Podcasts about Olaudah Equiano

A brief take on Olaudah Equiano's reflections on "talking books," exploring their connection to freedom and their resonance with the modern concept of audiobooks.Script by Howard Rambsy IIRead by Kassandra Timm

Si on vous demande de citer un film portant sur la période esclavagiste, vous me répondrez sans hésiter : facile! Et vous citerez en pagaille, 12 years a slave, Amistad, Django Unchained… à chaque génération son film choc. Pourtant si on corse la question en vous demandant de citer un film français sur l'esclavage dans les colonies françaises. Silence. C'est beaucoup plus dur. Pourquoi notre cinématographie a-t-elle si peu souvent abordé le sujet de l'esclavage ? La France a-t-elle du mal à se confronter à son histoire ou se raconter dans le mauvais rôle ? Est-ce important qu'un tel film soit porté par un.e créateurice afro-descendant.e ?La France a-t-elle du mal à se confronter à son histoire ou se raconter dans le mauvais rôle ? Est-ce important qu'un tel film soit porté par un.e créateurice afro-descendant.e ?Rokhaya Diallo et Grace Ly en parlent avec Simon Moutaïrou, scénariste et réalisateur de “Ni chaînes ni maitres” actuellement en salles.Références citées dans l'épisode :- Vivre libre ou mourir, film de Christian Lara (1980)- Sucre amer, film de Christian Lara (1998)- Tropiques amers, série de Jean-Claude Barny (2007)- Passage du milieu, film de Guy Deslauriers (2000)- Case départ, film de Thomas Ngijol et Fabrice Eboué (2011)- Ma véridique histoire - Africain, esclave en Amérique, homme libre de Olaudah Equiano (1789)- L'esclave vieil homme et le molosse de Patrick Chamoiseau (1997)- Les Marrons de Louis Timagène Houat (1844)- Racines, roman de Alex Haley (1976)- Ceddo, film de Sembene Ousmane (1977)- Interview de Denzel Washington : “It's not color, it's culture” https://youtu.be/9Ayf8Iny9Eg?si=46qlkertqloLldfhÉmission produite par Rokhaya Diallo et Grace Ly. kiffetarace@kiffetarace.comSon & réalisation : Monsieur Yao pour L'Apppart StudioGraphisme : Gwenn GLMDirection artistique : @argotmagazineHabillage sonore : Baptiste MayorazKiffe ta race est disponible gratuitement sur Apple Podcasts, Spotify, Deezer, Amazon Music… Rejoignez nos communautés #Kiffetarace sur Youtube, Instagram, X, Facebook en vous abonnant à nos comptes. Donnez-nous de la force en semant le maximum d'étoiles et de commentaires sur les plateformes d'écoute et la Toile. Likez, partagez, nous sommes à l'écoute. Parlez de nous à vos proches, vos collègues et même vos ennemis ! Le bouche-à-oreille et la solidarité sont nos meilleures armes.Kiffe ta race saute à pieds joints dans les questions raciales en France depuis 2018. Nous tendons notre micro à des penseur.ses, chercheur.ses, artistes, activistes pour mettre l'antiracisme sur le devant de la scène. “Kiffer sa race” est une expression des années 90-2000 qui signifie “passer un bon moment”, nous l'employons ici avec malice et conscience du double sens :) Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

A bonus episode as our Black History Month series comes to a close. With important stories for us to hear from Trevor Pearce, Andrew Gordon and Gemma Hunt. Let's be humble enough to learn and passionate enough to work for Kingdom equality in more than just one month. Ed Drew is the director of Faith in Kids.Amy Smith is a writer for Faith in Kids.Trevor Pearce is the Senior Minister for Children and Youth at All Souls Langham Place. Born in Chessington he is married to Eva. They have three children and three grandchildren who he loves even more than West Ham.Andrew Gordon was born in London and left school at 17 to work in a bank. He later worked with London City Mission and is now minister of Donnington Evangelical Church in Willesden. Andrew is married to JoAnn and has two adult daughters.Gemma Hunt is best known as the face of Swashbuckle on CBeebies. You can also see Gemma on the Alpha Film Series. She is the author of two children's books “See! Let's be me!” and “See! Let's be a Good Friend”.  She lives in Kent with her husband Phil and their 7 yr old daughter.ResourcesBBC documentaries:Sitting in LimboBlack and British by David Olusoga Books for children:Fannie Lou HamerMaria FearingBlack and British: An Illustrated History by David OlusogaBooks for adults:Healing the Divides by Jessamin Birdsall and Jason RoachBlack and British by David OlusogaFind out more about:George Washington Carver from  the C.S.Lewis Institute.Olaudah Equiano with from the Dictionary of African Christian Biography.Walter Tull from BBC Bitesize.Our brand new “Growing Up” Resources are out NOW for parents and churches to use together as we help our children grow up in today's world, with God's word as their guide. Head to faithinkids.org for all the details on this excellent series. They're growing up fast so come on, let's share God's good story.Support the show

Originally aired on Jan 23, 2018, Pastor Luke Walker joined the guys to discuss his biography on Olaudah Equiano. Equiano was kidnapped in the West African slave trade, predestinarian Protestant, free market entrepreneur, and literary abolitionist.

Originally aired on Jan 23, 2018, Pastor Luke Walker joined the guys to discuss his biography on Olaudah Equiano. Equiano was kidnapped in the West African slave trade, predestinarian Protestant, free market entrepreneur, and literary abolitionist.

Originally aired on Jan 23, 2018, Pastor Luke Walker joined the guys to discuss his biography on Olaudah Equiano. Equiano was kidnapped in the West African slave trade, predestinarian Protestant, free market entrepreneur, and literary abolitionist.

Phil and Daniel discuss Lewis' introduction to On the Incarnation. Your Lamp-post Links: Beginner Recommendations The Bible Homer, The Essential Iliad & The Essential Odyssey (8th century) Sophocles, Antigone (441 BC) Plato, Five Dialogues: Euthyphro, Apology, Crito, Meno, Phaedo (399 BC) Virgil, The Essential Aeneid (19 BC) Shakespeare, Macbeth (1606) Voltaire, Candide (1759) Princeton University Press: Ancient Wisdom for Modern Readers Intermediate Recommendations St. Augustine, Confessions (397) Boethius, The Consolation of Philosophy (523) St. Catherine of Siena, The Dialogue of Divine Providence (14th century) Julien of Norwich, Revelations of Divine Love (15th century) Equiano, The Interesting Narrative of the Life of Olaudah Equiano (1789) Wyss, The Swiss Family Robinson (1812) St Vladimir's Seminary Press, Popular Patristics St. John's College Reading List You can mail us at P.O. Box 25854, Richmond, Virginia, 23232, message us at hello@lamppostlistener.com, or call us at (406)646-6733. You can also support the show on Patreon. LampostListener.com | Apple Podcasts | Spotify | YouTube | RSS Feed All Extracts by C.S. Lewis copyright © C.S. Lewis Pte. Ltd. Used with permission.

The largest slave uprising in the 18th century British Caribbean was also a node of the global conflict called the Seven Year's War, though it isn't usually thought of that way. In the first few days of the quarantine and our current geopolitical and epidemiological shitshow, John and Elizabeth spoke with Vincent Brown, who recently published Tacky's Revolt: The Story of an Atlantic Slave War (Harvard UP, 2019), centered on a group of enslaved West Africans, known under the term “Coromantees” who were the chief protagonists in this war. Tracing the vectors of this war within the Caribbean, the North Atlantic, and West Africa, Vince shows us how these particular enslaved Africans, who are caught in the gears of one of human history's most dehumanizing institutions, constrained by repressive institutions, social-inscribed categories of differences and brutal force, operate tactically within and across space in complex and cosmopolitan ways. Vince locates his interest in warfare (as an object of study) in emergence of new world order and disorder through the Gulf Wars. His attention to routes and mobilities he credits to an epidemiological turn of mind–perhaps inherited from his father Willie Brown, a medical microbiologist now retired from UCSD. The idea of the vector shaped his first book as well. Vince's “cartographic narrative” “A Slave Revolt in Jamaica: 1760-1761” and the film he produced with director Llewellyn Smith, Herskovits at the Heart of Blackness (which traces African studies and anthropology's understanding of cultural movements from between Africa and the Americas) also explore these burning questions. Along the way, Vince discusses C.L.R. James' notion of conflict, war and global connectedness in The Black Jacobins and the ways that categories of social difference both are constituted by global capital (reminding us of our conversation on caste, class and whiteness with Ajantha Subramanian) and those bumper stickers from the early 1980s in which the Taliban were the good guys. Mentioned in this episode: Rambo III (1988) The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, written by himself (1789) Aphra Behn, Oroonoko (1688) Catherine Hall, Civilising Subjects: Metropole and Colony in the English Imagination, 1830-1867 (2002) C. L. R. James, The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution (1938) John Thornton, Africa and Africans in the making of the Atlantic World-1400-1800 (1992) Derrick ‘Black X' Robinson on his advocacy to make Tacky a national hero in Jamaica Black X walks barefoot across Jamaica to make Tacky a national hero  Recallable Books: Marlon James, The Book of Night Women (2009) John Tutino, Making a New World (2011) Angel Palerm, The First Economic World-System (1980) Listen and Read Here: 34 The Caribbean and Vectors of Warfare: Vincent Brown Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The largest slave uprising in the 18th century British Caribbean was also a node of the global conflict called the Seven Year's War, though it isn't usually thought of that way. In the first few days of the quarantine and our current geopolitical and epidemiological shitshow, John and Elizabeth spoke with Vincent Brown, who recently published Tacky's Revolt: The Story of an Atlantic Slave War (Harvard UP, 2019), centered on a group of enslaved West Africans, known under the term “Coromantees” who were the chief protagonists in this war. Tracing the vectors of this war within the Caribbean, the North Atlantic, and West Africa, Vince shows us how these particular enslaved Africans, who are caught in the gears of one of human history's most dehumanizing institutions, constrained by repressive institutions, social-inscribed categories of differences and brutal force, operate tactically within and across space in complex and cosmopolitan ways. Vince locates his interest in warfare (as an object of study) in emergence of new world order and disorder through the Gulf Wars. His attention to routes and mobilities he credits to an epidemiological turn of mind–perhaps inherited from his father Willie Brown, a medical microbiologist now retired from UCSD. The idea of the vector shaped his first book as well. Vince's “cartographic narrative” “A Slave Revolt in Jamaica: 1760-1761” and the film he produced with director Llewellyn Smith, Herskovits at the Heart of Blackness (which traces African studies and anthropology's understanding of cultural movements from between Africa and the Americas) also explore these burning questions. Along the way, Vince discusses C.L.R. James' notion of conflict, war and global connectedness in The Black Jacobins and the ways that categories of social difference both are constituted by global capital (reminding us of our conversation on caste, class and whiteness with Ajantha Subramanian) and those bumper stickers from the early 1980s in which the Taliban were the good guys. Mentioned in this episode: Rambo III (1988) The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, written by himself (1789) Aphra Behn, Oroonoko (1688) Catherine Hall, Civilising Subjects: Metropole and Colony in the English Imagination, 1830-1867 (2002) C. L. R. James, The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution (1938) John Thornton, Africa and Africans in the making of the Atlantic World-1400-1800 (1992) Derrick ‘Black X' Robinson on his advocacy to make Tacky a national hero in Jamaica Black X walks barefoot across Jamaica to make Tacky a national hero  Recallable Books: Marlon James, The Book of Night Women (2009) John Tutino, Making a New World (2011) Angel Palerm, The First Economic World-System (1980) Listen and Read Here: 34 The Caribbean and Vectors of Warfare: Vincent Brown Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The largest slave uprising in the 18th century British Caribbean was also a node of the global conflict called the Seven Year's War, though it isn't usually thought of that way. In the first few days of the quarantine and our current geopolitical and epidemiological shitshow, John and Elizabeth spoke with Vincent Brown, who recently published Tacky's Revolt: The Story of an Atlantic Slave War (Harvard UP, 2019), centered on a group of enslaved West Africans, known under the term “Coromantees” who were the chief protagonists in this war. Tracing the vectors of this war within the Caribbean, the North Atlantic, and West Africa, Vince shows us how these particular enslaved Africans, who are caught in the gears of one of human history's most dehumanizing institutions, constrained by repressive institutions, social-inscribed categories of differences and brutal force, operate tactically within and across space in complex and cosmopolitan ways. Vince locates his interest in warfare (as an object of study) in emergence of new world order and disorder through the Gulf Wars. His attention to routes and mobilities he credits to an epidemiological turn of mind–perhaps inherited from his father Willie Brown, a medical microbiologist now retired from UCSD. The idea of the vector shaped his first book as well. Vince's “cartographic narrative” “A Slave Revolt in Jamaica: 1760-1761” and the film he produced with director Llewellyn Smith, Herskovits at the Heart of Blackness (which traces African studies and anthropology's understanding of cultural movements from between Africa and the Americas) also explore these burning questions. Along the way, Vince discusses C.L.R. James' notion of conflict, war and global connectedness in The Black Jacobins and the ways that categories of social difference both are constituted by global capital (reminding us of our conversation on caste, class and whiteness with Ajantha Subramanian) and those bumper stickers from the early 1980s in which the Taliban were the good guys. Mentioned in this episode: Rambo III (1988) The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, written by himself (1789) Aphra Behn, Oroonoko (1688) Catherine Hall, Civilising Subjects: Metropole and Colony in the English Imagination, 1830-1867 (2002) C. L. R. James, The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution (1938) John Thornton, Africa and Africans in the making of the Atlantic World-1400-1800 (1992) Derrick ‘Black X' Robinson on his advocacy to make Tacky a national hero in Jamaica Black X walks barefoot across Jamaica to make Tacky a national hero  Recallable Books: Marlon James, The Book of Night Women (2009) John Tutino, Making a New World (2011) Angel Palerm, The First Economic World-System (1980) Listen and Read Here: 34 The Caribbean and Vectors of Warfare: Vincent Brown Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The largest slave uprising in the 18th century British Caribbean was also a node of the global conflict called the Seven Year's War, though it isn't usually thought of that way. In the first few days of the quarantine and our current geopolitical and epidemiological shitshow, John and Elizabeth spoke with Vincent Brown, who recently published Tacky's Revolt: The Story of an Atlantic Slave War (Harvard UP, 2019), centered on a group of enslaved West Africans, known under the term “Coromantees” who were the chief protagonists in this war. Tracing the vectors of this war within the Caribbean, the North Atlantic, and West Africa, Vince shows us how these particular enslaved Africans, who are caught in the gears of one of human history's most dehumanizing institutions, constrained by repressive institutions, social-inscribed categories of differences and brutal force, operate tactically within and across space in complex and cosmopolitan ways. Vince locates his interest in warfare (as an object of study) in emergence of new world order and disorder through the Gulf Wars. His attention to routes and mobilities he credits to an epidemiological turn of mind–perhaps inherited from his father Willie Brown, a medical microbiologist now retired from UCSD. The idea of the vector shaped his first book as well. Vince's “cartographic narrative” “A Slave Revolt in Jamaica: 1760-1761” and the film he produced with director Llewellyn Smith, Herskovits at the Heart of Blackness (which traces African studies and anthropology's understanding of cultural movements from between Africa and the Americas) also explore these burning questions. Along the way, Vince discusses C.L.R. James' notion of conflict, war and global connectedness in The Black Jacobins and the ways that categories of social difference both are constituted by global capital (reminding us of our conversation on caste, class and whiteness with Ajantha Subramanian) and those bumper stickers from the early 1980s in which the Taliban were the good guys. Mentioned in this episode: Rambo III (1988) The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, written by himself (1789) Aphra Behn, Oroonoko (1688) Catherine Hall, Civilising Subjects: Metropole and Colony in the English Imagination, 1830-1867 (2002) C. L. R. James, The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution (1938) John Thornton, Africa and Africans in the making of the Atlantic World-1400-1800 (1992) Derrick ‘Black X' Robinson on his advocacy to make Tacky a national hero in Jamaica Black X walks barefoot across Jamaica to make Tacky a national hero  Recallable Books: Marlon James, The Book of Night Women (2009) John Tutino, Making a New World (2011) Angel Palerm, The First Economic World-System (1980) Listen and Read Here: 34 The Caribbean and Vectors of Warfare: Vincent Brown Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

The largest slave uprising in the 18th century British Caribbean was also a node of the global conflict called the Seven Year's War, though it isn't usually thought of that way. In the first few days of the quarantine and our current geopolitical and epidemiological shitshow, John and Elizabeth spoke with Vincent Brown, who recently published Tacky's Revolt: The Story of an Atlantic Slave War (Harvard UP, 2019), centered on a group of enslaved West Africans, known under the term “Coromantees” who were the chief protagonists in this war. Tracing the vectors of this war within the Caribbean, the North Atlantic, and West Africa, Vince shows us how these particular enslaved Africans, who are caught in the gears of one of human history's most dehumanizing institutions, constrained by repressive institutions, social-inscribed categories of differences and brutal force, operate tactically within and across space in complex and cosmopolitan ways. Vince locates his interest in warfare (as an object of study) in emergence of new world order and disorder through the Gulf Wars. His attention to routes and mobilities he credits to an epidemiological turn of mind–perhaps inherited from his father Willie Brown, a medical microbiologist now retired from UCSD. The idea of the vector shaped his first book as well. Vince's “cartographic narrative” “A Slave Revolt in Jamaica: 1760-1761” and the film he produced with director Llewellyn Smith, Herskovits at the Heart of Blackness (which traces African studies and anthropology's understanding of cultural movements from between Africa and the Americas) also explore these burning questions. Along the way, Vince discusses C.L.R. James' notion of conflict, war and global connectedness in The Black Jacobins and the ways that categories of social difference both are constituted by global capital (reminding us of our conversation on caste, class and whiteness with Ajantha Subramanian) and those bumper stickers from the early 1980s in which the Taliban were the good guys. Mentioned in this episode: Rambo III (1988) The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, written by himself (1789) Aphra Behn, Oroonoko (1688) Catherine Hall, Civilising Subjects: Metropole and Colony in the English Imagination, 1830-1867 (2002) C. L. R. James, The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution (1938) John Thornton, Africa and Africans in the making of the Atlantic World-1400-1800 (1992) Derrick ‘Black X' Robinson on his advocacy to make Tacky a national hero in Jamaica Black X walks barefoot across Jamaica to make Tacky a national hero  Recallable Books: Marlon James, The Book of Night Women (2009) John Tutino, Making a New World (2011) Angel Palerm, The First Economic World-System (1980) Listen and Read Here: 34 The Caribbean and Vectors of Warfare: Vincent Brown Learn more about your ad choices. Visit megaphone.fm/adchoices

The largest slave uprising in the 18th century British Caribbean was also a node of the global conflict called the Seven Year's War, though it isn't usually thought of that way. In the first few days of the quarantine and our current geopolitical and epidemiological shitshow, John and Elizabeth spoke with Vincent Brown, who recently published Tacky's Revolt: The Story of an Atlantic Slave War (Harvard UP, 2019), centered on a group of enslaved West Africans, known under the term “Coromantees” who were the chief protagonists in this war. Tracing the vectors of this war within the Caribbean, the North Atlantic, and West Africa, Vince shows us how these particular enslaved Africans, who are caught in the gears of one of human history's most dehumanizing institutions, constrained by repressive institutions, social-inscribed categories of differences and brutal force, operate tactically within and across space in complex and cosmopolitan ways. Vince locates his interest in warfare (as an object of study) in emergence of new world order and disorder through the Gulf Wars. His attention to routes and mobilities he credits to an epidemiological turn of mind–perhaps inherited from his father Willie Brown, a medical microbiologist now retired from UCSD. The idea of the vector shaped his first book as well. Vince's “cartographic narrative” “A Slave Revolt in Jamaica: 1760-1761” and the film he produced with director Llewellyn Smith, Herskovits at the Heart of Blackness (which traces African studies and anthropology's understanding of cultural movements from between Africa and the Americas) also explore these burning questions. Along the way, Vince discusses C.L.R. James' notion of conflict, war and global connectedness in The Black Jacobins and the ways that categories of social difference both are constituted by global capital (reminding us of our conversation on caste, class and whiteness with Ajantha Subramanian) and those bumper stickers from the early 1980s in which the Taliban were the good guys. Mentioned in this episode: Rambo III (1988) The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, written by himself (1789) Aphra Behn, Oroonoko (1688) Catherine Hall, Civilising Subjects: Metropole and Colony in the English Imagination, 1830-1867 (2002) C. L. R. James, The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution (1938) John Thornton, Africa and Africans in the making of the Atlantic World-1400-1800 (1992) Derrick ‘Black X' Robinson on his advocacy to make Tacky a national hero in Jamaica Black X walks barefoot across Jamaica to make Tacky a national hero  Recallable Books: Marlon James, The Book of Night Women (2009) John Tutino, Making a New World (2011) Angel Palerm, The First Economic World-System (1980) Listen and Read Here: 34 The Caribbean and Vectors of Warfare: Vincent Brown Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

The largest slave uprising in the 18th century British Caribbean was also a node of the global conflict called the Seven Year's War, though it isn't usually thought of that way. In the first few days of the quarantine and our current geopolitical and epidemiological shitshow, John and Elizabeth spoke with Vincent Brown, who recently published Tacky's Revolt: The Story of an Atlantic Slave War (Harvard UP, 2019), centered on a group of enslaved West Africans, known under the term “Coromantees” who were the chief protagonists in this war. Tracing the vectors of this war within the Caribbean, the North Atlantic, and West Africa, Vince shows us how these particular enslaved Africans, who are caught in the gears of one of human history's most dehumanizing institutions, constrained by repressive institutions, social-inscribed categories of differences and brutal force, operate tactically within and across space in complex and cosmopolitan ways. Vince locates his interest in warfare (as an object of study) in emergence of new world order and disorder through the Gulf Wars. His attention to routes and mobilities he credits to an epidemiological turn of mind–perhaps inherited from his father Willie Brown, a medical microbiologist now retired from UCSD. The idea of the vector shaped his first book as well. Vince's “cartographic narrative” “A Slave Revolt in Jamaica: 1760-1761” and the film he produced with director Llewellyn Smith, Herskovits at the Heart of Blackness (which traces African studies and anthropology's understanding of cultural movements from between Africa and the Americas) also explore these burning questions. Along the way, Vince discusses C.L.R. James' notion of conflict, war and global connectedness in The Black Jacobins and the ways that categories of social difference both are constituted by global capital (reminding us of our conversation on caste, class and whiteness with Ajantha Subramanian) and those bumper stickers from the early 1980s in which the Taliban were the good guys. Mentioned in this episode: Rambo III (1988) The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, written by himself (1789) Aphra Behn, Oroonoko (1688) Catherine Hall, Civilising Subjects: Metropole and Colony in the English Imagination, 1830-1867 (2002) C. L. R. James, The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution (1938) John Thornton, Africa and Africans in the making of the Atlantic World-1400-1800 (1992) Derrick ‘Black X' Robinson on his advocacy to make Tacky a national hero in Jamaica Black X walks barefoot across Jamaica to make Tacky a national hero  Recallable Books: Marlon James, The Book of Night Women (2009) John Tutino, Making a New World (2011) Angel Palerm, The First Economic World-System (1980) Listen and Read Here: 34 The Caribbean and Vectors of Warfare: Vincent Brown Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

The largest slave uprising in the 18th century British Caribbean was also a node of the global conflict called the Seven Year's War, though it isn't usually thought of that way. In the first few days of the quarantine and our current geopolitical and epidemiological shitshow, John and Elizabeth spoke with Vincent Brown, who recently published Tacky's Revolt: The Story of an Atlantic Slave War (Harvard UP, 2019), centered on a group of enslaved West Africans, known under the term “Coromantees” who were the chief protagonists in this war. Tracing the vectors of this war within the Caribbean, the North Atlantic, and West Africa, Vince shows us how these particular enslaved Africans, who are caught in the gears of one of human history's most dehumanizing institutions, constrained by repressive institutions, social-inscribed categories of differences and brutal force, operate tactically within and across space in complex and cosmopolitan ways. Vince locates his interest in warfare (as an object of study) in emergence of new world order and disorder through the Gulf Wars. His attention to routes and mobilities he credits to an epidemiological turn of mind–perhaps inherited from his father Willie Brown, a medical microbiologist now retired from UCSD. The idea of the vector shaped his first book as well. Vince's “cartographic narrative” “A Slave Revolt in Jamaica: 1760-1761” and the film he produced with director Llewellyn Smith, Herskovits at the Heart of Blackness (which traces African studies and anthropology's understanding of cultural movements from between Africa and the Americas) also explore these burning questions. Along the way, Vince discusses C.L.R. James' notion of conflict, war and global connectedness in The Black Jacobins and the ways that categories of social difference both are constituted by global capital (reminding us of our conversation on caste, class and whiteness with Ajantha Subramanian) and those bumper stickers from the early 1980s in which the Taliban were the good guys. Mentioned in this episode: Rambo III (1988) The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, written by himself (1789) Aphra Behn, Oroonoko (1688) Catherine Hall, Civilising Subjects: Metropole and Colony in the English Imagination, 1830-1867 (2002) C. L. R. James, The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution (1938) John Thornton, Africa and Africans in the making of the Atlantic World-1400-1800 (1992) Derrick ‘Black X' Robinson on his advocacy to make Tacky a national hero in Jamaica Black X walks barefoot across Jamaica to make Tacky a national hero  Recallable Books: Marlon James, The Book of Night Women (2009) John Tutino, Making a New World (2011) Angel Palerm, The First Economic World-System (1980) Listen and Read Here: 34 The Caribbean and Vectors of Warfare: Vincent Brown Learn more about your ad choices. Visit megaphone.fm/adchoices

The largest slave uprising in the 18th century British Caribbean was also a node of the global conflict called the Seven Year's War, though it isn't usually thought of that way. In the first few days of the quarantine and our current geopolitical and epidemiological shitshow, John and Elizabeth spoke with Vincent Brown, who recently published Tacky's Revolt: The Story of an Atlantic Slave War (Harvard UP, 2019), centered on a group of enslaved West Africans, known under the term “Coromantees” who were the chief protagonists in this war. Tracing the vectors of this war within the Caribbean, the North Atlantic, and West Africa, Vince shows us how these particular enslaved Africans, who are caught in the gears of one of human history's most dehumanizing institutions, constrained by repressive institutions, social-inscribed categories of differences and brutal force, operate tactically within and across space in complex and cosmopolitan ways. Vince locates his interest in warfare (as an object of study) in emergence of new world order and disorder through the Gulf Wars. His attention to routes and mobilities he credits to an epidemiological turn of mind–perhaps inherited from his father Willie Brown, a medical microbiologist now retired from UCSD. The idea of the vector shaped his first book as well. Vince's “cartographic narrative” “A Slave Revolt in Jamaica: 1760-1761” and the film he produced with director Llewellyn Smith, Herskovits at the Heart of Blackness (which traces African studies and anthropology's understanding of cultural movements from between Africa and the Americas) also explore these burning questions. Along the way, Vince discusses C.L.R. James' notion of conflict, war and global connectedness in The Black Jacobins and the ways that categories of social difference both are constituted by global capital (reminding us of our conversation on caste, class and whiteness with Ajantha Subramanian) and those bumper stickers from the early 1980s in which the Taliban were the good guys. Mentioned in this episode: Rambo III (1988) The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, written by himself (1789) Aphra Behn, Oroonoko (1688) Catherine Hall, Civilising Subjects: Metropole and Colony in the English Imagination, 1830-1867 (2002) C. L. R. James, The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution (1938) John Thornton, Africa and Africans in the making of the Atlantic World-1400-1800 (1992) Derrick ‘Black X' Robinson on his advocacy to make Tacky a national hero in Jamaica Black X walks barefoot across Jamaica to make Tacky a national hero  Recallable Books: Marlon James, The Book of Night Women (2009) John Tutino, Making a New World (2011) Angel Palerm, The First Economic World-System (1980) Listen and Read Here: 34 The Caribbean and Vectors of Warfare: Vincent Brown Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Race and Respectability in an Early Black Atlantic (LSU Press, 2023) by Dr. Cassander L. Smith examines the means through which people of African descent embodied tenets of respectability as a coping strategy to navigate enslavement and racial oppression in the early Black Atlantic world. The term “respectability politics” refers to the way members of a minoritized population adopt the customs and manners of a dominant culture in order to gain visibility and combat negative stereotypes about their subject group. Today respectability politics can be seen in how those within and outside Black communities police the behaviour of Black celebrities, critique protest movements, and celebrate accomplishments by people of African descent who break racial barriers. To study the origins of the complicated relationship between race and respectability, Dr. Smith shows that early American literatures reveal Black communities engaging with issues of respectability from the very beginning of the transatlantic slave trade. Concerns about character and comportment influenced the literary production of Black Atlantic communities, particularly in the long eighteenth century. Uncovering the central importance of respectability as a theme shaping the literary development of cultures throughout the early Black Atlantic, Smith illuminates the mechanics of respectability politics in a range of texts, including poetry, letters, and life writing by Phillis Wheatley, Olaudah Equiano, and expatriates on the west coast of Africa in Sierra Leone. Through these early Black texts, Race and Respectability in an Early Black Atlantic considers respectability politics as a malleable strategy that has both energized and suppressed Black cultures for centuries. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Race and Respectability in an Early Black Atlantic (LSU Press, 2023) by Dr. Cassander L. Smith examines the means through which people of African descent embodied tenets of respectability as a coping strategy to navigate enslavement and racial oppression in the early Black Atlantic world. The term “respectability politics” refers to the way members of a minoritized population adopt the customs and manners of a dominant culture in order to gain visibility and combat negative stereotypes about their subject group. Today respectability politics can be seen in how those within and outside Black communities police the behaviour of Black celebrities, critique protest movements, and celebrate accomplishments by people of African descent who break racial barriers. To study the origins of the complicated relationship between race and respectability, Dr. Smith shows that early American literatures reveal Black communities engaging with issues of respectability from the very beginning of the transatlantic slave trade. Concerns about character and comportment influenced the literary production of Black Atlantic communities, particularly in the long eighteenth century. Uncovering the central importance of respectability as a theme shaping the literary development of cultures throughout the early Black Atlantic, Smith illuminates the mechanics of respectability politics in a range of texts, including poetry, letters, and life writing by Phillis Wheatley, Olaudah Equiano, and expatriates on the west coast of Africa in Sierra Leone. Through these early Black texts, Race and Respectability in an Early Black Atlantic considers respectability politics as a malleable strategy that has both energized and suppressed Black cultures for centuries. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Race and Respectability in an Early Black Atlantic (LSU Press, 2023) by Dr. Cassander L. Smith examines the means through which people of African descent embodied tenets of respectability as a coping strategy to navigate enslavement and racial oppression in the early Black Atlantic world. The term “respectability politics” refers to the way members of a minoritized population adopt the customs and manners of a dominant culture in order to gain visibility and combat negative stereotypes about their subject group. Today respectability politics can be seen in how those within and outside Black communities police the behaviour of Black celebrities, critique protest movements, and celebrate accomplishments by people of African descent who break racial barriers. To study the origins of the complicated relationship between race and respectability, Dr. Smith shows that early American literatures reveal Black communities engaging with issues of respectability from the very beginning of the transatlantic slave trade. Concerns about character and comportment influenced the literary production of Black Atlantic communities, particularly in the long eighteenth century. Uncovering the central importance of respectability as a theme shaping the literary development of cultures throughout the early Black Atlantic, Smith illuminates the mechanics of respectability politics in a range of texts, including poetry, letters, and life writing by Phillis Wheatley, Olaudah Equiano, and expatriates on the west coast of Africa in Sierra Leone. Through these early Black texts, Race and Respectability in an Early Black Atlantic considers respectability politics as a malleable strategy that has both energized and suppressed Black cultures for centuries. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Race and Respectability in an Early Black Atlantic (LSU Press, 2023) by Dr. Cassander L. Smith examines the means through which people of African descent embodied tenets of respectability as a coping strategy to navigate enslavement and racial oppression in the early Black Atlantic world. The term “respectability politics” refers to the way members of a minoritized population adopt the customs and manners of a dominant culture in order to gain visibility and combat negative stereotypes about their subject group. Today respectability politics can be seen in how those within and outside Black communities police the behaviour of Black celebrities, critique protest movements, and celebrate accomplishments by people of African descent who break racial barriers. To study the origins of the complicated relationship between race and respectability, Dr. Smith shows that early American literatures reveal Black communities engaging with issues of respectability from the very beginning of the transatlantic slave trade. Concerns about character and comportment influenced the literary production of Black Atlantic communities, particularly in the long eighteenth century. Uncovering the central importance of respectability as a theme shaping the literary development of cultures throughout the early Black Atlantic, Smith illuminates the mechanics of respectability politics in a range of texts, including poetry, letters, and life writing by Phillis Wheatley, Olaudah Equiano, and expatriates on the west coast of Africa in Sierra Leone. Through these early Black texts, Race and Respectability in an Early Black Atlantic considers respectability politics as a malleable strategy that has both energized and suppressed Black cultures for centuries. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Race and Respectability in an Early Black Atlantic (LSU Press, 2023) by Dr. Cassander L. Smith examines the means through which people of African descent embodied tenets of respectability as a coping strategy to navigate enslavement and racial oppression in the early Black Atlantic world. The term “respectability politics” refers to the way members of a minoritized population adopt the customs and manners of a dominant culture in order to gain visibility and combat negative stereotypes about their subject group. Today respectability politics can be seen in how those within and outside Black communities police the behaviour of Black celebrities, critique protest movements, and celebrate accomplishments by people of African descent who break racial barriers. To study the origins of the complicated relationship between race and respectability, Dr. Smith shows that early American literatures reveal Black communities engaging with issues of respectability from the very beginning of the transatlantic slave trade. Concerns about character and comportment influenced the literary production of Black Atlantic communities, particularly in the long eighteenth century. Uncovering the central importance of respectability as a theme shaping the literary development of cultures throughout the early Black Atlantic, Smith illuminates the mechanics of respectability politics in a range of texts, including poetry, letters, and life writing by Phillis Wheatley, Olaudah Equiano, and expatriates on the west coast of Africa in Sierra Leone. Through these early Black texts, Race and Respectability in an Early Black Atlantic considers respectability politics as a malleable strategy that has both energized and suppressed Black cultures for centuries. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Race and Respectability in an Early Black Atlantic (LSU Press, 2023) by Dr. Cassander L. Smith examines the means through which people of African descent embodied tenets of respectability as a coping strategy to navigate enslavement and racial oppression in the early Black Atlantic world. The term “respectability politics” refers to the way members of a minoritized population adopt the customs and manners of a dominant culture in order to gain visibility and combat negative stereotypes about their subject group. Today respectability politics can be seen in how those within and outside Black communities police the behaviour of Black celebrities, critique protest movements, and celebrate accomplishments by people of African descent who break racial barriers. To study the origins of the complicated relationship between race and respectability, Dr. Smith shows that early American literatures reveal Black communities engaging with issues of respectability from the very beginning of the transatlantic slave trade. Concerns about character and comportment influenced the literary production of Black Atlantic communities, particularly in the long eighteenth century. Uncovering the central importance of respectability as a theme shaping the literary development of cultures throughout the early Black Atlantic, Smith illuminates the mechanics of respectability politics in a range of texts, including poetry, letters, and life writing by Phillis Wheatley, Olaudah Equiano, and expatriates on the west coast of Africa in Sierra Leone. Through these early Black texts, Race and Respectability in an Early Black Atlantic considers respectability politics as a malleable strategy that has both energized and suppressed Black cultures for centuries. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Race and Respectability in an Early Black Atlantic (LSU Press, 2023) by Dr. Cassander L. Smith examines the means through which people of African descent embodied tenets of respectability as a coping strategy to navigate enslavement and racial oppression in the early Black Atlantic world. The term “respectability politics” refers to the way members of a minoritized population adopt the customs and manners of a dominant culture in order to gain visibility and combat negative stereotypes about their subject group. Today respectability politics can be seen in how those within and outside Black communities police the behaviour of Black celebrities, critique protest movements, and celebrate accomplishments by people of African descent who break racial barriers. To study the origins of the complicated relationship between race and respectability, Dr. Smith shows that early American literatures reveal Black communities engaging with issues of respectability from the very beginning of the transatlantic slave trade. Concerns about character and comportment influenced the literary production of Black Atlantic communities, particularly in the long eighteenth century. Uncovering the central importance of respectability as a theme shaping the literary development of cultures throughout the early Black Atlantic, Smith illuminates the mechanics of respectability politics in a range of texts, including poetry, letters, and life writing by Phillis Wheatley, Olaudah Equiano, and expatriates on the west coast of Africa in Sierra Leone. Through these early Black texts, Race and Respectability in an Early Black Atlantic considers respectability politics as a malleable strategy that has both energized and suppressed Black cultures for centuries. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The conclusion of my thoughts on the slave narrative by Olaudah Equiano. In my view, in this narrative he parallels the struggle against slavery with his Christian journey for salvation, coming together into a call for action. Next we will jump to the antebellum slave narratives with the Confessions of Nat Turner.

The first of two episodes covering Olaudah Equiano's amazing slave narrative. It is a thematic. structural, and moral foundation of all other slave narratives. It is also an amazing story that everyone should read.

Giuliana Schiavi"L'incredibile storia di Olaudah Equiano, o Gustavus Vassa, detto l'Africano"Olaudah EquianoOccam Editorehttps://occameditore.itOlaudah Equiano ha undici anni quando viene rapito nel villaggio di Essaka, da qualche parte in Africa occidentale. L'unica vita che conosceva non c'è più: prigioniero su una nave negriera diretta nel Mar dei Caraibi, verrà venduto come schiavo a un capitano della Royal Navy. Inizia così una traversata delle zone di confine fra la vita e la morte in cui la natura umana si manifesta – come forse a nessun'altra latitudine – con assoluta brutalità. Ma Equiano decide di non abbandonarsi alla disperazione. Decide di vivere. Insieme al suo padrone, lascia le Americhe e percorre le vie del mondo: naviga fino in Inghilterra, solca l'Egeo e il Mediterraneo, visita la Turchia, l'Italia, la Spagna, ritorna in Africa, partecipa a una missione diretta al Polo Nord, convinto (con Orazio) che «chi va per mare cambia cielo, non animo». Combatte contro i francesi nella guerra dei Sette anni, commercia rum nelle Indie Occidentali, impara a leggere e riscatta la propria libertà. Questa autobiografia è del 1789. Equiano la scrive per denunciare gli orrori dello schiavismo che oggi, in un mondo di migrazioni irreprimibili, ricordano altri orrori – a noi vicini.A cura di Giuliana SchiaviGiuliana Schiavi insegna Traduzione dall'inglese all'italiano e Teoria della traduzione presso la SSML di Vicenza (di cui è rappresentante legale) dove coordina anche i master di traduzione editoriale e tecnico–scientifica dall'inglese e di traduzione editoriale–letteraria dall'arabo; è stata più volte workshop leader ai seminari di traduzione letteraria del British Centre for Literary Translation della UEA, University of East Anglia, di Norwich, UK. Traduttrice e teorica della traduzione, si occupa da anni di strutture discorsive, argomento sul quale ha pubblicato alcuni articoli. Dal 2013 è membro del CdA della Fusp – Fondazione Universitaria San Pellegrino. Ha tradotto vari autori fra cui W M Thackeray (Il libro degli Snob), Henry James (Un bambino e gli altri; Giro di Vite); W D Howells (L'ombra di un sogno); Olaudah Equiano (L'incredibile storia di Olaudah Equiano, o Gustavus Vassa, detto l'Africano); K Moele (Stanza 207).https://traduzione-editoria.fusp.it/docenti/giuliana-schiavi_44.htmlIL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Olaudah Equiano: slave, free man, captive, abolitionist, public figure, entrepreneur, successful author, family man. His life is one of the most extraordinary tales of ups and down, with more happening to him in one lifetime than happens in ten average ones. Listen as William and Anita discuss it. Sign up to The Knowledge here: www.theknowledge.com/empire/ LRB Empire offer: lrb.me/empire This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/empirepod. Twitter: @Empirepoduk Goalhangerpodcasts.com Producer: Callum Hill Exec Producer: Jack Davenport + Neil Fearn Learn more about your ad choices. Visit megaphone.fm/adchoices

Olaudah Equiano is Britain's most famous slave. In many ways he lived the life which many slaves did, but in others he was totally unique. A brilliant man with extraordinary abilities, listen as William and Anita discuss the life of Olaudah Equiano. Sign up to The Knowledge here: www.theknowledge.com/empire/ LRB Empire offer: lrb.me/empire This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/empirepod. Twitter: @Empirepoduk Goalhangerpodcasts.com Producer: Callum Hill Exec Producer: Jack Davenport + Neil Fearn Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.Abolitionist Olaudah Equiano was captured from his home in Africa as an 11 year old boy while his parents were out working one day. He was stuffed below decks of a slave ship, shackled together lying down with hundreds of other captives in what Equiano referred to as “a scene of horror almost inconceivable.” By the late 17th century, Great Britain dominated the slave trade and wealthy plantation owners in the American colonies were lining their pockets, thanks to the labor of 11 million captive Africans forced into slavery. In 1833, Britain signed the Slavery Abolition Act, effectively ending British slavery 30 years before the United States. But did you know, Great Britain didn't just put a stop to slavery, they forced generations of their citizens to purchase those enslaved people? Let's fix that.Sources: National Humanities Center "The Slave Trade" Library of Congress "A Journey in Chains"The Guardian "When will Britain face up to its crimes against humanity?"CNN "Researchers uncover African's part in slavery"Wikipedia "Olaudah Equiano"Beinecke Library "Thomas Thistlewood Papers"History Channel "Why Thomas Jefferson's anti-slavery passage was removed from the Declaration of Independence" The Guardian "Follow the money: investigators trace forgotten story of Britain's slave trade" Support the show! Buy Me a CoffeeVenmo @Shea-LaFountaine

Today Nana & Akua reviewed Giles Terera's play The Meaning of Zong which showed for a few days at the Barbican. The Meaning of Zong is written & co-directed by Olivier Award-winning Giles Terera who also takes the lead as renowned author & abolitionist Olaudah Equiano.Based on true events, The Meaning of Zong is set 200 years ago centres around Equiano's efforts to get justice for the 133 enslaved Africans who were thrown overboard the slave ship Zong in an attempt to claim insurance. Nana & Akua rate the acting, direction, story, set design and music of this powerful play Out of 100Take a listen to find out the score

A massacre on a 18th C British Slave Ship. An unlikely subject for master painter JMW Turner. An abolitionist, Turner used his fame to reignite the memory of this horrific, shameful chapter in British history. A Massacre first brought to the public eye by freedman Olaudah Equiano. In association with The Barbican.Sound editing by Viel Richardson.

Today I speak with Adam Hochschild, journalist, lecturer at UC Berkeley Graduate School of Journalism, and author of eleven books. American Midnight: The Great War, a Violent Peace, and Democracy's Forgotten Crisis is his most recent. King Leopold's Ghost: A Story of Greed, Terror and Heroism in Colonial Africa and To End All Wars: A Story of Loyalty and Rebellion, 1914-1918 were both selected as finalists for the National Book Critics Circle Award. We discuss the British Anti-Slavery Movement and his 2006 book Bury the Chains: Prophets and Rebels in the Fight to Free an Empire's Slaves, which won the Los Angeles Times Book Prize, the PEN USA Literary Award, the Gold Medal of the California Book Awards, and was a finalist for the National Book Award.   Adam recommends these two books: The Life of Olaudah Equiano by Olaudah Equiano Disposable People by Kevin Bales

Bookseller, publisher, Dissenter and dinner-party host, Joseph Johnson was a great enabler in the late 18th-century literary landscape . . . Daisy Hay is the author of Dinner with Joseph Johnson: Books and Friendship in a Revolutionary Age and Associate Professor of English Literature at the University of Exeter, and Kathryn Sutherland is the author of Why Modern Manuscript Matters and Senior Research Fellow in English at the University of Oxford. Together they join the Slightly Foxed editors to discuss Joseph Johnson's life and work at St Paul's Churchyard, the heart of England's book trade since medieval times.   We listen to the conversation around Johnson's dining-table as Coleridge and Wordsworth, Joseph Priestley and Benjamin Franklin, Mary Wollstonecraft and William Blake debate the great issues of the day. And we watch as Johnson embarks on a career that will become the foundation stone of modern publishing. We hear how he takes on Olaudah Equiano's memoir of enslavement and champions Anna Barbauld's books for children, how he argues with William Cowper over copyright and how he falls foul of bookshop spies and is sent to prison. From Johnson's St Paul's we then travel to Mayfair, where John Murray II is hosting literary salons with Lord Byron and Sir Walter Scott, and taking a chance on Jane Austen. To complete our tour, we glimpse the anatomy experiments in the basement of Benjamin Franklin's house by the Strand. Our round-up of book recommendations includes Konstantin Paustovsky's The Story of a Life which begins in Ukraine, Winifred Holtby's conversations with Wollstonecraft and Woolf, a fresh look at Jane Austen's Emma and an evocation of the Aldeburgh coast as we visit Ronald Blythe for tea. Books Mentioned We may be able to get hold of second-hand copies of the out-of-print titles listed below. Please get in touch with Jess in the Slightly Foxed office for more information. Colin Clark, The Prince, the Showgirl and Me, Slightly Foxed Edition No. 61 (1:23) Edward Ardizzone, The Young Ardizzone, Plain Foxed Edition (2:01) Daisy Hay, Dinner with Joseph Johnson: Books and Friendship in a Revolutionary Age (2:52) Kathryn Sutherland, Why Modern Manuscripts Matter William Cowper, The Task (15:46) William Godwin, Memoirs of the Author of A Vindication of the Rights of Woman is out of print (24:09) John Knowles, The Life and Writing of Henry Fuseli is out of print (24:12) Mary Scott, The Female Advocate; a poem occasioned by reading Mr. Duncombe's Feminead is out of print (27:36) Slightly Foxed Cubs series of children's books (31:52) Olaudah Equiano, The Interesting Narrative of the Life of Olaudah Equiano (35:53) Maria Rundell, Mrs Rundell's Domestic Cookery is out of print (46:01) Konstantin Paustovsky, The Story of a Life, translated by Douglas Smith (50:52) Joanna Quinn, The Whalebone Theatre (52:40) Jane Austen, Emma (53:16) Winifred Holtby, Women and a Changing Civilisation is out of print (54:07) Winifred Holtby, Virginia Woolf: A Critical Memoir is out of print (54:44) Winifred Holtby, South Riding (55:46) Ronald Blythe, The Time by the Sea (56:46) Related Slightly Foxed Articles Letters from the Heart, Daisy Hay on Mary Wollstonecraft, Letters Written in Sweden, Norway and Denmark, Issue 51 Just Getting on with It, A. F. Harrold on William Cowper, Selected Poems, Issue 23 The Abyss Beyond the Orchard, Alexandra Harris on William Cowper, The Centenary Letters, Issue 53 ‘By God, I'm going to spin', Paul Routledge on the novels of Winifred Holtby, Issue 32 Other Links Henry Fuseli's The Nightmare (11:42) Dr Johnson's House, City of London (49:52) Benjamin Franklin House, Charing Cross, London (49:56) Opening music: Preludio from Violin Partita No.3 in E Major by Bach The Slightly Foxed Podcast is hosted by Philippa Lamb and produced by Podcastable

In Beyond the Door of No Return: Confronting Hidden Colonial Histories through Contemporary Art (Skira, 2021), art historian and curator Selene Wendt presents lesser-known tales of anticolonial defiance in artworks and marginal histories worldwide. The artists featured in this book create compelling narratives that shed light on the entangled colonial histories that connect Europe, Africa, the Caribbean and the Americas. Collectively, these artists provide crucial insight into some of the lesser-known aspects of colonial history, such as Norwegian involvement in the transatlantic slave trade. They describe the lives of freedom fighters such as Venus Johannes, Mary Thomas, Olaudah Equiano and Anna Heegaard. By highlighting the stories of those who have been historically silenced, we encounter a more nuanced understanding of colonial history and the factors that have contributed to the continued effects of colonialism today, most evidently witnessed in the prevalence of institutional, systemic and everyday racism, poverty and forced migration. The book includes artists John Akomfrah, La Vaughn Belle, Manthia Diawara, Jeannette Ehlers, Michelle Eistrup, Sasha Huber, Oceana James, Patricia Kaersenhout, Grada Kilomba, Suchitra Mattai and Alberta Whittle. Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Beyond the Door of No Return: Confronting Hidden Colonial Histories through Contemporary Art (Skira, 2021), art historian and curator Selene Wendt presents lesser-known tales of anticolonial defiance in artworks and marginal histories worldwide. The artists featured in this book create compelling narratives that shed light on the entangled colonial histories that connect Europe, Africa, the Caribbean and the Americas. Collectively, these artists provide crucial insight into some of the lesser-known aspects of colonial history, such as Norwegian involvement in the transatlantic slave trade. They describe the lives of freedom fighters such as Venus Johannes, Mary Thomas, Olaudah Equiano and Anna Heegaard. By highlighting the stories of those who have been historically silenced, we encounter a more nuanced understanding of colonial history and the factors that have contributed to the continued effects of colonialism today, most evidently witnessed in the prevalence of institutional, systemic and everyday racism, poverty and forced migration. The book includes artists John Akomfrah, La Vaughn Belle, Manthia Diawara, Jeannette Ehlers, Michelle Eistrup, Sasha Huber, Oceana James, Patricia Kaersenhout, Grada Kilomba, Suchitra Mattai and Alberta Whittle. Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Beyond the Door of No Return: Confronting Hidden Colonial Histories through Contemporary Art (Skira, 2021), art historian and curator Selene Wendt presents lesser-known tales of anticolonial defiance in artworks and marginal histories worldwide. The artists featured in this book create compelling narratives that shed light on the entangled colonial histories that connect Europe, Africa, the Caribbean and the Americas. Collectively, these artists provide crucial insight into some of the lesser-known aspects of colonial history, such as Norwegian involvement in the transatlantic slave trade. They describe the lives of freedom fighters such as Venus Johannes, Mary Thomas, Olaudah Equiano and Anna Heegaard. By highlighting the stories of those who have been historically silenced, we encounter a more nuanced understanding of colonial history and the factors that have contributed to the continued effects of colonialism today, most evidently witnessed in the prevalence of institutional, systemic and everyday racism, poverty and forced migration. The book includes artists John Akomfrah, La Vaughn Belle, Manthia Diawara, Jeannette Ehlers, Michelle Eistrup, Sasha Huber, Oceana James, Patricia Kaersenhout, Grada Kilomba, Suchitra Mattai and Alberta Whittle. Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Beyond the Door of No Return: Confronting Hidden Colonial Histories through Contemporary Art (Skira, 2021), art historian and curator Selene Wendt presents lesser-known tales of anticolonial defiance in artworks and marginal histories worldwide. The artists featured in this book create compelling narratives that shed light on the entangled colonial histories that connect Europe, Africa, the Caribbean and the Americas. Collectively, these artists provide crucial insight into some of the lesser-known aspects of colonial history, such as Norwegian involvement in the transatlantic slave trade. They describe the lives of freedom fighters such as Venus Johannes, Mary Thomas, Olaudah Equiano and Anna Heegaard. By highlighting the stories of those who have been historically silenced, we encounter a more nuanced understanding of colonial history and the factors that have contributed to the continued effects of colonialism today, most evidently witnessed in the prevalence of institutional, systemic and everyday racism, poverty and forced migration. The book includes artists John Akomfrah, La Vaughn Belle, Manthia Diawara, Jeannette Ehlers, Michelle Eistrup, Sasha Huber, Oceana James, Patricia Kaersenhout, Grada Kilomba, Suchitra Mattai and Alberta Whittle. Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Welcome to Insurance Covered, the podcast that covers everything insurance. In this episode Peter is joined by actor, singer, musician, playwright, author, filmmaker and director, Giles Terera. They will be discussing the play he co-directed and and performed in, 'The meaning of Zong' which looks back at one one of the most infamous insurance stories, the Zong Massacre. In this episode we discuss:Why Giles decided to write a play about the Zong Massacre.The research he did while planning out the playGiles's take on the story and what stood out to himThe character Olaudah Equiano, that Giles plays.Other highlights from Giles's career including his time performing as Aaron Burr in Hamilton. We hope you enjoyed this episode, if you did please subscribe to stay up to date with future episodes. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

#OTD Author and abolitionist Olaudah Equiano, who wrote about his experience as a slave and journey from Africa through the middle passage, purchased his freedom. Actor Brandon Larkins narrates.

Olaudah Equiano stals som barn såldes och förslavades. Men återerövrade sin frihet och lämnade ett enastående bidrag till kampen för slaveriets avskaffande sin egen, häpnadsväckande livsberättelse. Redaktionen för detta avsnitt består av:Cecilia Düringer programledare och manusMårten Andersson research och manusEmilia Mellberg  producentElias Klenell LjuddesignVill du veta mer om Olaudah Equiano? Här är några av de källor som legat till grund för avsnittetGustavus Vassa, afrikanen av Olaudah EquianoAn Africans life the life and times of Olaudah Equiano av James WalvinEquiano, the African av Vincent Carrettaequianosworld.org/

Who and what were are the “Black Georgians” of the British empire? And how did their struggles of dissent shape our past and present freedom narratives? Author, historian and professor S.I. Martin, from our Legacy program introduces us to these international men and women of mystery, conviction and fortitude.   The Black Georgians describes Black people in The Georgian era; a period in British History from 1714 to c. 1830–37, named after the Hanoverian Kings George I, II, III and IV. It was a time of immense social change in Britain, the beginnings of the Industrial Revolution class hierarchies and continual warfare. Some are well-known such as Phyllis Wheatley and Olaudah Equiano while others have been forgotten. Nonetheless, all are well regarded as extreme personalities, artists, rebels, abolitionists and even accomplices.  _____________________________ (Ep. 14)  Show Notes Host: Rogiérs  Writing & Narration: Rogiérs  Production & Editing: Fibby Music Group, LLC Assistant Producer, Research: Drai Salmon Opening performed by Rogiérs, Reginald & Alesandra Ndu Recorded at: FMG Studios, Washington, DC Cover Artwork: Emily Wilson Music Licensing/Episode Musical Credits courtesy of: Fibby Music Recordings, Storyblocks. Resources & Mentions “Perfect Storm: Royals misjudged Caribbean tour, say critics" Rachel Hall & Amelia Gentelman, The Guardian "How an Accidental Encounter brought slavery to the United States" Rick Hampson, USA Today Slavevoyages.com*  *Figures are estimates and are rounded to the nearest 100.   _____________________________ For Contact, Inquiry, Voicemail & Feedback:  E: BNDCPodcast@gmail.com Twitter: @WWHPodcasting _____________________________ Additional Content: Find the entire LEGACY catalogue of programs online at the Black Nonbelievers YouTube Channel! Find Black Nonbelievers of DC online on Facebook and also on Meetup.  Support  Black Nonbelievers follow on Twitter and find a local affiliate new you! Special thanks to the American Humanist Association and the DC Commission on the Arts & Humanities for their support. (c) 2022 Fibby Music Group, LLC www.FibbyMusic.net   

What can art tell us about a country's history? Well, a lot! In today's episode, Dan is joined by Art Historian Temi Odumosu and popular historian James Hawes to discuss the cultural works they think reveal something vital about the history of Britain.James enthuses about the Staffordshire Hoard- the largest collection of Anglo-Saxon gold ever found and what it tells us about the tumultuous political situation of the 6th century. Meanwhile, Temi explains the impact of the autobiography 'The Interesting Narrative of the Life of Olaudah Equiano the African' on the abolitionist movement in 18th century Britain. It lay the foundations for new genres of literature and new ways of understanding the experiences of enslaved people.Both Temi and James appear in the new BBC series 'Art That Made Us' that through 1500 years and eight dramatic turning points presents an alternative history of the British Isles, told through art.James' accompanying book to the series is called 'Brilliant Isles'.If you'd like to learn more, we have hundreds of history documentaries, ad-free podcasts and audiobooks at History Hit - subscribe today! To download the History Hit app please go to the Android or Apple store.We need your help! If you would like to tell us what you want to hear as part of Dan Snow's History Hit then complete our podcast survey by clicking here. Once completed you will be entered into a prize draw to win a £100 voucher to spend in the History Hit shop. See acast.com/privacy for privacy and opt-out information.

In the eighteenth century the transatlantic slave trade had reached a level where, every year, tens of thousands of African people were transported under appalling conditions to the New World. Many Christians fought against slavery and the names of William Wilberforce, John Newton and Hannah More are widely remembered. Less well-known is the name of Olaudah Equiano, a man whose witness was particularly powerful because he himself had been a slave.

Key Research Terms —Baron de Vastey —Noel Colombel —Haiti's Isolation —Regeneration —Haiti's Kingdom vs. Haiti the Republic —Edouard Glissant's Theory of Opacity —The Unmediated Agency of Early Haitian Writings —Black Atlantic Humanism —Earliest formulations of what would later become CRT Episode Description Focusing on the influential life and works of the Haitian political writer and statesman, Baron de Vastey (1781-1820), in this book Marlene L. Daut examines the legacy of Vastey's extensive writings as a form of what she calls black Atlantic humanism, a discourse devoted to attacking the enlightenment foundations of colonialism. Daut argues that Vastey, the most important secretary of Haiti's King Henry Christophe, was a pioneer in a tradition of deconstructing colonial racism and colonial slavery that is much more closely associated with twentieth-century writers like W.E.B. Du Bois, Frantz Fanon, and Aimé Césaire. By expertly forging exciting new historical and theoretical connections among Vastey and these later twentieth-century writers, as well as eighteenth- and nineteenth-century black Atlantic authors, such as Phillis Wheatley, Olaudah Equiano, William Wells Brown, and Harriet Jacobs, Daut proves that any understanding of the genesis of Afro-diasporic thought must include Haiti's Baron de Vastey. --- Send in a voice message: https://anchor.fm/negmawonpodcast/message Support this podcast: https://anchor.fm/negmawonpodcast/support

Olaudah Equiano's life took him from a blissful childhood in the African kingdom of Benin to the slave auctions of Barbados. He endured life on a tobacco plantations in Virginia, fought battles off the coast of Portugal, he sailed to the Arctic, met Queen Charlotte in Georgian London, and addressed anti-slavery conventions in Belfast.

The classic memoir of an 18th-century British former slave, and leading figure in the abolitionist movement, Olaudah Equiano. Introduced by David Olusoga, author of the highly acclaimed Black and British. Kidnapped and sold into slavery at the age of 10, Olaudah Equiano's memoir caused a sensation when it was first published in 1789. The Interesting Narrative of the Life of Olaudah Equiano is the true story of his life, from his 10 years of service as a slave in the British Navy to his experiences - after having purchased his freedom twice - as a freed Black man living in 18th-century England. Equiano would go on to be a leading figure in the anti-slavery movement, boosted by the success of his memoir, which became a best seller and went through nine editions in his lifetime. This new edition of the landmark memoir features a foreword by historian and best-selling author David Olusoga (Black and British), bringing this long-overlooked classic back into the spotlight, and showing his importance, which has been too often neglected, for the story of the abolition of slavery in Britain.

September brings our beautiful Idaho Fall weather and our newest guest: Denell Broncho! Denell is an adventurer, a reader, and a member of the Shoshone-Bannock tribe. She drinks NY Seltzers, and shares her latest read, Sold as Slave by Olaudah Equiano with a positive attitude that is truly infectious. Denell has chosen paths least traveled and most often travels alone with the prayer of: “Thank you for my life”. She finds comfort with herself and revels in the beauty of nature- one thing we all take a bit for granted living in Idaho. Take a listen and be prepared for inspiration.

We have a very special guest for you he is Christian hip hop rapper Citi boy Sinseer. He was a member of the African American Black Israelites before becoming Christian. We get into scripture pertaining to some of the true Hebrew Israelites. We go into how the customs of the West African slaves were similar to the customs of the true Hebrew Israelites. We go over some of the biography of Olaudah Equiano. We also go over a tribe called the Lembas of South Africa who had their DNA tested and traced back to the original Hebrews of Israel. We go over the Rothchild's involvement in Israel becoming a nation. We also go into North American Indians with Hebrew ancestry. We go over Chief Joseph capture and the star of Assur he said he got from his white ancestors. We go into how the American Indians also had similar customs and ceremonies as the Israelites. We go over some of the Relics that were found that show some tribes were exposed to the ten commandments before the Settlers came into America. All in all it was a great episode please listen with an open heart. Please share and subscribe. Catch all the episodes on Spotify and Apple Podcast just search Josh Monday Christian and Conspiracy Podcast. Follow me on instagram: @joshnmondaymusic --- Support this podcast: https://anchor.fm/josh-monday/support