows Rudy and Joan how to play a love scene. Rosemary Lane, Rudy Vallee, Mickey Rooney, Joan Bennett, The King's Men, Everett Freeman (writer), A. Edward Selton (? director), George Murphy (m. c.), Oscar Bradley and His Orchestra, John Conte (announcer), Frank Loesser (special lyrics). Maxwell House Coffee Time. April 03, 1947. NBC net. Maxwell House. There's only two more shopping days until Easter. Gracie not-too-subtley hints for a new hat. "The Beverly Hills Uplift Society" tries to help. George Burns, Gracie Allen, Meredith Willson and His Orchestra, Bill Goodwin, Paul Henning (writer), Keith Fowler (writer), Mel Blanc, Elvia Allman, Verna Felton, Lurene Tuttle. The Shadow. March 24, 1940. Mutual net. "The Plot That Failed". Blue Coal. The Shadow is tricked into aiding two "scientists" place six strange machines around the city. A melted steam shovel gives Lamont the clue to the purpose of the mysterious machines. As "The Shadow" prevents the entire city from being melted, Margo plans to boil four hundred Easter eggs! The system cue has been deleted. Ken Roberts (announcer), William Johnstone, Jerry Devine (writer), Marjorie Anderson, Everett Sloane, Edwin Jerome, Kenny Delmar, Alan Reed, Wilson Tuttle (producer, director), Elsie Thompson (organist), Paul Huber (commercial spokesman).

ArTEEtude Shophttps://www.arteetude.com/shop/Apple Podcast https://podcasts.apple.com/us/podcast/arteetude-west-cork-s-first-art-fashion-design-podcast/id1527081647Spotify Podcasthttps://open.spotify.com/show/3eBv4E5qgW8Vot0oojAr1tIn the next 3 episodes of Arteetude, Detlef Schlich, the producer and host, talks with Todd Fleischmann, a talented musician who has been a part of the Seattle music scene for decades. In the early 80s, Todd played bass for The Living, a punk rock band that also included Duff McKagan, Greg Gilmore and John Conte. McKagan and Gilmore may be best known for their roles in Guns N' Roses and Mother Love Bone, They recorded an album in the summer of 1982, featuring seven songs written by Duff McKagan. Unfortunately, the album was never released - until now. After almost four decades, the album, titled "1982," has finally seen the light of day and is available today through Loosegroove Records, the record company founded by Stone Gossard and Regan Hagar.During this podcast episode 167, we are joined by Todd Fleischmann, a resident of Seattle, a bustling port city on the west coast of the United States. In the first part of the episode, Todd discusses his rock 'n' roll lifestyle in the 1980s in Seattle. We had a conversation about how addiction is a common issue in the music world business, and we shared our insights on the topic. He discussed how some musicians become more interested in drugs and alcohol, leading to the spread of diseases like AIDS through the practice of sharing needles. Towards the end of this segment, we listen to a song called "Live by the Gun," performed by "The Living," the band that Todd played bass for in the early 1980s.In the second part of the episode (168), we discuss how to maintain creativity as an artist in your 40s, 50s, and 60s. Todd shares how he learned to play bass from his friend Duff McKagan, who later became a member of Guns N' Roses, and how he dove right into playing in a band just two weeks later, at the young age of 16. We also talk about the development of high school bands in Seattle during the 1980s, which later gave rise to successful Seattle bands like Pearl Jam or Guns n Roses. We touch upon the separation of punk rock from heavy metal rock, networking and marketing, and the realization of bigger punk rock events in halls. We conclude this segment by listening to "Two Generation Stand" by The Living.In the third and final part of the episode (169), we delve into the darker side of the music industry and discuss the cultural phenomenon of punk rock and its influence on society, highlighting some of the larger-than-life characters from Seattle. We also talk about the pursuit of happiness and the creative process of building construction work. Lastly, we talk about the phrase "You can't do that!" and how it doesn't exist in the vocabulary of the two podcasters. In the end, we listen to the energetic punk rock song NO, THANKS from 1982. Written by Duff McKagan and performed by THE LIVING.ArTEEtude is a podcast created and produced by Detlef Schlich that explores the intersection of art, digital culture, and true stories in West Cork. Schlich, a multi-disciplinary artist, operates his podcast with a cross-sectoral approach, believing that a visual artist should think beyond being just an antagonist and instead strive to be a protagonist. Through this podcast, he dives into the unknown depths of the creative mind to uncover new perspectives and ideas.Detlef Schlich is a podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork. He is recognized for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, as well as his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural and political aspects of media in culture.WEBSITE LINKS Todd FleischmanInstagramhttps://www.instagram.com/fleischmantodd/Facebookhttps://www.facebook.com/todd.fleischman.98YouTubehttps://www.youtube.com/watch?v=MQxcB0NGsigDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations

ArTEEtude Shophttps://www.arteetude.com/shop/Apple Podcast https://podcasts.apple.com/us/podcast/arteetude-west-cork-s-first-art-fashion-design-podcast/id1527081647Spotify Podcasthttps://open.spotify.com/show/3eBv4E5qgW8Vot0oojAr1tIn the next 3 episodes of Arteetude, Detlef Schlich, the producer and host, talks with Todd Fleischmann, a talented musician who has been a part of the Seattle music scene for decades. In the early 80s, Todd played bass for The Living, a punk rock band that also included Duff McKagan, Greg Gilmore and John Conte. McKagan and Gilmore may be best known for their roles in Guns N' Roses and Mother Love Bone, They recorded an album in the summer of 1982, featuring seven songs written by Duff McKagan. Unfortunately, the album was never released - until now. After almost four decades, the album, titled "1982," has finally seen the light of day and is available today through Loosegroove Records, the record company founded by Stone Gossard and Regan Hagar.During this podcast episode 167, we are joined by Todd Fleischmann, a resident of Seattle, a bustling port city on the west coast of the United States. In the first part of the episode, Todd discusses his rock 'n' roll lifestyle in the 1980s in Seattle. We had a conversation about how addiction is a common issue in the music world business, and we shared our insights on the topic. He discussed how some musicians become more interested in drugs and alcohol, leading to the spread of diseases like AIDS through the practice of sharing needles. Towards the end of this segment, we listen to a song called "Live by the Gun," performed by "The Living," the band that Todd played bass for in the early 1980s.In the second part of the episode (168), we discuss how to maintain creativity as an artist in your 40s, 50s, and 60s. Todd shares how he learned to play bass from his friend Duff McKagan, who later became a member of Guns N' Roses, and how he dove right into playing in a band just two weeks later, at the young age of 16. We also talk about the development of high school bands in Seattle during the 1980s, which later gave rise to successful Seattle bands like Pearl Jam or Guns n Roses. We touch upon the separation of punk rock from heavy metal rock, networking and marketing, and the realization of bigger punk rock events in halls. We conclude this segment by listening to "Two Generation Stand" by The Living.In the third and final part of the episode (169), we delve into the darker side of the music industry and discuss the cultural phenomenon of punk rock and its influence on society, highlighting some of the larger-than-life characters from Seattle. We also talk about the pursuit of happiness and the creative process of building construction work. Lastly, we talk about the phrase "You can't do that!" and how it doesn't exist in the vocabulary of the two podcasters. In the end, we listen to the energetic punk rock song NO, THANKS from 1982. Written by Duff McKagan and performed by THE LIVING.ArTEEtude is a podcast created and produced by Detlef Schlich that explores the intersection of art, digital culture, and true stories in West Cork. Schlich, a multi-disciplinary artist, operates his podcast with a cross-sectoral approach, believing that a visual artist should think beyond being just an antagonist and instead strive to be a protagonist. Through this podcast, he dives into the unknown depths of the creative mind to uncover new perspectives and ideas.Detlef Schlich is a podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork. He is recognized for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, as well as his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural and political aspects of media in culture.WEBSITE LINKS Todd FleischmanInstagramhttps://www.instagram.com/fleischmantodd/Facebookhttps://www.facebook.com/todd.fleischman.98YouTubehttps://www.youtube.com/watch?v=MQxcB0NGsigDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations

ArTEEtude Shophttps://www.arteetude.com/shop/Apple Podcast https://podcasts.apple.com/us/podcast/arteetude-west-cork-s-first-art-fashion-design-podcast/id1527081647Spotify Podcasthttps://open.spotify.com/show/3eBv4E5qgW8Vot0oojAr1tIn the next 3 episodes of Arteetude, Detlef Schlich, the producer and host, talks with Todd Fleischmann, a talented musician who has been a part of the Seattle music scene for decades. In the early 80s, Todd played bass for The Living, a punk rock band that also included Duff McKagan, Greg Gilmore and John Conte. McKagan and Gilmore may be best known for their roles in Guns N' Roses and Mother Love Bone, They recorded an album in the summer of 1982, featuring seven songs written by Duff McKagan. Unfortunately, the album was never released - until now. After almost four decades, the album, titled "1982," has finally seen the light of day and is available today through Loosegroove Records, the record company founded by Stone Gossard and Regan Hagar.During this podcast episode 167, we are joined by Todd Fleischmann, a resident of Seattle, a bustling port city on the west coast of the United States. In the first part of the episode, Todd discusses his rock 'n' roll lifestyle in the 1980s in Seattle. We had a conversation about how addiction is a common issue in the music world business, and we shared our insights on the topic. He discussed how some musicians become more interested in drugs and alcohol, leading to the spread of diseases like AIDS through the practice of sharing needles. Towards the end of this segment, we listen to a song called "Live by the Gun," performed by "The Living," the band that Todd played bass for in the early 1980s.In the second part of the episode (168), we discuss how to maintain creativity as an artist in your 40s, 50s, and 60s. Todd shares how he learned to play bass from his friend Duff McKagan, who later became a member of Guns N' Roses, and how he dove right into playing in a band just two weeks later, at the young age of 16. We also talk about the development of high school bands in Seattle during the 1980s, which later gave rise to successful Seattle bands like Pearl Jam or Guns n Roses. We touch upon the separation of punk rock from heavy metal rock, networking and marketing, and the realization of bigger punk rock events in halls. We conclude this segment by listening to "Two Generation Stand" by The Living.In the third and final part of the episode (169), we delve into the darker side of the music industry and discuss the cultural phenomenon of punk rock and its influence on society, highlighting some of the larger-than-life characters from Seattle. We also talk about the pursuit of happiness and the creative process of building construction work. Lastly, we talk about the phrase "You can't do that!" and how it doesn't exist in the vocabulary of the two podcasters. In the end, we listen to the energetic punk rock song NO, THANKS from 1982. Written by Duff McKagan and performed by THE LIVING.ArTEEtude is a podcast created and produced by Detlef Schlich that explores the intersection of art, digital culture, and true stories in West Cork. Schlich, a multi-disciplinary artist, operates his podcast with a cross-sectoral approach, believing that a visual artist should think beyond being just an antagonist and instead strive to be a protagonist. Through this podcast, he dives into the unknown depths of the creative mind to uncover new perspectives and ideas.Detlef Schlich is a podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork. He is recognized for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, as well as his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural and political aspects of media in culture.WEBSITE LINKS Todd FleischmanInstagramhttps://www.instagram.com/fleischmantodd/Facebookhttps://www.facebook.com/todd.fleischman.98YouTubehttps://www.youtube.com/watch?v=MQxcB0NGsigDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations

Introductory audio identifies the 3 skits edited back-to-back on this track from June 4, 11, and July 2, 1942. Fanny Brice (Baby Snooks) and Hanley Stafford (Lancelot Higgins or "Daddy") appeared almost every week on the Maxwell House Coffee Time program with a variety of announcers over the years. John Conte is the announcer on these shows. In 1944 Fanny Brice got her own show... "The Baby Snooks Show" which she starred in until her untimely death by a stroke at the age of 59 in 1951. Thankfully many of her shows were preserved. This and other tracks featuring Baby Snooks are now in the new playlist by the name of .... "Baby Snooks"

Steve Conte - New York Dolls, Michael Monroe, Company of Wolves  - in conversation with David Eastaugh Conte first became known to the music industry in the early 1990s as the songwriter and guitarist of the band Company of Wolves (Mercury Records). After the Wolves' breakup in 1992, he went on to form the band Crown Jewels with John Conte, and in 2003, the pair made an album under the name The Contes. In 2004, Steve Conte joined the New York Dollsas a guitarist and vocalist, where he would remain until 2010 when he joined Michael Monroe's new band. American musician, songwriter, guitarist, music producer, and lead singer of the band Steve Conte NYC. He has worked with Japanese composer Yoko Kanno on a variety of anime soundtracks including Wolf's Rain, Cowboy Bebop, RahXephon and Ghost in the Shell: Stand Alone Complex 2nd GIG. He is the former lead guitarist of the New York Dolls.

Jill Nicolini Interviews John Conte RLA Conte & Conte, LLC Landscape Architecture & Civil Engineering -- Conteandconte.com

Jill Nicolini Interviews John Conte RLA Conte & Conte, LLC Landscape Architecture & Civil Engineering -- Conteandconte.com

Jill Nicolini Interviews John Conte RLA Conte & Conte, LLC Landscape Architecture & Civil Engineering -- Conteandconte.com

Jill Nicolini Interviews John Conte RLA Conte & Conte, LLC Landscape Architecture & Civil Engineering -- Conteandconte.com

Jill Nicolini Interviews John Conte RLA Conte & Conte, LLC Landscape Architecture & Civil Engineering -- Conteandconte.com

“Introspection and Awareness" The French born drummer Greg Gilmore landed in Seattle as a young man and what better way to punctuate those formative teenage years than with a punk band? Joining forces with John Conte, Todd Fleishman, and Duff McKagan Gilmore and his pals played speedbag punk that fell somewhere between the Clash and The Germs. They became local favorites, opened for DOA in Vancouver and Seattle and thanks to a quick studio session, recorded seven tracks which are now seeing the light of day for the first time. Released on Loosegroove Records which is owned by Stone Gossard of Pearl Jam and Regan Hagar of Satchel and Brad, the band’s set is called The Living 1982 and of the document, Gossard says, is "a reminder that the Living are ground zero for the Seattle sound.” The songs are fast and dynamic and played with a frenzied punk spirit and youthful momentum. The idea to put these songs out came from Gilmore, who actually unearthed the recordings. He says: “The Living was the beginning of all things Seattle for me --a turning point in my life. I joined a band and a community. These guys are still my brothers. I've cherished these recordings since the days we made them. This record is a fantastic document of a loaded moment. I love it.” Well, in music years, The Living really were only around in music years for about a moment. After the band, broke up, Duff and Gilmore landed in Ten Minute Warning, then the two pals went to LA. McKagan ended up joining Guns N’ Roses and Gilmore headed back to Seattle where he played briefly with Skin Yard before co-founded Mother Love Bone. After the death of Mother Love Bone singer Andrew Wood, Gilmore went on to collaborate with Seattle producing legend Jack Endino for a series of albums. He also played with Land, Doghead, and Steve Fisk. As a drummer, Gilmore plays with thoughtful muscle. He’s an introspective guy and his playing has the perfect blend of cerebral athleticism. We talk about that introspection here among a lot of other things: travel, friendships, self-awareness, intellectualizing ourselves in and out of enjoyment and the ins and outs of being social. https://www.instagram.com/loosegrooverecords linktr.ee/loosegroove www.alexgreenonline.com Instagram: @emberseditor Twitter: @emberspodcast

Before Seattle's Duff McKagan went on to become the bassist for Guns N’ Roses and before Seattle’s Mother Love Bone started influencing the city’s grunge sound, there was The Living. It was an early 80’s Seattle punk band made up of a teenage Duff McKagan on guitar, Greg Gilmore (of Mother Love Bone) on drums, Todd Fleischman on bass, and John Conte as the band’s frontman. Seattle’s Loosegroove Records, which is co-run by Pearl Jam guitarist Stone Gossard, has just released The Living’s album, titled ‘1982,' for the very first time. “It’s Seattle hardcore, pre-grunge [...] it really showcases who the real king of grunge is and I think it might be Duff and Greg and Todd and John,” Gossard says. For this episode, drummer Greg Gilmore talks about the themes on the record and how it's finally seeing the light of day. Support the show: https://www.kexp.org/sound/ See omnystudio.com/listener for privacy information.

Prior to the grunge scene in Seattle the cities punk scene was vibrant and teen angst ran wild. Harassed by cops and authority, it gave teens the sense of unity and the music was the extension of their anger. The band The Living was a huge part of that scene that later saw members Duff McKagan move to Southern California and form Guns'n'Roses and also where Mother Love Bone drummer Greg Gilmore honed his craft. I chat with vocalist John Conte about this moment in Seattle music history and how the re-release came to be. Please enjoy the episode!Part of Pantheon Podcast Network!

Prior to the grunge scene in Seattle the cities punk scene was vibrant and teen angst ran wild. Harassed by cops and authority, it gave teens the sense of unity and the music was the extension of their anger. The band The Living was a huge part of that scene that later saw members Duff McKagan move to Southern California and form Guns'n'Roses and also where Mother Love Bone drummer Greg Gilmore honed his craft. I chat with vocalist John Conte about this moment in Seattle music history and how the re-release came to be. Please enjoy the episode! Part of Pantheon Podcast Network!

This week, Emily and Andrew are joined by Seattle rock legend Greg Gilmore. Gilmore was most famously the drummer for influential Seattle rock band Mother Love Bone. The group talks about his 1982 project The Living, whose only album is being released on April 16th. The Living featured a 17-year old Duff McKagan on guitar, frontman/vocalist John Conte, Todd Fleischman on bass, and Greg Gilmore on drums. Sponsored by Lambertones Pickups.  Like the podcast? Support us on Patreon for some sweet perks! We have merch, including additions to our For Fuzz Sake lineup! Get some, get SOME. Outro song is “Little Pink Room” by Michelle Sullivan and the All Night Boys (feat. Emily on guitar) Support Get Offset by... Shopping on Reverb.com: https://reverb.grsm.io/getoffset7407 Shopping on Sweetwater: https://imp.i114863.net/GetOffset Subscribing on Patreon: https://www.patreon.com/getoffset Shopping our Merch: https://getoffsetpodcast.com/shop/ Saving 7% on Your DistroKid Account for the First Year: http://distrokid.com/vip/getoffset Leaving us a review on iTunes: https://podcasts.apple.com/us/podcast/get-offset/id1442326978 

In this episode host Kevin Lawton is joined by John Conte of Conte Logistics. They discuss John's book "The ABC's of Supply Chain and Logistics", career advice and insights on transportation management systems (TMS). Support the show (https://www.paypal.com/donate/?token=PT7mU4_SaQlWJLQbdhvpmmyAeCdusbdFECFdobnmlvKzdNoOv-vvvrIsb9ACG35f-xAmEG&country.x=AU&locale.x=AU)

WVU knocks off Baylor in Morgantown. Mark Plants and John Conte join us to talk about their time in Morgantown. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/touchdowncity/support

Today WPMT Presents: "Lady in the Dark" with music by Kurt Weill, lyrics by Ira Gershwin and book and direction by Moss Hart. Starring (from the Broadway company): Gertrude Lawrence as "Liza Elliott" and Bert Lytell as "Kendall Nesbitt" with John Conte as "Charley Johnson" and Alan Hewitt as "Dr. Brooks." Listen to an unforgettable hour of Classic Musicals from the Golden Age of Radio.

John Conte opens the show, introducing today's guest star, the popular and talented star of radio, stage and recordings, Miss Peggy Lee, who raises the curtain with the first song of the show, Where Or When. Peggy then introduces her band, before moving on to the next tune, All Of Me. Broadcast Date: September 16, 1951 --- Send in a voice message: https://anchor.fm/dennis-moore9/message Support this podcast: https://anchor.fm/dennis-moore9/support

After taking the rap for embezzlement for his aging father, Gino. Max Monetti is released from prison seven years later, and his first visit is to his brothers Joe, Tony and Pietro Monetti in New York, to whom he promises revenge for their betrayal. However, after being reunited with his lover Irene, can the memories of his past give him a broader perspective? Starring: Anne Baxter, John Conte, Thomas Gomez, Raymond Burr, Rick Roman, Paul Dubov, Argentina Brunetti, Eve McVeagh, Ruth Perrott, Charlene Hartley, William Johnstone, Rye Billsbury, Lillian Buyeff, Charles La Torre, Bradford Browne, Edward Marr Broadcast Date: October 16, 1950 --- Send in a voice message: https://anchor.fm/dennis-moore9/message Support this podcast: https://anchor.fm/dennis-moore9/support

Is climate change truly the biggest biggest threat that the world faces? What are our possible paths forward? We discuss these topics and more with special guest John Conte, the Activism Chair of Virginia Tech's Young Americans for Freedom.   Why Thorium Rocks- Sam O'Nella Academy Young Americans for Freedom at VT: https://gobblerconnect.vt.edu/organization/yafvt Here are some resources to learn more about Climate Change and potential solutions: NASA's evidence for Climate Change NOAA's reports on Climate Change William Nordhaus' Prize Lecture Check us out on social media for more ODIN: ODIN's Facebook ODIN's Twitter: @ODIN_Speak ODIN's Youtube Support us with a one-time or monthly donation through Patreon: ODIN's Patreon

THREE EPISODES:"Daddy's An Elk" (1-22-39) "Barking Rabbit" (5-11-39) And "Golf Tea" (5-18-39)The Baby Snooks Show was an American radio program starring comedienne and Ziegfeld Follies alumna Fanny Brice as a mischievous young girl who was 40 years younger than the actress who played her when she first went on the air. The series began on CBS September 17, 1944, airing on Sunday evenings at 6:30pm as Toasties Time. The title soon changed to The Baby Snooks Show, and the series was sometimes called Baby Snooks and Daddy. In 1944, the character was given her own show, and during the 1940s, it became one of the nation's favorite radio situation comedies, with products from a variety of sponsors (Post Cereals, Sanka, Spic-n-Span, Jell-O) being touted by a half-dozen announcers -- John Conte (early 1940s), Tobe Reed (1944-45), Harlow Willcox (mid-1940s), Dick Joy, Don Wilson and Ken Wilson. Hanley Stafford was best known for his portrayal of Snooks' long-suffering, often-cranky father, Lancelot âDaddyâ Higgins, a role played earlier by Alan Reed on the 1936 Follies broadcasts. Lalive Brownell was âMommyâ Higgins, also portrayed by Lois Corbet (mid-1940s) and Arlene Harris (after 1945). Beginning in 1945, child impersonator Leone Ledoux was first heard as Snookâs younger brother Robespierre, and Snooks returned full circle to the comics when comic book illustrator Graham Ingels and his wife Gertrude named their child Robby (born 1946) after listening to Ledoux's Robespierre baby voices.

"Gone Fishing" (6-01-39) "Violet_Ray" (6-08-39) and "Missing Dollar" (2-22-40)The Baby Snooks Show was an American radio program starring comedienne and Ziegfeld Follies alumna Fanny Brice as a mischievous young girl who was 40 years younger than the actress who played her when she first went on the air. The series began on CBS September 17, 1944, airing on Sunday evenings at 6:30pm as Toasties Time. The title soon changed to The Baby Snooks Show, and the series was sometimes called Baby Snooks and Daddy. In 1944, the character was given her own show, and during the 1940s, it became one of the nation's favorite radio situation comedies, with products from a variety of sponsors (Post Cereals, Sanka, Spic-n-Span, Jell-O) being touted by a half-dozen announcers -- John Conte (early 1940s), Tobe Reed (1944-45), Harlow Willcox (mid-1940s), Dick Joy, Don Wilson and Ken Wilson. Hanley Stafford was best known for his portrayal of Snooks' long-suffering, often-cranky father, Lancelot âDaddyâ Higgins, a role played earlier by Alan Reed on the 1936 Follies broadcasts. Lalive Brownell was âMommyâ Higgins, also portrayed by Lois Corbet (mid-1940s) and Arlene Harris (after 1945). Beginning in 1945, child impersonator Leone Ledoux was first heard as Snookâs younger brother Robespierre, and Snooks returned full circle to the comics when comic book illustrator Graham Ingels and his wife Gertrude named their child Robby (born 1946) after listening to Ledoux's Robespierre baby voices.