Podcasts about Pietro Mascagni

Você já se emocionou com uma cena de filme sem saber exatamente por quê? Muitas vezes, a resposta está na trilha sonora. E, em alguns casos, essa trilha veio direto do universo da música clássica!No episódio de hoje, exploramos como grandes obras do repertório clássico foram escolhidas para dar mais profundidade, emoção e intensidade a momentos icônicos do cinema.

Nesta edição de "Clássicos CBN", o maestro Helder Trefzger apresenta dois trechos famosos de ópera: o intermezzo da ópera Cavaleria Rusticana, de Pietro Mascagni, e a Protofonia da Ópera II Guarany, de Carlos Gomes. Ouça a conversa completa!

In this episode Eugenio Licardie interviews Pietro Mascagni, a surgical resident and clinical research advisor based in Rome. Pietro shares insights into his work in artificial intelligence (AI) for surgery and discusses the potential for AI to improve surgical training and intraoperative performance. The conversation also touches on the challenges of integrating AI in surgery, the need for cultural change among surgeons and the potential for AI to democratise access to surgical expertise worldwide.Would you like to become a part of the EAES family? Become a member via https://eaes.eu/become-a-member

Today's episode is one of my Listeners' Favorites episodes, this one introduced by my wonderful friend Thom Baker. He had just written me about his enthusiasm for the Rosanna Carteri episode I posted in the fall of 2020 on the occasion of her death, just a few short weeks before her 90th birthday. Thom and I were both equally taken with this long-lived artist, who abandoned her performing career in 1966 when she was only 35 years old, brought her full-throated voice and impeccable artistry to operatic stages around the world for fifteen exceptional years. Carteri's was a lyric yet full-bodied voice with facility that allowed her to undertake soubrette parts as well as some spinto roles. I feature extended examples of her versatility over the course of that entire career, including excerpts from La traviata, La bohème, La rondine, Guglielmo Tell, Falstaff, L'elisir d'amore, Madama Butterfly, Roméo et Juliette, Otello, Pietro Mascagni's L'amico Fritz and Iris, Prokofiev's War and Peace (the final version of which she created in Florence in 1954), the premiere recording of Poulenc's Gloria and Gilbert Bécaud's Opéra d'Aran (which she premiered in Paris in 1962). These operas represent just a fraction of her repertoire, in which are featured, among others, Giuseppe di Stefano, Nicolai Gedda, Leonard Warren, Carlo Bergonzi, Ettore Bastianini, Ferruccio Tagliavini, Giuseppe Taddei, Cesare Valletti, and Giuseppe Gismondo and conductors Tullio Serafin, Pierre Monteux, Vittorio Gui, Georges Prêtre, Gabriele Santini, and Artur Rodzinski. In other words, the crème de la crème of the operatic firmament in the 1950s and 1960s, in which company Carteri most emphatically belonged. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

Thomas Hengelbrock ist als Interpret ein Garant dafür, ausgetretene Wege eher zu meiden. Für eine konzertante Aufführung der populären Verismo-Oper „Cavalleria rusticana“ von Pietro Mascagni hat er sich mit der Originalversion beschäftigt. Und siehe da, da gibt es doch ein paar gänzlich neue Hörerlebnisse. Ein Beitrag von Ursula Magnes.

Was im November letzten Jahres bei den Herbstfestspielen Baden-Baden zur Diskussion gestellt wurde, liegt inzwischen auf CD vor: die Urfassung des Einakters "Cavalleria rusticana" von Pietro Mascagni! Den Weg zurück zu den Quellen hat einmal mehr der Dirigent Thomas Hengelbrock eingeschlagen. Mit dabei sind die ihm schon lange anvertrauten Musikerinnen und Musiker, die sich hinter dem Namen Balthasar Neumanns verbergen - Chor und Orchester. Eine Aufnahmeprüfung von Volkmar Fischer.

Pietro Mascagni - Cavalleria rusticana: IntermezzoKiev Virtuosi Symphony OrchestraDmitri Yablonsky, conductorMore info about today's track: Naxos 8.573499Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Spaudos apžvalga.Minime 160-tąsias kompozitoriaus Pietro Mascagni gimimo metines.Scenos menų kritikės Aušros Kaminskaitės parengta teatro apžvalga.„Jaunimo linijos“ inicijuotoje „Vilties knygoje“ – jautrios žymių žmonių istorijos. Šis leidinys įkvėps skaitytojus nenuleisti rankų. Pokalbis su „Jaunimo linijos“ komunikacijos vadove Rita Stanelyte.Teatras „No Shoes“ Menų spaustuvėje pristato 10-14 m. paaugliams skirtą interaktyvų, audiovizualinio bei judesio teatro raiškos spektaklį „Pasistengiau“, kuriame analizuojami paauglio, turinčio disleksijos sutrikimą, išgyvenimai.Lietuvių meno kūrėjus nuo seniausių laikų įkvepia medis. Remdamiesi liaudies meno principais skulptūroje, naudodami tas pačias technikas, šiuolaikiniai meistrai kuria naujas, nematytas formas. Vienas iš tokių – Valdas Pelegrimas, gyvenantis Anykščių krašte ir iš medžio kuriantis angelus.Kompanija „Rockstar Games“ išleido naujausios „Grand Theft Auto“ (GTA) vaizdo žaidimų serijos dalies anonsą. „GTA VI“ bus išleistas 2025 m., teigiama studijos „YouTube“ kanale paskelbtame anonse, kurį kompanija pristatė anksčiau laiko. Koks tai reiškinys bei kaip pasirodysiantis žaidimas keis rinkos paveikslą – pokalbis su žaidimų kritiku Artūru Rumiancevu.Tinklalaidės „72 atspalviai“ ištrauka.Ved. Karolina Bieliauskaitė

Questa puntata non parlerà di un'opera, ma interessanti curiosità sulla vita di Pietro Mascagni.Buon ascolto!Soundtrack:Orchestra Tuning di tyujik: https://freesound.org/people/tyujik/sounds/232260/#oboe horn tune & audience r.aif di IEDlabs: https://freesound.org/people/IEDlabs/sounds/82323/Sigla: "Che foco è questo ch'arde e non consuma?" di Andreas Gies.Cover: "Tickets"Estratto musicale: Andreas Gies©️ copyright 2023 | Impronte Acustiche – All Rights Reserved

Jess Gillam meets violinist Tessa Lark to swap some of their favourite music. Tessa is an in-demand classical concert violinist but growing up in Kentucky, she's equally inspired by bluegrass music and American folk styles and so blends the two influences in a lot of her work. Traditional music features prominently in her music choices as the Martin Hayes Quartet and Swedish duo Vasen rub shoulders with a Beethoven Symphony. Meanwhile Jess brings along an orchestral tearjerker by Pietro Mascagni, a track by cellist Yo-Yo Ma and some retro soul vibes by Saun and Starr. Playlist: VASEN: Silverschottis GIOVANNI SOLIMA: Il bell'Antonio – tema II [Yo-Yo Ma (cello), Kathryn Stott (piano)] MICHAEL THURBER & THE HUNTERTONES: Gigantic Energy SAMUEL COLERIDGE TAYLOR: Violin Concerto in G minor, op.80 – 2nd mvt [Elena Urioste (violin), Chineke! Orchestra, Kevin John Edusei (conductor)] MARTIN HAYES QUARTET: The Boy In the Gap JEAN LENOIR: Parlez moi d'amour [Lucienne Boyer (singer)] BEETHOVEN: Symphony no 2 in D major, op.36 4th mvt ‘Allegro molto' [Vienna Philharmonic, Simon Rattle (conductor) SAUN & STARR: In the Night

Įteikti pirmieji Meno kritikos apdovanojimai. Pokalbis su apdovanojimus pelniusiomis Agne Jokše, Agne Narušyte bei Jelena Šalaj.Pietro Mascagni opera „Kaimo garbė“ šiandien prasideda tradicinis tarptautinis Pažaislio muzikos festivalis. Tiesioginis pokalbis iš Pažaislio vienuolyno.Kokia šiandien yra 90-metį švenčianti scenos meno profesionalų mokykla? Apie tai - trys Lietuvos muzikos ir teatro akademijos profesoriai Kamerinio ansamblio katedros prof. dr. Indrė Baikštytė, Vaidybos ir režisūros katedros prof. Viktorija Kuodyte, ir Kino ir televizijos katedros prof. dr. Audrius Stonys.Paulinos Nalivaikaitės muzikos naujienų apžvalga, kurioje - Gustavo Dudamelio pasitraukimas iš Paryžiaus operos muzikos vadovo pareigų, naujas Kopenhagos filharmonijos orkestro vyr. dirigentas, naujas Liucernos festivalio vadovas ir Paryžiaus filharmonijos inovacija, siekiant padidinti koncertų prieinamumą kurtiesiems.Neseniai vykusiame Euroradijo džiazo orkestro koncerte Lietuvai atstovavo saksofonininkas Karolis Šarkus. Studijavęs Nyderlanduose, JAV jaunas muzikantas groja keliuose džiazo kolektyvuose, pats kuria muziką, aranžuotes, o karantino metu išleido debiutinį albumą „Palette of Feelings“.Apie džiazą, kūrybą, keliones ir kūrybos laisvę - pokalbis su Karoliu Šarkumi rubrikoje „Be kaukių“Ved. Jolanta Kryževičienė

A cura di Paolo PellegriniPietro Mascagni “Iris”Iris, Clara PetrellaOsaka, Giuseppe di StefanoKyoto, Saturno MelettiIl Cieco, Boris ChristoffUna Guècha, Aida HovnanianUn Merciavolo, Adelio ZagonoraUn Cenciaivolo, Piero De PalmaCoro e Orchestra del Teatro dell'Opera di RomaGianandrea Gavazzeni, direttore

Pietro Mascagni hat mit seiner Oper "Cavalleria rusticana"vor über 130 Jahren eine realitätsnahe Stilrichtung begründet - den Verismo. Eine neue, im Februar 2020 entstandene "Cavalleria"-Interpretation kommt aus Chicago. Der Kopf des Unternehmens, Riccardo Muti, ist seit über zehn Jahren Chefdirigent des Chicago Symphony Orchestra.

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Het thema deze week is 'Liefde'. Hoe kan het ook anders... Morgen is het Valentijnsdag, de dag waarop geliefden elkaar in het zonnetje zetten. Dat de liefde op deze dag wordt gevierd is niet zomaar. Bisschop Valentijn overleed vermoedelijk op 14 februari en hij zou een jong paar hebben gehuwd, ondanks dat de man een heidense soldaat was en de vrouw een Christen. Volgens Valentijn weegde de liefde zwaarder dan de wetten van de keizer. Wie minder geluk in de liefde kende was Turrido, één van de hoofdpersonages uit de opera Cavalleria rusticana. Hij komt erachter dat zijn verloofde is getrouwd met iemand anders. Turrido begint daarom een verhouding met een andere vrouw, maar zijn liefde voor Lola bleef altijd bestaan. Waan je even in het 19e-eeuwse Sicilië waar dit tragische verhaal zich geschiedde...

" (...) PORQUE PENSAR ES ENTRAR EN EL LABERINTO" "(...) es perderse en galerías que sólo existen porque nosotros las cavamos infatigablemente, dar vueltas en el fondo de un callejón sin salida, cuyo acceso se ha cerrado tras nuestros pasos, hasta que este girar abre inexplicablemente, figuras factibles en el muro". Estas palabras están contenidas en la Introducción al primer volumen de las "Encrucijadas al laberinto", obra de CORNELIUS CASTORIADIS, uno de los pensadores más apasionantes pero a la vez, más desconocidos, del pasado siglo XX. Definido como "Titán del espíritu" por su amigo Edgar Morin, "ningún ámbito de la indagación filosófica le fue ajeno"; también se le conoce como "el filósofo de la AUTONOMÍA y de la IMAGINACIÓN CREATIVA individual y social". De ahí que inaugure nuestra tercera temporada FERNANDO GOLVANO, porque además de doctor en filosofía por la Univ del País Vasco en el área de Estética y Teoría de las Artes, docente, ensayista y crítico de arte, es una de las pocas voces autorizadas contemporáneas, que conoce en profundidad el pensamiento y la obra de este autor. Por otra parte SÉNECA, inabarcable en su genialidad, protagoniza también el espacio de hoy: ¿cómo le caracterizó en sus estudios María Zambrano? ¿Por qué se prolongó durante siglos el malentendido en torno a su aspecto físico? ¿Quién era en realidad Lucilio, el receptor de sus famosas Cartas? Simultáneamente, la música de BACH contextualiza y sostiene todo lo anterior mientras le acompaña y sorprende durante breves instantes, el INTERMEZZO de la ópera CAVALLERÍA RUSTICANA, de Pietro Mascagni. Estamos en YOUTUBE, canal "Atrévete a pensar Profes", junto al resto de programas emitidos en pasadas temporadas. También puedes escucharnos los últimos miércoles de cada mes, a eso de las 12 hs, domingo a las 10 hs online, o en los podcasts de CLM Activa Radio y en las siguientes apps: Spotify, Ivoox, Itunes y Google podcasts. El enlace al programa de hoy es: ENLACE Próximo espacio miércoles 26 de octubre

Un día como hoy, 2 de agosto: Nace: 1627: Samuel van Hoogstraten, pintor neerlandés (f. 1678). 1905: Myrna Loy, actriz estadounidense (f. 1993). 1932: Peter O'Toole, actor británico (f. 2013). Fallece: 1921: Enrico Caruso, tenor italiano (n. 1873). 1945: Pietro Mascagni, compositor italiano de ópera (n. 1863). 1976: Fritz Lang, cineasta alemán (n. 1890). Una producción de Sala Prisma Podcast 2022

durée : 00:23:20 - Disques de légende du mercredi 15 juin 2022 - Aujourd'hui dans Disques de légende, nous écoutons les opéras Cavalleria rusticana de Pietro Mascagni et Paillasse de Ruggero Leoncavallo par l'Orchestre du Théâtre de la Scala de Milan dirigé par Herbert von Karajan, avec le ténor Carlo Bergonzi.

durée : 01:57:43 - Relax ! du mercredi 15 juin 2022 - par : Lionel Esparza - Aujourd'hui dans Relax, focus sur le disque "Vingt regards sur l'Enfant-Jésus" de Bertrand Chamayou sorti chez Erato. Et en disque de légende, nous écouterons les opéras Cavalleria rusticana de Pietro Mascagni et Paillasse de Ruggero Leoncavallo par Herbert von Karajan. - réalisé par : Antoine Courtin

Pietro Mascagni L'Amico FritzSuzel, Pia TassinariFritz Kobus, Ferruccio TagliaviniBeppe, Amalia PiniDavid, Saturno MelettiHanezò, Pier Luigi LatinucciFederico, Armando GiannottiCaterina, Giulia Abba BersoneCoro e Orchestra della RAI di TorinoPietro Mascagni, direttore

Donald Macleod and guest Sarah Willis explore some of the greatest “one-hit wonders” in classical music - Johann Pachelbel, Engelbert Humperdinck, Paul Dukas, Gregorio Allegri, Henryk Górecki, Tomaso Albinoni, Giovanni Pergolesi, Pietro Mascagni, Carl Orff and Julius Fučík. Classical music is littered with composers who are famous for just a single piece of music. In a special week of Composer of the Week programmes, Donald Macleod is joined by Berlin Philharmonic horn player Sarah Willis to explore ten of these composers and examine episodes from their lives, alongside their compositions – both their popular hits and some of their less familiar music. They also try to isolate why certain works have captured the popular imagination of audiences around the world. Music Featured: Pachelbel: Canon & Gigue for 3 violins and continuo in D major Pachelbel: Christ lag in Todesbanden Humperdinck: Erinnerung Humperdinck: Hansel and Gretel (excerpts) Humperdinck: Königskinder, "Verdorben! Gestorben!..Ihr Kindlein, sie sind gefunden" Dukas: La Peri Fanfare Dukas: L'apprenti sorcier Dukas: Ariane et Barbe-bleu, Act III: Adieu Allegri: Canzone Scamfortina Allegri: Missa ‘Che fa oggi il mio sole': Agnus Dei Allegri: Miserere Górecki: Symphony No 3 (Symphony of Sorrowful Songs),1st Mvt. Górecki: Little Requiem for a Certain Polka, Op 66, 3rd Mvt. Górecki: Symphony No 3 (Symphony of Sorrowful Songs), 2nd Mvt. Górecki: Miserere Albinoni: Overture to Zenobia Albinoni (compl. Giazotto): Adagio in G minor Albinoni: Concerto in B flat major for oboe and strings Albinoni: Concerto in F major for oboe and strings Pergolesi: Stabat Mater (excerpt) Pergolesi: Conversione di San Guglielmo (Sinfonia) Pergolesi: Dixit Dominus, Opening chorus Pergolesi: Stabat Mater (excerpt) Mascagni: Cavalleria Rusticana (Easter Hymn, Inneggiamo & Intermezzo) Mascagni: Rapsodia Satanica, Prologue Orff: Camina Burana, 'O Fortuna' Orff/Keetman: Schulwerk (excerpts) Orff: De temporum fine comoedia Orff: Carmina Burana (excerpt) Fučík: Entry of the Gladiators Fučík: Miramare Fučík: Triglav Presented by Donald Macleod Produced by Sam Phillips For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for One Hit Wonders https://www.bbc.co.uk/programmes/m001695t And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Inneggiamo, il Signor non è morto, Cavalleria Rusticana, Mascagni https://open.spotify.com/track/22p3XGgq0AVngIiCYa29SX?si=krh1_LMfRyC7S9R0F7hyGQ&utm_source=copy-link

Opera lirica: Cavalleria Rusticana, Pietro Mascagni http://www.murashev.com/opera/Cavalleria_rusticana_libretto_Italian_English https://open.spotify.com/album/3fsBmvnkZK2tZRVxpfK2cg?si=zJfYHG8IR4mkRPs1Pis0YA&utm_source=copy-link

Pietro Mascagni's Cavalleria Rusticana kicked off the verismo craze in Italian opera in 1890. Ruggero Leoncavallo's Pagliacci followed two years later. We talk about the ripple effects of the verismo movement in this wide-ranging episode, covering everything from Francis Ford Coppola and Martin Scorsese to Anton Chekhov, Konstantin Stanislavski, Stella Adler and Marlon Brando, along with more Marx Brothers, the Ride of the Valkyries and a surprise appearance by Smokey Robinson and the Miracles.

About people you know well and like spending time with.- Credits : “Your Intro” by Audionautix (http://audionautix.com/) courtesy of Creative Commons (https://creativecommons.org/licenses/by/4.0/) - Intermezzo from "L'amico Fritz" by Pietro Mascagni, 1891.

Diese Woche glänzt es bei uns. Hol Dir jetzt Deine Dosis Musik mit goldenem Schimmer zum Auftanken. Diese Musikstücke hast Du in der Folge gehört: Eric & Leon Bibb - "Oh, had I a golden thread" // Giacomo Puccini - "Intermezzo aus Suor Angelica" // Peter Hollens - "Fields of Gold" // Pietro Mascagni - "Intermezzo aus Cavalleria Rusticana" // Leon Bibb - "Fields of Gold" // Wenn Du eine Idee oder einen Wunsch hast, zu welchem Thema Philipp unbedingt eine Playlist zusammenschustern muss, dann schreib ihm ebenso eine Mail: playlist@ndr.de.

Season 3 kicks off with a visit from poet and professor Daniel Nester, librettist for "The Summer King" by Daniel Sonenberg and author of "God Save My Queen". We talk about slam poetry, karaoke and New York City's Bowery Poetry Club, and then attempt a deep dive into the operatic context of the classic rock song "Bohemian Rhapsody" by Queen, and why it may have been inspired by the verismo opera "Cavalleria Rusticana" by Pietro Mascagni.

Altes ausmisten und die neue Jahreszeit empfangen - in den eigenen vier Wänden und in der Seele. Diese Musikstücke hast Du in der Folge gehört: Johann Sebastian Bach - "Brandenburgisches Konzert F-Dur" // Flim & the BBs - "Invention" // Pietro Mascagni - "Intermezzo aus Cavalleria Rusticana" // Shirley Scott & the Soul Saxes - "Get Back" // Henrique Vogler - "Linda Flor" Wenn Du eine Idee oder einen Wunsch hast, zu welchem Thema Philipp unbedingt eine Playlist zusammenschustern muss, dann schreib ihm: playlist@ndr.de.

Welcome to Caroline Miller and Elizabeth van Os of the Pleiades Project that is based in New York. Their project focuses on telling the various different facets of women's stories which are often neglected in the general operatic canon. Caroline Miller is a “warm soprano [with] emotional bite,” praised as a compelling singer-actor with vocal flexibility and dramatic intensity, who is “especially adept at comedy.” In the 2019-2020 season, Caroline was a Resident Artist with Toledo Opera, appearing as Gretel in Hansel and Gretel vs the Witch, the Plaintiff in Gilbert and Sullivan's Trial by Jury (canceled due to COVID-19) and Lady-In-Waiting and First Witch in Monk Tarrots' new production of Verdi's Macbeth. In the 2022-2023 season, Caroline returns to Toledo Opera as Valencienne in Franz Lehár's The Merry Widow.Caroline is Co-Founder & Artistic Director of The Pleiades Project, a non-profit organization dedicated to championing women's stories through opera, film and original music-theater projects. With The Pleiades Project, Caroline has expanded her artistic talents outside of performance, embracing her interdisciplinary skills as a director, writer, programmer and producer.Caroline has a BA in English Literature and Music from Washington University in St. Louis and an MM in Vocal Performance & Literature from Eastman School of Music.  Caroline's website: www.carolinemillersoprano.comInsta: @millercarliFacebook: @carli.millerMost recent solo project/premiere: https://invision.inseries.org/full-feature/aberSoprano Elizabeth Van Os is one of New York City's most dynamic performers, making waves not only as soloist and ensemble member but also as a co-founder of the non-profit Pleiades Project. For her efforts, the opera-zine parterre took notice of her “striking impression,” with additional praise from Voce di Meche for her “lovely, affecting” voice and “justifiable passion.”A lover of concert work, Elizabeth has appeared as soloist with the American Symphony Orchestra, the Berkshire Bach Society, The Astoria Choir, the Collegiate Choir, Ars Musica, and more. In opera, notable roles have included that of Marguerite in Faust and Mimi in La Bohéme, both as Sing Through Central productions. She is a regular invited guest at the Bard SummerScape festival, where she has performed in productions like Anton Rubenstein's Démon, Dvorâk's Dimitrij, Pietro Mascagni's Iris, and Dame Ethel Smyth's Wreckers.With an eye towards growing the repertoire, Van Os's career has a particular focus on collaboration with select contemporary music composers, including recent premieres of work by Matthew Brown with The Astoria Choir, and Katherine Hoover, where she was a featured soloist with the New York Virtuoso Singers. Offstage, Van Os creates new performance opportunities for female artists as the co-founder of The Pleiades Project, a non-profit production company.Elizabeth Van Os was born as Elizabeth Smith in Wendell, Idaho. She holds a Master of Music degree from the Eastman School of Music, and a Bachelor of Music degree from Brigham Young University in Idaho. Elizabeth's website: elizabethvanos.comPhotography Website: https://eavphotography.cominsta: @misselizabetkatwitter: @misselizabetkahttps://www.facebook.com/elizabethvanossopranoThe Pleiades ProjectWebsite: www.thepleiadesproject.comMost recent premiere/short film: https://invision.inseries.org/series/the-pleiades-project-german-romantics

Un día como hoy, 7 de diciembre: 1598, nace Gian Lorenzo Bernini. 1772, nace Joseph Franz von Lobkowitz. 1863, nace Pietro Mascagni. 1928, nace Noam Chomsky. 43 a.C., Fallece Cicerón. 1917, fallece Ludwig Minkus. 1985, fallece Robert Graves. 1990, fallece Reinaldo Arenas. 1996, fallece José Donoso. Una producción de Sala Prisma Podcast. 2020

Even in the midst of a year as hectic and unconventional as this one, Oscar season is still in full swing when it comes to this week’s selection of heavy hitters. Joining me once again for the first time in nearly three years is Maria Garcia, my former partner in crime from such shows as Now Conspiring and Part-Time Characters, and we’re discussing two films often hailed as being among the greatest of all time! We begin with Raging Bull, the morally complex sports biopic that saved Martin Scorsese’s life and has developed a widely varied legacy, and which one of us isn’t especially fond of! From there, we rewind the clock to visit Miloš Forman’s award season darling One Flew Over the Cuckoo’s Nest, a wholly unique classic within film history that holds up wonderfully to this day! What is the nature of tragedy? How far can sympathy and empathy take us? Has Sam become completely unrecognizable in the past three years? Which actor’s appearance in Cuckoo’s Nest has traumatized Maria on more than one occasion, and who emerges as the unexpected MVP of the film? Tune in to this week’s Extra Milestone for all of those answers and more. NOTE: Due to an unfortunate (and ultimately miraculously avoided) technical error, the final 15~ minutes of the episode were slightly distorted. Sorry about that! SHOW NOTES: 00:01:55 – Raging Bull 00:57:30 – One Flew Over the Cuckoo’s Nest HOSTED BY: Sam Noland and Maria Garcia MUSIC IN THIS EPISODE: Music from Raging Bull composed by Pietro Mascagni, music from One Flew Over the Cuckoo’s Nest composed by Jack Nitzsche   Support the show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.

Even in the midst of a year as hectic and unconventional as this one, Oscar season is still in full swing when it comes to this week’s selection of heavy hitters. Joining me once again for the first time in nearly three years is Maria Garcia, my former partner in crime from such shows as Now Conspiring and Part-Time Characters, and we’re discussing two films often hailed as being among the greatest of all time! We begin with Raging Bull, the morally complex sports biopic that saved Martin Scorsese’s life and has developed a widely varied legacy, and which one of us isn’t especially fond of! From there, we rewind the clock to visit Miloš Forman’s award season darling One Flew Over the Cuckoo’s Nest, a wholly unique classic within film history that holds up wonderfully to this day! What is the nature of tragedy? How far can sympathy and empathy take us? Has Sam become completely unrecognizable in the past three years? Which actor’s appearance in Cuckoo’s Nest has traumatized Maria on more than one occasion, and who emerges as the unexpected MVP of the film? Tune in to this week’s Extra Milestone for all of those answers and more. NOTE: Due to an unfortunate (and ultimately miraculously avoided) technical error, the final 15~ minutes of the episode were slightly distorted. Sorry about that! SHOW NOTES: 00:01:55 – Raging Bull 00:57:30 – One Flew Over the Cuckoo’s Nest HOSTED BY: Sam Noland and Maria Garcia MUSIC IN THIS EPISODE: Music from Raging Bull composed by Pietro Mascagni, music from One Flew Over the Cuckoo’s Nest composed by Jack Nitzsche   Support the show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.

I had been planning a 90th birthday tribute to this extraordinary artist in December, but alas, the great Rosanna Carteri departed this earth a week ago today, just a few weeks short of that landmark celebration. But let us celebrate today nonetheless, that this long-lived artist, who abandoned her performing career in 1966 when she was only 35 years old, brought her full-throated voice and impeccable artistry to operatic stages around the world for fifteen exceptional years. Carteri’s was a lyric yet full-bodied voice with facility that allowed her to undertake soubrette parts as well as some spinto roles. I feature extended examples of her versatility over the course of that entire career, including excerpts from La traviata, La bohème, La rondine, Guglielmo Tell, Falstaff, L’elisir d’amore, Madama Butterfly, Roméo et Juliette, Otello, Pietro Mascagni’s L’amico Fritz and Iris, Prokofiev’s War and Peace (the final version of which she created in Florence in 1954), the premiere recording of Poulenc’s Gloria and Gilbert Bécaud’s Opéra d’Aran (which she premiered in Paris in 1962). These operas represent just a fraction of her repertoire, in which are featured, among others, Giuseppe di Stefano, Nicolai Gedda, Leonard Warren, Carlo Bergonzi, Ettore Bastianini, Ferruccio Tagliavini, Giuseppe Taddei, Cesare Valletti, and Giuseppe Gismondo and conductors Tullio Serafin, Pierre Monteux, Vittorio Gui, Georges Prêtre, Gabriele Santini, and Artur Rodzinski. In other words, the crème de la crème of the operatic firmament in the 1950s and 1960s, in which company Carteri most emphatically belonged. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available, including a new extra episode further exploring today’s topic.

Die sozialen Medien haben sich zu einem Raum des Hasses und der Unwahrheit entwickelt. Ohne diese digitalen Brandbeschleuniger sind die rechtsextremen Wahlerfolge ebenso wenig zu verstehen wie die jüngste Welle rechter Gewalt. Maik Fielitz und Holger Marcks gehen dieser fatalen Entwicklung und ihren Ursachen in ihrem Buch "Digitaler Faschismus. Die sozialen Medien als Motor des Rechtsextremismus" auf den Grund. Ein Gespräch mit dem Autor Holger Marcks. Unsere weiteren Themen: Ökonomie der Macht: Die Uraufführung von "Der Preis des Menschen" von Thiemo Strutzenberger am Residenztheater München / Doppelpremiere in Stuttgart: Barbara Frey inszeniert "Cavalleria Rusticana" und "Luci Mie Traditrici" von Pietro Mascagni. / Pop trifft Pandemie: Wie sich Popmusiker*innen mit Corona auseinandersetzen

Mit der heutigen zweiten Folge von „Nur‘n kurzes Intermezzo“ widmet sich Wortkünstler Timo Brunke dem wohl bekanntesten Intermezzo der Musikgeschichte: dem Intermezzo aus der Oper „Cavalleria rusticana“ von Pietro Mascagni. Wollen Sie sich vielleicht ein bisschen hingeben? Hier kommt der Anlass dazu.

«NOTEN & SCHLÜSSEL»  Konzerteinführungen aus Grafenegg, die Ohren öffnenOliver Láng über das Programm des Konzerts in Grafenegg am 30. August. InterpretenWIENER SYMPHONIKERANNA NETREBKO, SopranYUSIF EYVAZOV, TenorSPERANZA SCAPPUCCI, Dirigentin ProgrammGIUSEPPE VERDIOuvertüre zur Oper «Nabucco»«Tu che le vanità conoscesti» Arie der Elisabetta aus der Oper «Don Carlos»«La vita è inferno... O tu che in seno agli angeli» Arie des Alvaro aus der Oper «La forza del destino»ANTONÍN DVOŘÁK«Mesicku na nebi hlubokem» | «Mond, der du am tiefen Himmel stehst» Arie der Rusalka aus der Oper «Rusalka»PIETRO MASCAGNI«Mamma, quel vino è generoso» Arie des Turiddu aus der Oper «Cavalleria rusticana»Intermezzo sinfonico aus der Oper «Cavalleria rusticana»ERNESTO DE CURTISNon ti scordar di me» Neapolitanisches LiedGIACOMO PUCCINI«Vissi d'arte» Arie der Tosca aus der Oper «Tosca»«E lucevan le stelle» Arie des Cavaradossi aus der Oper «Tosca»Intermezzo aus der Oper «Manon Lescaut»«Vogliatemi bene» Duett Cio Cio - Pinkerton aus der Oper «Madama Butterfly» Bedingt durch eine kurzfristige Programmänderung (Austausch zweier Verdi-Arien am Beginn) weicht die Podcast-Einführung geringfügig vom aktuellen Programm ab.  https://www.grafenegg.com/de/podcast

«NOTEN & SCHLÜSSEL»  Konzerteinführungen aus Grafenegg, die Ohren öffnenPeter Blaha über das Programm des Opernabends in Grafenegg am 20. August.InterpretenTONKÜNSTLER-ORCHESTERPIOTR BECZALA, TenorSASCHA GOETZEL, Dirigent  ProgrammGIOACHINO ROSSINIOuvertüre zur Oper «Guglielmo Tell»PIETRO MASCAGNI«Mamma, quel vino è generoso» Arie des Turiddu aus der Oper «Cavalleria rusticana»Intermezzo sinfonico aus der Oper «Cavalleria rusticana»UMBERTO GIORDANO«Come un bel dì di Maggio» Arie des Andrea Chénier aus der Oper «Andrea Chénier»GIUSEPPE VERDITriumphmarsch und Ballettmusik aus der Oper «Aida»«Se quel guerrier io fossi... Celeste Aida» Rezitativ und Romanze des Radames aus der Oper «Aida»RUGGERO LEONCAVALLO«Vesti la giubba» Arie des Canio aus der Oper «Pagliacci»GUSTAV MAHLER«Blumine»ANTONÍN DVOŘÁK«Vidino divná» | «Wundersames Traumbild» Arie des Prinzen aus der Oper «Rusalka»PIOTR ILJITSCH TSCHAIKOWSKIOuvertüre solennelle «1812» Es-Dur op. 49https://www.grafenegg.com/de/podcast

È l'alba del 7 dicembre 1863 quando Pietro Mascagni viene al mondo in una casa di Piazza delle Erbe a Livorno, oggi Piazza Cavallotti, che, demolita, ha lasciato spazio a un altro edificio dove però una lapide marmorea ricorda il gran giorno della nascita. Il 17 maggio 1890 al teatro Costanzi di Roma arriva il grande successo con Cavalleria rusticana. Impossibile non ricordare l'urlo della popolana che chiude l'opera gridando “hanno ammazzato compare Turiddu!” o poco prima il brindisi che annuncia la catastrofe “Viva il vino spumeggiante | nel bicchiere scintillante | come il riso dell'amante | mito infonde il giubilo!”. La nascita di questo atto unico è piuttosto curiosa: nel 1888 l'editore Sonzogno istituì un concorso aperto a tutti i giovani compositori italiani che non erano ancora abbastanza noti per far rappresentare una loro opera. Mascagni, venuto a conoscenza di questo concorso a due mesi dalla chiusura delle iscrizioni, chiese al suo amico Giovanni Targioni-Tozzetti di scrivere il libretto. Lui e il suo collega Guido Menasci scelsero come base la novella omonima di Giovanni Verga. L'aspetto particolare di questa vicenda è che i due lavorarono all'opera con Mascagni quasi esclusivamente per corrispondenza. ©Editoriale Programma – Alessandra Artale

„Muzikinės kelionės į Bella Italia ir į „Laukinius Vakarus“ . WDR radijo orkestro koncertai Kelne. Solistai Esther Peristerakis (arfa), Eric Sohn (vokalas). Diriguoja Rasmus Baumann, Rumon Gamba. Programoje Giuseppe Verdi, Pietro Mascagni, Nino Rota, Vincenzo Bellini, Felixo Mendelssohno, Ennio Morricone, Luigi Denza, Paolo Tosti, Jerome‘o Morosso, Martino Böttcherio, Aarono Coplando, Johno Barry‘o ir kt. kompozitorių kūriniai. Ved. Marius Šinkūnas.

Lady Godiva, è stata una nobildonna anglosassone vissuta nell'anno Mille, moglie del potentissimo Conte Leofrico di Coventry, in Inghilterra. Grande benefattrice e amante del proprio popolo, secondo la leggenda cavalcò nuda per le vie di Coventry per ottenere la soppressione delle tasse troppo elevate, imposte da suo marito ai propri sudditi, diventando un personaggio leggendario e un archetipo femminile di ribellione. Per tradizione, l'appellativo "Peeping Tom", equivalente inglese dell'italiano "guardone", deriva dal fatto che il giovane sarto Tom, contravvenendo all'ordine che imponeva a tutti gli abitanti del villaggio di restare in casa con le finestre chiuse al passaggio di Lady Godiva nuda, la volle invece vedere e ne rimase talmente impressionato da diventare cieco. Numerosi scrittori, fra i quali Alfred Tennyson, e compositori, come Pietro Mascagni, ma anche artisti e cantanti contemporanei, hanno dedicato a Lady Godiva le loro opere, ricoprendo la sua figura di un'aura di leggenda fuori dal comune. Ma è soprattutto nell'arte figurativa che la Contessa nuda ha avuto il maggior riconoscimento: a partire dal fiammingo Van Noort fino al preraffaellita John Collier, la bellissima Lady Godiva è sempre stata raffigurata a cavallo, con la folta chioma rossa sciolta sul corpo nudo. Autore: Simona Capodanno Playlist Lady Godiva's room - Simply RedLovable - Elvis CostelloWomen - Lou ReedWoman - Mick Ronson Look at me now - Electric Light Orchestra Look back in anger - David Bowie Don't stop me now - Queen Lady Godiva's operation - Velvet Underground

¡Hola Crononautas! Martin Scorsese + Robert DeNiro, uno de esos romances cinematográficos que tantas obras de arte nos han regalado, entre ellas Toro Salvaje (Raging Bull, 1980) una película que destila tanto talento que hacer un podcast sobre ella se hace muy sencillo. Joe Pesci y Cathy Moriarty completan un trio estelar con actuaciones para el recuerdo. La mejor descripción que se puede hacer de lla es que se trata de la mejor pelícicula de boxeo de la historia, y aun así, los mejores momentos los vemos fuera del ring.    Hablaremos como siempre de todos y cada uno de los aspectos del largometraje en nuestras secciones habituales, y además gracias a la nueva incorporación, Nano Bronson, tendremos de primera mano una opinión experta sobre cómo de bien reflejados estan los combates de boxeo, y un análisis sobre la preparación y el entrenamiento de DeNiro para poder imitar el estilo pugilístico de Jake LaMotta.   En este episodio suena la BSO de CronoCine compuesta por el artista musical El Arias (podéis encontrar su música en Facebook y Soundcloud). Además, suenan los temas Jumping Boogie Woogie de Audionautix  (bajo licencias Cretive Commons 4.0), y Maybe de The Ink Spots y una versión de Cavalleria Rusticana de Pietro Mascagni libres de copyriht.

¡Hola Crononautas! Martin Scorsese + Robert DeNiro, uno de esos romances cinematográficos que tantas obras de arte nos han regalado, entre ellas Toro Salvaje (Raging Bull, 1980) una película que destila tanto talento que hacer un podcast sobre ella se hace muy sencillo. Joe Pesci y Cathy Moriarty completan un trio estelar con actuaciones para el recuerdo. La mejor descripción que se puede hacer de lla es que se trata de la mejor pelícicula de boxeo de la historia, y aun así, los mejores momentos los vemos fuera del ring.    Hablaremos como siempre de todos y cada uno de los aspectos del largometraje en nuestras secciones habituales, y además gracias a la nueva incorporación, Nano Bronson, tendremos de primera mano una opinión experta sobre cómo de bien reflejados estan los combates de boxeo, y un análisis sobre la preparación y el entrenamiento de DeNiro para poder imitar el estilo pugilístico de Jake LaMotta.   En este episodio suena la BSO de CronoCine compuesta por el artista musical El Arias (podéis encontrar su música en Facebook y Soundcloud). Además, suenan los temas Jumping Boogie Woogie de Audionautix  (bajo licencias Cretive Commons 4.0), y Maybe de The Ink Spots y una versión de Cavalleria Rusticana de Pietro Mascagni libres de copyriht.

Cavalleria Rusticana by Pietro Mascagni & I Pagliacci by Ruggero Leoncavallo are arguably Opera’s most well-known double-bill. Two verismo operas, they each present an unvarnished “slice of life” in small-town Italy of the late 19th century. Direct and compressed, the stories of both operas feature lust, infidelity, merriment and murder. Cavalleria Rusticana, “Rustic Chivalry” uses splendid music to amplify human passions, particularly those of a young man and young woman who never quite become a couple. I Pagliacci tells the tale of the man behind the clown’s mask, those in his orbit, and shows the danger of believing in simple characters we see on stage. Hosted by Pat Wright and Keely Herron.

Stoa Okumaları Serisi 31. Bölüm : Seni İyi Kılacak Şeyler Senin İçindedir Ahlaki Mektuplar, Seneca Seslendiren : Kemal Karadayı Müzik : Intermezzo (from Cavalleria rusticana) - Pietro Mascagni

Entrega n°17 de este Podcast dedicado a llevar a todos las historias más divertidas y las anécdotas más particulares de la música clásica, quitándole el prejuicio de que solo la élite puede consumirla o entenderla. Aprenderemos y conoceremos mucho de la forma más entretenida. Si le dan una oportunidad ¡No se arrepentirán!En esta entrega haremos un recorrido por la Opera de Pietro Mascagni que se ha utilizado tambien en la pelicula El Padrino III. ¡No se pierdan este capitulo de "Un Clasico"!, un mano a mano con la musica clasica. Conductor: Juan Roleri.

Entrega n°17 de este Podcast dedicado a llevar a todos las historias más divertidas y las anécdotas más particulares de la música clásica, quitándole el prejuicio de que solo la élite puede consumirla o entenderla. Aprenderemos y conoceremos mucho de la forma más entretenida. Si le dan una oportunidad ¡No se arrepentirán! En esta entrega haremos un recorrido por la Opera de Pietro Mascagni que se ha utilizado tambien en la pelicula El Padrino III. ¡No se pierdan este capitulo de "Un Clasico"!, un mano a mano con la musica clasica. Conductor: Juan Roleri.

La noche de los mayas (Noches de jaranas) (Silvestre revueltas), Intermezzo de cavalleria rusticana (Pietro Mascagni)

Arien aus Opern von Pietro Mascagni, Francesco Cilèa, Hector Berlioz, Giuseppe Verdi, Camille Saint-Saëns, Modest Mussorgsky, Jules Massenet, Ambroise Thomas, Amilcare Ponchielli und Ruggero Leoncavallo | Elina Garanca (Sopran) | Orquestra de la Comunitat Valenciana | Leitung: Roberto Abbado

Sembra un paradosso eppure è proprio così, meno ore di lavoro rispetto al passato ma il tempo giusto per sè. Come mai? Ce lo spiega Fabio Lo Verde, sociologo. Il miracolo è la fiera delle opportunità, ce la racconta Pietro Mascagni.

Bob Wilcox and Gerry Kowarsky review (1) SAFE HOUSE, by Keith Josef Adkins, in the Repertory Theatre of St. Louis Studio Series, (2) THE LION IN WINTER, by James Goldman, at the Clayton Community Theatre, (3) IMAGINING MADOFF, by Deborah Margolin, at the New Jewish Theatre, (4) GIUBILANTE, at Circus Harmony, (5) BASHIR LAZHAR, by Évelyne de la Chenelière, at Upstream Theater, (6) MIRETTE, by Elizabeth Diggs, Harvey Schmidt & Tom Jones, at COCA Theatre Co., and (7) L’AMICO FRITZ, by Pietro Mascagni, at Winter Opera Saint Louis.

Composers conducting their own works.  Composers include: Edward Elgar, Richard Strauss, Igor Stravinsky, Sergi Prokofiev,  Gustav Holst and Pietro Mascagni.  Works include highlights from: The Planets, An Alpine Symphony, Cavalleria Rusticana, Romeo and Juliet and The Firebird.

Donald Macleod explores the life and work of Mascagni, who triumphed in his early twenties with his opera Cavalleria Rusticana and, during his lifetime, was one of the most famous figures in Italy