Podcasts about teatro real madrid

Nino Surguladze is an acclaimed operatic mezzo-soprano. She is from Tbilisi, Georgia. She made her debut at age 23 at La Scala and has performed at many of the world's most prestigious opera houses including Teatro di San Carlo; Teatro Real Madrid; Metropolitan Opera in New York; and the Mariinsky Theatre, San Diego Opera, New Zealand Opera and across Italy where she starred in Carmen. Her career spans Europe, the United States, New Zealand and Asia. Her discography includes live recordings from Milan, Barcelona and Verona. She's also appeared in film and television. She has been honored with the Presidential Order of Excellence from Georgia. And she founded the Wish Tree foundation to finance medical treatment for seriously ill children. My featured song is “Ma Petite Fleur”. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guests  Click here for Guest Testimonials Click here for 5 Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH NINO:www.ninosurguladze.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

News now of a couple of opera productions from Scottish Opera that are coming up this spring and into early summer with audio described performances of Marx in London! and La traviata for blind and partially sighted people. RNIB Connect Radio's Toby Davey was joined by Scottish Opera's Audio Describer Catriona Gillies with an overview and insight into these two Scottish Opera productions. About Marx in London!: In London 1871, the spectre of communism might be haunting Europe, but Karl Marx's demons are far more mundane. Watched by a spy, chased by debt collectors, harried by his family (legitimate and not), and rescued repeatedly from financial ruin by Friedrich Engels, a single madcap day is the backdrop for a run of misadventures and mistakes. Marx might have envisioned an economic system that would restore order and equality to the workers of the world, but his own affairs are in chaos. Amidst this storm in a teacup, can he find an hour to write? Audio Described performances:  Theatre Royal Glasgow, Saturday 17 February Festival Theatre Edinburgh, Saturday 24 February, both performances at 7.15pm with touch tours at 6pm. About Verdi's La traviata: Violetta Valéry lives on borrowed time. In Paris' hedonistic high society, she wrings each day for its joys before her illness catches up with her. When the idealistic young Alfredo offers true love, happiness seems possible – but her past has exacted a price. Giuseppe Verdi's devastating tragedy – based on Alexander Dumas fils' novel, in turn inspired by a real woman – has inspired countless retellings, including cult favourite films Pretty Woman and Moulin Rouge!. With his characteristic eye for detail, Sir David McVicar (Il trittico, Falstaff, Pelléas et Mélisande) gets to the love and loss at the core of this doomed love affair in his passionate, gripping, and startlingly intimate production. Tanya McCallin's sumptuous designs centre Violetta's journey and enduring legacy despite her fleeting life. Verdi's magnificent score sweeps the characters through every shifting mood – from the wildly dramatic to the most vulnerable moments. This beloved production, which began life at Scottish Opera in 2008, has been seen at the houses of co-producers Teatro Real Madrid, Gran Teatre del Liceu, and Welsh National Opera.  Audio described performances: Theatre Royal Glasgow, Saturday 18 May Eden Court, Inverness, Saturday 25 May His Majesty's Theatre, Aberdeen, Saturday 1 June Festival Theatre Edinburgh Saturday 15 June, with all performances at 7.15pm and touch tours at 6pm. For more about Scottish Opera and audio described performances of their productions do visit their website - https://www.scottishopera.org.uk/access/audio-description-touch-tours (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

Missa doble amb teieres de moresc torrat. Crítica teatral de l'obra «Extinció». Dramatúrgia d'Àlex Serrano i Pau Palacios. Intèrprets: Marcel Borràs, Carlota Grau, David Muñiz i Àlex Serrano. Ensemble vocal i instrumental: Cor Cererols. Cantants del cor: Andrea Martí, Brenda Sara, Evelyn Johnson i Marta Esteban (sopranos); Diana Martins, Helen Tajadura i Marta Cordomí (contralts); Carles Prat, Joan Mas i Matthew Tohomson (tenors); Ferran Albrich, Joan Climent i Oriol Mallart (baixos). Músics: Amat Santacana (cello); Oriol Martí (violone); Marc Sumsi (orgue positiu). Disseny il·luminació: Cube.bz. Vestuari: Lola Belles. Vídeo-programació: David Muñiz. Grafisme: Vicenç Vilaplana. Ambientació sonora: Roger Costa Vendrell. Suport coreogràfic: Núria Guiu. Equips tècnics i de gestió de la companyia: Cap de producció: Barbara Bloin. Producció executiva: Paula S. Viteri. Distribució: Jordi Tort. Coproducció: Teatro Real (Madrid) i Teatro de la Abadía. Amb la col·laboració del Festival Internacional de Arte Sacro(FIAS 2022) i Fabra i Coats Fàbrica de Creació de Barcelona. Agraïments: Román Torre, Taller Estampa, Anna Pérez Moya, Marc Cartanyà i Pablo Acosta-García. Equips tècnics i de gestió del TNC. Direcció musical: Marc Díaz. Ajudanta de dramatúrgia i direcció: Carlota Grau. Direcció de l'espectacle: Àlex Serrano i Pau Palacios. Companyia Agrupación Señor Serrano. Sala Petita, Teatre Nacional de Catalunya, Barcelona, 1 desembre 2023. Veu: Andreu Sotorra. Música: Missa de Btalla a 12: III Credo. Interpetació: Cappella Mediterranea, Choeur de Chambre de Namur, Celmatis, Leonardo García-Alarcón. Composició: Joan Cererols. Àlbum: Carmina Latina, 2013.

‘Is opera the most misogynistic art form?' asked Charlotte Higgins in The Guardian back in 2016, noting that the genre itself seems to devour women. In Classical Music Magazine in 2020, Becca Marriott argued that ‘Sexism is preventing women from forging a career in opera'. Over the course of the next episodes, we are looking at how voices in opera are calling for change to make it better for the next generation of operatic talent. In this episode, we investigate misogyny in opera both on the stage and behind the scenes, and investigate the lived experience of artists who are striving to make the opera world a place where everyone feels welcome, respected and safe.   View the OperaVision website here Watch now on Opera Vision Oper Frankfurt From Studio to Stage Opera for Peace Masterclasses with Ailyn Perez & Brian Jagde Il Viaggio a Reims (Rossini), Rossini Opera Festival Accademia Rossiniana BBC Cardiff Singer of the World with Nombulelo Yende Dana Lynne Varga www.danavarga.com The Empowered Musician https://theempoweredmusician.com/ Mass Opera https://massopera.org/ Rosie Middleton https://rosiemiddleton.com/ Derri Joseph Lewis https://derrijosephlewis.com/   Music extracts Introduction and closing from Die Entführung aus dem Serail (Mozart): Overture Bizet ‘L'amour est un oiseau rebelle' (Habanera) from Carmen with mezzo-soprano Evgenia Asanova at the Staatsoper Hannover. Watch extract here   Massenet ‘Je marche sur tous les chemins' from Manon with soprano Elsa Dreisig at the Hamburg State Opera. Watch extract here   Donizetti 'Regnava nel silenzio' from Lucia di Lammermoor with soprano Lisette Oropesa at the Teatro Real Madrid. Watch full extract here   

Heralded as "[one] of the most powerful voices of our time" by the Los Angeles Times, bass-baritone Davóne Tines has come to international attention as a path-breaking artist whose work not only encompasses a diverse repertoire but also explores the social issues of today. As a Black, gay, classically trained performer at the intersection of many histories, cultures, and aesthetics, Tines is engaged in work that blends opera, art song, contemporary classical music, spirituals, gospel, and songs of protest, as a means to tell a deeply personal story of perseverance that connects to all of humanity. Davóne Tines is Musical America's 2022 Vocalist of the Year. During the 2022-23 season, he continues his role as the Philharmonia Baroque Orchestra & Chorale's first-ever Creative Partner and, beginning in January 2023, he will serve as Brooklyn Academy of Music's first Artist in Residence in more than a decade. In addition to strategic planning, programming, and working within the community, this season Tines curates the “Artist as Human” program, exploring how each artist's subjectivity—be it their race, gender, sexuality, etc.—informs performance, and how these perspectives develop throughout their repertoire. In the fall of 2022, Tines makes a number of important debuts at prominent New York institutions, including the Park Avenue Armory, New York Philharmonic, BAM, and Carnegie Hall, continuing to establish a strong presence in the city's classical scene. He opens his season with the New York premiere of Tyshawn Sorey's Monochromatic Light (Afterlife) at the Park Avenue Armory, also doubling as Tines' Armory debut. Inspired by one of Sorey's most important influences, Morton Feldman and his work Rothko Chapel, Monochromatic Light (Afterlife) takes after Feldman's focus on expansive textures and enveloping sounds, aiming to create an all-immersive experience. Tine's solo part was written specifically for him by Sorey, marking a third collaboration between the pair; Sorey previously created arrangements for Tines' Recital No. 1: MASS and Concerto No. 2: ANTHEM. Peter Sellars directs, with whom Davóne collaborated in John Adam's opera Girls of the Golden West and Kaija Saariaho's Only the Sound Remains. Tines' engagements continue with Everything Rises, an original, evening length staged musical work he created with violinist Jennifer Koh, premiering in New York as part of the Brooklyn Academy of Music's Next Wave Festival. Everything Rises tells the story of Tines' and Koh's artistic journeys and family histories through music, projections, and recorded interviews. As a platform, it also centers the need for artists of color to be seen and heard. Everything Rises premiered in Santa Barbara and Los Angeles in April 2022, with the LA Times commenting, “Koh and Tines' stories have made them what they are, but their art needs to be—and is—great enough to tell us who they are.” This season also has Tines making his New York Philharmonic debut performing in Beethoven's Symphony No. 9, led by Jaap van Zweden. Tines returns to the New York Philharmonic in the spring to sing the Vox Christi in Bach's St. Matthew Passion, also under van Zweden. Tines is a musician who takes full agency of his work, devising performances from conception to performance. His Recital No. 1: MASS program reflects this ethos, combining traditional music with pieces by J.S. Bach, Margaret Bonds, Moses Hogan, Julius Eastman, Caroline Shaw, Tyshawn Sorey, and Tines. This season, he makes his Carnegie Hall recital debut performing MASS at Weill Hall, and later brings the program to the McCarter Theatre in Princeton, Baltimore's Shriver Hall, for the Philadelphia Chamber Music Society, and as part of Boston's Celebrity Series. Concerto No. 1: SERMON is a similar artistic endeavor, combining pieces including John Adams' El Niño; Vigil, written by Tines and Igée Dieudonné with orchestration by Matthew Aucoin; “You Want the Truth, but You Don't Want to Know,” from Anthony Davis' X: The Life and Times of Malcolm X; and poems from Langston Hughes, James Baldwin, and Maya Angelou into a concert performance. In May 2021, Tines performed Concerto No. 1: SERMON with Yannick Nézet-Séguin and the Philadelphia Orchestra, and with the BBC Symphony Orchestra. He recently premiered Concerto No. 2: ANTHEM—created by Tines with music by Michael Schachter, Caroline Shaw, Tyshawn Sorey, and text by Mahogany L. Browne—with the Los Angeles Philharmonic at the Hollywood Bowl. Also this season, Tines performs in El Niño with the Cleveland Orchestra, conducted by composer John Adams; a concert performance of Adams' Girls of the Golden West with the Los Angeles Philharmonic also led by Adams; and a chamber music recital with the New World Symphony.Going beyond the concert hall, Davóne Tines also creates short music films that use powerful visuals to accentuate the social and poetic dimensions of the music. In September 2020, Lincoln Center presented his music film VIGIL, which pays tribute to Breonna Taylor, the EMT and aspiring nurse who was shot and killed by police in her Louisville home, and whose tragic death has fueled an international outcry. Created in collaboration with Igée Dieudonné, and Conor Hanick, the work was subsequently arranged for orchestra by Matthew Aucoin and premiered in a live-stream by Tines and the Louisville Orchestra, conducted by Teddy Abrams. Aucoin's orchestration is also currently part of Tines' Concerto No. 1: SERMON. He also co-created Strange Fruit with Jennifer Koh, a film juxtaposing violence against Asian Americans with Ken Ueno's arrangement of “Strange Fruit” — which the duo perform in Everything Rises — directed by dramaturg Kee-Yoon Nahm. The work premiered virtually as part of Carnegie Hall's “Voices of Hope Series.” Additional music films include FREUDE, an acapella “mashup” of Beethoven with African-American hymns that was shot, produced, and edited by Davóne Tines at his hometown church in Warrenton, Virginia and presented virtually by the Philharmonia Baroque Orchestra & Chorale; EASTMAN, a micro-biographical film highlighting the life and work of composer Julius Eastman; and NATIVE SON, in which Tines sings the Black national anthem, “Lift Ev'ry Voice and Sing,” and pays homage to the '60s Civil Rights-era motto “I am a man.” The latter film was created for the fourth annual Native Son Awards, which celebrate Black, gay excellence. Further online highlights include appearances as part of Boston Lyric Opera's new miniseries, desert in, marking his company debut; LA Opera at Home's Living Room Recitals; and the 2020 NEA Human and Civil Rights Awards.Notable performances on the opera stage the world premiere performances of Kaija Saariaho's Only the Sound Remains directed by Peter Sellars at Dutch National Opera, Finnish National Opera, Opéra national de Paris, and Teatro Real (Madrid); the world and European premieres of John Adams and Peter Sellars' Girls of the Golden West at San Francisco Opera and Dutch National Opera, respectively; the title role in a new production of Anthony Davis' X: The Life and Times of Malcolm X with the Detroit Opera (where he was Artist in Residence during the 2021-22 season) and the Boston Modern Opera Project with Odyssey Opera in Boston where it was recorded for future release; the world premiere of Terence Blanchard and Kasi Lemmons' Fire Shut Up In My Bones at Opera Theatre of Saint Louis; the world premiere of Matthew Aucoin's Crossing, directed by Diane Paulus at the Brooklyn Academy of Music; a new production of Stravinsky's Oedipus Rex at Lisbon's Teatro Nacional de São Carlos led by Leo Hussain; and Handel's rarely staged Aci, Galatea, e Polifemo at National Sawdust, presented in a new production by Christopher Alden. As a member of the American Modern Opera Company (AMOC), Tines served as a co-music director of the 2022 Ojai Music Festival, and has performed in Hans Werner Henze's El Cimarrón, John Adams' Nativity Reconsidered, and Were You There in collaboration with composers Matthew Aucoin and Michael Schachter.Davóne Tines is co-creator and co-librettist of The Black Clown, a music theater experience inspired by Langston Hughes' poem of the same name. The work, which was created in collaboration with director Zack Winokur and composer Michael Schachter, expresses a Black man's resilience against America's legacy of oppression—fusing vaudeville, opera, jazz, and spirituals to bring Hughes' verse to life onstage. The world premiere was given by the American Repertory Theater in 2018, and The Black Clown was presented by Lincoln Center in summer 2019.Concert appearances have included John Adams' El Niño with the Rundfunk-Sinfonieorchester Berlin under Vladimir Jurowski, Schumann's Das Paradies und die Peri with Louis Langrée and the Cincinnati Symphony, Kaija Saariaho's True Fire with the Orchestre national de France conducted by Olari Elts, Beethoven's Ninth Symphony with Michael Tilson Thomas leading the San Francisco Symphony, Stravinsky's Oedipus Rex with Esa-Pekka Salonen and the Royal Swedish Orchestra, and a program spotlighting music of resistance by George Crumb, Julius Eastman, Dmitri Shostakovich, and Caroline Shaw with conductor Christian Reif and members of the San Francisco Symphony at SoundBox. He also sang works by Caroline Shaw and Kaija Saariaho alongside the Calder Quartet and International Contemporary Ensemble at the Ojai Music Festival. In May 2021, Tines sang in Tulsa Opera's concert Greenwood Overcomes, which honored the resilience of Black Tulsans and Black America one hundred years after the Tulsa Race Massacre. That event featured Tines premiering “There are Many Trails of Tears,” an aria from Anthony Davis' opera-in-progress Fire Across the Tracks: Tulsa 1921.Davóne Tines is a winner of the 2020 Sphinx Medal of Excellence, recognizing extraordinary classical musicians of color who, early in their career, demonstrate artistic excellence, outstanding work ethic, a spirit of determination, and an ongoing commitment to leadership and their communities. In 2019 he was named as one of Time Magazine's Next Generation Leaders. He is also the recipient of the 2018 Emerging Artists Award given by Lincoln Center for the Performing Arts and is a graduate of The Juilliard School and Harvard University, where he teaches a semester-length course “How to be a Tool: Storytelling Across Disciplines” in collaboration with director Zack Winokur.The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode ★ Support this podcast ★

Soprano Lisette Oropesa was recently named as the winner of the 2019 Richard Tucker Award. She stars in  major productions around the world and has garnered acclaim in several prestigious debuts including in the title role of Lucia di Lammermoor at the Teatro Real Madrid and Royal Opera House.  Past winners include such luminaries as Stephanie Blythe, Lawrence Brownlee, Joyce DiDonato, Renée Fleming, Christine Goerke, Matthew Polenzani, and Deborah Voigt. Oropesa was inducted into this who’s who of American opera at the foundation’s annual gala on Sunday, October 27, at Carnegie Hall.  She chats with host Patrick D. McCoy about her career, winning the award and her upcoming appearance in DC with Washington Concert Opera in their performance of "Hamlet" by Ambroise Thomas on Sunday, November 24 at George Washington University's Lisner Auditorium.

Today Bavarian vocalist David Steffens is enjoying his busy summer in Salzburg – a place where he also spent his student years. This time he is a part of Salzburg Festival, performing in three productions total and therefore visiting the stage of the Salzburg Festspiele almost daily. David Steffens started performing in this festival at the year 2012 when he was selected to participate in the Young Singers Project, but his main career path lays in the opera ensembles in Germany – Stadttheater Klagenfurt and Württembergisches Staatstheater Stuttgart. He had also performed in such opera stages, as Teatro Real Madrid, the Deutsche Oper am Rhein, the Volksoper Vienna, the Opéra national de Lyon, etc. Musicologist Ona Jarmalavičiūtė conducts an interview with the singer in which David Steffens shares his thoughts on this years Salzburg festival, handling three roles at the same time and the process of bringing the music to life.

It was a pleasure to record a podcast with world-leading British tenor Toby Spence (@toby-spence) on his fiftieth birthday. Enjoy this special interview, in which we discuss: his early musical training and influences, formative years at English National Opera, starring as Captain Vere in Deborah Warner's recent production of Britten's opera Billy Budd at the Royal Opera House, the challenges of being a performer, identity as a singer, and his desert island items. Special thanks to: Natasha Worsley for very kindly arranging this interview and Toby for coming especially to meet me and record on his birthday! Originally published on 28 May 2019. Interview recorded on 22 May 2019 at Askonas Holt, London. An honours graduate and choral scholar from New College, Oxford, Toby Spence studied at the Opera School of the Guildhall School of Music and Drama. He was the winner of the Royal Philharmonic Society 2011 Singer of the Year award. In concert Toby has sung with the Cleveland Orchestra under von Dohnanyi, Berliner Philharmoniker and the Wiener Philharmoniker under Rattle; San Francisco Symphony under Tilson Thomas; the Accademia Nazionale di Santa Cecilia under Pappano; Rotterdam Philharmonic under Gergiev; LSO under Davis; London Philharmonic Orchestra under Nézet-Séguin; Los Angeles Philharmonic under Dudamel; Bayerischer Rundfunk under Gardiner and at the Osterfestspiele Salzburg and Edinburgh International Festival under Norrington and Mackerras. Recent appearances include The Seasons with the Philharmonie de Paris, Bruckner F minor Mass with the Sinfonieorchester Basel; The Creation with the Houston Symphony Orchestra; Messiah, Beethoven’s Choral Fantasy and Haydn’s Nelson Mass with the Bournemouth Symphony Orchestra in Mumbai and Missa Solemnis with the LSO under Tilson Thomas. Recent opera engagements include Ghandi Satyagraha at English National Opera; Captain Vere Billy Budd for Teatro Real and Opera di Roma; Anatol Vanessa for Frankfurt Opera; Don Ottavio at the Liceu Barcelona; Eisenstein Die Fledermaus and Antonio The Tempest for the Metropolitan Opera; Don Ottavio and Tito for the Wiener Staatsoper; Essex Gloriana and Tamino Die Zauberflöte for the Royal Opera House, where his previous roles have also included Ferdinand The Tempest, David Die Meistersinger von Nürnberg, Count Almaviva Il Barbiere di Siviglia, Ramiro and Tom Rakewell; Tamino, Candide, Paris La Belle Hélène, Lensky and Faust for English National Opera; Madwoman Curlew River for the Edinburgh Festival; Tito, Tamino and Henry Morosus Die Schweigsame Frau for the Bayerische Staatsoper; and Tom Rakewell and David Die Meistersinger at Opéra de Paris. Engagements in the 2018-19 season include Dvorak Stabat Mater with Houston Symphony Orchestra; Britten War Requiem with Toronto Symphony Orchestra; Szymanowski’s 3rd Symphony for the Gulbenkian Foundation and Orff’s Carmina Burana in Shanghai and Beijing with Long Yu and Aida Garifullina for Deutsche Grammophon’s 120’s anniversary. Opera engagements include Captain Vere Billy Budd for the Royal Opera House and a staged version of Britten Les Illuminations for Teatro Real Madrid. Subscribe to the Talking Classical Podcast on SoundCloud, iTunes and Spotify. Facebook - @talkingclassicalpodcast Twitter - @tc_podcasts YouTube - bit.ly/2WF4duy Blog - talkingclassicalpodcast.wordpress.com

Kein gewöhnlicher Opernabend, sondern eine höchst unterhaltsame Provokation war im Teatro Real Madrid zu erleben - ganz im Sinne des vor drei Jahren verstorbenen Intendanten Gerard Mortier. Am 20. Februar 2017 fand die Premiere der Oper "Die Stadt der Lügen" statt.