Podcasts about musicking

Cultural Narratives of Old Age in the Lives, Work, and Reception of Old Musicians (Routledge, 2024) discusses the creative work of old musicians—composers, performers, listeners, and scholars—and how those forms of music- making are received and understood. Joseph Straus argues that composing oldly, performing oldly, and listening oldly are distinctive and valuable ways of making music—a difference, not a deficit; to be celebrated, not ignored or condemned. This book follows Age Studies in seeing old age through a cultural lens, as something created and understood in culture. Straus' text seeks to identify the ways that old musicians (composers, performers, listeners, and scholars) accept, resist, adapt, and transform the cultural scripts for the performance of old age. Musicking oldly (making music in old age) often represents an attempt to rewrite ageist cultural scripts and to find ways of flourishing musically in a largely hostile landscape. Joseph Straus is Distinguished Professor of Music at the City University of New York Graduate Center, specializing in music since 1900. He has written technical music-theoretical articles, analytical studies of music by a variety of modernist composers, and, more recently, a series of articles and books that engage disability as a cultural practice. You can also listen to his episodes on SMT-POD in which he further discusses musicking in old age. Emily Ruth Allen is an Instructor in Music History and Southern Studies at the University of South Carolina. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Cultural Narratives of Old Age in the Lives, Work, and Reception of Old Musicians (Routledge, 2024) discusses the creative work of old musicians—composers, performers, listeners, and scholars—and how those forms of music- making are received and understood. Joseph Straus argues that composing oldly, performing oldly, and listening oldly are distinctive and valuable ways of making music—a difference, not a deficit; to be celebrated, not ignored or condemned. This book follows Age Studies in seeing old age through a cultural lens, as something created and understood in culture. Straus' text seeks to identify the ways that old musicians (composers, performers, listeners, and scholars) accept, resist, adapt, and transform the cultural scripts for the performance of old age. Musicking oldly (making music in old age) often represents an attempt to rewrite ageist cultural scripts and to find ways of flourishing musically in a largely hostile landscape. Joseph Straus is Distinguished Professor of Music at the City University of New York Graduate Center, specializing in music since 1900. He has written technical music-theoretical articles, analytical studies of music by a variety of modernist composers, and, more recently, a series of articles and books that engage disability as a cultural practice. You can also listen to his episodes on SMT-POD in which he further discusses musicking in old age. Emily Ruth Allen is an Instructor in Music History and Southern Studies at the University of South Carolina. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Cultural Narratives of Old Age in the Lives, Work, and Reception of Old Musicians (Routledge, 2024) discusses the creative work of old musicians—composers, performers, listeners, and scholars—and how those forms of music- making are received and understood. Joseph Straus argues that composing oldly, performing oldly, and listening oldly are distinctive and valuable ways of making music—a difference, not a deficit; to be celebrated, not ignored or condemned. This book follows Age Studies in seeing old age through a cultural lens, as something created and understood in culture. Straus' text seeks to identify the ways that old musicians (composers, performers, listeners, and scholars) accept, resist, adapt, and transform the cultural scripts for the performance of old age. Musicking oldly (making music in old age) often represents an attempt to rewrite ageist cultural scripts and to find ways of flourishing musically in a largely hostile landscape. Joseph Straus is Distinguished Professor of Music at the City University of New York Graduate Center, specializing in music since 1900. He has written technical music-theoretical articles, analytical studies of music by a variety of modernist composers, and, more recently, a series of articles and books that engage disability as a cultural practice. You can also listen to his episodes on SMT-POD in which he further discusses musicking in old age. Emily Ruth Allen is an Instructor in Music History and Southern Studies at the University of South Carolina. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Cultural Narratives of Old Age in the Lives, Work, and Reception of Old Musicians (Routledge, 2024) discusses the creative work of old musicians—composers, performers, listeners, and scholars—and how those forms of music- making are received and understood. Joseph Straus argues that composing oldly, performing oldly, and listening oldly are distinctive and valuable ways of making music—a difference, not a deficit; to be celebrated, not ignored or condemned. This book follows Age Studies in seeing old age through a cultural lens, as something created and understood in culture. Straus' text seeks to identify the ways that old musicians (composers, performers, listeners, and scholars) accept, resist, adapt, and transform the cultural scripts for the performance of old age. Musicking oldly (making music in old age) often represents an attempt to rewrite ageist cultural scripts and to find ways of flourishing musically in a largely hostile landscape. Joseph Straus is Distinguished Professor of Music at the City University of New York Graduate Center, specializing in music since 1900. He has written technical music-theoretical articles, analytical studies of music by a variety of modernist composers, and, more recently, a series of articles and books that engage disability as a cultural practice. You can also listen to his episodes on SMT-POD in which he further discusses musicking in old age. Emily Ruth Allen is an Instructor in Music History and Southern Studies at the University of South Carolina. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Dans cet épisode de la pièce rapportée, je reçois Ondine Guillaume, à qui on doit la chronique « Classic Sheet' » sur Mouv' et à qui je fais découvrir une œuvre monumentale de Romeo Castellucci, présentée à la Grande Halle de la Villette dans le cadre du Festival d'Automne : « Résurrection ». Le metteur en scène italien décide de s'attaquer à cette symphonie de Gustav Mahler avec un cheval, de l'audace et énormément de terre. Genre, vraiment beaucoup. Dans cet épisode, je vous cite le livre « Musicking » de Christopher Small sur le rapport entre un spectacle et le lieu dans lequel il a lieu. Je vous parle aussi de la théorie de la distanciation de Bertolt Brecht. Bonne écoute ! Get bonus content on Patreon Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Community musicking and musical cognition among adungu music communities of the Acholi people from Awach, Gulu district, Northern Uganda

In Episode 1.6 Until All of Us are Free, None of Us are Free we focus on the fundamental connections between the struggle for an end to the genocide in Gaza and the liberation of Palestine and Palestinian people with oppressed peoples everywhere. In particular in this episode we recognise interconnections and entanglements across the movements for prison abolition, queer and trans liberation, and for disability justice.You'll hear recorded speeches from Turtle Island (US)-based Black lesbian abolitionist Prof Andrea Ritchie at last November's Sisters Inside conference, and from trans woman and abolition organiser Necho Brocchi at Magandjin's Trans Day of Resistance gathering that took place on November 25, 2023. Both of these speakers trace the importance of recognising the co-constitution of struggles for an end to incarceration and to oppression and violence against trans people with the struggles for Indigenous sovereignty and to end the genocidal settler-colonial occupation of Palestine.Also in this episode, you'll hear Han in deep discussions with queer Palestinian academic and community organiser Fahad Ali, and with Wiradjuri, Irish and Flemish disability justice organiser and writer Vanamali (Mali) Hermans. And we have extracts from an interview conducted by Anna in collaboration with Belle from 4ZZZ's Only Human with deaf Palestinian Mazen Al-Khaldi, who went viral for his video sharing how to sign “Free Free Palestine” in Auslan, the sign language of the majority of the australian deaf community.If you've just found your way to our podcast, our aim is to archive the ongoing movement for Palestinian liberation as it unfolds on the unceded lands of the Yuggera, Yugarapul, Jagera, Turrbal and Yugumbeh peoples, across so-called brisbane and the surrounding cities of south east queensland. You can start here with Episode 1.6, but you might want to scroll back a bit further to begin with Episode 1.1 Settler Colonialism and the Current Crisis.This podcast is produced and recorded on unceded Jagera & Turrbal country. Our deepest respects to the rightful owners of these lands, and to all First Nations peoples listening. Musicking on these episodes is by cyberBanshee (aka Han), and our series artwork is by Anna.If you're interested in accessing or supporting the audio archive from which this podcast draws, please get in touch with us via substack.For some additional reading and listening on this topic, check out:Why Palestinian Liberation is Disability Justice | Alice WongPalestine is Disabled | Leah Lakshmi Piepzna-SamarasinhaDisability Justice Network of australia Palestine Solidarity Statement (this one is from 2021 – the disability community has long recognised israel's tactics of violently disabling Palestinians en masse)Stronger Than Words – Deaf in Gaza | Al Jazeera RemixStatements from Queers in PalestinePinkwashing | BDS MovementWhy Queer Solidarity With Palestine is Not "Chickens for KFC" | Saed AtshanBlack Queer & Trans Justice | Triple A Let's Talk Social Justice (Kevin Yow Yeh)The central purpose of this podcast is to honour the power of Palestinian resistance in this moment, and to learn from the struggle as it unfolds here in Magandjin. If you're listening in and you're not yet involved in the Justice for Palestine Magandjin movement, please consider signing up to our mailing list so that you can get up to date details about upcoming events, calls-to-action, and ways to support the movement for Palestine. You can also follow us on facebook, instagram and twitter to stay up to date. You can also follow the amazing work of Queensland Muslim Incorporated, and campaigns directly targeting the expansion of the weapons industry here in so-called queensland, including Shut Down Ferra and Wage Peace.If you're listening in from further afield, we suggest following the incredible work of the Australian Palestine Advocacy Network (APAN) to keep up to date with organising happening in your area.We also encourage everyone who is getting involved in the struggle for justice for Palestine to also recognise the intimate connections between settler colonialism and racial violence in Palestine and the continuing violence of occupation on this continent. There is a rich and powerful tradition of Blackfulla Palestinian solidarity in this place, which you can trace here and here.We also encourage listeners to get involved with and support campaigns against settler colonial violence on this continent, including the work of the Black People's Union, Warriors of the Aboriginal Resistance, Stop Blak Deaths in Custody, Treaty Before Voice, the Brisbane Aboriginal Sovereign Embassy, and independent Black media sites like Amy McQuire's incredible substack, Black Justice Journalism.Solidarity with all Indigenous peoples' globally struggling against injustice, extraction, occupation, and oppression.Yours in the strength of our combined resistance,Han for the Radio Reversal Collective This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit radioreversal.substack.com

In this episode, we harmonize and improvise in Mixolydian tonality! Mentioned in this episode…

Episode 17 is a conversation with music educator Erin Hopkins, elementary general music educator and current PhD candidate at Case Western Reserve University. Erin shares her thoughts on engaging with and advocating for children with autism and ADHD in family and school musicking based on her lived experience, teaching experience, and research. Erin Hopkins's website, Neurodivergent Music Education  Neurodiversity Week Resources for Parents and Teachers Gigi's Playhouse Dr. Lisa Huisman Koops's book, Parenting Musically

Alan and Steve talk with educator, author, and musicker Mary Cohen about incorporating the Musicking ideas of Christopher Small.

Julie Turley (Kingsborough Community College) and Joan Jocson-Singh (Lucas Museum of Narrative Art) discuss their book, Heavy Music Mothers: Extreme Identities, Narrative Disruptions, with Monica Berger (NYC College of Technology).

Infinite Improvisation Podcast: adventures in music and creativity with Steve Treseler and Lauren Best.   Canadian music educator and author Steve Giddings joins us to talk about sparking creativity in high school music programs on Prince Edward Island. He reveals what it was like to stretch from being a classically trained orchestral player to jamming in blues bars and playing in a ska brass section, and what ignited him to self-publish his first practical guide to teaching rock bands in schools. Steve's work to innovate and inspire “creative musicking” in the classroom has most recently resulted in his newest book from Oxford University Press “Technology for Unleashing Creativity: Practical Tips and Tools for Music Educators”. He shares some spicy thoughts and why they get pushback, and explains why he wants to electrify music education and create change for more fun and functional learning.   https://www.stevesmusicroom.com/ @StevesMusicRoom facebook.com/stevesmusicroom instagram.com/stevesmusicroom twitter.com/stevesmusicroom     Get updates and exclusive community content by signing up for our email newsletter at: www.infiniteimprovisation.com/podcast   Subscribe to our YouTube channel     Theme Song: “Cold Hammered” by Steve Treseler

Colleen and Patricia talk about musicking in this episode! Edited by Patricia, art by @edrianochoa. Find us on IG @musicwithmompodcast

In this mini-episode, Lisa provides context on the concepts of relational musicking and practical musicking. These ideas are an additional way to understand examples of family music-making. Drawing on ideas shared by Maggie Baird and Elizabeth Cassidy Parker in Episode 2, Lisa encourages families to incorporate more relational moments in family musicking and parenting. Christopher Small's book Musicking Lisa Huisman Koops's book, Parenting Musically Episode 2.5 Suggested Activities Notice: Do you lean more toward the practical or the relational when it comes to parenting? What about in the musical life of your family? Share examples with us on Facebook, Instagram, and Twitter with the hashtag #parentingmusically Consider: Would you like to shift the balance more toward relational musicking? Practical musicking? Talk: Ask a teenager in your life about the ideas of relational and practical musicking. Are these categories interesting? Would the teen like to change anything about their own musicking?

In the final episode of Joe Straus's series on old age and music, Joe discusses what it means to listen to music while old and the ways that having an old body shapes the way we listen.  This episode was produced by Katrina Roush and Megan Lyons. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. "Night Thoughts" by Aaron Copland was performed by Han Chen. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/season01/ (https://smt-pod.org/episodes/season01/).

In the penultimate episode of Joe Straus's series on old age and music, he facilitates a discussion about old performers and their cultural scripts, and asks us to re-examine the value of sounding old.  This episode was produced by Katrina Roush. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. "Night Thoughts" by Aaron Copland was performed by Han Chen. Annie Belliveau prepared the musical examples. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/season01/ (https://smt-pod.org/episodes/season01/).

In the third episode of Joe Straus's series on old age and music, he turns his attention to some old composers, including Stravinsky, Schoenberg, Copland, and Carter. Joe shows that the critical reception of these old composers often follows ageist cultural scripts as described in the previous episodes.  This episode was produced by Katrina Roush. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. "Night Thoughts" by Aaron Copland was performed by Han Chen. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/season01/ (https://smt-pod.org/episodes/season01/).

In the second episode of Joe Straus's series on old age and music, he analyzes old characters in opera, the stereotypes often assigned to them, and the ramifications of those stereotypes on old people in real life. This episode was produced by Katrina Roush. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. "Night Thoughts" by Aaron Copland was performed by Han Chen. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/season01/ (https://smt-pod.org/episodes/season01/).

The second episode of the season is the first of a five-episode series by Joseph Straus (CUNY Graduate Center). This episode was produced by Katrina Roush. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. "Night Thoughts" by Aaron Copland was performed by Han Chen. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/season01/ (https://smt-pod.org/episodes/season01/).

Musizierende verausgaben sich auf der Bühne und das Publikum sitzt passiv da. Ganz so einfach ist es nicht: Auch das Publikum sendet – sei es durch Stirnrunzeln, Getuschel oder Applaus. Das nennt man «Musicking».

This 13th SIMM-podcast episode is presenting interviews with Canadian composer-musician-scholar Fiona Evison (00:57->36:00), Cypriot composer-musician-scholar Georgia Nicolaou (36:40->43:30) and Canadian  conductor-composer Patrick Murray (43:53->47:51). We hear Lukas Pairon interview them about which music is being proposed, played, created and composed in social and community music programmes.The short music extracts you will hear are recordings of some of the programmes being discussed and presented during this episode of the podcast.Referenced during this podcast-episode: Giovanni Barcella, Laurent Blondiau & Met-X, Ilse Duyck, Ictus Ensemble, Reena Esmail, Ledebirds, Musica Impuls Centre for Music, The Ostend Street Orchestra, Mariusz Radwanski, 6th SIMM-posium Paris (2-3.11.21), Christopher Small's 'Musicking' contact: info@simm-platform.eu / www.simm-platform.eu

This week's episode kicks off the SSCC Series, where I chat with the staff of the South Shore Children's Chorus (Quincy, MA) that I founded in 2016. Here, I speak with Liz Schorr - an expert in engaging in mindfulness in the classroom and creating equitable space using trama-informed approaches and responses with students. Inspired greatly by the Breathe for Change program, Liz is masterful when presenting mindfulness exercises to elementary students, middle school students, and even with the SSCC Staff at our professional development retreat this summer. You'll walk way from this episode with FREE strategies that you can use as soon as tomorrow in your classroom.Do you use mindfulness in your classroom? How does it improve the relationship between you and your students, or your students with eachother?  Head on over to www.choralconnectivity.com and use the contact form to reach out. I'd love to hear from you!

Find the show notes here: victoriaboler.com/podcast

Music and the Church with Sarah Bereza is back after a summer hiatus while I finished writing and editing my book Professional Christian: Being Fully Yourself in the Spotlight of Public Ministry (coming your way Spring 2022) - glad to be back into podcasting mode!  Today's episode is an interview with my friends Nathan Myrick and Mark Porter. They have a new collection of essays out - Ethics and Christian Musicking - and we discuss why both researchers and practitioners of Christian music should consider ethical questions as they research and/or make music in Christian communities.  Sign up for my free newsletter here!

We look at lofi as a social process and investigate the relationships that are formed in its production and in its listening. We also look at logos democratizing effect on music.

In the first episode of the new year, Eric and Justin interview music educator extraordinaire Steve Giddings. We discuss new realities and possibilities available in the classroom in this age of music ed. Steve rocks the norm of what he does for his kids and how it can be the norm and not just an anomaly. Tune in and enjoy !!!In Rotation:De Vuelta Pa La Vuelta- Daddy Yankee & Marc Anthony - EricThe Saga- JustinBrass Against- SteveSteve's Website, Twitter, PinterestConnect with us Facebook, Twitter & Instagram:@podthescore;podthescore@gmail.com;The Score Podcast WebsiteSupport The Score on Patreon or PaypalMusic Credits:Intro: Justin McLean @jusmackmuzikIn Rotation & Outro: Ben Bohorquez @jamin_music

Mark Porter (@mrmarkporter) explores the relationship between music, sound, space, and spirit in his new book Ecologies of Resonance in Christian Musicking (Oxford University Press, 2020). Using the analytical tools of resonance to describe the sounding and re-sounding of sonic production in different spaces, Porter uses the disciplines of musicology and ethnography to describe the worlds of relationships in an assortment of Christian musical traditions. How do the varieties of musicking from the desert monastics, to charismatic evangelicals, to live-streamed prayer rooms, among others, illustrate the different approaches of Christian musical participation? How might these different ecologies of resonance contribute toward ecumenical dialogue and understanding? Join us for a conversation with Mark Porter to hear about his excellent new study. You can find more information about Mark’s work at his website. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Porter (@mrmarkporter) explores the relationship between music, sound, space, and spirit in his new book Ecologies of Resonance in Christian Musicking (Oxford University Press, 2020). Using the analytical tools of resonance to describe the sounding and re-sounding of sonic production in different spaces, Porter uses the disciplines of musicology and ethnography to describe the worlds of relationships in an assortment of Christian musical traditions. How do the varieties of musicking from the desert monastics, to charismatic evangelicals, to live-streamed prayer rooms, among others, illustrate the different approaches of Christian musical participation? How might these different ecologies of resonance contribute toward ecumenical dialogue and understanding? Join us for a conversation with Mark Porter to hear about his excellent new study. You can find more information about Mark’s work at his website. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Porter (@mrmarkporter) explores the relationship between music, sound, space, and spirit in his new book Ecologies of Resonance in Christian Musicking (Oxford University Press, 2020). Using the analytical tools of resonance to describe the sounding and re-sounding of sonic production in different spaces, Porter uses the disciplines of musicology and ethnography to describe the worlds of relationships in an assortment of Christian musical traditions. How do the varieties of musicking from the desert monastics, to charismatic evangelicals, to live-streamed prayer rooms, among others, illustrate the different approaches of Christian musical participation? How might these different ecologies of resonance contribute toward ecumenical dialogue and understanding? Join us for a conversation with Mark Porter to hear about his excellent new study. You can find more information about Mark’s work at his website. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Porter (@mrmarkporter) explores the relationship between music, sound, space, and spirit in his new book Ecologies of Resonance in Christian Musicking (Oxford University Press, 2020). Using the analytical tools of resonance to describe the sounding and re-sounding of sonic production in different spaces, Porter uses the disciplines of musicology and ethnography to describe the worlds of relationships in an assortment of Christian musical traditions. How do the varieties of musicking from the desert monastics, to charismatic evangelicals, to live-streamed prayer rooms, among others, illustrate the different approaches of Christian musical participation? How might these different ecologies of resonance contribute toward ecumenical dialogue and understanding? Join us for a conversation with Mark Porter to hear about his excellent new study. You can find more information about Mark’s work at his website. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Porter (@mrmarkporter) explores the relationship between music, sound, space, and spirit in his new book Ecologies of Resonance in Christian Musicking (Oxford University Press, 2020). Using the analytical tools of resonance to describe the sounding and re-sounding of sonic production in different spaces, Porter uses the disciplines of musicology and ethnography to describe the worlds of relationships in an assortment of Christian musical traditions. How do the varieties of musicking from the desert monastics, to charismatic evangelicals, to live-streamed prayer rooms, among others, illustrate the different approaches of Christian musical participation? How might these different ecologies of resonance contribute toward ecumenical dialogue and understanding? Join us for a conversation with Mark Porter to hear about his excellent new study. You can find more information about Mark’s work at his website. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Porter (@mrmarkporter) explores the relationship between music, sound, space, and spirit in his new book Ecologies of Resonance in Christian Musicking (Oxford University Press, 2020). Using the analytical tools of resonance to describe the sounding and re-sounding of sonic production in different spaces, Porter uses the disciplines of musicology and ethnography to describe the worlds of relationships in an assortment of Christian musical traditions. How do the varieties of musicking from the desert monastics, to charismatic evangelicals, to live-streamed prayer rooms, among others, illustrate the different approaches of Christian musical participation? How might these different ecologies of resonance contribute toward ecumenical dialogue and understanding? Join us for a conversation with Mark Porter to hear about his excellent new study. You can find more information about Mark’s work at his website. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Porter (@mrmarkporter) explores the relationship between music, sound, space, and spirit in his new book Ecologies of Resonance in Christian Musicking (Oxford University Press, 2020). Using the analytical tools of resonance to describe the sounding and re-sounding of sonic production in different spaces, Porter uses the disciplines of musicology and ethnography to describe the worlds of relationships in an assortment of Christian musical traditions. How do the varieties of musicking from the desert monastics, to charismatic evangelicals, to live-streamed prayer rooms, among others, illustrate the different approaches of Christian musical participation? How might these different ecologies of resonance contribute toward ecumenical dialogue and understanding? Join us for a conversation with Mark Porter to hear about his excellent new study. You can find more information about Mark's work at his website. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen's University Belfast.

(Alex - Electronic Musicking)   In this episode, I had the honour to have Alex as my guest. He shared with me his interest in electronic musicking as his hobby.   Music is all around us whether you notice it or not and the cool thing about it is that it can be made by any object that creates a sound. You want to use a brush? Go for it! want to use a car engine? Why not! Electronic musiking can also me made by simply using 1 instrument and creating multiple layers. Alex enjoys electronic musicking because it allows him to be free with his creation without the need to follow traditional music rules, your imagination is your only limit.     Alex’s links: Sound Cloud: Synth Breath SynthBreath: @SynthBreath     Time For Your Hobby links: Website: Time For Your Hobby website (click to find Apple, Spotify, Google and more) Merch: TFYHpodcast  Instagram: @timeforyourhobby Twitter: @tfyhpodcast Podchaser: Time For Your Hobby  Patreon: Timeforyourhobby  Email: timeforyourhobby@gmail.com     If you like this episode and think it can be helpful to someone you are more than welcome to share it and leave a review.   If you want to be on my podcast or have any questions at all, by all means, contact me through any of the platforms above. So until the next episode... make some time for your hobby.   Shout out to my Patrons: Chess Talk (https://chesstalk.podbean.com/)   Take care,

Concierto Extraordinario: Action Musicking. Concierto inaugural de la exposición 'Los irascibles: pintores contra el museo (Nueva York, 1950)'. . A mediados del siglo XX, Nueva York se consolidó como el gran centro mundial del arte. El dinamismo de la ciudad facilitó la aparición de estilos artísticos netamente estadounidenses, como el expresionismo abstracto, que enfatizaban la acción pictórica frente al cuadro como resultado final. En paralelo, compositores como John Cage −muy cercano a algunos de los pintores del expresionismo abstracto− llevaron el concepto de obra musical hasta sus últimos límites, enfatizando el rol del intérprete y de su interpretación (la acción musical) sobre el papel del compositor. Además, el jazz suscitó el interés de los artistas, atraídos por la dimensión improvisatoria (la acción creativa) de música. Explore en www.march.es/conferencias/anteriores el archivo completo de Conferencias en la Fundación Juan March: casi 3.000 conferencias, disponibles en audio, impartidas desde 1975.

In this podcast we explore the beautiful, creative, and challenging work of Dan Shevock's Eco-literate music pedagogy. His notions of the local and rootedness challenge teachers to live into a sense of being in relationship to our locality. A profound scholar and poet, Shevock weaves together strands of philosophy, theology, poetry, music, and science to imagine the radical interconnectedness of an ecology of being. Our discussion speaks to meditative presence, being rather than having, and the balance of conservation and liberation. Interwoven with our conversations are Dan Shevock's poems, whale songs, soundscapes of the National Park Service, and the soundscapes preserved and musicked by preeminent acoustic ecologist Gordon Hempton. May we return our ears to the soundscape of our presence, finding the connection that repairs our ecosystem of relationship.

Shelly, Kris, and Jesse talk about Musicking by Christopher Smalls. We play music. We talk about the symphony and the notes on the page and the community that is created in the space where music exists. We write a song begging for sponsors. We talk about our favorite concerts. Jesse plays the keytar and the melodica.

After the choir finished their day at Speakers' Corner singing in solidarity with the Extinction Rebellion demonstrations ( https://rebellion.earth ), a few remaining members generously sang one more song just as they were about to leave: One By One by Michael Stillwater.Shakti Sings: "We sing for joy and with joy, singing songs in full harmony with the intention to open hearts and raise consciousness. We always welcome new members, and don't audition or need previous experience of singing. All we ask is that you come with an open heart, ready to sit with the magic of song."Find them here https://www.shaktisings.org https://www.facebook.com/shaktisingschoirpage https://twitter.com/shaktisings https://www.youtube.com/channel/UC6jFIA_vm-jMTKhQ8S2JP0Q https://www.instagram.com/shaktisingschoir/

Choir info at http://www.sing-for-fun-in-fortune-green.webeden.co.uk

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

its socio-musical culture (FridayLounge) presented to you by AmourNelson. its all about experiementing with some soothing and most rarely played music from Lounge to Jazz and anything in between. #Musicking

Connect to your roots. The Alchemy of Food and Culture of Cooking and Dining. Engage with simple ways to interact with food, develop a new relationship with how and what you eat. Discover new ways to nourish self, soil and society. This segment we talk about spring to fall. Supporting self within the season and looking ahead! Exploring their intended use, the medicine and finding moderation within the indulgence and the celebration. Shining a light on YOU! Where to learn more Healing with Whole Food by Paul Pitchford Recipes (click here) MusicKing of Me Chris Berry Suzanne Sterling Jai Ma Food Alchemy with 'She' Suzanne Toro

Have you seen North Indian vocalists improvise? Their hands and voices move together to trace intricate melodic patterns. If we think that music is just made of sequences of notes, then this motion may seem quite puzzling at first. But the physical motion of singers reveal that there is much more going on than note combinations: spiraling, swooping, twirling–even moments of exquisite stillness in which time seems to stop. This kinetic aspect of melodic action is the topic of Matt Rahaim‘s new book, Musicking Bodies: Gesture and Voice in Hindustani Music (Wesleyan University Press, 2012). Rahaim first traces a history of ideas about moving and singing in Indian music, from Sanskrit treatises to courtesan dance performance to the 20th century boom in phonograph recordings. He then leads the reader through vivid melodic and gestural worlds of ragas with illuminating and concise analyses of video data and interviews from years of training in North Indian vocal music, and suggests ways in which melodic motion serves as a vehicle for traditions of ethical virtue. In this interview, Rahaim discusses the bodily disciplines of gesture, posture, and voice production that are so fundamental to singing. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you seen North Indian vocalists improvise? Their hands and voices move together to trace intricate melodic patterns. If we think that music is just made of sequences of notes, then this motion may seem quite puzzling at first. But the physical motion of singers reveal that there is much more going on than note combinations: spiraling, swooping, twirling–even moments of exquisite stillness in which time seems to stop. This kinetic aspect of melodic action is the topic of Matt Rahaim‘s new book, Musicking Bodies: Gesture and Voice in Hindustani Music (Wesleyan University Press, 2012). Rahaim first traces a history of ideas about moving and singing in Indian music, from Sanskrit treatises to courtesan dance performance to the 20th century boom in phonograph recordings. He then leads the reader through vivid melodic and gestural worlds of ragas with illuminating and concise analyses of video data and interviews from years of training in North Indian vocal music, and suggests ways in which melodic motion serves as a vehicle for traditions of ethical virtue. In this interview, Rahaim discusses the bodily disciplines of gesture, posture, and voice production that are so fundamental to singing. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you seen North Indian vocalists improvise? Their hands and voices move together to trace intricate melodic patterns. If we think that music is just made of sequences of notes, then this motion may seem quite puzzling at first. But the physical motion of singers reveal that there is much more going on than note combinations: spiraling, swooping, twirling–even moments of exquisite stillness in which time seems to stop. This kinetic aspect of melodic action is the topic of Matt Rahaim‘s new book, Musicking Bodies: Gesture and Voice in Hindustani Music (Wesleyan University Press, 2012). Rahaim first traces a history of ideas about moving and singing in Indian music, from Sanskrit treatises to courtesan dance performance to the 20th century boom in phonograph recordings. He then leads the reader through vivid melodic and gestural worlds of ragas with illuminating and concise analyses of video data and interviews from years of training in North Indian vocal music, and suggests ways in which melodic motion serves as a vehicle for traditions of ethical virtue. In this interview, Rahaim discusses the bodily disciplines of gesture, posture, and voice production that are so fundamental to singing. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices