Podcasts about southern studies

The Jim Crow era is one of the darkest periods in American history. The country was divided by laws, customs and etiquettes that demeaned African Americans and segregated them from white Americans. But how exactly did this era begin? And was post-Civil War America always destined for racial segregation?To answer this question we're joined by Aaron Sheehan-Dean, a Professor of Southern Studies at Louisiana State University. He explains why America's attempts to build a multiracial democracy after the Civil War failed, and how the wheels of Jim Crow were set in motion.Produced by James Hickmann and edited by Dougal Patmore.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.We'd love to hear your feedback - you can take part in our podcast survey here: https://insights.historyhit.com/history-hit-podcast-always-on.You can also email the podcast directly at ds.hh@historyhit.com.

Cultural Narratives of Old Age in the Lives, Work, and Reception of Old Musicians (Routledge, 2024) discusses the creative work of old musicians—composers, performers, listeners, and scholars—and how those forms of music- making are received and understood. Joseph Straus argues that composing oldly, performing oldly, and listening oldly are distinctive and valuable ways of making music—a difference, not a deficit; to be celebrated, not ignored or condemned. This book follows Age Studies in seeing old age through a cultural lens, as something created and understood in culture. Straus' text seeks to identify the ways that old musicians (composers, performers, listeners, and scholars) accept, resist, adapt, and transform the cultural scripts for the performance of old age. Musicking oldly (making music in old age) often represents an attempt to rewrite ageist cultural scripts and to find ways of flourishing musically in a largely hostile landscape. Joseph Straus is Distinguished Professor of Music at the City University of New York Graduate Center, specializing in music since 1900. He has written technical music-theoretical articles, analytical studies of music by a variety of modernist composers, and, more recently, a series of articles and books that engage disability as a cultural practice. You can also listen to his episodes on SMT-POD in which he further discusses musicking in old age. Emily Ruth Allen is an Instructor in Music History and Southern Studies at the University of South Carolina. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Cultural Narratives of Old Age in the Lives, Work, and Reception of Old Musicians (Routledge, 2024) discusses the creative work of old musicians—composers, performers, listeners, and scholars—and how those forms of music- making are received and understood. Joseph Straus argues that composing oldly, performing oldly, and listening oldly are distinctive and valuable ways of making music—a difference, not a deficit; to be celebrated, not ignored or condemned. This book follows Age Studies in seeing old age through a cultural lens, as something created and understood in culture. Straus' text seeks to identify the ways that old musicians (composers, performers, listeners, and scholars) accept, resist, adapt, and transform the cultural scripts for the performance of old age. Musicking oldly (making music in old age) often represents an attempt to rewrite ageist cultural scripts and to find ways of flourishing musically in a largely hostile landscape. Joseph Straus is Distinguished Professor of Music at the City University of New York Graduate Center, specializing in music since 1900. He has written technical music-theoretical articles, analytical studies of music by a variety of modernist composers, and, more recently, a series of articles and books that engage disability as a cultural practice. You can also listen to his episodes on SMT-POD in which he further discusses musicking in old age. Emily Ruth Allen is an Instructor in Music History and Southern Studies at the University of South Carolina. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Cultural Narratives of Old Age in the Lives, Work, and Reception of Old Musicians (Routledge, 2024) discusses the creative work of old musicians—composers, performers, listeners, and scholars—and how those forms of music- making are received and understood. Joseph Straus argues that composing oldly, performing oldly, and listening oldly are distinctive and valuable ways of making music—a difference, not a deficit; to be celebrated, not ignored or condemned. This book follows Age Studies in seeing old age through a cultural lens, as something created and understood in culture. Straus' text seeks to identify the ways that old musicians (composers, performers, listeners, and scholars) accept, resist, adapt, and transform the cultural scripts for the performance of old age. Musicking oldly (making music in old age) often represents an attempt to rewrite ageist cultural scripts and to find ways of flourishing musically in a largely hostile landscape. Joseph Straus is Distinguished Professor of Music at the City University of New York Graduate Center, specializing in music since 1900. He has written technical music-theoretical articles, analytical studies of music by a variety of modernist composers, and, more recently, a series of articles and books that engage disability as a cultural practice. You can also listen to his episodes on SMT-POD in which he further discusses musicking in old age. Emily Ruth Allen is an Instructor in Music History and Southern Studies at the University of South Carolina. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Cultural Narratives of Old Age in the Lives, Work, and Reception of Old Musicians (Routledge, 2024) discusses the creative work of old musicians—composers, performers, listeners, and scholars—and how those forms of music- making are received and understood. Joseph Straus argues that composing oldly, performing oldly, and listening oldly are distinctive and valuable ways of making music—a difference, not a deficit; to be celebrated, not ignored or condemned. This book follows Age Studies in seeing old age through a cultural lens, as something created and understood in culture. Straus' text seeks to identify the ways that old musicians (composers, performers, listeners, and scholars) accept, resist, adapt, and transform the cultural scripts for the performance of old age. Musicking oldly (making music in old age) often represents an attempt to rewrite ageist cultural scripts and to find ways of flourishing musically in a largely hostile landscape. Joseph Straus is Distinguished Professor of Music at the City University of New York Graduate Center, specializing in music since 1900. He has written technical music-theoretical articles, analytical studies of music by a variety of modernist composers, and, more recently, a series of articles and books that engage disability as a cultural practice. You can also listen to his episodes on SMT-POD in which he further discusses musicking in old age. Emily Ruth Allen is an Instructor in Music History and Southern Studies at the University of South Carolina. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Taylor Hagood, Professor of American Literature at Florida Atlantic University, joins Dean Michael Horswell in our latest edition of In Conversation. They discuss author Theodore Pratt and his literary work detailing Florida society from the late 1800s to the middle of the twentieth century.Taylor Hagood is Professor of American Literature in FAU's English Department. Much of his scholarship has focused on the writing of William Faulkner, African American literature, Gothic and horror literature, and the literature of the United States South. Among his literary critical publications are the coedited volume Undead Souths: The Gothic and Beyond in Southern Literature and Culture and the monograph, Faulkner, Writer of Disability, winner of the C. Hugh Holman Award for Best Book in Southern Studies. Along with his literary critical work, Professor Hagood has written nonfiction, biography, and true crime. His 2023 book, Stringbean: The Life and Murder of a Country Music Legend, explores the story of David "Stringbean" Akeman. His most recent book, Theodore Pratt: A Florida Writer's Life, draws upon the Pratt archive in FAU's Special Collections to present the life story of the mid-twentieth century's "Literary Laureate of Florida."

Taylor Hagood, Professor of American Literature at Florida Atlantic University, joins Dean Michael Horswell in our latest edition of In Conversation. They discuss author Theodore Pratt and his literary work detailing Florida society from the late 1800s to the middle of the twentieth century.Taylor Hagood is Professor of American Literature in FAU's English Department. Much of his scholarship has focused on the writing of William Faulkner, African American literature, Gothic and horror literature, and the literature of the United States South. Among his literary critical publications are the coedited volume Undead Souths: The Gothic and Beyond in Southern Literature and Culture and the monograph, Faulkner, Writer of Disability, winner of the C. Hugh Holman Award for Best Book in Southern Studies. Along with his literary critical work, Professor Hagood has written nonfiction, biography, and true crime. His 2023 book, Stringbean: The Life and Murder of a Country Music Legend, explores the story of David "Stringbean" Akeman. His most recent book, Theodore Pratt: A Florida Writer's Life, draws upon the Pratt archive in FAU's Special Collections to present the life story of the mid-twentieth century's "Literary Laureate of Florida."

Blair Kelley is an award-winning author, historian, and scholar of the African American experience. She is currently the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina Chapel Hill and the incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. Her new book is Black Folk: The Roots of the Black Working Class. Blair Kelly discusses the relationship of the Black working class to the American story of striving, struggle, hope, endurance, tragedy, and triumph along the color line. She also intervenes against a dominant narrative that erases the Black working class from how the country's news media and other elites and general public conceptualizes what it means to be a “real American” and member of the “working class” in the Age of Trump and this era of authoritarian populist backlash and rage. Chauncey and Blair also reflect on their own experiences as proud members of the Black working class, and how they navigate being in elite spaces where that identity and experience makes many people uncomfortable and uncertain. Chauncey DeVega continues to work through our collective emotions and the public mood in the aftermath of the 2024 Election, this time of growing dread, and Trump's imminent return to the White House. Chauncey also shares two powerful recent essays on Trump's return to power and this time of moral and larger societal crisis. And Chauncey DeVega travels to the local cineplex and proceeds to share his reviews of the new movies Queer, Werewolves, Day of the Fight, and The Order. WHERE CAN YOU FIND ME? On Twitter: https://twitter.com/chaunceydevega On Facebook: https://www.facebook.com/chauncey.devega My email: chaunceydevega@gmail.com HOW CAN YOU SUPPORT THE CHAUNCEY DEVEGA SHOW? Via PayPal at ChaunceyDeVega.com Patreon: https://www.patreon.com/thechaunceydevegashow

In this episode, Matt chats with Sophie deMaine, a rising sophomore at the University of South Carolina and the second recipient of the 2024 Neuffer Family Scholarship in Southern Studies. Sophie reflects on growing up in Greenville, a town now being transformed by DINKWADs—dual-income, no kids, with a dog households. She discusses how the town's vibe has changed and the challenges of dealing with Northern classmates' negative stereotypes of the South. Follow us on Take on the South socials! https://linktr.ee/sostatusc

In this episode, Matt chats with Addy Lee, a senior at the University of South Carolina and one of the two recipients of the 2024 Neuffer Family Scholarship in Southern Studies. Addy discusses growing up in Columbia, South Carolina, and the contrasts between her Southern roots and Northern family background. She also shares her journey in Southern Studies and her plans after graduating in May. Follow us on Take on the South socials! https://linktr.ee/sostatusc

Dr. Kendra Y. Hamilton's Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation.  This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region's literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history. Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Dr. Kendra Y. Hamilton's Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation.  This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region's literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history. Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dr. Kendra Y. Hamilton's Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation.  This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region's literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history. Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Dr. Kendra Y. Hamilton's Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation.  This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region's literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history. Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dr. Kendra Y. Hamilton's Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation.  This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region's literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history. Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Dr. Kendra Y. Hamilton's Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation.  This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region's literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history. Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Kate Medley is a North Carolina-based visual journalist and filmmaker documenting the American South. Her photography work explores issues of social justice, community, and the shifting politics of states like Mississippi. Her work has been featured in the New York Times and the Wall Street Journal, and her collection “Thank You Please Come Again: How Gas Stations Feed & Fuel the American South” is currently on display at the Mississippi Museum of Art. She is originally from the Magnolia state, and received a Masters in Southern Studies from the University of Mississippi.Marshall Ramsey, a nationally recognized, Emmy award winning editorial cartoonist, shares his cartoons and travels the state as Mississippi Today's Editor-At-Large. He's also host of a "Now You're Talking" on MPB Think Radio and "Conversations" on MPB TV, and is the author of several books. Marshall is a graduate of the University of Tennessee and a 2019 recipient of the University of Tennessee Alumni Professional Achievement Award. Hosted on Acast. See acast.com/privacy for more information.

Dr. Mark Smith of the Institute for Southern Studies is joined by the 2024 McNair Conversation in Southern Studies Honoree, Chief Justice Jean Toal. This discussion explores the Chief Justice's upbringing in South Carolina, her experience in southern politics, and her signal achievements in the legal field. The McNair Conversation is an annual event in which thinkers, leaders, and just plain interested people from the South are interviewed about their lives and how they understand the region. It is funded in part by a generous grant from the estate of the late Robert McNair, governor of South Carolina from 1965-1971.

John T. Edge joins Chris and Eddie for a conversation that takes them all over the South. John T. is a writer, commentator, the former director of the Southern Foodways Alliance, and host of the television show True South. He is the director of the Mississippi Lab at the University of Mississippi, and his latest passion project is the Greenfield Farm Writers Residency, which will offer space for writers of all kinds to step away from the real world and put their focus and attention on their writing project, whether that's a song, a poem, a novel, or a scientific paper.John T. earned his MA in Southern Studies from the University of Mississippi and an MFA in Creative Nonfiction from Goucher College. He has written or edited more than a dozen books and has written columns for the Oxford American and the New York Times. He has also been featured on NPR's All Things Considered as well as CBS Sunday Morning and Iron Chef.Most importantly, he firmly believes that Birmingham, Alabama, is a Southern city, no matter what Chris says.Resources:John T.'s websiteGreenfield Farm Writers ResidencyTrue South

John T. Edge is a writer, commentator, television personality, and, since 1999, the director of the Southern Foodways Alliance. He received his undergraduate degree from the University of Georgia, a Master's Degree in Southern Studies from the University of Mississippi, and an MFA in Creative Non-Fiction from Groucher College. He has authored several books about food and received a writing award from the James Beard Foundation. He hosts the SEC Network/ESPN show True South. John T. and his wife Blair, along with their son, live in Oxford, Mississipi.

555. This week we talk to Randy Gonzales about his poetry book Settling St. Malo. "I am excited about the launch of a book I spent more than a decade writing. My research into Filipino Louisiana started as a way to understand my family's Filipino story. I learned that without the fishermen at St. Malo, the shrimpers at Manila Village, and the seamen who settled in New Orleans, my Filipino ancestors may not have moved to Louisiana. Poetry — attention to sound, rhythm, and the emotional register of words — helped me organize and make sense of research and make it meaningful to me" (Gonzales). "I am a native New Orleanian of Filipino descent; a poet, writer, and community historian who researches and shares the stories of Filipino Louisiana; a scholar and educator, an associate professor of English at the University of Louisiana at Lafayette who holds the Dr. James Wilson/BORSF Eminent Scholar Endowed Professorship in Southern Studies; a father who wants his children to be proud of their heritage" (Gonzales). This week in Louisiana history. January 8 1815. The Battle of New Orleans took place. This week in New Orleans history. On January 7, 1944, the Liberty ship Leon Godchaux was launched by Delta Shipbuilding Company. This week in Louisiana. The Feast of Epiphany is a Christian feast day commemorating the visit of the Magi, the baptism of Jesus, and the wedding at Cana. It's also the beginning of Carnival. Less than two weeks after Christmas, New Orleans begins the reveling anew with its celebration of Twelfth Night. Jan. 6th marks the Feast of the Epiphany, when the Three Wise Men visited the Christ child. In New Orleans it also means the launch of Carnival season. And New Orleans observes it with the Joan of Arc parade that marches through the Quarter. Société Des Champs Elysée rolls down the Rampart - St. Claude Avenue streetcar line nearby. Meanwhile Uptown, the Phunny Phorty Phellows board the St. Charles streetcar for a parade all their own. This is followed by the Funky Uptown Krewe. Postcards from Louisiana. Bubbles Brown at the Apple Barrel on Frenchmen. Listen on Spotify. Listen on TuneIn. The Louisiana Anthology Home Page. Like us on Facebook. 

This week's episode features a panel recorded live at the fiftieth anniversary celebration of Southern Exposure magazine, held in March at the University of North Carolina Chapel Hill's Wilson Library. The panel, which reflects on the founding of the Institute for Southern Studies and the creation of Southern Exposure, features Sue Thrasher, a co-founder of the Institute who later worked at the Highlander Center; Leah Wise, one of the Institute's early staff members and later the director of Southerners for Economic Justice; and Bob Hall, the founding editor of Southern Exposure, who spent many years at the Institute and was the longtime executive director of Democracy North Carolina. It is moderated by Chip Hughes, an early Institute staffer himself and occupational health and safety organizer before a career in public health. Produced in partnership with the Institute for Southern Studies. Show Notes: Episode transcription: https://www.facingsouth.org/2023/11/why-we-did-what-we-did-reflections-sue-thrasher-leah-wise-and-bob-hall Visit the Southern Exposure digital archive: https://www.facingsouth.org/southern-exposure A note from the archives editor: https://www.facingsouth.org/2023/03/archive-time-crisis More about the 50th anniversary event: https://www.facingsouth.org/2023/03/gathering-marks-half-century-southern-exposures-founding

The speaker for the Institute for Southern Studies' 2023 Neuffer Lecturer in Southern Literature is Ron Rash, a bestselling author of some eight novels, seven books of short stories, and three books of poetry. Before the lecture, he joined Matt Simmons in the podcast studio to discuss his life and work.

September 22-24th was Family Weekend at the University of South Carolina, and we in Southern Studies held an open house for students, parents, and family members to come in and tell their Southern stories. This episode features highlights from that open house, with reactions to the South from two Iranians, a New Englander parsing what "just Southern enough" means, and a native Carolinian sharing how she fell in love with home after having trouble finding something to eat in Germany.

Often, when we think about racial justice immediately following the Civil War we think about a relatively narrow slice of Black history. Blair LM Kelley's Black Folk: The Roots of the Black Working Class shines a light on stories that we don't hear enough about.  Drawing on stories from her own family and extensive research Blair tells us a compelling tale of Black folk beginning to claim their place in America as free people.  With stories of washerwomen, Pullman Porters, and other Black workers who fought for rights for themselves, started unions, and paved the way for the modern Civil Rights Movement Blair had me captivated from the start. The richness of her book is reflected in the richness of the conversation that we had. Both educational and inspirational, this is a conversation you don't want to miss.  About Blair: Blair LM Kelley, is an award winning author, historian and scholar of the African American experience. A dedicated public historian Kelley works to amplify the histories of black people, chronicling the everyday impact of their activism. Kelley is the Joel R. Williamson, Distinguished Professor of Southern Studies at the University of North Carolina Chapel Hill, and the incoming Director of the Center for the Study of the American South, the first black woman to serve in that role in the center's 30 year history. Kelly's newest book, Black Folk: The Roots of the Black Working Class, draws on family histories and mines the archive to illuminate the adversities and joys of the Black working class in America, both past and present. For a written transcript of this conversation click here. Action Items: 1) Buy and read Blair's book. 2) Spend time in "third spaces". Spaces outside of work and home where we can be in community and invest in one another. 3) Continue to learn about our past and advocate for broader education in our schools as well as in alternative and community learning spaces. Let this book be the beginning of a conversation that expands our knowledge and understanding of this important part of American history. Stay in touch with Blair: Instagram Credits: Harmonica music courtesy of a friend.

“Our national mythos,” writes historian Blair LM Kelley, “leaves little room for Black workers, or to glean any lessons from their history.” Kelley's latest book “Black Folk” offers a corrective, focusing on the lives of Black working people after the Southern Emancipation, the challenges they faced bringing their skills to bear and the networks of resistance they formed. Kelley's book is also personal, grounded in the stories of her own ancestors, including her great, great grandfather, a highly skilled blacksmith who was enslaved. We'll talk to Kelley about the origins of the Black working class and about the people who animate it, then and now. Guests: Blair LM Kelley, Blair LM Kelley, author, "Black Folk: The Roots of the Black Working Class." She is the Joel R. Williamson Distinguished Professor of Southern Studies, director of the Center for the Study of the American South, and co-director of Southern Futures at the University of North Carolina-Chapel Hill

In the early 20th century, career options for Black workers were limited, and the jobs often came with low pay and poor conditions. Ironically, because they were concentrated in certain jobs, Black workers  sometimes monopolized those jobs and had collective power to demand better conditions and higher pay. The Pullman Company, founded in 1862, hired only Black men to serve as porters on Pullman cars, since George M. Pullman thought that formerly enslaved men would know how to be good, invisible servants and that they would work for low wages. In 1925, the Pullman Porters formed their own union, Brotherhood of Sleeping Car Porters, with A. Philip Randolph serving as president. After years of struggle, in 1935, the Pullman Company finally recognized the union, and it was granted a charter by the American Federation of Labor (AFL), making the Brotherhood the first Black union it accepted.  Joining me in this episode to help us learn about the Black working class is historian Dr. Blair L. M. Kelley, the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and the incoming director of the Center for the Study of the American South and author of Black Folk: The Roots of the Black Working Class. Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Pullman Porter Blues,” music and lyrics by Clifford Ulrich and Burton Hamilton; performed by Clarence Williams on September 30, 1921; the recording is in the public domain.The episode image is: “J.W. Mays, Pullman car porter,” photographed by C.M. Bell, 1894; the photograph is in the public domain and available via the Library of Congress. Additional Sources: “George Pullman: His Impact on the Railroad Industry, Labor, and American Life in the Nineteenth Century,” by Rosanne Lichatin,” History Resources, The Gilder Lehrman Institute of American History.  “The Rise and Fall of the Sleeping Car King,” by Jack Kelly, Smithsonian Magazine, January 11, 2019. “The Pullman Strike, by Richard Schneirov, Northern Illinois University Digital Library. “Pullman Porters,” History.com, Originally published February 11, 2019, and updated October 8, 2021. “The Brotherhood of Sleeping Car Porters,” by Brittany Hutchinson, Chicago History Museum. “Brotherhood of Sleeping Car Porters (1925-1978),” by Daren Salter, BlackPast, November 24, 2007. “A. Philip Randolph Was Once “the Most Dangerous Negro in America,” by Peter Dreier, Jacobin, January 31, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In this episode, Xavier Bonilla has a dialogue with Blair LM Kelley about the roots of the Black working class in the United States. They discuss why she wrote the book with some biographical content along with the historical events, class and race for Black Americans, and the impact of slavery for Black working class folks. They talk about the role of the church for building and organizing community, history of Black washerwomen and their involvement with unions, and the great migration. They also discuss the Porter union, Black maids, current themes with the Black working class, and many more topics. Blair LM Kelley, Ph.D. is an award-winning author, historian, and scholar of the African American experience. Currently, she is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and the incoming director of the Center for the Study of the American South. She has her B.A. from the University of Virginia in History and African and African American Studies. She also has her M.A. and Ph.D. in History, and graduate certificates in African and African American Studies and Women's Studies at Duke University. She is the author of two books, Right to Ride: Streetcar Boycotts and African American Citizenship, and the latest, Black Folk: The Roots the Black Working Class. Website: https://www.profblmkelley.com/Twitter: @profblmkelleyInstagram: @profblmkelley This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit convergingdialogues.substack.com

In this week's episode of the Black Girl Nerds podcast, we welcome actor  Teyonah Parris and author Blair L.M. Kelley. Segment 1: Actor Teyonah Parris is best known for portraying Monica Rambeau in the Marvel Cinematic Universe with the Disney+ series WandaVision. She will appear in the upcoming film The Marvels reprising the role of Monica and she can currently be seen in the Netflix film They Cloned Tyrone co-starring John Boyega and Jamie Foxx. Hosted by: Jamie Segment 2: Blair LM Kelley, Ph.D. is an award-winning author, historian, and scholar of the African American experience. A dedicated public historian, Kelley works to amplify the histories of Black people, chronicling the everyday impact of their activism. Kelley is currently the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and the incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. Kelley's newest book, Black Folk: The Roots the Black Working Class, begins with the question “What does it mean to be Black and working class?” Hosted by: Ryanne Music by: Sammus Edited by: Jamie Broadnax

Mark Smith talks to Southern Studies alumna Emily Ames (University of South Carolina class of '23) about her senior thesis: an examination of nearly 50 years of recipes in Southern Living magazine. How do these recipes, and their evolution over time, speak to how the South's ideas of itself and the region's place in America?

Mark Smith talks to Southern Studies alumna Emily Ames (University of South Carolina class of '23) about her senior thesis: an examination of nearly 50 years of recipes in Southern Living magazine. How do these recipes, and their evolution over time, speak to how the South's ideas of itself and the region's place in America? Subscribe to our YouTube Channel

Dr. Mark Smith of the Institute for Southern Studies is joined by the 2023 McNair Conversation in Southern Studies Honoree, Lou Kennedy. Ms. Kennedy is an alumna of the University of South Carolina and the CEO of Nephron Pharmaceuticals. This discussion touches on economic development, the doors a Southern accent opens, and the challenges faced by women in business. The McNair Conversation is an annual event in which thinkers, leaders, and just plain interested people from the South are interviewed about their lives and how they understand the region. It is funded in part by a generous grant from the estate of the late Robert McNair, governor of South Carolina from 1965-1971.

Dan and Ellen talk with Mary Margaret White, the CEO of Mississippi Today, a nonprofit digital news outlet that has been covering the state for more than six years. The staff has a robust presence at the statehouse in Jackson, and provides cultural and sports coverage, as well.  Mary Margaret is a Mississippi native. She has a bachelor's in English and journalism and a master's in Southern Studies from the University of Mississippi. She also spent almost 10 years working for the state, with jobs in arts and tourism. Her work has appeared in The Listening Post Collective, The New Encyclopedia of Southern Culture and on Mississippi Public Broadcasting radio. Dan has a Quick Take on a major transition at the New Haven Independent. Last week the indefatigable founder, Paul Bass, announced he was stepping aside as editor of the Independent. The new editor will be Tom Breen, currently the managing editor. Luckily, Bass isn't going anywhere but will continue to play a role. Ellen's Quick Take is on another big transition at the Texas Tribune. Economist Sonal Shah is becoming CEO at the Tribune in January. Shah, who has had leadership roles at Google, the White House, and other high-impact nonprofits, replaces co-founder Evan Smith, who is taking a role as senior adviser to the Emerson Collective. It's a big transition at a pioneering nonprofit newsroom. Smith says he'll continue to spread the local news gospel in his new role. 

Prof. Gussow is a scholar of literature whose work has focused on blues music, racial history, and African American art. A well-known harmonica player, he is also one half of the blues duo "Satan and Adam." His writing on current events related to race has been particularly compelling, acknowledging the continuing legacy of American racial violence while refusing the facile, polarized interpretations of activists. We discuss the politics of race as it plays out on American campuses, and explore how woke activism actually hinders the pursuit of a just society.

Prof. Gussow is a scholar of literature whose work has focused on blues music, racial history, and African American art. A well-known harmonica player, he is also one half of the blues duo "Satan and Adam." His writing on current events related to race has been particularly compelling, acknowledging the continuing legacy of American racial violence while refusing the facile, polarized interpretations of activists. We discuss the politics of race as it plays out on American campuses, and explore how woke activism actually hinders the pursuit of a just society.

As Family Savvy has grown over the last few years, so has the wonderful team of people behind it! In this episode, listeners get a behind the scene peek as they meet the faces behind Family Savvy! Episode At A Glance: In this week's episode of The SavvyCast, I invited the members of the Family Savvy team to join me and share their different roles with listeners. I have so enjoyed working with each of them, and it just didn't feel right to keep them to myself! Here we discuss how Family Savvy has grown over the last three years, what each team member contributes, as well as all the behind-the-scene details of the inner workings of Family Savvy. I know you will love getting to know the Family Savvy Team as much as I have! Who Is Finlay Coupland?  Finlay Coupland is a recent graduate of Samford University with a Bachelor of Arts degree in Journalism and Mass Communication with concentrations in Public Relations, Advertising, and Broadcast Journalism and a minor in Theatre. She is currently making magic at the Walt Disney World Resort as a part of the Disney College Program. Finlay has happily been a part of the Family Savvy team as the Social Media Coordinator, Project Manager, and Podcast Editor for over 2.5 years. In her free time, Finlay enjoys dancing, acting, and watching Survivor. Who Is Christopher Bailey? Chris Bailey has been working in video production and editing for over 10 years and has been with The SavvyCast since its inception in 2019. Chris has worked with clients from Hollywood to New York City, with Emmy Award Winning Directors and Cinematographers, but his goal is always the same, to demonstrate the lasting, impactful effect video and audio can have on the lives of others. In his spare time, Chris enjoys all things tech related, from video games to coding to personal content creation. Who Is Benz Rosette? With a background in Psychology, Benz used her degree as her leverage in creating and implementing effective marketing strategies for various businesses and brands in the US and UK. Her passion for writing and her enthusiasm to learn new things led her to quit her 9-to-5 job and work as a freelancer specializing in email, social media, and content marketing. Benz, an ESTJ, considers herself a dedicated and motivated individual who prioritizes excellence above all else. She is a risk-taker and an avid fan of learning new things. Hence, her vast experience in handling clients from diverse niches and industries. While you may find her working on the weekends, Benz also enjoys traveling and is always down to go anywhere with good food.  Who Is Robert Drake? Robert Drake is the co-owner of Creekside Systems and an avid technologist.  He's been supporting Jamie & the Family Savvy website for over a decade. He lives in Phoenicia, New York in the very center of the beautiful Catskill Mountains where he also runs a small gift shop with jewelry and photography. Who Is Sarah Morgan Johnson? Sarah Morgan Johnson grew up in Birmingham, Alabama, where she graduated from Briarwood Christian School. She then attended Mississippi State University where she received a Bachelor of Arts degree in English with a minor in Pre-Law. After falling in love with Starkville, she decided to continue her education at "The School Up North," or The University of Mississippi in Oxford. Obsessed with all things "Southern," she is currently getting a Master of Arts degree in Southern Studies. When she is not reading or writing, Sarah Morgan loves taking barre classes, cooking for friends, attending church at Christ Presbyterian, and playing pickleball.   Questions Answered In This Episode: How did Jamie meet and discovered each team member? What is the podcast producing process like? How much growth has The SavvyCast experienced in the past 3 years? What is each member of the blog team in charge of? How does the blog team create content? Connect With the Family Savvy Team: Jamie: LinkedIn Finlay: LinkedIn Robert: Robert's gift shop website Benz: LinkedIn Christopher: LinkedIn, Chris's website Sarah Morgan: LinkedIn I hope you enjoyed this episode! As always, if you have time to rate, review, and subscribe to The SavvyCast on Apple Podcasts, it would be SO appreciated!!! If you like this podcast, be sure to check these out: How Mental Health Can Be Managed For A Full And Productive Life  Let's Talk: What You Should Know About Starting a Podcast

We have a special treat for you today! Today we have two guests on a very similar topic. The first is Margaret L. Freeman, author of “Women of Discriminating Taste: White Sororities and the Marking of American Ladyhood”, which examines the role of historically white sororities in the shaping of white womanhood in the twentieth century. We did a whole show a while back on the book, episode 104. We also have with us Elizabeth Boyd, author of the brand new book called “Southern Beauty: Race, Ritual, and Memory in the Modern South”, which explains a curiosity: why a feminine ideal rooted in the nineteenth century continues to enjoy currency well into the twenty-first. Elizabeth Boyd examines how the continuation of certain gender rituals in the American South has served to perpetuate racism, sexism, and classism. Special discount code 08AUEV on the brand new book called "Southern Beauty". It'll provide our listeners with a 30% discount on the new book when you purchase it on the UGA Press website. In episode 285 of the Fraternity Foodie Podcast, we find out why Southern Studies has been such a focus for Elizabeth Boyd, why we see racist themes recurring over history - especially in the South, why white southern womanhood has remained a valued performance, what changes are being made to prevent discriminatory behavior, why southern beauty has persisted above all other symbols of power and privilege, how we need leadership to take a stance in order to protect marginalized communities, how we can acknowledge our history and then make meaningful change going forward, and how big a role sororities have played in the grassroots conservative movement of the twentieth century. Link: https://www.youtube.com/watch?v=QQxarIa5mBs https://www.youtube.com/watch?v=QQxarIa5mBs

The final podcast of our first season! In the inaugural event of the Institute for Southern Studies' Conversations on the American South series, Mark Smith is joined by Thavolia Glymph, Peabody Family Distinguished Professor of History at Duke University. In addition to talking about her work--especially her books The Women's Fight: The Civil War's Battles for Home, Freedom, and Nation and Out of the House of Bondage: The Transformation of the Plantation Household--Dr. Glymph talks about how growing up in South Carolina shaped her understanding of her own self, her scholarship, and the South as a place understandable through the multiplicity of its stories. The wonderful conversation is followed up by an equally interesting question and answer period. Thanks for listening to the first season of Take on the South--see y'all in August with new episodes!

461. Part 2 of our talk with Emily Toth, Emily, a Robert Penn Warren Professor of English and Women's Studies at Louisiana State University in Baton Rouge, is a scholar, novelist, advice columnist, and feminist activist. She earned her PhD from The Johns Hopkins University. Toth's scholarly work includes over 300 articles and papers about academic mentoring, Louisiana literature and culture, women's humor, and music; biographies of the American women writers Kate Chopin and Grace Metalious; a cultural history of menstruation; edited collections of Chopin's papers and last short story collection, and a volume of essays about regionalism in women's writing. Toth's 1990 biography of Kate Chopin was nominated for a Pulitzer Prize. Toth's historical novel Daughters of New Orleans (1983) was named a "Best Feminist Historical Novel" by Romantic Times in 1984. Toth was also the founder and editor of the journal Regionalism and the Female Imagination (formerly The Kate Chopin Newsletter) from 1975-1979 and on the editorial board of the journal Southern Studies. This week in Louisiana history. March 20, 1839. Shreveport become a "city" on the northern end of the Red River. This week in New Orleans history. St. Joseph's Day is widely celebrated each March 19th in New Orleans. This week in Louisiana. Crawfest March 18-20, 2022 3:00pm - 9:00pm View Website 3901 Fairfield Ave Shreveport LA 71104 Crawfest is a celebration of  food, art, music, and community, held in Shreveport's historic Betty Virginia Park, March 18-20, 2022. Free Parking Phone: 318-673-7727 Did you miss us? After 3 years Crawfest is BACK in the Park! This year Crawfest will be a THREE day festival. Get ready for a full weekend of live music, food, art, drink, and fun in the park. The lineup will be out soon. DATES & TIMES Friday, March 18. 3 PM – 9 PM Saturday, March 19. 11 AM – 9 PM Sunday, March 20. Noon – 7 PM About Crawfest The first festival of its kind ever to be held in Shreveport's historic Betty Virginia Park, Crawfest is a celebration of food, music, and community.  In its 2017 debut, Crawfest hosted over 6,000 people to the free admission event, and in 2018 the crowd of over 10,000 marked the largest single day gathering in the park's history.  Concessions include Louisiana crawfish boiled onsite, a whole hog roast, smoked barbecue, and various other food, desserts, and drinks from a variety of local vendors. It's history in the making…see you March 18-20, 2022! Postcards from Louisiana. Treme Brass Band at dba.Listen on iTunes.Listen on Google Play.Listen on Google Podcasts.Listen on Spotify.Listen on Stitcher.Listen on TuneIn.The Louisiana Anthology Home Page.Like us on Facebook.  

460. Part 1 of our talk with Emily Toth, Emily, a Robert Penn Warren Professor of English and Women's Studies at Louisiana State University in Baton Rouge, is a scholar, novelist, advice columnist, and feminist activist. She earned her PhD from The Johns Hopkins University. Toth's scholarly work includes over 300 articles and papers about academic mentoring, Louisiana literature and culture, women's humor, and music; biographies of the American women writers Kate Chopin and Grace Metalious; a cultural history of menstruation; edited collections of Chopin's papers and last short story collection, and a volume of essays about regionalism in women's writing. Toth's 1990 biography of Kate Chopin was nominated for a Pulitzer Prize. Toth's historical novel Daughters of New Orleans (1983) was named a "Best Feminist Historical Novel" by Romantic Times in 1984. Toth was also the founder and editor of the journal Regionalism and the Female Imagination (formerly The Kate Chopin Newsletter) from 1975-1979 and on the editorial board of the journal Southern Studies. This week in Louisiana history. March 12, 1812. President James Madison transmitted to the Senate the proceedings of the La. Constitution of 1812. This week in New Orleans history. Andrew Jackson Young, born March 12, 1932 in New Orleans, is an American politician, diplomat, activist and pastor from Georgia. He has served as a Congressman from Georgia's 5th congressional district, the United States Ambassador to the United Nations, and Mayor of Atlanta. He served as President of the National Council of Churches USA, was a member of the Southern Christian Leadership Conference (SCLC) during the 1960s Civil Rights Movement, and was a supporter and friend of Dr. Martin Luther King, Jr. This week in Louisiana. Amite Oyster Festival March 18-20, 2022 13143 Wardline Rd. Amite LA 70422 Website Phone: 800-542-7520 We are excited to announce the Amite Oyster Festival will be back in the Spring of 2022. Mark your calendars now and plan on joining us for three great days of food, music, rides and much more. The Amite Oyster Festival is a one-of-a-kind festival. In the spring of every year this family fun fest attracts visitors from all over the country. Great music, great fun, and of course great oysters are waiting to be enjoyed in Amite, Louisiana. A full weekend festival includes music from Cajun, country, rock and roll, and reggae artists. When something is this good, why limit it to one weekend? The Amite Oyster Festival has grown to become a month long event for the Town of Amite City to celebrate the oyster industry, the Oyster Festival and the Town of Amite City. Come on out on a weekend before the fest, and you'll be treated to a shuckin' good time! Postcards from Louisiana. Will & the Foxhounds at the BMC Bar.Listen on iTunes.Listen on Google Play.Listen on Google Podcasts.Listen on Spotify.Listen on Stitcher.Listen on TuneIn.The Louisiana Anthology Home Page.Like us on Facebook.   

This week, Charles discusses the intersection of Blues and race with Adam Gussow, professor of English and Southern Studies and the University of Mississippi, blues harmonica player, and author of Whose Blues? Facing Up to Race and the Future of the Music.  See omnystudio.com/listener for privacy information.

This is episode #5 of the podcast and it's Thursday, the 11th of November 2021. In today's show, I am talking to Dr. Mark M. Smith, Carolina Distinguished Professor of History and Director of the Institute for Southern Studies at the University of South Carolina. Mark is the author of numerous books on history and the history of the senses - and in this show we are focusing on two of his most recent books: ‘Emotion, Sense, Experience' (co-authored with Rob Boddice) and ‘A Sensory History Manifesto'. Starting with basic definitions of human experience, lived experience, and the history of the senses, we address the central role the senses play in understanding experience, especially experience in the past. In both books, Prof. Smith advocates for a broader dialogue on the treatment of the senses, the need for a more situated context in methodological investigations that would lead to “a more accurate, robust, and ultimately, more meaningful history of human experience” (Boddice & Smith, 2020). Mark also believes that the future of sensory history would greatly benefit from a wider interdisciplinary engagement of the community at large. In the second part of the show, we tackle issues related to the role of technology (especially artificial intelligence) in shaping our awareness and use of the senses as well as the practices of sensory history. Specifically, advances in immersive technologies (including the Metaverse) would eventually make possible Alain Corbin's famous meditation on the tight connection between the senses and emotions: “There is no other way” he said, “to know men of the past than by trying to borrow their glasses and to live their emotions.” And, of course, we had to close the discussion with a short incursion in the sensory shift brought by the pandemic. Ethical implications of consuming, using, and monetizing historical experience were also addressed. Here is the show.Show Notes:Definitions: Sensory history, lived experience, sensory knowledgeImportance of analyzing senses: unpacking the meaning of a moment in the pastHow do people sense and what kind of meaning do they give to itHow to look at historical evidence with a sensory nose:context/discourse/words matter: importance of contextualization in using and interpreting historical past through the sensesNeed for healthy disputes in field formationPressure in Higher Education: to make research look relevant to contemporary societyCareful attention: the pitfalls of (disingenuous) consumption of the pastWhich approach is better to consider: senses in isolation or senses as an inter-related whole?Importance of interdisciplinary research of the senses: call for a genuine, authentic, and equitable dialogue across many disciplinesRole of Immersive Technologies (i.e., Artificial Intelligence) in shaping our awareness and use of the sensesWhy this quest for immersion and what it entailsDegree of authenticityDifference between re-constructing the past and the immersive experience in the MetaverseDisgustology - in predicting voting patternsImpact of the pandemic on the sensesBooks mentioned:Boddice, Rob and Mark M. Smith. Emotion, Sense, Experience. Cambridge University Press. 2020.Smith, Mark M.. A Sensory History Manifesto: 4 (Perspectives on Sensory History). Penn State University Press. 2021.Contact info: For more information on Prof. Smith's books and research visit:https://sc.edu/study/colleges_schools/artsandsciences/history/our_people/directory/smith_m_mark.phphttps://www.psupress.org/books/titles/978-0-271-09017-7.html

What is Southern Studies? What was it fifty years ago? And how has the study of the US South changed in half a century? To answer these questions, we talk with the doyen of Southern Studies at the University of South Carolina, Walter Edgar, Professor Emeritus of History and host of South Carolina Public Radio's wildly popular "Walter Edgar's Journal." Hosted by: Mark Smith

What is "Take on the South"? A brief conversation between Mark Smith, Director of the Institute for Southern Studies, and Matt Simmons, an instructor in the Institute, about this podcast--its origins and aspirations; how it works; and topics it will cover. Hosted by: Matt Simmons

Join Jeff Jackson, Professor of Sociology, Chuck Ross, Professor of History and African American Studies, and Jodi Skipper, Associate Professor of Anthropology and Southern Studies who formed the Slavery Research Group at the University of Mississippi as they join with Kenyatta to discuss what research can be done at universities to support an inclusive environment and equitable research into institutions built by the enslaved.  The music for this episode is "Good Vibe" by Ketsa.

Mississippi was largely spared the severity of yesterday's storm. We assess the effects with MEMA.Then, what the American Rescue Plan could do for the state of child care in Mississippi - especially that of single mothers.Plus, in today's Book Club, a literary look at the Magnolia state's vast landscapes in Ralph Eubanks' book, “A Place Like Mississippi.”Segment 1:Mississippians are waking up to cooler temperatures following a severe weather system that swept its way through the state yesterday. The wave of storms that brought with it heavy rains, strong winds, and multiple tornadoes - left behind property damage in nearly all corners of the state. County emergency managers across the state are reporting the effects of the storm to the Mississippi Emergency Management Agency. Malary White is Director of External Affairs with MEMA. She tells our Michael Guidry thorough assessments of the affected areas will begin today. Segment 2:Included in the sweeping COVID-19 relief plan championed by national Democrats and the Biden Administration are mechanisms to address the challenges of child care. In Mississippi, the average cost of child care is $6,0000 a year - that's according Carol Burnett, Executive Director of the Mississippi Low-Income Child Care Initiative. She shares how funding through the American Rescue Plan could expand access to affordable childcare for low-wage earners - especially single moms.Segment 3:A writer, journalist, public speaker, professor and Mississippian, Ralph Eubanks has also served as the Director of Publishing of the Library of Congress in Washington, D.C. and is currently a visiting scholar of English and Southern Studies at the University of Mississippi. Eubanks has written a new book that paints the landscapes of Mississippi through the pens of Mississippi's greatest writers. “It's called “A Place Like Mississippi” and as Eubanks tells us, the book wasn't his idea. The Publisher came to him. See acast.com/privacy for privacy and opt-out information.

Episode Notes On this episode, SunAh is in conversation with Dr. B. Brian Foster, Assistant Professor of Sociology and Southern Studies at the University of Mississippi and the Director of the Mississippi Hill Country Oral History Collective. The two discuss his book, “‘I don't like the blues': Race, Place, and the Backbeat of Black Life.”

Tensions rise on the Senate floor as the chamber passes a voter purge bill.Then, we examine the roll community health centers are playing in bringing vaccines to the state's under-served.Plus, in our Book Club, being black in Mississippi in “I Don't Like the Blues: Race, Place and the Backbeat of Black Life.”Segment 1:Mississippians who vote occasionally might find their names removed from the rolls. According to Senate Bil 2588, Mississippians who don't vote within a two year period will receive a notification in the mail to confirm or update their information. If they fail to do so, and don't vote in four more years, their names will be removed from the rolls. Republican Senator Jeff Tate of Meridian authored the bill.The bill received heavy scrutiny from Democratic members of the Senate. On the heels of a national election fueled by unsubstantiated claims of widespread voter fraud, Senator David Jordan questioned why such a bill was being presented without any evidence.Segment 2:African Americans in Mississippi have only received 19 percent of the state's vaccine supply, yet make up nearly 40 percent of the state's population. To combat this disparity, the Mississippi Department of Health is pushing some of the state's coronavirus vaccine doses to partners in under-served communities. Janice Sherman is CEO of the Community Health Center Association of Mississippi, an organization with 21 facilities across the state caring for more than 300 thousand patients. She tells our Kobee Vance health centers are continuing to search for new ways to reach under-served communities.Segment 3:When B. Brian Foster came back to his home state of Mississippi, he went on a five year journey to discover black culture. The University of Mississippi Assistant professor of Sociology and Southern Studies focused on the Clarksdale area. He talked with people from all walks of life about their past and present and how they felt about blues music. The result: “I Don't Like the Blues: Race, Place and the Backbeat of Black Life.” See acast.com/privacy for privacy and opt-out information.

Hooks & Runs welcomes Adam Gussow, Professor of English and Southern Studies at the University of Mississippi, musician & recording artist and author of "Whose Blues? Facing Up to Race and the Future of Music" (North Carolina Press, 2020). Gussow's book is a virtual social and cultural encyclopedia covering blues history from its earliest days to the present where blues music is omnipresent around the globe. In this interview we tackle both the ongoing debate about who owns music as well as riffing on stories about blues legends like Robert Johnson, Son House through to modern blues artists like Southern Avenue and  Shemekia Copeland. This was a fun, informative interview - don't miss out!In Chapter Two, Eric and Craig report the results from the Hooks & Runs Bowl Challenge with minimal gloating from Eric. They also discuss the Texas Longhorn program after Tom Herman was let go following a 32-point bowl win over Colorado and after the controversial decision to hire as his replacement Steve Sarkisian, Alabama's offensive coordinator.

The Governor announces upcoming restrictions on a number of targeted counties, and defends his legislative vetoes.Then, leaders at UMMC urge residents to take personal responsibility for keeping themselves and others safe from COVID-19.Plus, how the National Endowment for the Humanities is helping Mississippi institutions during the pandemic.Segment 1:Mississippi Governor Tate Reeves is tightening restrictions in 13 counties with significant spikes in coronavirus cases. Reeves made the announcement yesterday during a press briefing after hinting tighter restrictions could come as cases and hospitalizations continue to rise. The restrictions are a response, in part, to a health care system under stress due to widespread community transmission.Reeves also defended his decision to veto certain legislation, including two prison reform bills and the education budget. Reeves took exception to a part of the education budget that redirects money from the School Recognition Program into the MAEP. Reeves stood by his characterization of the program cut as a pay cut for teachers. Kelly Riley is Executive Director of Mississippi Professional Educators. She says the education budget bill cuts funding of the MAEP. Segment 2:Medical professionals in Mississippi are warning that the state is in 'the eye of a hurricane' for COVID-19 hospitalizations. This comes as the state experiences a two-week period of record case numbers. Dr. LouAnn Woodward is Vice Chancellor of the University of Mississippi Medical Center. She says the state went from shelter-in-place to wide-open, and now is the time for residents to find a healthy middle ground.Segment 3:The National Endowment for the Humanities is receiving $40.3 million in new CARES Act economic stabilization grants to support essential operations at more than 300 cultural institutions across the country. In Mississippi that includes the B.B. King Museum and the Mississippi Museum of Art. NEH Chairman Jon Parrish Peede is a native of Brandon, Mississippi, with a master's in Southern Studies from the University of Mississippi. He shares what the CARES Act funds means for the humanities in Mississippi. See acast.com/privacy for privacy and opt-out information.

Bakari Sellers is a Morehouse graduate, and he made history in 2006 when, at just 22 years old, he defeated a 26-year incumbent State Representative to become the youngest member of the South Carolina state legislature and the youngest African American elected official in the nation. In 2010 he was named to TIME's "40 Under 40." In 2014 and 2015, he was named to The Root 100 "Most Influential African Americans." he practices law with the Strom Law Firm, LLC in Columbia, SC and is a Political Commentator at CNN. He is the author of a great book that I read this week, and we will be talking about during his interview, MY VANISHING COUNTRY: A Memoir. "My Vanishing Country" is a memoir of his childhood in rural South Carolina and his education from movement leaders, including Julian Bond, co-founder of the Institute for Southern Studies, publisher of Facing South. In it, he explores how two high-profile incidents of racial violence — the Orangeburg Massacre of 1968 and the Charleston Massacre of 2015 — have impacted his life and his work. He is on the show to discuss, civil unrest and his new book My Vanishing Country which is also a love letter to fatherhood—to Sellers' father, his lodestar, whose life lessons have shaped him, and to his newborn twins, who he hopes will embrace the Sellers family name and honor its legacy. Please welcome to Money Making Conversations, Bakari Sellers.https://www.moneymakingconversations.comhttps://www.youtube.com/MoneyMakingConversationshttps://www.facebook.com/MoneyMakingConversations/https://twitter.com/moneymakingconvhttps://www.instagram.com/moneymakingconversations/Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSupport the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

When I asked my students who they wanted me to chat to on the podcast, today’s guest kept coming up. His career has seen him busking in Harlem, touring round the world, teaching thousands of harmonica students on YouTube, releasing solo records, writing books and teaching English and Southern Studies at the University of Mississippi. On a personal note, I wouldn’t even be playing harmonica let alone teaching it if it hadn’t been for his videos. He is Adam Gussow.This podcast is brought to you by Tomlin Harmonica School - Step by step guidance and support to become a great harmonica player! http://www.tomlinharmonicaschool.comShow notes- Adam’s ProjectsSir Rod & The Blues Doctors “Come Together” https://www.youtube.com/watch?v=B0j1I6ehON0“Who’s Blues Facing Up To Race And The Future Of The Music” by Adam Gussow https://www.amazon.com/Whose-Blues-Facing-Future-Music/dp/1469660350“Satan & Adam” documentary https://www.netflix.com/gb/title/81077539Gussow’s Classic Blues Harmonica Channel https://www.youtube.com/channel/UCfYHJbTZklgZU1bEVLaZyvQ- Recommended ListeningBill TaftSugar BlueJames CottonJ Geils Band“Bad Boy” Billy Collins

In this this interview, Carrie Tippen talks with Elizabeth Engelhardt, co-editor of the new collection The Food We Eat, the Stories We Tell: Contemporary Appalachian Tables (Ohio University Press, 2019), also edited by Lora Smith and published by Ohio University Press. We are also joined by Courtney Balestier who is a contributor to the collection. Though the collection is diverse in genre – including academic essays alongside poetry, memoir, and illustration – the contents are united around challenging and complicating a notion of a single Appalachia. The editors and many of the contributors are connected to the Appalachian Food Summit, a symposium of foodways scholars, professionals, and enthusiasts who meet for dinners, dialogues, and annual conferences. Engelhardt describes the popular and scholarly attention to Appalachian stereotypes as “a dead end conversation” that the collection tries to avoid and undo by highlighting the creativity and diversity of the region, its people, and its food. As Engelhardt explains in the introduction, the collection’s eclectic mix of genres, topics, and contributors reflects the complexities of the contemporary region by generating cognitive dissonance through the structure of the book. The collection features the voices of people living in and out of the region from a wide variety of experiences and ethnicities, Like many of the contributors in the collection, Balestier describes her own path toward Appalachian identity through living outside the region. Her essay on the “Hillbilly Highway” and the Kentucky social club of Detroit asks if perhaps a coherent Appalachian identity is most meaningful to people who have left the geographic region of the mountains. The topics of the essays run the gamut from the idealized and organic home-canned chow-chow to the mass produced and capitalized Banquet frozen fried chicken and factory-packed pickle spears. Many of the objects that come to represent Appalachia are a compromise, a negotiation between the local and the global: repurposed Cool Whip containers of leftovers, a mass-marketed cookbook with a life story inside, Blue Ridge tacos and kimchi in soup beans, a store-bought dinner that approximates home-made just closely enough to keep a family’s matriarch as the cultural heart of the family. Engelhardt explains in the interview that these stories are not intended to be a definitive representation of Appalachia; rather, she hopes they will be an invitation to a conversation about the relationships of people to place. Elizabeth Engelhardt is John Shelton Reed Distinguished Professor of Southern Studies in the department of American studies at the University of North Carolina, Chapel Hill. . Lora Smith directs the Appalachian Impact Fund, a social impact investment fund focused on economic transition and opportunity in Eastern Kentucky.  Courtney Balestier is a writer whose work focuses on the intersection of place and identity, particularly in her native Appalachia.  Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Elizabeth Engelhardt, co-editor of the new collection The Food We Eat, the Stories We Tell: Contemporary Appalachian Tables (Ohio University Press, 2019), also edited by Lora Smith and published by Ohio University Press. We are also joined by Courtney Balestier who is a contributor to the collection. Though the collection is diverse in genre – including academic essays alongside poetry, memoir, and illustration – the contents are united around challenging and complicating a notion of a single Appalachia. The editors and many of the contributors are connected to the Appalachian Food Summit, a symposium of foodways scholars, professionals, and enthusiasts who meet for dinners, dialogues, and annual conferences. Engelhardt describes the popular and scholarly attention to Appalachian stereotypes as “a dead end conversation” that the collection tries to avoid and undo by highlighting the creativity and diversity of the region, its people, and its food. As Engelhardt explains in the introduction, the collection’s eclectic mix of genres, topics, and contributors reflects the complexities of the contemporary region by generating cognitive dissonance through the structure of the book. The collection features the voices of people living in and out of the region from a wide variety of experiences and ethnicities, Like many of the contributors in the collection, Balestier describes her own path toward Appalachian identity through living outside the region. Her essay on the “Hillbilly Highway” and the Kentucky social club of Detroit asks if perhaps a coherent Appalachian identity is most meaningful to people who have left the geographic region of the mountains. The topics of the essays run the gamut from the idealized and organic home-canned chow-chow to the mass produced and capitalized Banquet frozen fried chicken and factory-packed pickle spears. Many of the objects that come to represent Appalachia are a compromise, a negotiation between the local and the global: repurposed Cool Whip containers of leftovers, a mass-marketed cookbook with a life story inside, Blue Ridge tacos and kimchi in soup beans, a store-bought dinner that approximates home-made just closely enough to keep a family’s matriarch as the cultural heart of the family. Engelhardt explains in the interview that these stories are not intended to be a definitive representation of Appalachia; rather, she hopes they will be an invitation to a conversation about the relationships of people to place. Elizabeth Engelhardt is John Shelton Reed Distinguished Professor of Southern Studies in the department of American studies at the University of North Carolina, Chapel Hill. . Lora Smith directs the Appalachian Impact Fund, a social impact investment fund focused on economic transition and opportunity in Eastern Kentucky.  Courtney Balestier is a writer whose work focuses on the intersection of place and identity, particularly in her native Appalachia.  Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Elizabeth Engelhardt, co-editor of the new collection The Food We Eat, the Stories We Tell: Contemporary Appalachian Tables (Ohio University Press, 2019), also edited by Lora Smith and published by Ohio University Press. We are also joined by Courtney Balestier who is a contributor to the collection. Though the collection is diverse in genre – including academic essays alongside poetry, memoir, and illustration – the contents are united around challenging and complicating a notion of a single Appalachia. The editors and many of the contributors are connected to the Appalachian Food Summit, a symposium of foodways scholars, professionals, and enthusiasts who meet for dinners, dialogues, and annual conferences. Engelhardt describes the popular and scholarly attention to Appalachian stereotypes as “a dead end conversation” that the collection tries to avoid and undo by highlighting the creativity and diversity of the region, its people, and its food. As Engelhardt explains in the introduction, the collection’s eclectic mix of genres, topics, and contributors reflects the complexities of the contemporary region by generating cognitive dissonance through the structure of the book. The collection features the voices of people living in and out of the region from a wide variety of experiences and ethnicities, Like many of the contributors in the collection, Balestier describes her own path toward Appalachian identity through living outside the region. Her essay on the “Hillbilly Highway” and the Kentucky social club of Detroit asks if perhaps a coherent Appalachian identity is most meaningful to people who have left the geographic region of the mountains. The topics of the essays run the gamut from the idealized and organic home-canned chow-chow to the mass produced and capitalized Banquet frozen fried chicken and factory-packed pickle spears. Many of the objects that come to represent Appalachia are a compromise, a negotiation between the local and the global: repurposed Cool Whip containers of leftovers, a mass-marketed cookbook with a life story inside, Blue Ridge tacos and kimchi in soup beans, a store-bought dinner that approximates home-made just closely enough to keep a family’s matriarch as the cultural heart of the family. Engelhardt explains in the interview that these stories are not intended to be a definitive representation of Appalachia; rather, she hopes they will be an invitation to a conversation about the relationships of people to place. Elizabeth Engelhardt is John Shelton Reed Distinguished Professor of Southern Studies in the department of American studies at the University of North Carolina, Chapel Hill. . Lora Smith directs the Appalachian Impact Fund, a social impact investment fund focused on economic transition and opportunity in Eastern Kentucky.  Courtney Balestier is a writer whose work focuses on the intersection of place and identity, particularly in her native Appalachia.  Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Elizabeth Engelhardt, co-editor of the new collection The Food We Eat, the Stories We Tell: Contemporary Appalachian Tables (Ohio University Press, 2019), also edited by Lora Smith and published by Ohio University Press. We are also joined by Courtney Balestier who is a contributor to the collection. Though the collection is diverse in genre – including academic essays alongside poetry, memoir, and illustration – the contents are united around challenging and complicating a notion of a single Appalachia. The editors and many of the contributors are connected to the Appalachian Food Summit, a symposium of foodways scholars, professionals, and enthusiasts who meet for dinners, dialogues, and annual conferences. Engelhardt describes the popular and scholarly attention to Appalachian stereotypes as “a dead end conversation” that the collection tries to avoid and undo by highlighting the creativity and diversity of the region, its people, and its food. As Engelhardt explains in the introduction, the collection’s eclectic mix of genres, topics, and contributors reflects the complexities of the contemporary region by generating cognitive dissonance through the structure of the book. The collection features the voices of people living in and out of the region from a wide variety of experiences and ethnicities, Like many of the contributors in the collection, Balestier describes her own path toward Appalachian identity through living outside the region. Her essay on the “Hillbilly Highway” and the Kentucky social club of Detroit asks if perhaps a coherent Appalachian identity is most meaningful to people who have left the geographic region of the mountains. The topics of the essays run the gamut from the idealized and organic home-canned chow-chow to the mass produced and capitalized Banquet frozen fried chicken and factory-packed pickle spears. Many of the objects that come to represent Appalachia are a compromise, a negotiation between the local and the global: repurposed Cool Whip containers of leftovers, a mass-marketed cookbook with a life story inside, Blue Ridge tacos and kimchi in soup beans, a store-bought dinner that approximates home-made just closely enough to keep a family’s matriarch as the cultural heart of the family. Engelhardt explains in the interview that these stories are not intended to be a definitive representation of Appalachia; rather, she hopes they will be an invitation to a conversation about the relationships of people to place. Elizabeth Engelhardt is John Shelton Reed Distinguished Professor of Southern Studies in the department of American studies at the University of North Carolina, Chapel Hill. . Lora Smith directs the Appalachian Impact Fund, a social impact investment fund focused on economic transition and opportunity in Eastern Kentucky.  Courtney Balestier is a writer whose work focuses on the intersection of place and identity, particularly in her native Appalachia.  Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Elizabeth Engelhardt, co-editor of the new collection The Food We Eat, the Stories We Tell: Contemporary Appalachian Tables (Ohio University Press, 2019), also edited by Lora Smith and published by Ohio University Press. We are also joined by Courtney Balestier who is a contributor to the collection. Though the collection is diverse in genre – including academic essays alongside poetry, memoir, and illustration – the contents are united around challenging and complicating a notion of a single Appalachia. The editors and many of the contributors are connected to the Appalachian Food Summit, a symposium of foodways scholars, professionals, and enthusiasts who meet for dinners, dialogues, and annual conferences. Engelhardt describes the popular and scholarly attention to Appalachian stereotypes as “a dead end conversation” that the collection tries to avoid and undo by highlighting the creativity and diversity of the region, its people, and its food. As Engelhardt explains in the introduction, the collection’s eclectic mix of genres, topics, and contributors reflects the complexities of the contemporary region by generating cognitive dissonance through the structure of the book. The collection features the voices of people living in and out of the region from a wide variety of experiences and ethnicities, Like many of the contributors in the collection, Balestier describes her own path toward Appalachian identity through living outside the region. Her essay on the “Hillbilly Highway” and the Kentucky social club of Detroit asks if perhaps a coherent Appalachian identity is most meaningful to people who have left the geographic region of the mountains. The topics of the essays run the gamut from the idealized and organic home-canned chow-chow to the mass produced and capitalized Banquet frozen fried chicken and factory-packed pickle spears. Many of the objects that come to represent Appalachia are a compromise, a negotiation between the local and the global: repurposed Cool Whip containers of leftovers, a mass-marketed cookbook with a life story inside, Blue Ridge tacos and kimchi in soup beans, a store-bought dinner that approximates home-made just closely enough to keep a family’s matriarch as the cultural heart of the family. Engelhardt explains in the interview that these stories are not intended to be a definitive representation of Appalachia; rather, she hopes they will be an invitation to a conversation about the relationships of people to place. Elizabeth Engelhardt is John Shelton Reed Distinguished Professor of Southern Studies in the department of American studies at the University of North Carolina, Chapel Hill. . Lora Smith directs the Appalachian Impact Fund, a social impact investment fund focused on economic transition and opportunity in Eastern Kentucky.  Courtney Balestier is a writer whose work focuses on the intersection of place and identity, particularly in her native Appalachia.  Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film. Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change. Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film. Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change. Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film. Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change. Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film. Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change. Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film. Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change. Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film. Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change. Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press's Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O'Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film. Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change. Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/drugs-addiction-and-recovery

Our featured panelist tonight, Bernie Herman, is one of the co-founders of the Eastern Shore of Virginia Foodways.  Bernie is the author of the recently published book, A South You Never Ate:  Savoring Flavors and Stories from the Eastern Shore of Virginia.  The book brings together over 100 recorded interviews on the foodways of Virginia's Eastern Shore as part of a larger endeavor undertaken around sustainable economic development through heritage foodways. He is currently working on a second volume along with a book of edited essays on the art of an African-American South.Bernie Herman, George B. Tindall Distinguished Professor of Southern Studies and Folklore at the University of North Carolina at Chapel Hill, works on the material cultures of everyday life and the ways in which people furnish, inhabit, communicate, and understand the worlds of things. His interests extend to a larger universe of material culture including vernacular architecture, contemporary quilts and quilt making, food histories, and contemporary art by "self-taught" makers. His food writing has appeared in Saveur, Gravy, Organic Life and Southern Cultures. His community engagement through public presentations, workshops, and exhibitions derives from a deeply held belief that work of the arts and humanities finds its first calling in the public sphere. ORIGINS is powered by Simplecast. 

Jessica Wilkerson, Assistant Professor of History and Southern Studies at the University of Mississippi, discusses her book, To Live Here, You Have to Fight: How Women Led Appalachian Movements for Social Justice (University of Illinois Press, 2018) and the recent history of feminist social justice activism in Appalachia. Launched in 1964, the War on Poverty quickly took aim at the coalfields of southern Appalachia. There, the federal government found unexpected allies among working-class white women devoted to a local tradition of citizen caregiving and seasoned by decades of activism and community service. Jessica Wilkerson tells their stories within the larger drama of efforts to enact change in the 1960s and 1970s. She shows white Appalachian women acting as leaders and soldiers in a grassroots war on poverty--shaping and sustaining programs, engaging in ideological debates, offering fresh visions of democratic participation, and facing personal political struggles. Their insistence that caregiving was valuable labor clashed with entrenched attitudes and rising criticisms of welfare. Their persistence, meanwhile, brought them into unlikely coalitions with black women, disabled miners, and others to fight for causes that ranged from poor people's rights to community health to unionization. Inspiring yet sobering, To Live Here, You Have to Fight reveals Appalachian women as the indomitable caregivers of a region--and overlooked actors in the movements that defined their time. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jessica Wilkerson, Assistant Professor of History and Southern Studies at the University of Mississippi, discusses her book, To Live Here, You Have to Fight: How Women Led Appalachian Movements for Social Justice (University of Illinois Press, 2018) and the recent history of feminist social justice activism in Appalachia. Launched in 1964, the War on Poverty quickly took aim at the coalfields of southern Appalachia. There, the federal government found unexpected allies among working-class white women devoted to a local tradition of citizen caregiving and seasoned by decades of activism and community service. Jessica Wilkerson tells their stories within the larger drama of efforts to enact change in the 1960s and 1970s. She shows white Appalachian women acting as leaders and soldiers in a grassroots war on poverty--shaping and sustaining programs, engaging in ideological debates, offering fresh visions of democratic participation, and facing personal political struggles. Their insistence that caregiving was valuable labor clashed with entrenched attitudes and rising criticisms of welfare. Their persistence, meanwhile, brought them into unlikely coalitions with black women, disabled miners, and others to fight for causes that ranged from poor people's rights to community health to unionization. Inspiring yet sobering, To Live Here, You Have to Fight reveals Appalachian women as the indomitable caregivers of a region--and overlooked actors in the movements that defined their time. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jessica Wilkerson, Assistant Professor of History and Southern Studies at the University of Mississippi, discusses her book, To Live Here, You Have to Fight: How Women Led Appalachian Movements for Social Justice (University of Illinois Press, 2018) and the recent history of feminist social justice activism in Appalachia. Launched in 1964, the War on Poverty quickly took aim at the coalfields of southern Appalachia. There, the federal government found unexpected allies among working-class white women devoted to a local tradition of citizen caregiving and seasoned by decades of activism and community service. Jessica Wilkerson tells their stories within the larger drama of efforts to enact change in the 1960s and 1970s. She shows white Appalachian women acting as leaders and soldiers in a grassroots war on poverty--shaping and sustaining programs, engaging in ideological debates, offering fresh visions of democratic participation, and facing personal political struggles. Their insistence that caregiving was valuable labor clashed with entrenched attitudes and rising criticisms of welfare. Their persistence, meanwhile, brought them into unlikely coalitions with black women, disabled miners, and others to fight for causes that ranged from poor people's rights to community health to unionization. Inspiring yet sobering, To Live Here, You Have to Fight reveals Appalachian women as the indomitable caregivers of a region--and overlooked actors in the movements that defined their time. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.

Jessica Wilkerson, Assistant Professor of History and Southern Studies at the University of Mississippi, discusses her book, To Live Here, You Have to Fight: How Women Led Appalachian Movements for Social Justice (University of Illinois Press, 2018) and the recent history of feminist social justice activism in Appalachia. Launched in 1964, the War on Poverty quickly took aim at the coalfields of southern Appalachia. There, the federal government found unexpected allies among working-class white women devoted to a local tradition of citizen caregiving and seasoned by decades of activism and community service. Jessica Wilkerson tells their stories within the larger drama of efforts to enact change in the 1960s and 1970s. She shows white Appalachian women acting as leaders and soldiers in a grassroots war on poverty--shaping and sustaining programs, engaging in ideological debates, offering fresh visions of democratic participation, and facing personal political struggles. Their insistence that caregiving was valuable labor clashed with entrenched attitudes and rising criticisms of welfare. Their persistence, meanwhile, brought them into unlikely coalitions with black women, disabled miners, and others to fight for causes that ranged from poor people's rights to community health to unionization. Inspiring yet sobering, To Live Here, You Have to Fight reveals Appalachian women as the indomitable caregivers of a region--and overlooked actors in the movements that defined their time. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jessica Wilkerson, Assistant Professor of History and Southern Studies at the University of Mississippi, discusses her book, To Live Here, You Have to Fight: How Women Led Appalachian Movements for Social Justice (University of Illinois Press, 2018) and the recent history of feminist social justice activism in Appalachia. Launched in 1964, the War on Poverty quickly took aim at the coalfields of southern Appalachia. There, the federal government found unexpected allies among working-class white women devoted to a local tradition of citizen caregiving and seasoned by decades of activism and community service. Jessica Wilkerson tells their stories within the larger drama of efforts to enact change in the 1960s and 1970s. She shows white Appalachian women acting as leaders and soldiers in a grassroots war on poverty--shaping and sustaining programs, engaging in ideological debates, offering fresh visions of democratic participation, and facing personal political struggles. Their insistence that caregiving was valuable labor clashed with entrenched attitudes and rising criticisms of welfare. Their persistence, meanwhile, brought them into unlikely coalitions with black women, disabled miners, and others to fight for causes that ranged from poor people's rights to community health to unionization. Inspiring yet sobering, To Live Here, You Have to Fight reveals Appalachian women as the indomitable caregivers of a region--and overlooked actors in the movements that defined their time. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jessica Wilkerson, Assistant Professor of History and Southern Studies at the University of Mississippi, discusses her book, To Live Here, You Have to Fight: How Women Led Appalachian Movements for Social Justice (University of Illinois Press, 2018) and the recent history of feminist social justice activism in Appalachia. Launched in 1964, the War on Poverty quickly took aim at the coalfields of southern Appalachia. There, the federal government found unexpected allies among working-class white women devoted to a local tradition of citizen caregiving and seasoned by decades of activism and community service. Jessica Wilkerson tells their stories within the larger drama of efforts to enact change in the 1960s and 1970s. She shows white Appalachian women acting as leaders and soldiers in a grassroots war on poverty--shaping and sustaining programs, engaging in ideological debates, offering fresh visions of democratic participation, and facing personal political struggles. Their insistence that caregiving was valuable labor clashed with entrenched attitudes and rising criticisms of welfare. Their persistence, meanwhile, brought them into unlikely coalitions with black women, disabled miners, and others to fight for causes that ranged from poor people's rights to community health to unionization. Inspiring yet sobering, To Live Here, You Have to Fight reveals Appalachian women as the indomitable caregivers of a region--and overlooked actors in the movements that defined their time. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to this week’s episode of Swerve South! Once again, we have a special and exciting episode to share. This week, we are thrilled to introduce the “Invisible Histories Project” with professors Amy McDowell of Sociology, Jessica Wilkerson of History and Southern Studies, and our host, Jaime Harker of English and the Isom Center. Join us for a discussion about queer spaces in the South, how community is created and fostered throughout the region, and the important work that is being done to preserve the oral histories and lived experiences of queer folks living in Mississippi. Not only do we get a chance to be introduced to the project and fabulous professors  and archivists who foster this project, we also get some perspective on the subversive nature of their work that takes special care to collect and preserve the stories of people who have historically been marginalized, discriminated against, and surveilled by the state. Join us for an empowering episode about taking back the archive and carving out space for queer history in the Bible Belt.     

On this week’s show: The recent history of feminist social justice activism in Appalachia; Working History podcast host Beth English interviews Jessica Wilkerson, Assistant Professor of History and Southern Studies at the University of Mississippi, on her book, "To Live Here You Have to Fight."