Podcast appearances and mentions of robin ticciati

As the CBSO prepares for a summer of tours to Aldeburgh, Japan, and the BBC Proms, the orchestra's new Chief Conductor Kazuki Yamada speaks to presenter Tom Service about the joy of music and the goosebumps he experiences while conducting. Tom travels to the South Downs to speak to Australian director Barrie Kosky about a new production, opening this weekend at Glyndebourne, of Poulenc's Dialogues des Carmélites. He's joined by sopranos Golda Schultz and Sally Matthews, as well as conductor Robin Ticciati, to talk about the story of sixteen nuns who meet their death at the hands of the French Revolution. Amid rehearsals at the Royal Opera House, Music Matters hears about the World Premiere of a new ballet, Untitled 2023 – a collaboration between the Royal Ballet's resident choreographer Wayne McGregor and composer Anna Thorvaldsdottir. They discuss the somatic relationship between body, dance and music, and why listening to Thorvaldsdottir's compositions is not a passive experience. And one hundred years after its premiere at the Aeolian Hall in June 1923, Tom speaks to the writer and broadcaster William Sitwell about his great-aunt Edith Sitwell's creative relationship with the composer William Walton – a collaboration which resulted in the entertainment, Façade. He's also joined by writer and researcher Lucy Walker. Together they discuss the work's nonsensical parody of popular music, jazz, and poetry and knotty issues it presents to contemporary audiences.

durée : 00:11:04 - Le Disque classique du jour du jeudi 24 novembre 2022 - Dans ce nouvel album de concertos, l'un des plus grands violonistes de sa génération, Christian Tetzlaff, propose des interprétations profondes de deux concertos profondément dramatiques et lyriques - ceux de Brahms et de Berg - avec le Deutsches Symphonie-Orchester Berlin dirigé par Robin Ticciati.

Simon Mundy talks to Yannick Nézet-Séguin, Robin Ticciati, Sir Antonio Pappano and Janine Jansen about their own COE adventure.

A prolific concert performer, Andrew has appeared with the Berliner and Wiener Philharmoniker, the Symphonieorchester des Bayerischen Rundfunks and the Orchestra of the Age of Enlightenment with Sir Simon Rattle; the Orchestre de Paris, Swedish Radio Symphony Orchestra and London Symphony Orchestra with Daniel Harding; the Deutsches Symphonie-Orchester Berlin and the ScottishChamber Orchestra with Robin Ticciati; the Rotterdams Philharmonisch Orkest, the Orcherstre Métropolitain and the Philadelphia Orchestra with Yannick Nézet-Séguin; the Accademia Santa Cecilia with Semyon Bychkov; and the Staatskapelle Berlin with Daniel Barenboim. Andrew made his debut at the Royal Opera House, Covent Garden as Jacquino Fidelio, returning for Flamand Capriccio, Tamino Die Zauberflöte, Tichon Katya Kabanova and Narraboth Salome. He has also appeared at the Metropolitan Opera, the National Theatre Prague; La Monnaie Brussels; the Salzburger Festspiele; Hamburgische Staatsoper, Theater an der Wien, the Lucerne Festival and the Lyric Opera of Chicago. Staples has staged Le nozze di Figaro, Così fan tutte, Cenerentola and La bohème in London, at the Jordan Music Festiavl, Musique Cordiale in Provence and the Menton Festival. His celebrated semi-staging of Die Zauberflöte for the Lucerne Festival, conducted by Daniel Harding culminated in a full staging in Stockholm's Drottningholm Palace Theatre with the Swedish Radio Symphony Orchestra. Andrew believes firmly in the evolution of cultural content for screen. Bringing his experience on stage both as a performer and director, he has made a series of music films. Aiming to bring cinematic techniques and rigour to the pre- and post-production phase of his projects, his films aim to capture the thrill of live performance and present it to an audience on screen who desire something more than an archive or stream of the event. The potential to create and evolve in this space is huge and he enjoys the opportunity to collaborate with artists, organisations and cultural broadcasters. In 2021 he received the Royal Philharmonic Society Enterprise Fund Trailblazer Grant, presented in association with Harriet's Trust, in order to support and advance the making of such music films. As a photographer, Staples' work has been featured in the Times, The Evening Standard, Lawyer Magazine, the front cover of The Strad, the BBC Music Magazine, various CD cover images, The National Portrait Gallery's magazine and a number of artist's and ensembles photographs including Tim Mead, Mary Bevan, the Borodin Quartet, The King's Singers, The Gabrieli Consort and Players and Voces8. Follow us on Twitter and Instagram.

Po koncu današnje Glasbene jutranjice – pripravil jo je Mihael Kozjek – se bo ob 10. uri in 5 minut začela prva izmed petih oddaj iz cikla Skladatelj tedna, v katerem bo Igor Krivokapič predstavil Ferruccia Busonija. Bil je genialen virtuoz s skladateljskimi hotenji. Tako rekoč z vsem – načinom življenja, zvezdniško slavo, razvpitostjo – je bil ta napol Italijan napol Nemec popolno vstajenje duha takrat že pokojnega Franza Liszta. V svojih nastopih je blestel z nedosegljivo tehniko, pri tem pa zavračal posladkanost salonskega poustvarjanja s trdno, samozavestno izvedbo »titana« ob klavirju, utelešajoč takrat priljubljeno misel o nadčloveku. Brez dvoma je bil otrok romantike ter nadaljevalec izročila pianistov in skladateljev pred njim, med katerimi so tudi Beethoven, Chopin, Schubert, Schumann, Brahms, Saint-Saens, Rubinstein ter seveda Liszt. Popoldne, ob 15-ih, bomo predstavili oddajo Medenina in patina. Današnja bo v vseh pogledih enkratna in posebna. Na današnji dan je belgijski skladatelj Jan van der Roost praznoval petinšestdeseti rojstni dan, ki mu je hkrati pomenil tudi pomemben življenjski mejnik, saj se je upokojil in opustil svoje pedagoške naloge na konservatoriju v Antwerpnu, na katerem si je zadnjih štirideset let služil vsakdanji kruh. Jan van der Roost je ta hip eden najpomembnejših ustvarjalcev izvirne glasbe za vse godbeniške zasedbe in tako se tudi na Programu ARS s to oddajo pridružujemo čestitkam z vsega sveta. V oddaji boste lahko slišali dve njegovi skladbi – Amazonijo, njegovo najbolj znano in najuspešnejše delo za fanfarski orkester iz leta 1990, in ljubko skladbo »I Shall Love But Thee« za glas in godbo, zloženo po Shakespearjevem sonetu za poroko skladateljevega prvorojenca. Uro pozneje, ob pol petih, bo na vrsti oddaja Nove glasbene generacije, ki jo je glasbena urednica Vesna Volk tokrat naslovila The golden hour – Zlata ura. Predstavila bo posnetke z nastopa študentov saksofona, ki sestavljajo Oktet saksofonov Akademije za glasbo: Ita Nagode in Tilen Zavec –sopranski saksofon; Nika Deželak in Nace Kogej – altovski saksofon; Vida Vatovec in Štefan Starc – tenorski saksofon ter Timotej Jerman in Benjamin Aganlić – baritonski saksofon. Pregled osrednjih glasbenih vsebin današnjega dne na programu ARS bomo nadaljevali z napovedjo oddaje Koncert Evroradia, ki se bo začela ob 20. uri in 5 minut. Glasbena urednica Polona Kovačič je za predvajanje tokrat izbrala posnetke s koncerta Nemškega simfoničnega orkestra iz Berlina, ki je v soboto, 7. novembra lani, v Berlinski filharmoniji za dirigentskim pultom znova pozdravil dirigenta sira Simona Rattla. Britanec je vodil izvedbo Pesmi o zemlji v komorni različici Gustava Mahlerja; v solističnih partih je bilo slišati mezzosopranistko Magdaleno Koženo in tenorista Andrewa Staplesa. Še prej je šef dirigent tega orkestra Robin Ticciati vodil dramaturško in tudi performativno ritualiziran program z deli Ralpha Vaughana Williamsa, Henryja Purclla in sira Harrisona Birtwistla. Koncert je bil izveden brez občinstva. Vabimo vas tudi k spremljanju oddaje Jazz avenija ob 23.00, ki bo tokrat namenjena ustvarjanju Chicka Coree. 9. februarja se je namreč ta pomembni pianist in skladatelj za vedno poslovil. Slišali bomo nekaj najuspešnejših skladb iz njegovega izjemno bogatega opusa, ki obsega vse od solističnih do bigbandovskih projektov, komornega džeza, fusiona, pa tudi poskusov koketiranja s sodobno klasično glasbo.

Am Samstag war es wieder mal soweit: Es gab ein Konzert in der Berliner Philharmonie. Ohne Publikum im Saal, aber dafür haben sich das Deutsche Symphonie-Orchester und dessen Chefdirigent Robin Ticciati etwas Besonderes ausgedacht. Ein Konzert mit einer besonderen Regie unter Verwendung von Licht und Raum, auch Schattenrisse von Musikern kamen zum Einsatz. Clemens Goldberg war virtuell dabei.

Eigentlich hätten es zwei Konzertabende sein sollen: Das Deutsche Symphonie-Orchester Berlin unter Leitung von DSO-Chefdirigent Robin Ticciati und mit Gast-Dirigent Sir Simon Rattle in der Philharmonie. Dann kam aber der teilweise Lockdown und das DSO musste sich etwas Neues einfallen lassen. Hat es auch. Samstagabend fand zumindest eines der geplanten Konzerte statt, ohne Publikum, aber es wurde live gestreamt. Clemens Goldberg hat es sich angesehen.

Chaque jour, Camille De Rijck reçoit un invité qui fait l'actualité musicale ou culturelle. Production et présentation : Camille De Rijck (drc@rtbf.be)

durée : 01:58:10 - En pistes ! du lundi 19 octobre 2020 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Un coffret consacré au légendaire pianiste Vladimir Sofronitzky, Don Juan de Strauss dirigé par Robin Ticciati ou encore le dernier disque du violoniste Andrey Baranov... - réalisé par : Lionel Quantin

Chaque jour Nicolas Blanmont met en avant une nouveauté parmi les sorties discographiques classiques.

durée : 00:13:34 - Richard Strauss : Tod Und Verklärung, Don Juan ; Deutsches Symphonie-Orchester de Berlin, Robin Ticciati - Cinquième enregistrement du Deutsches Symphonie-Orchester de Berlin sous la baguette de Robin Ticciati dans un programme constitué uniquement d’œuvres de Richard Strauss.

Mit Beethovens Vierter Symphonie gehen das Deutsche Sinfonie-Orchester Berlin und sein Chefdirigent Robin Ticciati in die neue Saison. Clemens Goldberg berichtet vom Musikfest-Abend in der Philharmonie, bei dem auch ein Meisterwerk der klassischen Moderne zu Gehör kam: Béla Bartóks Konzert für zwei Klaviere, Schlagzeug und Orchester, gespielt vom GrauSchumacher Piano Duo.

Robin Ticciati, Music Director of the DSO Berlin, has just released an album that couples two tone-poems, Don Juan and Tod und Verklärung with the six songs, Op 68, often called the Brentano songs, sung by Louise Alder. As Ticciati rehearsed at Glyndebourne for the much reduced 2020 season, James Jolly caught up with him to talk about the new album.

Joseph Bastian war lange Bassposaunist im Symphonieorchester des Bayerischen Rundfunks. Seine Dirigentenkarriere startete, als er 2016 für Robin Ticciati einsprang. Henrik Oerding hat ihn interviewt.

Der Dirigent Robin Ticciati ist auf der Überholspur: Unter anderem Glyndebourne, Bamberger Symphoniker, jetzt Deutsches Symphonie-Orchester Berlin. Diese Woche ist der Brite zu Gast beim Symphonieorchester des BR. René Groeger hat mit Robin Ticciati gesprochen.

Die Violinkonzerte von Beethoven und Sibelius - ein Gegensatzpaar, das Christian Tetzlaff mit Anfang fünfzig jetzt nochmal neu eingespielt hat. Zusammen mit Robin Ticciati hat Tetzlaff zu ganz unterschiedlichen Lösungen gefunden.

Maurice Ravel: "Daphnis et Chloé" und "Valses nobles et sentimentales” | Henri Duparc: Lieder und "Aux étoiles" | Magdalena Kožená, Mezzosopran | Deutsches Symphonie-Orchester Berlin | Leitung: Robin Ticciati

Es hat sich gelohnt, dass Robin Ticciati zwei Wochen Zeit für die Produktion dieser exemplarischen Brahms-Edition investiert hat. Das Ergebnis ist eine unerhört spannende Reise durch den symphonischen Kosmos dieses Komponisten. Wie weggeblasen sind aller Mehltau, alle Patina, gut durchlüftet wirken die Partituren. "Brahms reloaded", sagt Fridemann Leipold.

In this episode of the Glyndebourne podcast we explore Mozart’s discourse on the power of forgiveness - La clemenza di Tito - with contributions from Glyndebourne’s Music Director Robin Ticciati, Glyndebourne Dramaturg Cori Ellison, Mozart scholar Julian Rushton and Classicist William Fitzgerald. Presenter: Katie Derham ​​Produced by Katherine Godfrey for Whistledown Productions for Glyndebourne Festival 2017 ​​The music you’ve been listening to in this podcast is from the Warner Classics recording of La clemenza di Tito​. Nikolaus Harnoncourt conducts the​ Orchestra of Zurich Opera House. Philip Langridge sings the role of Tito with Ann Murray as Sesto and Lucia Popp as Vitellia. Image: Glyndebourne Music Director, Robin Ticciati. Photographer: Giorgia Bertazzi

Sparks fly in Hector Berlioz’s witty, offbeat opera Béatrice et Bénédict. Taking inspiration from one of the greatest comic works ever written – William Shakespeare’s Much Ado about Nothing – it’s a meditation on the complexities of love and partnership. Actress Zoe Wanamaker, music critic David Cairns, conductor Robin Ticciati and Glyndebourne’s dramaturg Cori Ellison explore the characters and music of this concise gem from the master of epic composition. Presenter: Katie Derham ​​Produced by Katherine Godfrey for Whistledown Productions for Festival 2016. Music from the LSO Live recording of Béatrice et Bénédict., conducted by Sir Colin Davis

Symphonie Nr. 31 D-Dur "Mit dem Hornsignal" | Symphonie Nr. 70 D-Dur | Symphonie Nr. 101 Dur "Die Uhr" | Scottish Chamber Orchestra | Leitung: Robin Ticciati

Pianist Mitsuko Uchida and Robin Ticciati talk to Suzy Klein ahead of their concert at Usher Hall in Edinburgh with the Scottish Chamber Orchestra, which sees Uchida performing Ravel's Piano Concerto in G. The pair talk about working together for 10 years, the joys of Ravel and the challenges of the concert's other pieces which includes works by Faure, Boulez and Haydn.

It’s just over a hundred years since Richard Strauss and his librettist Hugo von Hofmannsthal premiered the cheekily comedic Der Rosenkavalier in Dresden but in this podcast we discover that the opera is no mere rom-com. Dame Felicity Lott talks about the work’s emotional depth, Glyndebourne’s Music Director, Robin Ticciati, discusses how clever orchestration allows the singers to shine and Raymond Holden, the Sir John Barbirolli lecturer in Music at the Royal Academy of Music, explains that the opera was an unashamed celebration of both modernity and the past. Producer: Katherine Godfrey, Whistledown Productions for Festival 2014 Presenter: Katie Derham