Podcast appearances and mentions of tish hinojosa

Hello friends! Singer-songwriter Lisa Morales returns to the show for episode 1455! She's just released her fourth album, the gorgeous Sonora, available everywhere now. The album is a nod to her musical childhood growing up in Tucson. Go to lisamoralesmusic.com for music, tour dates, and more. We have a great conversation about the great collaborations on Sonora with musicians songwriters like Tish Hinojosa, Jojo Garza (Los Lonely Boys), Kelsey Wilson (Sir Woman), David Pulkingham, Michael Longoria, and others, working with great producers like Michael Ramos, Davíd Garza and others including herself, being inspired by her childhood memories, working through the grief of losing her sister through music, and much more. I had a great time catching up with Lisa. I'm sure you will too. Let's get down!   If you're struggling this holiday season, help is available. Speak to someone today. 988 Suicide and Crisis Lifeline. Call or Text 988 Or click HERE for help.   Check out "How Did I Get Here?" in The Austin Chronicle Luv Doc's Top Ten Locally Produced Podcasts HERE   Follow us on Instagram, Facebook, Spotify, Apple Podcasts, or anywhere you pod.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

Episode 21 features Tejano/country musician Tish Hinojosa, banjo duo Willow Osborne and Jessie Blue Eads, UK musician Hattie Whitehead, and North Dakota poet Emma Katka. Plus, Tom talks with retired Prairie Public radio director, Bill Thomas, who shares a folk song.

This episode contain 3 different interviews:Joe Luneau, a candidate for Representative of House District Franklin 3.Bruce Roy, a Republican candidate for a Vermont Senate seat in Chittenden County - Southeast District.Tish Hinojosa, legendary singer and song writer from Austin, Texas.

Today's episode is called "The Western Land We Love" and it's filled with beautiful musical and poetic imagery of the western lands and appreciation of it. Don Edwards, Juni Fisher, Open Range and Tish Hinojosa are just a few of the artists you'll hear today. So, enjoy! (Rebroadcast). Song Title  Artist  Album The Wild Wild West Billy Strange Great Western Themes The West  Juni Fisher Cowgirlography Sagebrush Symphony Sons of the Pioneers Symphonies of the Sage The Western Land I Love Open Range & the  Stampede Swing Band Swingtime in the Rockies Where the Sagebrush Touches the Sky Daron Little with Butch Hause Dos Amigos Prairy Yodel Many Strings and Company A Cattlestrophic Compilation Prairie Moon Tish Hinojosa Taos to Tennessee Rubies in the Moon Richard Elloyan, Steve Wade Up for Adoptions Texas Plains Hot Texas Swing Band Off the Beaten Trail Working Flint Hills Cowboy Tallgrass Express String Band Clean Curve of Hill Against Sky Lewis and Clark Rag Jack Gladstone, Rob Quist Odyssey West Up in Yellowstone Jon Wilson Cody Town Windmill on the Prairie Yvonne Hollenbeck Rhyming the Range Take Me Back to the Range Peter Rowan, Don Edwards High Lonesome Cowboy Montana Cowboy Caleb Klauder, Reeb Willms Innocent Road You're From Texas The Western Flyers Wild Blue Yonder Wind That Shakes the Barley (instr( Matthias Gohl, John Kirk, Molly Mason The West (Original Motion Picture Soundtrack) Guitar Wild West Theme John McEuen The Music of the Wild West

On this episode we welcome a singer/songwriter, a recording artist with 17 albums to her credit, a passionate activist and superstar in Korea!, Tish Hinojosa. Tish will be appearing soon with the Sinfonietta in a new virtual performance. Plus, all about CGOA's grants with Kathryn McElwee and bad music jokes. --- Send in a voice message: https://anchor.fm/cgoa/message

Kelly Winrich y Sam Outlaw siguen al lado de Michaela Anne tras el éxito de su álbum Desert Rose con la producción de un nuevo trabajo aún sin fecha de edición, pero con un par de canciones que ya hemos podido anticipar en el tiempo de TOMA UNO. Después del esperanzador “Good Times” llega un toque mucho más cercano a la tradición de la country music con “Burn My Bridges”. La canción surgió cuando la propia Michaela entendió que su vida no estaba encaminada de la mejor forma posible. Al parecer, una mañana de resaca decidió que no podía seguir viviendo así y que debía escribir sobre ello. El problema es que Rodney Crowell ya había compuesto muchos años antes "Ain’t Living Long Like This", por lo que decidió darle un toque más cercano al honky tonk con el piano Brian Whelan y el pedal steel de Philip Sterk. Así nació “Burn My Bridges”. Cuando Muscle Shoals y Nashville se encuentran ahí está Skylar Gregg, que acaba de publicar su tercer álbum, Roses, cuyo tema central es realmente conmovedor, hablando sobre los seres queridos perdidos con una tesitura vocal que recuerda a Dolly Parton. Con sede en Nashville, donde se mudó su familia para poder seguir las inclinaciones artísticas de sus padres, también músicos, Skylar tiene la férrea convicción de una cantante y compositora de talla. “Roses” no es un disco fácil en su contenido, ya que sus letras están llenas de situaciones difíciles donde se hallan el arrepentimiento, la muerte, las adicciones, la moralidad y los abusos. Todo ello envuelto en sonidos atemporales en los que sí es sencillo reconocerse. Bruce Robison y Kelly Willis persisten en ser los mejores anfitriones de un hogar musical que han llamado The Bunker y que tiene como sede muy cerca de Lockhart, en Texas, convertida en la sede de The Next Waltz, una aventura vital alternativa en la que no hay ordenadores ni efectos digitales. Todo se graba en una cinta de 2 pulgadas. Y, entonces, surge la magia. Uno de los ejemplos más cercanos es esta versión de la pareja a “Tennessee Blues”, una maravillosa canción de Bobby Charles, un cantante y compositor con raíces en la Cajun music, nativo de Abbeville, en Louisiana, y pionero del “rock pantanoso” gracias a temas como este, que en 1972 empezó a darle a conocer gracias al apoyo de Rick Danko de The Band, que produjo su álbum de debut y le invitó a participar en The Last Waltz, el concierto de despedida del grupo en el Winterland Ballroom de San Francisco cuatro años después. Bobby Charles murió hace 10 años. Tish Hinojosa, Stephanie Urbina Jones y Patricia Vonne tienen una larga carrera por separado y muchos puntos de unión. Crecieron en la tejana San Antonio y el Tex Mex ha sido una de sus raíces compartidas. Ahora han decidido poner en común esa riqueza sonora bajo el nombre de The Texicana Mamas y con ese título lanzan su disco de debut como trío, que ellas mismas han coproducido. Su perfección para armonizar se ha trasladado también a la selección de canciones, a la mezcla de inglés y español, y a la riqueza del sonido procedente de ambos lados de la frontera. Las tres mujeres se turnan para cantar las distintas composiciones y se reúnen para versionar “Lo Siento Mi Vida”, la canción que Linda Ronstadt compuso junto a su padre Gilbert y a Kenny Edwards, su compañero en los Stone Poneys, para el álbum Hasten Down The Wind de 1976. La continuación del disco de debut de Molly Tuttle reivindica como ninguno la sensibilidad de una mujer que en 2019 publicaba When You're Ready. Ahora, ...But I'll Rather Be with You, muestra a Molly Tuttle es una colección de versiones que pone de manifiesto su eclecticismo y su habilidad para filtrar los más distintos sabores sonoros. Son diez canciones plenas de brillantez en las que el productor, Tony Berg, ha tenido un papel preponderante, siendo capaz de construir un edificio que tiene sus cimientos en Nashville, donde Molly ha centrado su participación, y al que se han añadido músicos de estudio de Los Angeles como Matt Chamberlain y Patrick Warren. Recorriendo canciones desde National a Harry Styles, pasando por los Stones, Grateful Dead o Rancid hasta llegar a "How Can I Tell You" de Cat Stevens, que en septiembre del 71 formó parte del álbum Teaser and the Firecat, marcando una línea emocional cuya protagonista es la soledad. Ashley Campbell ha recogido muy buena parte de las esencias de su padre, el legendario Glen Campbell para recuperar su más que reconocible sonido en “Something Lovely”, la canción que compuesta junto a Brandon Kress da nombre a su segundo trabajo, que verá la luz a primeros de octubre. Sigue mezclando una diversidad de influencias que combinan la vieja escuela del country, el bluegrass que a veces desarrolla como excelente banjista que es, el folk más enraizado y nuevas propuestas contemporáneas más atrevidas. Tener a su lado como padrino a Carl Jackson, es un apoyo personal y artístico impagable. Carl Jackson siempre ha sido un músico cercano convertido en un referente del bluegrass y el country más enraizado. Colaborador de Glen Campbell, Jim & Jesse o Emmylou Harris, entre muchos otros, también estuvo cerca de Alecia Nugent, que no es, ni mucho menos, una desconocida para los oyentes de TOMA UNO. Nativa de Hickory Grove, en el estado de Louisiana, la llegaron a apodar “Hillbilly Goddess”, tal y como se titula su tercer álbum de hace 11 años. Era debido, sin duda, a la serenidad que se les supone a los veteranos en un terreno tan complicado como el del bluegrass, donde siempre se ha desenvuelto a la perfección. Ella, por entonces, tenía 37 años y la International Bluegrass Music Association la nombró Vocalista Femenina de la temporada. Tras abandonar Nashville y después de todos esos años, Alecia reaparece con The Old Side of Town, un proyecto con 10 nuevas canciones, que sigue explorando sus raíces y que cuenta con la producción del veterano Keith Stegall, que ha estado al lado de Alan Jackson desde sus comienzos. Una de las canciones más vulnerables de este nuevo registro es, sin duda, "They Don’t Make‘ em Like My Daddy Anymore", dedicada a su padre, que murió de cáncer el primer día de julio de 2013. Han pasado casi cuatro años desde que Mo Pitney debutó con Behind This Guitar, un disco muy bien considerado que dejo el mejor sabor de boca para un debutante tan joven. Ahora con 27 años, este nativo de Cherry Valley, en Illinois, regresará a primeros de octubre con el esperado Ain’t Lookin ’Back, un disco que corrobora los buenos augurios de su debut. Colaboraciones como la de Jamey Johnson, Ricky Skaggs y Marty Stuart dan impulso a un trabajo que nos remonta a comienzos de los 1990, una etapa especialmente brillante del resurgir de la industria de Music Row. Incluso su voz recuerda mucho a aquellos tiempos, evocando a Keith Whitley, Daryle Singletary o Randy Travis. Es evidente que Mo Pitney tiene la capacidad de saltar en el tiempo y poner de acuerdo a diferentes generaciones. “Looks Like Rain” es una de las muestras más sólidas de este álbum. La nueva generación de artistas de Americana nos va despejando un panorama esperanzador con la llegada de Mo Pitney o de Daniel Donato, un músico de 25 años convertido en todo un maestro de la Telecaster que debuta con el álbum A Young Man’s Country. Nativo de Nashville y criado en sus calles y sus locales, especialmente el legendario Robert's Western World de Lower Broadway, le hemos escuchado tocar en el Ryman junto a The Wild Feathers o grabando Hard to Please con The Black Lillies. El veterano guitarrista Robben Ford ha producido un disco de presentación formal que rezuma esa Cosmic American Music que elevó a los altares Gram Parsons, aireada con las mejores esencias psicodélicas de Grateful Dead y el toque outlaw de Waylon Jennings. Daniel Donato compone con coherencia, pero es evidente que cuando versiona algunas de sus canciones favoritas pone un tinte de emoción inevitable. Así ha ocurrido con “Angel From Montgomery” de John Prine, una canción del disco de debut del recordado músico de Illinois, cuando faltaba casi un cuarto de siglo para que Donato naciera. Con una carrera envidiable hasta sus últimos días, no era sencillo impresionar a una leyenda como John Prine. Pero el artista ahora desaparecido escuchó a Arlo McKinley y decidió que debía pasar a formar parte de su sello discográfico, Oh Boy Records.El músico de Ohio ha debutado con Die Midwestern, con una mezcla perfecta de country y folk para hablar de buenos momentos, decisiones equivocadas y rupturas dolorosas con la sensación de que estas escuchando las historias que siempre cantaron los clásicos, aunque las formas son propias de coetáneos como Jason Isbell, Tyler Childers, Ian Noe o John Moreland. Así ocurre con “She’s Always Been Around”, un tema de honky tonk de carretera con la jukebox encendida que hubiera interpretado George Jones con sumo gusto. Se fue a grabar a Memphis con músicos como Ken Coomer de Uncle Tupelo y Wilco), Rick Steff (Cat Power) y Reba Russell que ha acompañado a maestros como Johnny Cash y Roy Orbison. Si el tejano Lefty Frizzell fue el referente de Merle Haggard, es evidente que el artista de Bakersfield es el espejo en el que se mira Zephaniah OHora, un músico de Brooklyn que ha adquirido su estética y su sonido. Su segundo álbum, Listening to the Music, mantiene esa prestancia, pero es evidente la madurez alcanzada desde que hace tres años debutó con This Highway. La producción del desaparecido Neal Casal ha tenido una importancia vital para que se produzca una empatía de toques agridulces que pudiera servirnos para estos tiempos duros como para los buenos que están por venir. El tema central, “Listen To The Music”, reconoce el poder de la música para cambiar las cosas y servir de escape de todo el dolor que nos rodea. En cierta forma es una especie de regreso a las maneras de los 70, cuando todo se hizo más reflexivo, incluyendo al inevitable Merle Haggard. Ya que hablábamos de honky tonks, en este primer fin de semana de la nueva temporada de TOMA UNO en Radio 3 queremos despedirnos recordando que somos conscientes de tener amigos en los mejores sitios. Hace exactamente un mes se cumplieron 30 años de la publicación de un clásico como “Friends In Low Places” de Garth Brooks. Cuando en 2015 aquel tema celebraba su cuarto de siglo, el artista de Oklahoma decidió volver a grabarlo juntos a amigos como Florida Georgia Line, Jason Aldean, Keith Urban y George Strait. La canción se incluyó exclusivamente en una caja de 10 CDs titulada Garth Brooks: The Ultimate Collection. Volvemos el próximo fin de semana a la sintonía de Radio 3, donde nos encantará seguir cumpliendo años juntos. Escuchar audio

In this first part of my coverage of the National Cowboy Poetry Gathering in Elko Nevada we hear from to incredible musicians, Jamie Fox, and Tish Hinojosa. Enjoy! 

Yoga teacher, Jill White, who has trained in the use of yoga for Trauma and for Anxiety, as well as for Multiple Sclerosis, will join us live in our Austin studio to talk about the benefits of yoga for healing from trauma and for easing anxiety! Musician, Tish Hinojosa, will join us to talk about her music and we'll be playing some of her original music. Laura Gelezunas reports in from the retirement paradise south of the border, Puerto Vallarta, MX!   And MORE!!

Welcome to the very first MusicForaWedding podcast from Will Taylor and Strings Attached.  I am Will Taylor and I am here with my wonderful assistant Amanda Cevallos.  Hey Amanda!Amanda: Hello.Will Taylor: And this is the first podcast to help you figure out the music for your wedding and all the ins and outs you want to make this fun and if you have any questions for us, send an email to Will@WillTaylor.com and put in the subject field ‘Wedding music podcast’ to anything you want to know.  We’d love to help you out, love to hear from you.  Just send us an email toWill@WillTaylor.com, any question you have about wedding music.Today’s main topic, this is our first podcast and we are just going to talk about the role of music in a wedding.  Why should we have music anyway in a wedding?  What makes it important in a wedding?  But before we get to that I want to tell you a little bit about myself and about Amanda.Since 1989 I have helped couples realize their wedding music dreams and I have played the violin, viola and guitar professionally in the Austin area for over 24 years, including 20 years with the Austin Lyric Opera orchestra.  With my group Strings Attached I have worked with artists like Bob Schneider, Shawn Colvin, P Diddy, _______[1:55], Tish Hinojosa, Carolyn Wonderland, Gary Clark Jr. - we bring a lot of experience to the table in helping the couples figure out what they want for their wedding.Amanda Cevallos went to college at the University of Montana where she studied dance choreography and performance as well as entertainment management at the U of M School of Business.  In 2009 she came back to Texas where she was raised and in March 2010 she joined the team at Will Taylor and Strings Attached.Your musical event planning needs are her first priority.  She knows the ins and out of the Strings Attached repertoire built over our 20-year history in the business.  But she also has her finger on the pulse of what’s current and popular culture, which makes her an ideal booking agent and a facilitator.  So welcome Amanda.  I am so glad to have her here.  She has been with us for over an year now.  I think we have a really great thing going on and she has a lot to turn in on and I am just going to invite her to interrupt me when appropriate.  Let me talk about music and let me share a few quotes:“Music is the shorthand of emotion” – Leo Tolstoy.“Music is what feelings sound like.  Music is the universal language of mankind” – Longfellow.So what is the role of music at a wedding?  When you think of a wedding ________[3:22] that is kind of like planning a major life event, in a way it’s like a movie production or producing a play.  It’s not unlike that.  This is an event that’s going to happen one time in your life and what would it be like if you went to see a play or a movie and there is no music accompanying it?  It’s just people talking to each other.From my standpoint it might not have as much emotional impact and for me the role of music at a wedding is to help the emotional impact.  A wedding is very emotional experience.  So music can help the emotion be experienced more deeply by not just the couple but all the people that are attending, and that’s one thing to remember is that as you are planning your wedding, this is for your family and your friends as much for them as it is for you and you want them to have this memorable emotional experience.Now for most people it’s also a religious experience and music is a big part of the emotional impact of spirituality.  So it’s like setting the scene.  It’s a soundtrack for a grand production that you are planning.  So I’d like to ask you to think in your mind and visualize the scene, like a scene in a movie.  What is your soundtrack going to sound like?At this point it might be nice just to talk about one of the parts of the other wedding where there can be music, the different scenes, like in a movie you have a scene.  So you start from the top of the movie, of your wedding.  Usually the first point of contact is when the guests are walking into the ceremony location.  In some cases it will be a church; in other cases it might be an outdoor wedding.  So you set that scene with maybe a string quartet.  If that’s not your particular style, maybe you have somebody singing middle-eastern music or folk music or you have a solo singer – something to give the guests maybe a little entertainment while they are sitting down and getting adjusted to the ceremony.Amanda: Something to set the tone so when they walk into something, they walk into something special.  As soon as the door is open there’s this beautiful sound coming from wherever the setting is and it really sets the tone.Will Taylor: Yeah, so think about what is the first impression musically you want to get your guests.  Again, I’d like to focus on getting away from traditional should be’s if you have that luxury.  Now you may be doing a wedding where the church gives you a specific list of pieces then you want to follow that and share that with your music organizer, whoever is playing to your music.  At Strings Attached we can handle the music from the beginning to the end and we are very experienced in handling these kinds of things.  We have done music for up to 20 years.  So you want to lean on your provider, lean on your wedding coordinator.  We have done anywhere from 100s to over a thousand of these and so we are going to know things about putting together the music and we are going to be able to save you time and effort, so lean on your professionals.And if you are the asked scenario [7:02] check out stringsattached.org.  We love to help organize and make your wedding dreams come true.  Amanda will answer the call.  You can call her directly at (512) 944…Amanda: 8407 or you can email me at bookstringsattached@gmail.com and just very quickly before we go I just want to be sure to mention our wedding reception band because I think that’s we get calls for above.  We get calls to play strings but we also have a wedding reception band that is fantastic.And we have another thing called ‘TheClassicRockSeries.com’ and it’s a series of tribute shows and we use a lot of the songs from these tribute shows for the wedding band but we also have other tunes on that website.Will Taylor: We’d also like to mention, like I said in the beginning of the podcast, Strings Attached can handle the music from the beginning to the end of the reception, the very last note.  We are sort of a one-stop shopping source for your live music or live wedding music needs here in the Austin central Texas area.So we talked a lot about the ceremony music and the cocktail music and we also have a really versatile, exciting, dynamic wedding music variety band and it’s about a six piece ensemble.  We can do anything from 60s Motown to 80s pop tunes to Led Zeppelin, the Beatles, a bit of country music, a bit of folk music…Amanda: Swing, Jazz…Will Taylor: Pretty much everything that you can imagine we can do at really exhaustive song list online and you can check and see that variety right now.  We provide really beautiful lighting systems.  We also have a sound system that is high quality and bring our own sound man.  We come early and setup and make sure everything is ready to go way ahead of time.  We will also MC your event if you have special announcements that you like us to make.  We are able to do all that.  Amanda: We’ll create the scripts based on your schedule.Will Taylor: We’ll create a script based on your schedule and everything will be taken care of – the high quality, it will be dynamic, and if you have any creative ideas we can customize it to your event.I had a wedding in 2008 where I had a 9-piece band and the client picked every single piece of music.  Now we did have to charge for that but we made it happen for them and they had four sets of music and they picked every single piece of music and we worked with them and made it work.  So we can go from the extreme, working out every little detail or we can also help you and design with suggestions.Amanda: We have a client right now that loves us and hired us because they came to our tribute shows and they know what we are capable of.  They also have their own ideas too so they are allowing us to be creative and then they are adding a list of songs that they just can’t live without and so we have added eight tunes through our set list for them for a fee of course, but that’s an option.  So don’t rule anything out with your wedding band.Will Taylor: Exactly, and if you want to hear us live we have a monthly residency at the Nutty Brown Café here in Austin, Texas.  If you just look up ClassicRockSeries.com you will see a schedule of shows.  Our next show is coming up on July 30.  Again, that’s ClassicRockSeries.com and also I want to mention that a lot of this information we have talked about, our Frequently Asked Questions, our worksheet – all that is available at celebratewithstringsattached.com or you can email us and we will send you any of this.  If you have any questions, again, just email Will@WillTaylor.com and we will mention these on the podcast in the next episode.  If you’d like to record yourself saying the question we will have you on the podcast.Amanda: If you have a booking inquiry just email Amanda@bookstringsattached.com or you can call me or text me at            (512) 944-8407      .  I am available after 5:00.  I have a lot of clients who work all day and can’t really plan their wedding until after they get off work and I make myself available for those clients.  So just keep in mind from about 5:00 to 8:00 I am open to texting, calling or emailing.Will Taylor: Well that’s it.  We are going to sign off for now from MusicForaWeddingPodcast with Will Taylor and Strings Attached.  Subscribe to this podcast by clicking one of the buttons over there on iTunes.  There will be more episodes coming up when we talk more about choosing the music for your wedding and what we do.  So we will talk to you and we will see you in the future on the podcast.Free music for this podcast is available on iTunes.  Search for ‘A Bridezilla’s Guide to Classical Wedding Music’.  That’s on iTunes at ‘A Bridezilla’s Guide to Classical Wedding Music’.Need live music for a wedding or event?Celebrate with Strings Attached Austin Cover Bands Tx Wedding Soloist  

GREAT AMERICAN TAXI has become one of the best-known headliners on the jam band circuit. The band was born when singer, guitarist, and mandolin player Vince Herman of Leftover Salmon joined keyboard player and singer Chad Staehly for a superstar jam to benefit the Rainforest Action Group in Boulder, in March of 2005. They�ve made their reputation as an exciting live band and has been equated with roots rockers like the New Riders of the Purple Sage, Grateful Dead, Wilco, Uncle Tupelo, The Byrds, and Little Feat. Their latest album “Reckless Habits� was considered one of the best Americana release of 2010. MICHAEL HEARNE moved to Northern New Mexico 25 years ago from Austin, Texas, and immediately joined forces with numerous other musical luminaries including Michael Martin Murphey and Tish Hinojosa, becoming an integral part of Murphey's band. Called the �Acoustic Southwestern Americana Musical Guitar Genius,� this native Texan continues to leave an indelible mark on his audiences not only with his signature �Michael Hearne� guitar sound, but also with songs and stories that are rich in lyrical prose, imagery and humor. His newest CD, The High Road to Taos, has received critical acclaim, with some discriminating reviewers declaring it to be his finest work to date.

ANGEL BAND is a group of three powerful women artists: Nancy Josephson, Kathleen Weber, and Aly Paige. No audience has been left unmoved by Angel Band�s all out, “take no prisoners� stage demeanor and rootsy, bluesy Americana songs. Performing at Bonnaroo, Merlefest, the Philadelphia Folk Festival and other high profile events, this band is winning over many new listeners in their travels. Their new album is titled "Bless My Sole" on Appleseed Records. MICHAEL HEARNE moved to Northern New Mexico 25 years ago from Austin, Texas, and immediately joined forces with numerous other musical luminaries including Michael Martin Murphey and Tish Hinojosa, becoming an integral part of Murphey's band. Called the �Acoustic Southwestern Americana Musical Guitar Genius,� this native Texan continues to leave an indelible mark on his audiences not only with his signature �Michael Hearne� guitar sound, but also with songs and stories that are rich in lyrical prose, imagery and humor. His newest CD, The High Road to Taos, has received critical acclaim, with some discriminating reviewers declaring it to be his finest work to date. THE LAWS are a husband and wide duo from Wheatley, Ontario Canada. They are the FIRST Canadians to win the prestigious Chris Austin Song Writing Contest at MerleFest. It's not surprising John and Michele Law kick off their sixth album "Try Love" with the line 'I believe in love at first sight,' as the album marks The Laws' 10 years and one million miles on the road as a couple.

Preview of “Tish Hinojosa”, a music program pilot series looking for a home.

Co-Producer and Director, Brad Stoddard, produced for “Music From The Q” and Encantada TV 26. This is a preview of “Tish Hinojosa”, a music program pilot series looking for a home.