Podcasts about Toronto Symphony Orchestra

Join us in Episode 59 for a conversation with Gabriel Radford, Third Horn of the Toronto Symphony Orchestra and Co-founder of The Embouchure Project. Episode Highlights Studying with Fred Rizner at the University of Toronto and Danny Katzen in Boston Thoughts on playing third horn in the Toronto Symphony Orchestra: “listen to the soloists” Coping with injury and article in January 2025 issue of The Horn Call “Every case of embouchure syndrome is unique.” “If there's a problem, you're going to know it.” “If you can feel it you can fix it.” Horn Teaching The Embouchure Project: https://www.theembouchureproject.org/ Resources for dealing with injury recovery

A tribute to the country of Canada. Instrumental version by the Toronto Symphony Orchestra, conducted by Peter Oundjan.

“You never know someone else's story. You never know what the experience of a concert or hearing a piece is to somebody. You don't know how that affects them. So much of my music and why I do what I do is to facilitate these moments of connection between choristers, to give autonomy to choristers to feel like co-composers of my music themselves each time they're performing the work. I always tend to seek out music, texts, stories, ideas that facilitate that.”Composer, improviser, and vocalist Katerina Gimon's uniquely dynamic, poignant, and eclectic compositional style has earned her a reputation as a distinct voice in contemporary Canadian composition and beyond. Her music has earned her several honours including multiple SOCAN Awards, nominations for Western Canadian Composer of the Year, and a Barbara Pentland Award for Outstanding Composition.In her music, Katerina draws influence from a myriad of places — from the Ukrainian folk music of her heritage to indie rock, as well as from her roots as a songwriter. Her compositions are performed widely across Canada, the United States, and internationally, with notable performances at Carnegie Hall, Berliner Philharmonie, and the Hong Kong Cultural Centre. Recent commissions include new music for the Toronto Symphony Orchestra, Vancouver Youth Choir, National Youth Orchestra of Canada, and re:Naissance Opera. Katerina is the composer-in-residence for Myriad Ensemble and is based in Metro Vancouver, British Columbia.In addition to her composing work, Katerina is also a founding member (vocalist, electronics, co-composer) of dynamic new music and AR/VR collective Chroma Mixed Media alongside multi-media artists David Storen and Brian Topp. Excited by the ever-evolving landscape of technology in today's society, Chroma endeavours to explore new avenues and intersections for artistic expression by combining various art forms and new technologies to explore new possibilities and challenge audience expectations.Katerina holds a Master of Music in Composition from the University of British Columbia ('17) and an Honours Bachelor of Music degree in Composition and Improvisation from Wilfrid Laurier University ('15). When she isn't making music, Katerina enjoys playing board games, puzzling, adventuring outdoors, and relaxing with her husband and their two cats.To get in touch with Katerina, you can find visit her website, katerinagimon.com, or find her on Instagram (@katgimon) or Facebook (@kgimon).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace HudsonPodMatchPodMatch Automatically Matches Ideal Podcast Guests and Hosts For Interviews

durée : 00:12:09 - " Curiosity, Genius, and the search for Petula Clark " : Stravinsky / Kelly-Marie Murphy - Toronto Symphony Orchestra - Cette pièce a été commandée par l'Orchestre symphonique de Toronto. Il s'agit d'une œuvre en un seul mouvement pour orchestre écrite pour célébrer le 85e anniversaire de Glenn Gould et le 70e anniversaire de sa première prestation avec le Toronto Symphony Orchestra. (Harmonia Mundi 2025)

durée : 00:12:09 - " Curiosity, Genius, and the search for Petula Clark " : Stravinsky / Kelly-Marie Murphy - Toronto Symphony Orchestra - Cette pièce a été commandée par l'Orchestre symphonique de Toronto. Il s'agit d'une œuvre en un seul mouvement pour orchestre écrite pour célébrer le 85e anniversaire de Glenn Gould et le 70e anniversaire de sa première prestation avec le Toronto Symphony Orchestra. (Harmonia Mundi 2025)

durée : 00:12:09 - " Curiosity, Genius, and the search for Petula Clark " : Stravinsky / Kelly-Marie Murphy - Toronto Symphony Orchestra - Cette pièce a été commandée par l'Orchestre symphonique de Toronto. Il s'agit d'une œuvre en un seul mouvement pour orchestre écrite pour célébrer le 85e anniversaire de Glenn Gould et le 70e anniversaire de sa première prestation avec le Toronto Symphony Orchestra. (Harmonia Mundi 2025)

Art of Time Ensemble's Artistic Director Andrew Burashko talks about his debut as a concert pianist with the Toronto Symphony Orchestra at age 17 [under the baton of John Williams!], his 80 projects and recordings over 25 years with the group, working with singers Steven Page/Craig Northey/Chris Murphy/Andy Maize, collaborating with Margaret Atwood/Branford Marsalis/ Pinchas Zukerman/Sir Andrew Davis/Jukka-Pekka Saraste, his 'pinch-me' moments meeting Neil Young/Catherine O'Hara/Michael Ondaatje, and his high expectations for his newest project Sankofa: The Soldier's Tale Retold! Andrew's Art of Time Ensemble is pleased to present Sankofa: The Soldier's Tale Retold, a reimagining of a work by Igor Stravinsky, for five performances only from October 24th to the 27th at the Harbourfront Centre Theatre...for full info, please visit https://artoftimeensemble.com/ TORONTO LEGENDS is hosted by Andrew Applebaum at andrew.applebaum@gmail.com All episodes available at https://www.torontolegends.ca/episodes/ Learn more about your ad choices. Visit megaphone.fm/adchoices

La saison actuelle, tout comme celles à venir, sera caractérisée par des jalons importants pour la mezzo tuniso-canadienne Rihab Chaieb, ce qui comprend notamment son rôle-titre dans Carmen au Festival de Glyndebourne, son rôle de Claire dans Melancholia avec le Kungliga Operan, son rôle de Dorabella dans Così fan tutte tutte à la Seiji Ozawa Music Academy, en plus de ses apparitions auprès du Los Angeles Philharmonic, de la Compagnie nationale d'opéra du Canada et de l'Orchestre symphonique de Québec, ainsi que son retour au Metropolitan Opera et à la Bayerische Staatsoper.Rihab Chaieb a fait ses débuts à la Bayerische Staatsoper lors de la saison de 2022-2023, où elle a ébloui l'audience dans son rôle de Fenena dans Nabucco, sous la direction de Daniele Rustioni, puis au Los Angeles Opera dans le rôle de Cherubino dans Le nozze di Figaro de James Gray, sous la direction de James Conlon. Elle a ensuite repris son interprétation exceptionnelle de Carmen à la Compagnie nationale d'opéra du Canada et au Calgary Opera, avant de retourner au Grand Théâtre de Genève où elle a été mise en vedette dans son rôle de La mère Meryem lors la première mondiale du Voyage vers l'espoir de Jost.Sur les scènes de concert, elle est apparue aux côtés du Philharmonia Baroque Orchestra dans une prestation de Messiah de Handel, elle a également partagé la scène du Vancouver Symphony Orchestra pour présenter Les nuits d'été de Berlioz sous la direction d'Otto Tausk, puis elle a fait son premier spectacle auprès du Manitoba Chamber Orchestra dans le rôle de Ruggiero dans Alcina de Handel.Rihab Chaieb a marqué la saison 2021-2022 en faisant son entrée au Washington National Opera dans le rôle de Dorabella dans Così fan tutte, puis au Palm Beach Opera dans le rôle titre de Carmen. Elle a joué pour la première fois le rôle de Penelope dans Il ritorno d'Ulisse in patria en tournée et pour un enregistrement avec l'Ensemble I Gemelli, avant de retourner à l'Opéra National de Montpellier pour jouer Maddalena dans Rigoletto, puis au Metropolitan Opera pour incarner Nefertiti dans la production d'Akhnaten de Philip Glass mis en scène par Phelim McDermott et sous la direction Karen Kamensek.Elle a récemment connu de nombreux succès, notamment en faisant ses débuts au Houston Grand Opera lors de la première mondiale de The Phoenix de Tarik O'Regan, puis au Cincinnati Opera dans le rôle de Rosina dans Il barbiere di Siviglia, ainsi qu'à l'Opéra de Montpellier dans Fantasio d'Offenbach, au Teatro Santiago de Chile en incarnant Dorabella, à l'Opera Ballet Vlaanderen Kasturbai dans Satyagraha de Philip Glass, et enfin à l'Oper Köln dans le rôle de Carmen dans une production de Lydia Steier.Elle a joué le rôle de Charlotte dans Werther pour la première fois à l'Opera Vlaanderen sous la direction de Giedrė Šlekytė et elle a ouvert la saison au Muziektheater dans le rôle de Lola dans Cavalleria Rusticana de Robert Carsen sous la direction de Lorenzo Viotti. Sur les scènes de concert, Rihab Chaieb s'est produite avec l'Orchestre symphonique de Montréal dans un programme de Rossini sous la direction de Kent Nagano, ainsi que dans Lieder eines fahrenden Gesellen de Mahle sous la direction de Johannes Debus. Elle a également interprété Messiah de Handel sous la direction de Gustavo Gimeno avec le Toronto Symphony Orchestra. Elle a aussi chanté Three-Cornered Hat de Manuel de Falla avec le Vancouver Symphony Orchestra et le Bournemouth Symphony Orchestra sous la direction de Carlos Miguel Prieto.Instagram :https://www.instagram.com/laprescriptiondrfred/?hl=frFacebook :https://www.facebook.com/people/La-prescription-avec-Dr-Fred-Lambert/100078674880976/ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

A framework for a deal reached has been reached between the TTC and the union representing TTC workers; The Ontario SPCA is calling for financial contributions after 12 Shih Tzu dogs came into the organization's care; and, the Toronto Symphony Orchestra and CAMH collaborate for the Art of Healing patient program.

On this episode we update you on how our summers are going! For our interview we welcome Michael Sweeney, Principal Bassoonist of the Toronto Symphony Orchestra! This podcast is brought to you by Chemical City Double Reeds (www.chemicalcityreeds.com), ACDC Reeds(www.acdcreeds.com/), Barton Cane (www.bartoncane.com/), and RDG Woodwinds Inc. (rdgwoodwinds.com)! Thank you to our wonderful sponsors!

In this 1483rd episode of Toronto Mike'd, Mike leaves his comfort zone and endeavours to learn more about Sir Andrew Davis who passed away on April 20, 2024, at the age of 80. Calls were placed to Andrew Ward and Toronto Symphony Orchestra members James Wallenberg and Leslie Dawn Knowles. Thank you Emily Burnham for helping with the TSO guests! Toronto Mike'd is proudly brought to you by Great Lakes Brewery, Palma Pasta, Ridley Funeral Home, The Advantaged Investor podcast from Raymond James Canada, The Yes, We Are Open podcast from Moneris, The Toronto Maple Leafs Baseball Team and RecycleMyElectronics.ca. If you would like to support the show, we do have partner opportunities available. Please email Toronto Mike at mike@torontomike.com

In this special episode, we drop the mic and go behind the scenes. Rob Cribb hosts an intimate conversation with Ann Fraser and Dr. Nav Persaud, whose stories are the heartbeat of The Ultimate Choice. Executive producer Susanne Reber gives insights into the making of the series. This episode was recorded in front of a live audience at the Hot Docs Ted Rogers Cinema and features original music by composer Allison Leyton Brown, with a live performance by Toronto Symphony Orchestra cellist Lucia Ticho.See omnystudio.com/listener for privacy information.

Die "Turangalîla-Symphonie" ist das populärste Werk des französischen Komponisten Olivier Messiaen - ihre Farbenpracht, Strahlkraft und Klangfülle sind einfach überwältigend. Sie ist aber auch ein monumentales Klavierkonzert. Für seine Neuaufnahme konnte der Spanier Gustavo Gimeno, Chefdirigent des Toronto Symphony Orchestra, den kanadischen Pianisten Marc-André Hamelin gewinnen.

En un Japón destrozado por la victoria aliada, una nueva generación de músicos nacidos en la década de los 30, se divide entre el nacionalismo y la aceptación de las tendencias occidentales. Toshirō Mayuzumi,Toshi IchiyanagiyTōru Takemitsusonalgunos de ellos._____Has escuchadoMandala Symphony (1960) / Toshirō Mayuzumi. NHK Symphony Orchestra; Hiroyuki Iwaki, director. Odyssey (1967)November Steps (1967) / Tōru Takemitsu. Saito Kinen Orchestra; Seiji Ozawa, director.Sello: Philips (1991)Requiem: For String Orchestra (1957) / Tōru Takemitsu. Toronto Symphony Orchestra; Seiji Ozawa, director. RCA (1969)Sapporo (1962) / Toshi Ichiyanagi. Ensemble Musica Negativa; Reiner Riehn, director. Odeon (1972) _____Selección bibliográficaBATTIER, Marc y Kenneth Fields (eds.), Electroacoustic Music in East Asia. Routledge, 2020BURT, Peter, The Music of Tōru Takemitsu. Cambridge University Press, 2001COOK, Lisa M., “Venerable Traditions, Modern Manifestations: Understanding Mayuzumi's ‘Bunraku' for Cello'”. Asian Music, vol. 45, n.º 1 (2014), pp. 98-131*FUKUNAKA, Fuyuko, “World Music History and Interculturality: Toward Recontextualizing Post-War Japanese Avant-Garde Music”. The World of Music, vol. 6, n.º 1 (2017), pp. 59-71*GALLIANO, Luciana y Martin Mayes, Yōgaku: Japanese Music in the Twentieth Century. Scarecrow Press, 2002HEIFETZ, Robin J., “East-West Synthesis in Japanese Composition: 1950-1970”. The Journal of Musicology, vol. 3, n.º 4 (1984), pp. 443-455*HERD, Judith Ann, “The Neonationalist Movement: Origins of Japanese Contemporary Music”. Perspectives of New Music, vol. 27, n.º 2 (1989), pp. 118-163*LOUBET, Emmanuelle, Curtis Roads y Brigitte Robindoré, “The Beginnings of Electronic Music in Japan, with a Focus on the NHK Studio: The 1950s and 1960s”. Computer Music Journal, vol. 21, n.º 4 (1997), pp. 11-22*PACUN, David, “Nationalism and Musical Style in Interwar ‘Yōgaku': A Reappraisal.” Asian Music, vol. 43, n.º 2 (2012), pp. 3-46*SMALDONE, Edward, “Japanese and Western Confluences in Large-Scale Pitch Organization of Tōru Takemitsu's November Steps and Autumn”. Perspectives of New Music, vol. 27, n.º 2 (1989), pp. 216-231*TAKEMITSU, Tōru, “Contemporary Music in Japan”. Perspectives of New Music, vol. 27, n.º 2 (1989), pp. 198-204*UTZ, Christian, Musical Composition in the Context of Globalization: New Perspectives on Music History in the 20th and 21st Century. Transcript Verlag, 2021*YANG, Chien-Chang, “Technologies of Tradition in Post-War Musical Avant-Gardism: A Theoretical Reflection”. The World of Music, vol. 6, n.º 1 (2017), pp. 41-58* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

“The number one thing that I look for when I meet a younger conductor is imagination, someone who comes with ideas but also has a story to tell with the music. Often younger conductors are really worried about technique, the way they look, the way they rehearse, but it starts with imagination. What do you want to communicate? People are so worried about technique that they hide themselves. We want to see the person. Who are you and what do you have to say?”Prof. Jean-Sébastien Vallée is a renowned Canadian-American conductor, scholar, and pedagogue known for his expertise in vocal, choral, and orchestral repertoires. With an illustrious career spanning over several decades, Dr. Vallée has conducted numerous ensembles across North America, Europe, and Asia, and has prepared choruses for some of the world's most prestigious orchestras including the Toronto Symphony, the Montreal Symphony, the National Arts Center Orchestra in Ottawa, and the Chicago Symphony Orchestra.Currently serving as Associate Professor of Music, Director of Choral Studies, and Coordinator of the Ensembles & Conducting Area at the Schulich School of Music of McGill University, and as Artistic Director of the Toronto Mendelssohn Choir, Dr. Vallée is a sought-after conductor and pedagogue. He has previously served as the Director of Choral Studies at California State University, Los Angeles, and was on the choral faculty of the University of Redlands. Dr. Vallée holds degrees from Laval University, Sherbrooke University, the University of California, Santa Cruz, and a doctorate in conducting from the University of Illinois at Urbana-Champaign.Maestro Vallée's passion for contemporary music is evident in his work, as he makes it a priority to premiere and commission works by young composers and program rarely performed repertoire. Dr. Vallée has presented his research at several national and international conferences, including the American Choral Directors Association Conventions, Festival 500 in Newfoundland, the National Collegiate Choral Organization conference, Podium—the national convention of Choral Canada, the Hawaii International Conference on Arts and Humanities, and the World Symposium on Choral Music in Spain (2017), New Zealand (2020), and Portugal (2022).Maestro Vallée's recordings have been broadcast internationally and include Lux (ATMA, 2017), Requiem (ATMA, 2018 – requiems by Fauré and Duruflé), and Distance (ATMA, 2021). His recent engagements include concerts at the Liszt Ferenc Academy of Music in Budapest, a tour with the National Choir of Canada, and concerts with l'Orchestre symphonique de Québec, the Toronto Symphony Orchestra, and the Chicago Symphony Chorus. To get in touch with Jean-Sébastien, you can visit his website jsvallee.com or find him on Facebook (@sebastien.vallee) or Instagram (@jsvallee). Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Grammy-winning violinist James Ehnes is one of the most sought-after musicians in the world. Ahead of his shows with the Toronto Symphony Orchestra, the Order of Canada member violinist drops by the studio to tell Tom about his life in music and what it was like growing up as a child prodigy in Brandon, Manitoba.

Today, the Spotlight shines On award-winning violinist and composer Aline Homzy. Aline joins us on the occasion of the release of her first solo record, Éclipse, which is also the debut album with her group ‘Aline's étoile magique'. Aline is known as one of Canada's finest jazz violinists. Her music has been performed by the Toronto Symphony Orchestra, Swedish guitarist Mikko Hilden, and South Korean bassist Yongwon Cho. She is also interested in and committed to the cause of economic justice in the arts, creating opportunities for patrons of all economic levels to attend live events and finding new funding mechanisms to get musicians paid a fair wage for their work. Aline spent the Summer of 2023 performing with étoile magique at festivals across Canada. Please stick around until the end of this episode for the track “Circa Herself” by Aline's étoile magique from their album, Éclipse.------------------Dig DeeperListen to éclipse by Aline's étoile magique on Bandcamp or your streaming platform of choiceVisit Aline Homzy online at alinehomzy.comFollow Aline Homzy on Instagram, Facebook, Twitter, and YouTubeSongs excerpted in this episode: "Caraway," "Segment," and "Rose du ciel"João FradeAncient Aliens: 14 Facts About the History Channel ShowBowing the VibraphoneA Guide to Toronto's Arts, Culture & EntertainmentThere Is No Art Without Artists | Canada Council for the ArtsTranzac ClubThe Hambidge Center------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts or Spotify. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On award-winning violinist and composer Aline Homzy. Aline joins us on the occasion of the release of her first solo record, Éclipse, which is also the debut album with her group ‘Aline's étoile magique'. Aline is known as one of Canada's finest jazz violinists. Her music has been performed by the Toronto Symphony Orchestra, Swedish guitarist Mikko Hilden, and South Korean bassist Yongwon Cho. She is also interested in and committed to the cause of economic justice in the arts, creating opportunities for patrons of all economic levels to attend live events and finding new funding mechanisms to get musicians paid a fair wage for their work. Aline spent the Summer of 2023 performing with étoile magique at festivals across Canada. Please stick around until the end of this episode for the track “Circa Herself” by Aline's étoile magique from their album, Éclipse.------------------Dig DeeperListen to éclipse by Aline's étoile magique on Bandcamp or your streaming platform of choiceVisit Aline Homzy online at alinehomzy.comFollow Aline Homzy on Instagram, Facebook, Twitter, and YouTubeSongs excerpted in this episode: "Caraway," "Segment," and "Rose du ciel"João FradeAncient Aliens: 14 Facts About the History Channel ShowBowing the VibraphoneA Guide to Toronto's Arts, Culture & EntertainmentThere Is No Art Without Artists | Canada Council for the ArtsTranzac ClubThe Hambidge Center------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts or Spotify. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. Hosted on Acast. See acast.com/privacy for more information.

Aline Homzy is an award-winning violinist and composer. Praised as one of Canada's finest jazz violinists, she has performed and/or recorded with Danilo Perez, Munir Hossn and The Weather Station. Her music has been performed by the Toronto Symphony Orchestra, Swedish guitarist Mikko Hilden, and South-Korean bassist Yongwon Cho. Homzy is also a community builder, with a focus on highlighting women instrumentalists and improvisers. She was the recipient of a 2018 TD Discovery Projects Award that saw her curate a sold-out concert featuring female improvisers at the Canadian Music Centre. During the pandemic, she produced the documentary “Sounds of Davenport,” which aimed to showcase musicians in her community through a beautifully captured video-concert, supported by her political representatives. Homzy has performed at the TD International Toronto Jazz Festival, Festival international de Jazz de Montréal, Stockholm International Jazz Festival, and Daigu - South Korea- International Jazz Festival. She was a finalist for the 2022 Toronto Emerging Jazz Artist Award, and was awarded a distinguished fellowship to attend the prestigious Hambidge Artist Residency in Georgia, USA also in 2022. Her debut album Éclipse features her group “Aline's étoile magique” and was released in August 2023, preceded by a 2023 Canadian jazz festival tour. In this episode, Aline shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Looking closely at an orchestra can teach us a lot about teamwork—and graceful leadership.

As a founding member of the United Nations, Canada's commitment to multilateralism is the cornerstone of that country's foreign policy. As the globe faces a confluence of multiple crises, UN member states, such as Canada and Ireland, have called for a recommitment to the UN Charter, and for necessary UN reforms to achieve a United Nations that is effective, efficient, relevant and accountable. As a founding member of the United Nations, Canada's commitment to multilateralism is the cornerstone of that country's foreign policy. As the globe faces a confluence of multiple crises, UN member states, such as Canada and Ireland, have called for a recommitment to the UN Charter, and for necessary UN reforms to achieve a United Nations that is effective, efficient, relevant and accountable. With a distinguished career at the UN and at the highest levels of Canadian politics, Ambassador Rae discusses how countries, like Canada and Ireland, can bring a strong voice on human rights, advancing peace and security and achieving the Sustainable Development Goals to the world stage through their engagement at the United Nations at this roundtable event. About the Speaker: Mr. Robert Rae is the Ambassador and Permanent Representative of Canada to the United Nations in New York. He served as Premier of Ontario from 1990–1995, interim Leader of the Liberal Party of Canada from 2011–2013, and was appointed as Canada's Special Envoy to Myanmar (2017) and Canada's Special Envoy on Humanitarian and Refugee Issues (2020). From 1996 to 2008, he was a partner at Goodmans LLP and wrote government reports on the Air India bombing and higher education in Ontario. Mr. Rae also served as Chair of the Toronto Symphony Orchestra, the Royal Conservatory of Music, the Institute for Research in Public Policy, and the Forum of Federations. Mr. Rae taught law and public policy at the University of Toronto and in the VicOne programme at Victoria College, and was a partner and senior counsel to the law firm OKT LLP from 2014 to 2020, specialising in indigenous law and constitutional issues. Mr. Rae is a Privy Councillor, a Companion of the Order of Canada, and a member of the Order of Ontario.

Hello everyone, This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interviews podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets.  On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctor: STEFANO BOLLANI. Stefano is not only one of my best friends, he was also my best man at my wedding and my deskmate at high school. We have gone through uncountable adventures, with some highlights like the recording of the album Carioca in Brazil (followed by several tours) and his jazz quintet I Visionari. Leave a comment if you like. Listen to Stefano''s answers to the questions below:  00:00 Introduction 02:50 Why do you transcribe? 27:34 How do you choose the solos you transcribe? 30:30 What is your methodology? 40:53 Do you write it down? 45:25 How do you practice your transcriptions? 46:00 How do you incorporate ideas into your solos? 48:26 Who was the most difficult player you transcribed? 57:47 Which transcription you've done is your favourite? Stefano Bollani (born 5 December 1972) is an Italian composer, pianist, and singer, also active as a writer and television presenter. Stefano has worked with such musicians as Gato Barbieri, Chick Corea, Bill Frisell, Sol Gabetta, Richard Galliano, Egberto Gismonti, Lee Konitz, Bobby McFerrin, Pat Metheny, Caetano Veloso, Phil Woods, Hector Zazou and has recorded more than 15 albums with trumpeter Enrico Rava. Bollani has performed with several symphonic orchestras (Filarmonica della Scala, Orchestra dell'Accademia Nazionale di Santa Cecilia, Leipzig Gewandhaus Orchestra, Royal Concertgebouw Orchestra, Orchestre de Paris, Toronto Symphony Orchestra, among others) and with directors such as Riccardo Chailly, Daniel Harding, Kristjan Järvi, Zubin Mehta, Gianandrea Noseda and Antonio Pappano. He has also played with Italian pop-rock artists and has participated in and hosted TV and radio shows. Currently, he has published 49 albums alone (31 studio). Stefano, as usual, approaches transcription from a different angle and perspective. Knowing him for more than 40 years, I never had a chance to have a long, deep conversation on jazz transcriptions. I learned unexpected things and understood (finally) a few things that were always a mystery to me. Click on the link and listen to the beautiful answer that Stefano gave me. Leave a comment if you wish. You can check Stefano Bollani's music here: https://stefanobollani.com/

Brian speaks with Jeff Melanson. Jeff is one of the most prominent executives in the Canadian arts and culture community, is lauded internationally for his inventive approach to leadership, his bold strategies, and his practical vision. Prior to joining Stratagem, Jeff was President and CEO of the Toronto Symphony Orchestra, President of The Banff Centre, Dean of The Royal Conservatory of Music's Community School in Toronto, and Executive Director of Canada's National Ballet School. He is a globally sought-after voice on disruptive innovation, creative economies, and creative entrepreneurship. Jeff talks tonight about Chat GPT and Creativity.

A century ago, a group of music lovers established what would soon come to be known as the Toronto Symphony Orchestra. And during that time, the TSO has been delighting audiences, first at Massey Hall, and for the last 40 years at Roy Thomson Hall. The orchestra hired a dynamic new music director in 2020, just in time to see his first season cancelled because of COVID-19. Then its chief executive officer unexpectedly left. It's all par for the course in the wild world of classical music. To discuss the challenges of the last few years, and to mark the milestone anniversary, we welcome Maestro Gustavo Gimeno, and CEO Mark Williams.See omnystudio.com/listener for privacy information.

Née à Montréal, Mélanie Léonard est cheffe d'orchestre. Elle est la directrice musicale de Symphonie Nouveau-Brunswick. Elle a été chef en résidence puis chef associée du Calgary Philharmonic Orchestra et Directrice musicale du Sudbury Symphony Orchestra. Mélanie Léonard a été la première femme ayant complété un Doctorat en Direction d'Orchestre à l'Université de Montréal. En 2012, elle a reçu le Prix Jean-Marie Baudet en direction d'orchestre attribué par le Conseil des Arts du Canada. Elle a été invitée à diriger par plusieurs orchestres canadiens incluant l'Orchestre Symphonique de Montréal, Toronto Symphony Orchestra, l'Orchestre Métropolitain, l'Orchestre du Centre National des Arts. Durant la saison 2022-2023, elle est réinvitée à l'Orchestre Symphonique de Québec, Les Violons du Roy, Symphony Nova Scotia et Victoria Symphony. Elle est également finaliste pour le poste de Directrice Musicale à l'Orchestre Symphonique de Sherbrooke. Notre politique de confidentialité GDPR a été mise à jour le 8 août 2022. Visitez acast.com/privacy pour plus d'informations.

The Ransomware Minute is a rundown of the latest ransomware attacks & news, brought to you by CyberArk. Listen to the podcast weekly and read it daily at ransomwareminute.com • CyberArk is the global leader in Identity Security. Centered on privileged access management, CyberArk provides the most comprehensive security offering for any identity – human or machine. To learn more about our sponsor CyberArk, visit https://cyberark.com

A conversation with the Principal cellist of the Toronto Symphony Orchestra, soloist and educator, Joseph Johnson -  https://www.joecello.com/

DescriptionOccasionally, I am going to release a bonus interview episode for your listening pleasure. For this episode, I had the pleasure of speaking with Bekah Simms who is the outgoing General Manager for the Canadian League of Composers. She is also a truly innovative composer in her own right. We chatted all about the League as well as Bekah's compositional process and what she's currently working on. Enjoy!Bekah on SoundCloud | Ghost Songs By Bekah Simms on BandcampAbout Bekah SimmsThe varied output of JUNO and Gaudeamus Award-nominated composer Bekah Simms has been heralded as “cacophonous, jarring, oppressive — and totally engrossing!” (CBC Music), “tough, even gutsy...with a sure sense of original and vibrant colours” (Vancouver Sun), and lauded for its "sheer range of ingenious material, expressive range and sonic complexity" (The Journal of Music.) Propelled equally by fascination and terror toward the universe, her work is often filtered through the personal lens of her anxiety, resulting in nervous, messy, and frequently heavy musical landscapes. Foremost among her current compositional interests is quotation and the friction between recognizability and complete obfuscation.Bekah hails from St. John's, Newfoundland and is currently Toronto-based. Her music has been widely performed across Canada, in over a dozen American states, Germany, France, Italy, Ireland, Austria, Lithuania, the UK, and Russia. Commissioning ensembles include some of the top interpreters of contemporary music in both Canada and internationally, such as Crash Ensemble, Eighth Blackbird, l'Ensemble Contemporain de Montréal, the Toronto Symphony Orchestra, the Vancouver Symphony Orchestra, Thin Edge New Music Collective, Esprit Orchestra, Continuum Contemporary Music, Ensemble Télémaque, Ensemble Paramirabo, and Duo Concertante. Upcoming commissions include new works for Crash, But What About?, New Music Concerts, and more.About Steven (TCMM Host)Steven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.A Note To Music Students et al.All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com Support the show

In this episode we answer questions from the listener mailbag! For our interview, we welcome Sarah Jeffrey, Principal Oboe with the Toronto Symphony Orchestra! This episode is brought to you by Barton Cane (http://www.bartoncane.com/), Ugly Duckling Oboes (uglyducklingoboes.com/), Chemical City Double Reeds (www.chemicalcityreeds.com/)and Oboe Chicago (www.oboechicago.com). Thank you to our amazing sponsors!

Throughout his career, Benjamin Zander has developed a human and transformative approach to making and teaching music. The orchestra is a group of highly trained individuals poised to coalesce into an effective whole. Passion, creativity, and the desire to contribute are basic human instincts. ​In this new model of leadership, the conductor sees his job as awakening possibilities in others. Zander has traveled the world lecturing to organizations on leadership. He has appeared as a keynote speaker at the World Economic Forum in Davos, where he was presented with the Crystal Award for “Outstanding Contributions in the Arts and International Relations.” His best-selling book, The Art of Possibility, co-authored with leading psychotherapist Rosamund Zander, has been translated into seventeen languages. Zander has established an international reputation as a guest conductor. He has conducted orchestras as diverse as the Israel Philharmonic, Bournemouth Symphony, the Scottish and Irish National Orchestras, the St. Petersburg Philharmonic, the Malaysian Symphony, the St. Louis Symphony Orchestra, the Toronto Symphony Orchestra, and the National Youth Orchestras of New Zealand, Australia and Venezuela.   Show Notes: https://www.benjaminzanderspeaker.com/ https://www.benjaminzanderspeaker.com/about.html

Brian interviews Colin Lynch, Head of Global Real Estate Investments, TD Asset Management. We talk about real estate and his dedication to the Black Opportunity Fund and how he thinks we can fight discrimination, racism and poorer opportunities for African Canadians.Colin KR Lynch joined TDAM in 2015 and co-founded the Global Real Estate Strategy. Today, he oversees investments in over 650 properties across 120 cities worldwide. Colin holds an MBA from Harvard Business School, a Bachelor of Commerce and a Bachelor of Arts from Queen's University. All were received with distinction. He also holds an ARCT (honours) from the Royal Conservatory of Music. Colin is a member of the Board of Directors of the Sunnybrook Health Sciences Centre, the Toronto Symphony Orchestra, the Toronto Investment Board and the Queen's University's Investment Committee. He is also a co-founder of the Black Opportunity Fund.

Week 3 of The Decline-cember. Featuring Toronto Symphony Orchestra Associate Principal Trumpet Steven Woomert.   This month of the pod is dedicated to the memory of Blair Lauren Dubecki

A conversation with Toronto Symphony Orchestra's Assistant Timpani and Section Percussionist and coach of the percussion section of the Toronto Symphony Youth Orchestra, Joe Kelly - https://www.tso.ca/performer/joseph-kelly

DescriptionVivaldi's The Four Seasons is a highly celebrated work. But did you know that poetry was also published along with it? You can check out the full poetry on the Toronto Symphony Orchestra's site. Join me, as we take a minute to get the scoop!Fun FactVivaldi's opera Giustino, which was also written in 1723, has similarities to The Four Seasons. In the middle of Act I, there's a short sinfonia, and we can hear what Vivaldi did with the theme from the first movement of his (then) new concerto.About StevenSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more.A Note To Music Students et al.All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com Support the show (https://www.buymeacoffee.com/TCMM)

0:50: Stuff Rachel Missed 6:11: Rachel's daughter is becoming an enterprising young woman! 12:03: How many Starbucks does one neighbourhood need!? 18:04: Good Idea/Bad Idea- Big toe sock and Toronto Symphony Orchestra & Toronto Zoo team up for Zoo Sounds! 23:21: "Dear Dave & Rachel, I'm more educated than my boyfriend, which doesn't bother me except that I find myself "dumbing down" for him."

Catherine Cahill shares how her organization is navigating live events in a post pandemic world. Listen in as Laura and Catherine discuss how the performing arts industry is staying adaptable, understanding the mindset of your audience, and why Catherine loves influencing and communicating with her community. They also discuss the importance of listening when outside of your comfort zone. Catherine M. Cahill joined the Mann Center in June of 2008. Ms. Cahill graduated from Temple University for undergrad and Drexel University for graduate school. Her previous positions include General Manager of New York Philharmonic at the Lincoln Center and Executive Director of the Toronto Symphony Orchestra.   You can connect with Catherine in the following ways: LinkedIn: www.linkedin.com/in/catherine-m-cahill-a51b89b Website: www.manncenter.org   Download Laura's list of recommended equipment to optimize your personal and professional brand on video here: https://www.speakingtoinfluence.com/equipment   To learn more about Dr. Laura Sicola and how mastering influence can impact your success go to https://www.speakingtoinfluence.com/quickstart and download the quick start guide for mastering the three C's of influence.   You can connect with Laura in the following ways: LinkedIn: https://www.linkedin.com/in/drlaurasicola LinkedIn Business Page: https://www.linkedin.com/company/vocal-impact-productions/ YouTube: https://www.youtube.com/channel/UCWri2F_hhGQpMcD97DctJwA Facebook: Vocal Impact Productions Twitter: @Laura Sicola  Twitch: https://www.twitch.tv/vocalimpactproductions Instagram: @VocalImpactProductions See omnystudio.com/listener for privacy information.

The Fifth Symphony, Ode to Joy, Don Giovanni, the Requiem. These top hits on the 18th century billboard charts are still beloved by millions of people around the world. They were composed by two musical giants of the 18th century, Wolfgang Amadeus Mozart and Ludwig Van Beethoven, prolific artists whose vast repertoire continues to anchor orchestral performances and has become the fodder for everything from ringtones to baby brain development videos. Though contemporaries - Mozart was only 14 years older than Beethoven and lived just hundreds of kilometres away - the two composers couldn't have been more different in their personalities and their approaches to music making. Two centuries later can we finally say which composer made the greatest contribution to the western musical canon? Mozart aficionados say that the lively wunderkind from Salzburg took classical music to soaring new heights starting with his very first symphony at the age of eight. He imprinted his musical signature on every genre and almost every musical instrument, composing more than 650 masterworks before he died tragically young at the age of 35. Perhaps there is no more ringing endorsement of Mozart than the one given him by Beethoven, Wagner, and Tchaikovsky, who considered him unparalleled. Beethoven lovers acknowledge his extraordinary debt to Mozart, whom he idolized. But they argue that the intense and emotionally volatile composer from Bonn, Germany took the keys that Mozart handed him and used them to open musical doors that ended up revolutionizing music. His innovations with the symphonic form and string quartets demonstrated music's capacity to express the difficult and ugly - and proved that challenging the ear and not just pleasing it can lead to a cathartic experience for performers and their audience. Even when he was deaf Beethoven's innovations in musical form didn't stop flowing, laying the groundwork for the romantic movement and the music of the 20th century.  Arguing for the motion is Andrew Burashko, a concert pianist who made his debut with the Toronto Symphony Orchestra at the age of 17. He is the founder of the Art of Time Ensemble, a chamber music collective that juxtaposes high art and popular culture. Arguing against the motion is Corinna da Fonseca-Wollheim, a contributing classical music critic for the New York Times and founder and artistic director of Beginner's Ear, a series of deep listening experiences that combine meditation and music. Sources: APM Music The host of the Munk Debates is Rudyard Griffiths - @rudyardg.   Tweet your comments about this episode to @munkdebate or comment on our Facebook page https://www.facebook.com/munkdebates/ To sign up for a weekly email reminder for this podcast, send an email to podcast@munkdebates.com. To support civil and substantive debate on the big questions of the day, consider becoming a Munk Member at https://munkdebates.com/membership Members receive access to our 10+ year library of great debates in HD video, a free Munk Debates book, newsletter and ticketing privileges at our live events. This podcast is a project of the Munk Debates, a Canadian charitable organization dedicated to fostering civil and substantive public dialogue - https://munkdebates.com/ The Munk Debates podcast is produced by Antica, Canada's largest private audio production company - https://www.anticaproductions.com/   Executive Producer: Stuart Coxe, CEO Antica Productions Senior Producer: Christina Campbell Editor: Kieran Lynch Associate Producer: Abhi Raheja

A musical excerpt from Toronto Symphony Orchestra violinist Yolanda Bruno.

A musical excerpt from Toronto Symphony Orchestra violinist Yolanda Bruno.

In this bonus episode, Michelle Maloy Dillon and Janice Cunning talk with Dawn Marie Schlegel, Associate VP, Donor Relations and Engagement at the Toronto Symphony Orchestra. Michelle coaches Dawn Marie as she describes a current challenge she is experiencing in her work. Our free resource is 10 Questions That Empower Teams tip sheet.   If […] The post Episode 80: Bonus Episode: Executive Leadership Coaching with Dawn Marie Schlegel appeared first on Fundraising Leadership .

Hosts John Devlin and Enrico Lopez-Yañez discuss pops programming, conducting and mission in the 4/4. Then, UpBeat welcomes guest Steven Reineke, Music Director of the New York Pops, and Principal Pops Conductor of the National Symphony Orchestra, the Houston Symphony and Toronto Symphony Orchestra. Maestro Reineke discusses his path to the podium, the skills needed for pops conducting, and the impact that pops programming can have on your community.

Today we’re talking to Julie Lumsden. Julie is a singer and actor from Manitoba, who has performed at the Shaw Festival, RMTC, and Rainbow Stage. Most recently, Julie performed in Messiah/Complex presented by Against the Grain Theatre in partnership with the Toronto Symphony Orchestra. Join us as we talk all things Messiah/Complex, how COVID is making the arts more accessible, and what’s next for arts in Canada.

Nick and Sebastian talk to Vanessa Fralick, associate principal trombonist of the Toronto Symphony Orchestra about finding unexpected inspiration during the pandemic, hyper-specific goalsetting, and if Canadians are actually really that nice.tromboneretreat.comHosted by Sebastian Vera - @js.vera (instagram) and Nick Schwartz - @basstrombone444 (instagram)Produced and edited by Sebastian VeraMusic: Firehorse: Mvt 1 - Trot by Steven Verhelst performed live by Brian Santero, Sebastian Vera and Nick SchwartzToronto sounds: https://freesound.org/people/lonemonk/sounds/239571/

Podcast sponsorwww.houghtonshorns.comSteven Woomert joined the Toronto Symphony Orchestra as Associate Principal Trumpet in 2014. He has appeared as the Acting Principal Trumpet of the Canadian Opera Company Orchestra and has performed with the Barbados Classical Pops All Star Orchestra, New World Symphony, Indianapolis Symphony Orchestra, Calgary Philharmonic Orchestra, Thunder Bay Symphony Orchestra, and the Civic Orchestra of Chicago.Born in Toronto, Steven began his musical studies at age five on violin and added trumpet studies at age 11. He completed his Bachelor of Music degree at Northwestern University, where he studied with Barbara Butler, Charles Geyer, and Christopher Martin. While he was at Northwestern, he was a member of the school’s entry that won First Prize in the Ensemble Division at the 2012 National Trumpet Competition. Steven continued his studies at The Glenn Gould School at The Royal Conservatory in Toronto where he studied with Andrew McCandless. In 2013, he was the winner of the International Trumpet Guild Orchestral Excerpts Competition. Steven has participated in many summer festivals, including the National Youth Orchestra of Canada, National Academy Orchestra, Banff Festival Orchestra, National Orchestral Institute, National Repertory Orchestra, and Spoleto Festival USA.Steven and his father Barton have commissioned and recorded a CD of brand new music for two trumpets and piano, entitled Tandem. Besides performing, Steven enjoys joining some of his TSO colleagues on their volleyball team (The Gustav Bahlers).Support the show (https://thatsnotspit.com/support/)

We welcome Jim Spragg, second trumpet of the Toronto Symphony Orchestra for our second instalment in the Band Room Sectionals Series! Dylan and Jim speak about his exciting path to the TSO, how his thoughts on being a great section player can help our ensembles, being an Olympic level shooting referee, orchestra contracting and lots of hilarious stories along the way. Help Support the Band Room Podcast by Becoming a Patron Through Patreonhttps://www.patreon.com/bandroompodHelp support the Band Room Podcast by getting your merch at the BRP Storehttp://www.bandroompod.com/store Music used in this episodeBRP Theme Music: Skyline by EKR HammellPerforming Ensemble: University of Toronto Wind EnsembleDr. Gillian MacKay – ConductorAbout JimAssociated with the Toronto Symphony Orchestra as an “extra” since 1969 under Karel Ančerl, Jim has been living the dream job as a full player since 1987, in the position of section trumpet.He has held many important positions in some of Canada's major performing groups, such as Orchestre symphonique de Québec, Hamilton Philharmonic, Canadian Opera Company, The National Ballet of Canada, Stratford Festival, and New Music Concerts.Living in Toronto, never too far from Roy Thomson Hall and his trumpet, Jim and his wife Lorraine also serve as staff for two precocious Siamese cats.Toronto Symphony Orchestra - Jim Spragghttps://www.tso.ca/performer/james-spragg​University of Toronto Faculty of the Musichttps://music.utoronto.ca/Support the show (https://www.patreon.com/bandroompod)

Joel Ivany & Miriam Khalil (artistic director, Toronto Symphony Orchestra's Messiah/Complex); Robyn Grant-Moran (Canadian Opera Company's Key Change podcast)

A conversation with the Toronto Symphony Orchestra's concertmaster and a violinist in the New Orford String Quartet, Jonathan Crow - https://www.tso.ca/performer/jonathan-crow

Welcome to our sixteenth episode!Our podcast is dedicated to our favourite tabletop game, Dice Masters.This week's episode was recorded live at the end of the Roll For The North Dice Masters Tournament.  Kim and Jocelyn were live on twitch.tv/dicemastersnorth, where we talked about the event itself, our teams, how our respective days rolled, and took some audience questions.  Stay tuned to the end for some upcoming event announcements!Contact us: tripledpodcast@dm-north.comCheck us out on www.dm-north.com/-------Music heard on this podcast is courtesy of a Creative Commons license Check out Kevin MacLeod on Incompetech.com. Lobby Time by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3986-lobby-timeLicense: http://creativecommons.org/licenses/by/4.0/Cheery Monday by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3495-cheery-mondayLicense: http://creativecommons.org/licenses/by/4.0/-------"O Canada", played by the Toronto Symphony Orchestra led by Peter OundjianLink: https://www.canada.ca/en/canadian-heritage/services/anthems-canada.html

Kris Maddigan - CupheadKristofer Maddigan is a percussionist, drummer and composer based in Toronto, Canada. A member of the National Ballet of Canada Orchestra since 2010, Kris also performs regularly with a wide range of groups including The Toronto Symphony Orchestra, The Toronto Concert Orchestra, The Thunder-Bay Symphony, Kris also works with numerous jazz, theatre and new music groups in and around Toronto.Kris has composed music for the ‘My Virtual Dream' project which premiered at Toronto's Nuit Blanche in 2013 and one of his latest projects was composing the soundtrack for the video game ‘Cuphead‘, which debuted on X-Box One, Windows 10 and Steam on September 29, 2017.Cuphead is a classic run and gun action game heavily focused on boss battles. Inspired by cartoons of the 1930s, the visuals and audio are painstakingly created with the same techniques of the era, i.e. traditional hand drawn cel animation, watercolor backgrounds, and original jazz recordings. Play as Cuphead or Mugman (in single player or local co-op) as you traverse strange worlds, acquire new weapons, learn powerful super moves, and discover hidden secrets while you try to pay your debt back to the devil!In this episode of The Annotator Kris Maddigan cuts deep into two tracks which have not gotten the attention from fans and reviewers so far - one of which is his personal favorite from the soundtrack.ANNOTATED TRACKS03:20 - Disc 1, Track 6 - Inkwell Isle One06:40 - Disc 1, Track 26 - Pyramid PerilOTHER TRACKS00:00 - Track 1 - Introduction12:24 - Disc 2, Track 8 - Dramatic FanaticSOUNDTRACKThe original score by Kris Maddigan was released on September 27, 2017 by Studiomdhr Entertainment Inc. and can be found on Amazon.com, iTunes and streaming on Spotify. You can also order the Cuphead Deluxe 4-LP Edition (Vinyl) from IAM8BITMORE ABOUT THE COMPOSERYou can hear more music from Kris Maddigan at his official site (KrisMaddigan.com). Follow Kris Maddigan on Twitter @krismaddiganABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioGoogle Play PodcastsRSS Feed

When it came to Canadian arts administration, Jeff Melanson was the king. Until his messy annulment papers from frozen food heiress Eleanor McCain alleged that he left more than just administrative damage in his wake from the Canadian Ballet Company, the Toronto Symphony Orchestra, and Banff Centre for the Arts. Anne Kingston dives deep into the hushed world of Canadian arts institutions.Support CANADALAND: https://canadaland.com/joinSee omnystudio.com/listener for privacy information.