Podcast appearances and mentions of olivier megaton

In the second part of our Liam Neeson spectacular, the guys shift their attention to Taken 3 (or Tak3n if you were a part of the stupid marketing team). It's a movie that asks the question... what if we just didn't take anyone? You can blame Liam Neeson for that and his weird-ass contract. But in regards to the movie, they also wonder what is up with Forest Whitaker's hands business? How stupid is Bryan Mills in his everyday life? Should you ever tamper with bagel evidence? Plus: a deep dive into a very specific emphasis-based type of criminal. Next week: It's a real doozy of a small-screen shameful. This one will dance all over your brain! What We've Been Watching: Late Night with the Devil In the Bedroom Questions? Comments? Suggestions? You can always shoot us an e-mail at wwttpodcast@gmail.com  Patreon: www.patreon.com/wwttpodcast Facebook: www.facebook.com/wwttpodcast Twitter: www.twitter.com/wwttpodcast Instagram: www.instagram.com/wwttpodcast Theme Song recorded by Taylor Sheasgreen: www.facebook.com/themotorleague Logo designed by Mariah Lirette: www.instagram.com/its.mariah.xo Montrose Monkington III: www.twitter.com/montrosethe3rd Taken 3 stars Liam Neeson, Maggie Grace, Forest Whitaker, Dougray Scott, Sam Spruell, Leland Orser, Jon Gries and Famke Janssen; directed by Olivier Megaton. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a first-ever for the boys in Thinking Town, Canada... this is the first of a Taken twofer. That's right - starting off this week with Taken 2, a film that asks the question: do you want to see it again but not as good? This film has everything from Bryan's daugher Kim using grenades like sonar devices, Bryan's sewing circle of friends who dish way too much, some of the worst fight choreography you'll see in an action film and much more. Next week: Taken 3! What We've Been Watching: Abigail Civil War Questions? Comments? Suggestions? You can always shoot us an e-mail at wwttpodcast@gmail.com  Patreon: www.patreon.com/wwttpodcast Facebook: www.facebook.com/wwttpodcast Twitter: www.twitter.com/wwttpodcast Instagram: www.instagram.com/wwttpodcast Theme Song recorded by Taylor Sheasgreen: www.facebook.com/themotorleague Logo designed by Mariah Lirette: www.instagram.com/its.mariah.xo Montrose Monkington III: www.twitter.com/montrosethe3rd Taken 2 stars Liam Neeson, Maggie Grace, Famke Janssen, Rade Šerbedžija, Leland Orser, Jon Gries, D.B. Sweeney and Luke Grimes; directed by Olivier Megaton. Learn more about your ad choices. Visit megaphone.fm/adchoices

Morgan, Declan and Mitch re-unite to talk 2020's American Netflix crime movie The Last Days of American Crime. The film was directed by Olivier Megaton who also directed action films like Transporter 3 and Taken 2 + Taken 3. It stars Edgar Ramirez as BRICKE and Michael Pitt as Jared Leto's Joker. Only a few movies left on the official bible of 0%ers!!! As always, we're on facebook and Instagram and YouTube and you can email us at trulyrottentomatoes@gmail.com

This week, Jeanette and special guest Nzinga Murray come together for the journey in search of a Strong Female Lead Character film series to talk about the 2011 Action Thriller Film, Colombiana. Directed by Olivier Megaton, written by Robert Mark Karmen and Luc Besson, and starring Zoë Saldaña. Fifteen years after her family was murdered by a drug lord in Colombiana, a woman becomes a stone-cold killing assassin as she seeks revenge. From drawing the orchid on people's stomach to having panic rooms with not hot cheetos, both Nzinga and Jeanette conjure up a Buddy Comedy movie with Zoe and Natalie Portman. Thank you Nzinga Murray for talking about this amazing, action packed film.

Join Scott Pitney as he interviews Hollywood Producer Hernany Perla about how to break into the industry and more! Hernany Perla started his career as a development executive at Lionsgate Entertainment. A two-time Blacklist writer, he has the feature film BLINK in Development with Olivier Megaton directing and Charles Roven producing, Revelation with Skybound Entertainment, […]

Having frittered away this weeks budget on extravagances like cheese and pickled chillies, the Dads were forced to choose a movie available to them at no extra costs. Step forward TRANSPORTER 3 starring the very excellent Jason Statham. A strange choice by Sidey, as he hadn't seen either Le Transporteur 1 or 2!Mr Statham plays Frank Martin, a man whose name confused your hosts a lot more than it should have. Frank is the Transporter in question. A courier of dubious goods, who has a code, but will abandon that code a the drop of a hat. Dan and Pete really enjoyed this one. Sidey was less of a fan but still found a few moments to enjoy. So make up your own mind I guess.  

Agents Scott and Cam, along with guest operative Nathan from the Mission: Impodible podcast, climb awkwardly over fences while pursuing Liam Neeson in Taken 3. Directed by Olivier Megaton. Starring Liam Neeson, Forest Whitaker, Famke Janssen, Maggie Grace, Dougray Scott, Sam Spruell, Don Harvey, Dylan Bruno, Leland Orser, David Warshofsky and Jon Gries. Check out Mission: Impodible wherever you get your podcasts. Pick up exclusive SpyHards merch, including the new "What Does Vargas Do?" t-shirt by @shaylayy, available only at Redbubble Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes.

Agents Scott and Cam, along with guest operatives Hassan and Levi from The Nerd Alternative podcast, brush up on their grenade sonar skills while travelling to Istanbul with Bryan Mills for Taken 2.    Directed by Olivier Megaton. Starring Liam Neeson, Maggie Grace, Famke Janssen, Leland Orser, Jon Gries, D.B. Sweeney, Luke Grimes and Rade Serbedzija. Check out The Nerd Alternative wherever you get your podcasts. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes.

This week we're talking about Olivier Megaton's 'Colombiana'. The film is a loose spiritual sequel to 'Leon: The Professional' but is NOTHING like that film. Find out in this episode if that works in this movie's favor. 

Olivier Megaton directed this 2020 Netflix film based on the 2009 graphic novel of the same name by Rick Remender and Greg Tocchini that stands out with an incredible 0% on Rotten Tomatoes and a 2.5 hour runtime. Édgar Ramírez, Anna Brewster, Michael Pitt, and Sharlto Copley star in a film about an American dystopia in which a nationwide signal will inhibit all citizens from committing illegal acts. We discuss government control in post-9/11 America and the increased militarization of police, and we also poke several holes in the film's worldbuilding. (recorded April 1, 2021) References: "USA Patriot Act" (Investopedia) "The 2014 Pulitzer Prize Winner in Public Service" (The Pulitzer Prizes) "Bryan Mills jumps a fence" (YouTube)

Olivier Megaton et les clappeurs s'affrontent dans un Blind Test spécial blockbusters ! ➡️ Dis nous sur les réseaux sociaux (@clapcinq) combien de bonnes réponses tu as trouvé sur 20 ! Si vous n'avez pas vu notre grande interview d'Olivier Megaton c'est ici: https://youtu.be/MD8iI7NEYKU On se retrouve mardi pour découvrir les goûts cinéma d'Olivier Megaton ! ABONNE-TOI ! http://bit.ly/2MuvigG (chaque abonnement = une tonne d'amour pour toi) Réseaux : Insta : https://www.instagram.com/clapcinq/ Twitter : https://twitter.com/clapcinq Facebook : https://www.facebook.com/clapcinq/ Contact: clapcinq@gmail.com Une production Sunday Night Productions Un podcast proposé par Elsa Morel & Aurélien Rapatel Présenté par Aurélien Rapatel Chroniqueurs: Elsa Morel & Mickael Gaudefroy Réalisé par Pauline Delpierre & Gabriel Thibeau Musique: The StormZ (avec la participation d'Elsa Morel) #OlivierMegaton #BlindTest #Avatar

Découvrez la grande interview d'Olivier Megaton les réalisateur des blockbusters Taken 2 & 3 avec Liam Neeson mais aussi Le Transporteur 3 avec Jason Statham ou encore Colombiana ! Il nous racontera son parcours de jeune de banlieue à réalisateur de films d'action ! Vous apprendrez d'ailleurs les astuces pour bien diriger une scène d'action ! On se retrouve vendredi pour le Blind Test en compagnie d'Olivier Megaton ! ABONNE-TOI ! http://bit.ly/2MuvigG (chaque abonnement = une tonne d'amour pour toi) ➡️ Dis nous sur les réseaux sociaux (@clapcinq) quel invité tu aimerais que l'on reçoive ! Mets-nous 5 étoiles sur iTunes pour nous aider à faire connaître Clap m'en Cinq ! à un maximum de personnes ! Réseaux : Insta : https://www.instagram.com/clapcinq/ Twitter : https://twitter.com/clapcinq Facebook : https://www.facebook.com/clapcinq/ Contact: aurelien@clapmencinq.com Une production Sunday Night Productions Un podcast proposé par Elsa Morel & Aurélien Rapatel Présenté par Aurélien Rapatel Chroniqueurs: Elsa Morel & Mickaël Gaudefroy Réalisé par Pauline Delpierre & Gabriel Thibeau Musique: The StormZ (avec la participation d'Elsa Morel) #OlivierMegaton #Taken #LeTransporteur

This week the I Know That Face crew are rejoined by writer, comedian and friend of the podcast Sean Moriarty to talk about the crazy career of South African madman Sharlto Copley. Exploding onto the scene in Neill Blomkamp's 2009 sci-fi apartheid allegory District 9, Copley hasn't slowed down since. Along with his three collaborations with Blomkamp - Elysium and Chappie followed - Copley cemented his Howling Mad reputation in Joe Carnahan's A-Team remake. He varied his choices as the last decade went on in the likes of Spike Lee's Oldboy remake, the POV action film Hardcore Henry, mystery horror Open Grave and as Ron Hollar in John Krasinski's Sundance flop The Hollars. Copley returned to what he does best in Ben Wheatley's Free Fire and was recently seen in Olivier Megaton's The Last Days of American Crime. Andrew Twitter: @Andrew_Carroll0 Stephen Twitter: @StephenPorzio Sean Blog: Cold Coffee Press (https://coldcoffeepressblog.wordpress.com/) Editor and Communtity Manager: Charline Fernandez Instagram: @charline_frnndz I Know That Face Twitter: @IKnowThatFaceP1 / Instagram: @iknowthatface Intro and Outro Music: No Boundaries (motorik groove) by Keshco. Licence (https://freemusicarchive.org/music/Keshco/Filmmakers_Reference_Kit_Volume_2/No_Boundaries_motorik_groove) Featured Image Credit (https://pbs.twimg.com/media/DEYQ8hdWAAI-F_c.jpg)

This week The Movie Breakdown is coming at you with four reviews of very different movies. Speaking of different, we look at a Martin Scorsese movie that some may say goes against his reputation with the film adaptation of the Edith Wharton novel about upper class life in 1870s New York, The Age of Innocence. I also argue in the review that it actually is very much a Scorsese movie while also showing his wide range of talents and skill by tackling different subject material as well. Another director with a reputation is Olivier Megaton and we review his latest action picture, The Last Days of American Crime. We also have a slice of life 1950s period piece sci-if thriller -- yes, you read that right and no, I can't think of another movie from this specific newly created genre but here is The Vast of the Night. I need to mention that this is the first movie where a character has my son's name, Everett. If you want drastically different, then we end the movie reviews with one of the movies that launched the Asylum B-movie empire, Mega Shark vs. Giant Octopus. After all that, we look at some of the Academy's recent announcements for moves and initiatives they are going to launch that will create more diversity and inclusiveness in the Academy Awards and hopefully, the movie industry.As always, we had a great time recording the show and we really hope you love it as well. If you do, then please help us out by spreading the word on social media.We also want to thank David Wierzbicki for the amazing illustration this week, which is a depiction of the Academy trying peel away their image and reputation for something brighter and more inclusive. If you want to see more great artwork then please check out his Facebook and Instagram pages.Reminder that you can subscribe either to The Movie Breakdown feed (a subscription link is at the top right hand of this site), or subscribe on sites like Spotify, Stitcher, Google Podcasts, CastBox and iTunes.The Movies' Rating Out of Four StarsThe Last Days of American Crime ½* (CS) & 0 stars (SM)The Vast of the Night ***½ (CS & SM)The Age of Innocence ***½ (CS & SM)Mega Shark versus Giant Octopus * (CS) & **½ (SM)

Benjamin and Kaelan enter the world of extremely slow crime as they review The Last Days of American Crime directed by Olivier Megaton and starring Edgar Ramirez and Anna Brewster. The review is SPOILER-FREE with a spoiler section after.

This week #EchoChamber has some action and sci-fi/horror for you. We start off with Olivier Megaton's new Netflix flick, 'The Last Days Of American Crime'. And then we go to Tom Paton's 'The Ascent', which will be the first film to have its premiere inside virtual reality! If you have a Oculus headset or similar, you'll be able to catch it via the @AltspaceVR App. Otherwise, you can watch it at Birdbox.Film on Friday 12th June (both), 19:00 (BST) or 11:00 (PT) / 14:00 (ET). PLUS, don't forget BFI Japan 2020 and the incredible Indiegogo 'Cinema Showtime' project whose funds will help MediCinema So, why not join forces with Strike Media, MyFilmClub & Creative Path Ltd and make this happen! This week we have: The Last Days of American Crime Release Date: 5th June 2020 Director: Olivier Megaton Cast: Édgar Ramírez, Anna Brewster, Michael Pitt, Patrick Bergin & Sharlto Copley Credit: Netflix Genre: Action, Crime, Thriller Running Time: 149 min Cert: 18 Website: here. Trailer: here. ------------ The Ascent Premiere Date: 12th June 2020 Release Date: 15th June 2020 Director: Tom Paton Cast: Shayne Ward, Toby Osmond, Sophie Austin, Alana Wallace, Samantha Schnitzler & Bentley Kalu Credit: Goldfinch Genre: Action, Horror, Sci-Fi Running Time: 108 min Cert: 15 Digital Platforms: June 12th: 19:00 - Birdbox.Film, Altspace VR Watch Premiere: Here. June 15th - iTunes, Amazon, Sky Store, Sony, Xbox, Google Play Pre order: here. Trailer: here. Instagram: @the_ascent_movie ------------ ***BFI Japan 2020*** In this major season we spotlight Japanese filmmakers who have inspired admiration and fascination around the world BFI Player: here. ------------ ***Cinema Showtime*** Cinema Showtime is the new multi-media project from Creative Path Group Ltd, Strike Media Ltd and MyFilmClub. There is a Indiegogo crowdfunding page, with a £25,000 Flexible Goal. With this, they aim to help MediCinema, the charity that brings the magic of film to hospitals. If you'd like to be part of this, you can get more information and donate, here. ------------ *(Music) 'Keep It Going' by OC & AG – 2009

Here’s the thing about “The Last Days of American Crime” — you don’t have time for this shit. None of us do. And that’s not just because Olivier Megaton’s agonizingly dull Netflix feature is 149 minutes long (a crime unto itself). While there’s never really a good moment to introduce a bad movie into the world, this hollow and artless dystopian heist dreck is also a victim of its own relevance. We’re all for escapism where you can get it — this critic has streamed an ungodly amount of post-curfew “Terrace House” — but watching such a deeply stupid fantasy about the future of American fascism almost feels like a dereliction of duty when the country is on the verge of becoming a police state in real life. ‘The Last Days of American Crime’ Review: Olivier Megaton’s Netflix Heist Movie Is So Bad It Should Be Illegal https://www.indiewire.com/2020/06/the-last-days-of-american-crime-review-netflix-1202235575/ Support KOP by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Visiting KOP’s special Amazon page at http://www.kingofamazon.com Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com Follow KOP on Twitter or Facebook @kingofpodcasts Subscribe to KOP’s other programs: Wrestling is Real Podcast http://www.wrestlingisreal.com and the Broadcasters Podcast http://www.broadcasterspodcast.com --- Send in a voice message: https://anchor.fm/king-of-podcasts/message Support this podcast: https://anchor.fm/king-of-podcasts/support

NoCiné se déplace au Mondial de l’Auto pour un épisode spécial bagnole et cinéma. De la meilleure course-poursuite, au meilleur pilote en passant par la meilleure scène de sexe dans une voiture, on revient sur cet élément essentiel du langage cinématographique. Podcast animé par Thomas Rozec avec Lelo Jimmy Batista, David Honnorat et Stéphane Moïssakis.RÉFÉRENCES CITÉES DANS L’ÉMISSIONFast and Furious, Police Fédérale Los Angeles (William Friedkin, 1985), French Connection (William Friedkin, 1971), Boulevard de la mort (Quentin Tarantino, 2007), Bullitt (Peter Yates, 1986), Die Hard 3 (John McTiernan, 1995), Last Action Hero (John McTiernan, 1993), Taken 3 (Olivier Megaton, 2014), Le Transporteur 3 (Olivier Megaton, 2008), 22 Jump Street (Phil Lord et Christopher Miller, 2014), Vanishing Point (Charles Robert Carne, 1997), Le Drive-In De L’Enfer (Brian Trenchard-Smith, 1986), Les traqués de l’an 2000 (Brian Trenchard-Smith, 1982), Le gang des BMX (Brian Trenchard-Smith, 1983), La rage de la Casse (Brian Trenchard-Smith, 1979), Recherche Suzanne désespérément (Susan Seidelman, 1985), Rambo (Ted Kotcheff, 1982), Danger : Diabolik ! (Mario Bava, 1968), Crash (David Cronenberg, 1996), À toute allure (Adam Rifkin, 1994), À plein tube ! (Adam Rifkin, 1991), Les Blues Brothers (John Landis, 1980), Les Anges gardiens (Jean-Marie Poiré, 1995), The Last Boy Scout (Tony Scott, 1991), Les Choses de la vie (Claude Sautet, 1970), Vincent, François, Paul et les autres (Claude Sautet, 1950), Intersection (Mark Rydell, 1994), Demolition Man (Marco Brambilla, 1993), Mad Max 2 (George Miller, 1981), Blue Velvet (David Lynch, 1986), Comme un chien enragé (James Foley, 1986), À bout de souffle (Jean-Luc Godard, 1960), Speed Racer (Lana Wachowski et Lilly Wachowski, 2008), Le Casse (Henri Verneuil, 1971), Fantomas contre Scotland Yard (André Hunebelle, 1967), Femme fatale (Brian De Palma, 2002), Repo Men (Miguel Sapochnik, 2010), En quatrième vitesse (Robert Aldrich, 1955), Step Brothers (Adam McKay, 2008), Attache-moi ! (Pedro Almodóvar, 1990), La chambre du fils (Nanni Moretti, 2001), Le Caïman (Nanni Moretti, 2006), FBI : Fausses blondes infiltrées (Keenen Ivory Wayans, 2004), La revanche d’une blonde (Robert Luketic, 2001), Click (Frank Coraci, 2006), Brooklyn Nine-Nine, La Relève (Clint Eastwood, 1990), Bad Boys 2 (Michael Bay, 2003), Mad Max Fury Road (George Miller, 2015), John Wick 2 (Chad Stahelski, 2017), L’espace du rêve (Kristine McKenna, David Lynch, 2017), Mulholland Drive (David Lynch, 2001), Miami Vice : deux flics à Miami (Michael Mann, 2006), Sexy Dance 4 : Miami Heat (Scott Speer, 2002), La Folle Journée de Ferris Bueller (John Hughes, 1986), Phantom (Mike Marvin, 1986), Mad Max 3 (George Miller, George Ogilvie, 1985), Enfer mécanique (Elliot Silverstein, 1977)CRÉDITSEnregistré le 10 octobre 2018 au Mondial de l’Auto 2018. Réalisation : Quentin Bresson. Chargée de production : Juliette Livartowski. Chargée d’édition : Judith Hillebrant. Direction de production : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. Générique : « Soupir Articulé », Abstrackt Keal Agram (Tanguy Destable et Lionel Pierres). Production : Binge Audio. See acast.com/privacy for privacy and opt-out information.

In 2008 Jason Statham came back for one last ride in Transporter 3.  This time Frank has to drive the daughter of a Ukranian politician to Odessa, avoiding danger and romantic entanglements along the way.  The film ended Statham's run as the Transporter, but launched the American career of aptly-named director Olivier Megaton.  Did the trilogy end on a high note?  Listen to find out!

"It ends here" er taglinen til Taken 3 men det er 100% misvisende al den stund at denne sequel tager et ordentligt hop væk fra den oprindelige historie om de albanske gangstere der kidnapper unge piger. Taken 3 handler i stedet om Liam Neeson der bliver framet for et mord, han ikke har begået, nægter at samarbejde med politiet, jagter gangstere på egen hånd og udsætter uskyldige amerikanske statsborgere for det som nogle vil betegne som terrorangreb. But who cares!? Det hele bunder i en pose lune bagels fra bageren, og Taken 3 er på alle måder bunden i Taken-trilogien. Taken 3 er ude på såkaldt stand-alone blu-ray og indgår selvfølgelig også i Taken Trilogy-boksen. Hør mere om filmen i podcasten og læs om blu-rayen på bloggen.

Taken 2 er naturligt nok navnet på opfølgeren til den oprindelige Taken fra 2008. Sequel'en er lige så ringe som den oprindelige film er fantastisk: Bryan Mills (Liam Neeson) er langt fra sig selv, og teenagedatteren Kim (Maggie Grace) er langt fra en teenagedatter mere — eftersom hun var 29 da de indspillede Taken 2. Det hæsblæsende tempo fra 1'eren er nærmest sat i bakgear her i 2'eren, men til gengæld har Luc Besson og Olivier Megaton valgt at erstatte de racistiske undertoner med rene overtoner. Summa summarum: Taken 2 består af et latterligt plot og tåbelige karakterer — den eneste regulære redningskrans består af tre-fire actionscener, der fungerer nogenlunde. Taken Trilogy udkom på dansk blu-ray fra Scanbox d. 7. maj. Hør mere om filmen i podcasten og læs om blu-rayen på bloggen.

Cinéma : Skyfall de Sam Mendes, God Bless America de Bobcat Goldthwait (lire la critique de Geoffroy), Looper de par Rian Johnson, Taken 2 de Olivier Megaton (lire la critique de Geoffroy), The Dark Knight Returns Part 1 de Jay Oliva. BD/Comics : X-Treme X-Men de Greg Pak et Stephen Segovia, Batman le Chevalier …

Ce huitième épisode de 24FPS, le podcast cinéma avec ou sans spoilers se penche cette fois sur le cas de Taken 2, la nouvelle production EuropaCorp réalisée par Olivier Megaton et avec Liam Neeson qui cartonne au box-office !Dans la première partie de l’émission, Jérôme et Julien reviennent rapidement sur le premier film sorti en 2008 avant de dresser la fiche technique de cette suite puis de donner leur avis sans spoiler. Mais une fois que retentit le signal sonore, c’est l’intégralité des scènes du film qui sont passées en revue à grands renforts de spoilers ! Et autant être franc, cette fois nous ne sommes pas tendres avec ce long-métrage !