Podcasts about Much Ado

Author Bio: Sam Bilton has been intrigued by food history ever since her grandmother gave her a battered copy of Mrs Beeton's Cookery Book. Inside this book was a collection of handwritten recipes dating from around 1871 collated by her grandmother's Great Aunt Eliza. This little book would spark an interest in historical food which began as a hobby but would lead to a Masters in Culinary Arts and a career as a food historian, author, podcaster and supper club host/chef.Sam's first book on the history of gingerbread won a World Gourmand Cookbook award in 2021. She has also published Fool's Gold: A History of British Saffron (Prospect Books, 2022); The Philosophy of Chocolate (British Library Publishing, 2023) and Much Ado About Cooking, in collaboration with Shakespeare's Globe (October 2025).  She also contributed an essay on Christmas food traditions for the Phaidon Christmas Book (2023). Sam is the editor of Petits Propos Culinaires (PPC) an international journal on food, food history, cooking and cookery books and is a frequent contributor to national magazines, food festivals, television and radio. Sam produces and presents the Comfortably Hungry podcast which won the audio award for the Fortnum & Mason Food and Drink Awards in 2025. She is also a co-host/producer on the A is for Apple podcast.For further information visit sambilton.com  or follow Sam on Instagram and Bluesky @mrssbilton.Much Ado about Cooking (UK) October 23 https://www.amazon.co.uk/Much-Ado-About-Cooking-Shakespearean/dp/1035427680Much Ado about Cooking (US) November 11 https://www.amazon.com/Much-Ado-About-Cooking-Shakespearean/dp/1035427680_____Cookbook lovers, this one's for you! Get 25% off a subscription to ckbk with code WELLSEASONED — the ultimate digital cookbook library. Access nearly 1,000 full cookbooks from top authors Use on web and mobile app for cooking anytime, anywhere Save favorites, create custom "recipe playlists", search by ingredient and dietary preference Sync with your print cookbook collection via Eat Your BooksPerfect for serious home cooks and cookbook collectors alike.Go to the link https://join.ckbk.com/ckbk?code=WELLSEASONED

In this week's episode, we interview narrator Hollis McCarthy, who has narrated over 300 audiobooks, including many of THE GHOSTS and CLOAK MAGES. She is also co-author with her mother Dee Maltby of the MAGIC OF LARLION series, which you can learn more about at https://deemaltbyauthor.com/. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSKULL25 The coupon code is valid through October 27, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT Introduction and Writing Updates (00:00): Hello, everyone. Welcome to Episode 273 of The Pulp Writer Show. My name is Jonathan Moller. Today is October 17th, 2025, and today we have an interview with audiobook narrator Hollis McCarthy. Hollis has narrated many audiobooks, including numerous books from the Ghost and Cloak Mage series, so we'll talk with her about that. Before we get to our main topic, we'll have Coupon of the Week and then a progress update on my current writing projects. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store, and that coupon code is DRAGONSKULL25. The coupon code is valid through October 27th, 2025. So if you need some new ebooks to read for this fall, we've got you covered. And as always, the coupon code and the links to my store will be available in the show notes. Now for an update on my current writing projects. As of this recording, I am 80% of the way through the first round of edits in Cloak of Worlds, so making good progress and if all goes well, the book should be out before the end of the month. I'm also 14,000 words into Blade of Shadows, which will be my next main project after Cloak of Worlds is published, which means I also have to write the outline for Elven-Assassin soon, and that will be the fifth book in the Rivah series. In audiobook news, recording will be underway next week for Blade of Flames. That will be narrated excellently by Brad Wills. Ghost in Siege is now out. It should be available at of all the audiobook stories (except Spotify) and it should be available there in a few days. And that is the final book in my Ghost Armor series that is excellently narrated by Hollis McCarthy. So that is where I'm at with my current writing and audiobook and publishing projects, which makes for a good segue into our main topic, our interview with Hollis McCarthy, which begins now. 00:03:56 Interview With Hollis McCarthy Hi everyone. I'm here today with Hollis McCarthy, who is a classically trained actor. Hollis has played leads in regional and off-Broadway theater, specializing in Shakespeare. On CBS. she's been a recurring guest star judge on Bull, the president of Ireland on Bluebloods, and a senator on Netflix's House of Cards. She's narrated more than 300 books for a variety of publishers and is the proud co-author of her mom Dee Maltby's epic fantasy series, The Magic of Larlion. Hollis, thanks for coming on the show today. Hollis: My pleasure. Jonathan: So to start, can you tell us a little bit about yourself and how you got into acting and performing? Hollis: That's a great question. I think it all started with doing my little brother's Sesame Street finger puppets. He's 10 years younger than me, so I mean, I got to reread all my favorite books with him and I started voicing the finger puppets to Burt, Ernie and Cookie Monster and all those guys in the backseat of the car and playing all the characters. And then my brother went into theater. My other brother's seven years older than me, and I used to go see his shows up at the college when I was in high school and kind of fell in love with it there. I absolutely meant to be an aeronautical engineer/physicist like my dad, but it didn't end up working out. I fell in love with theater and went to Stratford. I had a dual major because I was in an honors program, so I didn't have to declare a major until my fifth year of undergrad. But then I went to Stratford up in Canada and I saw two Shakespeare shows in one day and that was it. I had to do that. That was what I loved. Jonathan: Well, since we've had many audiobooks together, I'm glad it worked out that way. Hollis: Me too. Yeah, so I got my BFA in acting, and then I got my MFA from the University of Missouri-Kansas City in performance, and I was lucky enough to have some great coaches from the RSC and did a bunch more Shakespeare, and I've done that regionally a lot. And then I fell into audiobooks because I got tired of traveling, and I love to work from my home in my jammies. Jonathan: That is the dream. Speaking of that, could you tell us a bit more about how you sort of got into audiobooks or ended up doing a lot of that? Hollis: Yeah. Well, again, it starts with my childhood. My mom, who was a writer and an artist, she had, there were five of us kids and she would read out loud to us in the kitchen to keep us from fighting when we were cleaning up. So she started with Tolkien and Watership Down and Narnia and all of that. And then I got to, like I said, read to my little brother all my favorite books. And so I started doing all different voices for the characters and I always thought that was normal until, of course I volunteered to read in class in high school and people thought I was some sort of freak, but I always loved playing all the characters. And so when I started looking at staying home more and what could I do to work from home instead of being on the road for work, which was great for a long time, but then at some point you want to stay home and have a life as an actor as well as doing what you love. And audiobooks seemed a good fit. So my husband, who's also an actor, took a class from Paul Rubin here in the city in New York. We live in the New York area now. And he got a bunch of good tips from that that he passed on to me. And then my agent got me an audition with Audible and Mike Charzuk there. I came in and read a couple of pieces for him and he came back to the booth with a book he wanted me to start on. And from there I just kept building and got a lot of great indie authors through ACX like you. I don't know how many books we've done together now. Jonathan: It's over 30, I think. Yeah, 30 over the last seven years. So it's been a while. Hollis: And you're seriously, I mean, I'm not saying this because I'm on your blog, but your series are absolutely my favorites, especially because, yeah, the two series that I do, one is Nadia from the Midwest like me and then the other one with Caina, the epic fantasy world, which uses all my British and Irish bits and I absolutely love them. So yeah, I've just kept building up, getting in with a few more publishers now, which is harder to do and I just love it. Our first booth, when the pandemic hit, we had to build a booth at home and I had been going to studios in the city up until that point, but it hit pretty suddenly. It was obvious on St. Patrick's Day when it was like us going to the studio and people who were absolutely desperate folks were the only other ones on the street. We had to stay home. So my husband took our rapier blade (we fight with swords. We're actor combatants, like you said). He took two broadsword blades and a rapier blade, and he's handy with carpentry, fortunately. That's how he worked his way through school. He bracketed those to the wall and we ordered through Amazon before they kind of shut down too. We ordered packing blankets to hang over them and I ordered a new microphone and a new interface and it was trial and error for a bunch of days. And we had an engineer on call who talked us through how to run the software programs and stuff, how to set them up. And from there I've just kept recording at home. I sometimes still go into the studios when they have a budget where they can spring for a studio, but mostly they want you to work from home these days. So that's mostly what I do. Jonathan: Oh, building a recording booth out of swords. That's very Caina. Hollis: It's very Caina. I love Caina. Caina is me as a young woman. If I had been a superhero, I would've been a Caina. All my favorite roles in Shakespeare were the girl as boy ones. You asked, one of my favorite roles in theater was when I was at Alabama Shakespeare and I was playing Queen Elizabeth in Richard III and dressing in gorgeous gowns and being very seductive and very powerful and manipulative and all that. But in the earlier scenes, we did the three plays and in the Richard III and the Henry VI we did all three. And in the earlier scenes where Elizabeth wasn't in, I got to dress up and doublet and hose and I like stippled some stipple of beard on my face and climbed a siege ladder with a sword in one hand and did a spectacular pratfall running away from the bad guys and would slide on my stomach on the deck of the stage and I would come out into the lobby and the other guys who were playing my fellow fighters would be holding up rating cards for how far I'd slid that day. Jonathan: Sounds like very practical cardio. Hollis: Yeah, very. It was a lot of fun. That was probably my most fun I've ever done, though I also loved Beatrice and Much Ado, which I got to do twice because she's just so funny and witty and passionate. She's great, and Shakespeare, you know. Jonathan: Very good. So after all these audiobooks, what goes into preparing to record an audiobook? Hollis: That's a great question, too. It depends on the book, really. And I'm lucky enough to do a lot of series now, so when you're doing a series, it gets easier as you go along. I remember with the first ones I did for you, the first Caina, it probably took me an hour of prep to get through the first chapter. There were so many made up place names that I needed to figure out how to say, and then you have to be consistent. Even if they're made up, you still have to be consistent. So I really used my theater training there because I learned the international phonetic alphabet when I was in school, and so I can write down phonetic pronunciations and for each book, I'm old school with my prep, I'll keep a legal pad and I'll write down phonetic pronunciations, the word, page number, and the phonetic pronunciation for each word, so I have a record. You don't retain them from book to book. Pronunciations is a big part of what you do. Also, character voices, because again, you want to be true to the author's intent and you want to stay consistent. Again, for Caina, it became very complicated because you had to have Caina's basic voice, which is this [speaks in Caina's voice]. She started out a bit higher because she was younger. And then as she aged, she's gotten more medium pitch-wise, but then she was in disguise as various people. She was disguised as a cockney guy for a while, and she was an Irish guy for a while. And so for each of those personas, you have to notate for yourself in the script. Oh, now she has this accent. Now she has this one. And really for each chunk of dialogue, every time a character speaks, I'll put the initial of their name and if there are a lot of characters in the scene, I will have to differentiate between them pretty frequently. If it's two characters and I know them both very well, then I kind of have the shorthand in my head. So the different character voices I also put on my legal pad so I have a record, so Calvia sounds like this [speaks a line in the character's voice]. And sometimes I'll write down physical aspects of them so that I can just kind of feel the character. And after I do them for a while, the feel of the character will give me the voice and you write down everything that the author says about the character too. I'll just notate for myself that will oftentimes give you the voice. If it's a good author, which thank God you are, you write in different voices, which makes my job easier. Jonathan: The joke I sometimes say is I didn't do audiobooks for the first seven years I was publishing, and people would ask me, how do you pronounce this? I say, I don't care, pronounce it however you want. And then suddenly we started doing audiobooks and suddenly no, it matters very much how it's pronounced. Hollis: Yeah, exactly. It's funny, I'm just looking at my tablet. I have your Shield of Power up on my tablet. I've been reading that on the treadmill and at lunch. But yeah, we have to keep tabs. And when we have so many books now, I've started special folders just for the Ghost series and the Cloak series because a lot of times a character will show up from several books previous and I go, I remember them, but I don't remember what they sounded like. So I will have notated forward alto, slightly Irish or something like that for them. I have shorthand for all of it, and so I'll do that. Jonathan: Yeah, I spent a lot of time with Control + F searching through Word documents, trying to remember the first time I wrote this character and what they looked like. Hollis: Yeah, I bet you do. Some writers I guess do, well, if they don't do it all themselves. And if they have somebody who's like an administrative assistant, they have somebody who gives you, I've gotten these from authors before. Their assistant will send me a story log of characters with everything that's said about the character. I'm like, oh, well, that's very organized and helpful, but I would think it would be massively time consuming. Jonathan: It is. I did hire someone to help me with that this year. It was getting to be too much to go back and search through things and it is a very time consuming project, but once it's done, it's very helpful because it's quite easy to find things and look things up and refresh your memory. Hollis: I bet so. When I was working on my mom's books, we hired an editor and she did a spreadsheet, a database kind of different terms and characters and what was said about them. And I go back to that and amend it all the time now that I'm trying to write book eight. Jonathan: Yeah, that kind of thing is very helpful. But on a related topic of preparation, since you've done audiobooks, stage, and TV, how would say narrating audiobooks is different from the experience of doing theater or TV? Hollis: The major thing and the hardest thing for me when I was starting out was you can't move around all the time. I had an engineer at Audible. It was just, and a lot of times the chair is very important because if you move, what you're bound to do, if you're producing your voice correctly, you need to sit up and you need to use your hands to express yourself, and you have to have an absolutely silent chair. And the chairs at Audible at that time, were not absolutely silent. So every time I moved, the chair would squeak and we'd have to stop and start again. So that was very, very hard for me. In fact, I've been doing so much audiobooks now, and I also do TV and film, but that's gone to all for auditioning for that. It's all self tape, which means it's just like head and shoulders, so still you're just kind of using a little part of your body. And I had a theater callback for Pygmalion in the city the other day, in person, in a studio, in a rehearsal room. The day before, I used to do those all the time, and that's so rare now for them to do in-person auditions since the pandemic. But I put on my character shoes and my skirt and I practice just being bigger, opening my body up and doing all this stuff I learned to do in school and that you do when you're on stage to own the space because the space is the back wall of the theater. And that's a big difference between theater, film, TV, and audiobooks is the scope of it. When I did Beatrice, I was in an 1,100 seat unamplified stone amphitheater outdoors in Colorado. So you can imagine the scope physically and vocally is so big. And then for TV, film and you have to what they say, reach the back wall of whatever space you're in. Well, for film and TV, the back wall is the camera. It's right in front of your face a lot of the times. And the back wall is really kind of the inside of your head. It's almost like you have to have internal gaze so that the thoughts are just happening. You don't have to project them, you don't have to project your voice because all the equipment comes right to you, and all you have to do is feel the feelings and think the thoughts and the camera and microphone picked that up. Similarly with audiobooks, I'm just in a little tiny padded booth. My microphone is just a few inches from my face, and so I could be very, very intimate and everything gets picked up, and you have to do a lot less work for the emotion to come through. Again, really all you have to do is kind of feel the emotion. And for me, that's always for me is being in the moment and feeling the moment and letting that dictate the pace and the vocals and everything. I guess I'm pretty Method. I'm very Method, but that's how I trained. It's what works for me. Not every narrator is like that. There's a million different proper ways to narrate, and that's just my take on it. But everything is right there. So it's just kind of keeping it much smaller and more intimate. And in fact, when you want to be big like [character name's said in the character's] voice and he was yelling a lot, and I would have to pull back from the microphone to let his scope come out. Jonathan: Well, after 30 audiobooks together, I can say that method definitely works. Related to that, as we mentioned earlier, you're now at over 300 titles on Audible over the last 12 years. Congratulations for that. What would you say is most surprising or unexpected things about audiobooks you learned during that time? Hollis: Oh, well, it was very surprising that we could make a booth out of sword blades and blankets. That surprised me. Yeah, that's a great question. It's surprising to me how simple I can be. I went back and I had an author recently who wanted me to do a new chapter to begin and end a book that I had done like 2014, something like that, shortly after I started. And I thought at the time that I was really filling these voices and what I did was fine. You're always your own worst critic. But what I've discovered now is the more you do it, the more you record, the more you use your instrument every single day for 300 some books, the more effortless it becomes and the more depth you can bring to it. And as a young actor, we always resist that. My acting coach used to say, age and experience. There's no substitute for it. I'm like, yeah, yeah, but talent and hard work, that's something. But it's really true that just the repetition, there's no substitute for it. Those chapters that I did, they were the same voices basically. But when I went back and listened to the original, I was like, oh, it surprised me how without really changing anything mechanically, the work has just gotten deeper, more effortless, but it sounds better at the same time. Does that make sense? Jonathan: It does. Because you've probably noticed I've redesigned the covers for the Caina series like seven times over the last 10 years. And every time you think this is it, this is it. I'm done. This is good. And then with more practice, you look back and think, well, maybe I can improve this again, though. I suppose that's not often something that happens in the audiobook world where you get to go back and revisit something you did previously. Hollis: That is one of the hardest and most surprising things about audiobooks. And I've heard people say that this happens to every young narrator when they're starting out, you get through the first two chapters of a new book and you go, oh God, now I get it. I want to go back and start again. Well, there's no do overs with audiobooks. With audiobooks, “done is good” is what they always tell you when you're starting out. So even in film and TV, which you don't get much rehearsal for, you get a couple of run run-throughs, but with audiobooks, you got your prep. Not everyone does, but I always read the whole book before I start if possible, because otherwise you get surprises. But you get your one read through, your prep, and then you go and yes, you can stop. You can punch and roll, edit over. If you make a mistake, you go back half a line, you start again there. But there's no evolution of the work, which is what's great about series too, I think, because with the series you get, yeah, Caina was here last time I did her and now she's going through something new. And then the character grows and it becomes less and less effortful, but it also becomes like someone you really know so that it gets so much deeper and it's so much more fun to play with. Jonathan: That makes sense. 12 years really is a long time to have done audio narration or anything. So what do you think is the key to sticking it out for audiobooks for the long term? Hollis: Well, a lot of things make a difference. I didn't do it before this interview, which is why my voice is kind of rocky, but I always warm up in the morning when I'm setting up a session. I always do a vocal warmup. You got to get a good night's sleep, you have to drink water every couple of pages. I have a tea that I drink that keeps my stomach quiet because stomach gurgles is another bad thing about audiobooks. You have to eat very carefully and drink tea to keep your stomach quiet. You don't want to have to stop every time for that. And a lot of training, a lot of vocal training. I had Linklater training and the Lavan training, and Linklater to me is the most useful. And a lot of the stuff that applies to Shakespeare applies to audiobooks too. You warm up, you get yourself breathing, you warm up your resonators, your sinus, your mask resonators, the back of your head, your chest resonators. For the men [imitates male voice], you really have to have your chest warmed up, get the vibrations going here. And so I get all that kind of going before I sit down in the booth. And that also keeps you, then you keep your throat open so you're not hurting yourself. You have to have good posture so that the air can move from your diaphragm up to your throat and have it be open. And then optimally, like with Caina, Caina has a lot of mask resonance. Brits do; they are very far forward. So you really have to have all that warmed up and then that has to have no impediments between the front of your face all the way down to your diaphragm where the breath originates. And if you can do all that, then you could be an audiobook narrator. Also diction. I warm up my diction to everything from [imitates several vocal exercises] in just to get your mouth moving. You don't want lazy mouth with, there's a lot of enunciation in audiobooks that's important. But I also don't like, I really hate when you hear people enunciating. I don't like that. And with Caina, even though she's upper class, she's not like that. She's not pretentious. And certainly Nadia, you want to be able to understand what she says, but you don't want her to be enunciating. That be weird. So all of all that stuff I worked on in grad school and did all the Shakespeare plays, I would always get to the theater an hour early. You have to be there half hour for makeup and check in, but I would always get there an hour early and do at least 15 to 20 minutes of physical and vocal warmups. And so those habits have really helped me. I think I have pipes of iron, fortunately. I'm very lucky. So all that stuff really matters with audiobooks. Jonathan: It's amazing in how many different fields of life the answer seems to boil down to do the things you're supposed to over and over again forever. Hollis: Exactly. That's really true. When are we going to get old enough that we don't have to do that anymore? [laughs] Jonathan: Just one side question. What is Linklater training? I don't think I've heard that term before. Hollis: Oh, Kristen Linklater is, she's probably the biggest American vocal coach. She has a lot of books out there about voice and the actor and all of her training stems from allowing the breathing to drop in as she calls it, not forcing it to drop into the diaphragm, and then creating a pool of vocal vibrations that go from the diaphragm through an open throat to the resonators. And you can use every resonator in your body to project that sound. When I was doing Beatrice and Gertrude at Colorado Shakes in that unamplified stone amphitheater in the foothills of the Rockies, there was winds that would come down out of the mountains when we were on stage, and that theater was known for eating women's voices. And I had to thank God the vocal coach that summer was a Linklater coach, which is the method that I trained in, and he helped me work with even resonators. If you can imagine in your back, just using the whole chest box and shaking the vibrations through your body so that basically you're making your whole human skeleton an amplifier for the vocal energy coming from your breath. And that's Linklater. She's fascinating. If you ever want to study voice, you can't do better than Linklater, to my mind. Cicely Berry is another one I studied. She's the British guru for the RSC and the Royal Shakespeare Company and all those people, and she's great too. Jonathan: Well, that's just exciting. I learned something new today. Hollis: That's always good. Always learning from your books too about Medieval combat. Jonathan: We always want to learn something new every day, whether we like it or not. Hollis: Right. Jonathan: So to turn it around a little bit, what advice would you give a new indie author who is working with a narrator for the first time? Hollis: Oh yeah, I actually, I made some notes. I thought that was such a good question. Make sure that your narrator knows what you expect from them upfront. If you go through ACX, they have this great thing called the first 15 where your narrator is, if you're new to this author, you record the first 15 minutes of the book and you put that on ACX for your author to listen to and approve. You don't have to approve it if you don't like it. And in fact, if you don't like it, it's very important you don't approve it and you tell your narrator specifics about what you need them to change before they go on with the book. Because what you can't really do is once a book is recorded, say, oh, I really don't like it. I'm not going to pay you for it. I need you to go back and do it again. That's not acceptable and it will make narrators never want to work with you. But what's great about the first 15 is you have that chance to say, well, this voice was, she was a little higher than I wanted. I hear her in my head more as an alto because for me as a narrator, what I want to do is I want to take what you, Jonathan, hear your characters being as you're writing them in your head. I want to take that and translate that into an audiobook for you. So the more you give your narrators information about your characters, the better they're going to voice it. Also, if there's a style in your head, like with Nadia books, there's a little touch of noir there. It was a dark and stormy night kind of feel. If there's a style you kind of hear in your head, that would be a good thing to give them. But ACX has also, I think a character sheet where you can tell them about the different characters. You can fill that out for your narrator. That's tremendously helpful, age of the character, if you hear a vocal pitch range, soprano, alto, tenor, bass, any dialects, they need to know that. The narrator's nightmare is you finish up a book and you shouldn't do this, you should read ahead, but you get to the last line: “I love you, darling,” he said in his beautiful French accent. Jonathan: It explicitly shows up there for the first time. Hollis: Exactly. And then for the narrator, it's like, oh my God, I have to go back and rerecord everything this guy said, which is hours and hours and hours of work for you and your editor who will kill you. But yeah, let them know about all the character traits that you can and just, I think it's on the narrator too, to, I've been lucky with my authors, we always have a good give and take. I come from a theater background and you want to collaborate. You want to realize the author's vision and you want to be a partner in creating that. So try to be partners and give them more information than you think they need and use that first 15. It is totally acceptable to send it back and say, I'm going to need you to do this again, and I'm going to need these changes. And then once you get that ironed out, then you'll probably be ready to go ahead and have a book. And when you get the book, you won't be shocked and you'll be happy (hopefully) with the read. Is that helpful? Jonathan: It does. New authors, if you're listening to this, listen to that advice. Hollis: Yeah. Jonathan: Now for a slightly different topic, can you tell us about the Magic of Larlion books and how you ended up publishing that series? Hollis: Yeah. The Magic of Larlion is an epic fantasy adventures series seven, almost eight volumes. I'm working on finishing book eight now. The first book, Wizard Stone, my brilliant mother Dee Maltby started years and years ago, probably, gosh, maybe 20 years ago now, I think when my little brother moved out from home and she had an empty nest and she had more time to write, and she wrote Wizard Stone, and she sent it out a few places, and that was the only way you could get published back when she wrote it and didn't pursue it, she got discouraged, I think, by rejections from publishers, sat in her drawer for a while, and my sister-in-law, Dana Benningfield, who's also an actor, and she was my best friend even before she married my brother. I introduced them. So yeah, that was all me. She was an editor professionally for a while, and when she moved to Ohio where I'm from and was living with my brother and my parents lived right across the orchard, I told her about this book. And she wasn't editing at the time, she was kind of done with it, but she asked mom if she could read it. So she read it and edited it, and then it became a much better book and really encouraged my mom to keep writing, which I had been telling her to do for years. But hearing somebody who wasn't family, somehow giving her that input that it was really something special, changed her perspective. So she kept writing and she and I started, I was on the road doing Shakespeare a lot. We started trading chapters. She'd send me a chapter a week and I would edit it and send it back. And so Wizard Stone evolved from there into its current form, and then she started the next book, Wizard Wind and Wizard Storm. And we went that way through five and a half books. And my dad finally, when he retired from being a physicist, said he was going to, I always told you I'd get your published Dee, I'm going to take it down to the print shop and get a hundred copies made. And by this time I was working with you and a bunch of other great indie authors who were letting thousands of happy readers read their books through an independent platform. And I said, well, wait a minute. I could do better than that. So I convinced them to hire an editor that I had worked with, and I did the rewrites and got it through the pre-production process and hired a cover artist, very talented artist. And you and Meara Platt, another of my authors, gave me so much information and help. And we got it published in 2022, I believe. We had three ready to go. And we published those all within a month of each other. One a month for three months, and then four and five, and then six came. And I co-authored five, six, and seven because my mother was losing her sight and her hearing at that point. We got those done. We had six out and a lot of people reading them and loving them and reviewing them before my mom passed. And I think it's probably one of the most satisfying things I've done in my life, because not only do I love the books, and they're just a rip roaring, fantastic adventure-filled epic trip through this incredible world my mom invented. But when she was about to, one of the last things she said to me was, I told her how many people had read her books. I just went through the Kindle numbers and thousands of people in different countries and all over the world were reading and loving her books. And I told her that, and she said, that's all that matters. And she felt such a sense of pride in herself and accomplishment because they were being received for what they are, which is a brilliant creative flight of fancy, this magical world in the tradition of all the books she loved, always Tolkien. And so I promised her I'd finish it. So after she died, I published six and seven and I've got eight about 90% written now, and I'm hoping to bring that out by the end of the year, although I've been too darn busy with narration to really spend the time. I've got the big climactic Jonathan Moeller type battle at the end sketched in my head and on an outline, but I got to write that. And then we can get that out there and finish that too. Jonathan: Will you stop with eight or keep going after eight? Hollis: My feeling is that this series will culminate with book eight. It's been a long saga of Beneban, this young wizard who kind of gets flung off a mountain by his evil wizard master and has to master his fledgling wizardry powers and his magical sword to win his love Laraynia, a powerful sorceress, and save the kingdom. And that's book one. And there's ice dragons, and then they have kids, and then the later books have become much more about their kids. And the more I write, the more it's become about young women fighting with swords. Jonathan: Well, they say write what you know. Hollis: Defeating the bad guys. Plucky young women, overachieving, competing with men. And so I think that's all going to come to a head with book eight, and that will be the end of that series. But I do think I'm going to spin it off into possibly more on the younger characters. I don't know if it's going to be YA per se, I think it'll still be for adults, but more of a YA feel to it, the younger characters of the ice dragon riding school of battle and the wizarding school. I don't know if I want to make it schools necessarily, it might limit you too much. And that's kind of been done too. But I do think the ice dragons are going to figure largely in it. Oh, and I don't know, there's a plot point I probably shouldn't give away, but my mother's full name was Willa Dee Maltby. She writes under Dee Maltby and there is a character, a very magical character named Willa that shows up in this book eight. So I think Willa will be a big character going forward and the younger generation of women and some boys too. I like boys, I do. Jonathan: Well, I suppose if people want to know more, they will have to read and find out. Hollis: Yes. And please go to the website is deemaltbyauthor.com and everything you want to know (well, maybe not everything), but everything you can know for now is there. Jonathan: Well, I was going to ask you what you would say was the most rewarding things about publishing the books, but I think you covered that pretty well. On the flip side, what was the biggest unexpected challenge in publishing them? Hollis: The PR is hard. You seem to be great at it. I even did PR professionally to work my way through undergrad and then in between grad school and undergrad and after I graduated and I had an assistantship in it at my university. But the book world specifically is a whole different kind of PR and learning Amazon ads and Facebook ads and it's a lot. It's a lot. And again, you have been so helpful with it. And I mean, there are a lot of online resources out there too, which is great. But what I'm really finding, trying to do it part-time is overwhelming. You really need a full-time block of time to not only write the books, but then to publicize them the way they deserve to be publicized. Jonathan: Yeah, the tricky part is, as you said, book advertising is very different from anything else. I was talking with a guy who is an Amazon reseller for various toiletries and hygiene products and makes a good living doing that. I was telling him how much I pay per click on Amazon ads. He's just appalled. It's like, you can't make any money doing that. And then the flip side of that too is that Internet marketing is so different than any other form of PR, so it's just sort of constant challenge there. Hollis: I know, and I know I actually signed up for a TikTok account and I just don't, again at the time. Plus every time I turn it on, I'm like, I don't want to watch that. I'm allergic to the format. You'd think being an actor, being used to being on camera, I could come up easily with little things to do for the books and I probably could for TikTok. But again, just learning the platform and then applying yourself to it is just such a big time hack that I don't have that amount of time. I know that narrators are now more and more marketing themselves by recording themselves on camera narrating and putting that out there, which I can do, I guess. And that's why I got this ring light and everything. I can do that now. I haven't done anything with it, but I guess if some of the book work dries up, I'll be more motivated to do it. Jonathan: Well, that's how anything works. You try it and if you enjoy it and it works, keep doing it. And if you don't enjoy it and it doesn't work, no point in carrying on with it. Hollis: I think that's true. And you just have to keep learning too, as we know with everything. You got to keep learning new things. Jonathan: Well, this has been a very enjoyable interview and thank you for coming on the show. Hollis: My pleasure. Jonathan: Let's close out with one last question. You've obviously done a lot of theater, so what, out of all the productions you've done was the one you would say was your favorite or that you enjoyed the most? Hollis: I think I have to go back to Beatrice probably. I mean, the Alabama Shakes getting to play a man thing, that was a lot of fun. But Beatrice, we did a Wild West Much Ado about Nothing at Colorado Shakespeare. The premise was that I was the niece of Leonardo, who is the tavern keeper, the bar keeper in this Wild West world. And there was a bar fight opening this Wild West production, and I entered through a swinging tavern door with a six shooter in one hand and a bull whip in the other. And I shot the pistol and cracked the bull whip and broke up the fight and then got to do Shakespeare's incredible Beatrice and Benedict story from there. It was so much fun. Jonathan: It almost seems like the soundtrack could have been “I Shot the Sheriff.” Hollis: Yeah. Yeah, it really could. It was a heck of a lot of fun. Jonathan: Well, speaking of fun, it was good talking with you, and thank you for taking the time to be on the show. Hollis: Yeah, I am excited to start the next Cloak book soon. So I was going to offer to do a little snatch of you want the introduction for Cloak here? Jonathan: Oh, I think we'll save it for the Real Thing. Hollis: Oh, okay. All right. Well thank you, Jonathan. It's been a pleasure. Jonathan: It's been a pleasure. And see you soon for Cloak Mage #10. Hollis: Alright. So that was our interview with Hollis McCarthy. Thank you for coming on the show and giving us a very informative and entertaining interview. A reminder that the website with the Magic of Larlion books is deemaltbyauthor.com. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.

AI-generated actor Tilly Norwood has sparked heated controversy across the film industry. 

This week, we read and discussed an article about a phenomenon that apparently some people are, or were, concerned about: the problem of fascist infiltration of the anti-war movement. We discuss the problems inherent in gatekeeping social movements and the lack of left-wing organizations of any size. We also chime in on the overblown concerns about "Red-Brownism."Send us a message (sorry we can't respond on here). Support the showVisit the Regrettable Century Merch Shop

If you find yourself at the center of the Venn diagram of comic book nerds and Shakespeare nerds, this is definitely the episode for you! Amy Chase returns to the podcast to talk about ABUZZ, her new Maverick graphic novel with artist Stelladia that is a modern retelling of Shakespeare's Much Ado About Nothing. I've had a chance to read an advanced copy and it's phenomenal! It's such a clever update and Stelladia's art is amazing. Plus ABUZZ is colored by Ellie Wright and lettered by Taylor Esposito. Amy talks about how she thought someone should make this book for a long time until she finally decided to do it herself. We talk about our love of Shakespeare, other adaptations of Much Ado, centering Claudio and Hero in the story, getting Bea and Ben's dialogue just right, and the importance of queer representation. This is such a great conversation. I know you're going to love it. ABUZZ is coming from Maverick on November 18th.   Order ABUZZ From the Publisher: Shakespeare's beloved romcom Much Ado About Nothing gets a modern update with an LGBTQ cast and the same classic miscommunications! Feuding senior students Ben and Beatriz drag half of Messina High into their never-ending arguments, making things difficult as budding sweethearts Hero and Claudio are asked to pick sides in the battle. All the while, the bad kids, led by outcast DJ, are plotting to capitalize on the chaos and rule the school for themselves. With college letters and prom night on the horizon, will these students find their happy ending or feel the sting of total rejection? Sneak Peak of ABUZZ Check out Amy's website Follow Amy on Bluesky Follow Comic Book Yeti

Ever wondered if the father of modern science was also the architect of secret societies and a hidden empire? In this mind-bending episode, we welcome first-time guest Robert Frederick, host of The Hidden Life is Best podcast. We unravel the mysterious connections between Sir Francis Bacon, Shakespeare, Freemasonry, Rosicrucianism, and Gnosticism—asking how much influence one man might still have over modern Western thought. From Templar secrets and occult symbolism to the foundations of the American experiment, this conversation will leave you questioning everything you learned in history class.https://unrefinedpodcast.comThe Hidden Life is Best – Robert's podcast and research platform.sirbacon.org – A resource dedicated to Francis Bacon research.Francis Bacon Research Trust – Run by Peter Dawkins, deeply tied to Rosicrucian scholarship.Francis Bacon Society – Historical research group dedicated to Bacon's legacy.Rosicrucian America: How Secret Societies Influenced the Destiny of a Nation

Support the show and receive a link to the private discord chat: ko-fi.com/wedgeheadpodcastAlex is bringing y'all a very special episode of the show all about one of the dumbest and yet most discussed aspects of the pinball hobby today, and that's TOPPERS!Warning: curse words were cursed in the making of this episode.Support the show

Today we pick apart the market drama that unfolded in the wake of a modestly dovish Jackson Hole speech from Fed Chair Powell, with market divergences more compelling to discuss than the speech itself and its boost to the broader market. We also emphasize that the week ahead could prove a pivotal one as the AI theme faces its critical quarterly test in the shape of Nvidia's earnings on Wednesday after the US market close and US Labor Day marks the end of summer. FX reactions, anecdotes, links and more also on today's pod, which is hosted by Saxo Global Head of Macro Strategy John J. Hardy. Links discussed on the podcast and our Chart of the Day can be found on the John J. Hardy substack (with a one- to two-hour delay from the time of the podcast release). Read daily in-depth market updates from the Saxo Market Call and the Saxo Strategy Team here. Please reach out to us at marketcall@saxobank.com for feedback and questions. Click here to open an account with Saxo. Intro and outro music by AShamaluevMusic

Sermon preached by Harry Fujiwara on Amos 6:1-14

This August, Mickey-Jo once again returned to Edinburgh to see as much theatre as possible at the annual, world renowned Edinburgh Festival Fringe.Check out Mickey-Jo's reviews for:Sped Kid at theSpace @ Surgeon's Hall (****)Much Ado About Pirates at theSpace @ Niddry StAlone at Assembly George Square (****)Altar at Underbelly George Square (***)Lady Macbeth played Wing Defence at Assembly George Square Studios (**)The Monkeypox Gospel at Underbelly Cowgate (***)About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Before setting out on their journey to Berinthas, the party have some business to attend to. Mina seeks out Lloris so that she can get some closure on the previous day's peril and also to see if she can be of any further assistance to her people and their cause. Aelfric seeks out the library so that he can glean as much information about their destination as he can. Shadar travels through the town solo, looking for potions of healing and other potions and tinctures that might prove beneficial to their journey ahead. Daemon and Sir Tirion find themselves at the armourer's shop. While Tirion is looking to bolster his defences with a shield, Daemon's eye is out for experimental armour that he can test in the field. But our heroes just cant seem to catch a break, even on their day off, as something stirs around the walls of Pethlan...

Your football calls with Conor McNamara and Phil Brown. Plus Motherwell v Rangers updates from the opening day in the Scottish Premiership. Phone 08085 909693 free from mobiles and landlines. Text 85058 at your standard message rate.

Today, long-time friend of the blog and podcast and current TFB contributor, Kirk, joins us to talk about one of his favorite subjects - Shotguns. Shotguns are an often underloved sector of the firearms industry these days, and today we're going to take some time to talk about what's new in the world of shotguns. I'll be discussing some recent experience I've had with some semi and pump-action shotguns at Thunder Ranch, and Kirk brings his decades of expertise with shotguns to shed some light on what some of the best (and worst) examples of shotguns are in the modern firearms era. Please give Kirk a warm welcome back to the show as he joins us on his ferry commute home!  Follow Kirk on Instagram here  

Have you ever wondered why Christians and the United States has such a strong tie with Israel? What are we to make of that amid all that is happening in the Middle East, and especially Gaza? Let's explore a bit of this with Bob Ekblad and see how it gets tied into "end times" thinking that isn't as biblical as we might think.

In honor of the 50th episode of 6 Degrees of Star Wars, we cracked open William Shakespeare's Star Wars and bring you selection from all nine installments of the Skywalker Saga.Our players are Jasmine Garcia (In Each Retelling), Kyle Kallgren (Brows Held High), River Lane (The Straights Aren't Alright), Ellie McConnaughy (The Biggest Night in Podcasting), Jacob Brode (Let's Be Superheroes & Database Ranger's Power Reviews), Mike Fatum (Ace of Geeks), Billie Roddie (OK Zoomer), Shamila Karunakaran, Jordan Sickrey, Justin Frankly, Callie Castle, Addie Greenberg-Sud, Grady W Smithey III (Snakebitcat) , Émile Lewis, RhapsodyBlueVA, Luke Herr (DohMance Dawn), Simon Evans, Jen Seggio, B Daaé, and yours truly.Scenes:The Phantom of Menace: Prologue, Act 1.2, Act 4.5The Clone Army Attacketh: Prologue, Act 1.3, Act 4.1Tragedy of the Sith's Revenge: Prologue, Act 2.4, Act 4.7Verily, A New Hope: Prologue, Act 1.2The Empire Striketh Back: Prologue, Act 3.1, Act 5.3 The Jedi Doth Return: Prologue, Act 2.2The Force Doth Awaken: Prologue, Act 1.3, Act 3.1Jedi the Last: Prologue, Act 5.1 (abridged)The Merry Rise of Skywalker: Prologue, Act 5.1Thanks for sticking with us. Stay safe, stay strong, stay beautiful.Support the showSam: @DemiSemme on YouTube, Tumblr, BlueSky, and most other social media platforms (NOT eX-Twitter). Visit our Tumblrs at sixdegreesofstarwars.tumblr.com and ier-6d.tumblr.comTheme Music provided by Refractory Period: @RefractoryPeriodTheBand on Instagram, linktr.ee/RefractoryPeriodForever Mutual Aid LinksE-Sims for Gaza: https://gazaesims.com/Click to Help: https://arab.org/click-to-help/Anti-Imperialism support for people across the world, organized by Kandakat_alhaqq: https://linktr.ee/kandakat_alhaqqCampus Bail Funds: https://campusbailfunds.com/6DOSW is a Pro-Union podcast. Please support artists by contributing to the Entertainment Community Fund if you can: https://entertainmentcommunity.org/how-get-help-and-give-help-during-work-stoppageThe views and opinions expressed in this podcast are those of the speakers and do not necessarily reflect the views or positions of any entities they represent.

Jeff Bezos and Lauren Sánchez's Wedding Invite Reveals Unique Gift to Guests (E! Online) (46:53)Orlando Bloom Single and Plans to 'Party Hard' at Bezos/Sanchez Wedding (TMZ) (55:00)Meghan Markle's As Ever Rosé Release Date Gives Subtle Nod to Princess Diana and Meghan and Harry's Love Story (PEOPLE) (1:00:15)Taylor Swift performs live for the first time since reclaiming her masters at Nashville gig hosted by Travis Kelce (Page Six) (1:13:38)Tom Sandoval's Fate on America's Got Talent Revealed After Audition (E! Online) (1:21:22)Dear Toasters Advice Segment (1:30:22)The Toast with Jackie (@JackieOshry) and Craig Conover (@craigconover)Lean InThe Camper and The Counselor by Jackie OshryMerchThe Toast PatreonGirl With No Job by Claudia OshrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What to do when good ink goes bad.  Today's letter writer got a new tattoo right on heels of a divorce. Now they regret it. And they also probably regret not telling the Advice Fight boys any details about that aforementioned tattoo—because Adam, Ben and Andrew have to use their imaginations. And those aforementioned imaginations have been warped and darkened through years of standup comedy (and perhaps poor nutrition). The results of such imagination abuse? You'll find that in today's very important episode.  ⁠CLICK HERE TO VOTE FOR THIS WEEK'S WINNER⁠⁠⁠⁠⁠⁠⁠⁠ (Poll opens at 10:00am Mountain Time) LINKS: Follow us for show dates and more: ⁠⁠⁠⁠⁠⁠⁠⁠Adam Cayton-Holland⁠⁠⁠⁠⁠⁠⁠⁠ • ⁠⁠⁠⁠⁠⁠⁠⁠Ben Roy⁠⁠⁠⁠⁠⁠⁠⁠ • ⁠⁠⁠⁠⁠⁠⁠⁠Andrew Orvedahl⁠⁠⁠⁠⁠⁠⁠⁠ • ⁠⁠⁠⁠⁠⁠⁠⁠The Grawlix⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Support this podcast on Patreon to get ad-free episodes, bonus videos, exclusive merch, birthday shout-outs and more.⁠⁠⁠⁠⁠⁠⁠⁠  UPCOMING SHOWS: ⁠⁠⁠⁠⁠⁠⁠See the Grawlix live at the Bug Theatre on Saturday, June 28th with Kiri Shabazz, Babs Gray, and Joshua Emerson!⁠⁠⁠ ⁠⁠See Adam performing in Petaluma, Sacramento and Oakland, California on July 10th-12th⁠⁠ ⁠See Ben performing at the Realto Theater in Casper, Wyoming on July 11th-12th⁠ ⁠See Adam peforming at the Southeast Arizona Birding Festival in Tuscon on August 8th!⁠ ⁠⁠Check out Andrew's new tabletop roleplaying games!⁠⁠ Got a question? Email us: ⁠⁠⁠⁠⁠⁠⁠⁠question@advicefight.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The largest and strangest riot in New York City's history.

Much Ado About Isreal by Launchpoint Church

A new revival of EVITA opens next week at the London Palladium in the West End, starring Rachel Zegler (West Side Story, Romeo + Juliet) and directed by Jamie Lloyd (Sunset Blvd, Much Ado about Nothing).The musical, written by Sir Andrew Lloyd Webber and Sir Tim Rice, follows the life and career of former Argentinian first lady Eva Peron and is anticipated as one of this summer's biggest West End hits.Before the production's first performance, however, it was already gaining attention both as a result of outdoor rehearsals of 'Don't Cry For Me Argentina' performed on an exterior balcony and a campaign of social media misinformation alleging rehearsal room drama.Check out Mickey-Jo's recap and analysis of all of the chatter to find out what's true, what's false, and what to expect from this production of Evita...•00:00 | introduction02:34 | what's going on?17:00 | rehearsal drama?!20:20 | the show itself•get tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Dr. Crane shares from Mark 8 where Jesus fed 4000 people, and warned his disciples to be careful about their attitudes about life.

President Trump announced a new trade deal with China after days of negotiations. Here's the thing: Trump's tariffs on China will stay the same. So what did the two countries actually agree to? We'll get into it. And, after Health Secretary Robert F. Kennedy Jr. fired a panel of experts that advises the Centers for Disease Control and Prevention on vaccines, doctors and insurance companies are wondering who they should look to for guidance. Plus, a life-sized stuffed moose on Capitol Hill makes us smile.Here's everything we talked about today:"Trump Hails Progress With China, but Details Are Sketchy"  from The New York Times"RFK Jr. just fired the government's vaccine experts. What do you do now?" from Vox"Former CDC director reacts to RFK Jr.'s firing of entire vaccine advisory panel" from PBS News"If you move a moose through the Senate" from Roll Call"An 84-Year-Old Woman on a Pony Inspires Awe—and Concern—in the U.K." from The Wall Street JournalWe want to hear from you. Email makemesmart@marketplace.org or leave us a voicemail at 508-U-B-SMART.

President Trump announced a new trade deal with China after days of negotiations. Here's the thing: Trump's tariffs on China will stay the same. So what did the two countries actually agree to? We'll get into it. And, after Health Secretary Robert F. Kennedy Jr. fired a panel of experts that advises the Centers for Disease Control and Prevention on vaccines, doctors and insurance companies are wondering who they should look to for guidance. Plus, a life-sized stuffed moose on Capitol Hill makes us smile.Here's everything we talked about today:"Trump Hails Progress With China, but Details Are Sketchy"  from The New York Times"RFK Jr. just fired the government's vaccine experts. What do you do now?" from Vox"Former CDC director reacts to RFK Jr.'s firing of entire vaccine advisory panel" from PBS News"If you move a moose through the Senate" from Roll Call"An 84-Year-Old Woman on a Pony Inspires Awe—and Concern—in the U.K." from The Wall Street JournalWe want to hear from you. Email makemesmart@marketplace.org or leave us a voicemail at 508-U-B-SMART.

We are finally back, and it seems it's all been much ado about Stu. Weekend Observations where art thou? Much has changed with the Dan Le Batard show and Nasty Nate breaks it all down. Plus we talk a little hockey and the rehearsal.

On this week's episode the guys recapped a 3-3 week, including a number of controversial managerial decisions by Pat Murphy, the status of the Hall/Priester piggyback and order of the rest of the pen. Support the podcast on Patreon and receive the Monthly Minor League Extra and Weekly Packers Preview.

On this episode Joe speaks with Heather about how to maximize your return on investment from conferences by attending with intention, identifying clear learning goals, and planning connections in advance. They dive into the “three threes” approach—three skills to learn, three tools to explore, and three people to meet—and emphasize the importance of self-awareness, authenticity, and pacing to make the most of any event. Link mentioned in the show: The Accounting Cornerstone Foundation Unveils Accounting Conference Scholarships TV and Movie Quote: Heather quoted Battlestar Galactica Joe quoted Much Ado about Nothing Book of the Week: Immunity to Change by Robert Kegan and Lisa Laskow Lahey Favorite Social Posts: Heather mentioned Melissa Miller Furgeson on LinkedIn Joe mentioned Blake Oliver on X/Twitter The Woodard Report Article of the Week: Top 21 Lessons from Serving on Conference Speaker Committees by Nancy McClelland Thank you to our show sponsor, Bill, your financial operations platform. Bill is the intelligent way to create and pay bills, send invoices, manage expenses, control budgets and access the credit your business needs to grow all in one platform. Learn more about the show and our sponsors at Woodard.com/podcast

On Sunday 20th April, Mickey-Jo was joined at his live Cabaret show 'MickeyJoTheatre: LIVE' at the Phoenix Arts Club by the brilliant choreographer Fabian Aloise.Fabian, who is currently working on the upcoming West End revival of EVITA, has worked alongside Jamie Lloyd on recent productions of Sunset Blvd, Much Ado about Nothing, and more.Check out what happened when Fabian shared some fascinating insights from his varied career, including working alongside the iconic Ann Reinking, transforming musical theatre performers into cheerleaders for Bring it On, and making his Broadway debut.•get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 75,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

The dragons are back! Join us for an exciting season delving into new writing topics and speculative fiction takes.   This week, Jules and Madeleine take a look at the 'nice guy' trope. While the term is relatively new, the character type is not, cropping up in Shakespeare, Austen and even in folklore. While this was a character archetype introduced originally to balance the over-muscled, over-sexed and under-brained macho male lead of the seventies and eighties, writers took their collective eye off the ball and things went south pretty quickly. So what is a 'nice guy' and why does something so innocuous sounding carry so much collective dirt? Find out in part one of a two part episode. On the slab this week: Friends, Little Women - L M Montgomery, Shakespeare's Much Ado about Nothing and many more.   Title music: Ecstasy by Smiling Cynic

This week, EJ talks about Amazon taking over the rights to James Bond, anti-fascist TV, and the bizarre streaming movie Holland. Also, general enthusiasm about Mission: Impossible - Fallout!

In Episode 51, Dr. Hanaa, fresh off of her recent trip to Japan with her family, discusses her visit there and the hosts share observations of that amazing country. Lucien recaps his recent experience and outcomes from Riyadh's Human Capability Initiative 2025. After the hosts catch up, Dr. Hanaa leads a DEEPDIVE on the Eastern Province and a recent podcast interview in Arabic in which the topic of growth and investment into the "EP" (as Lucien calls it) is addressed. There are misconceptions about the Eastern Provinces' progress and development, especially in relation to other areas of the Kingdom.  The hosts conclude as always with NEWS from the Kingdom, including reacting to Riyadh Air's Boeing 787 cabin designs, F1, Saudi Arabia's growing tourism workforce, The 11th Saudi Film Festival, and much more. 

Hi there! Here's a look at our top local stories for Friday, April 25. Find these stories and much more in Friday's paper and here online: https://www.iolaregister.com/

Journalist Siân Pattenden & critic Stephanie Merritt join Tom to discuss Self Esteem's third album A Complicated Woman, which features collaborations with Nadine Shah and Moonchild Sanelly. Ahead of the release, Self Esteem AKA Rebecca Lucy Taylor showcased the album by staging a five-night theatrical presentation at London's Duke of York theatre. Tom and guests also talk about the Belgian film Julie Keeps Quiet, where a star player at a top tennis school deals with the aftermath of her coach being suspended. And they review the RSC's Stratford-upon-Avon contemporary production of Much Ado about Nothing which is set in the world of elite football. Plus, presenter Tom Service talks about the line up for the 2025 BBC Proms.Presenter: Tom Sutcliffe Producer: Claire Bartleet

Warm, or cold brew, stimulating matcha tea...is it really worth all of the hype with the hipsters? It does have some great benefits, but there are also some cautions to be aware of with this beverage. Listen in to some energizing information about matcha.Resources mentioned include:Fatty Liver Ep 39 How to Put Your Liver on a Diet https://youtu.be/79DNBWNEXYA?si=dadaUwPVXPBV7CyW Study on Green Tea Extract and Energy Expenditure - from American Journal of Clinical NutritionEp 16 Sleep Problems - More Than Just Caffeine  https://youtu.be/fBKdgiwM5hw?si=CBuwk8xyutXrjAwuEp 45 Coffee- The Ups and Downs  https://youtu.be/2Phwi4s6TzA?si=6lKbamYC5cgeHrm7Ep 165 Tea - Health Benefits of Tea https://youtu.be/-a_NJYMksMM?si=0dLlGYQB0zpXF0-Ep 62 Shift work - Sleep, Eating and Health  https://youtu.be/6kdeNUutBPs?si=tx0CvcnUVn4WbMFlEnjoying the show? Consider leaving a 5 star review, and/or sharing this episode with your friends and family :)Sign up for our newsletter on our website for weekly updates and other fun info. You can also visit our social media pages. We're on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Your support helps fuel the stoke and keeps the show going strong every week. Thanks!Website: www.mywifethedietitian.comEmail: mywifetherd@gmail.com

Jason Dick, Mary Ellen McIntire and Andrew Menezes discuss the election results this week in Florida and Wisconsin, whether vermouth will be more expensive with the latest round of tariffs and whether it was wise to do a training run that involved the Tidal Basin this past week. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason Dick, Mary Ellen McIntire and Andrew Menezes discuss the election results this week in Florida and Wisconsin, whether vermouth will be more expensive with the latest round of tariffs and whether it was wise to do a training run that involved the Tidal Basin this past week. Learn more about your ad choices. Visit megaphone.fm/adchoices

With apologies for an unplanned hiatus, during which Gary traveled to Florida to attend the International Conference on the Fantastic, we're back with a discussion that touches upon awards (again, but briefly), SF writers who are also good nonfiction writers, books whose 25th anniversary is this year (including Perdido Street Station), tribute anthologies such as Jonathan's forthcoming Revolution in the Heart, and, of course, what we've been reading.

Robin reacts to criticism of LSU coach Kim Mulkey, as well as the anticipation around the return of Caitlin Clark and the Indiana Fever.

Did Trump's cabinet share secrets about the Houthis attack on an unsecured text messaging system? White House Press Secretary, Karoline Leavitt says no war plans were discussed, and nothing classified was exposed.

Reach out to Cody and Buhler to tell them what's up!Pearls and swine, bereft of me...As False Start carries on, John Buhler (Lead Writer, FanSided.com) will be all by himself for about a week after this.That is because Cody Williams (Content Director, FanSided.com) will be more Hawaii than Peter Bretter sobbing on the Kapua Suite while trying to Forget Sarah Marshall.In the meantime, the guys had to touch on all the delicious gossip surrounding Colorado Buffaloes quarterback Shedeur Sanders' NFL Draft status.Some prognosticators think he is going to fall, but not on this here program.The guys then looked at the failed College Football March Madness Bracket Buhler created while Cody was without internet.From there, it was a lot about the Pittsburgh Steelers' infatuation with a 40-something Aaron Rodgers over going to Michigan's Pro Day.False Start is not your rolling wheels, we are the highway, so keep driving, Cavinder...

Welcome back, little turtle cuties and Villa Rosa VIPs! On today's episode of Turtle Time, Amy and Riley discuss the new crop of Bravolebrity memoirs, Tom Cruise finding love, and the latest Vanderpump Rules reboot news. (00:00 - 20:50)We then discuss the latest episode of Southern Charm - season 10, episode 14 - "Enough Tears to Fill Up an Ocean". (20:50)And finally, we talk about the latest episode of Real Housewives of Atlanta - season 16, episode 2 - "Much Ado about Dennis and Drew". (1:15:40)If you enjoyed this episode and need more Turtle Time in your life, join the ⁠Turtle Time Patreon⁠ and become a Villa Rosa VIP to hear exclusive bonus content! We're recapping the Vanderpump Rules series from the beginning each week and uncovering all of its secrets.And if you need even more Turtle Time in your life, follow us on ⁠⁠TikTok⁠⁠ or ⁠⁠Instagram⁠⁠. And please, if you want to watch some of the fun things we do, subscribe on YouTube.--In this lively conversation, hosts Riley Hamilton and Amy discuss the latest celebrity news, including Tom Cruise's rumored romance with Anna De Armas, the enigmatic nature of Cruise's life, and the humorous aspects of Scientology. They also delve into the upcoming season of Vanderpump Rules, the emergence of new Bravo podcasts, and the dynamics of relationships in Southern Charm, particularly focusing on Craig and Paige's evolving connection.In this episode of Southern Charm, the conversation delves into the complexities of relationships, recovery, and personal growth. Craig's journey to sobriety is highlighted, showcasing the support he receives from Paige. The dynamics of sibling relationships are explored, particularly through Austin's interactions with his sister. Madison shares joyful news about her family, while Vanita navigates her budding relationship with JT. The planning of a summer soiree brings the group together, and Molly and Taylor's friendship evolves. Shep's heartbreak and healing process are discussed, alongside Sally's decision to remove her breast implants. The episode concludes with Paige and Craig's relationship dynamics and the brewing drama surrounding Venita's call about JT.In this conversation, the hosts delve into the intricate dynamics of loyalty, trust, and drama within the reality TV shows Southern Charm and Real Housewives of Atlanta. They explore the complexities of relationships, misunderstandings, and the fallout from accusations, while also anticipating the upcoming finale and reunion episodes. The discussion highlights the challenges faced by the cast members as they navigate personal struggles and shifting alliances, ultimately revealing the messy nature of reality television. Hosted on Acast. See acast.com/privacy for more information.

On the latest Whisper in the Wings from Stage Whisper, we welcomed on several of the amazing artists behind a new iteration of Much Ado About Nothing. This was such a great production to learn all about and you won't want to miss the memories these folks shared. So tune in and turn up for this great show!Much Ado About NothingMarch 14th-30th@ Under St. MarksTickets and more information are available at frigid.nyc And be sure to follow our guests to stay up to date on all their upcoming projects and productions:Much Ado: @much_ado_25Camille: @camilleofputten and about.me/camillevanputten Gabrielle: gabriellamanna.com and @gabriellegmannaCindy: @CindyToTheStageTyler: @tshore04 and tyler-shore.com Rob: @RobHHunt and robhuntactor.comAlyssa: @alyssamarieviloriapoon and alyssapoon.com Ahmir: @ahmirandrewsJanani: @jennyvasan and jananisreenivasan.art

If you want to go abroad with free accommodation or even buy a place overseas, take a listen to this week's ep! As always, please send us your ideas to our instagram @makingthecutpodcast.De La Vali - https://www.delavali.com/White Lotus - https://www.imdb.com/title/tt13406094/Jacob Collier - https://www.instagram.com/jacobcollier/?hl=enEuropean Listings - https://www.instagram.com/europeanlistings/?hl=enStefan Crainic - https://www.instagram.com/stefan.crainic/?hl=enJosephine Haas - https://www.instagram.com/josephine_haas/Trusted Housesitters - https://www.trustedhousesitters.com/In Dark Corners - https://www.bbc.co.uk/sounds/series/m00174kfA mug of life - https://www.instagram.com/a_mug_of_life/Much Ado about Nothing - https://www.londontheatredirect.com/play/much-ado-about-nothing-london-tickets Hosted on Acast. See acast.com/privacy for more information.

Send us a textThe Spinsters discuss Much Ado About Nothing by William Shakespeare and Draco Malfoy and the Mortifying Ordeal of Being In Love by IsThisSelfCare. The also discuss their fanfiction origin stories, fandom fave Theodore Nott, and how Catholics are demon loving divas. Also featured: Sarah falling asleep while recording and Shandra and Andrea not even noticing. Check us out at @clashyspinsters on Twitter and Instagram, or send us an email at clashypodcast@gmail.com. Shout out to @robotjellyfish for our logo and Chris Marino for our jingle!

Hey, hey, friends this week, we're talking about something deceptively simple but ridiculously impactful: questions. Yep, those little sentences we toss around in our heads all day long are either helping us grow—or keeping us stuck.I'm sharing a personal story from my recent trip to New Zealand where a tug-of-war over a sea cave (yes, a literal sea cave!) led me to some profound realizations about parenting, connection, and emotional growth. Btw: the way I asked myself questions in the middle of a frustrating moment shifted everything.Here's what we're diving into today:Why the questions you ask yourself as a parent are everything.The three powerful questions I use to shift from overwhelm to clarity.How to spot “bad” questions and reframe them into empowering ones.What a park bench, sunshine, and a moment of reflection taught me about showing up better for my kids.You'll also get some practical tips for keeping your cool when parenting feels like a battle and tools to model emotional regulation for your kids—because, let's be real, they're watching everything.

“The mineral price has been a topic of discussion” -So, mineral prices are up… What’s happening, why, and how will it affect the viability of your Drake production line? -2024 Black Mark Awards nominations are in! VOTE HERE -An update … Continue reading →

Why is Endicott playing in the first round? Why is Ursinus? Why does Centre get a bye? Why does Salisbury have to face a 6 or 7 seed in its first game instead of a 9 or 10? When the teams are already identified and all boiled down to a number value by a mathematical equation, the bracket is all we can talk about, and go figure, sometimes decisions are still being made by geography. Sometimes the NPI ranking of a team doesn't match up with what the general Division III fandom thinks, or what our voters think. And it doesn't seem like we would learn anything from talking to the NCAA committee chair, so we decided instead to interview the algorithm. Or in this case, we talked to Logan Hansen about who the last teams in and first teams out were, how John Carroll and Mary Hardin-Baylor made their big jumps up the NPI ranking, and exactly how much of an impact the UW-River Falls win over UW-Oshkosh on Saturday had -- it's more than you probably think. And it's way more insightful than most committee chair conversations, so we hope you agree. Plus, we chat with Linfield coach Joe Smith for Fast Five, about west coast D-III football, his team's two-quarterback system, and the Wildcats finally being able to put last season's loss to Whitworth in Week 11 behind them. And we take a number of your questions in our mailbag segment. The D3football.com

Wudan Yan (@wudanyan) is a freelancer writer and founder of Factual, a one-of-a-kind agency committed to fact-checking.Newsletter: Rage Against the AlgorithmShow notes: brendanomeara.comSupport: Patreon.com/cnfpod

Much Ado About Nothing – Act V scene 2, 3, 4 Benedick is boastful, Beatrice too witty, Hero too innocent, Claudio's a fool, yet love finds a way to work it all out.

In the first couple of years of the 1600s, several new Shakespeare plays appeared. ‘Much Ado About Nothing' and ‘As You Like It' were recorded in the Stationer's Register, and a third play called ‘The Tragedy of Hamlet, Prince of … Continue reading →

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