Podcast appearances and mentions of Mark Wallinger

The exhibition room has displayed contemporary art exhibitions for over 30 years. The museum's reputation for innovative, exciting shows has seen collaborations with artists such as Mark Wallinger, Alice Anderson, Louise Bourgeois, Gavin Turk and more. Displayed here is the exhibition Tracing Freud on the Acropolis.

A new covid wave has meant we are sadly unable to make an episode of The Londown this week. However, instead we're going to play you an episode of the Architecture Foundation's new podcast series Power and Public Space which was made in collaboration with Drawing Matter.In the episode Matthew Blunderfield speaks with the artists Mark Wallinger. Wallinger's art exists in public space. He's made films and performance pieces set in tube stations and airports, and was the first artist to occupy the empty fourth plinth in Trafalgar Square in 1999. In this episode of Power and Public Space Wallinger discusses the installation “State Britain”, which reconstructs a protest encampment originally erected in Parliament Square by the peace activist Brian Haw. If you enjoy the show please subscribe to it via the Architecture Foundation wherever you get your podcasts. See acast.com/privacy for privacy and opt-out information.

Much of Mark Wallinger's art exists in public space. He's made films and performance pieces set in tube stations and airports, and was the first artist to occupy the empty fourth plinth in Trafalgar Square in 1999. In this episode, Wallinger discusses the installation “State Britain”, which reconstructs a protest encampment originally erected in Parliament Square by the peace activist Brian Haw (in opposition to UK foreign policy in Iraq). The encampment was dismantled in 2006 under a new decree called “The Serious Organised Crime and Police Act”, effectively drawing a 1km radius around parliament within which unauthorised protests are prohibited. This protest exclusion zone happens to run right through the middle of Tate Britain, where Wallinger faithfully reconstructed Haw's encampment, placing it literally half in and half out of this threshold of controlled expression, with the line itself clearly marked on the floor. The installation was both a continuation of Haw's protest, as well as an artwork about it, and the line it traced became a kind of territorial drawing, marking a disputed boundary around what can be said in opposition to political authority, as well where, and in what context, we can say it.Power & Public Space is a co-production of Drawing Matter & the Architecture Foundation See acast.com/privacy for privacy and opt-out information.

Boston Manor is considered one of architect Charles Holden's masterpieces, so in this episode we discuss his career in tube station design. At Boston Manor, Holden created a station with an elegant tower soaring above the flat roof - which upon visiting the station we discovered looks more impressive in photographs than reality! We also look at the history of the station dating back to its origin on the District Railway, as well as Brunel's nearby marvel of bridge engineering, the factory that built the underframes of the famous Routemaster buses, and the grand home of a distant ancestor of Princess Diana. Follow us on Instagram and Twitter @roundelroundpod, or email us at roundelroundpod@gmail.com References London's District Railway Volume 1: Nineteenth Century by Mike Horne (Capital Transport Publishing 2018) London's District Railway Volume 2: Twentieth Century by Mike Horne (Capital Transport Publishing 2019) The Piccadilly Tube: The First Hundred Years by Mike Horne (Capital Transport Publishing 2007) London Underground by Design by Mark Ovenden (Penguin 2013) London Underground Stations in Colour for the Modeller and Historian by John Glover (Ian Allan Publishing 2009) London's Underground Stations A Social and Architectural Study by Laurence Menear (Midas Books 1983) Bright Underground Spaces: The Railway Stations of Charles Holden by David Lawrence (Capital Transport Publishing 2008) Underground Architecture by David Lawrence (Capital Transport Publishing 1994) A Guide to Modernism in Metro-Land by Joshua Abbott (Unbound Publishing 2020) The Tube - Station to Station on the London Underground by Oliver Green (Shire Publications 2012) The London Underground by Andrew Emmerson (Shire Publications 2013) The Little Book of the London Underground by David Long (The History Press 2009) London Underground Stations by David Leboff (Ian Allan Publishing 1994) Tube Station Trivia by Geoff Marshall (Capital Transport Publishing 2018) Labyrinth: A Journey Through London's Underground by Tamsin Dillon, Will Self, Mark Wallinger, Marina Warner, Christian Wolmar, and Louise Coysh (Art/Books 2014) Why Do Shepherds Need a Bush?: London's Underground History of Tube Station Names by David Hilliam (The History Press 2015) What's in a Name?: Origins of Station Names on the London Underground by Cyril M Harris (Capital Transport Publishing 2001) Vision of Britain - https://www.visionofbritain.org.uk/unit/10213526/cube/TOT_POP Norvic Philatelics - http://www.norphil.co.uk/2013/01b-London_Underground_stamps.htm London Borough of Hounslow – Historic Houses - https://www.hounslow.gov.uk/info/20174/heritage_and_arts/1855/historic_houses Hidden London – Boston Manor - https://hidden-london.com/gazetteer/boston-manor/ AEC Southall - https://aecsouthall.co.uk/ Historic England – Windmill Bridge - https://historicengland.org.uk/listing/the-list/list-entry/1002020 Disused Stations - Windmill Lane Bridge (Three Bridges) – http://www.disused-stations.org.uk/features/windmill_lane_bridge/index.shtml Commercial Motor Archive - http://archive.commercialmotor.com/article/7th-april-1939/25/personal-pars Hansard - https://hansard.parliament.uk/commons/1946-11-18/debates/8323d849-285d-4111-b920-6c2e4737a327/CommonsChamber

Opened with a classic Leslie Green station building in 1906, the 1932 rebuilding of the station rendered the original entrance disused in favour of a subsurface booking hall featuring a display of model buses. Follow us on Instagram and Twitter @roundelroundpod, or email us at roundelroundpod@gmail.com Read Reuben Lane's reflection on a journey on the number 19 bus (contains sexual references) References The Underground Stations of Leslie Green by David Leboff (Capital Transport Publishing 2002) Tiles of the Unexpected by Douglas Rose (Capital Transport Publishing 2007) London Underground Stations by David Leboff (Ian Allan Publishing 1994) The Piccadilly Tube: The First Hundred Years by Mike Horne (Capital Transport Publishing 2007) Underground Architecture by David Lawrence (Capital Transport Publishing 1994) Building London's Underground by Antony Badsey-Ellis (Capital Transport Publishing 2016) Rails Through the Clay: A History of London's Tube Railways by Alan Arthur Jackson and Desmond F. Croome (Capital Transport Publishing 1993) Hidden London: Discovering the Forgotten Underground by David Bownes, Chris Nix, Siddy Holloway and Sam Mullins (Yale University Press 2019) London's Lost Tube Schemes by Antony Badsey-Ellis (Capital Transport Publishing 2005) Labyrinth: A Journey Through London's Underground by Tamsin Dillon, Will Self, Mark Wallinger, Marina Warner, Christian Wolmar, and Louise Coysh (Art/Books 2014) Why Do Shepherds Need a Bush?: London's Underground History of Tube Station Names by David Hilliam (The History Press 2015) What's in a Name?: Origins of Station Names on the London Underground by Cyril M Harris (Capital Transport Publishing; 4th edition 2001) 'World's most expensive hotel' put up for sale by Cahal Milmo (The Independent 17 September 2011) https://www.independent.co.uk/news/uk/this-britain/world-s-most-expensive-hotel-put-sale-5364768.html Hansard - House of Commons debate Volume 274 column 843, Tuesday 14 February 1933 https://hansard.parliament.uk/Commons/1933-02-14/debates/454c5110-982c-43ef-a31a-d95c6bb8fe13/OrdersOfTheDay Education, Literacy and the Reading Public by Amy J Lloyd, University of Cambridge https://www.gale.com/binaries/content/assets/gale-us-en/primary-sources/intl-gps/intl-gps-essays/full-ghn-contextual-essays/ghn_essay_bln_lloyd3_website.pdf St George's Hospital website https://www.stgeorges.nhs.uk/about/history/ Manor Castles website https://manorcastles.com/places/united-kingdom/greater-london/westminister/5-star/lanesborough-house/ London Transport Museum photographic archive - multiple images including: https://www.ltmuseum.co.uk/collections/collections-online/photographs/item/1998-66513 https://www.ltmuseum.co.uk/collections/collections-online/photographs/item/1998-81864 https://www.ltmuseum.co.uk/collections/collections-online/photographs/item/1998-84984

Our first Bakerloo line station, Kensal Green has an unusual partly timber clad station building. The local area includes the spectacular Kensal Green cemetery, and is set to be transformed in the near future with the construction nearby of Old Oak Common station on HS2. Follow us on Instagram and Twitter @roundelroundpod, or email us at roundelroundpod@gmail.com References London Underground Stations in Colour for the Modeller and Historian by John Glover (Ian Allan Publishing 2009) Building London's Underground by Antony Badsey-Ellis (Capital Transport Publishing 2016) The History of the Bakerloo Line by Clive D W Feather (The Crowood Press Ltd 2020) The Bakerloo Line: An Illustrated History by Mike Horne (Capital Transport Publishing 2001) Labyrinth: A Journey Through London's Underground by Tamsin Dillon, Will Self, Mark Wallinger, Marina Warner, Christian Wolmar, and Louise Coysh (Art/Books 2014) Why Do Shepherds Need a Bush?: London's Underground History of Tube Station Names by David Hilliam (The History Press 2015) What's in a Name?: Origins of Station Names on the London Underground by Cyril M Harris (Capital Transport Publishing; 4th edition 2001) Middlesex by John Betjemen (1954) Newsflashes - Underground News July 2017 https://www.lurs.org.uk/04%20july%2017%20NEWSFLASHES.pdf Newsflashes - Underground News October 1979 https://www.lurs.org.uk/UN214%20OCT%201979.pdf The station now arriving - Old Oak Common interchange (Rail Engineer - 2nd September 2020) https://www.railengineer.co.uk/the-station-now-arriving-old-oak-common-interchange/ West London council ‘in talks' about new Crossrail station by Rob Horgan (New Civil Engineer 30th September 2020) https://www.newcivilengineer.com/latest/west-london-council-in-talks-about-new-crossrail-station-30-09-2020/ 7 Things You Probably Didn't Know About Kensal Green Cemetery by Harry Rosehill (The Londonist 2nd November 2016 - https://londonist.com/2016/10/things-you-didn-t-know-about-kensal-green-cemetery) Kensal Green Cemetery - https://www.kensalgreencemetery.com/ Friends of Kensal Green Cemetery - https://www.kensalgreen.co.uk/

Upney station was opened in 1932, on a mainline railway that had been running since the 1880s. The station has only ever been served by District line trains, but it was built by the London Midland and Scottish Railway who owned the mainline at the time, and was run by LMS and then British Railways staff until 1969. Follow us on Instagram and Twitter @roundelroundpod, or email us at roundelroundpod@gmail.com References Steam to Silver. A History of London Transport Surface Rolling Stock by J. Graeme Bruce (London Transport 1970) London's Underground Stations A Social and Architectural Study by Laurence Menear (Midas Books 1983) London Underground Stations by David Leboff (Ian Allan Publishing 1994) Labyrinth: A Journey Through London's Underground by Tamsin Dillon, Will Self, Mark Wallinger, Marina Warner, Christian Wolmar, and Louise Coysh (Art/Books 2014) Why Do Shepherds Need a Bush?: London's Underground History of Tube Station Names by David Hilliam (The History Press 2015) What's in a Name?: Origins of Station Names on the London Underground by Cyril M Harris (Capital Transport Publishing; 4th edition 2001) Post Memories: The Mystery of Matchstick Island by Zoah Hedges-Stocks (Barking and Dagenham Post, August 15, 2016) https://www.barkinganddagenhampost.co.uk/lifestyle/heritage/post-memories-the-mystery-of-matchstick-island-3336762 Case study:Mayesbrook Climate Change Park restoration project (Restoring Europe's Rivers website) https://restorerivers.eu/wiki/index.php?title=Case_study%3AMayesbrook_Climate_Change_Park_restoration_project Barking Hospital (Lost Hospitals of London website) https://ezitis.myzen.co.uk/barking.html Eastbury Manor House website https://www.eastburymanorhouse.org.uk/

We talk to Turner Prize-winning artist Mark Wallinger about his life and career - and more specifically, his love of John Keats. The inspiration for our conversation was Mark's monumental 2018 work Writ in Water, which commemorated the 800th anniversary of the Magna Carta. ----more---- Subscribe to the Keats-Shelley Podcast or Follow us on Spotify. But Mark also discussed his broader love of literature (above all James Joyce), his wonder at Ode to a Nightingale, the challenges of being an artist (not least during Covid).Mark also offers advice to young artists, asks why no one sees UFOs anymore, and considers the portrayal of the art world in movies. He even reads an original poem - stay tuned to the very end.  Read about 2021's Keats-Shelley Prize. Read about 2021's Young Romantics Prize. Links Read more about Mark Wallinger. Writ in Water National Trust press release and video BBC video including aerial film Article on Situations Art Fund Blog article Art Society Feature Sinema Amnesia Guardian article about Sinema Amnesia 2010 Video about Sinema Amnesia 2012 in Maidstone You can support the Keats-Shelley House by Becoming a Friend. This podcast was written and presented by James Kidd. The KS Podcast theme tune is ‘Androids Always Escape' by Chris Zabriskie. Visit http://chriszabriskie.com/ Follow us on Twitter Like us on Facebook Follow us on Instagram Subscribe to us on YouTube Learn more about the Keats-Shelley House and our KeatsShelley200 Bicentenary programme.  

There are two stations at Hammersmith - in this episode we discuss the older of the two, which today serves the Circle and Hammersmith and City lines, discovering a history of corporate rivalry and alliances, multiple reconstructions, state of the art signalling, and a barbershop open since 1911. Note - We recorded this episode in March 2021, while London was still under lockdown due to Covid-19, so we make a few references to not being allowed out and plans for when lockdown ends. Follow us on Instagram and Twitter @roundelroundpod, or email us at roundelroundpod@gmail.com References The Hammersmith & City Railway 150 Years by Mike Horne (London Underground & Nebulous Books 2014) The Circle Line: An Illustrated History by Desmond F. Croome (Capital Transport Publishing 2003) London's Underground Stations - A Social and Architectural Study by Laurence Menear (Midas Books 1983) Underground Architecture by David Lawrence (Capital Transport Publishing 1994) Tube Station Trivia by Geoff Marshall (Capital Transport Publishing 2018) Labyrinth: A Journey Through London's Underground by Tamsin Dillon, Will Self, Mark Wallinger, Marina Warner, Christian Wolmar, and Louise Coysh (Art/Books 2014) Why Do Shepherds Need a Bush?: London's Underground History of Tube Station Names by David Hilliam (The History Press 2015) What's in a Name?: Origins of Station Names on the London Underground by Cyril M Harris (Capital Transport Publishing; 4th edition 2001) The London Underground - A Diagrammatic History by Douglas Rose (Capital Transport Publishing; 2nd edition 2007, latest edition 2016) Ordnance Survey map Middlesex XVI (Surveyed 1866, Published 1874) via National Library of Scotland https://maps.nls.uk/view/102345961 Ordnance Survey map London 1:1,056 - Sheet VI.96 (Published 1895) via National Library of Scotland https://maps.nls.uk/view/101201385 Clive's UndergrounD Line Guides by Clive Feather https://www.davros.org/rail/culg/hammersmith.html Disused Stations - Hammersmith Grove Road site record http://www.disused-stations.org.uk/h/hammersmith_grove_road/ Transport for London Research Guide No 19: A Brief History of the Hammersmith and City Line http://content.tfl.gov.uk/research-guide-no-19-a-brief-history-of-the-hammersmith-and-city-line.pdf Alexander Barbers http://alexanderbarbers.com/

Earl's Court station on the District and Piccadilly lines is notable for many "firsts", with the Underground's first escalator, its first automatic lifts, the first electric trains on the cut-and-cover lines, and the first Ferris Wheel in Britain having once stood nearby. We'll visit all these historic occasions using the TARDIS which stands outside the station! Follow us on Instagram and Twitter @roundelroundpod, or email us at roundelroundpod@gmail.com References Going Green: The Story of the District Line by Piers Connor (Capital Transport Publishing 1993) The District Line: An Illustrated History by Mike Horne (Capital Transport Publishing; First Edition 2006) The Northern Line: An Illustrated History by Mike Horne and Bob Bayman (Capital Transport Publishing; New edition 1999) History of the Metropolitan District Railway to June 1908 by Alexander Edmonds (London Regional Transport 1974) Underground: How the Tube Shaped London by David Bownes, Oliver Green, Sam Mullins (Allen Lane 2012) Amazing and Extraordinary London Underground Facts by Stephen Halliday (David & Charles 2009) The Moving Metropolis: A History of London's Transport Since 1800 by David Lawrence (Laurence King Publishing; second edition 2015) The Subterranean Railway: How the London Underground Was Built and How it Changed the City Forever by Christian Wolmar (Atlantic Books 2004) Building London's Underground by Antony Badsey-Ellis (Capital Transport Publishing 2016) Underground Architecture by David Lawrence (Capital Transport Publishing 1994) Rails Through the Clay: A History of London's Tube Railways by Alan Arthur Jackson and Desmond F. Croome (Capital Transport Publishing; 2nd edition 1993) London Underground at War by Nick Cooper (Amberley Publishing 2014) The London Underground Electric Train by Piers Connor (The Crowood Press Ltd 2015) Charles Tyson Yerkes - Traction King of London by Tim Sherwood (The History Press 2008) Labyrinth: A Journey Through London's Underground by Tamsin Dillon, Will Self, Mark Wallinger, Marina Warner, Christian Wolmar and Louise Coysh (Art/Books 2014) Why Do Shepherds Need a Bush?: London's Underground History of Tube Station Names by David Hilliam (The History Press 2015) What's in a Name?: Origins of Station Names on the London Underground by Cyril M Harris (Capital Transport Publishing; 4th Revised edition 2001) Metadyne.co.uk - http://www.metadyne.co.uk/DistrictPages/MDR_bigwheel.html Mike Horne's blog - https://machorne.wordpress.com/2013/05/19/escalators-inclined-elevators-and-myths/

In our first episode, we've opened our bag of London Underground station names and drawn out Hatton Cross. Opened in 1975 on the Piccadilly line extension towards Heathrow Airport, it was at the time the 279th station on the Underground, the highest number ever on the network. Follow us on Instagram and Twitter @roundelroundpod, or email us at roundelroundpod@gmail.com References The Piccadilly Line - A Brief History by Charles Edward Lee (London Regional Transport 1973) The Piccadilly Tube: The First Hundred Years by Mike Horne (Capital Transport Publishing 2007) The Piccadilly Line an Illustrated History by Desmond Croome (Capital Transport Publishing 1998) Rails Through the Clay: A History of London's Tube Railways by Alan Arthur Jackson and Desmond F. Croome (Capital Transport Publishing; 2nd edition 1993) A Guide to Modernism in Metro-Land by Joshua Abbott (Unbound Publishing 2020) Underground Movement by Paul Moss (Capital Transport Publishing 2000) Building London's Underground by Antony Badsey-Ellis (Capital Transport Publishing 2016) Underground Architecture by David Lawrence (Capital Transport Publishing 1994) Tube Station Trivia by Geoff Marshall (Capital Transport Publishing 2018) The Moving Metropolis: A History of London's Transport Since 1800 by David Lawrence (Laurence King Publishing; second edition 2015) Labyrinth: A Journey Through London's Underground by Tamsin Dillon, Will Self, Mark Wallinger, Marina Warner, Christian Wolmar, and Louise Coysh (Art/Books 2014) Why Do Shepherds Need a Bush?: London's Underground History of Tube Station Names by David Hilliam (The History Press 2015) What's in a Name?: Origins of Station Names on the London Underground by Cyril M Harris (Capital Transport Publishing; 4th edition 2001) The London Underground - A Diagrammatic History by Douglas Rose (Capital Transport Publishing; 2nd edition 2007, latest edition 2016) Extension of the Piccadilly Line from Hounslow West to Heathrow Central by D.G.Jobling and A.C.Lyons (Proceedings of the Institution of Civil Engineers May 1976) Ian Visits: https://www.ianvisits.co.uk/blog/2017/12/16/40-years-of-flying-the-tube-with-the-london-underground-to-heathrow/ Pastscape: https://www.pastscape.org.uk/hob.aspx?hob_id=1311086 Modernism in Metroland: http://www.modernism-in-metroland.co.uk/hatton-cross-station.html Underground Idiom guide: http://content.tfl.gov.uk/station-design-idiom-2.pdf

Mark Wallinger's 1993 "flesh and bone" readymade was a racehorse dubbed 'A Real Work of Art'. Although not so successful at the track it serves as an impressively dense, and very wry commentary on the British class system all wrapped up in a celebration of the suffragette movement. Kunst Please is a micro-dose of modern art history. Tune in every fortnight for an exploration into the more unexpected side of modern art, featuring stories of the famous and the infamous, the weird and the wonderful, the unheard, the cult, the criminally overlooked and the criminally insane. Created and produced by Jonathan Heath. Follow the gallery space on Instagram @kunstplease

Hear Me, See Me. Podcast. with Gary Mansfield.Fine artist, curator and Ministry of Arts Podcast host Gary Mansfield has had a most unlikely induction into the world of art: serving a fourteen year prison sentence in his early twenties for drug importation, Mansfield discovered the catalogue for the 1999 Saatchi exhibition Sensation, which brought together the group of artists known as the YBAs. and Mark Wallinger.Inspired by the work he saw, Mansfield contacted these up-and-coming artists form his cell, asking for information on their work and careers. A bold move, Mansfield's bold move was well received, and led to correspondences that would last throughout his sentence with the likes of Sarah Lucas, Gavin Turk, Gary Hume, Mark Titchner and Mark Wallinger.Under their guidance, Mansfield eventually completed a degree in Fine Art: an achievement that would come to have a profound and lasting impact on his sene of self. Since completing his degree, Mansfield has collaborated with the a number of the YBAs on various artworks and projects. He also works closely with prisoners & ex-offenders, curates large exhibitions to raising funds for various charities, and is a board member of the Koestler Trust. Intimately tied to his early life experiences, Mansfield's works explore themes of incarceration, focusing on the material enclosures of prison life, for a powerful and politically charged aesthetic. ( Bio : ArtRepublic )Gary is funny, inspirational and proof that a leopard can change his spots.https://www.instagram.com/mizogart/https://twitter.com/mizogArthttps://www.facebook.com/gmanasfieldhttps://artrepublic.com/collections/gary-mansfield#Haircuts4Homeless : https://www.haircuts4homeless.com/Produced by : https://svnty6production.com/Artwork by : https://www.dvsyart.com/Support this show http://supporter.acast.com/hear-me-see-me. See acast.com/privacy for privacy and opt-out information.

The future of fiction is neither global nor national. Instead, Matthew Hart argues, it is trending extraterritorial. Extraterritorial spaces fall outside of national borders but enhance state power. They cut across geography and history but do not point the way to a borderless new world. They range from the United Nations headquarters and international waters to CIA black sites and the departure zones at international airports. The political geography of the present, Hart shows, has come to resemble a patchwork of such spaces. Hart reveals extraterritoriality’s centrality to twenty-first-century art and fiction. He shows how extraterritorial fictions expose the way states construct “global” space in their own interests. Extraterritorial novels teach us not to mistake cracks or gradations in political geography for a crisis of the state. Hart demonstrates how the unstable character of many twenty-first-century aesthetic forms can be traced to the increasingly extraterritorial nature of contemporary political geography. Discussing writers such as Margaret Atwood, J. G. Ballard, Amitav Ghosh, Chang-rae Lee, Hilary Mantel, and China Miéville, as well as artists like Hito Steyerl and Mark Wallinger, Hart combines lively critical readings of contemporary novels with historical and theoretical discussions about sovereignty, globalization, cosmopolitanism, and postcolonialism. Extraterritorial presents a new theory of literature that explains what happens when dreams of an open, connected world confront the reality of mobile, elastic, and tenacious borders.

This week, we look at contemporary public art, as debate has raged about various works in recent weeks. Who is public art for and why does it continue to provoke such strong reactions? Host Ben Luke talks to Louisa Buck, The Art Newspaper’s contemporary art correspondent, and James Lingwood from the visionary producers of public works, Artangel, about art by Christoph Büchel, Jeremy Deller, Maggi Hambling, Rachel Whiteread, Marc Quinn and Mark Wallinger; the artist Olaf Breuning tells us about a public work he has made for a hospital in Miami; and for this episode’s Work of the Week, the artist Tom Sachs talks about Mondrian's Broadway Boogie-Woogie in the Museum of Modern Art, New York. See acast.com/privacy for privacy and opt-out information.

The exhibition room has displayed contemporary art exhibitions for over 30 years. The museum’s reputation for innovative, exciting shows has seen collaborations with artists such as Mark Wallinger, Alice Anderson, Louise Bourgeois, Gavin Turk and more. Displayed here is the exhibition Mercy Hospital by American artist Ida Applebroog.

This week, we look at museums in different parts of the globe: what’s their future in a world changed by the coronavirus?The doors of museums have slammed shut over recent weeks as Covid-19 has locked down countries across the world. So this week, we’re asking key figures in museums in the UK, the US and China: what happens next? We speak to Frances Morris, the director of Tate Modern, to Dan Weiss, the president and chief executive officer of the Metropolitan Museum of Art, and to Philip Tinari, the director of the UCCA Center for Contemporary Art in Beijing—leaders within different museum cultures, with different challenges ahead. We also have the latest in our Lonely Works series, in which the Turner Prize-winning artist Mark Wallinger explores Jackson Pollock’s Autumn Rhythm (Number 30), in the Met. You can see an image of Autumn Rhythm as we discuss it at theartnewspaper.com/podcasts. See acast.com/privacy for privacy and opt-out information.

In this episode Gary Mansfield speaks to Mark Wallinger. As one of the biggest names in Contemporary art, Mark Wallinger was the first artist to show their work [Ecce Homo] on the 4th Plinth in Londons Trafalgar Square. His work Labyrinth is on display at every London Underground station, making it, possibly the most viewed art series in the World. For full line up of confirmed artists go to www.mizogart.com Email: podcast@mizogart.com Social Media: @mizogart

Kirsty Lang talks to Hugh Grant about his new film Florence Foster Jenkins based on the true story of an out of tune singer and philanthropist. Hugh plays her common law husband and manager and their extraordinary relationship. We announce the winner of the Wellcome Prize for books that engage with medicine, health or illness. Lisa Jen from the group 9Bach, who won Best Album at last year's Radio 2 Folk Awards, discusses their new album Anian, which is rooted in the Welsh song tradition Pablo Bronstein is the artist chosen this year by Tate Britain, in London, to respond to its collection of art. Previous works have been by Mark Wallinger and Phyllida Barlow, and many will remember Martin Creed's athlete running through the galleries every 30 seconds. This year there's a return to that element of live performance as Bronstein has incorporated a continuous live dance performance in his work; Historical Dances in an Antique Setting. He explains why.Presenter Kirsty Lang Producer Elaine Lester.

Sacha Baron Cohen's new comedy Grimsby tells the story of two brothers separated in childhood reunited as adults; one is a spy, the other a lazy git Thus Bad Begins is the latest novel from Javier Marias; one of Europe's finest writers Artist Mark Wallinger's recent work has focussed on religion death and William Blake. He has a new exhibition opening in London Sarah Kane's plays have always excited controversy: a restaging of Cleansed at London's Dorfman Theatre looks set to rouse familiar fury BBC TV has new drama series starting: Murder and Broken Biscuits Tom Sutcliffe's guests are Louise Scodie, Amanda Craig and Kevin Jackson. The producer is Oliver Jones.

Turner Prize-winning artist Mark Wallinger is perhaps best known for his Christ-like figure which became the first artwork to stand on the empty Fourth Plinth in Trafalgar Square in London. His latest work involved him driving repeatedly round an Essex roundabout. He talks about that and his other new works that make up his new solo exhibition.Yann Martel won the Man Booker Prize in 2002 with Life of Pi which has now sold 13m copies worldwide making it the highest-selling winning book in the prize's history. He talks about his latest novel, The High Mountains of Portugal, another magic realist fable this time spanning the 20th Century.Love is a new comedy created by Judd Apatow which follows a romance between two Los Angeles singletons. Natalie Haynes reviews.Delacroix and the Rise of Modern Art focuses on how the artist Eugène Delacroix transformed French painting in the 19th century. Richard Cork reviews the new exhibition at the National Gallery in London.Presenter: John Wilson Producer: Angie Nehring.

SESSION 4: Is the curator a scientist or an artist? Sam Alberti (Royal College of Surgeons of. England/ Hunterian Museum) Mark Wallinger Chair: Liba Taub

SESSION 4: Is the curator a scientist or an artist? Sam Alberti (Royal College of Surgeons of. England/ Hunterian Museum) Mark Wallinger Chair: Liba Taub

In what may well be the largest work of public art in history, Turner prize-winner Mark Wallinger placed a uniquely designed labyrinth in each of London's 270 Underground stations. The project was commissioned to mark the 150th anniversary of London Underground. His extraordinary art-work is documented in Labyrinth: A Journey Through London’s Underground, published by Art / Books in association with Art on the Underground and with contributions from Christian Wolmar, Marina Warner and Will Self. Mark Wallinger came to the Bookshop to talk about the project with Will Self. See acast.com/privacy for privacy and opt-out information.

The Fault In Our Stars, starring Shailene Woodley, is the screen adaptation of John Green's best selling young adult novel of the same name about a pair of love struck teenagers both of whom are terminally ill with cancer. Brought together at a cancer support group the pair embark on a pilgrimage to Holland to meet the author of a book on dying. Green himself was a hospital chaplain and the story is based on an actual encounter with a dying 16 year old girl. Following on from the huge success of The Cuckoo's Calling a second novel from Robert Galbraith - aka JK Rowling. Featuring private investigator Cormoran Strike it merges an old fashioned detective story with Jacobean tragedy, whilst providing insight into literary London, a grisly murder and a page turning plot. Comedian and actor David Schneider's new play Making Stalin Laugh - at the JW3 Community Centre in London - tells the story of the Moscow State Yiddish Theatre which in the 1920s was one of the most respected in the world. Chagall designed for them, Prokofiev, Stanislavski and Eugene O'Neill all saluted them. By 1952 the surviving members of the troupe had all been purged - executed by Stalin on the same day in August. Making Stalin Laugh tells their story, with at its centre the most celebrated Yiddish actor of his generation, Solomon Mikhoels. Making Colour at London's National Gallery is the first ever exhibition of its kind in the UK and was developed from the National Gallery's own internationally recognised Scientific Department's work into how artists historically overcame the technical challenges in creating colour. As well as paintings it includes objects such as early textiles, mineral samples and ceramics and shows the huge impact the development of synthetic paint had on major art movements such as Impressionism. And The Human Factor: The Figure in Contemporary Sculpture brings together major works by 25 leading international artists who have fashioned new ways of using the human form in sculpture over the past 25 years. Featuring work from Jeff Koons, Mark Wallinger and Yinka Shonibare, exhibits include two re-imaginings of Edgar Degas's famous Little Dancer Aged Fourteen and in a work by French artist Pierre Huyghe a live beehive adorns a cast in concrete of a beautiful reclining nude woman.

This is the first of a new occasional series of ‘Research Bytes’ podcasts – looking very briefly at a cross section of research projects in an academic institution.  In this podcast we talk to six academics from Goldsmiths, University of London. Goldsmiths is, of course,  the alma mater of most of the YBAs - Young British Artists – Damien Hirst, Mark Wallinger, Gillian Wearing, Sam Taylor Wood and has a long history of cultural study, artistic expression and iconaclism. So it is not surprising to find academics in every department at Goldsmiths concerned about creativity.    And we start the podcast by looking at  Professor Joydeep Bhattacharya 's research project on the neuroscience of creativity. Next up is composer Jeremy Peyton Jones, from Goldsmith’s music department who is involved in practice research – on a project called 'Ending's, around the last pages of books including James Joyce's Ulysses and Jack Kerouac's On the Road. Computers and creativity come together in Dr Kate Devlin’s research – she is not only a computer expert but also an archaeologist, seeking to understand the past better using computer technology. A colleague of Kate Devlin’s in the Department of Computing is Dan McQuillan, lecturer in creative and social computing, and human rights activist who has been involved in establishing Crypto Parties, where people share computer skills particularly aimed at staying out of the way of the NSA, and when I spoke to him, he was getting ready for the first Crypto Festival. We’ve just learned that Goldsmiths computer whizzes has won a major government grant for PhD students to take forward the digital games industry in the UK Another important Department at Goldsmiths is the Education Department – Pod Academy has had other pieces about their groundbreaking research – this time I spoke to Clare Kelly,  who heads up the BA in Education, Culture & Society, about her work on children’s literacy My last port of call in Goldsmith’s was with Dr Jo Lloyd, lecturer in occupational psychology – who is currently working on policies and practices for transgender people in the workplace  If your college or university would like us to make a similar podcast, showcasing some of your research,  drop a line to thepod@podacademy.org

The top 10 songs that talk about Jesus but aren't from explicitly religious artists.  We discuss the role of Jesus in Western culture, artist Mark Wallinger, the nature of blasphemy, and some interesting artists you might not have heard before.

With Kirsty Lang. The Handspring Puppet Company, the creators of the award-winning War Horse horses, have turned to Ted Hughes' sequence of Crow poems for their new show, combining puppetry, music, dance and extracts of the verse. It's part of the London 2012 Festival. Bidisha reviews. In the week that Jimmy Carr has apologised for taking part in tax avoidance schemes, the comedy critic Stephen Armstrong explains why successful comedians have always been rich and why they've always needed to hide it. Turner Prize-winning artist Mark Wallinger has a large-scale solo show Site opening at the Baltic in Gateshead this week, to be followed next month by a film commission at Turner Contemporary in Margate, and a collaboration with the Royal Opera House and the National Gallery in London on a new ballet based on paintings by Titian. In his studio Wallinger takes stock of his workload and has the latest news on his plan to erect a 50-metre high statue of a white horse in the Kent countryside. Gordon Ramsay goes to Brixton prison in his new TV series Gordon Behind Bars, as he attempts to set up a successful food business with the prisoners, giving himself a deadline of six months. Rebecca Nicholson reviews. Milos Karadaglic is a classical guitarist from Montenegro. Generally known as just Milos, he was the UK's best-selling classical recording artist last year, and Gramophone magazine's Young Artist of the Year. With a new CD of Latin American music and a BBC Proms concert this summer, he talks about his love for the guitar and the importance of looking after his nails.

If all figurative art approaches taxidermy in its crafty fixing of vitality, British contemporary artists have taken on board the conceit with striking compulsiveness. From Damien Hirst's sharks and sheep to Mark Wallinger's pedigree racehorses, sleekness and slaughter seem to be their thing. So what are they getting at and why should we care? Simon Schama, professor of art history and history at Columbia University, offers some clues.

Mark Wallinger has recreated peace campaigner Brian Haw’s Parliament Square protest for a dramatic new installation at Tate Britain. Running along the full length of the Duveen Galleries, State Britain consists of a meticulous reconstruction of over 600 w