Podcast appearances and mentions of tessa lark

Raymond Jones speaks with a trio of innovative string players ahead of their Virginia Arts Festival performance. Legendary bassist Edgar Meyer is known for his adventurous collaborations with artists of all genres. His newest adventure includes the extraordinary classical violinist and Kentucky fiddler Tessa Lark and cellist/composer Joshua Roman.

Sam Reider is a Latin GRAMMY-nominated pianist, accordionist, composer, and educator from San Francisco, California. His work brings together various streams of American music, from jazz and folk tunes to popular song and contemporary composition. He has appeared as a bandleader and soloist at major festivals and venues around the world and his performances and original compositions have been featured on NPR, PBS and the BBC. Reider has performed, recorded and collaborated with a range of artists including Jon Batiste, Jorge Glem, Sierra Hull, Laurie Lewis, and Paquito d'Rivera. From his genre-bending acoustic ensemble The Human Hands to his duo collaboration with Grammy-nominated Venezuelan artist Jorge Glem, Reider's unique compositional voice and melodicism runs throughout his eclectic projects. His 2022 solo piano record of original music Petrichor received four stars and made the Best of 2022 in Downbeat Magazine. Reider and Glem's album Brooklyn-Cumaná was featured on NPR's Tiny Desk and was nominated for Best Instrumental Album in the 2023 Latin GRAMMY Awards. In addition to his work as a performer, Reider is a prolific composer and arranger and has written for a variety of ensembles and soloists including the San Francisco Girl's Chorus, Time for Three, Trinity Alps Chamber Music Festival, Del Sol Quartet, and Tessa Lark.

On the News Reel today, we talk to Andrew Christiansen, reporter at the Times-Independent, about the Grand County Commission's newly elected chair and vice chair. We also talk about the Moab Music Festival's new director and give an update about the missing parrots in Moab. Plus, we highlight a quick story about a 26,000-year-old fox that was discovered in Utah recently. - Show Notes - • Winfield made Grand County Commission chair; McCandless elected vice chair https://www.moabtimes.com/articles/winfield-made-grand-county-commission-chair-mccandless-elected-vice-chair/ • Moab music festival names Tessa Lark as artistic director https://www.moabtimes.com/articles/moab-music-festival-names-tessa-lark-as-artistic-director/ • Long lost parrots missing near Porcupine Rim https://www.moabtimes.com/articles/long-lost-parrots-missing-near-porcupine-rim/ • Ice age fox skeleton discovered in Utah cave https://www.moabtimes.com/articles/ice-age-fox-skeleton-discovered-in-utah-cave/

This week we hear some of our team's favorite moments from the program!! You'll hear a thrilling teenage trio perform Beethoven, meet a young cellist with a moving story about the power of music, and enjoy a gorgeous performance of Bach by a social media-savvy teen oboist and violinist Tessa Lark and Peter Dugan.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

A 15-year-old violinist introduces us to his charming coastal community of Damariscotta, Maine and a talented young banjo player ensconced in the blue grass music scene brings us into her musical home in the foothills of Leicester, North Carolina. Co-host/violinist Tessa Lark draws on her own childhood in Kentucky as she reflects with Peter Dugan on the stories and performances of these talented young musicians from rural communities. Don't miss the videos of each hometown visit at fromthetop.org.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

We're on a musical journey in small town and rural America. We meet a teen violinist down by the bayou in Monroe, Louisiana, travel to the rolling farmland of Redlands, California to the home of a driven young guitarist, and hear from a young composer who enjoys the support of his community in Fargo, North Dakota. Co-host/violinist Tessa Lark speaks about her own upbringing in Eastern Kentucky as she reflects with Peter Dugan on the experiences of these talented young artists from small towns. Don't miss the videos of each hometown visit at fromthetop.org.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

A 15-year-old violinist introduces us to his charming coastal community of Damariscotta, Maine and a talented young banjo player brings us into her musical home in the foothills of Leicester, North Carolina. Co-host/violinist Tessa Lark draws on her own childhood in Kentucky as she reflects with Peter Dugan on the stories and performances of these talented young musicians from rural communities. Don't miss the videos of each hometown visit at fromthetop.org.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

We meet a teen violinist down by the bayou in Monroe, Louisiana, travel to the rolling farmland of Redlands, California to the home of a driven young guitarist, and hear from a young composer who enjoys the support of his community in Fargo, North Dakota. Co-host/violinist Tessa Lark speaks about her own upbringing in Eastern Kentucky as she reflects with Peter Dugan on the experiences of these talented young artists from small towns. Don't miss the videos of each hometown visit at fromthetop.org.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Jess Gillam is joined by percussionist Delia Stevens to share the music they love and make some new discoveries, including tracks by Tessa Lark, Avner Dorman, Fabiano do Nascimento and Jack Hylton and His Orchestra. Playlist: Debussy: Danse profane for harp & orchestra Tessa Lark: Jig and Pop Cyrille Aimée: It's a Good Day Vega Trails: Love Your Grace Avner Dorman: Frozen in Time (Indoafrica & Eurasia) Julius Klengel: Hymnus Fabiano do Nascimento: Forro Brasil Jack Hylton & His Orchestra: Life is just a bowl of cherries

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Jess Gillam meets violinist Tessa Lark to swap some of their favourite music. Tessa is an in-demand classical concert violinist but growing up in Kentucky, she's equally inspired by bluegrass music and American folk styles and so blends the two influences in a lot of her work. Traditional music features prominently in her music choices as the Martin Hayes Quartet and Swedish duo Vasen rub shoulders with a Beethoven Symphony. Meanwhile Jess brings along an orchestral tearjerker by Pietro Mascagni, a track by cellist Yo-Yo Ma and some retro soul vibes by Saun and Starr. Playlist: VASEN: Silverschottis GIOVANNI SOLIMA: Il bell'Antonio – tema II [Yo-Yo Ma (cello), Kathryn Stott (piano)] MICHAEL THURBER & THE HUNTERTONES: Gigantic Energy SAMUEL COLERIDGE TAYLOR: Violin Concerto in G minor, op.80 – 2nd mvt [Elena Urioste (violin), Chineke! Orchestra, Kevin John Edusei (conductor)] MARTIN HAYES QUARTET: The Boy In the Gap JEAN LENOIR: Parlez moi d'amour [Lucienne Boyer (singer)] BEETHOVEN: Symphony no 2 in D major, op.36 4th mvt ‘Allegro molto' [Vienna Philharmonic, Simon Rattle (conductor) SAUN & STARR: In the Night

Tessa Lark's long awaited Stradgrass Sessions album is out on 5 May, comprising a melting pot of styles, influences and collaborations in one disc. She spoke online editor Davina Shum recently about how her musical upbringing in Kentucky combining Americana and classical has shaped her, the versatility of her c.1600 Maggini violin, plus why one of the tracks on her album has her chasing good vibes. Read our Session Report on the album in our October 2020 issue here. Check out thestrad.com for the latest news, articles and reviews on all things to do with string playing. Register and subscribe to access exclusive archival content from 2010 onwards. Student discount! Get 50% off an online subscription! Check it out here: https://bit.ly/3eQ75AB  Find us on social media: Facebook.com/thestrad Twitter: @TheStradMag Instagram: @the_strad_ Le Soka – Cheese in the Wine Tessa Lark, violin The Stradgrass Sessions First Hand Records Photo credit: Benjamin Allen  

Tessa Lark — The Stradgrass Sessions (First Hand Records) Jump to giveaway form New Classical Tracks - Tessa Lark by “Smell is supposedly one of the strongest sensory responses to bring memories back. But for me, the sound of bluegrass may as well be the smell of bluegrass because it launches me back to a pure time and place every time I listen to it,” violinist Tessa Lark said about recording her latest album, The Stradgrass Sessions.  In this recording, she blends the sounds of bluegrass with classical music elements. She does that with the help of some of her idols, Michael Cleveland and Edgar Meyer.  What the heck is stradgrass? “I was using the old Stradivari violin for four years, which is the violin that Joseph Gingold owned and used until the end of his life. Now the International Violin Competition of Indianapolis owns it. It lets one of the prizewinners use it in the four years between competitions. That was me from 2014 through 2018. “My fiancee, Michael Thurber, when we first met and played together, played bass and accompanied me on a bluegrass number with my father, who plays banjo. In the middle of rehearsal, he said, ‘bluegrass on a Stradivarius is stradgrass.'” What did Michael Cleveland think when he played on the Stradivarius? “I just ran into him at a conference in New York, and he was there doing a showcase. I told him I was his biggest fan and had a Stradivarius with me. I asked, ‘Would you like to try it out?' He said, ‘Of course.' He said it growled. He got into the tone, playing many double stops and long notes. It sounded excellent in his hands. “The tune we played together is ‘Lazy Katie,' and I was in nearby Louisville after we met at that convention in New York City. He lives just outside that in Indiana, and he invited me over to his place. We just jammed for a few hours at his house.” What was it like to make music with Edgar Meyer? “Talk about a dream come true. He has influenced the way I live in music in every way. It is a little bit of a shock when I step back for a second and think that this lifetime hero of mine is a colleague.” Watch now To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Giveaway Time For Three New Classical Tracks Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Tessa Lark — The Stradgrass Sessions (FHR Store) Tessa Lark (official site)

American composer Michael Torke joins conductor Devin Patrick Hughes on One Symphony. Michael Torke's music has been hailed as "some of the most optimistic, joyful and thoroughly uplifting music to appear in recent years" by Gramophone, and the composer has been commissioned by such orchestras as The Philadelphia Orchestra, the New York Philharmonic, and the San Francisco Symphony; and  by ballet and opera companies around the world including the Met and the English National Opera. He has been commissioned by Disney and Absolute Vodka, has written incidental music for The Old Globe Theater, and has been composer in residence with the Royal Scottish National Orchestra. Beginning his career with exclusive contracts with Boosey and Hawkes, and Decca Records, he now controls his own copyrights and masters through his publishing company, Adjustable Music, and record company, Ecstatic Records. Hailed as a "vitally inventive composer" by the Financial Times and "a master orchestrator whose shimmering timbral palette makes him the Ravel of his generation" by the New York Times, Michael Torke's recent work, SKY, written for violinist Tessa Lark, was a finalist for the 2020 Pulitzer Prize, and was nominated for a Grammy for best classical instrument solo.   Thank you for joining us for on One Symphony. Thanks to Michael Torke for sharing his music and insights, you can get more info at https://www.michaeltorke.com. Works of his heard today include Ecstatic Orange, Time, Bright Blue Music, Being, Sky, and Four Proverbs. Thank you to all amazing performers featured on today's show including: David Zinman & the Baltimore Symphony Michael Torke and the Michael Torke Orchestra American Modern Ensemble David Alan Miller, Tessa Lark, & the Albany Symphony Lester Flatt & Earl Scruggs Catherine Bott and the Argo Band And thanks to Michael Torke, Ecstatic Records, Albany Records, Columbia Records, and Decca Music Group for making the show possible. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show.  Thanks to Mary and Diane for making this episode possible! Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

When you picture your perfect day in the fall season, what does it look like Does it include crisp fall leaves, sweater weather and cooler temperatures? Join host Liz Lyon as we discover pieces that sound like the different stages of fall. Episode 102 playlist Scott Joplin: Maple Leaf Rag - (Used at the beginning and end of the episode) This piece by Scott Joplin was groundbreaking for the genre of rag music and became a template for the composers of rag music in the years to come. The Maple leaves change their color in the fall to the vivid browns and fiery reds. Performed by The Band and Lara Downes on Piano. Scott Joplin - Maple Leaf Rag by Fanny Mendelssohn: Das Jar No. 9 (September) - Fanny Mendelssohn composed a set of 12 piano pieces representing every month of the year. ‘September' of Das Jahr (‘The Year') is based it off a poem “To the Moon,” which compares the passage of time with a flowing river. Performed by Liana Serbescu on piano. Fanny Mendelssohn - Das Jahr No. 9 - September by Imogen Holst: Fall of Leaf — As you get further into the fall you can see the magic of leaves turning different colors and they begin to fall…. In this piece you can almost hear the individual leaves falling and drifting in the wind. Performed by Steven Isserlis on Cello. Imogen Holst - Fall of the Leaf by Tōru Takemitsu: A String Around Autumn — Tōru Takemitsu wrote this piece of music to celebrate a fall festival but it sounds like the end of autumn. It is sadder, more sparse and you can almost hear the promise that snow is on the way. Performed by Saito Kinen Orchestra and featuring Nobuko Imai on viola. Tōru Takemitsu - A String Around Autumn by Astor Piazzolla: Autumn in Buenos Aires (Otono Porteno) - Astor Piazzolla wrote a piece of music to celebrate the different seasons in Buenos Aires Argentina. Autumn contains musical raindrops and a wintery sun. Performed by the Buffalo Symphony Orchestra featuring Tessa Lark on violin. Astor Piazzolla - Autumn in Buenos Aires by You can now search and listen to YourClassical Adventures where podcasts are found. Explore more from YourClassical Adventures! What are you curious about? You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy.

A delightful romp down memory lane and extensive conversation about the nuts and bolts of learning to improvise on a stringed instrument. Joyce Pan and David Aks' new album: https://joyceanddavid.bandcamp.com/releases Joyce and David's FB page: https://m.facebook.com/JoyceAndDavidMusic/ Valley of the Moon Scottish Fiddle School: http://www.valleyofthemoon.org/ Vasen: https://vasen.se/about/ Mike Block: https://www.mikeblockmusic.com/ Tessa Lark: https://www.tessalark.com/ Natalie Haas: https://www.nataliehaas.com/ Cello Drones: https://www.youtube.com/watch?v=MimVnBAuYqA&list=PL-DyGoFkAJ1GRwBhUD4AOTewsr6l-x8qe Monkey Chant: https://www.youtube.com/watch?v=t0HY0oD84OM&t=280s

Our sponsor: Houghton Hornswww.houghtonhorns.comTessa Lark's websitewww.tessalark.comSupport the show (https://thatsnotspit.com/support/)

JoAnn Falletta & the Buffalo Philharmonic Orchestra — The Four Seasons / The Four Seasons of Buenos Aires (Beau Fleuve) Jump to giveaway form When the Buffalo Philharmonic Orchestra took the stage for their season opening concert last September, there was no audience in the hall due to the pandemic. Their loyal fans were watching the concert online.  Conductor JoAnn Falletta had to switch gears quickly. “Initially, we had a very big concert, and we pull out all the stops when we give our opening,” she said. “But, of course, that was not possible. We decided that the most thrilling thing we could do for our audience was to feature Nikki Chooi, our new concertmaster, performing The Four Seasons.” That performance is featured on their latest recording, The Four Seasons / The Four Seasons of Buenos Aires. Why was it important to include The Four Seasons?  “It had to do with Chooi's performance of it, which was thrilling. He puts his own 21st-century voice into it. He was reveling, seeing a sense of humor and loving the music. But, he was not burdened by past performances. He was playing from his heart. “This piece was written almost 300 years ago, and it is still relevant. The coming alive in the spring, the voices of the birds, the summer thunderstorms and the drinking wine is affirming to us about how we understand Antonio Vivaldi. We felt that we had a connection with that music, because it gave us a feeling that life would go on. We can get through this.” What made guest violinist Tessa Lark a good fit for Astor Piazzolla's The Four Seasons of Buenos Aires? “It's about the composer's background. Piazzolla's family were immigrants who moved to Argentina from Italy. He also grew up in Harlem during the jazz era. He studied with Alberto Ginastera and went to Paris to study with Nadia Boulanger. Piazzolla is a complex prism of music, and Lark is the same. “She not only plays classical, but she also plays bluegrass and jazz. Her loose and comfortable approach to playing Piazzolla made it really swing. “The composer said the tango is a sad feeling disguised as a dance. He knew it was the music of immigrants and poor people who knew they would never go home again. But in the tango, they found their soul. They found a way of understanding themselves. Piazzolla knew the sad core of the tango, and Lark was able to bring that to life.” To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Giveaway Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources JoAnn Falletta & the Buffalo Philharmonic Orchestra — The Four Seasons / The Four Seasons of Buenos Aires (BPO Store) JoAnn Falletta (official site)

GRAMMY-nominated violinist and From the Top Co-Host / Creative Tessa Lark joins Peter Dugan and a cohort of extraordinary teenage musicians in this episode. A 15-year-old violinist gets a coaching from Tessa and we hear performances of Bach, Chopin, Dvorák and more.

GRAMMY-nominated violinist and From the Top Co-Host / Creative Tessa Lark joins Peter Dugan and a cohort of extraordinary teenage musicians in this episode. A 15-year-old violinist gets a coaching from Tessa and we hear performances of Bach, Chopin, Dvorák and more.

This week on New Classical Tracks, composer Michael Torke discusses his collaboration with violinist Tessa Lark on 'Sky,' a new album inspired by bluegrass and traditional Irish fiddle music.

What is needed in these adverse times? We turn to our spirit guides, our philosopher kings, our rabbis: the musicians. Because although this particular form of adversity is new, musicians have been choosing to feel good in spite of adverse conditions for a long time.  In this episode, we explore the nature of the musician joke, particularly the jazz musician joke. Jokes about gigs, drummers, singers, trombone players, viola players, junkies, 3 legged pigs, bagpipes, bar mitzvahs, African safaris, little old ladies, family therapy, tattoo parlors, monkeys, genies, it’s all here. In other words, the classics. Featuring Steven Bernstein, Amy Cervini, Peter Coyote, Ethan Eubanks, Donald Fagen, James Farber, Steve Gadd, Hilary Gardner, Gil Goldstein, Steve Khan, Ashley Kahn, Tessa Lark, Will Lee, Phil Lyons, Les McCann, Adam Nussbaum, Ben Sidran, Janis Siegel, Larry Ratso Sloman, Dave Stoler, Jack Stratton, Neil Tesser, Michael Visceglia, Michael Winograd, and more.

This week on New Classical Tracks, violinist and Kentucky native Tessa Clark discusses her debut solo album 'Fantasy,' which includes a mix of classical and folk music.

Violinist Tessa Lark and bassist / composer Michael Thurber perform their original piece, "Cedar and Sage" with the teenage Kalico String Quartet from the New York Area; Cheng-Io Lo and Leena Marie Stoger, violins, Kevin Wallace, viola, and his twin brother, Andrew Wallace, cello.

Violinist Tessa Lark and bassist / composer Michael Thurber perform their original piece, "Cedar and Sage" with the teenage Kalico String Quartet from the New York Area; Cheng-Io Lo and Leena Marie Stoger, violins, Kevin Wallace, viola, and his twin brother, Andrew Wallace, cello.

Tessa Lark 's star is shining brightly. She brings her luminous presence into Kodak Hall this week for a performance with your Rochester Philharmonic Orchestra to perform Alban Berg's Violin Concerto. Tessa and RPO music director Ward Stare came by our studios to talk with Julia Figueras about this deeply moving piece, as well as Bach, Bartok, Webern, and the freedom of fiddling.

The Multi-Style/Multi-Tradition Duo Tessa Lark, violin, and Michael Thurber, bass host From the Top Show 376 in Boston Massachusetts. They perform Bach with a young cellist and one of their own compositions with a teenage string quartet.

The Multi-Style/Multi-Tradition Duo Tessa Lark, violin, and Michael Thurber, bass host From the Top Show 376 in Boston Massachusetts. They perform Bach with a young cellist and one of their own compositions with a teenage string quartet.

Easy well-matched conversation with someone who thrives on self-deprecation, draws on NLP tools and techniques when she talks, and whose approach to digital storytelling chimes with my own. Earlier this week a new colleague reinforced a perspective I’ve held (but not really articulated much) he learned by being in a lift with a broadcaster. Joyful content comes when those doing the storytelling are at their ease, when there’s spontaneity, and when there’s the lightest-touch of plans. There’s a need too to be at ease sharing the reality of life - the antidote to the habit we all have of planning all the spontaneity out of a moment. Tessa and I talked about composer Michael Torke, perfectionism, sound production, and Schubert’s C major Fantasie.

This week on New Classical Tracks, composer Michael Torke discusses his collaboration with violinist Tessa Lark on 'Sky,' a new album inspired by bluegrass and traditional Irish fiddle music.

I'm very excited to have the talented, brilliant, funny, and (as you'll see) engaging Tessa Lark to the show to talk to us about joy in practice and music-making!  In this episode, we discuss her views about tackling work with the right mindset, the ways she sparks joy in her practice, and how getting in that joyful headspace not only makes it more gratifying for her, but also helps increase her productivity! I've been thinking a lot about Joy, self-compassion, and using positive self-talk in practicing and performing for the past few years and I ended up researching that topic in the context of my doctoral studies: the idea that high quality work can flow more easily when we are in the right mindset, the right disposition.  High-level results stem out of high-level thinking and solutions to problems come more easily when we're in a positive and open state of mind.  It is absolutely possible to have rigor without rigidity in the practice room! I had a wonderful time talking with Tessa about this topic that's really close to my heart! I feel like it's a way to approach practicing that can be very impactful and I hope this episode affects your next practice session in a positive way! We elaborate on: Her childhood in the foothills of Kentucky, starting with the Suzuki Method and enjoying attending Marc O'Connor's fiddle camps How she was introduced to fiddle music and blue grass and how it stays with her to this day Her experience with the The Cincinnati Starling Project in Cincinnati, studying with Kurt Sassmannshaus How she met and went on to study with Miriam Fried in Boston, and how Ms Fried helped her develop artistic integrity How the Naumburg Competition helped launch her career Practicing in ways that spark joy – searching for “things in your practice that bring you joy, as opposed to looking for all the things you're doing “horribly” wrong” The “talent” misunderstanding The misconception that “hard work” should feel “hard” Why we need to aim for “focused” and “efficient” work and, YES, that can feel good! Getting into the “joyful headspace” How struggle can be part of the process but its' not “necessary” How emotional depth can also be reached from a positive headspace and mindset Increased productivity How while joy is not a neutral feeling, the process to get there can be neutral The importance of knowing yourself and knowing what can get you to this joyful headspace The importance of setting goals, a positive mindset, reduce distractions, and find a physical space that feels inspiring and is conducive to efficient work How the language we use with ourselves is so important How mental discipline is important and can help us negotiate the variables that can affect performance How she uses a timer in her practice to improve her productivity   More about Tessa: Website: https://www.tessalark.com/ Instagram: https://www.instagram.com/tessalark/ Facebook: https://www.facebook.com/tessa.lark/ YouTube channel: https://www.youtube.com/user/HBOfosho YouTube videos featuring Tessa: https://www.youtube.com/results?search_query=tessa+lark More articles about Tessa: click here   The Cincinnati Starling Project: http://www.starling.org/cincinnati-starling-project Kurt Sassmannshaus / Violin Masterclass: http://violinmasterclass.com/en Kenny Werner Effortless Mastery: Liberating the Master Musician: https://kennywerner.com/effortless-mastery   Biography   Violinist Tessa Lark, recipient of a 2018 Borletti-Buitoni Trust Fellowship and a 2016 Avery Fisher Career Grant, Silver Medalist in the International Violin Competition of Indianapolis, and winner of the 2012 Naumburg International Violin Competition, is one of the most captivating artistic voices of our time. A budding superstar in the classical realm, she is also a highly acclaimed fiddler in the tradition of her native Kentucky. Since making her concerto debut with the Cincinnati Symphony Orchestra at sixteen, Ms. Lark has appeared with dozens of orchestras, festivals, and recital venues including Carnegie Hall, Ravinia, San Francisco Performances, Amsterdam's Concertgebouw, the Buffalo Philharmonic, and Marlboro Music. Highlights of her 2017-18 and 2018-19 seasons included multiple performances of two works for violin and orchestra written for her: Love Letter by bassist-composer Michael Thurber, and Sky, a bluegrass-inspired concerto by Michael Torke premiered and recorded with the Albany (NY) Symphony Orchestra. Additional recording projects include a fantasia-themed album including Ms. Lark's own Appalachian Fantasy and works by Telemann, Ravel, Kreisler, and Schubert; Invention, a debut album of the violin-bass duo Tessa Lark & Michael Thurber that comprises music of J.S. Bach along with non-classical original compositions; and a genre-bending disc in collaboration with such artists as multi-instrumentalist/composer Jon Batiste and American fiddling legend Michael Cleveland. Recent and upcoming activities include Australia's Musica Viva festival—a four-concert engagement highlighted by a duo collaboration with bassist/composer Edgar Meyer—and debuts with the Seattle and Indianapolis symphonies. Scheduled for May 2020 is a Lincoln Center recital debut on its prestigious Great Performers Series. Ms. Lark is a graduate of New England Conservatory with an Artist Diploma from The Juilliard School. She plays a ca. 1600 G.P. Maggini violin on loan from an anonymous donor through the Stradivari Society of Chicago.     If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

Since she tapped out “Twinkle Twinkle Little Star” on a Muppet Babies toy piano, Richmond-raised violinist Tessa Lark has known that she loves music. She returns to Central Kentucky this weekend to open the Lexington Philharmonic’s season, playing Samuel Barber’s “Violin Concerto.” She will be playing a Stradivari violin that is recognized by violinists worldwide.