Podcasts about william wells brown

How can Black Atlantic literature challenge conventions and redefine literary scholarship? Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

How can Black Atlantic literature challenge conventions and redefine literary scholarship? Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How can Black Atlantic literature challenge conventions and redefine literary scholarship? Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How can Black Atlantic literature challenge conventions and redefine literary scholarship? Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can Black Atlantic literature challenge conventions and redefine literary scholarship? Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

How can Black Atlantic literature challenge conventions and redefine literary scholarship? Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

We will be discussing the book Master slave husband wife: an epic journey from slavery to freedom DB112758 by Ilyon Woo. NLS Annotation Master slave husband wife: an epic journey from slavery to freedom DB112758 Author: Woo, Ilyon Reading Time: 12 hours, 59 minutes Read by: Janina Edwards, Leon Nixon Subjects: Bestsellers, Biography, U.S. History, African American Topics “The remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as “his” slave. In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North. Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day—among them Frederick Douglass and William Wells Brown. But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again—this time from the United States, their lives and thousands more on the line and the stakes never higher. With three epic journeys compressed into one monumental bid for freedom, Master Slave Husband Wife is an American love story—one that would challenge the nation's core precepts of life, liberty, and justice for all—one that challenges us even now.” — Provided by publisher. Unrated. Commercial audiobook. Bestseller. [New York] : Simon & Schuster Audio, 2023. Bookshare This book can be found at Bookshare at the following link: https://www.bookshare.org/browse/book/5915051?returnPath=L3NlYXJjaD9tb2R1bGVOYW1lPXB1YmxpYyZrZXl3b3JkPU1hc3RlciUyQnNsYXZlJTJCaHVzYmFuZCUyQndpZmUlMjUzQSUyQmFuJTJCZXBpYyUyQmpvdXJuZXklMkJmcm9tJTJCc2xhdmVyeSUyQnRvJTJCZnJlZWRvbQ

William Wells Brown peeked from around the tree. He'd never seen anything like the ritual before his eyes—a fiery cauldron, folks talking in tongues, and dancing beneath the midnight moonlight. These spiritual ceremonies remind us of the importance of trusting ancestral wisdom. _____________ 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Julian Walker serves as executive producer." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Ilyon Woo's Master Slave Husband Wife: An Epic Journey from Slavery to Freedom (Simon and Schuster, 2023) tells the remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as “his” slave. In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North. Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day—among them Frederick Douglass and William Wells Brown. But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again—this time from the United States, their lives and thousands more on the line and the stakes never higher. With three epic journeys compressed into one monumental bid for freedom, Master Slave Husband Wife is an American love story—one that would challenge the nation's core precepts of life, liberty, and justice for all—one that challenges us even now. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Ilyon Woo's Master Slave Husband Wife: An Epic Journey from Slavery to Freedom (Simon and Schuster, 2023) tells the remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as “his” slave. In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North. Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day—among them Frederick Douglass and William Wells Brown. But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again—this time from the United States, their lives and thousands more on the line and the stakes never higher. With three epic journeys compressed into one monumental bid for freedom, Master Slave Husband Wife is an American love story—one that would challenge the nation's core precepts of life, liberty, and justice for all—one that challenges us even now. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ilyon Woo's Master Slave Husband Wife: An Epic Journey from Slavery to Freedom (Simon and Schuster, 2023) tells the remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as “his” slave. In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North. Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day—among them Frederick Douglass and William Wells Brown. But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again—this time from the United States, their lives and thousands more on the line and the stakes never higher. With three epic journeys compressed into one monumental bid for freedom, Master Slave Husband Wife is an American love story—one that would challenge the nation's core precepts of life, liberty, and justice for all—one that challenges us even now. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Ilyon Woo's Master Slave Husband Wife: An Epic Journey from Slavery to Freedom (Simon and Schuster, 2023) tells the remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as “his” slave. In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North. Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day—among them Frederick Douglass and William Wells Brown. But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again—this time from the United States, their lives and thousands more on the line and the stakes never higher. With three epic journeys compressed into one monumental bid for freedom, Master Slave Husband Wife is an American love story—one that would challenge the nation's core precepts of life, liberty, and justice for all—one that challenges us even now. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Ilyon Woo's Master Slave Husband Wife: An Epic Journey from Slavery to Freedom (Simon and Schuster, 2023) tells the remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as “his” slave. In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North. Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day—among them Frederick Douglass and William Wells Brown. But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again—this time from the United States, their lives and thousands more on the line and the stakes never higher. With three epic journeys compressed into one monumental bid for freedom, Master Slave Husband Wife is an American love story—one that would challenge the nation's core precepts of life, liberty, and justice for all—one that challenges us even now. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Ilyon Woo's Master Slave Husband Wife: An Epic Journey from Slavery to Freedom (Simon and Schuster, 2023) tells the remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as “his” slave. In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North. Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day—among them Frederick Douglass and William Wells Brown. But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again—this time from the United States, their lives and thousands more on the line and the stakes never higher. With three epic journeys compressed into one monumental bid for freedom, Master Slave Husband Wife is an American love story—one that would challenge the nation's core precepts of life, liberty, and justice for all—one that challenges us even now. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Ilyon Woo, non-white female, visits Elliot Bay Books in Seattle, Washington to promote her brand new book: Master Slave Husband Wife (2023). Gus T. learned about this book when searching for books published the previous calendar year. Woo's work of non-fiction made a number of lists for best non-fiction of the year. The book examines William and Ellen Craft, a pair of 19th century black slaves in the state of Georgia. Ellen Craft is the product of rape and has a White father. Consequently, she is pale enough to be accepted as a White person - so called "passing." After years of White Terrorism and torture on a Georgia slave plantation, William and Ellen take 4 days to concoct an escape plan. Ellen uses her lack of melanin and a fancy pair of pants to fake being an elderly White Man. William is "his" faithful negro slave, and the courageous pair makes haste for the so called north. Woo gives lots of details - including the northern speaking tours William and Ellen gave with the fellow slaves and orators Frederick Douglass and William Wells Brown. Even once the two were miles from the plantation, they could be stolen at any time. And because melanin deficient Ellen is "White presenting," her being married to dark-skinned William means that northern Whites often think she's a 19th century White Woman shacking up with a negro male. Yikes! #ReplaceWhiteSupremacyWithLove #TheCOWS15Years INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 605.313.5164 CODE: 564943#

In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

One of the most prolific authors of the nineteenth century, William Wells Brown remains a bit of a mystery. A man born into slavery who clawed his way to freedom, Brown has quite the fascinating biography. An author, abolitionist, and member of the underground railroad, Brown can tell us a lot about nineteenth century America. So just who was William Wells Brown? Tune in to find out. Four course material, transcripts, and information on how you can support the podcast, please visit the website at www.civicsandcoffee.com. Support the show

In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. They escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled white man and William posing as “his” slave. They made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North.Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles crisscrossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day—among them Frederick Douglass and William Wells Brown.But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again—this time from the United States, their lives and thousands more on the line, and the stakes never higher. Today's guest is Ilyon Woo, author of “Master, Slave, Husband, Wife: An Epic Journey From Slavery to Freedom.” We look at this story of escape, emancipation, and the challenges of Antebellum, Civil War, and Reconstruction America.

This week, we learn about William Wells Brown! Who is he? An excellent question - Wells Brown was born into slavery, escaped, and spent his life advocating for abolition and rights for women through his writing, exceptional speeches and activism. He helped dozens of other enslaved people to freedom, toured the US and Europe, and became a Doctor toward the end of his life. Wells Brown's legacy deserves much more time in the spotlight, which we hope to add to in this episode! 

Master Slave Husband Wife: An Epic Journey from Slavery to Freedom by Ilyon Woo The remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as “his” slave. In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North. Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day—among them Frederick Douglass and William Wells Brown. But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again—this time from the United States, their lives and thousands more on the line and the stakes never higher. With three epic journeys compressed into one monumental bid for freedom, Master Slave Husband Wife is an American love story—one that would challenge the nation's core precepts of life, liberty, and justice for all—one that challenges us even now.

William Wells Brown escaped slavery and risked his life to help others find freedom. In his spare time, he taught himself to read and write, lectured on the evils of slavery, and was the first African American to publish a novel and, later, a play.

(*RE-UPLOAD) (4/11/22) This week's opening poem comes from the famous Emily Dickinson. Dermaine talks with week about the confirmation of new Supreme Court Justice Kentanji Brown Jackson, the federal decriminalization of marijuana, and the banning of Will Smith from the Oscars. After recapping the book Clotel (or; the President's daughter) Dermaine finishes with a refreshing DMV lyricist.

Buffalo Massacre Dr. Manisha Sinha's Monthly  Black History University Recap! ****** In honor of one of the ten victims, Ms. Pearly Young we ask that you donate food to your local food bank. Mrs. Young ran a food pantry and every saturday, for 25 years she donated food. *********** R.I.P #BuffaloSaints~ NY state abolished slavery in 1827, but Black people remained in danger of enslavement & kidnappings. In 1835, to fight back, Black abolitionist David Ruggles helped to found the N.Y. Committee of Vigilance an hybrid of the Black Panther Party & The NAACP. Black New Yorkers remained in danger of enslavement or re-enslavement through widespread kidnappings. Black sailors would go missing from ports. Children would disappear on their way home from school. In 1835, to fight back against the onslaught of oppression, Black abolitionist and businessman David Ruggles helped to found the New York Committee of Vigilance (NYCV), a multi-racial organization a hybrid of the Black Panther Party and The NAACP, would defend Black New Yorkers from predatory whites.  Jamila Brathwaite, authored “The Black Vigilance Movement in Nineteenth Century New York City,” writes, Ruggles fearlessly boarded ships in the New York harbor in search of Black captives or for signs of participants in the illegal slave trade. He published a list bounty hunters kidnappers and the free black traitors who aided them. His work would not have been possible without the efforts of the Black community and leaders like William Wells Brown, a promenient Black Aboltitionist from Buffalo. Brown along with unnamed black people passed along intelligence, fed, clothed, and sheltered fugitives. They also noted suspicious activities and people. Ruggles' bookstore on Lespenard Street. It is the first known Black-owned bookstore in the United States.    

William Wells Brown wrote the first novel by an African American in America. It took on the topic of President Jefferson fathering children by one of his slaves.

Key Research Terms —Baron de Vastey —Noel Colombel —Haiti's Isolation —Regeneration —Haiti's Kingdom vs. Haiti the Republic —Edouard Glissant's Theory of Opacity —The Unmediated Agency of Early Haitian Writings —Black Atlantic Humanism —Earliest formulations of what would later become CRT Episode Description Focusing on the influential life and works of the Haitian political writer and statesman, Baron de Vastey (1781-1820), in this book Marlene L. Daut examines the legacy of Vastey's extensive writings as a form of what she calls black Atlantic humanism, a discourse devoted to attacking the enlightenment foundations of colonialism. Daut argues that Vastey, the most important secretary of Haiti's King Henry Christophe, was a pioneer in a tradition of deconstructing colonial racism and colonial slavery that is much more closely associated with twentieth-century writers like W.E.B. Du Bois, Frantz Fanon, and Aimé Césaire. By expertly forging exciting new historical and theoretical connections among Vastey and these later twentieth-century writers, as well as eighteenth- and nineteenth-century black Atlantic authors, such as Phillis Wheatley, Olaudah Equiano, William Wells Brown, and Harriet Jacobs, Daut proves that any understanding of the genesis of Afro-diasporic thought must include Haiti's Baron de Vastey. --- Send in a voice message: https://anchor.fm/negmawonpodcast/message Support this podcast: https://anchor.fm/negmawonpodcast/support

The final episode in my series on William Wells Brown explores the second half of MY SOUTHERN HOME, the author's second memoir. Next up, a special series on Neal Stephenson's BAROQUE CYCLE.

MY SOUTHERN HOME is a memoir by William Wells Brown written toward the end of his life. It rehashed much from his earlier writers, but from the perspective of a more sober old man.

In 1862, William Wells Brown wrote a series of short biographies of black activists, politicians, scientists, and artists in an attempt to prove black people's capacity for self-rule in the context of the Emancipation Proclamation. It begins with a great philosophical essay.

In this episode I look at a play by William Wells Brown called THE ESCAPE. It is an effective look at the horrors of slavery and the necessity of resistance.

An only slightly deeper look at William Wells Brown THE AMERICAN FUGITIVE IN EUROPE. The second half of this travelogue focuses on Browns' travels through Britain, him seeing the homes and monuments of great writers, and some of his anti-slavery work.

William Wells Brown spent 1849-1854 in Europe doing anti-slavery work. This narrative of these years reads more like a traditional travelogue than a polemical text, and that is okay.

CLOTEL is the first novel by an African-American in the United States. While not a plot-driven page-turner, William Wells Brown created a convincing portrait of the sexual and gender politics in American slavery.

I start a new series on the works of William Wells Brown. I start with his compelling and short autobiography about his time as a slave, published in 1847. I also speak a bit on CLOTEL, his novel.

This episode is sponsored by a new film created for the Tarot reading community from The Theatre Company in Portland, Oregon. Claire Willett's The Broken Heart Spread is a deep dive into the world of modern tarot card reading. Over the course of a single day, we meet seven women at seven different personal thresholds, all looking to the wisdom of the tarot for guidance in matters of the heart. The tarot cards open doors for each of the women - and Delphine herself - to write the next chapter of their own story. The Broken Heart Spread is currently streaming through August 22nd on Stellar. Catch the film on your own time through Video on Demand, tickets start at just $20 and can be found at thetheatreco.org. We hope you enjoy this movie normalizing the magic of witches!**********************************Speaking on the truth of suffering and fear, Zora Neale Hurston said that, only "half gods are worshipped in wine and flowers. Real gods require blood.” The Five of Pentacles is not a comfortable card. It speaks of pain and privation, the moments that bring us to our knees. But, as Amanda and her guest Dr. Thea Wirsching discuss in this episode, those moments are also invitations from the real and often blood thirsty gods to wrestle with the angels of our history.5s are ruled by the hierophant. The priest, the Pope, the card in the major arcana that connects us with our spiritual traditions; in some decks it is called, "Ancestor." The 5 of Pentacles demands our humility. It is an invitation to love life in it all its blizzards and madness and freezing winds. We discuss the Little Match Girl; the 4 Noble Truths of Buddhism; African American literature of the 19th century; The Wedding Crashers; how religion can offer salvation... and be a bunch of bullshit;  Mercury in Taurus; and where to find refuge.Our guest is Thea Wirsching is an Evolutionary astrologer and has been practicing astrology for almost two decades.  Her counseling business, The Pluto Babe, helps guide her clients in the process of releasing shame. She received her PhD from UCLA, and her dissertation focused on the history and literature of American occultism.  Much of this original research appears in her forthcoming publication, The American Renaissance Tarot (2021).  As a Tarot reader, Thea emphasizes the healing power of narrative and the cards' facility to write a new story.  References in this episode include:CLOTEL, by William Wells Brown, the first African-American novel (1853)Rachel Pollack, “78 Degrees of Wisdom.”Zora Neale Hurston, "Their Eyes Were Watching God."Chiron Armand. An anonymous meme on his IG Stories. **********************************Learn More About Our  Guest Thea WirschingThea Wirsching is an Evolutionary astrologer and has been practicing astrology for almost two decades.  Her counseling business, The Pluto Babe, helps guide her clients in the process of releasing shame. She received her PhD from UCLA, and her dissertation focused on the history and literature of American occultism.  Much of this original research appears in her forthcoming publication, The American Renaissance Tarot (2021).  As a Tarot reader, Thea emphasizes the healing power of narrative and the cards' facility to write a new story. Her deck, The American Renaissance Tarot, is out August of 2021.To find out more about Thea, visit her on Instagram, @the_pluto_babeOr visit her website: www.theplutobabe.comOr find her on Facebook @theplutobabe ******************************* CURRENT WORKSHOPS TEMPERANCE: Potions, Offerings, & Rituals of Transformation :  In this workshop you will learn to use ordinary substances to make big magic in your everyday life. Cooking magic, cleaning magic, love magic, and more. You'll learn how to whip up a spell using the things you have in your kitchen, create offerings for your ancestors, and a clearing bath that will restore your soul. Click here to find out more. To become a Between the Worlds Weird Circle Subscriber, click here.********************************** Learn More About Your Host Amanda Yates GarciaTo sign up for Amanda's newsletter, CLICK HERE.To order Amanda's book, "Initiated: Memoir of a Witch" CLICK HERE.Amanda's InstagramAmanda's FacebookTo book an appointment with Amanda go to www.oracleoflosangeles.com**********************************Original MUSIC by Carolyn Pennypacker RiggsCheck out Mind Your Practice - Carolyn's new podcast with arts consultant and author of Make Your Art No Matter What, Beth Pickens.Mind Your Practice is geared towards artists and writers looking for strategies and support to build their projects and practices (plus loving pep talks). There's even a club - “Homework Club” - which offers creative people a framework for keeping their projects and practices a priority with *actual homework* and optional accountability groups made up of other artists and writers!You can visit MindYourPractice.com for more details or listen wherever you stream Between the Worlds.**********************************Get in touch with sponsorship inquiries for Between the Worlds at betweentheworldspodcast@gmail.com.**CONTRIBUTORS:Amanda Yates Garcia (host) & Carolyn Pennypacker Riggs (producer, composer). The BTW logo collage was created by Maria Minnis (tinyparsnip.com / instagram.com/tinyparsnip ) with text designed by Leah Hayes. 

Sources for this episode: Lois Brown. Pauline Elizabeth Hopkins: Black Daughter of the Revolution Hanna Wallinger. Pauline E. Hopkins: A Literary Biography Cary D. Wintz and Paul Finkelman. The Encyclopedia of the Harlem Renaissance [The Pauline Hopkins Society] (http://www.paulinehopkinssociety.org) [Black Past article on Hopkins] (https://www.blackpast.org/african-american-history/hopkins-pauline-elizabeth-1859-1930) [Library on Congress. The Grand Army of the Republic] (https://www.loc.gov/rr/main/gar/) [Robert C. Hayden. African Americans in Boston: More than 350 Years] (https://archive.org/details/africanamericans00hayd_0) William Wells Brown, 1814?-1884. Documenting the American South Additional resources [The Colored American Magazine] (http://coloredamerican.org/?page_id=548#hopkins) [N. King. Teaching Crime Fiction and the African American Literary Canon] (http://centaur.reading.ac.uk/67208/1/N%20King%20Teaching%20Af%20Am%20Crime%20Fiction.pdf) [Richard Yarborough, JoAnn Pavletich, Ira Dworkin, and Lauren Dembowitz. 'Rethinking Pauline Hopkins: Plagiarism, Appropriation, and African American Cultural Production'] (https://doi.org/10.1093/alh/ajy014) The four men elected in 1870 were Joseph H. Rainey, Robert C. Delarge, and Robert B. Elliott. Hiram Revels was elected to the Senate in 1869 and seated in 1870. [Oct. 19, 1870: First African Americans Elected to the House of Representatives] (https://www.zinnedproject.org/news/tdih/african-americans-house-of-reps/)

Devocional Cristiano para Jóvenes - PERSIGUE TUS SUEÑOS Fecha: 29-09-2020 Título: WILLIAM WELLS BROWN Autor: Dorothy E. Watts Locución: Ale Marín http://evangelike.com/devocionales-cristianos-para-jovenes/

In this episode, our host, Adam Sanchez, a high school teacher and Rethinking Schools editor, interviews historian Manisha Sinha to address the interracial radical abolition movement of the 18th and 19th centuries. Sinha emphasizes the impact of Black abolitionists, particularly those who escaped enslavement — like Frederick Douglass, Harriet Tubman, William Wells Brown, and James W.C. Pennington — who radicalized the movement by introducing more militant tactics. She connects the past to the present by discussing the significance of the word abolition in today's movement for Black lives. This episode addresses themes of our campaign to Teach Reconstruction. People's Historians online mini-series - Black Freedom Struggle. Music from Rose City Kings from Free Music Archive.

American novelist, William Wells Brown was an abolitionist, lecturer, playwright, and historian. He is considered to be the first African-American to publish a novel, and the first to have a play and travel book published. Born into slavery in Kentucky, Brown escaped to Ohio at the age of nineteen. This book, published in 1852, is a series of letters written while traveling through Europe. Support the show (https://www.patreon.com/sweetdreams_radio)

Today, K and Warren talk about the incredible life of William Wells Brown and discuss the play Escape or  A Leap for Freedom. This is the debut of Warren's screaming pillow and it is well Warren-ted! Promo: A Ninth World Journal Join the Cast Junkie discord and help support indie podcasts at https://discord.gg/napQ3Cb. Follow us on Twitter, Instagram, and Facebadger @ToneDeafMusical for some dank theatre memes, check out the patreon at https://www.patreon.com/tonedeafmusical and visit our website, tonedeafmusical.com!   

In February 2018, Mark H., then a Columbia MFA Directing Candidate, presented his production of William Wells Brown’s 1858 play, The Escape; or a Leap for Freedom to a full house at the Lenfest Center for the Arts in Harlem. In this episode of the podcast Brigitte Fielder and Jonathan Senchyne (University of Wisconsin-Madison) talk to Mark H. about being only the second director to stage this 150-year old play. Their conversation includes discussion of attitudes toward melodrama and, significantly, of some of the decisions involved when presenting nineteenth-century depictions of anti-black violence to a contemporary audience. Post-production help from Melissa Gniadek.

(Our guest this month, Hannah Rose Murray, @Hannah_RoseM , frederickdouglassinbritain.com) One spring evening in 1838, formerly enslaved African American Moses Roper spoke to a crowded audience in Leicester, and during one section of his speech, declared: "Many will say “This is the slaves’ side of the question. The slave-holders would tell a different story.” You have heard the slave-holders’ story 250 years ago. Now, I think it is time for the slaves to speak." In an extraordinary chapter of the antislavery movement, hundreds of black activists – many of whom were formerly enslaved – echoed Roper’s bold decision to tell the truth about slavery. Many of these individuals sought temporary reprieve from American soil, others permanent; some raised money to free themselves or enslaved family members; others sought work with varying success. Black men such as Frederick Douglass, William Wells Brown, Josiah Henson, and women such as Sarah Parker Remond lectured in large cities and tiny fishing villages, wrote narratives, stayed with influential reformers and ensured millions of words were written about them in the newspapers. The Victorian press is littered with coverage of their speeches, from the John O’Groat Journal to the Royal Cornwall Gazette, alongside with accounts of audiences cramming into tiny churches or town halls to cure an insatiable appetite about American slavery. Even by the end of the nineteenth century this appetite had not abated. Activists such as Ida B. Wells built on the precedent set by Moses Roper and declared to a Leeds audience in 1894 that “it was her mission to tell the black people’s side of the story.” In a powerful and succinct summation, Wells echoed the reason why African Americans travelled to Britain: to champion their testimony against slavery and its legacies, and challenge white supremacy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lecture 553 (25 July 2012)

Clotel; or, The President's Daughter is a novel by William Wells Brown (1815 – 1884), a fugitive from slavery and abolitionist and was published in London, England in December 1853. It gained notoriety amid the unconfirmed rumors regarding Thomas Jefferson and Sally Hemmings. Brown was still considered someone else's legal property within the borders of the United States at the time of its publication. It is considered to be the first novel written by an African American. The book follows the experiences of three generations of women during slavery. Brown used the injustices of slavery to demonstrate the destructive effects it had on the African American family, most significantly the so–called tragic mulatto. Brown had escaped from slavery in Kentucky while still in his youth, and became active on the anti–slavery circuit.

Ever heard of Frederick Douglass? Sure you have. But how about his contemporary and fellow ex-slave and abolitionist, William Wells Brown? No? Well, now you have, and you’ll learn even more through our discussion with Ezra Greenspan, the author of a new biography.

We visit the Engineering Early College High School at UNC Charlotte. We meet the new Guilford College President Dr. Jane Fernandes. And author & professor Dr. Ezra Greenspan has a new biography of William Wells Brown.

WILLIAM’S LEAP FOR FREEDOM (DRAMA) This moving drama is based on freed American Black slave William Wells Brown and his struggle for freedom. Performed live at the NATF festival in West Plains Missouri for Black history month. SueMedia Productions