Podcasts about Carmina Burana

Now in its 31st year, the AfroSolo Arts Festival is thrilled to return to Commonwealth Club World Affairs with "We Come This Far by Music—Let Freedom Ring! Part 2," featuring African American artists and music. The AfroSolo Arts Festival, directed by Thomas R. Simpson, is showcasing a cast of classically trained artists. This program is led by Dr. Carl Blake, pianist and director, and features Bradley Kynard, baritone; Shawnette Sulker, soprano; William Underwood, flutist. It's a joyful, soul-stirring program of music based on African American experiences, as part of San Francisco's Juneteenth Celebration—a national celebration that commemorates the freeing of enslaved people in Texas two years after the Emancipation Proclamation.  AfroSolo Arts Festival is made possible through the support of the California Arts Council, Grants for the Arts, Dream Keeper Initiative, Kenneth Rainin Foundation, SF Arts Commission, and The Friends of AfroSolo. About the Performers Dr. Carl Blake, piano and program director. Carnegie Recital Wigmore Hall (London) and L'Hermitage St. Petersburg, Russia Toured in France, England, Central and South America, Caribbean as artistic ambassador for the U.S. Department of State. Currently, director of music, Church for the Fellowship of All Peoples, San Francisco, and a board member, Noontime Concerts. Bradley Kynard, baritone. This season: The Emissary by Oh/Rourke and Prospero's Island by Shearer/Stevens, Zebul in Jeptha by Handel, Mer hahn en neue Oberkeet (BWV 212) by J.S. Bach, A Little Girl Dreams of Taking the Veil by Wold, Sophia's Forest by Beecher/Moscovitch, and Harriet's Spirit by Shelby/Olvera with Opera Parallèle, Moby Dick, Heggie/Scheer with San Francisco Opera. Brooke. In Little Women, by Adamo. Shawnette Sulker, soprano. Featured artist with San Francisco Opera; Die Königin der Nacht, Cleopatra, Porgy and Bess, Jake Heggie's Intelligence, Allen Shearer's Prospero's Island. Soloist, Carmina Burana, Messiah, and Mahler's symphonies concert performances at Teatro di San Carlo, Lincoln Center, and Leipzig's Gewandhaus. William Underwood III, flutist. Performs in traditional, avant-garde, social and sacred arenas as a solo, collaborative and recording flutist. A veteran of AfroSolo Festivals in San Francisco. Toured Japan extensively with Kyodo Tokyo Incorporated . An Arts Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Organizer: Anne W Smith and Thomas R. Simpson  Learn more about your ad choices. Visit megaphone.fm/adchoices

Recorded Apr, 2024.Australian soprano Morgan Balfour made her San Francisco Symphony solo debut in 2023 with Bach's Magnificat, conducted by Dame Jane Glover. In the same year, she made her European debut with Internationale Bachakademie Stuttgart's JSB Ensemble under the baton of Hans-Christoph Rademann and received praise for her "crystal clear tone (that) conveyed a broad palette of emotional and vocal colors."During the 2024/25 season, Morgan will perform in Purcell's The Fairy Queen with Pinchgut Opera, appear as Susanna in Le nozze di Figaro with Pocket Opera, sing the soprano solo in Carmina Burana with Schola Cantorum and join Sacramento Baroque Soloists in Masterpieces from France.With a strong affinity for early music and the concert stage, Morgan has performed as a soloist with numerous companies, including Australian Brandenburg Orchestra, American Bach Soloists, Sydney Philharmonia, Canberra Symphony Orchestra and Cantata Collective. In 2022 she was a Virginia Best Adams Fellow at the Carmel Bach Festival.Some of her concert repertoire includes Vaughan William's Serenade to Music (Sydney Philharmonia), Bach's Mass in B Minor (San Francisco Bach Choir), Handel's Messiah (Chora Nova), Mozart's Requiem (Sydney University Graduate Choir), Haydn's Missa brevis (Masterworks Chorale), Bach's Missa Divi Xaverii (California Bach Society), Bach's Actus tragicus (Central Coast Chamber Choir), Whitbourn's Annalies (UC Berkeley Chamber Chorus) and numerous other Bach cantatas with Cantata Collective.Morgan has performed the role of Cephise in Rameau's Pigmalion with both Pinchgut Opera and American Bach Soloists. She also appeared as Honour in Purcell's King Arthur with the Brisbane Baroque Festival. As a Resident Artist with the Lyric Opera of Kansas City, Morgan spent the 2019 - 2020 season covering the roles of Blondchen in Die Entführung aus dem Serail, Musetta in La bohème and was scheduled to perform Mrs Grady in The Shining (covid19).Other operatic credits include Pamina in Die Zauberflöte, the titular role in Rodelinda, Frasquita in Carmen, Younger Alice in Glory Denied, Meleagro in Handel's Atalanta, Governess in The Turn of the Screw, and Annina in La traviata. Alongside her work as a soloist, Morgan is an AGMA member of the San Francisco Symphony Chorus, and has participated in numerous projects including the GRAMMY Award-winning recording of Kaija Saariaho's Adriana Mater. Morgan has also performed as a member of the San Francisco Opera Chorus and regularly appears with American Bach Soloists Cantorei. Morgan has numerous awards from appearing in the international competition circuit. She was the 2019 Handel Aria Competition First Prize Winner, 2022 Lyndon Woodside Oratorio - Solo Oratorio Competition Esther Korshin Award Winner, 2021 Colorado Bach Ensemble Second Prize Winner and 2021 Kentucky Bach Audrey Rooney Vocal Competition Encouragement Award Winner. In addition to her work as a classical vocalist, Morgan can be heard on the game soundtrack of The Lord of the Rings: Return to Moria.https://morganbalfour.com/--Hosted by Jessica Harper (soprano) & Jeremy Boulton (baritone), 'So You Think You Can Belto?' was created to empower emerging operatic practitioners across Australia and the world with access to the direct knowledge and relayed experiences of professionals.BUY JESSICA A COFFEE: ⁠⁠⁠https://www.paypal.com/ncp/payment/32TKWJ6EQ7G8N⁠⁠⁠TWITTER: ⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/sytycanbelto⁠⁠⁠⁠⁠⁠⁠⁠⁠FACEBOOK: ⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/soyouthinkyoucanbelto⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM: ⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/soyouthinkyoucanbelto⁠⁠⁠⁠⁠⁠⁠⁠⁠HASHTAG: #SoYouThinkYouCanBeltoJESSICA: ⁠⁠⁠⁠⁠⁠⁠⁠⁠jessicaharpersoprano.com⁠⁠⁠⁠⁠⁠⁠⁠⁠JEREMY : ⁠⁠⁠⁠⁠⁠⁠⁠⁠jeremyboulton.com.au⁠⁠⁠⁠⁠⁠⁠⁠⁠DISCLAIMER: The views and opinions expressed are solely those of the individuals that appear on the program, not the views of the organisations that they are employed by, nor who they represent in other capacities.

Hjónin og tónlistarfólki Hilmar Örn og Björg ræða Strandakirkju, Grænland og segja frá flutningurinn á Carmina Burana núna á föstudagskvöldið með að hluta til nýrri þýðingu eftir Hjörleif Hjartarson, sem er félagi í Söngfjelaginu.

Witty actor and singer Jacob Keith Watson is making waves on the Broadway stages. He appeared as Enoch Snow in the Tony-nominated Broadway revival of Carousel. Jacob has also been seen on Broadway in Hello, Dolly!, Brian Crawley's Violet, Craig Lucas' Amélie as Joseph Buquet, Monsieur Reyer in The Phantom of the Opera, Robert Livingston in the acclaimed Encores! revival of 1776, as well as Amos Hart in the National/International tour of Chicago the Musical. Regional and Opera credits include the title role in Shrek with the Sacramento Music Circus and roles in Benny & Joon at the Papermill Playhouse, La bohème, Pagliacci, Pirates of Penzance, Rigoletto, HMS Pinafore, Chicago, Bye Bye Birdie, Seussical, Six Characters in Search of an Author, As You Like It, Twelfth Night, Othello, and The Doctor in Spite of Himself. Symphony engagements includes Kurt Weill on Broadway and New York, New York both with Maestro James Holmes and the Kurt Weill foundation and the tenor soloist in Elijah, Messiah, and Carmina Burana. Jacob is an Arkansas native and proud past winner of the prestigious Lotte Lenya Competition, the NATS National Music Theatre Competition and a regional finalist in the Metropolitan Opera National Council Auditions.

Entrevistam Bernat Xamena, músic mallorquí que dirigirà l’Orquestra Simfònica de les Illes Balears el proper 25 d’abril a l’Auditori de Porreres amb l’obra ‘Carmina Burana’.

If I had the opportunity to teach music to an absolute music newbie, someone without any previous musical instruction or experience, I know exactly how I would begin. I would start without printed music. That's hardly revolutionary. The German composer Carl Orff is known today not only for his most famous work, Carmina Burana, but for the innovative methods he brought to musical education. Émile Jaques-Dalcroze created Eurhythmics, not the 1980's pop band with Annie Lennox, but a system for teaching music through movement. Music schools throughout the world have been teaching young children with the method developed by Shinichi Suzuki which begins by emphasizing learning by ear rather than by printed music.  All of these educators believed, as I do, that music is within us and that by learning without the printed page, we can create connections that allow us to develop our natural instinct for how music is organized, in notes and rhythms and chords and more. Our musical notation system is really just a code that we use to transmit and share musical ideas between composer and performer. The actual music doesn't live there. Please understand; I'm not suggesting that we should all learn exclusively by ear. My meaning is that when we become so accustomed to using the page as our only path into the music, when we sublimate our instinctive musical understanding to deciphering the dots on the staff, we make playing harder. In short, we ignore the very innate connection that brought us to music and to the harp in the first place.  Today we are going to explore some very fundamental rhythm concepts through this lens, focusing on the experience first, then the notation, rather than the other way around. I promise I won't ask you to try playing by ear or to memorize everything or to light candles and repeat affirmations. What I want to do is to give you some very simple ways to change how you think about rhythm. We'll do a couple of small experiments that I designed to help relieve any confusion or uncertainty you have about basic rhythmic concepts. Even if you feel totally confident about your skill in deciphering and playing complex rhythms, these little drills will help you reconnect to what is truly important about the rhythmic element of our playing.  Links to things I think you might be interested in that were mentioned in the podcast episode:  Get more rhythmic confidence with our April Seminar, “Rhythm Makeover.” Join now! Join the Live Monday Warm-Ups in the Harp Mastery® Hub. Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com  Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode? LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-202  

"Carmina Burana" em Concertos da Liberdade, parte 2 by Rádio BandNews BH

Carmina Burana como nunca la has visto. La Fura dels Baus trae su impactante versión de la obra de Carl Orff al Auditorio Nacional, CDMX. Un espectáculo que fusiona música, teatro, efectos visuales y acrobacias en una experiencia inolvidable. Conéctate en Tamara con Luz en MVS, de lunes a viernes, de 10:00 AM a 01:00 PM por MVS 102.5 FM.See omnystudio.com/listener for privacy information.

Bruno Bichir, actor, nos habla sobre su participación en la obra de teatro “Cabaret”. Nuestro amigo y colaborador Stivi De Tivi nos trae lo mejor de cine y series de la semana. Adelaida Harrison nos cuenta qué le frustra y qué aporta el Eneatipo 2 en las relaciones de pareja. Carmina Burana como nunca la has visto. Concha León Portilla, colaboradora, nos habla sobre las generaciones sándwich, aquellas personas que cuidan tanto de sus hijos como de sus padres al mismo tiempo. Esto y más aquí en Tamara con Luz. See omnystudio.com/listener for privacy information.

concertos da Liberdade "Carmina Burana" by Rádio BandNews BH

Celebrating the 40th anniversary of the “County Line Community Band,” The Rock United Methodist Church, 1784 E. Loop 1604 S. in St. Hedwig, hosts Concert Favorites and Solos. Everyone is invited to attend this free event on Sunday, March 30, at 3 p.m. The concert will feature members and friends including Michael Zapata, Rene Guzman, Sarah Gartin, Cameron Schnurer, and Ed Ortiz. Enjoy an evening listening to “Overture to Candide,” “Carmina Burana,” and music from “Wicked,” “Harry Potter,” and more. For more information, visit clcbtx.com.Article Link

Mario Z takes the legendary O Fortuna from Carmina Burana and transforms it into an electrifying techno anthem. Fusing the raw power of classical choral elements with pulsating basslines, hypnotic synths, and driving percussion, this track bridges the gap between old-world drama and modern underground energy. With intense buildups, cinematic drops, and a relentless rhythm, Mario Z reinvents this iconic piece for the dancefloor, creating a high-energy experience that's both epic and immersive. Whether you're in a dark club or at a massive festival, this remix is bound to send chills down your spine and make the crowd erupt.

Alfred Savia and Roger Kalia together on the same WIKY Morning Show interview? This has got to be a BIG show at the Victory this weekent then. It is! Click to here all the details about Carmina Burana featuring 200 performers and 2 legendary conductors of the Victory stage!See omnystudio.com/listener for privacy information.

En La Furgo de #CarrerMajor hem anat fins al Teatre Fortuny de Reus on aquest dissabte 15 de febrer tindrà lloc el concert solidari anual organitzat per l'Associació de Concerts de Reus i que aquest any destinarà els seus beneficis a l'Associació Supera't. L'escenari d'un Teatre Fortuny, amb les entrades pràcticament esgotades, rebrà una obra […] L'entrada La Furgo | Carmina Burana al Fortuny: un concert amb ànima solidària ha aparegut primer a BXC Ràdio Ciutat de Reus - Ràdio Online.

En La Furgo de #CarrerMajor hem anat fins al Teatre Fortuny de Reus on aquest dissabte 15 de febrer tindrà lloc el concert solidari anual organitzat per l’Associació de Concerts de Reus i que aquest any destinarà els seus beneficis a l’Associació Supera’t. L’escenari d’un Teatre Fortuny, amb les entrades pràcticament esgotades, rebrà una obra […] L'entrada La Furgo | Carmina Burana al Fortuny: un concert amb ànima solidària ha aparegut primer a BXC Ràdio Ciutat de Reus - Ràdio Online.

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Certos eventos em nossas vidas parecem imprevisíveis. Algumas vezes somos surpreendidos pela alternância entre bons e maus momentos, os quais podem durar dias, meses ou anos. Às vezes desfrutamos de uma boa fase em nossa vida para, de repente, nos vermos envoltos em um pesadelo que nem de longe poderíamos prever. - Curso "Filosofia para a vida: refletir para viver melhor": https://www.udemy.com/course/filosofia-para-a-vida-refletir-para-viver-melhor/?couponCode=889E04F7F1E9D6BDC77D - Curso "Introdução à filosofia - dos pré-socráticos a Sartre": https://www.udemy.com/course/introducao-a-filosofia-dos-pre-socraticos-a-sartre/?couponCode=6B00725CB1380A980C28 - Curso "Crítica da religião: Feuerbach, Nietzsche e Freud": https://www.udemy.com/course/critica-da-religiao-feuerbach-nietzsche-e-freud/?couponCode=2569F0282B781B040B0E - Curso "A filosofia de Karl Marx - uma introdução": https://www.udemy.com/course/a-filosofia-de-karl-marx-uma-introducao/?couponCode=B98C3C7B14582E39D2E8 - Inscreva-se gratuitamente em nossa newsletter: https://filosofiavermelha.org/index.php/newsletter/ - Apoia.se: seja um de nossos apoiadores e mantenha este trabalho no ar: https://apoia.se/filosofiavermelha - Nossa chave PIX: filosofiavermelha@gmail.com - Adquira meu livro: https://www.almarevolucionaria.com/product-page/pr%C3%A9-venda-duvidar-de-tudo-ensaios-sobre-filosofia-e-psican%C3%A1lise - Meu site: https://www.filosofiaepsicanalise.org - Clube de leitura: https://www.youtube.com/watch?v=WWEjNgKjqqI Foi para compreender por que as coisas em nossas vidas acontecem como acontecem que os antigos recorriam à deusa Fortuna. Esta ideia foi muito presente até mesmo na Idade Média, não obstante o predomínio da religião cristã. Um dos principais registros sobre a deusa Fortuna e como ela controla nosso destino se encontra na obra Consolação da filosofia, de Boécio, e também nos poemas intitulados Carmina Burana, do século XI, sobre os quais falaremos na sequência.

durée : 00:10:15 - Le Disque classique du jour du mercredi 08 janvier 2025 - Une nouvelle version des Carmina Burana de Carl Orff par les forces du Tonhalle-Orchester de Zürich sous la baguette de Paavo Järvi, et des solistes d'exception !

durée : 00:10:15 - Le Disque classique du jour du mercredi 08 janvier 2025 - Une nouvelle version des Carmina Burana de Carl Orff par les forces du Tonhalle-Orchester de Zürich sous la baguette de Paavo Järvi, et des solistes d'exception !

Músico penquista Rodrigo Poblete estrena su suite "El sendero" en Concierto de Cámara Corcudec. Víctor Hugo Toro dirige concierto Carmina Burana en Estadio Ester Roa. "Respira", el nuevo disco de Golosa la Orquesta.

La Voz Humana en la Música - Carmina Burana by Radiotelevisión de Veracruz

Fernando Ubiergo se presenta en Concepción. Encuentro de Todas las Artes de Cañete invita a feria en Foro UdeC. Artistas del Acero invita a concierto Carmina Burana en Estadio Ester Roa. Charly Benavente en concierto, celebrando 10 años de carrera.

In Masterworks bespreken Kees en Botte per aflevering één groot muziekwerk. Deze keer is dat de Carmina Burana, een van de classics uit de klassieke muziek, met openingsdeel ‘O fortuna' als absolute hit. Ga mee op ontdekkingstocht naar de oorsprong van dit meesterwerk: een handschrift met ruige en ondeugende middeleeuwse poëzie. Waar gaat de Carmina eigenlijk over?

Als Carl Orff die Texte der Carmina Burana zum ersten Mal liest, verliebt er sich sofort. Aber dass seine Vertonung der mittelalterlichen Texte so berühmt wird, hätte auch er nicht gedacht. Roland findet raus, was die Carmina Burana so besonders macht.

Buenos días desde La Habana, soy Yoani Sánchez y en el "cafecito informativo" de este jueves 29 de agosto de 2024 tocaré estos temas: - Más de 115 represores del régimen cubano se han establecido en EE UU - A la Isla de la Juventud le queda un solo medio de transporte - Un verraco cazador de caracoles gigantes africanos - Danza Contemporánea presenta ‘Carmina Burana' Gracias por compartir este "cafecito informativo" y te espero para el programa de mañana. Puedes conocer más detalles de estas noticias en el diario https://www.14ymedio.com Los enlaces de hoy, para abrirlos desde la Isla se debe usar un proxy o un VPN para evadir la censura: Más de 115 represores del régimen cubano se han establecido en EE UU en el último año https://www.14ymedio.com/internacional/115-represores-regimen-cubano-han_1_1105796.html Bahamas retorna 16 migrantes cubanos y son 1.046 los devueltos desde varios países en 2024 https://www.14ymedio.com/internacional/bahamas-retorna-16-migrantes-cubanos_1_1105798.html Hermetismo total de la Policía y perplejidad de los amigos del médico cubano asesinado en España https://www.14ymedio.com/internacional/hermetismo-total-policia-perplejidad-amigos_1_1105776.html Con el inicio del curso escolar, las familias cubanas temen la expansión del virus de Oropouche https://www.14ymedio.com/sociedad/inicio-cuso-escolar-familias-cubanas_1_1105804.html Un verraco cazador de caracoles gigantes africanos recorre La Habana https://www.14ymedio.com/cuba/verraco-cazador-caracoles-gigantes-africanos_1_1105777.html A la Isla de la Juventud le queda un solo medio de transporte en servicio y se llama ‘Perseverancia' https://www.14ymedio.com/cuba/isla-juventud-le-queda-medio_1_1105788.html Pierden el avión en La Habana y sufren un accidente de tránsito en Santiago de Cuba https://www.14ymedio.com/cuba/pierden-avion-habana-sufren-accidente_1_1105784.html El relator de la ONU sobre esclavitud señala el trabajo forzoso impuesto a los presos políticos cubanos https://www.14ymedio.com/cuba/relator-onu-esclavitud-senala-trabajo_1_1105786.html Danza Contemporánea de Cuba presenta ‘Carmina Burana' https://www.14ymedio.com/eventos-culturales/danza-contemporanea-cuba-presenta-carmina_1_1105545.html

Por qué se inunda Chalco?;Concierto con causa, Carlos Miguel Prieto y la Sinfónica de minería nos invitas a Carmina Burana; Análisis de Luis miguel González; Desplazamiento en Chiapas; Presentación del libro “Dinastías; Dos familias una nación” de Ramón Alberto Garza, periodista; Quedan atrapados en juego mecánico por lluviasSee omnystudio.com/listener for privacy information.

Buenos días desde La Habana, soy Yoani Sánchez y en el "cafecito informativo" de este jueves 22 de agosto de 2024 tocaré estos temas: - "Incapaces", las críticas a los funcionarios suben de tono en los sitios oficiales - Responsabilizan a los emigrados del tráfico de droga - Contratan a una empresa privada para recoger la basura en El Cerro - Danza Contemporánea presenta ‘Carmina Burana' Gracias por compartir este "cafecito informativo" y te espero para el programa de mañana. Puedes conocer más detalles de estas noticias en el diario https://www.14ymedio.com Los enlaces de hoy, para abrirlos desde la Isla se debe usar un proxy o un VPN para evadir la censura: El virus de Oropouche, un visitante indeseado en miles de casas cubanas https://www.14ymedio.com/blogs/generacion-y/virus-oropouche-visitante-indeseado-miles_132_1105553.html La Policía cubana insiste en responsabilizar a los emigrados del tráfico de droga en la Isla https://www.14ymedio.com/cuba/policia-cubana-insiste-responsabilizar-emigrados_1_1105559.html Cuatro peloteros de las Grandes Ligas renuncian al equipo cubano oficial https://www.14ymedio.com/deportes/cuatro-peloteros-grandes-ligas-renuncian_1_1105539.html Desmantelan puestos de venta privados en Sancti Spíritus antes permitidos por las autoridades https://www.14ymedio.com/cuba/desmantelan-puestos-venta-privados-sancti_1_1105533.html Contratan en La Habana a una empresa privada para recoger montañas de basura acumulada https://www.14ymedio.com/cuba/contratan-habana-empresa-privada-recoger_1_1105542.html El Gobierno de Maduro busca "aterrar" a los empleados públicos, asegura María Corina Machado https://www.14ymedio.com/internacional/gobierno-maduro-busca-aterrar-empleados_1_1105551.html Las autoridades de Ciego de Ávila no contrataron docentes pese a tener presupuesto https://www.14ymedio.com/cuba/autoridades-ciego-avila-no-contrataron_1_1105529.html El Zinemaldia programa una selección de 19 filmes cubanos restaurados de los años 60 y 70 https://www.14ymedio.com/cultura/zinemaldia-programa-seleccion-19-filmes_1_1105547.html Danza Contemporánea de Cuba presenta ‘Carmina Burana' https://www.14ymedio.com/eventos-culturales/danza-contemporanea-cuba-presenta-carmina_1_1105545.html

¡Esta vez, sí; ESTA VEZ, SÍ! Fernando, Rafa, Juanjo, Enrique y Jotaele nos reunimos para hablar del Omnigold #2 de Excalibur, se obró el milagro y durante la primera hora y pico del programa, comentamos y damos nuestras impresiones sobre el tochamen para después pasar a comentar la lista de esenciales del primer semestre de 2024 de la ACDC y los últimos premios Eisner para acabar con vuestra sección favorita: ¡Ome no me jodas! Además, incluimos la charla que tuvimos con Joan Mundet en el pasado festival de cómic europeo de Úbeda. No se lo pierdan. 🎼 - Carl Orff - Oh, fortuna. Carmina Burana. 🎼 - Nanowar of Steel - Norwegian Reggaeton 🎼 - Dropkick Murphys - The Boys Are Back Puedes encontrarnos en: Facebook: https://www.facebook.com/tdtpodcast Twitter: @PodcastTDT tertuliadetebeos@gmail.com tertuliadetebeos.blogspot.com En Instagram: @tdtpodcast_ YouTube: https://www.youtube.com/tdtpodcast

Disfrutamos del primer café de la mañana con La Traviata, La Bohème, Carmina Burana... Todo, cortesía de nuestra experta en música clásica, Eva Sandoval. Aprovechamos también nuestra primera hora de programa para hablar con dos profesionales que saben mucho de cantar. Pero en este caso goles. Nos referimos a los compañeros del área de Deportes de Radio Nacional de España, Pepe López Terradas y Antonio Muelas. Escuchar audio

Sitar player and composer Jasdeep Singh Degun and composer and musician Anne Dudley continue the musical journey with Anna Phoebe and Jeffrey Boakye.From New York punk to Björk's debut via a 13th century drinking song in Latin, this penultimate episode of the series brings the current tally of tracks to 25. Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:I Don't Want to Grow Up by the Ramones The Barley Mow by The Irish Rovers In Taberna from Carmina Burana by Carl Orff Hamri Atariya Pe Aaja Re by Shobha Gurtu Venus as a Boy by BjörkOther music in this episode:It's My Life by Dr Alban Forever Young by Bob Dylan Old Man by Neil Young Glory Days by Bruce Springsteen Help the Aged by Pulp Songs to Aging Children Come by Joni Mitchell Getting Older by Billie Eilish I Don't Wanna Grow Up by Tom Waits O Fortuna by Carl Orff Happy Birthday to You

Vamos a hablar sobre las emociones y la voz, todo sobre Carmina Burana y cómo su paternidad puede afectar a sus hijos. Hosted on Acast. See acast.com/privacy for more information.

Escrita sobre textos del siglo XIII que hablan del placer terrenal de vivir, del vino, del amor y el deseo, Carmina Burana es el espectáculo de mayor éxito de la compañía teatral La Fura dels Baus. Un montaje que ha recorrido 3 continentes agotando localidades y que han disfrutado más de 350.000 espectadores. Una experiencia con música de Carl Orff y dramaturgia y dirección de Carlus Padrissa que cumpliendo con su cita anual en la capital, estará en cartel en el Teatro Apolo hasta el próximo 2 de junio y a la que nos asomamos de la mano de uno de sus protagonistas, el barítono Rajiv Cerezo. Escuchar audio

Jim Schatzman, founder and artistic director of the Choral Arts Society, talks about Carl Orff's dramatic cantata CARMINA BURANA, one of the most extraordinary and unique masterworks of 20th century choral music. The group will be performing the work on May 18th and 19th at UW-Parkside in collaboration with The Studio of Classical Dance Arts. The preview includes recorded excerpts from the work.

On Friday's show: Fort Bend ISD trustees have responded to a complaint filed with the Texas Education Agency over the early retirement of then-superintendent Christie Whitbeck. News 88.7 reporter Natalie Weber explains what the complaint alleges and what the trustees have to say about it. And she discusses other developments in Fort Bend County, including Sugar Land banning new smoke shops, vape stores, and hookah bars.Also this hour: Our non-experts weigh in on The Good, The Bad, and The Ugly of the week, including plans to demolish a house featured in the movie Reality Bites.And we learn about the Houston Symphony's performances of Carl Orff's Carmina Burana. While many people will recognize its opening and closing numbers, the entire piece has influenced composers for TV, film, and video games.

Pizza, pizza. In this episode: Jason and William, being true experts in the field, talked about the best pizza and revealed the secrets of the only good pizza on Earth Then we discussed the plot, Death Note, and also what if John Wick was at your door. Is he? Better go check! ------ Music by RoccoW: Welcome! (RoccoW)    / CC BY-SA 3.0 Sweet Self Satisfaction (RoccoW) / CC BY-SA 3.0 License:  https://filmmusic.io/standard-license Audio clips used: The Day the Earth Stood Still, The Wolf Man, 2001: A Space Odyssey, Godzilla (1954), Invisible Man, Frankenstein (1931), Little Caesar (1931), John Wick, The Running Man (1987), Carl Orff - O Fortuna from "Carmina Burana", Mike Tyson's Punch-Out!! (Fight Theme), Spider-man: The Animated Series, Death Note --- Send in a voice message: https://podcasters.spotify.com/pod/show/cinematic-fantastic/message Support this podcast: https://podcasters.spotify.com/pod/show/cinematic-fantastic/support

Ballet Help Desk sat down with Vanessa Léonard, Director of the Royal Winnipeg Ballet's Anna McCowan-Johnson Aspirant Program. She covered not only how the program is structured, but how dancers work with the main company, where dancers get jobs and also how students can audition to join the program. Ms. Léonard also covers the unique challenges that dancers face when trying to dance in a country that isn't their own, especially when it comes to visa issues. Tune in to hear more about this unique Canadian company! Interested in auditioning for Royal Winnipeg Ballet School? Video auditions being accepted through June 1, 2024: https://www.rwb.org/school/professional-division/audition/video-auditions/   Royal Winnipeg Aspirant Program Ballet Help Desk Submit Year-Round Reviews Support Ballet Help Desk Instagram: @BalletHelpDesk Vanessa Léonard Bio Originally from Edmonton, Alberta, Vanessa Léonard has been gracing the studios and stages of the Canada's Royal Winnipeg Ballet since 1994 as a student, principal dancer, and ballet master. In 2021, Ms. Léonard was honoured to be appointed as Director of the RWB's Anna McCowan-Johnson Aspirant Program. She received her early training from the Edmonton School of Ballet and the RWB School Professional Division before being hired into the RWB Company in 1997. During a fifteen-year career, Ms. Léonard portrayed the lead female role in many well-known works; the first of such roles was in David Nixon's Butterfly when Nixon picked her from the corps de ballet to perform the lead. In the 2001/02 season she worked with Sir Peter Wright to dance the dramatic and technical role of Giselle. Other roles that Ms. Léonard enjoyed dancing include Odette/Odile in Galina Yardonova's staging of Swan Lake, Princess Aurora in The Sleeping Beauty, Lucy in Mark Godden's Dracula, Pamina in Mark Godden's The Magic Flute, the tender Cours D'Amour in Mauricio Wainrot's Carmina Burana and the lead role of Nancy in Val Caniparoli's A Cinderella Story. Ms. Léonard is known for roles that have been created on her including Tinker Bell in Jorden Morris' Peter Pan; Destiny in Mauricio Wainrot's Carmen, The Passion; March Hare in Shawn Hounsell's Wonderland; and Natalie in Jorden Morris's Moulin Rouge® – The Ballet. In 2009 Ms. Léonard danced the role of Juliet in Rudi van Dantzig's Romeo & Juliet for which she was called “simply stunning” by the Winnipeg Free Press. Ms. Léonard has appeared as a guest artist internationally, performing in galas with the Compania Nacional de Danza in Mexico City, the Benios De La Danse in Moscow, the 10th and 13th International Ballet Festivals of Miami, and the Encore International Dance Festival in Quebec. She has also been invited to dance with various companies and schools in full-length productions of Nutcracker, Swan Lake and The Sleeping Beauty in Canada, the USA and Spain. In 2009, Peter Quanz selected Ms. Léonard to perform a new piece called In Tandem at the Guggenheim Museum in New York City and at the 2010 Canada Dance Festival in Ottawa. As part of the Cultural Olympiad for the 2010 Vancouver Winter Olympic Games she performed the lead in Iztik Galili's Hikarizatto. Since retiring from dance in 2013, Ms. Léonard has staged and coached many ballets for the RWB Company, Professional Division and Aspirant program. She has also staged full length ballets for Orlando Ballet, Louisville Ballet and the National Ballet of Cuba and has enjoyed guest teaching for schools and companies around the world.

durée : 00:25:17 - Carl Orff "Carmina Burana" - par : Anne-Charlotte Rémond - Anne-Charlotte Rémond se penche sur une des musiques les plus problématiques de l'histoire : Les « Carmina Burana » (1936) du munichois Carl Orff (1895-1982). Les Carmina Burana ? Œuvre de révolte ou de propagande ? Musicopolis tente de lever le voile... - réalisé par : Philippe Petit

Composer Debbie Wiseman and the writer and multi-instrumentalist Rhodri Marsden join Cerys Matthews and Jeffrey Boakye as they add five more tracks, taking us from a Drifters' classic hit to one of Beethoven's most famous compositions. For Add to Playlist, the Chinese pianist Lang Lang reflects on playing Beethoven, and percussionist Ruairi Glasheen is on hand to talk us through the finer elements of the popular instrument, the güiro. Producer Jerome Weatherald Presented, with music direction, by Cerys Matthews and Jeffrey Boakye The five tracks in this week's playlist: Under the Boardwalk by The Drifters Für Elise: Bagatelle No 25 in A Minor by Ludwig van Beethoven Tchintchirote by Cesária Évora Golden Birdies by Captain Beefheart & His Magic Band Sabre Dance by Aram Khachaturian Other music in this episode: Carmina Burana by Carl Orff Oye Como Va by Eliane Elias Butt music from Hieronymus Bosch's The Garden of Earthly Delights Supersonic by Oasis Gimme Shelter by The Rolling Stones Don't You Worry 'bout a Thing by Stevie Wonder Hands Up by Cherry Bullet

This month is going to be crazy busy in Las Vegas – we're looking at you, F1 – so it might be hard to keep up with all the local events buried under the spectacle of what's happening on the Strip. To help highlight the best events for you and your family, publisher of thelist.vegas Andrew Kiraly and host Dayvid Figler share their top picks for November. Now through Nov. 20: Butterfly Habitat at the Springs Preserve (link) Now through Nov. 26: The fall display at the Bellagio Conservatory (link) Now through Jan. 13: Kumbia Queen, A Las Vegas Tribute to Selena at OYO (link) Now through April: Dita Von Teese at the Horseshoe (link) Nov. 3: UNLV Annual Art Walk (link) Nov. 3-Dec. 31: Ethel M's holiday cactus garden (link) Nov. 3-5: Carmina Burana at the Nevada Ballet Theatre (link) Nov. 4: StorySLAM: Imposter Syndrome at Charleston Heights Arts Center (link) Nov. 10: Sundown Soul Club at the Griffin (link) Nov. 10-Jan. 15: The Rock Rink at Downtown Summerlin (link) Nov. 11: Black Joe Lewis and the Honeybears at Area 15 (link) Nov. 11-12: Las Vegas Days Rodeo at the Plaza (link) Nov. 21st: David Sedaris at the Smith Center (link) Nov. 24-Dec. 31: Enchant Christmas at the Las Vegas Ballpark (link) Mondays: Punk Rock Karaoke at Berlin (link) Tuesdays: Carloke (karaoke hosted by a guy named Carl) at Starboard Tack (link) Check out these events and more on thelist.vegas! We're on social media! Follow us @CityCastVegas on Instagram. You can also call or text us at 702-514-0719. Want some more Las Vegas news? Then make sure to sign up for our morning newsletter here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Simone Menezes, Camila Provenzale and Philharmonic Zurich – Amazônia: Villa-Lobos - Glass (Alpha Classics) New Classical Tracks - Simone Menezes (radio edit) by “I think it's very funny that people think I am creative,” conductor Simone Menezes says. “I just I feel like the ideas are in the air and I just take them.”Menezes is a Brazilian conductor who is known for her creative approach. With her new recording, Amazônia, she says it was just “so obvious” that this project should focus on the Amazonian rainforest. Her goal was to make an important point with no speech, just music. In other words, it's art that goes straight to the heart.The centerpiece of the recording is a suite by Heitor Villa-Lobos, Floresta do Amazonas. It's a work that Menezes believes should be part of the standard repertoire.“My opinion is that this music has some very strong points,” she says. “The first one: It's an epic. It sounds somehow like Carmina Burana. It has this large aspect and sounds like monumental music. The second, because of Villa-Lobos' lyricism, is very touching. Sometimes we think about Latin American music as happy music. But in this case, it's deep music and the melodies come from the influence of fado, which is a deep Portuguese song.”Why did you want to bring the rainforest to the forefront through this music?“For me, the Amazonia is one of the biggest treasures of humanity. We should consider that we are in a beautiful garden that is this Earth, and we have our job as guardians of this garden. This project aims to make people see how touching and beautiful this place is.“And it's very funny that Villa-Lobos, when he wrote many pieces at the end of his life, he wrote, ‘Maybe my music is our letters from the posterity.' And I think this is the case with this piece now.”As you are leading this piece of music with the orchestra, is there a part of it that you really enjoy?“The most touching is the ending of the speech. It's called the ‘Epilogue,' or the very last movement, because it sums up everything. And the melody is sung by soprano Camila Provenzale, but she did not sing with lyrics. It's just a kind of vocalese with the orchestra. I have conducted this piece maybe 11 or 12 times recently, and this was the first time that I saw musicians crying during the concert.” Listen on YouTubeTo hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts.ResourcesSimone Menezes, Camila Provenzale and Philharmonic Zurich – Amazônia: Villa-Lobos - Glass (Amazon)Simone Menezes, Camila Provenzale and Philharmonic Zurich – Amazônia: Villa-Lobos - Glass (Alpha Classics)Simone Menezes (official site)Camila Provenzale (official site)Philharmonic Zurich (official site)

Carl Orff's Carmina Burana is probably the most-performed choral work of the past one hundred years. O Fortuna – its opening and closing – is one of the most recognisable choral pieces ever, used everywhere from adverts to computer games to talent shows. Why is it so popular? What gives it its impact? And why do some people have very negative feelings towards it? We unravel the answers to those questions with the help of BBC Radio 3's Linton Stephens and Classic FM's Anne-Marie Minhall in the latest episode of Change Your Tune.Find out more about The Bach Choir and sign up for our newsletter here - https://thebachchoir.org.uk/thanks-for-listening-to-change-your-tuneChange Your Tune is a Podcart production. Hosted on Acast. See acast.com/privacy for more information.

"The repertoire will always have some sort of example of something that you're talking about in music theory, and it helps really build that connection between the studying of music and the doing of music. The more and more I teach theory, the more little leaves I uncover, and I'm able to help students make that connection more and more every year."John Guarente is Professor of Choral Ensembles and Music Theory at South Puget Sound Community College. He leads the SPSCC Choirs and teaches courses in music theory, popular music, and music appreciation.Dr. Guarente previously served on the faculty at Lakeland University in Wisconsin and the College of Central Florida. He has held teaching and conducting positions with schools and organizations including the University of Miami, Miami Choral Academy, Marion Civic Chorale, the Civic Chorale of Greater Miami, and Highland Park Community Chorus.An active composer and arranger, John has fulfilled commissions for colleges and universities including Florida International University and Hawai'i Pacific University. In 2020, he wrote the music and lyrics for SPSCC's Alma Mater, "The Waves of South Puget Sound." John has prepared and conducted choirs for groundbreaking recording artists such as Passion Pit and Juanes. In working with adult and collegiate choirs, Dr. Guarente has conducted numerous major works including Handel's Judas Maccabaeus, Saint-Saëns's Oratorio de Noël, Mozart's "Coronation" Mass, Faure's Requiem, and Vivaldi's Gloria. As a baritone soloist, his singing engagements have included such choral-orchestral literature as Orff's Carmina Burana, Handel's Messiah, Dvorak's Te Deum, and Szymanowski's Stabat Mater.John received his doctor of musical arts degree from the University of Miami, and holds a master of music in choral conducting and a bachelor of arts degree in music from Rutgers University. He is an inductee of Pi Kappa Lambda: The National Music Honor Society, and is an active member of the American Choral Directors Association, the National Collegiate Choral Organization, the College Music Society, and the National Association for Music Education.To get in touch with John, you can find him on Facebook (@johnguarente), Twitter ( @johnguarente), or Instagram (@johnguarente). You can also email him at jguarente@spscc.edu.Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Etiquette, manners, and beyond! In this episode, Nick and Leah answer listener questions about insulting people's talent, ignoring polite signs, flying without headphones, and much more. Please follow us! (We'd send you a hand-written thank you note if we could.) Have a question for us? Call or text (267) CALL-RBW or visit ask.wyrbw.com QUESTIONS FROM THE WILDERNESS: How do you respond when someone insults your talent? Should you turn off your engine at a bank drive-thru if a sign requests it? If you hear the doorbell at a loud party, should you open it or tell the host? What can be said to fellow airplane passengers who are playing videos on their phones without headphones? What can be done about people who leave their cars at gas station pumps and go inside to shop when there are other people waiting for gas? THINGS MENTIONED DURING THE SHOW "O Fortuna" (Carl Orff's "Carmina Burana") on YouTube "Goodie Two Shoes" on Wikipedia YOU ARE CORDIALLY INVITED TO... Support our show through Patreon Subscribe and rate us 5 stars on Apple Podcasts Call, text, or email us your questions Follow us on Instagram, Facebook, and Twitter Visit our official website Sign up for our newsletter Buy some fabulous official merchandise CREDITS Hosts: Nick Leighton & Leah Bonnema Producer & Editor: Nick Leighton Theme Music: Rob Paravonian ADVERTISE ON OUR SHOW Click here for details TRANSCRIPT Episode 185 Learn more about your ad choices. Visit megaphone.fm/adchoices

Why are 1000 computer experts calling for a moratorium on the development of new Artificial Intelligence capabilities? Then, Amanda Fuller (Kentucky Academy of Science) interviews undergraduate researcher Chase Yost (Bellarmine University) on natural and synthetic phosphatase inhibitors. Finally, Scott Miller (Maysville Community and Technical College) discusses the science and policy of climate change and sea level rise. ‘Bench Talk: The Week in Science' is a weekly program that airs on WFMP Louisville FORward Radio 106.5 FM (forwardradio.org) every Monday at 7:30 pm, Tuesday at 11:30 am, and Wednesday at 7:30 am. Visit our Facebook page for links to the articles discussed in this episode: https://www.facebook.com/pg/BenchTalkRadio/posts/?ref=page_internal The music heard on this episode is ‘O Fortuna' from the cantata ‘Carmina Burana' composed by Carl Orff in 1935. This public domain performance is by the University of California-Davis University Chorus from 2016: https://orangefreesounds.com/carl-orff-carmina-burana/#google_vignette

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Synopsis Happy Saint Valentine's Day! On today's date in 1953, a new choral work by the German composer Carl Orff received its premiere performance at the La Scala opera house in Milan, Germany. Trionfo di Afrodite was the title of the new work, intended to be the final panel in a triptych of choral works celebrating life and love. This triptych included Orff's famous Carmina Burana, based on medieval texts, and Catulli Carmina, based on love lyrics by the Roman poet Catullus. All three pieces were given lavish, semi-staged performances at La Scala, led by the Austrian maestro Herbert von Karajan, and with German soprano Elisabeth Schwarzkopf and Swedish tenor Nicolai Gedda as the star soloists. For the world premiere performance of Trionfo di Afrodite, Schwarzkopf and Gedda portrayed a bride and groom on their wedding night: the texts they sang were pretty hot stuff—if you understand Latin, that is! Triofi di Afrodite shows Orff's indebtedness to Stravinsky, and his repetitive rhythmic patterns seem to anticipate the "minimalist" movement by several decades. At the 1953 premiere, Schwarzkopf's husband, record producer Walter Legge, gently suggested to Orff that he might consider a few cuts to the new work. Orff's response? "Oh, I know very well the effect of my rubber-stamp music!" In any case, Legge decided not to make a recording of the new work—which seems a shame, considering the all-star cast assembled at La Scala for its premiere! Music Played in Today's Program Carl Orff (1985 - 1982) Trionfo di Aphrodite

Music theorist Dr. Lauren Crosby is here to help us take a closer look at the original Boba Fett theme. We compare the pitch material of John Williams's theme to Ludwig Göransson's Boba Fett theme (which debuted in The Book Of Boba Fett), theorize about the relationship between them, and discuss other things from this action-packed set of minutes too! Timestamps: 0:00 - Hello there! 10:53 - When did you become aware of Boba Fett having a theme? 14:02 - Characteristics of the Boba Fett theme. 16:57 - Side by side comparison of Frank Lehman's Boba Fett theme transcription (Bb octatonic) and Lauren Crosby's transcription (C# minor). Same theme, same notes, conceived in different ways. 25:26 - Foreshadowing all the Dies Iraes in these minutes. 31:14 - Comparing John Williams's theme to Ludwig Göransson's Boba Fett theme. 44:09 - Did Ludwig Göransson reference John Williams on purpose? 50:38 - Hypothesizing about the break point of the Dies Irae in Boba Fett's two themes. 58:53 - Attacking a Star Destroyer motif, which also appears in John Powell's SOLO score. 1:04:54 - Satisfying engine sound that melds with the music. 1:09:18 - Carmina Burana moment. 1:10:16 - Dies Irae moment (paging Alex Ludwig). 1:16:02 - Guessing a theme based on two notes. 1:20:04 - Remaining part of the action through the soundscape. 1:23:43 - Upward steps with lower decorations evoke Luke struggling to learn the lesson. 1:26:40 - Organic vs. non-organic sounds on Dagobah. Natural habitat punctuated by Artoo's vocalizations. 1:30:55 - Paging Ender Smith (re: Artoo beeps). 1:33:57 - Ascending scale with ascending ship. The scale is somewhat familiar but sounds unresolved. 1:41:05 - SWMM Questionnaire References: Ludwig Göransson's Book of Boba Fett theme - https://youtu.be/3a0tH0fkvW8 "O Fortuna" from Carmina Burana by Carl Orff - https://youtu.be/GXFSK0ogeg4 Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Cues: 6M5/7M1 "The Magic Tree" 7M2 "Attack Position" Beginning of 7M3 "Yoda Raises The Ship" Musical Themes: 1a. Main Theme (A Section) 12a. Yoda (A Section) 10a. Imperial March (Theme) 14. Boba Fett 29) Attacking A Star Destroyer 13) Dies Irae Where are we in the soundtrack? "The Training of a Jedi Knight/The Magic Tree" "Attacking a Star Destroyer" "Yoda And The Force" ------------ Star Wars Music Minute Questionnaire: 1. In exactly 3 words, what does Star Wars sound like? - Expansive. Romantic. Foreignly-familiar. 2. What's something related to Star Wars music or sound that you want to learn more about? - The process of coming up with character voices, sounds, or languages. 3. What's a score or soundtrack you're fond of besides anything Star Wars? - Frozen II (composed by Christophe Beck) --------- Guest: Lauren Crosby Lauren's presentation at the John Williams conference may be online soon. You can check on it here: https://johnwilliams.sciencesconf.org/ University of Clemson page: https://www.clemson.edu/caah/about/facultybio.html?id=5566 ------------------ Ways to Support & Follow SWMM: Join our Discord server by becoming a patron!  https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink

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