Podcasts about san francisco standard

Sports reporter, covering the 49ers, for The San Francisco Standard, David Lombardi joined Murph & Markus this morning to discuss the significance of Brock Purdy's signing a contract extension in May with the 49ers and how it impacts the roster moving forwardSee omnystudio.com/listener for privacy information.

Sports reporter, covering the 49ers, for The San Francisco Standard, David Lombardi joined Murph & Markus this morning to discuss the significance of Brock Purdy's signing a contract extension in May with the 49ers and how it impacts the roster moving forwardSee omnystudio.com/listener for privacy information.

Warriors beat writer for The San Francisco Standard, Danny Emerman joined Murph & Markus this morning to preview Game 5 of the Warriors/TImberwolves series and to break down what's going on with Playoff JimmySee omnystudio.com/listener for privacy information.

Warriors beat writer for The San Francisco Standard, Danny Emerman joined Murph & Markus this morning to preview Game 5 of the Warriors/TImberwolves series and to break down what's going on with Playoff JimmySee omnystudio.com/listener for privacy information.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Host Miko Lee celebrates AAPINH Month by interviewing Filmmakers: Sara Kambe Holland, Alleluiah Panis, and Kyle Casey Chu, also known as Panda Dulce. We also cover a bunch of AAPINH month events happening throughout the Bay Area.   Calendar of Events Community Calendar May 3 2-6pm Daly City AAPI Fest celebrating local Asian American & Pacific Islander culture in Daly City and the Greater San Francisco Bay Area     May 10 10am-12pm PT Our Heritage 5K 2025  a FREE, family-friendly 5K fun walk/run honoring the rich history and contributions of Asian American and Pacific Islander communities in San Francisco. This scenic route winds through the heart of the city, passing by over 16+ historic AAPI landmarks—featuring goodies, resources, and fun facts about its cultural significance. Expect cheer stations, photo ops, sweet treats, and entertainment along the route to keep the energy high! May 10th is also AAPI Mental Health Day! The Our Wellness Festival, will celebrate mental health, community, and joy. The festival will feature family-friendly activities, carnival-style games, music, dancing, wellness resources, and more! May 23 at 5:30 pm – 8:30 pm Asian American and Pacific Islander LGBTQ2S+ Mixer NJAHS Peace Gallery 1684 Post Street, San Francisco Children's Fairyland in Oakland, and Stanford's Asian American studies department host a series of events throughout the month that we will post in the show notes for you to check out.  Bay Area Public Libraries AAPI Month Oakland public libraries feature reading lists for all ages, a grab and grow seedling kit and events like watermelon kimchi making!San Francisco Public Libraries There will be events for all ages at Library locations throughout the City, including free author talks, book clubs, film screenings, crafts, food programs and musical and dance performances. San Jose Public libraries host a series of events with a highlights being Tapa Cloth making on May 6 and Vegan Filipino Cooking with Astig Vegan on May 7 Berkeley public libraries   CAAMFest 2025 United States of Asian America Through June 1    Transcript: Filmmakers Exploring Boundaries   Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:57] Welcome to Apex Express and happy Asian American and Pacific Islander Heritage Month. Even though the Trump administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion. Here at Apex Express and KPFA, we believe in lifting up people's voices. And tonight on Apex Express, we are focusing on Asian American filmmakers exploring boundaries. Host Mika Lee talks with filmmakers, creators, writers Sarah Kambe Holland, Alleluiah Panis, and Kyle Casey Chu, also known as Panda Dulce. Join us on Apex Express.    Miko Lee: [00:01:51] Welcome, Sarah Kambe Holland, the amazing young filmmaker, writer, director, here to talk about your very first film, egghead and Twinkie. Welcome to Apex Express.    Sarah Kambe Holland: [00:02:04] Thanks so much for having me.   Miko Lee: [00:02:06] So first I'm gonna start with a personal question, which is an adaptation from the amazing poet Chinaka Hodges. And my first question is, who are your people and what legacy do you carry with you?    Sarah Kambe Holland: [00:02:19] Oh wow. What a great question. , I think that I represent my family and my heritage. I'm mixed, so I'm half Japanese and half British. I grew up partially in Japan and partially in the States. I feel like those experiences, my family, they make up who I am and the stories that I wanna tell.   Miko Lee: [00:02:41] And what legacy do you carry with you?    Sarah Kambe Holland: [00:02:45] I think the legacy of my family, my grandparents on both sides have overcome so much, and, , they're a big inspiration to me. Funny enough, my grandparents play kind of a secret role in this film. My grandparents on my mom's side were incarcerated in the Japanese American camps. My grandmom, my British side overcame a lot of adversity as well in her life. , I think that's the legacy that I carry.    Miko Lee: [00:03:09] Thank you. Tell me a little more, what secret role do your grandparents play in the film?    Sarah Kambe Holland: [00:03:14] all my grandparents have always been very supportive of, my art and my filmmaking. But my grandparents on my mom's side, they passed away ahead of the making of this film. And I inherited my grandfather's car. And that car is the car in the movie that, Egghead Twinkie drive cross country. So I like to think that this is their way of supporting me. I think that they would get a kick out of the fact that their car is like a main character in the film,    Miko Lee: [00:03:41] literally carrying you on your journey. I had so much fun watching the film. Can you share with our audience a little bit about what the film is about and what inspired you to create this?    Sarah Kambe Holland: [00:03:52] So the film is called Egghead and Twinkie, and it's about this mixed Asian teenage lesbian named Twinkie who's coming out and her best friend Egghead, who unfortunately is in love with her and she does not feel the same. , and they end up going on this cross country road trip to meet Twinkie Online love interest IRL for the very first time. So it's kind of like a buddy comedy road trip movie. Coming of age queer story, , and it's one that's very personal to me, I think is a mixed Asian queer person. This was a story I was drawn to tell because it was a story that I didn't really see on screen when I was growing up.   Miko Lee: [00:04:30] Can you talk to me a little bit more about the use of the name Twinkie, which for many folks in the A API community is seen as a slur, and I know she talks about it a little in the film, but can you share more how you came up with that?    Sarah Kambe Holland: [00:04:44] Yes, it's a very nuanced thing and it's something I was kind of nervous to tackle, especially like in a comedy film. , but really with the creation of Twinkie's character, , I feel like she's going on this journey to embrace herself as a lesbian, as a gay woman, but then also I think that she's searching for herself as a mixed Asian person. I feel like within the Asian American community, if you're raised here in the US or if you're mixed or if you're adopted, I think that there can be this feeling of not feeling Asian enough. I think the word Twinkie was something that was kind of weaponized against her. Like, oh, you know, you're not Asian enough, you're a Twinkie. And her way of coping with that is to kind of reclaim that word and kind of own that. As her own name.    Miko Lee: [00:05:31] Thank you so much for sharing. I read online that this is the very first feature film to be crowdfunded on TikTok. Can you talk a little bit about, I know your background is in as a social media creator. Can you talk about that journey from social media creator to filmmaker?    Sarah Kambe Holland: [00:05:51] Yes. Yeah. TikTok and social media was such a big part of getting this film made. Uh, so for myself, yeah. I was a YouTuber before I was a filmmaker. I should be clear, I wasn't like PewDiePie or anything like that. I had like 40,000 followers. Um, but for me at that time when I was like 15, 16, that felt like the whole world. Um, and I think that YouTube was really my first introduction to. Storytelling, but also to making friends with people through the internet. And that ended up being a really big influence on this film because Twinkie is traveling cross country to meet a girl that she meets online. And I think that that is such a common story nowadays. Like people make friends online all the time. Um, and the ways that we find love and community has changed.Because of the internet. Um, so it felt very appropriate that we turned to TikTok turned to social media as a means to raise money for this film. Uh, we did a whole targeted crowdfunding campaign on TikTok and we raised over $20,000 from a lot of strangers that I will never meet, but I owe a lot of thanks to.   Miko Lee: [00:06:53] So now that the film has been going out to different festivals and being screened at different places, have any of those that participated in the crowdfund, have you met any of those kind of anonymous supporters?    Sarah Kambe Holland: [00:07:05] Yes. And that was crazy. it was awesome. We screened it over 40 festivals all around the world. Our international premiere was at the British Film Institute in London. And it was at that screening that someone raised their hand during the q and a and they were like, I just wanted you to know that I backed your movie, uh, and I found you on TikTok. And that just blew my mind that someone on the other side of the world, you know, had donated whatever, you know, 10, 20 bucks to making this thing a reality.   Miko Lee: [00:07:31] Oh, I love that when the anonymous becomes real like a person in front of you that you can actually meet. How fun. I'm wondering if your use of animation is, , been influenced by your social media background.    Sarah Kambe Holland: [00:07:45] Not really. Actually. I think the animation part of this film is just because I'm a total nerd. I really love animation, I love comics. And so that kind of bled into Twinkies character. You know, she loves comics, she wants to be an animator. And, uh, I think I've always been interested in the idea of combining 2D animation with live action footage. I feel like that's something that we see a lot in like children's movies or, um.Music videos, but it's not something that you really see in like, feature films all that often. So I was kind of excited to explore that, and it was a really fun collaboration with myself and our lead animator, Dylan Ello, who did most of the animations in the movie.   Miko Lee: [00:08:28] Oh, thank you for that. I, I, it was very delightful. Um, I'm wondering, because we're, our world right now is incredibly complicated and so conflicted. How do you feel filmmaking can make a difference?    Sarah Kambe Holland: [00:08:44] I feel like art is more important now than ever because I see even in just this film's journey how art literature and movies, it can change people's minds and they don't even realize that their minds are changing.I think especially with this film, 'cause it's so lighthearted and funny and silly, you'd be like, oh, it's just, you know, a good laugh and that's it. But, but not really. I've seen this film. Open doors and open conversations. And I think that that's really my hope is that maybe, you know, parents who have a queer kid and they're not sure what to do about it, maybe they'll watch this film and they'll be able to talk to their kid about things that maybe they're afraid to talk about. I think that art really has the power to, to change people's minds.    Miko Lee: [00:09:29] Have you experienced that with somebody that has actually seen your film, that you've had a conversation with them where they walked away, changed from seeing it?    Sarah Kambe Holland: [00:09:38] Well, on a very personal level, um, my parents, uh, are conservative and I think when I first came out to them, it was an adjustment for sure. Um, I. When I initially kind of pitched the idea of Egghead and Twinkie to them years, years ago, uh, as a short film, they were confused. They were like, why do you wanna make this film about being gay? Like, why do you have to make everything about being gay? And that's not really what it was. I just wanted to tell this story.  And it's been such an amazing journey to see my parents like fully embrace this movie. Like they are egghead and Twinkie biggest fans. They might love this movie more than me. Uh, so that has been really amazing to be able to kind of talk to them about queer issues in my identity through the making of this movie.   Miko Lee: [00:10:24] I love that. So let our audience know how they can see your film, egghead and Twinkie.    Sarah Kambe Holland: [00:10:31] So Egg and Twinkie is coming out on streaming platforms on April 29th. It'll be on Apple tv, Amazon Prime, uh, any video on demand streaming platform in North America.    Miko Lee: [00:10:43] Yay. And Sarah, what are you working on next?    Sarah Kambe Holland: [00:10:46] Oh boy, have a big question. Uh, I have a few screenplays in the works, one of which is a time traveling lesbian rom-com. So, uh, I'm waiting for when I get the big bucks so I can make my first period piece.    Miko Lee: [00:10:59] Love it. Sounds fun. , thank you so much for sharing with us. It was such a delight to see your film and I look forward to seeing more of your work.   Sarah Kambe Holland: [00:11:08] Thanks so much for having me, Miko. This was great.    Jalena Keane-Lee: [00:11:11] Listen to Kushimoto Bushi by Minyo crusaders, a Japanese cumbia band    MUSIC   Welcome back. This is the Powerleegirls on apex express, and that was Kushimoto Bushi by Minyo Crusaders    Miko Lee: [00:15:24] Welcome, Alleluia Panis, the Executive Director of Kularts to Apex Express.    Alleluia Panis: [00:15:30] Thank you. I'm so honored to be here.    Miko Lee: [00:15:34] I wanna talk with you about your film, but first I wanna start with a personal question, which is an adaptation from the amazing poet Chinaka Hodges. And that is, who are your people and what legacy do you carry with you?   Alleluia Panis: [00:15:49] Wow, that's deep who are my people? My people is my community. And so it is here in, in the diaspora, Filipino Americans, Asian Americans, and folks of color. And then of course the indigenous people in the Philippines. . What I carry with me and continues to inspire me on the daily is the knowing that we have been here for a long time. Our ancestors have survived eons of whether it's, good times and bad times. And so that keeps me going.   Miko Lee: [00:16:28] Thank you so much for sharing. you have been working in the field for a long time. You're really, , a trailblazer in terms of putting Filipino arts on the map and really lifting up the culture. Can you talk about your new film Memories of Mindanao, where that came from, what it's all about?   Alleluia Panis: [00:16:49] Is a leg of, , Tribo tour, which began in 2002. But actually inspired by my first trip to, , then the wild and being with in 1989 , and, , basically traveling and. Setting myself and my, my, my music and dance company at the time to just be with indigenous people. ,and how profoundly that particular experience really impacted me. For years I've been wanting to like, how can I bring this? Experience or share the experience with other diasporic folks. Fortunately I was able to connect with Carlo Abeo in the Philippines, who's been my tour manager, in 2001. And then in 2002 we embarked on the first, Tribo tour.   Miko Lee: [00:17:50] So this was an effort to really share this powerful kind of artistic travel journey with more folks. Is that right?    Alleluia Panis: [00:17:57] Yes. And it's actually beyond artistic. It's really about recognizing something deeper, right? Because our history of colonization is pretty intense. 500 years and or is it 400 years? Give or take, a century. And so there are a lot of things that had been co-opted. It has been erased, it has been gaslit. And fortunately, I feel like within the culture of the archipelago, there are, and even those. That are, of the, what is considered the colonized people or the Christianized people. there are practices that exist today that might have a different name, um, or but actually is indigenous and so, and only. Could I say that because I was able to really experience and be with folks and, uh, and it's years, you know, it's years of kind of like assessing and looking at you know, different, uh, practices. And so that is so I don't know. It's beyond gratifying. It's connecting. I mean, it seems so cliche. It's connecting with something so deep, you know, it's like connecting to, you know, to Mother Earth in, in that way our, our Mama Ocean. And recognizing yourself that, that you are bigger and have, and has agency, you know, in terms of just. What you are connected to, uh, what we are connected to. Um, and so it's, it's it, of course within the cultural practices, which is artistic practices that we see that connection.    Miko Lee: [00:19:40] You were looking at, the impact of colonization and how arts and culture has really spoke to that or fought back against that in the Philippines. Can you talk about bringing that over to our colonized United States and how you see that playing out?    Alleluia Panis: [00:19:58] Well, I think first of all as, um, as folks of color. And as former subjects of the United States, you know, 40 years of the US and still, still, um, you know, in some ways kind of soft power over the people of the Archipelago. It's, it's really, um, first and foremost knowing or getting that sense of connection and confidence and, um, self-identity. That leads, that would lead us to create, um, in the diaspora. And so what, what this pro with this project, this particular program does and, and I continue to prove it with so many folks, is that it's really. Kind of finding yourself, I mean, that, that seems so cliche and knowing your place in the world and how you are connected so deeply despite all the, you know, like all the brainwashing that you don't know anything. Everything is, uh, you know, everything that, that, that, um, that exists in terms of the cultural practices of the arch of the people of the archipelago are borrowed or, or, um. Basically borrowed or taken from another culture, um, really kind of diminishes that, that colonized thinking. And so I think the power of it is finding your stepping into your own power in this way. Um, and, and, um, you know, it is also not just the current, like in, in once lifetime do you get that abuse or trauma, but it's also all the. You know, the, the, the inheritance from our, you know, from our parents, from our grandparents, right? Great. Passed down the generation and, um, oftentimes construed as the real deal, unt true. And so, aside from the form. Aside from, um, the practices, because this trip is really a little, is is focused more on not learning or like, you know, we don't go to learn like dance music or. Weaving or, you know, design or anything like that. Yes, that happens. We do, we do have workshops, but you know, it's not like it's, it's more like opening the ice of each, you know, individual. I. To the, to the, the whole, the whole thing. What, what is the, the presence of nature is, are they water people? Well, how does the water impact the cultural practices and therefore the artistic practices, um, and understanding sort of like, oh, they, they do that kind of steps with the, you know, flat feet or whatever. Because the sound of the bamboo slats is just. Amazing, you know, uh, under their feet. And so it's not so much that I'm gonna learn, you know, x, y, Z dance or x, y, z music, music or gongs, or, but it's more like w. Through those practices, how do we see the people, how do they mirror our own existence? And what, what we can remember really is remembering, um, what my, what, what we have forgotten or what we know it's true, but we're not sure. So I dunno if I'm answering your question. It's a roundabout response.    Miko Lee:[00:23:26]  I feel like you're talking about how we step into our ancestral wisdom and power.    Alleluia Panis: [00:23:33] Correct.    Miko Lee: [00:23:33] And I'm wondering if you can expand on that,, to talk a little bit more about this time of oligarchy we are living in, which is really built in colonization. How do we both as artists use our superpowers to fight back against that and then encourage other people? How do we use our artist beings to encourage other people to fight back against the world that we're living in right now?  Alleluia Panis: [00:24:00] One of the most powerful impact on me , in experiencing, indigenous practices and culture is the practice of spirituality, the rituals, the ceremonies. There's one specific ceremony from Ana as a magana on ceremony, um, that really, It was just such a profound experience in opening up, my senses and my sense of connection to something larger than this. And, and the EPO and, um, there's several, um. Ritual practices with different names. It's basically similar, uh, practice, uh, is the connection to the five elements and the basic, um, um, and fundamental elements of life. You know, water, earth, wind, fire, and the darkness. The, there's a transcendence. Um. And that that discovery is a, or that connection, um, is something that's, it sounds really woo woo, right? I mean, um, but it really becomes kind of a, a, an experience, an embodiment experience, a belief in your own kind of intuition, your gut feeling. My, uh, my. Um, response, you know, to it, a physical response. And, um, that, that's become like a, a guide for, for everything that I do. And so, um, to me that that is the grounding that, um, has allowed me to continue the work that that. That I've been doing, continue living, period. And so it's really, I think the, a matter of really kind of like, knowing yourself, it just sounds all so cliche, you know? And, and, the power of, Really understanding that you have or I have a depth of connection, that I can draw from in terms of energy and spirit and love, that is beyond kind of the physical, but also the physical. And so for me, that sense of knowing. Is what is allowing me to continue doing what I do despite all the, you know, challenges and difficulties and, you know, the insanity of these times or any time. and having kind of that grounding, I mean, you, you, the, the, clarity, is everything. it allows me to. follow what seems to be the correct route to wherever I was going. it doesn't mean that it's, it's, I'm, I'm not working on it, you know, but I'm also not, not pushing in a way that, you know, I'm, I'm gonna make you believe in me and I'll, you know, like, sort of like, I will tell you what is the right thing and, and, and I will make you, um, agree with me. It, it's, it's not that. Um, I is, I dunno. Is that making any sense? Do you have any other,    Miko Lee: [00:27:24] you totally make sense to me. I'm wondering how people can find out how, how can people find out more about your film and about all of your work?    Alleluia Panis: [00:27:34] Oh, sure. people can find out about, my work and the film through, um, the website. It's, uh, KulArts SF dot org and, most of, if not all of my work, uh, and the work of others, are actually on there. There's a lot of information there. the, the film is gonna be shown at the Los Angeles Asian Pacific, film Festival May 3rd at, uh, a MC. Eight or 14 or is it in, Monterey Park and, folks can actually just find that information on our website as well.    Miko Lee: [00:28:13] And what would you like audience to walk away from your film with an understanding of?   Alleluia Panis: [00:28:21] I want the audience to feel the. Power of being there in TT T is the southernness most islands of, of the Philippines. And, not too many people actually go there. If you have seen the Sam Baja, um, you know, divers, uh, where they can dive for, I think they can stay from five to 15 minutes underwater without any, you know, oxygen or assistance. These are, these are the people who, who, uh, these islands belong to. and as usual, their, you know, their live livelihood is being challenged by everything that's happening in the world. And what the, the film itself, itself, is really trying to put, put the audience within the, you know, like the, I guess the, the shoe of the there and how, you know, their experiences. there's not a lot of explanation to it because we really want it to be a more visceral experience. for the audience,    Miko Lee: [00:29:22] is there anything else you'd like to share with us?    Alleluia Panis: [00:29:26] Let's keep on going. Let's, you know, we, we all, we all need to be in community to uplift each other and keep hope alive.    Miko Lee: [00:29:38] Thank you so much for joining us today and sharing a little bit more about your film and about your work and your connection to the ancestors and the need to move forward.   Alleluia Panis: [00:29:47] Appreciate you. Thank you, Miko.   Miko Lee: [00:29:51] Welcome Kyle Casey, Chu, also known as Panda Dulce to Apex Express.    Kyle Casey Chu: [00:29:57] Hi so much for having me.    Miko Lee: [00:29:59] We're so happy to have you back here, onto Apex Express Land and you have a bunch of new things happening, not just a new film, but also a new book. First off, I'm gonna just start with a personal question, which I ask everyone. Who are your people and what legacy do you carry with you?    Kyle Casey Chu: [00:30:16] Ooh, that's a juicy one. Um, my people, I would say my people are the weirdos and the art freaks of the world. Uh, queer and trans people, Asian Americans, queer and trans Asian Americans, people of color, people from the Bay Area. Um, people who have noticed the boxes that they're in and are pushing the walls and the boundaries of that. I feel like these are the people who really inspire me the most. In terms of the legacy I bring, I am a fourth generation Chinese American, uh, queer and trans femme person living in the San Francisco Bay area where I was born and raised.   Miko Lee: [00:30:56] Thanks so much for sharing. , first let's start with just finding out more about your film, which was based on a true story called After What Happened at the Library. This was a national story, I remember hearing about it, but for folks that don't know, can you describe the real incident that inspired the film?    Kyle Casey Chu: [00:31:14] So, I'm one of the founders of Drag Story Hour, which is exactly what it sounds like., drag queens reading stories to, , children and their families and libraries, bookstores and schools. In 2022, I took a gig in Pride Month at San Lorenzo Public Library, , where I was doing a drag story hour and the Proud Boys stormed in. They called me a tranny, a groomer and an it. They wore shirts saying, kill your local pedophile and I had to retreat to the back and lock myself in the back room. They scoured the premises looking for me. , the authorities showed up and didn't get any of their names or information, um, and just. Dispersed them. And after the incident, I came back to the reading room where the children and families were there, but shaken and I completed the reading.    Miko Lee: [00:32:05] Incredibly traumatic. What happened after that in real life?    Kyle Casey Chu: [00:32:10] It's funny that you, uh, because the short film is called After What Happened at the Library, uh, for a reason because I feel like it's natural as social creatures for humans to focus on the incident itself. We want to approach people with empathy and we want to, really put ourselves in their shoes, uh, to kind of be there as a support for them. What I wasn't prepared for was the gauntlet of media attention, how people would be coming out of the woodwork to ask me about the situation. They would send gushing praise, hate mail, death threats, love letters, care packages, and this wave of attention. Almost added to the overwhelm of the experience and the fact that I had suddenly become a figure and a lightning rod in a culture war when I just wanted to read a book in a library. 'cause that's what I was doing. Um, and not only this, but in the coverage of the event. Because the authorities were so slow to act on this and only started investigating it as a hate crime after it blew up on Instagram and they suddenly felt the heat of media attention. Um, I felt the, my only recourse was to go to the media and was to talk, and especially as a writer and a storyteller, I felt I needed to kind of sound the alarm because it was pride month.  This was the first, this was the inciting incident of a national, even international anti-D drag wave of right wing extremism. Um, it was a couple days later that the oath keepers were found planning some kind of resistance, like violent insurrection in before Ohio Pride. And so I would talk to these journalists and. I felt in the beginning I trusted them because, you know, I trusted that they wanted to get the word out, that they had the same intentions that I did in protecting my people. And what I found instead was that they kind of almost, they tried to elicit the most emotional response from me, which often involved asking me to relive the most excruciating aspects of that time and that experience. So I had to go back and revisit it over and over again. And when the stories actually came out, I'd found that my story was edited to suit another preconceived formula that they had already pitched a certain idea for how the story was would go. That painted me as this static monolithic victim. And they would just plug in one tearful soundbite and the rest of the story, they could just say whatever they wanted with.And there's a certain violence in that. There's a certain. Greater injustice to going through something like that, number one. But number two, telling your story and having that be distorted to suit other political aims or to, you know, buttress a call for public safety. And that specific dynamic of the direct aftermath of notoriety is what the short film gets at.   Miko Lee: [00:35:11] Oh so you're taking back your own story.    Kyle Casey Chu: [00:35:14] Absolutely. So after what happened at the library, the short film is a very much a radical reclamation of my own voice and my own story. Um, prying it back from the hands of the media and telling it on my own terms.    Miko Lee: [00:35:26] Thank you for that. And how has it been received   Kyle Casey Chu: [00:35:29] So far it's been received very well. The short film World premiered at Florida Film Festival in Orlando. Received a special jury prize for courageous voice in a time of great need, which is incredible. It's our first screening and we already got an award, which is so exciting. It just screened at SF Film on April 23rd as part of the shorts block. SF film is an Academy Award qualifying festival, and it is going to screen again at Can Fest, one of my favorite local festivals, the world's largest Asian and Asian American film showcase it's screening on Friday, May 9th at Kabuki and tickets are on sale.   Miko Lee: [00:36:11] Thank you for that. And can you tell us about your new book? This is very exciting. You have a coming of age story, the Queen Bees of Tybee County. Can you tell us about your book?   Kyle Casey Chu: [00:36:22] Absolutely. When it rains, it pours in creative worlds. I had a lot of irons on the fire and it just so happened that all of them were exhibiting or debuting or hitting shelves in the same week of April, which is last week. The Queen Bees of Tybee County is my debut novel. It's middle grade, so for ages eight through 12, though like a Pixar movie, it's for all ages really. Um, and it is a hopeful drag coming out story about a queer Chinese American seventh grade basketball star. Derek Chan, who is unceremoniously shipped off to his grandma Claudia's in rural Georgia, and she is volunteering for a local pageant. And so he. Explores his queer identity and his love for drag via Southern pageant culture.    Miko Lee: [00:37:09] Ooh, do we see a film of this in the future?    Kyle Casey Chu: [00:37:12] Actually, Queen Bees of Tybee County was optioned by Lambert Productions, which put on the Hardy Boys on Hulu. So it is on its way to becoming a TV show if every, if all the stars align, it'll be on TVs in the uk. Fingers and toes crossed for that.    Miko Lee: [00:37:27] Amazing. I'm looking forward to that. Can we pull ourselves out a little bit and talk about the times that we're living in right now and how artists use our super powers to fight back against the oligarchy that we're living in?    Kyle Casey Chu: [00:37:43] We all know, or perhaps should know that the beginnings of fascism involve suppressing intellectuals and artistic voices, increasing police presence and trying to maintain a stiff and consistent lid on the voices of the people. And so this type of suppression is happening right now. There are book bans across the country. , there are state and federal efforts legislatively to curtail the rights of trans kids and trans athletes, and Intellectuals, diplomats and scholars are all being expelled or suppressed, and I think something that I've learned is that, and it sounds really cheesy, but that quote is so real where it's like being brave isn't the absence of fear, but it's doing things in spite of it. I know it feels very scary to speak out right now, but now is the exact time to speak out because any. Ground that is seated cannot be taken back. And so holding of the line by way of protest, by way of publication, by way of dissenting is how we crack this. The armor of fascism.    Miko Lee: [00:38:55] And can you talk a little bit about the moment of joy or celebrating joy within the context of the strife that we're living in? I bring that up because , you've given me much joy as part of the rice rocketts and a lot of the work that you do. So I wonder if you could just talk about what does joy mean in the moment like this?    Kyle Casey Chu: [00:39:16] Yeah. I think. I have a background in social work and one of the first things that we learned is this is hard work. It is hard to always start on your back foot and to have to argue your own humanity and justify your existence as an artist or as a person. I found myself doing that when coverage of the library incident was happening and. One of the things that they tell you is the way that you do your best work and the way that you best serve your communities is by keeping your own self afloat. And what this means is maintaining a balance. When you have hard work, you also need to reward yourself. You also need to take care of yourself. And I don't think it's enough to just say self-care. You need to expose yourself, and you need to fully embrace the full spectrum of human emotion, which necessarily includes joy. And so. After completing such an intense project, like after what happened at the library, I knew that I needed to engage in something that was hopeful and that really struck the cord of why community is so vital and important, and why social support is integral to all of us thriving. And so the Queen Bees of Tubby County, I was told by a reviewer, and this is my favorite review, they said that it's like Chapel R'S Pink Pony Club. If it were a book. Um, and I'm going with that 'cause I love that. But this story is really just about hope. It's about friendship, it's about, it's about dancing towards the future we want. And I don't think it is enough for us to react. I don't think it's enough for us to strike down. Terrible and horrifying regimes. We also must have a vision for the future that includes ourselves thriving and enjoying ourselves. And I think a part of that practice for me is making art and scaffolding a vision for the future that is positive.    Miko Lee: [00:41:20] And what would you like people to walk away from after either reading your book or seeing your short film?   Kyle Casey Chu: [00:41:29] I think after seeing the short film. What this gets at is whenever there's a flashpoint of a culture war and it's localized on one person, whenever a culture war is personified in one singular person, like for example, ma Moon kil. There's only so much of his life that we get to see, and it's through the headlines and this viral moment of like a flash on the pan. And I want people to realize that the way that you interact with these people in that fleeting moment is going to stick with them long after this moment of notoriety passes. And. To be conscientious and aware of what impact you're bringing to that person because it may just be a moment or a blip in your feed, but the impact is enduring for the person who's living it. And I also want us to be critical of how we consume trauma and violence in the media, and to ask ourselves if. We really, truly need to get all the details if we really, truly need to be put, put that victim in the position of reliving their experience just so we can relive it for a moment. Whereas they will have to relive it for the rest of their lives. And I think survivor narratives and victim narratives are way more messy and complicated and sometimes funny than people give it credit for or realize. And to realize that when you are reading something. That is just one dimension in one shade. Uh, yeah. So that was a lot, sorry. But, um, the other thing is for the Queen Bees of Tybee County. And the reason why I wanted to end on that is because it's uplifting is as dark as the world can be. It can also be as dazzling and bright and hopeful, and that the future that we are fighting for is worth fighting for. And we need to remind ourselves of that. Especially in times like these, and I know it might seem counterintuitive for us to celebrate or to be around each other when it feels earth shatteringly bleak, but it is essential to our survival, and don't be afraid to embrace that.   Miko Lee: [00:44:00] Kyle, thank you so much. Kyle, Casey Chu, thank you so much for joining us on Apex Express. I encourage people to check the film out and the book out and we appreciate chatting with you.    Kyle Casey Chu: [00:44:11] Thanks so much.    Ayame Keane-Lee: [00:44:14] Kyle's film will be showcased at Cam Fest, the nation's largest showcase for new Asian American and Asian films, which runs from May 8th to 11th in San Francisco at a time when it feels particularly fraught to express stories from communities of color. Cam is doing what we've done for over 40 years, sharing films from Asian America to a wide array of audiences. It says, Cam's, director of programs, Dawn Young. Watching these stories in a theater full of friends and neighbors is an opportunity to laugh and cry, and ultimately to celebrate human experiences that transcend bounds. This year's festival will return to the A MC Kabuki in San Francisco's Japan town for opening night, and a total of four days of screenings in the historic neighborhood that is undergoing its own resurgence with new restaurants, cafes, and boutiques, highlighting both traditional and youth oriented culture. The Roxy Theater will also host three days of screenings. Cam Fest continues to strengthen ties with other local arts institutions with the Asian Art Museum hosting the Cam Fest gala. Following the opening night film on Thursday May 8th and SF M Om a opening the Phyllis Wa Theater for Mother's Day programming on Sunday, May 10th. Turning a lens on history, whether it's the end of the Vietnam War or the trailblazing women in the Bay Area, offers a chance to reconsider the stories through which we come to understand ourselves. Says Cam Fest program Manager Del Holton, ranging from intimate narratives of family and memory to experimental work that bends the conventions of storytelling. These films illuminate the many perspectives of Asian America.    CAAM Fest 2025 wraps up on Mother's Day with dedicated events that highlight strength and visionary artistry of Asian American women. You can also catch my sister Jalena Keane-Lee's film Standing Above the Clouds at 5:00 PM at the Kabuki. Honoring Mothering also includes celebrating the nurturing of community and pioneering of aesthetics. Cam's final day reflects on the contributions of Asian American women's work while looking to the future of storytelling. Another major multimedia arts, dance and music festival to check out is the annual United States of Asian America which runs through June 1st at venues around the Bay Area. This year's theme Critical Refuge asks us to reflect on our journey as immigrants, refugees, and generations of descendants and or mixed raced people in the diaspora as we seek necessary sanctuary within ourselves and in our communities in times of unrest and uncertainty. The festival will honor a API Arts and Culture, reflecting on where we have been, where we are now, and what our collective future holds, while acknowledging our roots as immigrants, refugees, and mixed race descendants. Also check out the 42nd annual Himalayan Fair in Berkeley's Live Oak Park happening May 17th and 18th. There will be Himalayan Food, handicrafts, music, and Dance. There are so many events happening in celebration of Asian American and Pacific Islander Heritage Month. Check out our show notes for links to all the wheelchair accessible events In addition to the films we featured tonight, camp Fest and United States of Asian America, there is also May 3rd, two to 6:00 PM daily city AAPI fest celebrating local Asian American and Pacific Islander culture in daily city in the greater San Francisco Bay area.    May 10th, 10:00 AM to 12:00 PM Our heritage, 5K 2025. A free family friendly, 5K fun walk slash run. Honoring the rich history and contributions of Asian American and Pacific Islander communities in San Francisco. This scenic route winds through the heart of the city. Passing by over 16 plus historic A API Landmarks featuring goodies, resources, and fun facts about its cultural significance. Expect cheer stations, photo ops, sweet treats, and entertainment along the route to keep the energy high. May 10th is also a API Mental Health Day. The Our Wellness Festival will celebrate mental health, community and joy. The festival will feature family friendly activities, carnival style games, music, dancing, wellness resources, and more. May 23rd at 5:30 PM to 8:30 PM Asian American and Pacific Islander, LGBT Q2 s plus Mixer, NJAHS, peace Gallery 1684 Post Street in San Francisco. Children's Fairyland in Oakland and Stanford's Asian American Studies apartment will also host a series of events throughout the month that we will post in the show notes for you to check out in Bay Area Public Library News. Oakland Public Libraries feature reading lists for all ages, a grab and grow seedling kit and events like Watermelon Kimchi making. San Francisco Public Libraries will have events for all ages at library locations throughout the city, including free author talks, book clubs, film screenings, crafts, food programs, and musical and dance performances. Highlights for adults include the launch of Corky Lee's Asian America at the main library on May 23rd. The new book features over 200 breathtaking photos celebrating the history and cultural impact of the Asian American Social Justice movement. We've covered Corky Lee's work in multiple previous Apex episodes.    Additionally, four members of the Asian American Journalist Association, AAJA, who cover the Asian American and Pacific Islander News beat will discuss how authentic local reporting happens, important stories they've reported recently, and how having reporters dedicated to the BEAT impacts the A API community on May 8th, moderated by the interim president of the AAJA-SF Bay Area chapter Harry Mock. The panel features Ko Lyn Chang from the San Francisco Chronicle, Han Lee from the San Francisco Standard, and Ravi Kapoor, CEO of Dia, TV on May 25th. The library partners with the Chinese Cultural Center of San Francisco to welcome Curtis Chin, author of everything I Learned, I learned in a Chinese restaurant for a book talk and library popup. For youth on May 25th, join June Jo Lee Food ethnographer and award-winning children's book author for a kimchi demo. Read aloud and krautchy making activity. Experience a read aloud of New Picture Storybooks for Children and participate in a drawing workshop on comics with illustrators mini fan and Sophie Dialo on May 23rd at Excelsior Branch Library. Katie Kwan, who has been featured on Apex dives into the world of comics and zines through the lens of an Asian American artist and educator, and teaches the community how to make their own comics and zines at multiple locations throughout May. San Jose Public Libraries host a series of events with highlights being top of cloth making on May 6th and vegan Filipino cooking with Aztec Vegan on May 7th. Once again, happy Asian American and Pacific Islander Heritage Month from us at Apex Express. Please do checkout CAAM Fest. May 8th through 11th in San Francisco. If you get the chance and you'll be able to see Kyle's film. As well as many other incredible AAPI, histories and stories. You can check out all of that community calendar info in our show notes, as well as information on all of the guests you heard from tonight.   Miko Lee: [00:51:55] Please check out our website, kpfa.org to find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee.        The post APEX Express – 5.1.25 – Filmmakers Exploring Boundaries appeared first on KPFA.

The San Francisco Standard's John Shea joins Papa & JD before the series finale vs the Padres at Petco ParkSee omnystudio.com/listener for privacy information.

The San Francisco Standard's John Shea joins Papa & JD before the series finale vs the Padres at Petco ParkSee omnystudio.com/listener for privacy information.

Sports reporter, covering the 49ers, for The San Francisco Standard, David Lombardi joined Murph & Markus this morning to share his perspective on 49ers edge rusher Mykel Williams and to explain why the remaining six rounds of the draft are so importantSee omnystudio.com/listener for privacy information.

Sports reporter, covering the 49ers, for The San Francisco Standard, David Lombardi joined Murph & Markus this morning to share his perspective on 49ers edge rusher Mykel Williams and to explain why the remaining six rounds of the draft are so importantSee omnystudio.com/listener for privacy information.

Warriors beat writer for The San Francisco Standard, Danny Emerman joined Murph & Markus this morning to share his perspective on Jonathan Kuminga's role moving forward and how the Warriors matchup against the GrizzliesSee omnystudio.com/listener for privacy information.

Warriors beat writer for The San Francisco Standard, Danny Emerman joined Murph & Markus this morning to share his perspective on Jonathan Kuminga's role moving forward and how the Warriors matchup against the GrizzliesSee omnystudio.com/listener for privacy information.

Warriors Beat Writer for the San Francisco Standard, Danny Emerman, joins Papa & Silver to assess why this past week can benefit the Warriors despite the display of fatigue on Sunday, and what it will take for the Warriors to get a top 6 seedSee omnystudio.com/listener for privacy information.

Warriors Beat Writer for the San Francisco Standard, Danny Emerman, joins Papa & Silver to assess why this past week can benefit the Warriors despite the display of fatigue on Sunday, and what it will take for the Warriors to get a top 6 seedSee omnystudio.com/listener for privacy information.

In San Francisco, Black men born between 1951 and 1970 accounted for 12% of overdose deaths between January 2020 and October 2024, despite representing less than 1% of the city's population. The disparity in San Francisco is greater than any other major city.  Today, we hear from Richard Beal, director of recovery services at the Tenderloin Housing Clinic, about his personal story of addiction and recovery, and later talk with The San Francisco Standard's David Sjostedt about what's behind this trend of Black overdose deaths in the city.  Links: SF is losing a generation of Black men to overdoses. It's worse here than anywhere Learn more about your ad choices. Visit megaphone.fm/adchoices

San Francisco Standard columnist Tim Kawakami joins Papa & Silver from Oracle Park before the Giants' home opener against the MarinersSee omnystudio.com/listener for privacy information.

San Francisco Standard columnist Tim Kawakami joins Papa & Silver from Oracle Park before the Giants' home opener against the MarinersSee omnystudio.com/listener for privacy information.

Stanford University has long been a feeder for the neighboring tech industry with graduates often heading to a brand name of Silicon Valley. But the times, they are a-changin’, according to writer Jasmine Sun. She reported recently for the San Francisco Standard that building tech for the military has become cool on campus. One student, Divya, said her “most effective and moral friends are now working for Palantir.” Marketplace’s Meghan McCarty Carino spoke with Sun about how this shift compares to when she attended Stanford in the late 2010s.

Stanford University has long been a feeder for the neighboring tech industry with graduates often heading to a brand name of Silicon Valley. But the times, they are a-changin’, according to writer Jasmine Sun. She reported recently for the San Francisco Standard that building tech for the military has become cool on campus. One student, Divya, said her “most effective and moral friends are now working for Palantir.” Marketplace’s Meghan McCarty Carino spoke with Sun about how this shift compares to when she attended Stanford in the late 2010s.

John Shea of the San Francisco Standard joins Papa & Silver to discuss expectations for Robbie Ray and the possibility of a salary cap in the future of Major League BaseballSee omnystudio.com/listener for privacy information.

John Shea of the San Francisco Standard joins Papa & Silver to discuss expectations for Robbie Ray and the possibility of a salary cap in the future of Major League BaseballSee omnystudio.com/listener for privacy information.

Sports Reporter for The San Francisco Standard, David Lombardi joined Murph & Markus this morning to explain why the 49ers are cutting ties with fan favorites and shifting from 21 personnel to 12 personnelSee omnystudio.com/listener for privacy information.

Sports Reporter for The San Francisco Standard, David Lombardi joined Murph & Markus this morning to explain why the 49ers are cutting ties with fan favorites and shifting from 21 personnel to 12 personnelSee omnystudio.com/listener for privacy information.

Tim Kawakami of the San Francisco Standard joins Rob on Striking Gold to talk about his insight into the team. Tim talks about the likelihood of former Chargers DE Joey Bosa joining his brother Nick on the 49ers defensive line, as well as the 49ers' new dynamic, where high-priced contracts may be harder to come by.

From 'The TK Show' (subscribe here): Tim Kawakami talks to San Francisco Standard baseball writer John Shea about the different focus for the Giants these days with Buster Posey in charge. Also, Bryce Eldridge's development, Willy Adames' presence, and Justin Verlander's impact. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Tim talks to San Francisco Standard baseball writer John Shea about the different focus for the Giants these days with Buster Posey in charge. Also, Bryce Eldridge's development, Willy Adames' presence, and Justin Verlander's impact. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Sports reporter, covering the 49ers, for The San Francisco Standard, David Lombardi joined Murph & Markus this morning to break down what John Lynch told the media on Wednesday and to discuss what the 49ers are going to do with Deebo SamuelSee omnystudio.com/listener for privacy information.

Sports reporter, covering the 49ers, for The San Francisco Standard, David Lombardi joined Murph & Markus this morning to break down what John Lynch told the media on Wednesday and to discuss what the 49ers are going to do with Deebo SamuelSee omnystudio.com/listener for privacy information.

Baseball Columnist for The San Francisco Standard, John Shea joined Murph & Markus to discuss his departure from the San Francisco Chronicle, joining The San Francisco Standard, and to share his perspective on the state of the Giants.See omnystudio.com/listener for privacy information.

Baseball Columnist for The San Francisco Standard, John Shea joined Murph & Markus to discuss his departure from the San Francisco Chronicle, joining The San Francisco Standard, and to share his perspective on the state of the Giants.See omnystudio.com/listener for privacy information.

This is a free preview of a paid episode. To hear more, visit wisdomofcrowds.live“Something is happening here and you don't know what it is,” goes the Bob Dylan track from 1965. That song was directed at the squares who weren't yet hip to the Sixties. It sounded foreboding then, and it sounds foreboding now, because something is happening, again — something perhaps as great and consequential as the cultural changes of Dylan's time. For several years now, people have been speaking about a cultural “vibe shift.” The MAGA electoral victory appears to have been the culmination of that shift. The Trumpist victory has ushered in a new political elite and with it, a cultural style that is more transgressive, crude, and rude than the once-liberal American mainstream. Helping us understand what's happening is this week's special guest, Sean Monahan, one of the most perceptive cultural forecasters of our time. If you've ever used the term “normcore,” or if you've heard someone talk about a “vibe shift,” you've been influenced by Sean. And if you haven't heard those terms, then you're about to learn a lot about American culture in this episode. Sean is a writer, trend forecaster and brand consultant, whose Substack, 8Ball, is an oracle of cultural insight.Sean joins Christine Emba and Shadi Hamid and they all get deep about vibes. What is a vibe? Can it be defined? If it can't, then how is it a useful concept? Is it based on material conditions? How long does a vibe last? But the conversation soon ventures beyond these theoretical generalities. Shadi wants to know whether American culture has fundamentally shifted to the right since the rise of Trump. Christine detects a mean streak to this new culture: a certain cruelty or at least, ruthless competitiveness. Sean puts things in perspective, explaining how generations create, condition, and then abandon trends, and how the weird period of Covid lockdown had a unique effect on trend creation, one that still affects us to this day. He also describes the new aesthetic of the Trump era, which he believes is based primarily on desire for money, and which he has dubbed, “Boom Boom.”In our bonus section for paid subscribers, Sean discusses why religion has become attractive to young people, especially young men, whether he sees good vibes or bad vibes in the near future, and whether he believes most Americans actually like Trump and DOGE.Required Reading:* Sean Monahan's Substack, 8Ball.* Sean Monahan, “Anatomy of a Vibe Shift” (8Ball).* Sean Monahan, “Boom Boom: Anatomy of a Trend” (8Ball).* Sean Monahan, “The Counter Elite Won the Meme War” (8Ball).* CrowdSource: “Truth and Vibes” (WoC).* Famous 2022 article from New York Magazine: “A Vibe Shift is Coming” (New York).* W. David Marx, Status and Culture: How Our Desire for Social Rank Creates Taste, Identity, Art, Fashion, and Constant Change (Amazon).* Pierre Bourdieu, Distinction (Amazon).* Mana Afsari, “Last Boys at the Beginning of History” (The Point).* Saddle Creek Records.* Bright Eyes (Saddle Creek).* “Cottagecore Aesthetic, Explained” (Country Living).* MySpace.* Matthew Walther on the origin of “Woke Capital” (American Conservative).* “Dimes Square” (Know Your Meme).* Alex P. Keaton (Wikipedia).* Gordon Gecko (Wikipedia).* Patrick Bateman (Wikipedia).* Bret Easton Ellis, American Psycho (Amazon).* American Psycho film (YouTube).* Graeme Wood, “How Bronze Age Pervert Charmed the Far Right” (The Atlantic).* “Yosemite Locksmith: 'The People Who Fired Me Don't Know What I Do'” (MSN).* “Garry Tan for mayor? ‘Never, or 20 years from now,' Y Combinator chief says” (San Francisco Standard).Wisdom of Crowds is a platform challenging premises and understanding first principles on politics and culture. Join us!

JOEL PASH, M.D., a leading expert in penile enlargement and the co-founder of Upsize, a national series of clinics dedicated to safe and effective enhancement procedures. Dr. Pash is pioneering a revolution in this often-misunderstood field, advocating for accurate, reliable information and focusing on medically sound techniques that prioritize patient safety and satisfaction. Many men are overwhelmed by the sheer amount of enhancement options available, leading to confusion and potentially harmful decisions. Dr. Pash offers valuable insights into the modern landscape of penile enlargement, shedding light on both the science behind the procedure as well as the safest and most effective methods. His expertise includes injectable and non-surgical options and he aims to debunk junk-related myths while highlighting the latest research available.   We talk about the specifics of the procedure and the various reasons people get the procedure.   Dr. Pash has been featured in The San Francisco Standard and on The irRational Moms podcast. This informative and engaging interview will empower listeners with useful and prescriptive information to consider before they or their partners begin pumping, stretching, or inserting in their pursuit to go big or go home. www.upsizematters.com www.urosculpt.com    

The Walter E. Hoadley Annual Economic Forecast, presented by Bank of America. Major changes are coming to tax, tariff, and regulatory policy in the wake of the November 2024 election. What impact will the new administration and Congress have on the economy in 2025? Will inflation be a big factor? How will our international trade fare? And will unemployment and consumer spending continue on their current paths? Our expert panel—including John H. Cochrane, the Rose-Marie and Jack Anderson Senior Fellow at the Hoover Institution; Mary Daly, the president and CEO of the Federal Reserve Bank of San Francisco; Susan Hyde, Robson Professor in the Travers Department of Political Science and co-director of the Institute of International Studies at UC Berkeley; Baie Netzer, senior investment strategist for Bank of America Private Bank; Adam Lashinsky, editor-at-large for The San Francisco Standard and contributing columnist for The Washington Post (moderator)—will give you insight to help you better understand the trends, policies, dangers and opportunities that lie ahead for your business and your wallet in 2025. Commonwealth Club World Affairs of California is a nonprofit public forum; we welcome donations made during registration to support the production of our programming. This event is underwritten by Bank of America. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's we're reacting to a report by Tim Kawakami of the San Francisco Standard detailing insider information on the contract negotiations between the San Francisco 49ers and quarterback Brock Purdy! Plus, do the report indicate the 49ers are completely sold on Purdy's ability as a franchise quarterback? Purchase G.O.A.T Fuel: ⁠https://goatfuel.com/?rfsn=8542698.99750d3⁠ Visit Sports Spyder for up to date 49ers content: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://sportspyder.com/nfl/san-francisco-49ers/news⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @49ers_Access⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @49ers.Access⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SeatGeek:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ “49ERSACCESS” for $20 off your first purchase!

Sports reporter for The San Francisco Standard, David Lombardi joined Murph & Markus this morning to discuss the 49ers rehiring Robert Saleh as DC and to react to Brant Boyer being named 49ers special teams coordinator.See omnystudio.com/listener for privacy information.

Sports reporter for The San Francisco Standard, David Lombardi joined Murph & Markus this morning to discuss the 49ers rehiring Robert Saleh as DC and to react to Brant Boyer being named 49ers special teams coordinator.See omnystudio.com/listener for privacy information.

What is COF 999?UC Berkeley chemistry professor Dr. Omar Yaghi recently led a study which has the potential to be revolutionary in reducing the quantity of carbon dioxide present in the atmosphere. “Covalent organic framework number 999,” or COF 999, is a yellow, powder-like material that has billions of tiny holes. Inside of these holes, researchers in Dr. Yaghi's lab have installed molecular units that can seek out carbon dioxide, enabling the substance to suck in and capture the carbon dioxide. COF 999 has a huge capacity for absorbing emissions; half a pound of the powder can absorb as much carbon dioxide as a tree captures in a year.The carbon dioxide problemThe quantity of carbon dioxide in the atmosphere has reached an all-time high, with a global average in 2023 of 419.3 parts per million. This immense amount of carbon dioxide in the atmosphere comes from a number of human sources, the most common of which is the burning of fossil fuels such as coal, oil, and natural gas for energy. Carbon dioxide is the most abundant greenhouse gas in the atmosphere, and contributes significantly to global warming and other environmental issues, including ocean acidification.Applying COF 999 In an interview with Forbes, Dr. Yaghi described the way he sees COF 999 being implemented as a solution. The powder can be made into pellets or a coating, and then integrated into facilities where flue gas –the gas that is released from industrial processes –is released. “This flue gas would pass through the material and because it just plucks out CO2, it cleans CO2 from that flue before it reaches the atmosphere.” According to the San Francisco Standard, Dr. Yaghi says that the powder “requires no energy, shows no signs of degradation even after 100 uses, and is made from inexpensive, commercially available materials.”  Another benefit is that the material only needs to be heated to 50 or 60 degrees Celsius, rather than to 120 like many other traditional materials necessary for carbon capture.In order to see significant change in the atmosphere's carbon dioxide concentration, we will need to couple preventing carbon dioxide emissions with direct air capture, which COF 999 can also do. According to Zihui Zhou, a UC Berkeley graduate student who worked in Dr. Yaghi's lab says, “Currently, the CO2 concentration in the atmosphere is more than 420 ppm, but that will increase to maybe 500 or 550 before we fully develop and employ flue gas capture. So if we want to decrease the concentration and go back to maybe 400 or 300 ppm, we have to use direct air capture.” It will take time, however, for scientists to be able to use COF 999 effectively. This is because the powder has not been tested in real-life scenarios, and therefore the costs and risks from the powder are largely unknown; for example, the powder might restrict air flow through filters when applied, reducing the practicality of the powder.  About our guestDr. Omar Yaghi is a professor of chemistry at the University of California Berkeley, and the Founding Director of the Berkeley Global Science Institute, whose mission is to build centers of research in developing countries and provide opportunities for young scholars to discover and learn. He is an elected member of the U.S. National Academy of Sciences as well as the German National Academy of Sciences Leopoldina. ResourcesClimate.gov: Climate Change: Atmospheric Carbon DioxideForbes: This Powder Could Be A Gamechanger For Capturing CO2The San Francisco Standard: The new solution to climate change? A yellow powder you can hold in your fingersUC Berkeley News: Capturing carbon from the air just got easierSmithsonian Magazine: This New, Yellow Powder Quickly Pulls Carbon Dioxide From the Air, and Researchers Say ‘There's Nothing Like It'For a transcript, please visit https://climatebreak.org/cof-999-carbon-capture-with-dr-omar-yaghi/

David Lombardi, who covers the 49ers for The San Francisco Standard, joined Murph & Markus this morning to recap the 49ers 2024 season from hell and to share his perspective on any potential changes the team could make in the offseason.See omnystudio.com/listener for privacy information.

David Lombardi, who covers the 49ers for The San Francisco Standard, joined Murph & Markus this morning to recap the 49ers 2024 season from hell and to share his perspective on any potential changes the team could make in the offseason.See omnystudio.com/listener for privacy information.

As MUNI scrambles to retain money lost to fare jumpers, it turns out those that are hopping on San Francisco's buses and trains without paying cross the entire tax bracket. A San Francisco Standard article outlined how a number of riders, including tech workers and a doctors, are not paying. For more, KCBS Radio news anchors Margie Shafer and Eric Thomas spoke with KCBS Insider Phil Matier.

49ers Reporter at The San Francisco Standard, David Lombardi, joins Papa & Silver to process the tragic news of Trent and Sondra Williams losing their twins and how various off-the-field events have worn on the 49ers this seasonSee omnystudio.com/listener for privacy information.

49ers Reporter at The San Francisco Standard, David Lombardi, joins Papa & Silver to process the tragic news of Trent and Sondra Williams losing their twins and how various off-the-field events have worn on the 49ers this seasonSee omnystudio.com/listener for privacy information.

THIS IS A PREVIEW. FOR THE FULL EPISODE, GO TO Patreon.com/worstofall   The lads grab their broomsticks and defy gravity as they cover Stephen Schwartz and Winnie Holzman's megahit musical: Wicked. Topics include the twisted mind of Gregory Maguire, the highs and lows of Stephen Schwartz, and how to reckon with a show that is simultaneously trying to tackle the horrors of fascism and the inherent melodrama of wanting to kiss a hot Winkie.   Media Referenced in this Episode: Wicked. Book by Winnie Holzman, Music and Lyrics by Stephen Schwartz. Dir. Joe Montello. 2003. Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire. ReganBooks. 1995. Before 'Wicked' was a smash, it was stumbling in San Francisco by Jenny Singer. The San Francisco Standard. November 23rd, 2024. "Defying Gravity": Queer Conventions in the Musical "Wicked" by Stacy Wolf. Theatre Journal, Vol. 60, No. 1 (Mar., 2008). The John Hopkins University Press. “Gregory Maguire on Wickedness Post-Bush” by Erika Milvy. Clamour. February 27th, 2009. “John Bucchino and the Origins of Wicked the Broadway Musical” Still Popular: Chenoweth and Menzel Talk ‘Wicked' by Jackson McHenry. Vulture. October 24th, 2023. “THEATER REVIEW; There's Trouble in Emerald City” by Ben Brantley. NYTimes. October 31st, 2003. “‘They changed my ending, I felt aghast': how we made Wicked” by Chris Wiegand. The Guardian. September 27th, 2021. “Wicked Review” by Charles Isherwood. Variety. October 30th, 2003. “Wicked Review” by David Finkle. Theatremania. October 30th, 2003.   TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com   Interstitial: “Baritone” // Music by Stephen Schwartz // Lyrics by Dr. Samuel Bultch, D.D.S. // Featuring Dr. Samuel Bultch, D.D.S. as “Dr. Samuel Bultch, D.D.S.” and David Armstrong as “Stephen Schwartz”.

Sports Reporter for the San Francisco Standard, David Lombardi joined Murph & Markus this morning and compared the 49ers offensive struggles to a pitcher losing his stuff in baseball.See omnystudio.com/listener for privacy information.

Sports Reporter for the San Francisco Standard, David Lombardi joined Murph & Markus this morning and compared the 49ers offensive struggles to a pitcher losing his stuff in baseball.See omnystudio.com/listener for privacy information.

On this special episode, we're featuring a conversation from our friends at Life in Seven Songs, the new podcast from The San Francisco Standard that dives deep into the minds of some of today's greatest visionaries. Named a top new show by both Apple Podcasts and The Guardian, Life in Seven Songs asks one simple question: What songs tell your life story? In each episode, extraordinary people share the music and moments that have shaped their lives. Each episode, host Sophie Bearman sits down with guests like London Breed, the first Black woman to serve as Mayor of San Francisco, D'Wayne Wiggins, the record producer who discovered Beyoncé and helped artists like Zendaya become superstars; and Jony Ive, the creative genius behind Apple's iPhone. In this episode, Sophie speaks with Daniel Handler—better known as Lemony Snicket, the writer of A Series of Unfortunate Events. In the episode, Sophie and Daniel discuss his various works, and unpack why his novels often depict terrible things happening to people. Listen to more episodes of Life in Seven Songs and follow the podcast! Thanks so much for checking out this bonus feed drop off the Professional Book Nerds podcast. Looking for more bookish content? Check out the Libby Life Blog! We hope you enjoy this episode of the Professional Book Nerds podcast. Be sure to rate, review and subscribe on Apple Podcasts, Spotify, or wherever you listen! You can follow the Professional Book Nerds on Instagram and TikTok @ProBookNerds. Want to reach out? Send an email to professionalbooknerds@overdrive.com. Want some cool bookish swag? Check out our merch store at: https://plotthreadsshop.com/! Learn more about your ad choices. Visit megaphone.fm/adchoices

David Lombardi, who covers the 49ers for The San Francisco Standard, joined Murph & Markus this morning and when he was asked if he's worried about the 49ers, he said they have a track record of early season struggles and then they hit their stride.See omnystudio.com/listener for privacy information.

David Lombardi, who covers the 49ers for The San Francisco Standard, joined Murph & Markus this morning and when he was asked if he's worried about the 49ers, he said they have a track record of early season struggles and then they hit their stride.See omnystudio.com/listener for privacy information.

Tim Kawakami talks with broadcaster Guy Haberman about Tim's move from The Athletic to the San Francisco Standard, the future of sports media and why seven years at one spot is a long time these days. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Last week, Jon Jacobo, a once-rising star in the progressive wing of San Francisco politics, was arrested on charges of sexual assault and domestic violence. These charges come nearly 3 years after a former colleague, Sasha Perigo, publicly accused him of rape. Earlier this year, reporting in the San Francisco Standard found that three more women filed police reports against Jacobo, detailing allegations of stalking, harassment, and physical violence. On Tuesday, Jacobo pleaded not guilty. Today, we're sharing an episode with Josh Koehn, who reported this story for the San Francisco Standard earlier this year, about the women who say their stories were ignored. This episode originally aired on May 15, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices