Podcast appearances and mentions of Jack Endino

This week, we lace up our Doc Martins and hike over to the Pacific Northwest to the home of GRUNGE! We discuss bands outside the usual suspects of Nirvana, Soundgarden, Alice In Chains, and Pearl Jam. Your hosts fondly remember this time, as we were young adults when the Seattle scene invaded all US rock n' roll avenues. In retrospect, this sounds like less of a movement and more of a melting pot of many of the genres that had been established in silos during the 70s and 80s. Don't think you like grunge? Then check this out!This episode features songs from bands outside the big 4 of grunge, but we don't think you'll be totally surprised. Many of these groups had similarities with the producers that were chosen, namely, Jack Endino. A perfect amalgam of punk, classic rock, and metal is right in Captain Content and Kevin's wheelhouse. As usual, we have a lot of fun reminiscing about this unique time in rock history. Jump on the hike with us to grab a Starbucks, and don't forget your flannel!Songs this week include:Green River – “Swallow My Pride” from Dry As A Bone / Rehab Doll (1987)The Nymphs – “Death Of A Scenester” from Nymphs (1991)Dig – “I'll Stay High” from Dig (1993)Mammoth Volume – “Matador” from Noara Dance (2000)Tripping Daisy – “Rocketpop” from I Am An Elastic Firecracker (1995)Coffin Break – “So Long To Reality” from Thirteen (1992)Smash Atoms – “Into The Light” from Smash Atoms (2024)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria Store

The 1980s saw an explosion of independent record labels across the US, shaping the sound and spirit of underground music to this day. This week, Daniel House from Skin Yard and C/Z Records joins us as we dive into some of the finest labels whose DIY ethos, fearless experimentation, and raw energy broke away from the corporate music machine. One of the crucial American indie labels of the era was C/Z Records, the Seattle imprint that will forever be remembered as the second most important label in the burgeoning grunge scene. That being said, it was C/Z, not Sub Pop, who released the defining document of the new sound of the Pacific Northwest with 1986's Deep Six compilation - introducing Soundgarden, The Melvins, U-Men, Green River, Malfunkshun, and Skin Yard. Founded in 1985 by Chris Hanzek and Tina Casale, Skin Yard bassist Daniel House took over operation of C/Z in 1987, subsequently releasing music by Nirvana, Henry Rollins, Built To Spill, The Gits, Hammerbox, Presidents of the United States of America, 7 Year B---h, Coffin Break and many more. Skin Yard was a foundational band in the development of the grunge movement, not only due to the groundbreaking music they recorded between 1985 - 1991, but also the band members' other contributions to Seattle music. Aside from the aforementioned impact that House made with C/Z Records, guitarist Jack Endino would go on to produce and engineer some of the most enduring records of the era - including Nirvana's Bleach, and music by Mudhoney, Tad, Soundgarden, L7, and Screaming Trees. Lead singer Ben McMillan would form the band Gruntruck, and sadly passed away in 2008 at the age of 46. Drummer Matt Cameron is a world class musician who has been behind the kit for Soundgarden and, for the past 25 years, with Pearl Jam. Skin Yard Select is the brand new, limited collection of 14 songs loving curated by Daniel House and Jack Endino, culling tracks from their four studio albums, but also featuring enough rarities to please long-time fans. This beautiful package consists of seven individual 7" singles, each in their own sleeve and pressed on limited edition colored vinyl (or good ol' fashioned black). Get your copy now from https://skinyardselect.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Whatever, Nevermind, A Grunge Podcast. We countdown the 25 greatest grunge albums according to Rolling Stone. Each episode Bakko will be joined by a special guest host to discuss that episode's album. First up we have the 1991 Melvins record Bullhead with special guest host, podcast whore and all around good guy Andy Schaal. Both Bakko and Andy come into this ep with virgin ears having never heard the Bullhead record. They go track by track and give you all the details you never knew you needed about this Melvins classic that is so good, Rolling Stone ranked it as the 25th greatest Grunge album of all time. Join us as we count our way down to number 1! About Whatever, Nevermind Whatever, Nevermind is a 25 part podcast by Bakko of Cobras & Fire counting down the 25 Greatest Grunge albums according to Rolling Stone. Each Episode features a special guest host from the Podcast Community. In addition to the 25 album episodes will be bonus interviews from the people responsible for the music. Featuring artists, producers record label execs and more. Whatever, Nevermind Archive: https://cobrasandfire.com/category/podcast/whatever-nevermind Pantheon Podcasts Reach out to us! Rate, review, and subscribe at Apple Podcasts: Cobras & Fire: Comedy / Rock Talk Show on Apple Podcasts Join our fanpage on Facebook: (2) Cobras ON Fire: Private Group | Facebook Click like and follow on Facebook: (2) Cobras & Fire: Rock Podcast | Chicago IL | Facebook Follow us on Instagram Follow us on Threads: @cobrasandfirepodcast • Threads, Say more Subscribe to our YouTube channel: Cobras & Fire Rock Podcast - YouTube Follow us on Bluesky: Cobras & Fire Podcast (@cobrasfirepodcast.bsky.social) — Bluesky Email us: Buy a shirt!:"Cobras and Fire Podcast" T-shirt for Sale by CobrasandFire | Redbubble | cobras and fire t-shirts - cobras fire t-shirts Stitcher: Cobras & Fire: Comedy / Rock Talk Show on Stitcher Spreaker: Cobras & Fire: Comedy / Rock Talk Show | Listen to Podcasts On Demand Free | TuneIn Find it all here: Cobras and Fire Podcast - Comedy Rock Talk Show Learn more about your ad choices. Visit megaphone.fm/adchoices

Listener Beware: This week you will be subjected to a deep exploration of the grey matter of a co-host of this show. The enigmatic, flame-throwing, jack of all trades, and good vibes provider: CAPTAIN CONTENT… This show will titillate some and completely confuse others. This is the truth, the whole truth, and nothing but the truth; sort of… These are bands that he forgot we played previously and therefore submitted as great ideas for the show. Time to reactivate his reactions…What's this InObscuria thing? Our podcast exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. The good Captain hopes he turns you on to something new… Just like it is for him again.Songs this week include:Moxy – “Still I Wonder” from Moxy (1975)Gruntruck – “Crucifunkin'” from Inside Yours (1991)Sloan – “Backstabbin'” from Action Pact (2003)Boris & Ian Astbury – “Teeth & Claws” from BXI - EP (2010)Max Webster - “Check” from Universal Juveniles (1980)Bang – “Lions, Christians” from Bang (1971)Gary Clark Jr. – “Numb” from Blak And Blu (2012)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/inobscuria/og-shopCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Check Playlist This episode of The Five Count featured an exclusive interview with musician Jack Endino. Jack is best known as the founder and guitarist of the band Skin Yard. He's considered by some to be the "Godfather of Grunge" for helping shape the early grunge sound of Seattle. During the show he discussed the early days of Skin Yard, producing albums like Soundgarden's Screaming Life and Nirvana's Bleach, and the new Skin Yard boxset Skin Yard Select. Get your copy now!During the rest of the show we discussed the lack of '50s diners in today's society, Ton shared the story of how he invented bottled water, and we spoke to music journalist Gary Graff about his new book "501 Essential Albums of the '90s: The Music Fan's Definitive Guide." It's available now! https://youtu.be/pUsMdVmEbXg?si=HdWVZfBJ6ZHHfIWD

En este episodio, analizaremos discos fundamentales en la escena musical del noroeste estadounidense con Superfuzz Bigmuff de los originarios de Seattle, Mudhoney; no uno, sino tres discos de los vecinos de Portland, Wipers: Is This Real?, Youth of America y Over The Edge; y Jamboree, el icónico álbum de Beat Happening de Olympia. También exploraremos el puente intercontinental creado por estos álbumes y cómo las experiencias de Sub Pop y K Records inspiraron sellos independientes en todo el continente. Como bonus, celebraremos el 35º aniversario del álbum debut de Nirvana, Bleach, que no solo marca el comienzo de la banda que llevaría este sonido al mainstream, sino que también sirve como un mapa sonoro para toda una generación. Jack Endino, productor del álbum, se une a este episodio para contar la historia completa desde ambos lados del Pacífico, confirmando que Seattle y Chile tienen mucho más en común que solo un continente compartido. Agradecimientos especiales: Aldo Benincasa, baterista de la banda chilena de rock psicodélico The Ganjas Samuel Maquieira, guitarrista de The Ganjas y Yajaira Ejival, director del sello discográfico Static Discos con sede en Tijuana, México Luis Alvarado, fundador y director de Buh Records, un sello con sede en Lima, Perú Rodrigo Herbage, director de Sello Fisura en Chile Félix Sisti Ripoll, miembro de la banda 107 Faunos y del sello discográfico Discos Laptra de Argentina Esli Meuly, guitarrista y vocalista de la banda de Seattle Muñeca Jack Endino, productor discográfico, ingeniero de grabación y masterización, mezclador y músico de Seattle Equipo: Host: Albina CabreraAssistant Producer: Gisela Casa MadridEditor: Dusty HenryProductor de audio: Roddy NikpourPodcast manager: Isabel KhaliliDirector editorial: Larry Mizell Jr.Apoya este podcast: kexp.org/elsonidoSupport the show: http://kexp.org/elsonidoSee omnystudio.com/listener for privacy information.

Seattle's own Jack Endino joins Dusty, Martin, and Albina for this month's roundtable. June marks the 35th anniversary of Nirvana's debut studio album, Bleach, which Endino produced. They discuss the unmistakable imprint of the Northwest sound. Hosts: Dusty Henry and Martin DouglasSpecial thanks: Jack Endino and Albina Cabrera, host of El Cancionero de KurtAudio producer: Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr.  Support the podcast: kexp.org/cobainSee omnystudio.com/listener for privacy information.

Captain Content laced up his Doc Martins and led us over to the Pacific Northwest to the land of everything GRUNGE! How is it possible that we are on our 6th ep in this series and we still haven't played a single note of Nirvana, Soundgarden, Alice In Chains, and Pearl Jam??? Listen along as we uncover the depth of the Seattle scene that invaded the rock n' roll world over 30 years ago. This episode features songs from bands outside the big 4 of grunge, or the Seattle sound, or whatever you want to call that stuff that happened in the early 90s. A perfect amalgam of punk, classic rock, and metal is right in our wheelhouse. We have a lot of fun reminiscing about this unique time in rock history. Grab a Starbucks, put your flannel on, and join us on the trek!Songs this week include:Bakers Pink – “Euphoria” from Bakers Pink (1993)Bundle Of Hiss – “Fire Place” from Sessions: 1986-1988 (2000) Loudermilk – “Tooth For A Tooth” from Man With Gun Kills Three! (1998)Truly – “Strangling” from Fast Stories… From Kid Coma (1995)Alcohol Funnycar – “Try To Understand” from Time To Make The Donuts (1993)Daddy Hate Box – “Edge” from Sugar Plow - EP (1990)Econoline Crush – “Nowhere Now” from Affliction (1995)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

With three albums and years of hard touring under their belt, it should have been business as usual for Matt Pike and Des Kensel. However, there was a renewed sense of vigor with the addition of bassist/collaborator Jeff Matz as well as Jack Endino behind the board. Oakland stoner metal barbarians High On Fire were ready to lay waste on album number four.  Please join us in celebrating High On Fire's breakthrough album Death Is This Communion Recommendations: BIG|BRAVE - A Chaos Of Flowers Sumac - The Healer Deaf Club w/ The Hirs Collective / Fuck Money Split Umbra Vitae - Light Of Death Crypt Sermon - The Stygian Rose For all updates on the show, follow us here: @RiffWorshipPod on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Threads, & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X Watch Riff Worship on YouTube Watch Review's from the Dylbozer's Din on YouTube Tune in LIVE to Vocal Distortion, Mondays at 6PM CST on FM89, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WONC.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, & the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠iHeart Radio app⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check out our weekly playlists: Riffs On Repeat (Spotify) Hits From The Crypt (Apple Music)

Phil Ek is an American record producer, engineer and mixer. Ek began his career in Seattle, Washington in the early 1990s recording live sound in clubs. He then moved into studio recording, recording small projects and demos for local bands. Around this time, Ek was frequently working with influential producer Jack Endino. Producing Built to Spill's second album, There's Nothing Wrong with Love, proved to be Ek's mainstream breakthrough (the album has since ranked in the Top Ten of Spin Magazine's top indie records of all time). Phil Ek has worked with such indie rock bands as Band of Horses, Fleet Foxes, Modest Mouse, The Shins, Built to Spill, Duster, 764-HERO, Big Business and Mudhoney. IN THIS EPISODE, YOU'LL LEARN ABOUT: Working in Seattle during the 90's Prioritizing instruments when recording The legacy of Build To Spill's “There's Nothing Wrong With Love” Overdubbing vs. recording live off the floor Getting the right scratch tracks in order to capture the true energy of a song Editing for feel vs perfection Should you track with or without reverb? Setting up room mics for options How to make reverb sound big but without being muddy Creating a 3D sound To learn more about Phil Ek, visit: https://philek.com/ For tips on how to improve your mixes, visit https://masteryourmix.com/ Get your copy of The Recording Mindset: A Step-By-Step Guide To Creating Pro Recordings From Your Home Studio by visiting: https://therecordingmindset.com Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

Welcome to the Nothing Shocking Podcast 2.0 episode 224 with our guest Mark Spiders of Smoke It and See and Willard.  In this episode we discuss the band Smoke It and See, made up of the guitarists from Willard and the rhythm section of Green Apple Quick Step.  Check out their songs Rockstar and Room909 on the debut self-titled EP and 7” LP single available on Bandcamp.  We also look back at the family tree of the band, and more! For  more information visit: https://smokeitandsee.bandcamp.com/album/smoke-it-and-see   Please like our Facebook page: https://www.facebook.com/nothingshockingpodcast/  Follow us on twitter at  https://twitter.com/hashtag/noshockpod.   Libsyn website: https://nothingshocking.libsyn.com For more info on the Hong Kong Sleepover: https://thehongkongsleepover.bandcamp.com Help support the podcast and record stores by shopping at Ragged Records. http://www.raggedrecords.org 

Welcome to the Nothing Shocking Podcast 2.0 episode 224 with our guest Mark Spiders of Smoke It and See and Willard.  In this episode we discuss the band Smoke It and See, made up of the guitarists from Willard and the rhythm section of Green Apple Quick Step.  Check out their songs Rockstar and Room909 on the debut self-titled EP and 7” LP single available on Bandcamp.   We also look back at the family tree of the band, and more!   For  more information visit: https://smokeitandsee.bandcamp.com/album/smoke-it-and-see Please like our Facebook page: https://www.facebook.com/nothingshockingpodcast/  Follow us on twitter at  https://twitter.com/hashtag/noshockpod.   Libsyn website: https://nothingshocking.libsyn.com For more info on the Hong Kong Sleepover: https://thehongkongsleepover.bandcamp.com Help support the podcast and record stores by shopping at Ragged Records. http://www.raggedrecords.org 

This week, Chris and Ethan are joined once again by actor Patrick Warburton, and they welcome actor, writer, and producer Scott Crane to the show. Together, the four go back in time as Scott discusses his upbringing on Bainbridge Island in Washington, his friendships with Andrew and Kevin Wood, Ben Shepherd, Jack Endino, Chad Channing, and the island's role in giving birth to the distinctive sound that would become known as "grunge." Listen along and learn of the pivotal role of Greg Gunther in the creation of that sound and scene, and hear about Patrick's familial connection to the birth of "grunge." Follow Patrick on Instagram: https://www.instagram.com/paddywarbucks/ Follow Scott on Instagram: https://www.instagram.com/robertscottcrane/ If you are enjoying our show, becoming a Patron is the most helpful way to support us. If you have gotten more than $2 of satisfaction from this show, click the link here :) https://www.patreon.com/grunge_bible Support the show, buy some merch! https://grungebible.creator-spring.com/

It's 2024 and your humble hosts have been persuaded by the good podcasting people to keep on truckin'. Therefore, we bring you an episode full of bands devoted to naming themselves after the almighty diesel guzzlin', 600 horsepower pullin', multi-axle haulin' hell on wheels known as trucks! This episode is, obviously, brought to you by our resident gearhead: Mr. Robert Harrison.New to InObscuria? It's all about digging up obscure Rock n' Punk n' Metal from one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This week we are digging and hauling by featuring bands whose names contain the word truck… I know, it's a bit out there. Thanks, Robert! We hope that we turn you on to something new!Songs this week include:Truck - “Make Hay” from Exploring The Wah (2022)Truckfighters - “Hawkshaw” from V (2016)Monster Truck - “Thundertruck” from True Rockers (2018)Bad Möthertrückers - “Crucified” from Crucified - Single (2019)Truckers - “Truckers” from Leave Me Alone (1995)Gruntruck - “It's Alright” from Gruntruck (2017)Derek Trucks Band - “Alright” from Out Of The Madness (1998)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

For the 35th anniversary of Mudhoney's first 12-inch record, SUPERFUZZ BIGMUFF, we take a detailed look at how it was made. After Mark Arm met Steve Turner at a show in Seattle, they became fast friends and began playing in multiple bands together. They started Green River with Jeff Ament and Alex Shumway and eventually added Stone Gossard on second guitar. Tensions over the musical direction of the band eventually caused Green River to dissolve with Ament and Gossard going on to form Mother Love Bone and Arm and Turner deciding to form Mudhoney. With Mudhoney, they had a vision for fuzz drenched guitars and blending 60s garage with punk rock. They eventually added Dan Peters on drums and Matt Lukin on bass and had their first practice on New Year's Day in 1988. Bruce Pavitt of Sub Pop offered to pay for some studio time with Jack Endino so he could hear the material they were working on. From those sessions, they released the "Touch Me I'm Sick" single in the summer of 1988. At that point, they went back into the studio with Jack Endino to work on the songs that would become SUPERFUZZ BIGMUFF. In this episode, Mark Arm describes his approach of “vocalizing” rather than singing, and how playing guitar with this band changed how he thought about song arrangements. Steve Turner talks about his discovery of vintage fuzz boxes and how they informed the Mudhoney sound at a time when fuzz pedals were out of fashion. From the early days of Sub Pop to rocking baby blue 60s guitars to Dan Peters' unique drum patterns to Matt Lukin's relief of playing simple songs to Sonic Youth knighting them as the next big thing to a pivotal moment in Seattle music, we'll hear the stories of how the record came together.

This week Jeremy interviews Jeremy Stith of FURY On this episode, the Jeremy's talk soccer, The National, sneaking into Coachella, Weird Al Yankovic, recording with producer Jack Endino, the format of LPs, Triple B Records, remembering Riley Gale, Fury's new single "Vie", and so much more! SUBSCRIBE TO THE PATREON to hear a bonus episode where Jeremy answered questions that were submitted by subscribers! Follow the show on INSTAGRAM and TWITTER Want some First Ever Podcast merch? Click here!

It is a pleasure to welcome the Marshall Law Band to The Jake's Take with Jacob Elyachar Podcast. The Marshall Law Band is a hip-hop, rock, and funk music collective formed in 2017 by rapper Marshall Hugh and saxophonist Marty Thordarson, who were college roommates. The group includes bassist Evan Robertson, drummer Matt McAlman, guitarist Josh Richins, and keyboardist Zach Olsen. Driven by their shared passion for effective positive change and addressing social justice issues, the band wholeheartedly joined the local Seattle protests following the tragic death of George Floyd in 2021. After a week of powerful performances at the demonstrations, they channeled their experiences into heartfelt songs, eventually becoming their debut album, 12th and Pine—music veteran Jack Endino, who worked with legendary music acts including Nirvana and Soundgarden.Since then, the Marshall Law Band embarked on two successful European tours and garnered attention from prominent media outlets, including BBC News, CNN, and The Seattle Times. The band also founded Fremont Fridays. Established in 2021, Fremont Fridays is a summer-day festival that serves as a gathering place for the community and celebrates local talent and business owners. In this episode of The Jake's Take with Jacob Elyachar Podcast, the Marshall Law Band shared the stories behind some of the most streamed Spotify songs, including “Get Better,” “BLM,” and “Head Nod.” They also spoke about the evolution of Fremont Fridays.

It's that time of year again, where we lace up our Doc Martins and hike over to the Pacific Northwest to the land of everything GRUNGE! Is it possible that we are on our 5th ep in this series and we still haven't played Nirvana, Soundgarden, Alice In Chains, and Pearl Jam??? Oh yeah… Your hosts remember this time fondly, as we were young adults when the Seattle scene invaded all rock n' roll avenues in the US. This episode features songs from bands outside the big 4 of grunge, or the Seattle sound, or whatever you want to call that stuff that happened in the early 90s. A perfect amalgam of punk, classic rock, and metal is right in our wheelhouse. We have a lot of fun reminiscing about this unique time in rock history. Grab a Starbucks, put your flannel on, and join us on the trek!Songs this week include:Mind Funk – “Goddess” or “Mama, Moses and Me” from Dropped (1993)Satchel – “Taste It” from EDC (1994) PJ Harvey – “Victory” from Dry (1992)Billionaire – “The Jimmie Hale Mission” from Ascension (2000)Malfunkshun – “My Liberty (With Morals)” from Return To Olympus (1987)For Love Not Lisa – “Nothing But The Heavy” from The Lost Elephant (1999)Icky Joey – “Bone Of Contention” from Pooh (1993)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

The Buzz Factor with Jack Endino! . . . . YOU DON'T KNOW MOJACK is a podcast dedicated to exploring the entire SST catalogue, in order, from start to finish. During the podcast we will discuss all the releases that are part of our core DNA, as well as many lesser-known releases that deserve a second chance, or releases that we are discovering for the very first time (we actually don't know Mojack!). First and foremost we are fans, and acknowledge that we are not perfect and don't know everything – sometimes the discussion is more about a time, place, feeling, personal experience or random tangents, and less about the facts (but we will try to get to the facts too). Facebook: www.facebook.com/mojackpod/ Twitter: @mojackpod Instagram: www.instagram.com/mojackpod/ Blog: www.mojackpod.com/ Tumblr: www.tumblr.com/blog/mojackpod Theme Song: Shockflesh

Rick Beato is one of the most successful YouTube stars in the world. His channel, Everything Music, has 3.5 million subscribers and is approaching 600 million views. Among the different types of videos Rick posts are his Top 20 Countdowns, What Makes This Song Great?, and his Rants on all things music. Rick also has an incredible series of long-form, sit-down interviews with some of the most acclaimed music artists in the world, including Peter Frampton, Sting, Derek Trucks, Brian May, and a group interview with grunge legends Krist Novoselic, Kim Thayil and Jack Endino. But Rick didn't find success on YouTube until he was in his mid-50s, following the viral success of a video he posted of his 8-year-old son Dylan demonstrating his perfect pitch. In fact, he didn't even launch his channel until he was 54. Prior to his YouTube success, Rick taught music at the college level, he held private lessons (by his estimation, he taught more than 12,000 lessons), he was a music producer and engineer, and he even co-wrote the song "Carolina" by the band Parmalee, which hit #1 on the Billboard Country chart. Rick is also one of the only people in the world who isn't a rock star to have his own Gibson Artist Series Signature Les Paul Special guitars. In this episode, Rick shares his journey from childhood, when he first played the cello, to the classrooms of upstate New York, to his experience working in the music industry, to the incredible success he enjoys today as one of the world's most well-respected experts on “Everything Music.” Second Act Stories theme music: "Between 1 and 3 am" by Echoes

On this all-new episode of The Spindle podcast, Marc and John double their fun with a 2x7" EP from the Screaming Trees, 1989's "Change Has Come" b/w "Days" and "Time Speaks Her Golden Tongue" b/w "Flashes." Released on Sub Pop Records and produced by grunge pioneers Jack Endino and Steve Fisk, the Seattle band featured vocalist Mark Lanegan, guitarist Gary Lee Conner, bassist Van Conner, and drummer Mark Pickerel. Representing the transitionary era between the Trees' SST Records and major label run, the EP hits—folding in psychedelia, garage rock, and revved up alt-rock. Call us anytime at 1-877-WASTOIDS. More podcasts and videos at WASTOIDS.com | Follow us on Instagram and YouTube.

Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Paul Bruce Dickinson (Worksop, Nottinghamshire, 7 de agosto de 1958), más conocido como Bruce Dickinson, es un cantante, productor musical, esgrimista, empresario, escritor, historiador y piloto de aviación británico. Es famoso por ser el vocalista, frontman y co-compositor de la banda de heavy metal Iron Maiden. Es considerado por muchos expertos de canto, medios y el público en general como uno de los mejores cantantes de la historia de este género. También posee un nivel intermedio de interpretación en guitarra, mostrado principalmente en su carrera en solitario. Nacido en Worksop, Nottinghamshire, Bruce Dickinson comenzó su carrera musical en pequeñas bandas en la década de 1970, mientras asistía a la escuela en Sheffield y a la universidad en Londres. En 1979 se unió a la agrupación Samson, con la que logró cierta popularidad bajo el nombre artístico de "Bruce Bruce". Tras grabar dos discos de estudio dejó la banda en 1981 para unirse a Iron Maiden, reemplazando al cantante Paul Di'Anno. Durante su primera etapa en Iron Maiden grabó una serie de exitosos álbumes que se convirtieron en discos de platino y oro en los Estados Unidos y el Reino Unido en la década de 1980. Dickinson abandonó Iron Maiden en 1993 (siendo reemplazado por Blaze Bayley) para seguir una carrera como solista, lo que le permitió experimentar con una amplia variedad de estilos entre el heavy metal y el hard rock. Se reincorporó a la banda en 1999 junto con el guitarrista Adrian Smith. Tras su regreso a Iron Maiden grabó un nuevo disco en solitario en 2005, Tyranny of Souls. Su primo Rob Dickinson fue el vocalista de la banda británica de rock alternativo Catherine Wheel, mientras que su hijo, Austin, lideró la banda de metalcore Rise to Remain. Aparte de su carrera en la música, Dickinson ha llevado a cabo otro tipo de actividades. Emprendió una carrera como piloto comercial para la aerolínea Astraeus Airlines. Tras el cierre de Astraeus, creó su propia empresa de mantenimiento de aviones y capacitación de pilotos en 2012, Cardiff Aviation. Dickinson presentó su propio programa de radio en la emisora BBC Radio 6 Music de 2002 a 2010 y también ha presentado documentales de televisión, ha escrito novelas y guiones cinematográficos, creó una exitosa cerveza con Robinsons Brewery y compitió como esgrimista a nivel internacional. Paul Bruce Dickinson nació en Worksop, Nottinghamshire.​ Su madre, Sonia, trabajaba a medio tiempo en una fábrica de calzado, y su padre, Bruce (f.2018), era un mecánico del ejército.​ El inesperado embarazo de Sonia obligó a la joven pareja a contraer matrimonio.​ Inicialmente fue criado por sus abuelos, un trabajador de una mina de carbón local y un ama de casa.​ Este hecho es recordado por Dickinson en la letra de la canción "Born in '58" de su primer álbum como solista, Tattooed Millionaire.​ Estudió en la escuela primaria de Manton en Worksop mientras sus padres vivían en Sheffield.​ Cuando cumplió seis años fue enviado a Sheffield por sus abuelos,​ lugar donde ingresó en una escuela primaria en Manor.​ Luego de unos meses, sus padres decidieron inscribirlo en una escuela privada llamada Sharrow Vale Junior.​ Dickinson ha afirmado que debido a esta situación aprendió a ser autosuficiente, pero no pudo entablar amistades duraderas.​ Bruce tiene una hermana menor, la jinete profesional Helena Stormanns, nacida en 1963.​ Trató de aislarse de ella tanto como pudo cuando era joven, al parecer porque presumía que el nacimiento de Helena si fue planeado.​ La primera experiencia de Bruce con la música ocurrió en Worksop, cuando bailaba para sus abuelos la canción "The Twist" de Chubby Checker.​ Su primer álbum fue el sencillo "She Loves You" de The Beatles, un regalo de su abuelo. Desde ese momento empezó a interesarse en la música rock.​ Intentó tocar la guitarra acústica de su padre, pero sus dedos terminaron ampollados.​ Cuando se mudaron a Sheffield, los padres de Dickinson se ganaban la vida comprando propiedades, acondicionándolas y vendiéndolas para obtener un beneficio.​ Como resultado, gran parte de su infancia la pasó viviendo en un sitio de construcción, hasta que sus padres compraron una pensión y un garaje en bancarrota donde su padre comenzó a vender autos de segunda mano.​ Los ingresos de su negocio le dieron la oportunidad de darle a Bruce (entonces de 13 años) una educación en un internado en la escuela Oundle, una institución pública en Northamptonshire.​ Dickinson no se oponía a mudarse de su hogar porque no había logrado "ningún vínculo real" con sus padres, ya que había sido criado por sus abuelos en Worksop hasta que cumplió los seis años.​ En Oundle, Dickinson era acosado constantemente por los niños mayores de Sidney House, la pensión a la que pertenecía,​ hecho que describió como "una tortura sistemática" que lo llevó a convertirse en un niño prácticamente aislado.​ Sus intereses en Oundle solían ser militares; fue cofundador de la sociedad de juegos de guerra de la escuela con su compañero Mike Jordan, logrando una posición de cierto poder en la fuerza de cadetes de la escuela,​ donde se le permitió manejar munición real, que utilizaba para crear trampas explosivas.​ En Oundle Dickinson empezó a interesarse en el hard rock, especialmente tras escuchar la épica canción "Child in Time" de Deep Purple en el cuarto de uno de sus compañeros, quedando asombrado por la potencia vocal de Ian Gillan.​ El primer álbum que compró con su propio dinero fue Deep Purple In Rock, disco que terminó de afianzar su gusto por este tipo de música.​ Más adelante compró el álbum debut de Black Sabbath, Aqualung de Jethro Tull y Tarkus de Emerson, Lake & Palmer.​ La primera banda que pudo ver en directo fue Wild Turkey, agrupación que tocó en su escuela y que tenía entre sus filas al bajista de Jethro Tull, Glenn Cornick.​ Más tarde asistió a conciertos de Van der Graaf Generator y Arthur Brown.​ Bruce se interesó inicialmente en aprender a tocar la batería,​ practicando con un par de bongós.​ El músico recuerda que tocaba y cantaba la canción "Let It Be" con su amigo Mike Jordan, descubriendo que tenía una voz prometedora para cantar música rock.​ Poco tiempo después fue expulsado de Oundle por participar en una broma en la que orinó sobre la cena del director de la institución.​ Tras retornar a su hogar en Sheffield en 1976, ingresó en la escuela King Edward VII, lugar donde se unió a su primera banda.​ Escuchó a otros dos alumnos hablar sobre la necesidad de un cantante para su banda, por lo que se ofreció como voluntario de inmediato.​ La banda practicaba en el garaje del padre del baterista. Allí sus compañeros se asombraron por su calidad vocal, animándolo para que comprara un micrófono.​ Su primera presentación ocurrió en una pequeña taberna en Sheffield.​ Originalmente llamada "Paradox", la banda cambió su nombre a "Styx" por sugerencia de Bruce, sin tener en cuenta que en ese momento ya existía una banda en los Estados Unidos con el mismo nombre.​ Llegaron a los titulares de los periódicos locales cuando un obrero local fue despertado por su actuación y, enojado, trató de romper la batería de la banda.​ Poco tiempo después la agrupación se disolvió.​ Después de graduarse de la escuela con énfasis en inglés, historia y economía, Dickinson confesó: "Realmente no sabía qué era lo que quería hacer".​ Lo primero que hizo fue unirse a la Segunda Reserva del Ejército por seis meses.​ Aunque disfrutó su experiencia militar, Dickinson se dio cuenta de que no quería esta opción como una carrera y aplicó para estudiar historia en la Universidad Queen Mary de Londres.​ Sus padres querían que se uniera al ejército, pero Bruce les mintió diciendo que quería graduarse antes para tener más libertad de cantar en bandas de rock.​ En la universidad se involucró en el Comité de Entretenimiento, afirmando sobre esta experiencia lo siguiente: "Un día eres roadie para The Jam, al día siguiente estás cargando una escenografía de Stonehenge para Hawkwind."​ En 1977 conoció a Paul "Noddy" White, un multi-instrumentista dueño de un gran equipo de grabación, con el que Bruce, junto al baterista Steve Jones, formaría una banda llamada Speed.​ De acuerdo con Dickinson, la banda se llamó Speed ("velocidad" en español) por la forma en que tocaban y no como una alusión a la droga del mismo nombre. ​ Dickinson empezó a escribir su propio material cuando White le enseñó tres acordes en su guitarra.​ Aunque Speed llegó a tocar varias veces en la taberna Green Man en Plumstead, la banda no duró mucho, pero sirvió como impulso para que Bruce se esforzara por buscar una carrera en la música.​ Dickinson vio un aviso en Melody Maker que decía: "Se necesita cantante para proyecto de grabación" y lo respondió inmediatamente.​ Grabó una cinta demo y la envió con la siguiente nota: "Por cierto, si creen que lo que canto es una basura, hay algún material de John Cleese grabado en el otro lado que espero les guste".​ Quedaron impresionados con su voz y lo invitaron al estudio para grabar una canción titulada "Dracula", primera pieza musical grabada por Bruce, con una agrupación llamada Shots,​ formada por dos hermanos, Phil y Doug Siviter.​ La canción fue incluida años después en el álbum recopilatorio The Best of Bruce Dickinson. Los hermanos quedaron impresionados con la calidad vocal de Bruce y le pidieron que se uniera a su banda.​ La agrupación realizaba presentaciones constantes en pequeños clubes.​ Una noche Dickinson se detuvo a mitad de una canción e increpó a uno de los asistentes por no prestar atención a la música.​ Esta práctica tuvo tan buena aceptación que el cantante empezó a hacerlo todas las noches como una práctica regular en sus presentaciones en vivo. Dickinson afirma que esta experiencia le enseñó a convertirse en un "frontman".​ El siguiente paso en su carrera fue la visita de los músicos Barry Graham ("Thunderstick") y Paul Samson a una de las presentaciones de Shots en una taberna llamada Prince of Wales en Kent.​ Impresionados con su voz y su manejo del escenario, hablaron con Dickinson después de la presentación y le ofrecieron ser el cantante de su banda, Samson.​ Dickinson aceptó unirse a la agrupación con la condición de que le dejaran presentar sus exámenes finales de historia.​ Hasta ese momento, había estado descuidando su educación universitaria.​ Como resultado, la universidad había intentado expulsarlo por reprobar sus exámenes de segundo año y no pagar sus honorarios de alojamiento, pero logró continuar debido a su papel como oficial de entretenimiento.​ Después de escribir ensayos de seis meses en el lapso de dos semanas y algunos ejercicios de última hora para sus exámenes, Dickinson logró graduarse sin muchos méritos.​ El 19 de julio de 2011, Dickinson obtuvo un doctorado honorario en música de parte de su alma máter en honor a sus contribuciones a la industria musical.​ Después de conocer a Paul Samson y a Barry Purkis y de culminar sus exámenes finales, Dickinson se unió a la banda Samson en un escenario de Bishop's Stortford para cantar la canción "Rock Me Baby", consolidando su papel como nuevo vocalista principal de la agrupación.​ La banda ya había publicado su álbum debut, Survivors de 1979, dos meses antes de la llegada de Bruce.​ Tras culminar sus estudios, Dickinson se encontró con la banda en un estudio de grabación de Greenwich para aprender las canciones de Survivors.​ Aunque no encajaban en su estilo vocal,​ la banda rápidamente escribió nuevas canciones que serían incluidas en el álbum Head On,​ algunas de las cuales fueron tocadas en vivo poco tiempo después.​ Fue durante esos primeros ensayos que surgió el nombre artístico de "Bruce Bruce", derivado de un episodio llamado "Bruces sketch" de la serie de televisión Monty Python.​ El nombre se volvió muy tedioso para Dickinson ya que la banda continuamente emitía cheques sin fondos, pagaderos a favor de "Bruce Bruce" a modo de broma.​ Dickinson más tarde comentó que odiaba ese nombre pero que terminó aceptándolo como su nombre artístico.​ Bruce se llevó una sorpresa al enterarse que no todos los músicos de rock eran "grandes artistas"; sentía que algunos de ellos, como sus compañeros en Samson, solo estaban interesados ​​en las mujeres, las drogas y el alcohol, algo con lo que no estaba de acuerdo pues sus aspiraciones eran mayores.​ Aunque había fumado marihuana antes,​ Dickinson descubrió que le era imposible comunicarse con los otros miembros de la banda si estaba sobrio, y decidió que era "el precio que debía pagar".​ Mientras lideraba la banda, Bruce escuchó a Iron Maiden por primera vez cuando la agrupación de Steve Harris abrió uno de los conciertos de Samson en el Music Machine en 1980.​ Al respecto, Dickinson afirmó: "Los vi en vivo ese día y me di cuenta que eran buenos, realmente buenos. Recuerdo que en ese momento pensé que quería ser su vocalista".​ Dickinson permaneció en Samson un año, grabando los álbumes de estudio Head On y Shock Tactics.​ Sin embargo, la banda pronto tuvo dificultades con su sello discográfico, Gem Records, que entró en quiebra y no financió su gira europea como soporte de Iron Maiden.​ La banda firmó con RCA, pero la discográfica no se mostró muy interesada.​ Tras una presentación de Samson en el Festival de Reading, el mánager de Iron Maiden, Rod Smallwood, se acercó a Dickinson y le ofreció ser el nuevo vocalista de Iron Maiden.​ Dickinson audicionó para Iron Maiden en una sala de ensayos en Hackney en septiembre de 1981. Allí descubrió que la banda tenía un nivel de profesionalismo superior al de su anterior grupo, Samson.​ En la sala de ensayos, la banda tocó las canciones "Prowler", "Sanctuary", "Running Free" y "Remember Tomorrow", antes de pedirle a Dickinson que cantara las mismas canciones en un estudio de grabación.​ Iron Maiden tenía una rutina estricta y organizada que se adaptaba al estilo de composición de la banda, algo que Dickinson describió como "la tabla de tiempo".​ Después de brindar algunos conciertos, la agrupación comenzó a componer nuevo material para su tercer álbum de estudio, The Number of the Beast, publicado en 1982. A raíz de los problemas contractuales de Samson, Dickinson no pudo ser acreditado legalmente en ninguna de las canciones del disco,​ limitándose a hacer lo que él mismo llamó como "contribuciones morales", revelando años después que contribuyó en alguna medida en la composición de las canciones "The Prisoner", "Children of the Damned" y "Run to the Hills".​ El álbum fue un éxito y encabezó las listas británicas,​ logrando la certificación de disco de platino en el Reino Unido y en los Estados Unidos.​ Tras su lanzamiento, la banda se embarcó en la gira internacional The Beast on the Road para promocionar el disco. En los siguientes álbumes, Piece of Mind de 1983 y Powerslave de 1984, el monopolio compositivo de Steve Harris fue dejado de lado para incorporar las ideas de los demás miembros de la banda. Dickinson contribuyó con la composición de algunas canciones como los sencillos "Flight of Icarus" y "2 Minutes to Midnight".​ Durante la multitudinaria gira World Slavery Tour, como parte de los nuevos elementos teatrales incorporados en el escenario de la banda, Bruce usó una máscara con plumas durante la interpretación de la canción "Powerslave". Según sus propias declaraciones, compró dicha máscara en una tienda de artículos sexuales.​ La gira fue tan larga y desgastante que Dickinson llegó a considerar abandonar el proyecto cuando el tour se encontraba a mitad de camino.​ La gerencia de Iron Maiden añadía fechas a la gira constantemente hasta que Dickinson amenazó con dejar la banda si continuaban haciéndolo.​ Al finalizar la gira, la banda se tomó seis meses de descanso, tiempo que Bruce aprovechó para practicar esgrima.​ Iron Maiden comenzó a escribir material para su siguiente álbum, Somewhere in Time. Dickinson estaba decepcionado ya que sentía que la banda requería en ese momento de un estilo más acústico para seguir siendo relevante, a pesar de que se introdujeron sintetizadores en la grabación del disco.​ No tuvo créditos de composición en el álbum, ya que su material fue rechazado por el resto de la banda.​ Steve Harris declaró que esto ocurrió porque sus composiciones no eran lo suficientemente buenas, pues Dickinson "probablemente era el más afectado tras finalizar la gira World Slavery Tour".​ Tras la gira promocional de Somewhere in Time, Iron Maiden empezó a trabajar en su siguiente álbum de estudio, Seventh Son of a Seventh Son, disco más experimental que sus anteriores trabajos y con algunos elementos de rock progresivo.​ Aunque se convirtió en el segundo álbum de Iron Maiden en encabezar las listas de éxitos británicas,​ fue el primer álbum con Dickinson como cantante que no alcanzó la certificación de platino en los Estados Unidos.​ A diferencia de Somewhere in Time, Dickinson se mostró más entusiasmado con el álbum y aportó créditos de composición.​ Después de finalizar la gira promocional del disco en 1988, el grupo decidió tomarse un año de descanso.​ Durante la etapa de composición del siguiente álbum, el guitarrista Adrian Smith dejó la banda y fue reemplazado por Janick Gers. El octavo álbum de estudio de Iron Maiden, No Prayer for the Dying de 1990, representó un cambio significativo en el sonido de la banda, abandonando la experimentación a favor de un heavy metal más convencional y comercial. Bruce cambió su forma de cantar, adoptando una voz más áspera.​ El disco fue grabado en un rancho de propiedad de Steve Harris con el estudio móvil de The Rolling Stones.​ La canción "Bring Your Daughter... to the Slaughter", compuesta originalmente por Dickinson para la banda sonora de la película de terror estadounidense A Nightmare on Elm Street 5: The Dream Child, se convirtió en el único sencillo de Iron Maiden en encabezar la lista de éxitos UK Singles Chart, pese a recibir un premio Golden Raspberry en la categoría de peor canción original en 1989.​ En 1992, Harris había convertido su rancho en un estudio de grabación y allí fue grabado Fear of the Dark, el nuevo álbum de estudio de la banda.​ Luego de la gira mundial Fear of the Dark Tour, Dickinson decidió dejar Iron Maiden para enfocarse en su carrera como solista.​ En ese momento la banda había agendado otra gira mundial en 1993, de la cual Bruce no disfrutó. A lo largo de la misma, Dickinson recibió muchas críticas de sus compañeros de banda. Steve Harris llegó a afirmar que en ese momento quería matarlo,​ pues según él, Dickinson solamente se esforzaba cuando la prensa se encontraba en el evento,​ de lo contrario simplemente mascullaba las canciones arriba del escenario.​ Bruce ha negado estas acusaciones, argumentando que le era imposible brindar un rendimiento decente algunas noches debido a la mala atmósfera existente entre él y sus compañeros.​ Su última presentación con la banda fue filmada por la BBC en los estudios Pinewood y publicada en vídeo con el título Raising Hell, con la incorporación del ilusionista Simon Drake animando el espectáculo.​ Junto con Adrian Smith, Dickinson regresó a Iron Maiden en 1999 después de sostener una conversación con Rod Smallwood.​ Smallwood le mencionó la posibilidad del retorno de Bruce a Steve Harris, pero el bajista inicialmente mostró algunas reservas al respecto, algo que cambió con el paso del tiempo.​ Harris y Dickinson se reunieron en la casa de Smallwood en Brighton en enero de 1999 para dialogar, algo que no ocurría entre ambos músicos desde 1993.​ Aunque se encontraban nerviosos por el encuentro, al verse cara a cara la tensión se disipó de inmediato y ambos acordaron que Dickinson debía regresar al grupo.​ Después de embarcarse en la gira promocional del álbum recopilatorio Ed Hunter, la banda ingresó al estudio para grabar el disco Brave New World, primer álbum con Dickinson desde 1992. Bruce insistió en que la agrupación debía buscar un nuevo productor en reemplazo de Martin Birch y grabar en un estudio diferente al que se utilizó para la grabación de No Prayer for the Dying y Fear of the Dark, algo que Harris aceptó.​ Finalmente el disco fue grabado en los estudios Guillaume Tell en París con el productor Kevin "The Caveman" Shirley.​ La agrupación se embarcó en una gira mundial, finalizando en el popular festival Rock in Rio ante unas 250000 personas.​ En 2003 la banda grabó el álbum Dance of Death en los estudios SARM de Londres, nuevamente con Kevin Shirley como productor.​ Después de salir de gira Iron Maiden regresó a SARM en 2006 para grabar el álbum A Matter of Life and Death,​ para luego embarcarse en un tour a nivel mundial. Entre 2008 y 2009 la banda llevó a cabo la gira Somewhere Back In Time World Tour,​ en la que Bruce piloteó un Boeing 757 bautizado Ed Force One.​ Fue realizado un entensivo documental sobre la gira titulado Iron Maiden: Flight 666, que tuvo un estreno limitado en cines en 2009.​ Iron Maiden volvió a salir de gira en 2010 para promocionar un nuevo disco, llamado The Final Frontier​ y grabado en Nassau.​ En septiembre de 2014 Iron Maiden empezó la grabación de su álbum de estudio número 16, The Book of Souls, en los estudios Guillaume Tell en París.​ El álbum contiene dos canciones escritas en su totalidad por Dickinson, "If Eternity Should Fail" y "Empire of the Clouds",​ la primera de ellas escrita para un posible álbum como solista.​ "Empire of the Clouds", de casi 18 minutos de duración,​ se convirtió en la canción más larga en toda la discografía de Iron Maiden y presenta a Bruce Dickinson tocando el piano por primera vez en una grabación de la banda.​ Hubo una nueva gira en 2016, con Dickinson piloteando nuevamente el avión de la agrupación.​ En el marco de la gira Eddie Rips Up the World Tour en 2005, Iron Maiden se presentó en el festival estadounidense Ozzfest junto a Black Sabbath como cabeza de cartel. Sharon, la esposa y representante del cantante Ozzy Osbourne, incitó a algunos amigos de su familia y miembros de otras bandas a sabotear la última presentación de Iron Maiden en el Anfiteatro San Manuel en San Bernardino, California el 20 de agosto,​ en un ataque que fue descrito por Rod Smallwood como "vil, peligroso, criminal y cobarde, un irrespeto a los fanáticos que pagaron una entrada para ver a su banda tocar un concierto completo".​ Sharon ordenó que el sonido de la banda fuera cortado, retrasó la entrada de la mascota Eddie the Head​ y alentó a los seguidores de su familia a arrojar huevos, tapas de botellas y encendedores desde la audiencia.​ De acuerdo a Dickinson, este ataque fue la respuesta a unas declaraciones dadas por el músico en las que criticaba los programas de telerrealidad, algo que, según él, Sharon Osbourne tomó de manera personal.​ Sin embargo, el diario The Guardian informó que Dickinson se había referido de mala manera al programa The Osbournes y había hecho mofa del uso del teleprónter en los conciertos de Ozzy Osbourne.​ Dickinson ha negado haber hecho comentarios contra Ozzy Osbourne y Black Sabbath,​ pero admitió sus críticas hacia la organización del Ozzfest, asegurando que muchas de las bandas que participaban del festival habían pagado para poder estar allí.​ Después del fallido concierto en San Bernardino, Sharon lanzó una declaración adicional donde acusaba a Dickinson de hacer varios comentarios en contra de los Estados Unidos,​ de los que no se presentó ninguna evidencia.​ Adicionalmente, Osbourne afirmó que la bandera británica exhibida por Dickinson durante la canción "The Trooper" era una falta de respeto con las tropas estadounidenses​ que en ese momento se encontraban peleando junto al ejército británico en la Guerra de Irak.​ Sharon también afirmó que Steve Harris le había presentado disculpas a su esposo Ozzy en San Bernardino por los comentarios de Dickinson,​ algo que Harris negó tiempo después, asegurando que sus palabras fueron tergiversadas.​ A comienzos de 1989, el sello discográfico Zomba le pidió a Dickinson que produjera una canción para la película de horror A Nightmare on Elm Street 5: The Dream Child,​ proporcionándole un presupuesto, un estudio y un productor, Chris Tsangarides. Dickinson aceptó la propuesta y se puso en contacto con el guitarrista Janick Gers para grabar la canción "Bring Your Daughter to the Slaughter"​ con la colaboración del bajista Andy Carr y del baterista Fabio del Río.​ "La escribí en tres minutos", afirmó Dickinson, "No se de donde salió el título, simplemente apareció en mi cabeza".​ Impresionados con los resultados, los agentes de Zomba le ofrecieron a Dickinson un contrato para grabar un álbum completo en calidad de solista.​ Con la misma alineación y el mismo productor, el álbum debut de Bruce Dickinson, Tattooed Millionaire, fue escrito y grabado en aproximadamente dos semanas y publicado en mayo de 1990 con su correspondiente gira.​ Ese mismo año Dickinson grabó el clásico de Deep Purple "Smoke on the Water" junto con otras estrellas del rock como Ritchie Blackmore, Paul Rodgers, Bryan Adams, Tony Iommi, David Gilmour y Brian May, como parte del esfuerzo benéfico Rock Aid Armenia.​ Acompañado por la banda británica Skin, produjo una versión de la canción "Elected" de Alice Cooper con el actor Rowan Atkinson (caracterizando a Mr. Bean), usada en 1992 por la organización caritativa Comic Relief​ y cinco años más tarde en la banda sonora de la película de humor Bean.​ Para su segunda producción discográfica como solista, Dickinson contó con la colaboración del productor estadounidense Keith Olsen. Mientras se encontraba trabajando en el disco en Los Ángeles, decidió abandonar la alineación de Iron Maiden.​ Descontento por la orientación que estaba tomando el proyecto con Olsen, Dickinson empezó a trabajar con el guitarrista de la banda de rock latino Tribe of Gypsies, Roy Z.​ El álbum Balls to Picasso fue grabado con la banda Tribe of Gypsies como soporte​ y publicado en 1994. El mismo año Dickinson grabó una versión de la canción "Sabbath Bloody Sabbath" con la banda Godspeed para el disco tributo a Black Sabbath Nativity in Black.​ Con la ayuda del compositor y guitarrista Alex Dickson, Bruce empezó a crear material para su nuevo disco.​ En 1994 y con su nueva banda, Bruce brindó un concierto en Sarajevo. Esta presentación fue usada para crear el documental Scream For Me Sarajevo, estrenado en 2017.​ Tras la finalización de la gira en soporte del disco Balls to Picasso, Dickinson empezó a trabajar en la grabación de su nuevo álbum, Skunkworks. El músico decidió que Skunkworks sería también el nombre de la banda, pero la compañía discográfica se rehusó a publicar el álbum sin que su nombre apareciera en la portada.​ Dickinson contrató al productor Jack Endino, recordado por producir el primer álbum de estudio de Nirvana. El proyecto Skunkworks se disolvió cuando finalizó la gira. "Estaba devastado por lo de Skunkworks", afirmó Bruce, "Skunkworks fue un disco por el que trabajé incansablemente y a nadie pareció importarle una mierda".​ Después de un breve periodo de inactividad, Dickinson se reunió nuevamente con el guitarrista Roy Z para grabar su siguiente disco, Accident of Birth. "Fue realmente Roy el que me convenció de volver a intentarlo. Me llamó por teléfono y me dijo que estaba trabajando en un nuevo material que sonaba como un álbum de metal. Yo estaba asustado, pensaba que no tenía nada para ofrecer. Pero cuando escuché por el teléfono algunas de sus canciones me di cuenta que realmente había algo allí".​ Bruce le ofreció al guitarrista Adrian Smith que tomara parte de la grabación del álbum como un segundo guitarrista, pero terminó quedándose definitivamente en la alineación.​ El álbum marcó el retorno de Bruce Dickinson al heavy metal, logrando excelentes críticas por parte de la prensa especializada. El portal Sputnikmusic remarcó: "Es un álbum satisfactorio que llena el vacío que dejó Iron Maiden durante la década de 1990".​ El siguiente disco, The Chemical Wedding, un álbum semi-conceptual basado en la obra de William Blake, fue incluso más exitoso que su predecesor. Sputnikmusic afirmó: "Bruce ha superado todas las expectativas dando vida a un álbum incluso mejor que el anterior."​ Durante la gira soporte de The Chemical Wedding fue grabada una presentación en tierras brasileñas, registrada en el álbum Scream for Me Brazil. El disco fue publicado en 1999, año en el que Smith y Dickinson regresaron a Iron Maiden. En el año 2000, Dickinson aportó la voz para la canción "Into the Black Hole" del álbum Universal Migrator Part 2: Flight of the Migrator de la banda de metal progresivo Ayreon.​ Ese mismo año colaboró con el cantante Rob Halford en la grabación de la canción "The One You Love to Hate", disponible en el álbum Resurrection de la banda Halford.​ Un álbum recopilatorio titulado The Best of Bruce Dickinson fue publicado a finales de 2001, incluyendo dos nuevas canciones y un disco de rarezas.​ Su último álbum de estudio, Tyranny of Souls, fue publicado en mayo de 2005. En esta oportunidad, la composición de las canciones se dividió entre Roy Z y Dickinson y muchas canciones fueron compuestas por Roy, quien le enviaba las grabaciones a Bruce mientras estaba de gira con Iron Maiden.​ El 21 de junio de 2005 la discografía completa de Bruce Dickinson fue relanzada con material adicional. El mismo año Bruce aportó su voz para la canción "Beast in the Light" de la banda brasileña Tribuzy.​ Un box-set compuesto por tres discos de DVD titulado Anthology fue publicado el 19 de junio de 2006, con conciertos y vídeos promocionales de toda la carrera en solitario del cantante, al igual que un vídeo clásico de Samson titulado "Biceps of Steel".​ En diciembre de 2017, Dickinson afirmó que existía la posibilidad de publicar un álbum conceptual titulado If Eternity Should Fail, el mismo nombre de la primera canción del álbum The Book of Souls de Iron Maiden, confirmando que dicha canción fue compuesta originalmente para ser usada en su nuevo trabajo como solista. "Si hago otro álbum en solitario, algo que creo que haré, podría seguir con mi plan original y titularlo If Eternity Should Fail. Fue la primera canción que escribí para él. Entonces probablemente la incluiría allí. Pero sería ligeramente diferente a la versión de Maiden". Bruce estuvo casado con Jane Dickinson entre 1983 y 1987.​ Posteriormente, se casó con Paddy Bowden, con quien tiene tres hijos: Austin (nacido en 1990), Griffin (nacido en 1992) y Kia (nacida en 1994).​ Todos nacieron en Chiswick, Londres,​ donde Dickinson ha vivido desde 1981. ​ Austin Dickinson fue el vocalista principal de la banda de metalcore Rise to Remain​ hasta que esta se disolvió en 2015. Tiempo después formó un nuevo grupo llamado As Lions.​ Griffin Dickinson, que había trabajado como técnico durante algunas giras de Iron Maiden,​ es el vocalista de la banda de hardcore melódico SHVPES.​ El primo de Bruce, Rob Dickinson, fue el cantante de la banda de rock alternativo Catherine Wheel y fundó la compañía Singer Vehicle Design, especializada en vehículos Porsche.​ En una entrevista con Sarah Montague para el programa HARDtalk de la BBC en 2012, Dickinson se describió como conservador y euroescéptico.​ En 2015 el músico se sometió a siete semanas de quimioterapia y radioterapia para combatir un tumor cancerígeno en la parte posterior de su lengua.​ Su equipo médico esperaba una total recuperación tras detectar el tumor en una primera etapa de desarrollo.​ El 15 de mayo sus especialistas le informaron que el tumor había sido controlado. En una entrevista con el periodista estadounidense Eddie Trunk, Bruce afirmó que su enfermedad había sido ocasionada por el virus del papiloma humano, probablemente adquirido por la práctica del sexo oral.​ Aparte de la música, Dickinson ha trabajado en diversos campos. Practica esgrima con un gran nivel, llegando a alcanzar la séptima posición en la clasificación de la disciplina en Gran Bretaña,​ fundando además una compañía de equipamiento para el deporte llamada "Duellists" ("duelistas" en castellano, referencia al título de una canción del álbum Powerslave de Iron Maiden).​ También es piloto de aviones y ocupó el rango de comandante para la desaparecida empresa de aviación Astraeus. Es el propietario de una empresa de mantenimiento de aviones. En 2010 Bruce asumió como director de marketing de Astraeus. Dado el amplio interés y experiencia en diferentes áreas del conocimiento, Dickinson es considerado como un polímata, siendo calificado como tal por la revista británica Intelligent Life (hoy conocida como 1843) en una edición del año 2009.​ Dickinson aprendió a volar de forma recreacional en Florida en la década de 1990​ y actualmente cuenta con una licencia de piloto. Regularmente pilotaba aviones Boeing 757 en su rol de capitán de la aerolínea de vuelos chárter Astraeus,​ en la cual también se desempeñó como director de mercadeo.​ Tras el cierre de Astraeus el 21 de noviembre de 2011, Dickinson fundó la compañía Cardiff Aviation Limited el 1 de mayo de 2012, especializada en el mantenimiento de aeronaves.​ De acuerdo a The Wall Street Journal, en enero de 2013 Cardiff Aviation había generado 40 empleos y tenía la meta de superar los 100 empleos para 2013.​ En junio de 2013, The Daily Telegraph reportó que la compañía había logrado generar alrededor de 70 nuevos empleos.​ En agosto de 2015, Cardiff Aviation firmó un contrato para brindar sus servicios a la aerolínea Air Djibouti.​ Como resultado de su experiencia en los negocios, ha sido orador en importantes eventos alrededor del mundo.​ Su papel como piloto lo ha llevado a liderar algunos vuelos de alto perfil, como el retorno de un grupo de pilotos de la Real Fuerza Aérea desde Afganistán en 2008,​ 200 ciudadanos británicos desde Líbano durante el conflicto bélico de ese país en 2006​ y 180 turistas varados en Egipto tras el colapso de la aerolínea XL Airways en septiembre de 2008.​ Adicionalmente transportó a las plantillas de los equipos de fútbol Rangers F.C. y Liverpool F.C. a jugar partidos como visitante en Israel e Italia en 2007 y 2010 respectivamente.​ En la gira Somewhere Back In Time World Tour fue el piloto del Boeing 757 que transportó a la banda y a todo su montaje en un extenso tour a nivel mundial.​ Esta experiencia fue registrada en el documental Iron Maiden: Flight 666.​ Dickinson pilotó el "Ed Force One" nuevamente para la gira The Final Frontier World Tour en 2011.​ Para la gira The Book of Souls World Tour, la banda voló en un jet Boeing 747-400, pilotado de igual manera por el cantante.​ Presentó un programa llamado Bruce Dickinson's Friday Rock Show en una emisora de radio de la BBC inglesa especializado en rock alternativo. Su última transmisión en vivo ocurrió el 28 de mayo de 2010 abandonando el formato habitual del programa para realizar un tributo personal y musical al cantante entonces recién fallecido Ronnie James Dio. También estuvo encargado del programa Monsters of Rock en otro dial de la misma radio entre 2003 y 2007.​ En 2005 fue el presentador del documental Flying Heavy Metal del canal Discovery Channel, en el que combinaba sus dos grandes aficiones, los aviones y la música.​ En 2006 presentó un documental para Sky One titulado Inside Spontaneous Human Combustion with Bruce Dickinson, en el que se investigaba el fenómeno de la combustión humana espontánea mediante la ayuda de varios expertos y la realización de varios experimentos para determinar su posible causa.​ Otras apariciones en televisión incluyen papeles de invitado en producciones como Never Mind the Buzzcocks, Space Cadets y Clarkson, programa conducido por Jeremy Clarkson.​ Dickinson también apareció en una serie de la BBC llamada The Paradise Club, interpretando el papel de un músico llamado Jake Skinner.​ Durante la gira Somewhere on Tour en 1987, Dickinson empezó a escribir su primera novela.​ El músico describió su obra The Adventures of Lord Iffy Boatrace como una mezcla entre la literatura de Tom Sharpe, el piloto ficticio Biggles y la revista Penthouse.​ Kerrang! se refirió a la misma como "un ataque satírico al fetichismo entre las clases altas".​ Tras terminar su escritura, Dickinson se dirigió a la editorial Sidgwick & Jackson, quienes, según el propio Bruce, accedieron a publicar el libro sin siquiera leerlo, basados simplemente en las ventas de los álbumes de Iron Maiden.​ Publicada en 1990, la novela vendió más de 40.000 copias en poco tiempo.​ Debido a la alta demanda, Sidgwick & Jackson pidieron a Dickinson la producción de una secuela,​ publicada en 1992 con el título The Missionary Position, una sátira al teleevangelismo.​ No se publicaron nuevas novelas de la serie, aunque Dickinson escribió las primeras 60 páginas de una precuela que pretendía contar la historia de Lord Iffy Boatrace en su adolescencia.​ Escribió el guion para la película Chemical Wedding junto al cineasta Julian Doyle, basada en la vida y obra de Aleister Crowley, el legendario místico, mago y ocultista inglés del siglo XX, fundador de la religión neopagana Thelema. La película, en la que Dickinson apareció en un pequeño cameo, fue estrenada en 2008 y contó con la actuación de Simon Callow.​ El 15 de octubre de 2015, las editoriales HarperCollins y Dey Street anunciaron la publicación de un libro con las memorias de Bruce Dickinson.​ What Does This Button Do?​ fue publicado el 19 de octubre de 2017.​ En 2013 Iron Maiden colaboró con la compañía cervecera Robinsons Brewery en la localidad de Stockport para crear la cerveza "Trooper",​ mediante una receta formulada por Dickinson con el cervecero Martyn Weeks.​ En mayo de 2014 la cerveza había vendido más de dos millones de pintas en 40 países, convirtiéndose en la exportación más exitosa de Robinsons.​ Tras el éxito de Trooper, Dickinson, un fanático de la cerveza de barril tradicional inglesa,​ declaró que tiene la intención de desarrollar más cervezas en el futuro, aunque los nuevos productos estarían "basados en Trooper y no en Iron Maiden, pues Trooper ha tomado una vida propia. La gente la bebe porque les gusta la cerveza, no porque sean fanáticos de Maiden".​ Aunque Dickinson nunca recibió un entrenamiento de voz formal, aún posee un amplio rango vocal registrado como tenor dramático. ​ Junto con Ronnie James Dio y Rob Halford, Dickinson es uno de los pioneros del estilo vocal operístico que más tarde sería adoptado por los vocalistas de power metal y regularmente aparece cerca de la cima en las listas de los mejores vocalistas de rock de todos los tiempos.​ Bruce ha afirmado que su estilo fue influenciado principalmente por los cantantes Arthur Brown, Ian Gillan de (Deep Purple), Ian Anderson (de Jethro Tull) y Peter Hammill (de Van der Graaf Generator).​ Su forma de cantar varió notablemente en la década de 1990 en la grabación de álbumes como No Prayer for the Dying, Fear of the Dark y su primer trabajo en solitario Tattooed Millionaire, haciendo uso de un sonido mucho más áspero, algo especialmente notorio en la canción "Be Quick or Be Dead" de Fear of the Dark.​ Desde su regreso a Iron Maiden en 1999, adoptó nuevamente su particular voz de la década de 1980,​ aunque su potencia ha disminuido con la edad.​ Según un informe publicado en el Daily Mirror, Dickinson tiene un rango vocal estimado de 4.25 octavas.​ Además de su capacidad vocal, Bruce es conocido por sus actuaciones enérgicas en el escenario, que ofrece constantemente a pesar de su edad.​ Considera que el público asistente debe sentir "la esencia de la experiencia de Maiden" y que su papel es "reducir el lugar para convertir un estadio de fútbol en el club más pequeño del mundo".​ Para lograr esto, insiste en mantener contacto visual con los miembros de la audiencia,​ motivándolos a gritar usando la frase "Scream for Me" ("Griten para mí").​ Constantemente critica a los artistas que no se conectan con sus fanáticos, particularmente con aquellos que "se ocultan detrás de los amplificadores" y usan teleprompters, señalando que "la gente paga un buen dinero para verlos y ellos ni siquiera pueden recordar la maldita letra de sus canciones". Discografia Oficial: https://www.discogs.com/es/artist/260980-Bruce-Dickinson

Iniciaremos este nuevo camino del rock con una batería de noticias en nuestra “Carta Esférica” deteniéndonos con más atención en el nuevo tema de la banda guipuzcoana ASGARTH. Descubriremos en “Cruce de caminos” a HIDEKEL, banda ecuatoriana de metal progresivo con voz femenina influenciada por la fe cristiana que ha anunciado varias novedades las últimas semanas. Recibiremos en los estudios de Candela Radio Bilbao a Aingeru Gorrotxategi, líder del proyecto LUR BARNEA, que en “La Trastienda” nos contará cómo surgió este proyecto y la composición de la recientemente publicada trilogía de la defensa del castillo de Amaiur. En “Entre Dos Tierras” hablaremos de uno de las grandes referentes y pioneros del rock euskaldun del que, incomprensiblemente, aún no habíamos hablado en Rock Bidea. Se trata de NIKO ETXART. En “La Ciudad de la Furia” entrevistaremos brevemente a Javier Vargas, guitarrista reconocido internacionalmente y líder de la VARGAS BLUES BAND, que este fin de semana actúa en Bilbao y Donostia. Y finalizaremos con el proyecto de metal y rock gótico y sinfónico guipuzcoano ILUNABAR, que recientemente ha estrenado los dos primeros temas. Pero comenzaremos con The Ganjas, banda chilena de rock neopsicodélico, que tras ocho años regresa con "Generation", un nuevo álbum de estudio, producido por Jack Endino y la propia agrupación santiaguina. Todo esto y mucho más en apenas 90 minutos. ¿Quién da más?

Os Titãs já tinham uma carreira sólida e consolidada, mas em 1993 eles resolveram inovar, com a ajuda do produtor americano Jack Endino, eles lançaram um disco pesado que beira o heavy metal --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Welcome to The Nothing Shocking Podcast 2.0 Reboot episode 133.  Our guest is Kurt Danielson of Purple Strange (TAD, Vaporland, and Bundle of Hiss).  In this episode we discuss the release of Purple Strange's debut album and how the band is in the studio recording new material for a follow up.  We also dive into the history of the bands Bundle of Hiss and the early days of TAD, and more!   For more information visit:   https://www.facebook.com/kurtsdanielson   https://purplestrange.bandcamp.com/releases     Hong Kong Sleepover: https://www.amazon.com/Butcher-Bolt-Explicit-Hong-Sleepover/dp/B07P5H6ZY2 or additional merchandise at https://thehongkongsleepover.bandcamp.com   Also don't forget to like our Facebook page which can be found right here: https://www.facebook.com/nothingshockingpodcast/ or follow us on twitter at  https://twitter.com/hashtag/noshockpod   Help support the podcast and record stores by shopping at Ragged Records. http://www.raggedrecords.org 

This week we once again lace up our Doc Martins and hike over to the Pacific Northwest to the land of everything GRUNGE! As usual, we discuss the bands just outside the usual suspects of Nirvana, Soundgarden, Alice In Chains, and Pearl Jam. Your hosts remember this time fondly, as we were young adults when the Seattle scene invaded all rock n' roll avenues in the US. This episode features songs from bands outside the big 4 of grunge, but we don't think you'll be totally surprised. A perfect amalgam of punk, classic rock, and metal is right in our wheelhouse. We have a lot of fun reminiscing about this unique time in rock history. Grab a Starbucks, put your flannel on, and join us! Songs this week include:Love Battery – “Confusion Au Go Go” from Confusion Au Go Go (1999)My Sister's Machine – “Hands And Feet” from Diva (1992) Willard – “Misery: Decomposition” from Underground (2018)Bam Bam – “I'm Dead” from Free Fall From Space (2019)Guillotina – “¿Cuántos Van?” from Rock Mata Pop (1996)Lunachicks – “Why Me?” from Jerk Of All Trades (1995)Feeder – “Change” from Polythene (1997)MiNOR EARTH – “Mulch” from Don't Kill The Messenger (1992)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

De las cenizas de Green River surge Mudhoney. Graban un simple y consiguen el primer hit local en Seattle: "Touch Me I'm Sick", una canción que toca el tema del virus VIH. La heroína ya estaba haciendo estragos en la ciudad. Sub Pop crece y le da laburo a varios músicos que graban para la compañía en los estudios de Jack Endino. Como Tad, que edita God's Balls, Las pelotas de dios. Con Gustavo Olmedo.

Eva Walker is a founding member, guitarist and singer for Seattle based The Black Tones. With one full length record (Cobain and Cornbread) and a Sub Pop single under their belts, The Black Tones are embarking on their first North American tour this fall.   In this episode, Eva shares her experience working with both Jack Endino and Don Farwell,  the importance of a groove and the role trust plays in their writing and performance.  We learn why Eva and Cedric share a free form of expression and how the root of that free spirit lies in both family and the story of a lifelong educator and a bank robber.  The two Seattleites discuss their experiences as transplants and how they were both psyched to be a part of the Sub Pop family.  Eva hips us to some new bands and we hear a couple tunes. Tour Stories is sponsored by Izotope. Tour Story listeners get one month free of Music Production Suite Pro or 10% of all software by using code FRET10 at https://www.izotope.com/Tour Stories is sponsored by Self Care Non-Alcoholic Beer by Three Magnets. Go to https://drinkselfcare.com/ to get 15% off your first order using code TOURSTORIES

Welcome to The Nothing Shocking Podcast 2.0 Reboot episode 110, on this episode our guest is Jack Endino (Producer, Musician, Skin Yard, Jack Endino's Earth Worm).  In this episode we discuss his latest solo album “Set Myself on Fire.”  We also discuss albums by his current bands Purple Strange, Sky Cries Mary, as well as, other projects MKB Ultra, and Beyond Captain Orca, and more!  On the producer side check out the band 3rd Secret's new self titled album.    For more information visit:   http://www.endino.com/   https://jackendino.bandcamp.com/   https://3rdsecret.com/   Hong Kong Sleepover: https://www.amazon.com/Butcher-Bolt-Explicit-Hong-Sleepover/dp/B07P5H6ZY2 or additional merchandise at https://thehongkongsleepover.bandcamp.com   Also don't forget to like our Facebook page which can be found right here: https://www.facebook.com/nothingshockingpodcast/ or follow us on twitter at  https://twitter.com/hashtag/noshockpod   Help support the podcast and record stores by shopping at Ragged Records. http://www.raggedrecords.org

Watch this episode on Youtube and subscribe to our channel...get a look at the KOOK practice room! Video will be up Monday 5/2! https://www.youtube.com/c/blyndsubmyshynzTwo years in the making...Jeff finally talked Karl from KOOK into recording...in person (a first). Jeff has been hesitant about self-promotion from the beginning...but here we are...he's in a band with Karl and they make music together and have thoughts about it. We talked about the writing process for the next KOOK record, dipping back into roots rock but making it weird, loving Michael Shenker and Alex Lifeson, recording with Jack Endino...his long-time relationship with Mitch French from Dear Deceased, Operator Generator, Burn Thee Insects, and Lazer Beam. We reminisced about the stoner scene in San Jose, and also other stuff. This one speaks for itself. If you've been listening since the beginning you'll hear some familiar stuff from the source. Operator Generator. Sleep. Fireface. High on Fire. Stoner Steve. We went to all of those places.KOOKhttps://wearekook.bandcamp.com/album/iiDear Deceasedhttps://www.youtube.com/watch?v=3t7SB17VcgoBandcamp PicksLeo Maiahttps://leomaia.bandcamp.com/track/pneumothoraxHiroehttps://hiroe.bandcamp.com/album/wrought-2Red Cloudhttps://redcloudrock.bandcamp.com/album/the-ruby-armada-volume-iTorrentshttps://torrentswv.bandcamp.com/album/dual-fates-3 Bands! Submit one song (preferably from Bandcamp) to blyndsub@gmail.com and we'll try to cover it on another episode. Find us on social media @blyndsubmyshynz.YouTube: https://www.youtube.com/channel/UCi_8QVmx1ggBQHGKln88UNwTheme song by Francis Anger RobertsVO by Pete HollandLogo by Nick Fox

This week we strap on our old Doc Martins trudge through the muck and grime of the springtime in the US Pacific Northwest. Yep, time for our annual spring GRUNGE episode! We discuss the bands just outside the usual suspects of Nirvana, Soundgarden, Alice In Chains, and Pearl Jam. Your hosts remember this time fondly, as we were young adults when the Seattle scene invaded all rock n' roll avenues in the US. In retrospect, this sounds like less of a movement and more of a melting pot of many of the genres that had been established in silos during the 70s and 80s. What do you think?This episode features songs from bands outside the big 4 of grunge, but we don't think you'll be totally surprised. A perfect amalgam of punk, classic rock, and metal is right in Kevin's wheelhouse, and we find out the impact this had on Robert's musical path. We discuss the origins of the movement and have a lot of fun reminiscing about this unique time in rock history. Come jump on the hike with us to grab a Starbucks and some flannel.Songs this week include:Kerbdog – “Cleaver” from Kerbdog (1994)Hammerbox – “Hole” from Numb (1993)Pond – “Tree” from Pond (1993) Brad – “Raise Love” from Shame (1993)The Gits – “Another Shot Of Whiskey” from Frenching The Bully (1992)Mudhoney – “Living Wreck” from Piece Of Cake (1992)7 Year Bitch – “M.I.A.” from Viva Zapata! (1994) Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Jack Endino was at the epicentre of the grunge and alternative music scene, recording and producing music from Nirvana, TAD, Soundgarden, Mudhoney, Screaming Trees & more. Jack shares his history working with the vinyl format, preserving master tapes and continuing the legacy. Topics include: Jack has a lot of music in his house What format is your preferred for casual listening? The difference in vinyl pressing in the 80s and now Are you surprised about the recent vinyl revival? Jack found Waterfront Nirvana Bleach in Chile Jack's vinyl story on quality control incident Did you participate in the lacquer cutting process? Jack's tour of a vinyl pressing plant Quick discuss on TMoQ bootleg records Difference in mastering for vinyl and digital Discussion of the remaster of Soundgarden Ultramega OK Riding balance of preserving original mix in a modern remix Discussion of the Volume Wars Communicating about the remaster to the record cutting engineer Discussing receiving and reviewing vinyl test pressings Discussing the quality of coloured v black vinyl Remaster of Nirvana Bleach: What's changed in the modern remaster v the original? Managing the decaying of master and multitrack tapes Jack's process of baking tapes Knowledge of master tapes destroying in the Universal Music fire Nirvana's Inutero tapes Jack's role in the Nirvana universe Nirvana recordings: what else is left? Inspecting Jack's Waterfront Nirvana Bleach Vinyl: Set Myself On Fire More Vinyl: 10 Minute Warning More Vinyl: Krist Novoselic - Butterfly Launched from Spar Pole More Vinyl: Sky Cries Mary Jack's thoughts on the future of vinyl Has he ever considered throwing his vinyl away? Wrapping up the interview Extended interview available here: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Today Izzy sits down with Eva Walker, lead singer of Seattle blues-grunge outfit The Black Tones, to discuss The Black Tones' Sub Pop singles club contributions, collaborating with Pearl Jam and Ednah Holt, and the importance of valuing creativity over numbers. Digressions include what our last meals would be on death row, Bono opening his mouth (oh no), and learning the declaration of independence from a Fifth Dimension song. ✨ MORE ABOUT THE BLACK TONES ✨They've been endorsed by Jack Endino and Mike McCready of Pearl Jam. Ben Gibbard says they're going to "take over the fucking world." If you haven't heard of the Black Tones by now, it's inevitable that you will. The brains behind the Black Tones are siblings Eva and Cedric Walker, who have carved out a distinct sound with the fuzzy grit of Screaming Trees and Nirvana set to the bluesy Billie Holiday-esque vibrato of lead singer Eva Walker.✨ KEEP UP TO DATE WITH THE BLACK TONES ✨Facebook: https://www.facebook.com/TheBlackTonesSeattle/Instagram: https://www.instagram.com/theblacktones/Twitter: https://twitter.com/The_Black_Tones?s=20&t=KIXO9kqkClFuu9QwWHMiBASpotify: https://open.spotify.com/artist/756gZe3CRrsmKQGhCTmQ5J?si=kHf2QX6fQxaQzttehOE66g✨ CONNECT WITH IZZY ✨YouTube: https://www.youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIgWebsite: https://izzyshutup.comInstagram: https://www.instagram.com/agrrrlstwosoundcents/Twitter: https://twitter.com/missannthropei 

Upwell is back and ready to rock. They have a brand new song called “The Unknown” and they are playing a big show this coming Friday (January 14th) with Bruiser Brody at Showbox Market. I chatted with the band about their relationship with Jack Endino, navigating the difficulties of operating as a band during the pandemic, their favorite Northwest bands and much more. Stay tuned til the end to hear the new single “The Uknown.”

Listen to the Episode Playlist Featured artists: The Muckers, Dry Cleaning, Night Cap, The Wombats, WILLOW, The Strokes, Old Eastern, Swedish House Mafia, King Missle, Soul Coughing, Jack Endino, and more.

Jack Endino has worked with Nirvana, Soundgarden, Pearl Jam, L7, Mudhoney and so many of the biggest bands in the Seattle Grunge scene. This week, he releases his latest solo album "Light Myself on Fire". He talks to Justin Colletti about his approach to recording, mixing and mastering in details. Check out his new full-length album here: http://capacitorrecords.com/jackendino

In this episode, journalist and director Charlotte Blum meets with the legendary producer Jack Endino. Known as the Godfather of grunge, he famously produced Nirvana's first album Bleach for 606 dollars, and worked with iconic bands such as Soundgarden, L7, Mudhoney, Tad, Screaming Trees and Green River as well as his own band, the glorious Skin Yard. After almost 600 and counting records mixed and produced to this day, Jack Endino welcomes Charlotte in his studio, based in Ballard, Seattle.

“Lived Through That” is the companion podcast to my book where I look at influential 90s musicians and where they are today. On this podcast, we'll delve deeper into a single pivotal moment in the lives of some of the artists I feature in the book. The stories they tell are open, honest, and inspiring. On this episode, Krist Novoselic from Nirvana and Giants in the Trees tells us about his early days in Nirvana. Thanks to Krist for sharing and to Jack Endino for contributing to this story! Musical credits: Popism by Blue Dot Sessions Palms Down by Blue Dot Sessions Be sure to look out for my book, "Lived Through That," where ever you buy your books! You can check my web site at www.hipphoto.com for a list of retailers. Episode analytics

I have really enjoyed doing my show over the last 5 years. I've met so many incredible people. I've chatted with amazing bands and influential creatives who breathe life into the artform.A good buddy of mine knew perpetually upcoming music producer, Chris Collier and made the introduction. Why do I say perpetually upcoming? Because Chris is always upping his game. He won't rest on his accomplishments, and why would he stop now? He's at the top of his game, for now, but there's always another artistic mountain to climb, so most of us will keep watching from afar, wondering how he's done it.If you actually listen to the entire show, you'll know the secret, which, in many ways, hasn't ever been a secret, but simply a way of being. I highly suggest we all try to be a little more like Chris Collier and love what we do with an unrivaled zeal. This is my conversation with the man who's only limit seems to be where the oxygen stops. This is Chris Collier, on the Rockstar Superhero Podcast.Time Codes:3:00 It's all about being respectful5:40 Injecting your position on politics or religion8:30 Producer management and the business of the business12:50 Holiday babies18:00 Talent and preparation for George Lynch22:00 Being cool with celebrity27:00 Terry Bozzio and the handshake31:25 Drummers as producers and the arrangers35:00 Producing the artists psyche38:40 Needing a writing partnership42:00 The pressure of the final touch on a record47:00 Jack Endino, Avast studios, and Soundgarden51:50 The new Mick Mars record and the secrets55:30 Getting past the difficulties and being confident59:20 Tips and tricks of the industry1:03:00 Dream Theater and MeshuggahOpening track, "Rescue Me," Courtesy of KXM, All Rights Reserved. Copyright KXM 2014 - Licensed by earMUSIC, TuneCore (on behalf of earMUSIC); BMI - Broadcast Music Inc., UNISON RIGHTS, S.L., Polaris Hub AB, Muserk Rights Management, and 5 Music Rights SocietiesSubscribe to both shows here: https://bit.ly/3airCvhWanna be on the show? Go here: https://calendly.com/rockstarsuperheroinstituteThe Rockstar Superhero Podcast examines the personal lives and creative careers of your favorite classic rock artists. We are obsessed with understanding the inner workings of the music business and all that it takes to remain in the public eye for as long as possible. Join us as we pursue conversations with legends and legends in the making.The Rockstar Superhero Radicals podcast was created to connect you directly to people, professional and private, who have lived lives worth discussing and offer solutions to our listeners, one heart at a time. If you are seeking truth and purpose beyond yourself, the Radicals podcast is for you.Copyright 2021 Rockstar Superhero Podcast - All Rights ReservedBecome a supporter of this podcast: https://www.spreaker.com/podcast/rockstar-superhero--4792050/support.

Welcome back to the Truth About Recording & Mixing Podcast. This week we have an in depth conversation with producer engineer Phil Ek. Phil is known for his work with Built To Spill, The Shins, Fleet Foxes, Father John Misty among many many others. Also on this episode Johnny Sangster gives a quick demo on mic'ing up an upright piano. 0:45 Listener comment on Timothy Herzog - recommendations on DIY electronics books.03:15 - Listener comment from Liam and suggestion to do an episode on the day to day of running a studio.06:20 - Audio example on different mic techniques for mic'ing upright pianos16:40 - Check out pics of these mic techniques on Instagram - @recordingpodcast - please send us your questions to podcast@fretboardjournal.com 16:50 - Welcome Phil Ek! New project - like being a first time dad & a new record with SYML.20:30 - Some thoughts on indie artists and how to navigate the current state of music24:10 - Phil's path coming up in recording. Going to the Art Institute, hating it and eventually landing an internship with Jack Endino. How important being able to watch Jack work was. Eventually being able to run sessions at Word Of Mouth.37:20 - Phil's relationship with Sub Pop. Also - getting to work with the Muffs!41:15 - Built To Spill and the doors that opened.50:20 - Echo Mountain, Sunset Sound, Magic Shop and other great studios around the country and in Seattle. Plus some thoughts on the wonderful Seattle studio community.57:30 - Thoughts on interning and having an assistant engineer.1:04:30 - The importance of working in a pro studio with a producer.1:08:20 - Listener question about remote collaborations during the pandemic.1:15:40 - Listener question on mic'ing small bodied acoustic guitars. Thoughts on capturing the space with acoustic, electric guitars & vocals. 1:21:30 - Committing and capturing takes. How many takes Comping.01:25:20 - Recording singers and singers with acoustic guitars! 01:32:00 - Fleet Foxes!01:38:00 - Do what you like. The Truth About Recording & Mixing is a podcast produced by the Fretboard Journal magazine, loosely based on our Truth About Vintage Amps Q&A podcast. www.johnnysangster.comwww.cracklepopstudio.com www.fretboardjournal.com www.instagram.com/recordingpodcast/

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Un proyecto enterrado en el olvido: THE JURY. Kurt Cobain, Mark Lanegan , Krist Novoselic y Mark Pickerel reservaron dos días en los Reciprocal Recording de Jack Endino para dar forma a un nuevo proyecto. La idea era rescatar canciones olvidadas de blues, principalmente interpretadas por Leadbelly. Hoy repasamos lo que ocurrió. Suenan: 01. Grey Goose (instrumental) 02. Ain't It A Shame 03. Where Did You Sleep Last Night 04. They Hung Him On A Cross 05. Black and White Blues 🙏Espacio patrocinado por: CARMEN VENTURA, NORBERTO BLANQUER, JORDI, ROSA RIVAS, INFESTOS, 61 GARAGE, MR.KAFFE, ISRAEL, TOLO SENT, ANXO, RAUL SANCHEZ, VICTORGB, EDUARDO MAYORDONO, BARON72, EDUARDO VAQUERIZO, LIP, ALEJANDRO GOMEZ, DANI RM, JOCIO, AYTIRO SAKI, MARCOS, PABLO ARABIA, CARLOS CONSEGLIERI, JEKY LOSABE, CESMUNSAL, LARUBIAPRODUCCIONES, RUBIO CARBÓN, PILAR DÍEZ, ALFONSO MOYA, JON LÓPEZ, FERNANDO MASERO, RODRIGO GUADIÁN, DOMINGO SANTABÁRBARA, JOSE MIGUEL, ALEXANDER CASTAÑEDA, ANTO78, JULMORGON, JUANMI, MIGUEL BLANCO, JUAN CARLOS ACERO, GIULIA GOVERNI, PERE PASQUAL, SPINDA RECORDS, FRANC PUERTO, DAVICIN BLACKMETAL, NURIA SONABÉ, JM MORENTE, AGUI102, OCTAVIO OLIVA SÁNCHEZ y varios oyentes anónimos. ¡¡GRACIAS!! 🅱️9️⃣0️⃣Escucha este episodio completo y accede a todo el contenido exclusivo de Bienvenido a los 90. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/32699

Legend time. Call him Blind Marky Felchtone, Richard Yalowitz, or in our case, just Mark...the legendary frontman of Seattle's Zeke. Mark joins us to talk about all things Zeke past and future, coming up in Arkansas, moving to Seattle, recording with Tad Doyle and Jack Endino, riding motorcycles, playing way too fast, recording solos for the Thin Lizzy Tribute record, and raising a kid in a rock-and-roll family. We also listened to music...including an old live video of Jeff's guitar player's band Imperial Spacepod at the Color Box in Seattle in the 90s (a video Mark said he's watched more than once). ALSO...GET SOME INSTANT BONER!Zekehttps://zekeband.bandcamp.com/album/hellbenderImperial Spacepod live at the Color Boxhttps://www.youtube.com/watch?v=QxjyAlidWhcThis Week's SubmissionsHAQ123https://haq123.bandcamp.com/album/moreRuff Majikhttps://ruffmajik.bandcamp.com/album/the-devils-cattlePupil Slicerhttps://pupilslicer.bandcamp.com/album/mirrorsSOMhttps://somtheband.bandcamp.com/album/awakeBandcamp SelectionsInstant Bonerhttps://instantboner.bandcamp.com/album/high-place-phenomenonBands! Submit one song (preferably from Bandcamp) to blyndsub@gmail.com and we'll try to cover it on another episode. Find us on social media @blyndsubmyshynz. If you like the podcast, subscribe, share it with your friend, or head over to our to watch the video version!https://www.youtube.com/channel/UCi_8QVmx1ggBQHGKln88UNwTheme song by Francis Anger RobertsLogo by Nick Fox

Few bands are more rightly associated with the rise of alternative music from the underground to the mainstream than Soundgarden. Starting out in the mid 80s as a prototypical Seattle band backed by Sub Pop, produced by Jack Endino, and indebted to the heavy thud of 70s Black Sabbath combined with punk aggression, the original line-up quickly coalesced, releasing a slew of material in just three years. With Sub Pop in financial dire straits, the band recorded the debut album for SST, and showcased Chris Cornell's unique falsetto paired with the band's growing technical proficiency. A year later, they would end the decade on A&M records and release Louder Than Love, which further evolved the band into the metal sound that drove original bassist Hiro Yamamoto to quit, unhappy with the musical direction of the band. Within these recordings are the DNA that would lead to the breakthrough Badmotorfinger, and set the band up as the pre-eminent hard rock band of the 90s.   Songs In This Episode: Intro - Hands All Over (from Louder Than Love) 14:48 - Nothing To Say (from Screaming Life EP) 32:07 - Flower (from Ultramega OK) 42:26 - Head Injury (from Ultramega OK) 50:46 - Ugly Truth (from Louder Than Love) Outro - I Awake (from Louder Than Love)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Few bands are more rightly associated with the rise of alternative music from the underground to the mainstream than Soundgarden. Starting out in the mid 80s as a prototypical Seattle band backed by Sub Pop, produced by Jack Endino, and indebted to the heavy thud of 70s Black Sabbath combined with punk aggression, the original line-up quickly coalesced, releasing a slew of material in just three years. With Sub Pop in financial dire straits, the band recorded the debut album for SST, and showcased Chris Cornell's unique falsetto paired with the band's growing technical proficiency. A year later, they would end the decade on A&M records and release Louder Than Love, which further evolved the band into the metal sound that drove original bassist Hiro Yamamoto to quit, unhappy with the musical direction of the band. Within these recordings are the DNA that would lead to the breakthrough Badmotorfinger, and set the band up as the pre-eminent hard rock band of the 90s.   Songs In This Episode: Intro - Hands All Over (from Louder Than Love) 14:48 - Nothing To Say (from Screaming Life EP) 32:07 - Flower (from Ultramega OK) 42:26 - Head Injury (from Ultramega OK) 50:46 - Ugly Truth (from Louder Than Love) Outro - I Awake (from Louder Than Love)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

“Introspection and Awareness" The French born drummer Greg Gilmore landed in Seattle as a young man and what better way to punctuate those formative teenage years than with a punk band? Joining forces with John Conte, Todd Fleishman, and Duff McKagan Gilmore and his pals played speedbag punk that fell somewhere between the Clash and The Germs. They became local favorites, opened for DOA in Vancouver and Seattle and thanks to a quick studio session, recorded seven tracks which are now seeing the light of day for the first time. Released on Loosegroove Records which is owned by Stone Gossard of Pearl Jam and Regan Hagar of Satchel and Brad, the band’s set is called The Living 1982 and of the document, Gossard says, is "a reminder that the Living are ground zero for the Seattle sound.” The songs are fast and dynamic and played with a frenzied punk spirit and youthful momentum. The idea to put these songs out came from Gilmore, who actually unearthed the recordings. He says: “The Living was the beginning of all things Seattle for me --a turning point in my life. I joined a band and a community. These guys are still my brothers. I've cherished these recordings since the days we made them. This record is a fantastic document of a loaded moment. I love it.” Well, in music years, The Living really were only around in music years for about a moment. After the band, broke up, Duff and Gilmore landed in Ten Minute Warning, then the two pals went to LA. McKagan ended up joining Guns N’ Roses and Gilmore headed back to Seattle where he played briefly with Skin Yard before co-founded Mother Love Bone. After the death of Mother Love Bone singer Andrew Wood, Gilmore went on to collaborate with Seattle producing legend Jack Endino for a series of albums. He also played with Land, Doghead, and Steve Fisk. As a drummer, Gilmore plays with thoughtful muscle. He’s an introspective guy and his playing has the perfect blend of cerebral athleticism. We talk about that introspection here among a lot of other things: travel, friendships, self-awareness, intellectualizing ourselves in and out of enjoyment and the ins and outs of being social. https://www.instagram.com/loosegrooverecords linktr.ee/loosegroove www.alexgreenonline.com Instagram: @emberseditor Twitter: @emberspodcast

Welcome to episode 7 of The Truth About Recording & Mixing hosted by Crackle & Pop's Johnny Sangster. In this episode we speak to producer and sought after mix engineer Martin Feveyear about his career and insights into producing and mixing. Martin grew up in rural England and after a few tours with the Screaming Trees decided to buy a one-way ticket to Seattle. He's been producing and engineering top quality records since.  Topics mentioned: 01:55 Listener question about mastering for vinyl as opposed to CD as opposed to Digital Streaming02:35 Listen comment about speaker design, polarity and whether to flip the polarity of your kick drum rather than the overheads. 05:30 Listener comment about Jack Endino episode and the discussion of '60s & '70s records with varying degrees of tape hiss and track bouncing.07:40 Martin Feveyear and how did he get into recording? Cassette bouncing between two boomboxes, getting a 4-track and recording all the local bands, seeing some recognition.13:30 Getting a job engineering at Wildlife Studio.18:20 Pursuing his band at the time.22:50 Doing live sound and touring with other bands. 27:30 Meeting and touring with the Screaming Trees.32:00 A one way ticket to Seattle.42:00 Thoughts on producing - a listener question on a band preparing to go to the studio.51:50 What is the job of the producer?57:00 Budgets? What budgets?01:05:30 Listener question on routines and approach when setting up a mix.01:12:45 Philosophies on using EQs & multiband compressors.01:18:20 Listener question about De-Essing01:25:15 The possibility of a Martin Feveyear solo album? Gear / software mentioned: Wildlife Studio, Trident Console, Jupiter Recording, SSL Mixing Console, Waves F6, Waves C6, TC Electronics Clarity M, Fab Filter EQ, Massy DeEsser, UAD Precision DeEsser, Waves R DeEsser, Uptone Studio People mentioned: Mark Lanegan, Presidents, Brandi Carlile, Duff McKagan's Loaded, The Briefs, Damien Jurado, Kings of Leon, Screaming Trees, Nigel Palmer, The Outfield, A Thousand People, The Fuzztones, Herb Garden, Sister Psychic, Christian Fulghum, QOTSA, Model Rockets, Mudhoney, Hammerbox, Pete Droge, Green Apple Quickstep, SuperDeluxe, Mark Pickerel, The Hotels, Andrew Joslyn, Rusty Willoughby, Jason Staczek, Andy Davenhall, Mike Squires, Whitney Mongé, Shaina Shepherd, Hunter Lea Our sponsor for this episode are Caddis Eye Appliances and iZotope. Submit your questions for Johnny by sending us a voice memo or email to podcast@fretboardjournal.com. The Truth About Recording & Mixing is a bi-weekly podcast produced by the Fretboard Journal magazine, loosely based on our Truth About Vintage Amps Q&A podcast. www.johnnysangster.com www.cracklepopstudio.com www.fretboardjournal.com

This episode features songs from bands outside the big 4 of grunge, but we don’t think you’ll be totally surprised. A perfect amalgam of punk, classic rock, and metal is right in Kevin’s wheelhouse, and we continue to find out more about the impact this had on Robert’s musical path. We have a lot of fun reminiscing about this unique time in rock history. Grab a Starbucks and some flannel, and jump on the hike with us this week!Songs this week include:Urge Overkill – “Tequila Sunrise” from Saturation (1993)PAW – “Sleeping Bag” from Dragline (1993)Sweet Water – “King Of ‘79” from Sweet Water (1993)The Toadies – “Mister Love” from Rubberneck (1994)Wool – “Clear My Head” from Budspawn (1992)Life Sex & Death – “Tank” from The Silent Majority (1992)Wipers – “Silver Sail” from Silver Sail (1993)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert’s amazing fire sculptures and metal workings here: http://flamewerx.com/If you’d like to check out Kevin’s band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin’s band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Welcome to the sixth episode of the Truth About Recording & Mixing, hosted by Crackle & Pop!'s Johnny Sangster. This week we talk to Andrew Joslyn, violinist and orchestral arranger for people like Macklemore and Michael Bolton about a range of projects from creating huge sounding arrangements from his home studio to writing orchestrations for the Seattle Symphony. 1:40 - Another Mid-Side Demo4:45 - Listener Question about recording distorted vocals11:10 - Listener question about vocal mics & 3 Dimensional sound.15:45 - Welcome to Andrew Joslyn20:00 - Curating & scoring a series of concerts with the Seattle Symphony24:00 - the one man symphony in a box and coming up in classical.28:00 - getting into improvising and playing rock music.32:00 - breaking into the Seattle scene and deciding to get a Music Business Degree from Berklee.35:00 - meeting and beginning to work with Macklemore.37:30 - about asking for songwriter credits when providing arrangements.42:00 - Andrew's solo album.50:30 - Andrew's studio and creating the one man orchestra.01:04:40 - working with the Seattle Symphony and larger orchestras.01:17:30 - Andrew's favorite arrangers & composers & the holy grails of string recording studios.01:22:30 - Remote Orchestral recording with Musiversal 1:26:50 - recording and reamping a string quartet in a gutted tugboat!   People mentioned - Macklemore, Martin Feveyear, Mark Lanegan, Jack Endino, Bronwynne Brent, Ivan & Alyosha, No Star, Danny Baker, Seattle Symphony, Barb Hunter, Michael Bolton, Duff McKagen, Shelby Earl, Eric Anderson, London Bridge Recording, David Axelrod, Jeff Saltzman, Eli Weinberger, Eric Eagle, Whitney Monge, Nelson Riddle Vince Mendoza, Melody Gardot, Dave Cambell, Rob Mathis, Paul Buckmeister, Leslie Odum Jr., Skywalker Ranch, Jesse Butterworth, Musiversal, Ben Hazlewood, Network,    Gear mentioned - AKG C422, Electrovoice 665, Spectra Sonics, Empirical Labs Distressor, Drawmer 1961 EQ, ProCo Rat Distortion Pedal, Ampeg B-12 amp, SoundToys Decapitator, SansAmp Plugin, Shure SM57, Shure Vocal Master PA, Radial Reamp Boxes, Apple Computer, Hackintosh, Celemony Melodyne, Apple Logic, Avid Protools, Vicoustic Acoustic Treatment, UAD Apollo Quad, Coles 4038, Grace M501, Neumann TLM103, Advanced Audio Mics, QL Spaces, LA Scoring Studio, UAD Ocean Way Plugin, iZotope RX, Decca Tree, Submit your questions for Johnny by sending us a voice memo or email to podcast@fretboardjournal.com. The Truth About Recording & Mixing is a bi-weekly podcast produced by the Fretboard Journal magazine, loosely based on our Truth About Vintage Amps Q&A podcast. www.johnnysangster.com www.cracklepopstudio.com www.fretboardjournal.com

Welcome to the fifth episode of the Truth About Recording & Mixing, hosted by Crackle & Pop!'s Johnny Sangster. This week we talk with engineer Jack Endino on the wonders and pitfalls of analog tape, capturing acoustic bass and many other topics. Johnny also gives a demonstration of mid-side recording.  Some of the topics discussed on this episode:  1:45 Listener question - getting "bigger" drum room sounds from a basement studio.5:45 listener question on using electronic drum kits in a studio workflow.9:05 - Johnny gives a little history and demo of Mid-Side recording.18:20 Jack Endino! What's happening in the end times?21:20 - Snack master dehydrator & the joys of tape machines. 23:40 early Seattle hip hop remasters25:50 Listener question about 70s albums and tape hiss.30:45 Satin Noise Tape Simulation plug in32:30 15IPS vs 30IPS and the joys of analog tape.43:30 Listener question about recording acoustic bass46:50 Other mics for bass and dynamic mics on vocals50:30 Distorted vocals52:10 Recording DI of electric guitars55:45 Mixing in the box?59:10 Listener question about using a TAC console for summing.1:03:30 Foraging mushrooms1:10:40 Listener question about using a room mic for electric guitar recording.1:20:00 Jack Douglas Recording Steve Tyler with a shotgun mic1:22:00 Ribbon mics1:24:00 Where to spend your money - mic or mic pre?1:26:35 The band Failure - Fantastic Planet - and home recording1:28:20 Current home recordings and improving the sound at the source1:35:40 Drum replacement software1:37:00 Jack's musical projects Submit your questions for Johnny by sending us a voice memo or email to podcast@fretboardjournal.com. The Truth About Recording & Mixing is a bi-weekly podcast produced by the Fretboard Journal magazine, loosely based on our Truth About Vintage Amps Q&A podcast. www.johnnysangster.com www.cracklepopstudio.com www.fretboardjournal.com

Long-time hardcore Bomb fan Jordan Wesley asks Michael Dean from Bomb a bunch of questions. This is the first half. Second half comes out later this week. And the album remastered by Jack Endino comes out in a day or two. Above pic of Michael...Continue Reading... Part 1 of 2 of Jan 2021 interview with Michael Dean about his old band Bomb, and the remastered version of 1988’s “Hits of Acid” album coming out this week.

Bellingham based indie rock band Apology Wars are guests on this week's episode of "Stayhome Sessions." We chat about working with the legend Jack Endino, life during lockdown, their formation and early beginnings, influences and much more. This podcast features two songs by the band.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En la segunda emisión de B90 Classic repasamos algunas bandas que siguen utilizando y desarrollando el sonido GRUNGE en pleno 2020. Algunas bandas son de Seattle y siguen siendo producidas por Jack Endino. ¡DISFRUTAD! Suenan:  01. Brown Liquor - Bearaxe 02. Guetto Spaceship - The Black Tones 03. Ilumination - Tres Leches 04. Easy Eating - Naked Giants 05. Gosht Me -  Dark Smith 06. Nirvana - Versing 07. Tybee Island Horse Ghost - Car Seat Headrest 08. Novokaine - Nine Black Alps Espacio patrocinado por: CARMEN VENTURA, NORBERTO BLANQUER, JORDI, ROSA RIVAS, INFESTOS, 61 GARAGE, MR.KAFFE, ISRAEL, TOLO SENT, ANXO, RAUL SANCHEZ, VICTORGB, EDUARDO MAYORDONO, BARON75, EDUARDO VAQUERIZO, LIP, ALEJANDRO GOMEZ, DANI RM, JOCIO, RULKTO, AYTIRO SAKI, MARCOS, PABLO ARABIA, CARLOS CONSEGLIERI, JEKY LOSABE, CESMUNSAL, LARUBIAPRODUCCIONES, RUBIO CARBÓN, PILAR DÍEZ, ALFONSO MOYA, JON LÓPEZ, FERNANDO MASERO, RODRIGO GUADIÁN, DOMINGO SANTABÁRBARA, JOSE MIGEUL y varios oyentes anónimos. ¡¡GRACIAS!! 🅱️9️⃣0️⃣ Escucha este episodio completo y accede a todo el contenido exclusivo de Bienvenido a los 90. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/32699

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En la segunda emisión de B90 Classic repasamos algunas bandas que siguen utilizando y desarrollando el sonido GRUNGE en pleno 2020. Algunas bandas son de Seattle y siguen siendo producidas por Jack Endino. ¡DISFRUTAD! Suenan:  01. Brown Liquor - Bearaxe 02. Guetto Spaceship - The Black Tones 03. Ilumination - Tres Leches 04. Easy Eating - Naked Giants 05. Gosht Me -  Dark Smith 06. Nirvana - Versing 07. Tybee Island Horse Ghost - Car Seat Headrest 08. Novokaine - Nine Black Alps Espacio patrocinado por: CARMEN VENTURA, NORBERTO BLANQUER, JORDI, ROSA RIVAS, INFESTOS, 61 GARAGE, MR.KAFFE, ISRAEL, TOLO SENT, ANXO, RAUL SANCHEZ, VICTORGB, EDUARDO MAYORDONO, BARON75, EDUARDO VAQUERIZO, LIP, ALEJANDRO GOMEZ, DANI RM, JOCIO, RULKTO, AYTIRO SAKI, MARCOS, PABLO ARABIA, CARLOS CONSEGLIERI, JEKY LOSABE, CESMUNSAL, LARUBIAPRODUCCIONES, RUBIO CARBÓN, PILAR DÍEZ, ALFONSO MOYA, JON LÓPEZ, FERNANDO MASERO, RODRIGO GUADIÁN, DOMINGO SANTABÁRBARA, JOSE MIGEUL y varios oyentes anónimos. ¡¡GRACIAS!! 🅱️9️⃣0️⃣ Escucha este episodio completo y accede a todo el contenido exclusivo de Bienvenido a los 90. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/32699

Beware of Wartz! I chatted with all 3 members of the new NW punk n roll band Wartz via zoom about recording with Jack Endino during a pandemic and much much more. This features three brand new songs. Turn it up!

El cantante y guitarrista Manuel Suarez nos cuenta de sus andares en la música, Su historia con Signos Vitales, Guillotina, Motor y más recientemente Slo-Blow (supergrupo con material próximo a publicar y conformado por integrantes de Resorte, Radio Kaos, el Haragan y Cia.) y lo que lo mantiene ocupado en esta época de pandemia.

Beware of Wartz! I chatted with all 3 members of the new NW punk n roll band Wartz via zoom about recording with Jack Endino during a pandemic and much much more. This features three brand new songs. Turn it up!

Instead of releasing a new session today, we are continuing our station-wide pause on new content to hold space for anti-racist education and action. Meanwhile, we are using our platform to amplify Black voices in music. Today, we revisit one of our favorite KEXP sessions by Seattle group, The Black Tones. Their 2019 debut full-length album, 'Cobain and Cornbread,' is an invigorating blend of blues and punk, produced by Jack Endino of Seattle grunge fame. Their song, "The Key of Black (They Want Us Dead)," speaks to the ongoing fight against police brutality and the violent realities of systemic racism. Cheryl Waters hosts the band in the KEXP Live Room for four songs from the new album. Recorded 06/18/2019. Ghetto Spaceship The Key of Black (They Want Us Dead) Mama! There’s A Spider In My Room Welcome Mr. Pink Watch the full Live on KEXP session on YouTube Support the show.

This episode features songs from bands outside the big 4 of grunge, but we don’t think you’ll be totally surprised. Many of these groups had similarities with the producers that were chosen; namely: Jack Endino, Butch Vig, and Steve Albini. A perfect amalgam of punk, classic rock, and metal is right in Kevin’s wheelhouse, and we find out the impact this had on Robert’s musical path. We discuss the origins of the movement; and have a lot of fun reminiscing about this unique time in rock history. Come jump on the hike with us to grab a Starbucks and some flannel.Songs this week include:Skin Yard – “No Right” from Fist Sized Chunks (1990)L7 – “Wargasm” from Bricks Are Heavy (1992) Scream – “Land Torn Down” from Fumble (1993)Overwhelming Colorfast – “Try” from Overwhelming Colorfast (1992)TAD – “Delinquent” from 8-Way Santa (1991)Babes In Toyland – “Bluebell” from Frontanelle (1992)Gruntruck – “Body Farm” from Push (1992)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=u

Famed Seattle producer and Skin Yard guitarist Jack Endino joins the program to discuss his work on the 2017 remix of the Soundgarden record Ultramega OK. He also talks about his work with Nirvana, Mudhoney, Green River and more while giving us his first person perspective of the Seattle Grunge scene from inception. Jack Endino (born 1964) is an American producer and musician based in Seattle, United States. Long associated with Seattle label Sub Pop and the grunge movement, Endino worked on seminal albums from bands including Mudhoney, Soundgarden and Nirvana. Endino was also the guitarist for the Seattle band Skin Yard. endino.com

Mikel Perkins fue mi invitado esta semana, hablamos de nuestros origenes en la musica, de como nos conocimos hace ya dos decadas en la era de MySpace cuando yo tenia una pagina homenage a una banda ala cual amamos mucho llamada HUM y como Nirvana nos influencio para hacer musica en los noventa, de sus origenes y grabacion hecha enteramente por el solo ala Dave Ghrol de su proyecto Maklak primer disco producido por Jack Endino, su segundo disco tambien producido por el pero ya con colaboracion de una banda completa y musicos de la talla de Tim Alexander (Primus) Tad Doyle (Tad). El es un musico super talentoso multi-instrumentalista y excelente persona me platico de su amistad con Jack Endino, y como esa relacion llevo a que el masterizara el disco de mi banda ADEVIAN "Cosmonautas" disco producido por Mikel en Soundhouse studio donde el actualmente trabaja como ingeniero de audio/productor y pues tube el gusto de haber platicado con el por primera vez en telefono, y orgulloso ala vez de poder haber establecido esta amistad virtual ya de años que dio fruto y como consecuencia a la colaboracion que tubimos recien, le estoy eternamente agradecido por habernos mezclado y producido, es un phoner en ingles, el vive en Seattle Wa. y actualmente esta preparando nuevo material el cual va a tener colaboraciones de gente como Kellii Scott (Failure) y Jonah Matranga (Far). al final de nuestro phoner anexe los temas "Rose Blood" "Orchid Thief" y "Gunshy" estos dos ultimos de su mas reciente disco "The Age of Anxiety" temas que ya son parte de el playlist de Rock en tu idiota en Spotify. No olviden darle like ala pagina y visiten la liga para escuchar esta excelente charla. saludos y gracias a todos por el apoyo y por seguirnos escuchando como cada Viernes. Visita nuestros patrocinadores: Tefita Bake II CynthiaS CakE & CookieS Sozinho estudio

Samuel, Javi y Alfredo lograron escribir una brillante página en la historia de la música alternativa en España.Un gesto inocente y su enorme potencial para crear canciones vibrantes les llevó a grabar su primer disco 'Product Me' en Seattle, junto a Barret Jones (Nirvana, Foo Fighters...) y Jack Endino. En el programa de hoy repasamos su historia. 

Samuel, Javi y Alfredo lograron escribir una brillante página en la historia de la música alternativa en España.Un gesto inocente y su enorme potencial para crear canciones vibrantes les llevó a grabar su primer disco 'Product Me' en Seattle, junto a Barret Jones (Nirvana, Foo Fighters...) y Jack Endino. En el programa de hoy repasamos su historia. 

Seattle duo Year of the Cobra just released their album "Ash and Dust" and it's AMAZING! Kevin sat down with Jon and Amy from YOTC to talk about some of their earlier bands, how they met and started playing together, touring heavily in Europe, recording with Jack Endino and much more! You can also check out 3 brand new YOTC songs in this interview Catch Year of the Cobra's "Ash and Dust" record release show on Saturday November 23rd at the Substation  [[{"fid":"337765","view_mode":"full","fields":{"format":"full","alignment":"","field_file_image_attribution[und][0][value]":""},"type":"media","field_deltas":{"1":{"format":"full","alignment":"","field_file_image_attribution[und][0][value]":""}},"attributes":{"class":"media-element file-full","data-delta":"1"}}]]

Steve Albini. Nigel Godrich. Butch Vig. Bob Rock. Jack Endino. Michael Beinhorn. J Robbins. Sean Slade. Paul Kolderie. Youth. Ric Ocasek. Dave Fridmann. Ken Andrews. Brendan O'Brien. Brad Wood. Rick Rubin. Ted Niceley. Stephen Street. Flood. Terry Date. Dave Jerden. Alan Moulder. Dave Ogilvie. Chances are, if you purchased a CD in the 1990s and read through the liner notes, whether it was a major label release or a regional indie label, there is a possibility their name, or someone else you may recognize, is listed as the producer. But what does a producer do, and how do they influence the sound of a record? We often talk about liking or not liking some aspect of the production, and on this roundtable, we dig into what exactly that means, who does what in the studio, and some traits, commonalities, and differences of producers who worked in the 1990s.   Songs In This Episode:   Intro - Stuck On You by Failure (Ken Andrews) 8:04 - Rusty Cage by Johnny Cash (Rick Rubin) 17:36 - Pull The Cup by Shellac (Steve Albini) 41:56 - Holes by Mercury Rev (Dave Fridmann) 49:04 - Buddy Holly by Weezer (Ric Ocasek) 1:08:59 - Girls And Boys by Blur (Stephen Street) Outro - Never Said by Liz Phair (Brad Wood)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.  

Steve Albini. Nigel Godrich. Butch Vig. Bob Rock. Jack Endino. Michael Beinhorn. J Robbins. Sean Slade. Paul Kolderie. Youth. Ric Ocasek. Dave Fridmann. Ken Andrews. Brendan O'Brien. Brad Wood. Rick Rubin. Ted Niceley. Stephen Street. Flood. Terry Date. Dave Jerden. Alan Moulder. Dave Ogilvie. Chances are, if you purchased a CD in the 1990s and read through the liner notes, whether it was a major label release or a regional indie label, there is a possibility their name, or someone else you may recognize, is listed as the producer. But what does a producer do, and how do they influence the sound of a record? We often talk about liking or not liking some aspect of the production, and on this roundtable, we dig into what exactly that means, who does what in the studio, and some traits, commonalities, and differences of producers who worked in the 1990s.   Songs In This Episode:   Intro - Stuck On You by Failure (Ken Andrews) 8:04 - Rusty Cage by Johnny Cash (Rick Rubin) 17:36 - Pull The Cup by Shellac (Steve Albini) 41:56 - Holes by Mercury Rev (Dave Fridmann) 49:04 - Buddy Holly by Weezer (Ric Ocasek) 1:08:59 - Girls And Boys by Blur (Stephen Street) Outro - Never Said by Liz Phair (Brad Wood)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.  

Nesse episódio conversamos com Amaro Lima, cantor e compositor capixaba que fez parte do Manimal, uma das bandas mais conhecidas do Espírito Santo que vendeu milhares de discos e realizou turnês nacionais e internacionais. Além do sucesso regional, Amaro fez uma banda com o produtor do Nirvana, Jack Endino e empreende hoje uma carreira solo independente em ascensão. Tem muita história e aprendizado pelos próximos minutos. Aperte o play e boa viagem! Links do podcast: Amaro Lima Instagram: //www.instagram.com/realamarolima/ Spotify: //open.spotify.com/artist/7lrI5k7baxankvaESuS4ag Manimal DVD ao vivo: //www.youtube.com/watch?v=sCpTy1RHR4E 7 Kinds of Monkeys (Banda c/ Jack Endino) O Globo: //blogs.oglobo.globo.com/amplificador/post/7-kinds-of-monkeys-banda-de-jack-endino-amaro-lima-499349.html Spotify: //open.spotify.com/artist/6RILihgvYKvGf2yGUsAWEJ Junte-se à comunidade do Palco Digital Curso Palco Digital: //www.palcodigital.com.br/4.0/

Seattle’s local favorite The Black Tones invigorates audiences with their original blend of blues and punk. Listen to them perform 4 songs from their debut full-length album, Cobain and Cornbread, produced by the legendary Jack Endino. Recorded 06/18/2019 in the KEXP Live Room. 4 songs - Ghetto Spaceship, The Key of Black (They Want Us Dead), Mama! There’s A Spider In My Room, Welcome Mr. Pink. Support the show.

A treinta años de Bleach, primer disco de la banda de Kurt Cobain, Francisco Tapia Robles lo recorre track por track junto al productor del álbum, Jack Endino.

The excerpt was taken from the full in bloom interview with Malfunkshun guitarist Kevin Wood. Kevin talks about Malfunkshun, which also featured brother Andrew Wood (Mother Love Bone) and Regan Hagar (Brad). Old School Interview - Please forgive the audio quality. Listen to more excerpts @ fullinbloom.com

When you think of the “Seattle Grunge” scene from the early 90’s, you think of the usual suspects: Soundgarden, Nirvana, Pearl Jam and maybe Alice in Chains. The term grunge was a term coined by generally unimaginative press people and so-called pundits. In the early days, it was just a collection of guys playing in bands that dug classic rock, punk and heavy metal and the weird stew they concocted became known as grunge.One of the unsung heroes of this was Skin Yard, a band that influenced and even shared members with many of above-mentioned bands. Formed by produced Jack Endino, C/Z Records main man Daniel House and vocalist Ben McMillan in 1985, it is our opinion that they provided the template for what the dreary Seattle sound would become.We’re going to talk about Hallowed Ground, which is largely considered their crowning achievement.Intro: “In the Blackhouse”Outro: “Wither” See acast.com/privacy for privacy and opt-out information.

Playing a date with his band in Bristol, Paul was handed a parcel that contained the grunge Holy Grail. Several issues of seminal Seattle fanzine Backlash. On today's show Paul & Dan randomly choose a couple of issues & devour their contents. BACKLASH March 1991 // BACKLASH January 1989 BANDS DISCUSSED: Ghost . Pantera . Nirvana . Dio . Ripper Owens . Cancer . Mol . Palm Reader . SHVPES . Let Live . Refused . Trivium . Puppy . Insanity Alert . Yoko Ono . Marduk . Slipknot . Anaal Nathrakh . Dave Grohl . Calvin Johnson . Danzig . Insted . Epitaph Records . Fat Wreck Chords . Beat Happening . Calvin Johnson . Metal Church . Screaming Trees . Blood Circus . The Defenders . Kurt Cobain .

First interviewed in Tape Op some 20 years ago, Jack Endino has been a staple of the Northwest music and recording scene for over 30 years. He describes himself as "the guy in the engine room" during the early voyages of the battleship "Grunge" in the late 80s - and many of the early releases that put Seattle label Sub Pop on the map have his name on them. Artists like Mudhoney, Nirvana, TAD, Soundgarden, L7, Mark Lanegan, and Hot Hot Heat, are just a few of the many bands that Jack has guided through their recordings. I caught up with Jack at Seattle's Soundhouse Studio, and we carried on as only two old friends can. Enjoy! Sponsored by Audeze www.audeze.com

Working Class Audio #173 with Jack Endino!!! JACK ENDINO is a Seattle-based record producer, engineer, and musician who has made over 500 records in his 30-year career. Jack helped create what became known as "the Seattle Sound" of the early nineties, having recorded or mixed 44 out of the first 100 releases on the legendary Sub Pop record label, including debut records by Nirvana ("Bleach"), Soundgarden ("Screaming Life") and Mudhoney ("Superfuzz Bigmuff"). Some of his international clients include Brazil's Titas (5 albums from 1993 to 2005) and Grammy winner Nando Reis (4 albums), Mexico's Guillotina (3 albums), Ireland's Therapy?, Iron Maiden's Bruce Dickinson (UK), and The Ganjas and Yajaira from Chile. Recent clients include Zeke, Windhand, and High On Fire. Jack still maintains his workaholic pace, having produced records in 14 countries and continuing to play in bands as guitarist, bassist and vocalist. Journalists have called him "Chief Architect of the Seattle Sound" and "Godfather of Grunge" but Jack says "I'm just a guy who likes to make rock records." He currently manages a recording studio in Seattle called Soundhouse. About this Interview: Jack joins me to talk about baking tapes, audio formats, operating with a low overhead, forensic re-mixing, producer malpractice and his life of recording, mixing, mastering and playing in 4 bands.  Enjoy! - Matt Show notes and links: Personal website -- http://jackendino.com Wikipedia -- http://en.wikipedia.org/wiki/Jack_Endino Allmusic -- http://www.allmusic.com/artist/p12876/biography Soundhouse Recording -- http://www.soundhouserecording.net Tape Baking using the Nesco Snack Master Pro: https://goo.gl/YxiitU Linux resources #1: https://itsfoss.com/best-linux-beginners/ Linux resources #2: https://www.slant.co/topics/6067/~daws-for-linux Linux resources #3: https://blog.macsales.com/40603-linux-on-a-recycled-mac-trying-to-make-it-work

NoiseFloor_ EP004 Tad Doyle interviews the legendary Grunge producer, musician, audio engineer, multi-instrumentalist, and guitarist Jack Endino. Some of the bands that he has been in include: Skin Yard, Sky Cries Mary, Upwell and Crypt Kicker 5 just to name a few. He has recorded and mixed Melvins, Nirvana, SoundGarden, High On Fire, TAD, Mudhoney and so many more bands that a whole paper could be written about this man and his career. Endino travels world-wide and currently frequents Brazil where he records bands free-lance. Endino is also the house engineer at Sound House Recording Studio in Seattle formerly owned and operated by Scott Crane who built the studio and has seen his share of other studios including the legendary Reciprocal Recording Studio in Seattle where he built a legacy of impressive recordings. If you would like to support this podcast, please go to https://www.patreon.com/taddoyle Photo Cred. -Chris Kornelis (Seattle Weekly)

Emitido el 29/07/2017 en radioutopia.es Cerramos nuestra aventura radiofónica en Radio Utopía con un especial de dos horas dedicado a la carrera de Screaming Trees y Mark Lanegan de la mano de nuestro amigo Andrés Muñoz. El programa cuenta con la participación de Juanjo. Bienvenido a los 90 regresa después de las vacaciones. Intro . Mark Lanegan - Death Trip to Tulsa (Glastonbury 2017) 0.“Shadow of the season” (Sweet oblivion, LP, Epic, Don Flemming, 1992). 1.“Barriers” (Other worlds, EP, Velvetone Records, Steve Fisk, 1985). 2. “The turning” (Clairvoyance, LP, Velvetone Records, Steve Fisk, 1986). 3. “In the forest” (Even if and especially when, LP, SST, Steve Fisk, 1987). 4. “Back together” (Even if and especially when, LP, SST, Steve Fisk). 5. “Grey diamond desert” (Invisible Lantern, LP, SST, Steve Fisk, 1988). 6. “Black sun morning” (Buzz Factory, LP, SST, Jack Endino). 7. “Change has come” (Change has come, EP, Sub Pop, Jack Endino). 8. “Bed of roses” (Uncle anesthesia, LP, Epic, Terry Date, 1991). 9. “Lay your head down” (Uncle anesthesia, LP, Epic, Terry Date, 1991). 10. “Nearly lost you” (Singles B.S.O./Sweet Oblivion, LP, Epic, Don Flemming). 11. “Butterfly” (Sweet oblivion, LP, Epic, Don Flemming, 1992). 12. “Halo of ashes” (Dust, LP, Epic, George Drakoulias, 1996). 13. Mark Lanegan & Queens of the stone age, “Hanging tree” (Songs of the Deaf –LIVE-, 2002). 14. Mark Lanegan, “Mockingbirds” (The winding sheet, LP, Sub Pop, Jak Endino & Mike Johnson, 1990). 15. Mark Lanegan, “Where did you sleep last night” (The winding sheet, LP, Sub Pop, Jack Endino & Mike Johnson, 1990). 16. Mark Lanegan, “Carnival” (Whiskey for the holy ghost, LP, Sub Pop, Mike Johnson, 1994). 17. Mark Lanegan, “Wheels” (Scraps at midnight, LP, Sub Pop, Mike Johnson, 1998). 18 .Number nine (Twilingt Singers) 19. Mark Lanegan Band, “Come to me” (Bubblegum, LP, Beggar’s Banquet, Alain Johannes, 2004). 20. Mark Lanegan Band, “Harborview Hospital” (Blues Funeral, LP, 4AD, Alain Johannes, 2012). 21. Screaming Trees, “Ash gray Sunday” (The final recording, LP, Sunyata, Barrett Martin, 2012).

Emitido el 29/07/2017 en radioutopia.es Cerramos nuestra aventura radiofónica en Radio Utopía con un especial de dos horas dedicado a la carrera de Screaming Trees y Mark Lanegan de la mano de nuestro amigo Andrés Muñoz. El programa cuenta con la participación de Juanjo. Bienvenido a los 90 regresa después de las vacaciones. Intro . Mark Lanegan - Death Trip to Tulsa (Glastonbury 2017) 0.“Shadow of the season” (Sweet oblivion, LP, Epic, Don Flemming, 1992). 1.“Barriers” (Other worlds, EP, Velvetone Records, Steve Fisk, 1985). 2. “The turning” (Clairvoyance, LP, Velvetone Records, Steve Fisk, 1986). 3. “In the forest” (Even if and especially when, LP, SST, Steve Fisk, 1987). 4. “Back together” (Even if and especially when, LP, SST, Steve Fisk). 5. “Grey diamond desert” (Invisible Lantern, LP, SST, Steve Fisk, 1988). 6. “Black sun morning” (Buzz Factory, LP, SST, Jack Endino). 7. “Change has come” (Change has come, EP, Sub Pop, Jack Endino). 8. “Bed of roses” (Uncle anesthesia, LP, Epic, Terry Date, 1991). 9. “Lay your head down” (Uncle anesthesia, LP, Epic, Terry Date, 1991). 10. “Nearly lost you” (Singles B.S.O./Sweet Oblivion, LP, Epic, Don Flemming). 11. “Butterfly” (Sweet oblivion, LP, Epic, Don Flemming, 1992). 12. “Halo of ashes” (Dust, LP, Epic, George Drakoulias, 1996). 13. Mark Lanegan & Queens of the stone age, “Hanging tree” (Songs of the Deaf –LIVE-, 2002). 14. Mark Lanegan, “Mockingbirds” (The winding sheet, LP, Sub Pop, Jak Endino & Mike Johnson, 1990). 15. Mark Lanegan, “Where did you sleep last night” (The winding sheet, LP, Sub Pop, Jack Endino & Mike Johnson, 1990). 16. Mark Lanegan, “Carnival” (Whiskey for the holy ghost, LP, Sub Pop, Mike Johnson, 1994). 17. Mark Lanegan, “Wheels” (Scraps at midnight, LP, Sub Pop, Mike Johnson, 1998). 18 .Number nine (Twilingt Singers) 19. Mark Lanegan Band, “Come to me” (Bubblegum, LP, Beggar’s Banquet, Alain Johannes, 2004). 20. Mark Lanegan Band, “Harborview Hospital” (Blues Funeral, LP, 4AD, Alain Johannes, 2012). 21. Screaming Trees, “Ash gray Sunday” (The final recording, LP, Sunyata, Barrett Martin, 2012).

Lots to smile about in DJ Kevin Cole's latest edition of Music that Matters! Stag strut their stuff, Mark Arm infuses The Black Clouds with an ominous howl, Killer Mike and El-P from Run the Jewels Talk To Us, plus loads more!  1. The Holy - Ramses, The Evil Brother2. Ride - Charm Assault3. Dutch Uncles - Big Balloon4. Meilyr Jones - How To Recognize A Work of Art5. Real Estate - Darling6. Journalism - It Just Hits You7. Beach Fossils - St. Ivy8. Tuomo & Markus - Over the Rooftops9. Sera Cahoone - Only One10. White Reaper - The Stack11. Stag - The Bedazzler12. The Black Clouds - Vice (feat. Mark Arm and Jack Endino) 13. Run The Jewels - Talk To Me14. Chaz Bundick Meets The Mattson 2 - Disco KidSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Local band Devils Hunt Me Down joined us in studio to talk about their upcoming Summer shows, their upcoming plans of recording with Jack Endino, and to play a couple of their sweet jams! Hit play you dirty metal hippies!

Thanks to a requested review, we’re joined by Bluebottle Kiss lead singer/guitarist Jamie Hutchings to revisit the 1996 album Fear of Girls. We chat about his earlier years playing drums and how that influenced his guitar playing and singing. We discuss seeing late 80s/early 90s American indie-rock bands touring Australia before forming Bluebottle Kiss, then getting signed and working with producer Jack Endino on Fear of Girls. We talk touring, songwriting, going solo, his new band Infinity Broke and more. Songs in this Episode: Intro - Helping You Hate Me from Fear of Girls 18:38 - Claim from Fear of Girls 33.52 - Stained Mouth from Fear of Girls 38:51 - Return to the City of Folded Arms from Patient Outro - Outside Are The Dogs Follow on Twitter / Facebook Request a 2016 Review / Subscribe at Patreon

Thanks to a requested review, we're joined by Bluebottle Kiss lead singer/guitarist Jamie Hutchings to revisit the 1996 album Fear of Girls. We chat about his earlier years playing drums and how that influenced his guitar playing and singing. We discuss seeing late 80s/early 90s American indie-rock bands touring Australia before forming Bluebottle Kiss, then getting signed and working with producer Jack Endino on Fear of Girls. We talk touring, songwriting, going solo, his new band Infinity Broke and more. Songs in this Episode: Intro - Helping You Hate Me from Fear of Girls 18:38 - Claim from Fear of Girls 33.52 - Stained Mouth from Fear of Girls 38:51 - Return to the City of Folded Arms from Patient Outro - Outside Are The Dogs Follow on Twitter / Facebook Request a 2016 Review / Subscribe at Patreon

Kevin Wood is a lead guitarist and a legendary member of Seattle-based grunge band, Malfunkshun. Kevin, along with his brother Andrew, are often recognized as the founding fathers of the grunge scene--having formed around the same time as bands such as The U-men, Melvins, Green River, and Soundgarden.  Over his 30 year career, Kevin has shared the stage with such bands as: Brad, Stone Gossard, Extreme, Puddle of Mud, Grand Funk Railroad, Satchel, Fishbone, Soundgarden, Super Suckers, Husker Du, Discharge, The Mentors, Dehumanizers, Chad Channing, Ben Sheppard, Tom Morello, Shawn Smith, Tim Robbins, Jack Endino, and Duff McKagan.

    Producer, engineer, mixer, musician and noisemonger, Jack Endino, check into McG's Backroom to talk about his life recording bands and playing music. Take a look at the bands and records that Jack has worked with/on and see if your jaw doesn't drop. Very stoked to have Jack as a guest!