Podcasts about phosphorescent

We've reached the end of the road for this season—season 9 concludes with this episode, a conversation with Matthew Houck, the leader of the avant-country band Phosphorescent. In April, Phosphorescent released Revelator, the band's ninth album. It's their debut for Verve Records, after a string of well-received albums on Dead Oceans. Joined by collaborators like Jim White of the Dirty Three—who you heard earlier this season—Jack Lawrence of The Raconteurs, and his wife and songwriting partner Jo Schornikow, it finds Houck examining—what else?—the end of the world.  If one theme has run through the last few seasons of this show, it's that of “apocalypse," or revelation. The veil, no matter how hard we try and keep it pinned down, keeps slipping away. Revelator finds Houck facing uncertain future, but also, leveling up. In its mournful ballads and genuinely hilarious odes to bathroom graffiti, you hear the voice of a songwriter probing the void: “And we've ridden beyond where we could safely touch down And we're out in the void, past where we could've had turned around I tried my feet on the floor, tried to beat on the door But it didn't even make a sound Got my heart open wide But the city been shut down”  But Revelator is no dour screed; it is in fact filled with hope and good humor. In this episode, he joins us to extoll the glory of “unnecessary” art, his work on Paul Schrader's new film Oh, Canada; and the multiple apocalypses afoot. This year, we launched AD as a subscription service, and the support and generosity of our fans and listeners has been powerful to behold. Over at AD, you'll find nearly 20 years of playlists, recommendations, reviews, interviews, podcasts, essays, and more. With your support, here's to another decade. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts.  Transmissions will return in 2025. Take care of yourself, take care of those around you, and keep on wondering. We'll be back—be well in the meantime. This season of Transmissions is concluded. 

Dave Cerminara is a Grammy-nominated producer and mixer. Originally from Pittsburgh, Dave landed in Los Angeles in 2015 and quickly amassed an impressive list of credits and collaborators. He began working alongside producer Lars Stalfors on pristine alt-rock recordings for Cold War Kids, Foster the People, and The Neighbourhood, and later became Jonathan Wilson's go-to collaborator for the likes of Dawes and Father John Misty. His production prowess is evident on releases from Paris Texas and Bartees Strange, with “Wretched” — from Strange's Farm to Table — earning critical acclaim and landing on countless year-end lists. In 2022, Dave reprised his role as engineer and mixer for Father John Misty's Chloë and the Next 20th Century, earning him a Grammy Nomination for Best Engineered Album. His most recent credits include Phosphorescent, Flyte, Billy Lemos, Haich Ber Na, and Matilda Lyn. IN THIS EPISODE, YOU'LL LEARN ABOUT:Learning through observing othersFocusing on your speedKeyboard shortcutsSaying “yes” to all opportunities - Good idea or bad?Building a mix on top of the rough mixWorking from other people's sessionsSetting your initial track levelsEstablishing the vibe of a mixShould you add effects on everything to make them cohesive?The power of automationMaking room around the vocalWorking with artists like Phosphorescent and Father John MistyHow big mixes don't require dense track countsCalibrating your ears for different speakers and roomsTo learn more about Dave Cerminara, visit: https://davecerminara.com/Looking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/Want additional help with your music productions?For tips on how to improve your mixes, visit https://masteryourmix.com/Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/Get your copy of my Amazon #1 bestselling books:The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.comThe Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Check out our Sponsors:Want to make the process of dealing with mix-revisions easy? Check out Samply and get three months free off any plan: http://samply.app/?utm_source=mymDownload Waves Plugins here: https://waves.alzt.net/EK3G2K Subscribe to the show:Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781Spotify:

Welcome to the penultimate episode of our ninth season, featuring Pat Irwin of Suss. You may remember him from last year's Suss talk, with his bandmates Jonathan Gregg and Bob Holmes, but he's back for a solo talk this time, which allowed us to dig into his wild life in music, from his time in the the late ‘70s New York No Wave scene with The Raybeats and 8-Eyed Spy, to his work with Southern freak icons The B-52s, and his long career crafting music for TV and animation, including shows like Rocko's Modern Life and Bored to Death.  Things have been very, very busy on the Suss front. This year, Irwin contributed guitars, keyboards, harmonium, and loops to Suss' fifth album, Birds & Beasts. On top of that, Suss' Bob Holmes, who also hosts the must-listen Ambient Country podcast, has launched Across the Horizon, a collaboration with Northern Spy Records that brings on board various like-minded artists drawn “from the wide landscape of instrumental music” (including Transmissions guests like Luke Schneider, Marisa Anderson, William Tyler and more) to curate a series of digital releases that will culminate next year in a double LP comp.  Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you'll find nearly 20 years of playlists, recommendations, reviews, interviews, podcasts, essays, and more. With your support, here's to another decade. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. Next week on Transmissions? Matthew Houck of Phosphorescent.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: You Only Live Once by The StrokesSong 1: What If I Came Knocking by John Mellencamp (1993)Song 2: Hard Knock Life (Ghetto Anthem) by Jay-Z (1998)Song 3: New Birth in New England by Phosphorescent (2018)Song 4: House of the Rising Sun by The Animals (1964)Song 5: I Always Get Lucky With You by Merle Haggard (1981)Song 6: 360 by Charlie xcx (2024)Song 7: I Only Have Eyes For You by The Flamingos (1959)Song 8: Act II Scene 10 of Swan Lake by Pyotr Ilyich Tchaikovsky (1877)Song 9: Tiger Lily by Luna (1994)Song 10: Maple Leaf Rag by Scott Joplin (1899)

Our unofficial End of the Road recap - the last summer festival of the year and there's lots to talk about, including performances by Bonnie Prince Billy, CMAT, Malice K, Jalen Ngonda, Master Peace, Snooper, Brown Horse, Phosphorescent and more. The team get the opportunity to DJ and meet some of our friends from the world of festivals, and take inspiration from the brilliant community of this festival

In this chat, we get to meet Phosphorescent - aka: singer, songwriter, guitarist Matthew Houck. Matthew's been at the game for a while now, and we caught up to chat about his newest Phosphorescent record, Revelator, which came out back in the spring. Truthfully, this chat was done around then, too, but kept getting pushed and delayed in posting. So here we are! Huzzah! It's a lovely chat, well worth the wait, as we dive into all things Revelator, including its themes, production, songwriting, history, etc. Matthew is such a lovely, warm guy; an open book down to chat about anything. It's a very laid back but engaging conversation, and I think you'll enjoy. Thank you for listening.

Maxiscience revient, trois fois par semaine.

Today's Song of the Day is “The World Is Ending” from Phosphorescent's album Revelator, out now.Phosphorescent will be performing at Fine Line on Saturday, September 14.

En este podcast escuchamos a Joana Serrat con "Big Wave", su nuevo disco, a Indochine, a Juárez, Phosphorescent...Escuchar audio

1. The Passions 2. David Bowie 3. Lisa Crawley 4. Boomtown Rats 5. Mdou Moctar 6. Phosphorescent 7. T Bone Burnett 8. Paul Kelly 9. The Decemberists 10. Pokey LaFarge 11. The Strokes 12. Mutton Birds 13. Kris Kristofferson 14. Lenny Kravitz 15. The Fall

En este podcast volvemos a abrir 'Poptical Illusion', el nuevo disco de John Cale y 'Big Wave', el de Joana Serrat. Aparte, escuchamos a Phosphorescent, Indochine, The Decemberists...Escuchar audio

Durante toda esta semana repasamos el nuevo álbum del legendario músico galés, comentado por él mismo.En el programa de hoy también sonaron nuevas canciones de The Decemberists, The Lemon Twigs, Phosphorescent, Iron & Wine, Indochine, Juárez y Joana Serrat.Escuchar audio

Manuel Comesaña nos descubre al fantástico grupo Punch Brothers y su disco The Phosphorescent Blues, ¡no te lo pierdas!

Greetings, Talkhouse friends. Instead of a Talkhouse episode this week, I wanted to share another episode of my pal Craig Finn's show, That's How I Remember It, which is just starting its third season. Craig has an incredible array of guests lined up, and he's switching to a new schedule where he'll have new episodes every other week without a break. That means more amazing chats for you, including this one with Phosphorescent's Matthew Houck. Craig and Matt chat about the philosophy behind That's How I Remember It—it's a podcast about creativity and memory—as well as an early meeting between the two, Phosphorescent's mighty “Song For Zula” and much more. I'll be back next week with your regularly scheduled programming, but for now, give That's How I Remember It your attention. See you next week! 0:00 - Intro 2:41 - "Do you think you have a good memory?" 3:58 - The origins of That's How I Remember It 8:43 - Craig vs. Matt's approach to songwriting 13:14 - "Do you have a first memory of music? 23:00 - "Do you connect music with seasons?" 35:53 - Craig and Matt first meeting at SXSW 2010 36:52 - "Did the Full Moon Project ... affect your own songwriting?" 43:30 - "Song For Zula" - "Did it surprise you?" 46:45 - "Has traveling/moving changed your music?" This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse

Matthew Houck from Phosphorescent is my guest on this episode of That's How I Remember It. I've loved Matthew's music for years and was excited to talk to him about his great new record Revelator, what he learns from covering other artist's songs, whether geographic moves affect his music, Willie Nelson, Bob Dylan, moon phases, and his most well-known song "Song for Zula". Matthew was a fantastic guest, and I very much enjoyed our talk. Listen and subscribe. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/craigfinn

WNXP's Nashville Artist of the Month for April is Phosphorescent. The man behind that project is Matthew Houck. Over two decades he's compiled a library of songs, some of the best are anthems, epic in scope and often dealing with melancholy. Most are written though from a standpoint of assuredness, like that wild-hearted character whose bones are steel in “Song for Zula.” The new album Revelator takes a different perspective.

Met ditmaal: Bodega, Aaron Frazer, Phosphorescent, James, The Reds, Pinks & Purples, Bob uit Zuid, English Teacher, The Black Keys, Aaron Lee Tasjan, Hallo Venray, The Black Crowes, METZ, MRCY, Cedric Burnside, plus een exclusive instore van The Maureens. Concerto Radio, aflevering 540 (19 april 2024): Bodega, Tarkovski: Our Brand Could Be Yr Life Aaron […]

... y más nuevas canciones de Cristalino, Stivijoes, Adrianne Lenker, Phosphorescent, Pernice Brothers, Kacey Musgraves y Real Estate.Escuchar audio

Met ditmaal: Phosphorescent, The Black Keys, Liam Gallagher & John Squire, The Libertines, Still Corners, Cedric Burnside, VR Sex, Marcus King, Meatbodies, Thin Lizzy, Thee Sinseers & Joey Quinones, Mount Kimbie, Einstürzende Neubauten, plus een exclusive instore van Pale Puma. Concerto Radio, aflevering 539 (12 april 2024): Phosphorescent, Revelator: Revelator The Black Keys, Paper Crown […]

(T5//E14) "Human" ¡Hola terrícolas! ¿Sabes feel? Ser tan insignificante me produce absoluta paz. Reconocer nuestra propia insignificancia dentro del vasto universo puede ser liberador, Javi. Nos recuerda nuestra humildad y nos permite relativizar nuestras preocupaciones y problemas cotidianos en el contexto de la inmensidad del cosmos. Encontrar paz en esta conciencia puede ser un camino hacia la aceptación de la naturaleza efímera de la vida y la búsqueda de un sentido más profundo en nuestras experiencias. Sin embargo, también es importante equilibrar esta sensación de insignificancia con un sentido de valor personal y conexión con los demás, reconociendo que, aunque individualmente podamos ser pequeños en el universo, nuestras acciones y relaciones pueden tener un impacto significativo en nuestro entorno y en las vidas de quienes nos rodean. Javi feel Hoy flotaremos con… Laura Masotto, Phosphorescent, M83, entre otras y otros... Lista de temas https://tofeelmore.com/tofeelmore-podcast-musical-flotante-t5-e14-human/ ¡Un abrazo desde la tierra!

It's a big week for fans of early aughts rock bands, with new releases from The Black Keys and Vampire Weekend hitting streaming services. Kick back with NPR Music's Stephen Thompson and World Cafe host Raina Douris as they run through the new albums you need to know about.Featured albums:1. The Black Keys, 'Ohio Players'2. Vampire Weekend, 'Only God Was Above Us'3. Katie Pruitt, 'Mantras'4. Khruangbin, 'A La Sala'Other notable releases for April 5, 2024:• Phosphorescent, 'Revelator'• Grace Cummings, 'Ramona'• Young Miko, 'att.'• Adam Wiltzie, 'Eleven Fugues For Sodium Pentothal'• Fabiana Palladino, s/t• Vegyn, 'The Road To Hell Is Paved With Good Intentions'• Benson Boone, 'Fireworks and Rollerblades'• Jane Weaver, 'Love in Constant Spectacle'• José James, '1978'• Lizzy McAlpine, 'Older'• Melissa Aldana, 'Echoes of the Inner Prophet'• Mount Kimbie, 'The Sunset Violent'• Pernice Brothers, 'Who Will You Believe'• Sheila E., 'Bailar'• Sinkane, 'We Belong'• TisaKorean, 'MUMU 8818'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week's episode opens with Steven and Ian remembering the old Pitchfork "stunt" review of Jet's 2006 album Shine On (0:27), which was dissected this week in an article by The Ringer. While stunt reviews are kind of dumb, Steven and Ian still miss them a little. The guys also explore the indie-rock guest stars on Beyoncé's new blockbuster album Cowboy Carter (7:11), including Adam Granduciel, Jonathan Rado, and some dude from The Stills.From there, they review the great new Vampire Weekend album, Only God Was Above Us (12:49), which manages to change the band's just enough while retrenching with some classic themes. They also look back at Modest Mouse's Good News For People Who Love Bad News (28:06), which turns 20 this week, a crucial album in the mainstreaming of indie rock in the aughts that might also be... not that great?In Recommendation Corner, Ian talks about the band Cindy Lee while Steven stumps for the latest from Phosphorescent and the Philly band A Country Western (52:36).New episodes of Indiecast drop every Friday. Listen to Episode 183 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and Twitter for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Learn more about Mighty Line floor tape Read all our blogs and podcasts Greetings everyone and welcome to Mighty Line Minute. Our mission is to enhance your understanding of safety, health, and loss control principles. We'll do that by providing up-to-date information that can be applied to modern industrial workplaces. Our aim is to help you achieve a higher level of operational and safety excellence. So stay tuned.  Last week we discussed the more recent 2022 edition of the American National Standard known as Z535.1 Standard for Safety Colors. We also discussed the use of the standard from OSHA, and the context that it takes in light of ANSI, as well as identifying specific ANSI safety colors. And we discussed colors that are commonly used in industrial environments. Specifically those that are used for the demarcation of machinery, equipment storage, and aisleways where safe travel is necessary. So today folks we'll be discussing color from a different approach, and that is using the International Standards Organization, otherwise known as ISO, and their standard numbers 3864:2011 edition and 7010:2019 edition. In these global color and safety sign standards. color really begins to shine, particularly when we talk about its correlation with ANSI. And that is largely because color is used every day in safety, caution, information and warning signs, as well as the reflective clothing that you see everywhere. In signage, the color black can be used as an alert symbol, such as when used as an exclamation mark or wording, along with contrasting white or yellow background, and as a signage border. Safety black is a specific color that is identified in both the earlier and later editions of ANSI Z535 and ANSI Z535.1-2022; additionally, the safety color charts found in ISO 3864-4:2011 edition Safety Color Tables.  The color black, which is not a specific OSHA color code, is not commonly used in warehouse or industrial floor striping, although, it has been used to demarcate special machinery or equipment in industrial settings. Black is and can be used outside of OSHA, such as for striping special floor storage areas or equipment areas. And that's because OSHA accepts the use of ANSI Safety Color Standards, particularly where there are none within the OSHA standard itself. So, we might ask, in general, where lie the differences between ANSI and ISO color charts and tables? Let's discuss that. Interestingly, ANSI 2022 edition dropped the colors gray and brown from their 2011 safety color chart, as did ISO. ISO 3864:2011 edition does not include the colors orange or purple as a safety color. However, ISO adds the unique safety color “phosphorescent yellow-white contrast.” Let's summarize several examples of the differences between the ANSI and the ISO Standards with safety colors. The colors, gray, brown, and purple have seemingly become less important as a safety color with both ANSI and ISO. However, brown is used by the U.S. National Park Service (NPS) for recreational and cultural interest signage for parks, historical sites and scenic routes. And purple is used by the U.S. National Weather Service (NWS) service to illustrate the most severe weather. Also, by the U.S. Geological Survey (USGS) to illustrate the most intense seismic activity. The color orange remains an ANSI Safety Color, though not with ISO standards. And orange remains in prevalent use with the U.S. DOT traffic control standards, especially involving work zones. Phosphorescent yellow-white contrast is a color that has gained importance through ISO. As such, the U.S. Federal Highway Administration has specified high-visibility clothing and PPE for workers in roadway work to enhance their visibility and safety and such zones. And state agencies also have their own requirements for use of “high-vis” and protective clothing. What about safety research in color? The National Institute for Occupational Safety and Health, known as NIOSH, conducts research on the use of high-vis clothing that affects workers in various industries, such as construction and transportation. And in recent years, industry and public agencies have heightened use of high-vis clothing while working in high risk environments. The use of fluorescent orange, yellow, or green, combined with retroflective materials, along with additional safety measures, has significantly reduced the likelihood of the most severe accidents in traffic and construction zones. Below we have a full detailed review of ISO standards and safety colors. 

durée : 00:54:58 - Very Good Trip - par : Michka Assayas - Ce soir, on va commencer par une voix aussi douce que chaleureuse, il y en aura d'autres, qui va tout de suite nous élever vers des paysages où l'espace est plus vaste et l'air plus pur.

Novedades| Joana Serrat, Derby Motoreta's Burrito Kachimba, Pony Bravo, Manola, DePedro, The Lemon Twigs, Vampire Weekend, Villagers, Eels, Phosphorescent, Mount Kimbie, Julia Holter, Angelica García, St. Vincent, Nina, Depresión Sonora, El Último Vecino, Nueve Desconocidos, etc... Suscríbete a nuestro canal en Telegram! https://t.co/d64vSXTYT9 ¡Síguenos en Twitter! https://twitter.com/HNMagES ¡Síguenos en Instagram! https://www.instagram.com/hnmages/ ¡Síguenos en Facebook! https://www.facebook.com/HNMagES

Esta semana avançamos em direcção à Primavera e trazemos uma receita propícia a dias maiores com muitas novidades à mistura. Por aqui há elementos dançáveis, há otovermes deliciosos e ainda regressos que nos transportam directamente do passado para o futuro em velocidade supersónica. Só há uma certeza: o futuro tem discos incríveis a aguardar-nos!Playlist:"Beautiful People (Stay High)", The Black Keys"The Day We Left Earth", Micro Audio Waves"Dream Job", Yard Act"Revelator", Phosphorescent

WORN OUT BUILDINGS - 86TVs INTER LIGHT - Emma Anderson DO ONE - Frank Turner YOUR WORST SONG IS YOUR GREATEST HIT - The Reds, Pinks and Purples SO NICE - Finnoguns Wake FRIEND OF A FRIEND - The Smile STRAIGHT F's - The Photocopies EMERGENCE - The Messthetics, James Brandon Lewis A GOOD DAY FOR ME - Thomas Walsh THE MOON IS IN THE WRONG PLACE- Shannon & the Clams RADIO - Malice K HEADING THE DAY - Royel Otis HAPPY HOUR - Buzz Zeemer FEELING NEVER GOES AWAY - Dropkick UNE AUTRE ATTENTE - Laetitia Sadier DOLLAR BILL BAR - Sierra Ferrell I HOLD SOMETHING IN MY HAND - Bill Ryder-Jones REWIND - Rosali REVENANT - Phosphorescent I CAN NEVER GO HOME AGAIN -The Shangri-Las

It's the Ryan O'Reilly episode, y'all...#90!Okay. Silliness? Check. Now let's get the gaffe outta the way. In a nutshell, I was so excited to have this week's guest in the chair that I literally forgot to hit "record" on her camera. So...no video, which is a shame as Meg Kumin's face is far too adorable to waste on the incompetencies of a cotton-headed ninnymuggins such as myself.I did, however, take the liberty of plastering the video file with some of my favorite pieces of her photography, which you can view/purchase at megkumin.com, so there is that aspect, which makes this episode even uniquer than it already was.And speaking of Meg, she's a daughter and a sister and a wife and a mom. She's also part of the communications team for the University of Kansas, and a staff photographer as well. She teaches and is enrolled in the PhD program, she's a for-hire photographer for maybe six or seven more years. She's traveled to some pretty rad places, done some pretty cool things, and -- in addition to numerous other admirable qualities -- she's a terrific storyteller.So, Meg and I talked a little bit about her background and some of her adventures. We touched on a couple of hardships she's been through, and how she has managed to continuously mold herself into an amazing person while facing adversity. And, of course, we talked about a few of her favorite records along the way. Those were these:Paul Simon's Graceland (1986)Doolittle (1989), PixiesDe La Soul's Stakes Is High (1996)The Miseducation of Lauryn Hill (1998), Lauryn HillCatching up with Meg tickled my fancy, as did having her on the show, so I'm gracious and grateful for both the time and the opportunity. I hope you enjoy listening to our conversation as much as I enjoyed being a part of it.Cheers.copyright disclaimer: I do not own the rights to either the promo or the intro/outro audio samples. They are clips from a cut called, "Christmas Down Under" by Phosphorescent off of his 2018 album, C'est La Vie, c/o of Dead Oceans.

Join hosts Tom Davies and Kate Hutchinson as they chat with Dead Oceans record label founder Phil Waldorf and Secretly Group founder Chris Swanson for a peak behind the curtain at the label's sixteen-plus years. Discover the backstory of the label pre-streaming, inspired by the simple idea of crate digging at a record store and the joys of fandom, to the monumental successes shared by the artists, including Phosphorescent, Phoebe Bridgers, Japanese Breakfast, Shame, Mitski and so many more, over the years. The episode explores the label owners' experiences from "scrappy operations" to housing famed stars of the indie alternative zeitgeist. Links: Secretly Society Podcast Link Dead Oceans Episode Link to Playlist  Secretly Society Podcast Store Link Secretly Society General Information Link Dead Oceans Link  

1. Fleetwood Mac 2. Carolynn Mark And NQ Arbuckle 3. The Bats 4. Phosphorescent 5. Paul Simon 6. Mermaidens 7. Nikki Lane 8. Justin Townes Earle 9. Shovels And Rope 10. The National 11. Otis Redding 12. Tall Dwarfs 13. Misfits 14. Smashing Pumpkins 15. Pretenders 16. Mumm-Ra

How much do you know about High Visibility ?Do you know what you could be wearing to keep you safe and ensure you get seen &  found when perhaps your life depends on it.Luke Evdemon talk to us about Reflective & Phosphorescent Technology and his work as part of  Viz Reflectives. Viz Reflectives are Innovators and experts in reflective and phosphorescent technology.Find out more about Viz Reflectives HEREFind them on Linkedin HEREPlease support the podcast and its future by clicking HERE and joining our Patreon CrewA big thanks to our partners for supporting this episode.GORE-TEX Professional ClothingHAIX Footwear Support the ongoing work of the podcast by clicking HEREPlease subscribe to the podcast on YoutubeEnter our monthly giveaways on the following platformsFacebookInstagramPlease support the podcast and its future by clicking HERE and joining our Patreon Crew

1. The Clash 2. Mozart Estate 3. Phosphorescent 4. Mike Campbell & The Dirty Knobs 5. Vera Ellen 6. The Hollies 7. The Welcome Wagon 8. REM 9. Sharon van Etten 10. Bettye La Vette 11. Hal Cannon 12. Whitehorse 13. The Heptones 14. Straitjacket Fits 15. Queen 16. Devilskin

Episode: 3288 Yellow-Bellies.  Today we consider "Yellow Bellies".

It's Episode #49, party people!I can't properly express how excited I was to sit down and talk life and tunes with MABkc.Hoo boy! I am so excited for him and all that he lovingly has on his plate: wife and child(ren), new location(s) for Industry Soundz, paused recording projects calling him back, and perhaps a podcast in the near future. It's all real fantastic stuff, and I hope that each of those things continue to bring him joy and prosperity.Anyway, MAB picked six records, two a piece by three different artists. And they are these:Me Against the World (1995) and All Eyez on Me (1996) by 2PacJay-Z's The Dynasty (2000) and The Black Album (2003)From Me to U (2003) and What the Game's Been Missing (2005) by Juelz SantanaAfter some nine years since our first meeting (and like my guest mentioned), it was amazing that we were able to reconnect and make this conversation happen. Please consider giving it a view or a listen, and don't forget to check out the Merch' line on your way out. Thank you for winding up here.copyright disclaimer: I do not own the rights to the intro/outro audio. They are samples from a tune by Phosphorescent called, "My Beautiful Boy" and the track is from his 2018 album, C'est La Vie (c/o Dead Oceans).

En Música de Contrabando, revista diaria de música en Onda Regional de Murcia (orm.es; 23,00h a 01,00h) MIKEL IZAL anuncia el inicio de un nuevo proyecto en solitarioEl compositor ha publicado, a través de sus redes sociales, que en 2023 comenzará esta aventura musical, con nuevos retos y nuevas canciones que culminarán con el lanzamiento de su primer álbum en solitario. Para celebrar el 50 aniversario de Aladdin Sane, de David Bowie, Warner Music anuncia dos ediciones en vinilo: un vinilo masterizado a mitad de velocidad y un picture disc prensado del mismo máster que serán publicados el 14 de abril. Belle & Sebastian anuncian por sorpresa su nuevo álbum Late Developers, que se publicará este viernes 13 de enero. Los escoceses también han compartido el single principal del álbum, I Don't Know What You See In Me, que marca la primera vez que co-escriben uno de sus temas, en este caso junto al productor e intérprete Pete Ferguson. Public Image Ltd competirán para representar a Irlanda en Eurovisión 2023 con su último lanzamiento, ‘Hawaii', descrita en el comunicado de prensa oficial como «la pieza de composición más personal que John Lydon ha compartido nunca». Oh, See! Málaga cierra su cartel con las confirmaciones de Viva Suecia y Rufus T. Firefly. El festival se celebrará el los próximos 26 y 27 de mayo. Young Fathers, proyecto de Alloysious Massaquoi, Kayus Bankole y G. Hastings, inicia el año 2023 con su nuevo sencillo «Rice». La canción es espiritual, frenética y llena de alegría. Tindersticks celebra sus 30 años de carrera con una formación a la que añaden un sexteto de cuerda y un repertorio donde sus primeros trabajos serán losprotagonistas. El jueves pasan por la Fundación Mediterráneo. Continue as a Guest, el nuevo álbum de The New Pornographers, se lanzará el 31 de marzo a través de Merge Records, en el que es su primer lanzamiento para el sello. Nowheresville"es el nuevo sencillo de Breaking the Balls of History de Quasi, el décimo álbum del dúo y su debut en el sello discográfico para Sub Pop. Daughter regresan 7 años después con Stereo mind games, su esperanzado nuevo disco, con la cristalina tristeza de "be on wour way". Para ir calentando motores, Everything but the Girl ha estrenado el single ‘Nothing Left To Lose', que curiosamente nos remite más al sonido acuñado en los últimos años por Moderat que al que ellos mismos patentaron en su era electrónica en ‘Walking Wounded' . EVERY LOSER, el decimonoveno álbum en solitario de Iggy Pop sale de la mano de su nuevo single “Comments” y es el primero que se publica a través de la recién anunciada asociación entre Atlantic Records y Gold Tooth Records, el nuevo sello fundado por Andrew Watt. Gabrielle Aplin publica Phosphorescent, su equilibrado nuevo disco entre el melancólico folk y el luminoso pop. Otra vez los niños terribles de Jean Cocteau, qué le vamos a hacer, cronistas involuntarios de nuestro tiempo, con una mirada casi warholiana. Yana Zafiro estrena nueva temporada de Murcia Inspira. Vuelve Micro Sonidos. Y ya van 16 ediciones. Este año, especialmente contentos por estar de vuelta y seguir adelante. Tras los problemas habidos con la maldita pandemia. Rafa GomezRafa Silbato nos comenta los pormenores de esta edición (Kurt Baker + Airbag, Los Mendrugos, Vosotras Veréis, Fino Oyonarte, The Speedways).

Cat Power and Dirty Delta Blues "Amazing Grace"John Lee Hooker "Boom Boom"Jerry Garcia "Let It Rock"Levon Helm "Lucrecia"Fiona Apple "Shameika"Norah Jones "Come Away With Me"Peter Buck "Southerner"Songs: Ohia "Farewell Transmission"Nina Simone "Do I Move You?"Lillie Mae "You've Got Other Girls for That"Bonnie 'Prince' Billy "Make Worry for Me"Thelonious Monk Quintet "Jackie-ing"John Mayall "Lil' Boogie In the Afternoon"Buddy Guy & Junior Wells "Everyday I Have The Blues"Grateful Dead "Easy Wind"The Clash "Spanish Bombs"Red Hot Chili Peppers "Carry Me Home"Drivin' N' Cryin' "Honeysuckle Blue"The Replacements "Kiss Me on the Bus"The Hold Steady "Heavy Covenant"Big Maybelle "So Long"John R. Miller "Lookin' Over My Shoulder"Plains "Problem With It"The Devil Makes Three "For Good Again (Live)"Chris Knight "Down the River"Cory Branan "When In Rome, When In Memphis"Jason Isbell "If It Takes a Lifetime"Bob Dylan & The Band "Goin' to Acapulco"Valerie June "Call Me A Fool"Gram Parsons "We'll Sweep Out the Ashes In the Morning"Sierra Ferrell "In Dreams"Cedric Burnside Project "Hard Times"Green On Red "Whispering Wind"R.E.M. "Beat a Drum"Langhorne Slim "Colette"Richard Swift "The Ballad of Old What's His Name"Mavis Staples "Have a Little Faith"D'Angelo "Sugah Daddy"Phosphorescent, Jenny Lewis "Sugaree"Candi Staton "The Best Thing You Ever Had"Centro-Matic "Quality Strange"Willy Tea Taylor "The Very Best"

    As we are getting closer to the end of the year I figured it was time for some quiet indie tunes from 2022.  This collection goes from the slow pop of Monica Martin to the ambient vocals of Brian Eno to the simple folk sound of Phosphorescent to a Joni Mitchel cover. My favorite track is "This Is How It Works" by Angel Olsen. It will probably be in my top three songs of the year. Enjoy these vocal tunes, I'll get back to ambient soon. Cheers!   T R A C K L I S T : 00:00    David Byrne And Yo La Tengo - Who Has Seen The Wind 02:42    Monica Martin - Go Easy, Kid 06:37    The Smile - Open the Floodgates 10:44    Kevin Morby - Stop Before I Cry 15:33    Shearwater - Aqaba 20:30    Angel Olsen - This Is How It Works 26:42    Courtney Marie Andrews - These Are The Good Old Days 29:11    Peter Gabriel - Here It Is 34:10    Brian Eno - There Were Bells 38:34    Flock Of Dimes - Amelia 44:16    Big Thief - Change 49:04    Mamak Khadem - Dead and Alive 54:14    Phosphorescent - Meridian, MS 56:27    end  

Gabrielle Aplin tells me about finding her home volunteering at a farm, making her own clothes and her new album Phosphorescent - out 13 January. Rival Schools are playing 2000 Trees Festival, headling the second stage. Get your early (cheaper) tickets at twothousandtreesfestival.co.uk Songs: Gabrielle Aplin 'Skylight', Cock Sparrer ‘Working' Learn more about your ad choices. Visit megaphone.fm/adchoices

In which the Curmudgeons explore the six studio albums the Dead recorded and released between 1973 and 1980. By the time they dropped Wake of the Flood in 1973, the exploding cult following of their live output meant they didn't really need to make good albums to remain successful. And yet they did.   Songs discussed during this episode include: Phosphorescent, "My Beautiful Boy" RZA, "We Push" A whole lot of Grateful Dead: "Eyes of the World" "Stella Blue" "U.S. Blues" "Scarlet Begonias"  "Unbroken Chain" "Help on the Way/Slipknot!" "Franklin's Tower" "Sage & Spirit" "Estimated Prophet" "Terrapin Pt. 1" "Shakedown Street" "All New Minglewood Blues" "Fire on the Mountain" "Alabama Getaway"  "Althea"    Join our Curmudgeonly Community today! facebook.com/curmudgeonrock   Now hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: https://podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911 https://open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80MW  

Happy Halloween! In this episode of Screams of the Bone Age, we're joined by special guest Marta Borovčanin to discuss The Descent (2005), a horror movie about a group of explorers who get trapped in a cave and stalked by prehistoric monsters. We talk about our scariest experiences working in caves, and speculate on the possibility of human monsters evolving in caves (Spoiler alert: it probably wouldn't happen!). Hear more from Marta on the (Re)Akcionizam podcast (in Serbian) https://www.youtube.com/watch?v=fVaFN-auNPY&list=PL5HreT9u25eTsWySkExukD1lnTjYZ-gbX&index=1 Get in touch with us! Facebook: @SotSAPodcast https://www.facebook.com/SotSAPodcast Letterboxd: https://letterboxd.com/sotsa/ Email: screensofthestoneage@gmail.com In this episode: Tasmajdan Cave, Belgrade: https://balkaninsight.com/2016/04/13/ta%C5%A1majdan-cave-potential-tourist-hotspot-03-17-2016/ Archaeology at Mala Balanica Cave, Serbia: https://popular-archaeology.com/article/the-road-through-sicevo/ The Hike to Šuplja Dupka Cave, Serbia: https://www.youtube.com/watch?v=EY_DdSJUtxc Exploring Šuplja Dupka Cave: https://www.youtube.com/watch?v=R7EmoylPljo Why do cave animals evolve blindness? https://phys.org/news/2017-04-cave-animals.html Upper Palaeolithic cave paintings: https://www.theguardian.com/artanddesign/2019/dec/12/humans-were-not-centre-stage-ancient-cave-art-painting-lascaux-chauvet-altamira Survey of cave art in the Central Balkans: https://www.researchgate.net/publication/330117290_Ruiz-Redondo_A_Mihailovic_D_Kuhn_S_L_2018_First_results_of_rock_art_survey_in_Central_Balkans_Analysis_of_the_graphic_remains_of_Selacka_3_Serbia_In_Floss_H_Pastoors_A_eds_Palaeolithic_rock_and_cave_a Human echolocation: https://www.scientificamerican.com/article/learning-how-to-be-a-human-bat/ Phosphorescent glow worms: https://www.nytimes.com/2016/12/16/science/glow-worms-new-zealand.html

Happy Halloween! In this episode of Screams of the Bone Age, we're joined by special guest Marta Borovčanin to discuss The Descent (2005), a horror movie about a group of explorers who get trapped in a cave and stalked by prehistoric monsters. We talk about our scariest experiences working in caves, and speculate on the possibility of human monsters evolving in caves (Spoiler alert: it probably wouldn't happen!).Hear more from Marta on the (Re)Akcionizam podcast (in Serbian)https://www.youtube.com/watch?v=fVaFN-auNPY&list=PL5HreT9u25eTsWySkExukD1lnTjYZ-gbX&index=1Get in touch with us!Twitter: @SotSA_Podcast https://twitter.com/SotSA_Podcast Facebook: @SotSAPodcast https://www.facebook.com/SotSAPodcast Letterboxd: https://letterboxd.com/sotsa/ Email: screensofthestoneage@gmail.comIn this episode:Tasmajdan Cave, Belgrade: https://balkaninsight.com/2016/04/13/ta%C5%A1majdan-cave-potential-tourist-hotspot-03-17-2016/ Archaeology at Mala Balanica Cave, Serbia: https://popular-archaeology.com/article/the-road-through-sicevo/The Hike to Šuplja Dupka Cave, Serbia: https://www.youtube.com/watch?v=EY_DdSJUtxcExploring Šuplja Dupka Cave: https://www.youtube.com/watch?v=R7EmoylPljoWhy do cave animals evolve blindness? https://phys.org/news/2017-04-cave-animals.htmlUpper Palaeolithic cave paintings: https://www.theguardian.com/artanddesign/2019/dec/12/humans-were-not-centre-stage-ancient-cave-art-painting-lascaux-chauvet-altamiraSurvey of cave art in the Central Balkans: https://www.researchgate.net/publication/330117290_Ruiz-Redondo_A_Mihailovic_D_Kuhn_S_L_2018_First_results_of_rock_art_survey_in_Central_Balkans_Analysis_of_the_graphic_remains_of_Selacka_3_Serbia_In_Floss_H_Pastoors_A_eds_Palaeolithic_rock_and_cave_aHuman echolocation: https://www.scientificamerican.com/article/learning-how-to-be-a-human-bat/Phosphorescent glow worms: https://www.nytimes.com/2016/12/16/science/glow-worms-new-zealand.html

Request Episode #2Intro/Outro: Sweet Child O' Mine by Guns N' Roses (requested by Steve)1. Walk With You by Edwin McCain (requested by Barrett)2. It's Been Awhile by Staind (requested by Jessica)3. Song for Zula by Phosphorescent (requested by Steve)4. How I Got Over by Aretha Franklin (requested by Gene)5. Indian Outlaw by Tim McGraw (requested by David)

At the end of his previous album cycle, Matthew Houck put Phosphorescent on hold for a moment to focus on raising a family and building out a new studio. Renewed and revitalized, Houck returned with his seventh studio album C'est La Vie, highlighted with four songs in this session with DJ Troy Nelson. Recorded 11/21/2018. 4 songs - New Birth in New England, There From Here, Around the Horn, C'est La Vie No.2Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Jon and Stephen discuss the death of President George H.W. Bush and Twitter’s moves to silence their users. The intro/outro song is “The Funeral” by Band of Horses . Stephen’s song of the week is “My Beautiful Boy” by Phosphorescent and Jon’s is “Pontiac 87” by Preoccupations. To listen to all the music featured on The Conservatarians, subscribe to our Spotify playlist! Source

Jon and Stephen discuss the death of President George H.W. Bush and Twitter's moves to silence their users. The intro/outro song is “The Funeral” by Band of Horses . Stephen's song of the week is “My Beautiful Boy” by Phosphorescent and Jon's is “Pontiac 87” by Preoccupations. To listen to all the music featured on The Conservatarians, subscribe to our Spotify playlist! Source

Phosphorescent frontman Matthew Houck discusses his need for solitude when writing music as well as the difference between a musical palace and a musical shotgun shack. Emmy-winning comedy writer Josh Gondelman talks about his unique big break — tweeting about Seinfeld.

Grab a cup of coffee and the paper with this mix as your Sunday soundtrack. This iteration of the Sunday morning series uses mostly new music including a couple of great Bob Dylan covers from Sarah Jarosz and Phosphorescent.  I couldn't resist starting the mix with the wonderful "Morning" from Beck's new release. From there we move on to a beautiful, jazzy track from Philémon Chante that I have been itching to use for a while.  That cut is from his album called Les Sessions Cubaines which you can find on Bandcamp here...Philémon Chante There a couple soundtracks represented in the mix from two of the best films of 2013, "Her" and "Nebraska."  Arcade Fire and Owen Pallett collaborated for the "Her" soundtrack, with two cuts in this mix.  Mark Orton did the beautifully simple soundtrack for "Nebraska" and it shows up here in the track "The Old Compressor Escape."  I've got an Americana mix waiting in the wings which will have more from that soundtrack. One of my other favs is the cut from Bill Callahan.  He remixed his 2013 album, "Dream River," as a dub album called "Have Fun With God."  It's fantastic! Enjoy. T R A C K L I S T : 00:00 Beck - Morning 05:12 M. Ostermeier - Sunlight on My Desk 07:55 Sam Prekop - A Cloud to the Back 11:30 Philémon Chante - J'arrive toujours un peu trop tard 15:40 Sarah Jarosz - Simple Twist of Fate 20:20 Mark Orton - The Old Compressor Escape 22:50 Thievery Corporation - le coeur (feat lou lou ghelichkhani) 25:45 Assia Cunego - Canto Ostinato Section 25-30 29:00 Segue - slow mornings 34:00 Bill Callahan - Small Dub 37:45 Arcade Fire and Owen Pallett - Dimensions 40:34 Darcy James Argue's Secret Society - An Invitation 43:08 Nick Cave - Into My Arms 47:17 Phosphorescent - Tomorrow is a Long Time 51:30 Paul Buchanan - Mid Air 53:45 Arcade Fire and Owen Pallett - We're All Leaving 56:17 end

DJ Kevin Cole lays down some of the Greatest F*cking Songs of 2013 with John Grant, Phosphorescent, Laura Marling, and Julianna Barwick. This is freaking awesome! 1. John Grant - GMF 2. Phosphorescent - Song For Zula 3. Sin Fang - Look At The Light 4. Thee Oh Sees - I Come From The Mountain 5. Mind Spiders - Inside You 6. Parquet Courts - Borrowed Time 7. Lucius - Turn It Around 8. The Dirtbombs - Jump And Shout 9. Cloud Cult - Good Friend 10. Courtney Barnett - History Eraser 11. Foxygen - No Destruction 12. Volcano Choir - Byegone 13. Laura Marling - Where Can I Go? 14. Julianna Barwick - One HalfSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.