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2 episodes with Brad Hall
2 episodes with Brad Hall
2 episodes with Brad Hall
2 episodes with Brad Hall
2 episodes with Brad Hall
2 episodes with Brad Hall
4 episodes with Brad Hall
2 episodes with Brad Hall
2 episodes with Brad Hall
Houndsmen and hound women join the hound-hunting sport chiefly for one purpose, to experience the audible thrill of the chase, the proverbial music of the hounds. Imagine if you will, a consummate hound hunter since youth, loving this sport above all other experiences and facing the real possibility that he will lose his hearing, rendering him no longer able to experience the sport that which he truly loves?Our guest this week was that hunter. His story includes his failed attempts to join the military, his early days of competition hunting, his affinity for bluegrass music, his discovery of a hidden talent which he exhibits for our host, and the story of his fear that surgical attempts to save his hearing could leave him totally deaf. It's a story of faith, determination,and overcoming seemingly impossible obstacles.Brad Hall works for jet engine manufacturer Rolls Royce in Indianapolis. He is launching a new venture in the form of a podcast to bring coon hunters of faith to his microphone to share their stories, all of which center around the sport of raccoon hunting and include testimonies of faith. Steve takes the opportunity to explore the content Brad plans to bring to his show as the two longtime friends share this common interest. We would like to thank those who support this podcast. Special thanks to Alpha Dog Nutrition and Double U Hunting Supply for sponsoring this episode. Want to learn more about Alpha Dog Nutrition? Check out the links belowhttps://www.dusupply.com/alphadogwww.dusupply.comhttps://alphadognutrition.com/ https://www.youtube.com/@DoubleUHuntingSupply/podcasts
Houndsmen and hound women join the hound-hunting sport chiefly for one purpose, to experience the audible thrill of the chase, the proverbial music of the hounds. Imagine if you will, a consummate hound hunter since youth, loving this sport above all other experiences and facing the real possibility that he will lose his hearing, rendering him no longer able to experience the sport that which he truly loves? Our guest this week was that hunter. His story includes his failed attempts to join the military, his early days of competition hunting, his affinity for bluegrass music, his discovery of a hidden talent which he exhibits for our host, and the story of his fear that surgical attempts to save his hearing could leave him totally deaf. It's a story of faith, determination,and overcoming seemingly impossible obstacles. Brad Hall works for jet engine manufacturer Rolls Royce in Indianapolis. He is launching a new venture in the form of a podcast to bring coon hunters of faith to his microphone to share their stories, all of which center around the sport of raccoon hunting and include testimonies of faith. Steve takes the opportunity to explore the content Brad plans to bring to his show as the two longtime friends share this common interest. We would like to thank those who support this podcast. Special thanks to Alpha Dog Nutrition and Double U Hunting Supply for sponsoring this episode. Want to learn more about Alpha Dog Nutrition? Check out the links below https://www.dusupply.com/alphadog www.dusupply.com https://alphadognutrition.com/ https://www.youtube.com/@DoubleUHuntingSupply/podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices
Houndsmen and hound women join the hound-hunting sport chiefly for one purpose, to experience the audible thrill of the chase, the proverbial music of the hounds. Imagine if you will, a consummate hound hunter since youth, loving this sport above all other experiences and facing the real possibility that he will lose his hearing, rendering him no longer able to experience the sport that which he truly loves?Our guest this week was that hunter. His story includes his failed attempts to join the military, his early days of competition hunting, his affinity for bluegrass music, his discovery of a hidden talent which he exhibits for our host, and the story of his fear that surgical attempts to save his hearing could leave him totally deaf. It's a story of faith, determination,and overcoming seemingly impossible obstacles.Brad Hall works for jet engine manufacturer Rolls Royce in Indianapolis. He is launching a new venture in the form of a podcast to bring coon hunters of faith to his microphone to share their stories, all of which center around the sport of raccoon hunting and include testimonies of faith. Steve takes the opportunity to explore the content Brad plans to bring to his show as the two longtime friends share this common interest. We would like to thank those who support this podcast. Special thanks to Alpha Dog Nutrition and Double U Hunting Supply for sponsoring this episode. Want to learn more about Alpha Dog Nutrition? Check out the links belowhttps://www.dusupply.com/alphadogwww.dusupply.comhttps://alphadognutrition.com/ https://www.youtube.com/@DoubleUHuntingSupply/podcasts
Houndsmen and hound women join the hound-hunting sport chiefly for one purpose, to experience the audible thrill of the chase, the proverbial music of the hounds. Imagine if you will, a consummate hound hunter since youth, loving this sport above all other experiences and facing the real possibility that he will lose his hearing, rendering him no longer able to experience the sport that which he truly loves?Our guest this week was that hunter. His story includes his failed attempts to join the military, his early days of competition hunting, his affinity for bluegrass music, his discovery of a hidden talent which he exhibits for our host, and the story of his fear that surgical attempts to save his hearing could leave him totally deaf. It's a story of faith, determination,and overcoming seemingly impossible obstacles.Brad Hall works for jet engine manufacturer Rolls Royce in Indianapolis. He is launching a new venture in the form of a podcast to bring coon hunters of faith to his microphone to share their stories, all of which center around the sport of raccoon hunting and include testimonies of faith. Steve takes the opportunity to explore the content Brad plans to bring to his show as the two longtime friends share this common interest. We would like to thank those who support this podcast. Special thanks to Alpha Dog Nutrition and Double U Hunting Supply for sponsoring this episode. Want to learn more about Alpha Dog Nutrition? Check out the links belowhttps://www.dusupply.com/alphadogwww.dusupply.comhttps://alphadognutrition.com/ https://www.youtube.com/@DoubleUHuntingSupply/podcasts
Houndsmen and hound women join the hound-hunting sport chiefly for one purpose, to experience the audible thrill of the chase, the proverbial music of the hounds. Imagine if you will, a consummate hound hunter since youth, loving this sport above all other experiences and facing the real possibility that he will lose his hearing, rendering him no longer able to experience the sport that which he truly loves?Our guest this week was that hunter. His story includes his failed attempts to join the military, his early days of competition hunting, his affinity for bluegrass music, his discovery of a hidden talent which he exhibits for our host, and the story of his fear that surgical attempts to save his hearing could leave him totally deaf. It's a story of faith, determination,and overcoming seemingly impossible obstacles.Brad Hall works for jet engine manufacturer Rolls Royce in Indianapolis. He is launching a new venture in the form of a podcast to bring coon hunters of faith to his microphone to share their stories, all of which center around the sport of raccoon hunting and include testimonies of faith. Steve takes the opportunity to explore the content Brad plans to bring to his show as the two longtime friends share this common interest.
In this episode, we get to meet Henry Hall. Henry is a musician and actor from LA, whose new album, Stop Doing Funny Stuff, is out now. (That didn't stop me from screwing up the title of it TWICE, but, I digress.) In this chat, Henry and I discuss the record and its myriad of influences and styles. We talk inspiration - both lyrically and musically - of folks as eclectic as Patsy Cline, Morrissey, and Jens Lekman. We also touch on his comedy lineage, as Henry is the son of comedy legends Julia Louis-Dreyfus and Brad Hall. We talk his own discovery of and relationship with comedy, including his own lead series role in the new show Dinner With the Parents, as well as the glory that is Julia's show, Veep. We talk about a lot more, too; it's a very casual, fun, funny, light-hearted conversation. Thank you for listening.
Yay, we're talking about the Park that started it all! First we start with jazz plus jazz equals jazz, then we get into Eagleton vs. Pawnee while Tom shows such a great growth arc and Burt Macklin hangs up his shades. Did you know Brad Hall aka Wreston St. James is married to Julia Louis Dreyfuss?!! Also, we talk about Julia's show Wiser Than Me, it's INCREDIBLE. Please take a listen. Plus, thank you to Derek Baynham for the wonderful email giving us amazing behind-the-scenes details about his time on set! He played the waiter in Eagleton explaining why there are palm trees there
Release Date: 11-29-21The first of a three part series; the Houndsman XP Podcast dives deep into the criminal act of shooting a hunting dog. In Don't Shoot My Dog; Part 1, Chris interviews a victim of a tragic event. Brad Hall was coonhunting with his father in a place they had hunted for years. That night became complete chaos as shots rang out in the night. Listeners will get a first hand account of what happened, the details of the criminal case and its successful prosecution.Chris and Brad lay out some keys to success for managing chaos, assisting investigators and prosecutors to ensure justice prevails. Brad gives listeners some great advice about being prepared for tragedies such as these. ►Get Your Houndsman XP Info, Gear & More Here!www.HoundsmanXP.com►Become a Patron of Houndsman XP! Check out our Tailgate Talks.|
Writer/Director Brad Hall joins Matt and Tim to discuss the final episode of season 6 of Veep. Summary: Selina prepares to begin construction of her Presidential library. A series of flashbacks explore the origins of Team Selina. Amy tells Dan that she is pregnant by him. Selina and Jonah both decide to run for President. Catherine gives birth to a son whom Selina names Richard. Matt Walsh https://www.instagram.com/mrmattwalsh Timothy Simons https://www.instagram.com/timothycsimons Second In Command https://instagram.com/secondincommandpodcast Email questions to: secondincommandatc@gmail.com
Writer/Director Brad Hall joins Matt and Tim to discuss the final episode of season 6 of Veep. Summary: Selina prepares to begin construction of her Presidential library. A series of flashbacks explore the origins of Team Selina. Amy tells Dan that she is pregnant by him. Selina and Jonah both decide to run for President. Catherine gives birth to a son whom Selina names Richard. Matt Walsh https://www.instagram.com/mrmattwalsh Timothy Simons https://www.instagram.com/timothycsimons Second In Command https://instagram.com/secondincommandpodcast Email questions to: secondincommandatc@gmail.com
Where does Frasier's snobbery originate from? Why does he revert to his ‘child state' when around his father? And... the hidden story behind Frasier being a Freudian analyst and Niles (his brother) being a Jungian analyst. Plus, Ben and Nemone's minds are blown when they realise a crazy coincidence with Frasier and Tony Soprano. We want to hear from you!!! Please drop the team an email with your questions and theories (which may be part of the show): shrinkthebox@sonymusic.com NEXT CLIENTS ON THE COUCH. Find out how to view here Cersei, Game of Thrones (Season 1) Tommy Shelby, Peaky Blinders (Season 1) Larry David, Curb Your Enthusiasm (Season 7) Sydney, The Bear (Season 2) Michael, Office (USA. Season 1) CREDITS We used clips from Season 1 of Frasier Starring: Kelsey Grammar as Dr Fraiser Crane, David Hyde Pierce as Niles Crane, John Mahoney as Martin Crane, Peri Gilpin as Roz Doyle and Jane Leeves as Daphne Moon. Created and written by: David Angell, Peter Casey, David Lee and Brad Hall. Directed by: James Burrows, David Lee, Andy Ackerman and Rick Beren. Produced by: Grub Street Productions, Paramount Network Television, Paramount Television (in association with) Grammnet Productions and National Broadcasting Company (NBC) Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices
Things had been relatively quiet, but there are now plenty of options coming to streaming services and in theaters, especially as we get closer to the summer movie season. In this week's episode, co-host Bruce Miller shares an interview he had with Quinn Shephard and Samir Mehta, producers of "Under the Bridge," a new limited series on Hulu staring Lily Gladstone. It's the first big project for Gladstone, fresh off her Oscar nomination for "Killers of the Flower Moon." Also on Hulu is a new four-part documentary called, "Thank You Goodnight: The Bon Jovi Story." The series looks at the history of the band and includes interviews with Jon Bon Jovi, current and former band members, and Bruce Springsteen. Co-host Terry Lipshetz, who grew up in Jon Bon Jovi's hometown of Sayreville, New Jersey, shares some fun facts including a Star Wars connection. Another new series is the Amazon Freevee comedy "Dinner with the Parents." The cast includes Carol Kane and Henry Hall, who is the son of Julia Louis-Dreyfus and Brad Hall. And the show wraps with a discussion of the buzz surround "Civil War," the new film where the nation has fractured and a team of journalists is covering the war. Kirsten Dunst stars as a photojournalist and Nick Offerman plays the president. And of course, there's Dunst's husband Jesse Plemons stealing the show in an uncredited role. Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin.
We are sitting down with Kendra, and she is doing his 104 SNL Characters tournament. Check out this episode for who she thinks is the best SNL Character. If you want to do your tournament, please contact us, and we will set it up. Sarah Silverman (1993-1994) Bobby Moynihan (2008-Now) George Coe (1975-1976) Gary Kroeger (1982-1985) Brian Doyle-Murray (1979-1982) John Belushi (1975-1979) Chris Kattan (1996-2003) Eddie Murphy (1980 -1984) Cheri Oteri (1995-2000) Tina Fey (2000-2006) Joan Cusack (1985-1986) Mike Myers (1989-1995) Melissa Villaseñor (2016-present) Dan Aykroyd (1975-1979) Alex Moffat (2016-present) Bill Murray (1977-1980) Mikey Day (2016-present) Phil Hartman (1986-1994) Jon Rudnitsky (2015-2016) Amy Poehler (2001 - 2008) Aidy Bryant (2012-present) Gilda Radner (1975 - 1980) Pete Davidson (2014-present) Chevy Chase (1975-1977) Sasheer Zamata (2014-present) Dana Carvey (1986-1993) John Milhiser (2013-2014) Will Ferrell (1995-2002) Colin Jost (2014-present) Bill Hader (2005-2013) Leslie Jones (2014-present) Kristen Wiig (2005-2012) Kyle Mooney (2013-present) Chris Farley (1990 - 1995) Mike O'Brien (2013-2014) Rachel Dratch (1999-2006) Michael Che (2014-present) Adam Sandler (1990-1995) Tim Robinson (2012-2013) Maya Rudolph (2000-2007) Beck Bennett (2013-present) Jon Lovitz (1985-1990) Noël Wells (2013-2014) Al Franken (1975-1995) Abby Elliott (2008-2012) Chris Rock (1990-1993) A. Whitney Brown (1986-1991) Andy Samberg (2005-2012) Harry Shearer (1979 - 1985) Fred Armisen (2002-2013) Michael McKean (1994-1995) Laraine Newman (1975-1980) Julia Sweeney (1990 - 1994 Jason Sudeikis (2005-2013) Jenny Slate (2009-2010) Jan Hooks (1986-1991) Gail Matthius (1980 - 1981) David Spade (1990-1996) Brooks Wheelan (2013-2014) Seth Meyers (2001-2014) Jim Belushi (1983-1985) Martin Short (1984-1985) Casey Wilson (2008-2009) Billy Crystal (1984-1985) Rich Hall (1984-1985) Christopher Guest (1984-1985) Ellen Cleghorne (1991-1995) Tim Kazurinsky (1981-1984) Michaela Watkins (2008-2009) Ana Gasteyer (1996-2002) Brad Hall (1982-1984) Dennis Miller ( 1985-1991) Joe Piscopo (1980-1984) Chris Parnell (1998-2006) Mary Gross (1981-1985) Jimmy Fallon (1998 - 2004) Terry Sweeney (1985-1986) Kate McKinnon (2012-2021) Tom Davis (1977-1980) Don Pardo (1975-2014) Beth Cahill (1991-1992) Cecily Strong (2012-2021) Garrett Morris (1975-1980) Molly Shannon (1995-2001) Nora Dunn (1985-1990) Taran Killam (2010-Now) Kevin Nealon (1986-1995) Don Novello (1978-1986) Horatio Sanz (1998-2006) Vanessa Bayer (2010 - Now) Denny Dillon (1980-1981) Rob Schneider ( 1990 - 1994) Paul Shaffer (1975-1980) Julia Louis-Dreyfus (1982 - 1985) Jay Pharoah (2010 - Now) Kenan Thompson (2003-now) Lorne Michaels (1975-now) Jane Curtin (1975-1980) Tracy Morgan (1996-2003) Tim Meadows (1991-2000) Will Forte (2002 - 2010) Darrell Hammond (1995-2009) Pamela Stephenson (1984-1985) Nasim Pedrad (2009-2014) --- Send in a voice message: https://podcasters.spotify.com/pod/show/mass-debaters/message Support this podcast: https://podcasters.spotify.com/pod/show/mass-debaters/support
This week, Emmy nominated Writer/Producer Jonathan Fener, (American Dad!, iCarly, The Mindy Project, and many more) is on the podcast discussing the importance of having access to industry professionals, getting his footing in the industry, and working in the multi-cam world.Show NotesJonathan Fener on IMDB: https://www.imdb.com/name/nm0271779/Jonathan Fener on Twitter: https://twitter.com/jfenskiMichael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutogenerated TranscriptMichael Jamin:I always say, you're kissing the wrong asses. Kiss the asses of assistants because they're not go, you know, they don't get their asses kissed. They, they love it. I mean, who wouldn't get, give 'em some attention. They get abused all the time, then they rise up eventually. So, yeah, those are the ones. You gotta be nice to the assistants always, you know.Hey everyone, it's Michael Jamin. Welcome back to Screenwriters. Need to hear this. I have a wonderful guest today. This is a, this is a, I'm gonna tell you the story, how, how we met. So, as you know, the Writers Guild of America's on Strike, and my next guest is a well-known Setcom writer, although we've never worked together over the years. So our paths, you know, we haven't really crossed, but we know all the same people. And then we started, we were on the picket line outside of CBS Radford, and we started chatting and we had a really nice talk. And I was like, well, this, I gotta bring this guy in the podcast. So everyone, if you're driving your car, please pull over, put your hands together. A warm round of applause for Mr. Jonathan Fener. He is, let me just give you some of his credits before I let him talk.You'll notice it's a 45 minute podcast, and I, I do talking for about 44 minutes of it, but I'm gonna talk about your credits. He, he wrote on Bette, the Bette Midler show, Veronica's Closet, do-Over Kid, notorious. It's all relative Method. And Red Father of the Pride, you remember that one with Siegfried and Wright the 78th Annual Academy Awards. I wanna talk about that. American Dad. We know that happy endings, old Soul telenovela, the Mindy Project. How come that wasn't a show? Why was that? Just a project. Trolls Holiday, Elliot to Vegas, American Housewife, trolls, holiday in Harmony. We'll talk about that. And most recently, the iCarly reboot as well as well Mullaney. But guys, this guy's been around the block. John, thank you so much for being on the show.Jonathan Fener:My pleasure. Thanks for having me. Thank.Michael Jamin:So, I wanna find out, I wanna know all about your, your history. Let's take it back from the beginning when your great grandparents met. Let's really do a deep dive into your life. ,Jonathan Fener:Eastern Europe.Michael Jamin:Eastern Europe. Let's justJonathan Fener:Do, yeah, let's go back to Eastern Europe.Michael Jamin:But tell me were you, were okay, so how did you first break into the business and did you always know you wanted to be a, a, a setcom writer?Jonathan Fener:Yeah. I, I, even when I didn't know that's what I wanted to do, I, I look back and I'm like, oh, that's what I wanted to do. You know, I, I feel like I'm part of a, a generation that you know, back to watching television shows, videotaping, you know, Saturday Night Live and Uhhuh and sitcoms and, and like I used to audiotape them toMichael Jamin:StudyJonathan Fener:Them and watch. Yeah. And, and, and like, I would, I would watch Saturday Night Live, even when I was old. It wasn't old enough to like watch it. I would tape it on the VCR that we had, the, the one that popped up Yeah. At the top. And then and then I would have an, and then in the morning I'd watch it all day. And I would, and, and I used to make mixtapes, I guess video mixtapes where I would like, like mix and match different sketches that I liked. And then I and I used to listen to those all the time. And then I would also, I'd watch television shows. I did do that thing where I, I would tape television shows and then I would try and like write out the script. I didn't, I didn't know what the formatting was, so I always was interested in Yes, you'dMichael Jamin:Write it, what kind of word for word? Or you'd write your own,Jonathan Fener:I'd write it word for word. I would transcribe.Michael Jamin:Because that made you a writer then. Did you think that was, what was the point of that?Jonathan Fener:Well,Michael Jamin:,Jonathan Fener:It's like this this, this is gonna sound douchey maybe, but I remember reading this quote, I, I, I think Hunters Thompson once said that he used to just type pages of the Great Gatsby, just to feel oh, what it was like to really, to write those words. Yeah. and so you can draw a direct line between me and Hunter s Thompson and The Great Gatsby. Yeah. And, you know, the Bette Midler show. Like, they're basically one to one.Michael Jamin:But then, and Okay, go on. So then, then as a kid, you,Jonathan Fener:Well, I always was a, I was a huge comedy fan. I was a huge movie, television, e everything fan, standup comedy. I loved standup comedy. Right. So was always too afraid to do it. But yeah, I mean, I always knew I wanted to be part of making that comedy, you know, television, movies, all that stuff. So I went to Fast Forward, I went to usc. I, I I didn't go to the film school, but I, I just was, just wanted to be in la Oh. And I guess sort of the way sort of goes, you, you get outta school and, and I, I knew a guy that I went to school with who worked at a talent agency, and he got me a job as a messenger when they were still inMichael Jamin:Existence as a messenger. And so you were driving around town delivering envelopes.Jonathan Fener:That sounds terrible. Thomas Guide. WithMichael Jamin:Your ThomasJonathan Fener:Guide, right? No yeah. In the heat and the traffic. And howMichael Jamin:Long did you do that for?Jonathan Fener:I was probably a messenger for about, I don't know, matter of months, maybe like 3, 4, 5 months. And then a desk opens up and then you're, you're answering phones, so, oh, soMichael Jamin:You didn't have to go to the mail room, you went from Messenger toJonathan Fener:It really wasn't a mail room. I, it was a very small town agency. Okay. It, it was called the Herb Schechter Company. Sure. I dunno if you ever No, I've heard. And it was like back in the day where, you know, he mostly represented like TV writers. They had a whole below the line department. It was a small agency and they didn't really have a male. One boutique. Yeah. Boutique. Boutique. They had a lot of like, guys that were like supervising producers on Magnum, stuff likeMichael Jamin:That. But that's a good, but then, so how long, cuz you know, I was a, I was an assistant at William Morris for three days. I got fired on my second day and I go, but I stuck out the week. I finished the week . So I, I applaud you for being like, it's just a hard job being an assistant for an agent, because I found it was,Jonathan Fener:Yeah. Yeah. I mean, I was an assistant for a lot of different people. I was, I, and it, I think it helped that it was kind of, I, I don't know if low, I guess low stakes, cuz it wasn't like, I wasn't at caa. I wasn't at, you know, William Morris. I was at this tiny little agency and this woman I worked for was, you know, she represented like stunt coordinators and, and oh, like that. So not that, look, I still had to do the like, rolling calls thing and all thatMichael Jamin:Stuff. But did you, but did that, did that give you context? Like what did that, what what, what was your takeaway from doing that job for howeverJonathan Fener:Long? Honestly, a lot of the jobs I had until I was a writer were, it taught me what I didn't want to do. Yes. I'm like, oh, I work for an agent. I don't wanna be an agent. Right. And then there's like a network of assistances mm-hmm. where, you know, there was another agent there, this really nice woman named Deborah Lee. I still remember her. She she called me in one day. She's like, what do you want to do? What are you doing? I'm like, I don't know. You know, I mean, I, I think I wanna write, but, you know, may maybe I wanna be a creative exec. I just, I wasn't sure. Okay. So she was like, well, I have a friend who works at Fox and they need an assistant. So, you know, if you wanna get outta here and go work there.And I was like, great. So I went to go work for this other woman and then I just met, I would just meet assistants and they would offer me other jobs. I worked for this guy. My biggest assistant job was I worked for this guy John Matian, who was the president of Fox Network. Mm-Hmm. . So that was the first time where I saw an entire television season from pitches, development scripts and shooting all the way through. Right. Cause I was on his desk and I read every script that came across his desk that was like, I don't know if you remember that guy, or even like, that was the year, that was like in the early mid nineties when they were like, maybe gonna try and do like friends. Like they had this show called Partners and Ned and Stacy andMichael Jamin:Ned and Stacy. Yep.Jonathan Fener:It was becoming a little bit more of like, let's try and make a, a friends clone. So like the XFiles was happening then, right? It was just like, it was, I had one year where I had an entire overview of television and I'm like, and then I would read the scripts and I'm like, I think I can, I I can do this. I can. SoMichael Jamin:Did who, where did you learn to write then? What do you, what was the next step?Jonathan Fener:I just figured it out. I mean, I think that what happened was I met my partner who was my friend Josh by Cell. And we were buddies. And he was at UCLA in screenwriting school actually. Okay. And he was actually writing with his dad. He, him and his dad were writing a script together. It was, it was very, and I was, we would just talk about stuff. And, and then, so the story is that we had another friend who was a PA on this show called The Single Guy. Yep. Remember that show with Jonathan Silverman? Yes.Michael Jamin:Jonathan Silverman. Yep.Jonathan Fener:Yeah. The Brad Hall show. And we, he used to bring home scripts every week and we would read them and we were like, I can't remember, one of us pitched an idea, but funny if they did an episode, whatever, like in real time of whatever. And then we're like, we should write it. Let's just write it. We know how to do it. We should just write it. So we sat down and wrote this script and it was, I thought it was pretty good. And , we, we, and, and again, the assistant network was we knew somebody who was an assistant to Richard Whites at the time. Yeah. Who was a young guy. AndMichael Jamin:And young agent. He was I c m probably, right?Jonathan Fener:Yeah, yeah, yeah, yeah, yeah. And, and it was just one of these things where like, after a while I was assistant for three, four years and I had access cuz all the young people that I was working with were now becoming executives or agents. Yeah. So there were people you could actually hand your script to. They would read it as opposed to just throwing it in a pile. Right. And the, the, the long and the short of it was Richard read the script because Brad was a client of his, and I remember he called me at my house and he was like, your friend Mallory gave me your script. I think it's funny and I think that you need to write something else because no one will read a single guy. He's like, I only read it because I represent Brad, but no one will read. He's like, you have to write friends, you have to write Seinfeld, you have to write news, radio, whatever. So Right. That, that was kind of the first thing where we were like, Hey, we can maybe do this. Let's doMichael Jamin:This. That's interesting because this is what I say. Cuz people always sit and they're like, well, do I have to move to Hollywood to break into Hollywood? It's like, well, this is how you do it. You get these jobs, you know, you become an assistant and you network or you get on the network and then that's how you make connections. So that's what you did. I do. I wonder, do you think the assistant network is still strong now? I mean, so everything's changing so much.Jonathan Fener:Yeah. You know, it's a good question. You know, it's like, that's the age old question. Like, how do you break in? And, you know, I feel for years now that like, maybe that's not the way it's done anymore. May maybe I'm just looking at like, stuff as like an older guy where like I look at people and I go, I don't know. Can't you make your own television show on your phone? Or something like, I, but you know, you, you still need some kind of access, I think. And maybe I don't even, maybe I don't, I can't wrap my mind around it a little bit. But like, it just seems like if you do, if you write something, if you make something, someone's gotta watch it. Someone's gotta see it. Mm-Hmm. that can make a decision for you or, or help you. Right. And that's about, that's about that relationships.Michael Jamin:But then how did, so what was your next step? How did you get on staff?Jonathan Fener:We wrote a bunch of specs and we had some friends that were becoming agents. A guy that I, I, I was, I was an assistant with a guy who became an agent and he was a paradigm. We, we kind of, we worked with him for a little bit, but it was, we, cuz like we were friends and like, when things don't go so well sometimes mm-hmm. , it's like it's messing up the relationship. So I think we just were able to get, look, we, we, we, anybody that would read our script, that was a, that was a young agent, we would somehow try and get to them. And everybody passed. One guy at I C m mm-hmm. was signed us. I mean, I, I remember very clearly getting a phone call. I, I, you know, my partner and I, Josh, our birthdays are a week apart. We really were like, you know, we were friends, we were, you know, we, it was like intertwined lives. But we were having like a joint birthday party mm-hmm. . And we got a phone call that, you know, they wanted to sign us. And that was a big, big fuckingMichael Jamin:Deal. And, and what, and they submitted you to which show? What was the first show then?Jonathan Fener:Well, this is funny how things work too. So his one big connection was this woman shit. Her name was Debbie. This is Embarra. I, that's okay. She, she ran Bry, Kaufman Crane. She was like their development person.Michael Jamin:Right.Jonathan Fener:And I feel bad that I don't remember her name cuz she was sweet. And, but that was a good relationship that he had. Mm-Hmm. . So they submitted us for Veronica's Closet. Right. The, it, it was, it had done a year. It did. Well, you know, Christie alley's back to TV and it was, I mean, it was Thursday night. Yeah. Nbc I mean, it was a huge, huge show. AndMichael Jamin:Let's take it back for a second. That used to be a big time slot. Thursday night, n b slate, nbc. Now I don't even know what now. I don't know what they, what they're doing there, but maybe some, it's reality. It's soJonathan Fener:Fire, something fire.Michael Jamin:Is it some dump Dumpster fire? But that's the one. So, but it's, so, but this is something else that you bring up which I think is really interesting. Like, people always say you're kissing, I always say you're kissing the wrong asses. Kiss the asses of assistant because they're not go, you know, they don't get their asses kissed. They didn't, they love it. I mean, who wouldn't get, give 'em some attention. They get abused all the time, then they rise up eventually. Yeah. So those are the ones you gotta be nice to the assistants always, you know,Jonathan Fener:Oh, yeah. Christmas, you know, send them, get the, get the gift card, do the thing. Yeah. I mean, you know, they'll put your call through. I mean, look, I mean, they can do only so much, but yeah, it was, it's just, again, everybody, even if it's the same trajectory, everybody's story is a little bit different, you know? Yeah. And you know, it, it was, I think we were, I think we were lucky, but it was also, it was a, it was, you know, I, I hate to sound like I'm a thousand years old, but it was a very different time. Yeah. And, you know, staffing was like, almost were all seemed like so many opportunities. And it was just like, it almost seemed like, it wasn't like, you know, if I'm gonna get staffed, it was sort of like, where am I gonna get staffed? And, and but, but you know, you sweated out and I never felt like that. I mean, and for every, we, we, I don't think, you know, look, I, I think we were good and, and, but and still are. But you know, I never felt like we were juggling offers . Yeah. You know, it was definitely like, you know, okay, we got this gig and, and you know,Michael Jamin:Yeah. People don't, people don't realize that as well. Like, once you're in, it's great. It, that first job is hard, but you're, then you always gotta worry. You gotta worry about your next job. None of it's, you know, if people think well, you know, it is like you must have it made, but you don't, you never have it made. You're always hustling.Jonathan Fener:Never.Michael Jamin:What did you feel your first season as a staff writer? Did you feel comfortable? Did you feel like, oh, and over your head?Jonathan Fener:Honestly, no. I, I, I can say that with confidence. I felt like I got there and I was like, yeah, this is what I should be doing. Oh, you said I'm not just Yeah. You know, look, we were the youngest guys that, you know, we were the staff writers. Right. The baby writers. It was a very challenging place to work. I mean, you know, Bry, Kaufman Crane, you know, look, we, I could, we could do an entire podcast on just working on b Brianca's Closet and just literally being down the hall from season five of friends. It's like the Beatles. Yes. They, they, their, their dressing room is down the hall. And I'm, you know, with Jerry the Pacemakers or something. Not that, not that. That's, that's a great reference, by the way, for all your younger,Michael Jamin:I don't, I don't know. Listener. Yeah.Jonathan Fener:Just some, but it was like, and the show was, you know, it, it was what it was. It was funny. There were tons of funny people on that show, people I still talk to, to this day. Honestly, but it was like the, the culture of that. And I think it, it's a, it's, it's not a news story in sitcoms. But, you know, we worked, we watched the Sun come up all the time, and it was really, that was my first step. It was like, I had never done it before, but I was like, I knew immediately. I'm like, this is not the way it, this is not the way it should be. Right.Michael Jamin:Was it cause stories were being tossed out? Or notes from the network or what?Jonathan Fener:Yeah, it, it was poor, poor management.Michael Jamin:Oh, time management. It wasJonathan Fener:Poor time management. You know, I would say like, you know, you're, when you work on a, on a show with terrible hours, you're just like, you're a victim of somebody else's badMichael Jamin:Work. Well, there's, there's that. Yeah. Yeah. I always felt very when we were running a show, I was like, I always felt I would crack the whip just because I felt like I want people to go home. I want stop messing around. And, and I was a hard ass in that way. Cause I wanna go home and I think you wanna go home too, don't you? You know, like, let's just work and go home.Jonathan Fener:Those are the ones, the ones that don't want to go home. Those are theMichael Jamin:Worst. Yeah. Those are the worst. Right. Did you, were you on many shows like that, where you felt like a hostage ?Jonathan Fener:No. well, let me think. Not really. That was the worst. And then there were a couple other shows that were rough, but I think that, like, as time went on, I definitely got lucky as time went on that I, I worked for de Decent people.Michael Jamin:Well, you also had another show that was basically the stepchild, which was American Dad compared to Family Guy. I mean, family Guy. Was this behemoth, not that American Dead was any slouch, but you were still in the shadow of a, a family guy, right?Jonathan Fener:That's right. The other one. Yeah. Yeah. The other show. Which, but that Yeah. And that, that was good point. No, but it was, it was and animation was something that I, you know, we got into pretty early on too. And I really, really liked that. And you know, there, there's animation usually is not terrible because the deadlines are, are way far apart. Yeah. Like, as far as like, you know, like Multicam is probably the worst because it literally, you gotta rewrite itMichael Jamin:Tonight at four, at four o'clock you start your day basically. Yeah. AfterJonathan Fener:The run Yeah. Run through is it ruins your whole night. And then it's like someone has, like, if you're doing single camera, you know it, you're usually reading a script for the next week. So, you know, you want to get it done by tonight, but, you know, maybe you can leave a couple of jokes and then the next day you can like, sort of clean it up. Right. But like Multicam, they're, they're at rehearsal at 9:00 AM so they need a script.Michael Jamin:Yeah. Yeah. And that was your joint. You were on the Warner Brothers slot. All right. So then, so then what happened? You, I'm gonna, I'm going with your credits over here. So Veronica's closet. And then what about, what was, you were there for, well, how many, well, how many seasons was that? The show was what? Two seasons?Jonathan Fener:They did? Th they three. I was on the last two.Michael Jamin:The last two. And then when it was done, what happened?Jonathan Fener:When it was done, I was like, I, I did it. I, you know, no, I, I was like we, we just got back out in the staffing pool, you know?Michael Jamin:Right. And then you just jumped.Jonathan Fener:We, we, yeah, that was the next, the next season we went to, we got on the Bette Midler show, which at the time was like massive. It was massive. ThatMichael Jamin:Was massive. And then,Jonathan Fener:And that's another, I'm sorry to interrupt. I was gonna say, like, that's an interesting story where, you know, I don't know if you think of 2 26 year old guys as like, yeah, we gotta get those guys on the Bette Midler show. Mm-Hmm. . But our agent submitted us, and at the time we were even thinking to ourselves like, what, what samples can we write that are a little different? So we wrote a Buffy, the Empire Slayer Script, just cuz like, we liked the show and Right. The tone. And so we wrote that and then, and I think we were like, maybe we can look and see about, you know, maybe getting on like an hour or something like that. And then the, it just so happens that Jos Whedon, I think worked for the guy that created that show, Fette.Michael Jamin:So I was gonna say, I wanted to say Cohan and Nik, but no, that, I don't think that's right. Who created it?Jonathan Fener:Jeffrey Lane.Michael Jamin:Jeffrey Lane, of course. Right,Jonathan Fener:Right. Who was a big mad about you, dude.Michael Jamin:Yes. And then, then working for Bette. I mean, that's, that's a whole other thing. You have this oversized star, really a giant star. And she must have had a lot of creative input.Jonathan Fener:Yeah, yeah. You know, she had opinions, but no, she was it was, it was nuts. I mean, you know, they picked that show up for a full season, which even, even then wasn't a thing. And she, she just was like, like such a massive force, you know? Yeah. Almost too big for television. I would even say, like, I remember thinking, she's on the stage and I'm like, and I mean the sound stage. Like I can see her playing Caesars just live or in the movies where she's gigantic. But there's also, there's, there's, I don't know if muting is the right word, but you know what I mean, like, like, there's just something about those mediums that like, sort of, and, and I just think on tv she just was like, massive. Just like, but, but, you know, really funny. And, you know, she did everything. You know, she sang the Rose and she, it was like, pulled out all the stops. It was just, it was almost like, and I don't think she knew what being on a television show entailed. I think when you take people that have never worked on TV and put them on tv, they're like, I have to come back again tomorrow. And Yeah. Tomorrow. And it's a new script today. And like, they're used to shooting films, but even like, it, it's, it's a grind for everybody. Yeah.Michael Jamin:Yeah.Jonathan Fener:SoMichael Jamin:She, she became a little cantankerous. You think ?Jonathan Fener:She, I think, yeah. No, she, she, she, you know, she liked me. she liked me and my partner. We, we wrote this episode actually with Kobe Bryant in it.Michael Jamin:Oh, okay.Jonathan Fener:And I think they were like, get the young guys to write this. And Kobe was, and he agreed to do the show. I think his wife was a huge Bette Midler fan. He, I think he said, I mean, he was nice guy. I remember meeting him and the show, I mean, think about this. We shot the sh we shot our episode in the forum. Like, and, and the, the, the plot of the show is that, that becomes like, she basically accidentally gets onto the court and she starts dancing with the Laker girls. IMichael Jamin:Don't know, but it was a multi happened. It was a Multicam, right?Jonathan Fener:Yeah. But they just, they shot it on the forum, I mean, on form. They, and it was, it was the kind of thing where it was like, whatever it cost, it cost,Michael Jamin:Right.Jonathan Fener:They booked the forum and, and that episode sort of turned out okay. And then I think she felt like, oh, these guys get the show. So they took us out, she took us out to lunch, and she's like, what should, what should the show be? You guys see that? OhMichael Jamin:No. Oh no. And you guys are, you guys are story editors at this point. Right. See, that would be panicked about that. That's not good.Jonathan Fener:Co Cohen was at that lunch too.Michael Jamin:Oh, she took Rob. See, that's the thing. She lovedJonathan Fener:Rob, loved Rob.Michael Jamin:My, my rule of thumb early in my career is don't let the actors know your name cuz only bad things can come of it. . And then, and then, right. So she takes you and now you're, maybe you don't wanna talk about this, but I, that puts you in a difficult position because she should be taking the showrunner and the showrunner should be bouncing you. She should be bouncing the ideas and not, you know,Jonathan Fener:You know. Yeah. It was a Yeah, it was. I mean, I didn't know. We were just like, well, you know, just more do more of this stuff. Right, right. You know, we'll, you know, go to a baseball game. Or, I, I just think she, I, I, look, I think that she was searching for what the show was. I think the showrunner was, I think they just were, and it was a, it was a weird, not a weird premise, but it was like, she, she played a character named Bette, and she played Aer that was a famous Hollywood actress and had been in a movie called The Rose and all these things that were true. Right. But she kept saying, I'm, but I'm not Bette Midler.Michael Jamin:She would say that in the show, but I'm not Bette Midler. She would say, she would say that toJonathan Fener:Us. Oh, okay. Cause we would write jokes and she's like, but I'm not Bette Midler. And we're like, but you were in The Rose. And we're like, okay. Bette Schidler. You're bet. Schidler. Yeah. And, and, and a lot of stuff that happened to her in real life we would try and put into the show. But it was like, it was just one of those things where we were just trying to find our footing and, and, and never really found it.Michael Jamin:Wow. But that's pretty cool though. I mean, hanging out with Bette Midler's pretty cool. SheJonathan Fener:Was something else, man. She was like a, like I said, like a force, like just funny and, and just larger than life. AndMichael Jamin:You know, but we were, we didn't just shoot me. And and George Siegel, of course, in the seventies, there was no bigger actor than George Siegel. And he wasJonathan Fener:Huge. Yeah. Funny.Michael Jamin:And then c just shoot me. And we wrote an episode and he, George could not have been a sweeter guy, such a nice guy and great sense of humor. But there was one episode he, I guess he wasn't happy with what he was playing. Maybe he didn't have enough lines, or maybe he thought his storyline was dumb or whatever. . But I remember he, we were all the writer's rehearsal. And George goes, you know, I was nominated for an Emmy. I'm sorry. He was, you don't have nominated for an Oscar. You know that. Right. And one of the writers goes, yeah, that was a long time ago. George. Get in the dunk tank. . And George thought that was so funny. I mean, he like, to his credit, he just laughed. He thought it was great. .Jonathan Fener:That's so funny.Michael Jamin:That's what's fun about working with some of these, you know, some, some of these old timers are great, some of them are, you know, a little di difficult. Who knows. All right. So then what, at what point did you guys start developing your own shows? Cause that's always a big leap.Jonathan Fener:You know, we, we were kind of like wanting to do that early. And I remember that was another thing that was not encouraged. Yeah.Michael Jamin:Not then itJonathan Fener:Wasn't at all. It was just sort of like, it was the tail end of it, but it was kind of just like, here's the model. Get on staff. Mm-Hmm. work your way up to producer, supervising producer, get a deal. Mm-Hmm. and then you develop. Right. So that was the, that was the the road. But we were like, no, we have some ideas. And you know, if they don't wanna listen to us at, at nbc, then maybe they'll listen to us at mtv. So we had heard that MTV was looking to develop shows. Cheap show. I mean, it's like that thing every, like couple of years. MTV's like, we wanna do scripted. And then they would hardly ever do it, but Right. We had this idea that we would do cuz they wanted to repurpose videos, but somehow do it in a scripted way.So we had this idea that we would do like Dream on, but with music videos. So it was about a kid whose interior monologue was music videos instead of old movies. Right, right. And like, just seemed it was like risky business, but the kid is 16 and he's just that. So we sold that. We actually sold that and wrote it and it never got shot. But that was like, pretty early. That was like a couple years in. And we sold a movie. Like, we were kind of like trying a bunch of stuff. But I think that we early on were like, I feel like we should do our own stuff too. Uhhuh . So I always have said like, like, like I don't, I don't know what it's like to have just like one job. I always feel like I was doing two things at once. So like, eventually if people are always like, they're on staff, like I was always on staff. And then on the weekends I was working on the other thing.Michael Jamin:You see, people don't understand how exhausting that is cuz you're on staff, you're working very long days and then on the weekends you're working more. You know, it's, it's, it's good for you when you're, you know, it's hard. It's hard to do that. Yeah.Jonathan Fener:It was hard. And I think it was the right look. I wasn't, I was, I was, I was married, but I didn't have any kids and mm-hmm. , you know, but it's, it was tough, man. I mean, you know, and, and that was back before you, we were zooming. So like, we would go, I'd go to Josh's house, he'd come to my house, Uhhuh, . I mean, we used to literally meet in the middle and trade.Michael Jamin:Oh. Cause you guys, you guys let, did you live far apart from each other?Jonathan Fener:Yeah, yeah. We, we, we, yeah. UsuallyMichael Jamin:Trade far discs. So I'm, I'm skipping ahead a little bit, but, but I'm curious to know, well first of all, I wanna know how, what was the academy, how did you work on the Academy Awards? How did that come about? That's such an odd term for you thatJonathan Fener:Yeah, that was, that was the connection. There was, that was the year John Stewart hosted, I don't know if that was his first time. I know he did a bunch of times. It was the year of crash crash one. Okay. The best picture. And like Philip er Hoffman one for Capote, but John was Right. Was hosting and he brought out like a bunch of daily show people. And my partner went to college with a guy, Ben Carlin. Yes. Who I kind of became friends with too, because of those guys. So, so Ben was running the Daily Show. He was one of the eps. And so when he came out, he called me and Josh and a couple of other guys and asked if we wanted to be part of the staff of people. Basically they, the, the Daily Show guys wrote the monologue. They asked us the la guys to write like short film parodies of the nominees.Right. So, and then, you know, maybe help out with the, and and, and on on show night we would be part of the joke room cuz they're writing jokes throughout the night. With like, I mean, Bruce Lance was there mm-hmm. and some local school guys were, were there. But so yeah. So we basically pitched like 20 little short filmed things and they picked five or six of 'em and then we got to produce them and, and, and all that. But we were part of that whole thing. That sounds fun. Yeah, it was really fun. It was really, really fun. And like on show night, we literally, they put us down in this basement and we are like watching the show live and it was like instant messaging. If whatever, who, if somebody won something, we would like shoot a bunch of jokes up to them and the wings. ButMichael Jamin:Did you have to wear a tuxedo to do that? Yes. In my mind. You, I knew it in my mind, you have to wear a tuxedo even though you're not gonna be on camera, but you're at the Oscars. Wow. They tell you thatJonathan Fener:Because Yeah. Be because we were, I mean, it was really cool. I mean, we got, went, went to, you know, my, my wife and, and Josh's wife and, and all the wives got to go to the show. Right. They got tickets to the show. We were downstairs and then afterwards we went to the governor's ball. Right. I mean, it was really, I mean, we had access.Michael Jamin:That's a trip.Jonathan Fener:That's, it was, that didn't get a gift back. I was really hoping I'd get like a, because I always, I'm like, there's like a trip to Australia in there or something, but I,Michael Jamin:But you got a nice, you got a nice paycheck that's got that kind of counts for something.Jonathan Fener:I don't remember how much we got paid. I don't know if it was, I, I feel like, I don't knowMichael Jamin:Now what about it was great. What about the Mindy Project? Cuz that was like a big, that must have been a big experience for you.Jonathan Fener:Yeah. Yeah. That was, that was fun. And, and that when we were, we had a deal at Universal mm-hmm. . And we had, we, we were kind of lucky. Like we, that was when I worked on the Malaney show and Right. We did a lot of development when we were there and we supervised and ran a couple of shows there. But that was sort of towards the end where they just asked us to come and help out.Michael Jamin:Okay.Jonathan Fener:Oh, for a season. Yeah. And it was it was like, it it is one of those things though, where it was a very tight, well-oiled machine and we, and it was, it was fine. It, it was, it was kind of funny though cuz it was like, you, this sort of happens where, you know, you, you write pilots, you shoot pilots, you run shows, but then sometimes you're a staff guy again. Yeah. And that was a gig where we were sort of like, alright, we're part of this staff. And, and everybody there was like, really funny, really smart. Like, I think, I think that writer's room literally had like three former Lampoon editors, Uhhuh and just like really, really funny smart guys. Right. And women. And we just were like, okay, we're just pitching jokes.Michael Jamin:You're, oh, okay. And then so that, that's, that's the whole experience. But did Mindy run the show? Was she the showrunner at,Jonathan Fener:I mean, she, I she, she had, there was a guy named Matt War Burton, who was sort of running the room mm-hmm. When she was gone. Because the most impressive thing was that she, she shot all day. Yes. Because it was seeing the camera show. She was the star of the show. But she came in at lunch, Uhhuh . And Matt would pitch her and she very efficiently was like, I love this. I love this. What if this happens? What if this happens? Gotta go. And so she, she had the final say. Right. But she was busy, you know. Yeah. And, and that, I I'm trying to think Melany was that way too, but Melany was really part of the writing and that was also a Multicam. So,Michael Jamin:And that was probably, it's, that Melany show was probably three years too soon. Like, you know, like before he really became huge.Jonathan Fener:Yeah. Yeah. That was, you know, I, I think that, that, this was my opinion and I'm not like making this up. And I remember we used to talk, like John was trying, I feel like John was trying to do something where, you know, everyone just looked at it and at face value and said, oh, it's Seinfeld. He's just doing Seinfeld. But Uhhuh, I think he really, really liked the, the medium. He liked multi-cam, but there was a part of it that I think was a little bit satirical. Mm-Hmm. . But it really, I, I think that if you didn't know that you're just like, oh, he's just, is just a, you know, like I feel like some of the stories that he pitched he felt were funny because it's like, oh, this is kind of a clammy story. But I, but I think it's funny in like, I'm doing it with a wink. Right. But I think people maybe saw it and said, there'sMichael Jamin:No wink. I don'tJonathan Fener:See the wink. Yeah. There's no, yeah. And, and, you know, but it, it was, it's not that it was the wrong vehicle because it was his show. And, and, and he is the funniest guy in the room always, you know? Right. I mean, and NA, see Petra was on the, was in the cast too. She was really funny. There was a great cast. Elliot Gould was on that show. Martin Short was on that show. Yeah. It was like, it was, it was, it was really, really fun. But yeah, maybe it was, I, I think maybe he was trying to like rein, not reinvent the multi-cam, but just like, turn it on 10 a little bit. Right. And it maybe wasn't, no one was like, ready for that.Michael Jamin:Hey, it's Michael Jamen. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michael jamin.com/watchlist.Did you, cause whenever we developed for comics, we, you know, we wound up studying, then we read, we watched the act, we read, listened to their, whatever the audio books or, you know, read their, did you do the same as well forJonathan Fener:I just knew you mean for that show or for,Michael Jamin:Well, for Malaney or, or for any, any comic that you're writing for. Really. Or even like Bette, you know, for example,Jonathan Fener:Well, Bette, I mean, we definitely like combed through her career and her life and mm-hmm. tried to get stories from it. Mm-Hmm. yeah. Whenever, and, and, and, and, you know, the, the Mullany thing, we, we kind of like, we were also, that was a period of time where like, we were on that staff for a period of time, and then we had a pilot picked up and went to go shoot it. Oh. So we were sort of there for a, a specific period of time. But like, that show was all him to me. I mean, he ran that with a guy John Pollock, a good friend who who's also like, he, he's, he's such a good, he's a pro guy. He's a pro and, and can guide things. He's so funny and smart. But so I think that, that they really clicked well. And there were a lot of really funny people on that staff too. But yeah. Yeah. I, I think that to answer your question, it's always good, especially if you're dealing with somebody who's gonna put a little bit of their lives into it, to just mm-hmm. because I mean, frankly, you, you kind of want to like, connect with them too. Like, it's something that they can connect with. Right. Unless they don't wanna do it. Unless they wanna be completely a different person if they're being some version of themselves. Yeah.Michael Jamin:What's so odd is that you and I have never worked together, even though we've worked with so many of the same people, you know? Yeah. It seems, it seems like very odd that, you know, how how did that never happen? But how do you see, like, so okay, we are on strike. How do you see the business now? Like, what do you, like, what's your take on the past, I don't know, three to five years? You knowJonathan Fener:Everything's going great. It's great.Michael Jamin:Everything's perfect.Jonathan Fener: and just getting betterMichael Jamin:.Jonathan Fener:I, everybody knows what's going on. Yeah. no, I I think it, to me it feels like it's a massive sea change. Yeah. It really feels like even having lived through the first strike, like that was streaming was just kind of coming around and, you know, Netflix was a thing and, but now everything has completely been disrupted and mm-hmm. , I just think that I mean look, this is nothing new, but like, you know, to, to me, cable seemed to be working okay. And then streaming came in and it just seemed like there were no parameters. It's like all the streaming services come, came around. And I understood economically that like all the studios are gonna want to have their own thing mm-hmm. and not have to license it to anybody anymore. But without the structure of a, of a schedule, like a nightly schedule, it's just like, it just became a bottomless pit.Yeah. And so there was this five, you know, it, it was the, it was the old, it was the, the Wild West again. And there's a billion shows. And I, I, you know, some of these studios I guess were just like, wait, this is so expensive. Like a full staff for every show and we're making so many shows. We need to, now, now it's like we overspent now we need to back up a little bit. And then, but in the meantime, to me, I just felt like it was, like the rules got changed where there was a somewhat of a model in network television and even cable where it's like, we're gonna pick this show up for X number of episodes. We're gonna have this many people on staff. That's the way it's done. Mm-Hmm. . And then now the, it's like, oh, we have this new area of streaming. We're just gonna do things differently. Now we're gonna hire three people. Mm-Hmm. , or the guy that created the show is just gonna write 'em all and then shoot 'em all. And it, it just, I don't, it's, it's, you know, I mean, all I can know, all I can do is keep doing what I do, but it's, you know, it seems more, it, it really seems, it feels like the ground underneath us is that much more Yeah. Shaky. Really shaky.Michael Jamin:How do you, and what's your take? I don't know if you work a lot with, well you know, young, well, let's see. I actually, I have two questions I wanna ask you cuz your last, your last network show was probably was what The Mindy Project? Cause I haven't worked, I haven't worked in the network for a while. It's all been cable. Right.Jonathan Fener:The last network show I worked on was American HousewifeMichael Jamin:Oh. American House. So it's so interesting. Which wasn't even that long ago. And so you're working with young, there's bigger staffs on network. You're, they're bringing in younger writers. What's it like? What, what are the kids like? Do you think they're different these days on network shows?Michael Jamin:Because we had a hierarchy. We had, there was a pattern. There was a, you know, all broken.Jonathan Fener:Yeah. Yeah. Yeah. I, I, I, I think it's probably better. I mean, I worked, I worked in some rough rooms and then I worked in some more, you know, I certainly, I don't feel like I ran a rough room. What do you mean?Michael Jamin:What do you mean by rough room? What were they like?Jonathan Fener:Just a, that the, the real hierarchy. Like when I was a staff writer, you were not really expected to talk very much. Right. It was kind of like sit and listen. Right. But and then I'd say I'd, I'd pitch something and they'd be like, not now. And I'd say, I'm sorry. And they'd say, don't be sorry. Just be quiet.Michael Jamin:. Don't be sorry. Don't let happenJonathan Fener:Again. Don't be sorry. Just be quiet. I, I, and like, look, that's the, that's the, it was always done with a joke. You know what I mean? Right. And, and like, I don't ever feel like I was treated cruelly. Mm. I mean, I mean, I guess I, I guess it was cruel that, you know, I did feel like I was held hostage and, you know, yeah. Going home at 6 30, 7 o'clock in the morning in, in rush hour traffic the wrong way. Like yeah. My nights and days were mixed up. But like, eventually what I was gonna say was I just feel like there was something to earning it a little bit. You know, I, I just feel like, you know, even even those first jobs, like, especially like Bright Coffman Crane, I remember there were certain things that you, like, they were big on floor pitching Right.On, on, on, on show night. And that's great experience. I mean, look, multi cams aren't around as much as they used to be, but like, I remember learning a ton. Like, I, I can still shoot back to the time we were on show night and a joke bombed, and then you just huddle up mm-hmm. and you're just staring at each other and everyone's thinking, and you gotta come up with an alt. And people are pitching stuff and it's like, and you pitch a joke and everybody laughs and you're like, oh my God, you're theMichael Jamin:Hero.Jonathan Fener:Amazing. And then, yeah. And then, and then they put it in and itMichael Jamin:Dies and it, and it dies. Yeah. That's what a flip joke. People listen. That's what a floor pitch is. I'm showing that on a multicam, you at the last minute throw a joke in after one bombs. SoJonathan Fener:Yeah. Right. And then you finally, you, you give up and you just pitch a joke with the word nipple in it. . And people laugh at that and you're like, ah, I hate myself. Yeah. But no, but, but I, I think that now, you know, ha like being the older guy and, and even, you know, running a show, like, there, there is a, there is a certain level of like, everybody has an equal voice mm-hmm. . And, which I think is good, you know, but I also think that there's, it's not that you are less than at all. To me it was always about like experience. Mm-Hmm. . Like, you, you just gotta, you know what it is, it's about, it's, there's, there's no substitute for being able to read the room. Yeah. And there are people sometimes that are younger and less experienced and they, they pitch an idea and no one says anything, which is like the night, it's, it's, you know, the worst is if someone says, that sucks. Right. But if you pitch a joke or a story and no one really like, jumps on it, no one Yes. Ands it, you know what, let it float away because Yeah. You know, and then if you re-pitch it and then you re-pitch it,Michael Jamin:You're gonna get yelled at, you'reJonathan Fener:Gonna get yelled at. Like, that's just not cool. And I feel like sometimes maybe people don't like that anymore. You know? Yeah. Like, you're not supposed to do.Michael Jamin:Yeah. I hear you. What, what? Surprised It's so hard. There's a huge learning curve on their job. And when someone pitches an idea, if it's a good idea, it really doesn't matter who it comes from, but it's pretty obvious when it's a good idea. The right. Like the, the senior writers are, oh, that's good. Right. And if you're new inexperienced, you just don't know what's, what's a good idea from a bad idea. And I think they sometimes get a little offended or hurt. It's no, it's, it's not, it's not, it's not, it's just the idea. It's not you, you know? Right. The idea didn't land.Jonathan Fener:Sometimes it's them. No. Sometimes it'sMichael Jamin:ThemJonathan Fener:. But yeah, it's, it best idea wins always, always, always. Yeah.Michael Jamin:Best idea. Gets you homework faster and so and so. Yeah. I know. Well, I was gonna ask you something else. Oh. Oh, that's, that's how I was gonna say we met, we met years ago. Cause you were running a show, which is an interesting thing that you did was said you were running a show called Awesome Town, but you were running it. Someone else with less experienced writer wrote it and you guys were brought on to supervisor it. Right,Jonathan Fener:Right, right.Michael Jamin:It was like, so talk about your experience doing that kind of stuff.Jonathan Fener:That was the first time we'd ever done that. We've, and we've done that a bunch just because I feel like my partner and I, that's not really something that a lot of people love to do, like run other people's shows. Everybody wants to, you know, get your own thing. And we were writing our own pilots at the time too. But if you get enough experience, honestly, you know, my feeling is you want to have as many skills as possible in this business because mm-hmm. , you know, you want to just have another arrow in your quiver.Michael Jamin:Yeah.Jonathan Fener:That's the right term. But like, so i, if you can successfully help someone just guide the ship and it's their show and they've never done it before, cuz that's a really hard job.Michael Jamin:Were there creative struggles though, between you and them at all when you do this?Jonathan Fener:No, honestly, no. I really feel like it was this guy, Adam Ste. Hillel, who's like super nice guy. He he's like big feature guy now. I think he wrote Black Adam. Mm-Hmm. , he like, works with the Rock a lot and, and he created Undateable with Bill Lawrence too. Mm-Hmm. . So he's, he's had a bunch of stuff. No, he's very nice guy. Very funny. And it was actually kind of cool that he got this job on, it was basically just about the, these four like early twenties friends and negotiating life afterwards and they threw a lot of stuff. It's funny, I remember they, they picked the show up because I feel like a, b C was looking to do something in the younger space. Right. But it did, it was one of those shows. It wasn't, it was very low concept. And there was a whole opening teaser that we, I I always suspected, this is why it got picked up cuz it was very, it was very American pie.It was like kind of dirty and there was like a couple and somebody had peanut butter on them and a dog was looking and Right. You can imagine. So but I remember thinking like, this is why they picked it up because this is outrageous. There's no way they ever shoot this though. Right. Which is like, that's like an age old story in tv. It's like the thing they love about it. Mm-Hmm. is the thing they cut first. It's exactly right. You know, it's like you, you, you pick up a show called like Immortal because the, the lead character ha has been alive for a thousand years. Uhhuh. And then the first note is, can we make him immortal please? Yes,Michael Jamin:That's exactly right.Jonathan Fener:Yeah. but, and you do it cuz you're like, oh, they just they just picked up the show. They just gave me a budget and Right. But so they, they made a bunch of changes to this show and including changing that entire teaser. But it was, it was just an opportunity that came because again, like I think we had written a pilot for the studio that made it and they needed somebody we, like, we had just gone through, you had a deal,Michael Jamin:You probably had a deal at the time, an overall deal. Right.Jonathan Fener:I don't know if we had it like, you know what we did, I think we had just sold a pilot to like 20th Uhhuh . And it was like a very good experience, but we just, it just was one of those shows that like almost got there but didn't Yeah. But then, then they picked up all their other shows and they're like, oh, we're gonna pick up this show with these guys. And we had a good relationship with the development people that like, you know, maybe John and Josh can help with that. So that was awesome. That was, that was like, and I remember like, we cast whoever we want. Like we changed roles because we found, like I'd never seen Brett Gelman before and he came in and was so funny. We're like, we're putting him in this show somehow. He was easily 10 years older than everybody. Well, was supposed to be a coworker, Uhhuh, , ally Wong came in, we're like, Uhhuh, let's create a intern. But it was like, it, it, it was like, it was the first it was a good gig to get. And then from there we, we got a bunch more of those gigs to sort ofMichael Jamin:Like, see, that's, that's a talent, because a lot of, I think sometimes when you have a no, a young creator will create a show. Then they assign a showrunner, and sometimes the showrunner's like, well, listen, my name's on this too, and I don't want this to have, I don't have a stink on me if this is terrible. So they kind of turn into what they want it to be. It doesn't sound like you did that. It sounds like you were very much trying to realize the vision of the person who created these shows, which is nice of you.Jonathan Fener:Yeah. I mean, I don't, maybe that's just the way that we are. I mean, I just feel like that's the fir like, and I'm, look, by the way, that's probably a good way to get the gig, is to go have lunch with them and go, listen your show, man. We're just here to help you carry the water from here to there. Right. And we know how to do it. And but that it's the truth. I mean, honestly, I like, I don't want it to be bad, but like, you know, and like, I'll tell you what, I think I'll give you my opinion, but also like, again, I don't know anybody that could ever do that, show that job alone. Like, it's, it's miserable and not mis, you know what I mean? And we we owe, and plus, you know, you could relate to this too, just being, I mean, being on a writing staff is collaborative anyway, but being in a writing partnership, you just really learn how to negotiateMichael Jamin:Mm-Hmm. Jonathan Fener:Compromise. Mm-Hmm. and talking it out. And, you know, single writers tend to be really, you knowMichael Jamin:Yeah.Jonathan Fener:Hold onto their stuff cuz there's mm-hmm. Never any other counterpoints. So I feel like we have the right skillset forMichael Jamin:That. Yeah. There's also a sense of, there's so many decisions to be made. If I don't make this one decision, that's okay. I gotta make a million other decisions. So it's okay if I didn't, if I don't make this one decision, you know, there's a lot to do.Jonathan Fener:Yeah. I don't need to be in wardrobe. I always say that. I don't need to be, I don't need, I I you can do rack check. I don't need to do that.Michael Jamin:Yeah, yeah. There's exactly, there's exactly, there's a ton. I, when we ran Marin, we, the the wardrobe people loved us cuz they chose us choices. And I go, what do you think, you know, well this one. And I said, well, why do you think that one, they gimme reason. I go, all right, sounds like you know what you're doing, . Sounds like you got a good idea there, so let's do what you say.Jonathan Fener:Yeah. Yeah. I mean how, how many episodes did you do of Maryland?Michael Jamin:We did four seasons. I, I want, it was probably around 50. Cuz each show, each season was, I don't know, whatever, 12, 13 or something like that. Uhhuh . So, yeah. But that was I c and that was a pleasure because it was low budget. They just leave you alone. It was wonderful. So, yeah.Jonathan Fener:And I mean, did you finally that it was, was it hard to produce? Because I mean, how big was your staffMichael Jamin:The first season? So that was a show that was created by this guy Duncan Birmingham. We didn't create it, but he wrote the pilot. He was a young writer. He wrote the presentation and then with Mark, so that season, the first season when they picked it up, it was Mark Marin, who's very good writer, but had no writing experience for sitcoms. He's a, you know, standup, this guy Duncan Birmingham, who was a, a young guy who they just, they they could exploit. So he had no experience and it was me and my partner, and that was it. So we, the ones with any real sitcom experience. And then, but then as each season one, we picked up a couple more writers and then we rounded it out. But but it was a great, it was a wonderful experience, but the budget was tiny. The budget was, it was like nothing. It was nothing. Yeah. And we shot each episode in two and a half days, soJonathan Fener:Really?Michael Jamin:Yeah, it was, yeah. As long as someone's finger wasn't in front of the lens, we got it. , let's move it on. So yeah, that was, that was such a great experience. And, and, and no one remembers that. No one remembers, you know, like, hey, the show, it wasn't that perfectly lit. Yeah, that's okay. But people liked the writing. They like the acting. That's the important thing, you know. So what if the camera went like this a little bit ?Jonathan Fener:Right. my, yeah, my partner always was like, when you're like, he's like, they're doing laundry. They're paying their, they're paying their bills while they watch this. Like, they like the people. Oh,Michael Jamin:Oh, yeah.Jonathan Fener:Yeah. They're like, they're, they're, they're like, they're listening. They're half, you know, they're, they're not,Michael Jamin:Not even anymore. Now they're on their phones and watch. I mean, now they're really not watching the show. . He's Right. Cause like everyone, you know, Siebert, you say the same thing you'd say. Like Yeah, they're, they're reading People magazine, not any anymore. They're not, now they're on, they're watching the show and on TikTok and getting text messages, , they're not paying attention.Jonathan Fener:They're reading the live tweeting. Yeah. Of other people read, likeMichael Jamin:Watching the show for them, so. Right. It's an odd time, but yeah. So what do you s so what do, what excites you then going forward? What, as we, as we wrap it up, what is your, like what excites you now?Jonathan Fener:In entertainment?Michael Jamin:Yeah. Or just, yeah. As a, as a writer. Yeah.Jonathan Fener:I still, I mean, I like what I always liked, honestly. Like, I feel like right now I want to, the thing that I want to do is I, I want to try new things, but I also, I know this is like, but but, but, but also I feel like as I get older, like you have to, you have to always write what's sort of like, I don't know, is like personal to you. Like, I don't know, this is, because then it sort of seems inauthentic. Right? but having said that, like I think that I, I would really like to get back into animation mm-hmm. , I feel, I feel like I, I know it's like, I feel like features, like, like I feel like weirdly streaming has opened that up. Mm-Hmm. a little bit too, cuz like, you know, it's hard to get a movie out in the theaters. I mean, especially now. Yeah. it's not a Marvel thing or something like that. So like, there might be like avenues to go with with streaming movies and stuff like that. But like, I don't know. That's, I mean, it's, it's, it's, I I feel like I don't have any, a good answer to that question because I still really, like, I, I still feel like I always have ideas, Uhhuh, but and, and honestly like more often than not, like I'm looking to collaborate with more people. Yeah. Different people, you know, becauseMichael Jamin:Not necessarily on air talent, but writers as well.Jonathan Fener:Other writers. Yeah. Yeah. I just feel like, you know, if you're lucky you have a long career and mm-hmm. a lot of different types of careers and, you know, my partner and I always said like we we've sort of had an open marriage a little because mm-hmm. , we started out together, we, and, you know, you work very closely with a writing partner and, and we worked together for many, many years and then we sort of split on staff for a while, and then we came back together mm-hmm. for a while, and then now we're separate again. ButMichael Jamin:Was that hard for you when you're writing after you split to start writing alone? Let's say even on staff, cuz this is the first Okay. You usually, you have somebody to bounce an idea off of. Now you're, you're on, you know, you're looking at that blank page by yourself.Jonathan Fener:Yeah. Yeah. It's hard. Mm-Hmm. , it's hard to be in that. It's, it's, it's definitely hard. And I feel like I'm getting better at like, sort of reaching out to mm-hmm. other writers and just sort of like, can you look at, because it's like my wife can't hear it anymore, you know? Yeah. Like, go walk into the kitchen. It's like, would this character say that? She's like, I don't know, like, what are you talking about? So I have to, I I I just feel like you have to, I guess you, you learn to sort of like mute your ego a little bit mm-hmm. and just sort of like, let o let other, like, sometimes you just have to talk it out and, and that's what a partner was for, you know. Yeah. but I don't even know if I answered your question. That'sMichael Jamin:Okay. We're just, we're we're chatting. What about, what about advice for aspiring writers? What do you, what do you tell them? Either about the craft or about the business?Jonathan Fener:I mean, to get in nowMichael Jamin:Mm-Hmm. .Jonathan Fener:I think that starting out the, the best thing about now to me mm-hmm. , is that it seemed like in the beginning when we started, it was really all about like, what's the speck of the big show.Michael Jamin:Mm-Hmm. ,Jonathan Fener:Which there's a, there's an art to that, you know, beca
Be Kind, Rewind! For this bonus episode, it's a look back at the recently reviewed show The Single Guy. This show was created by Brad Hall (husband of Julia Louis-Dreyfus) and aired right before Seinfeld. The first time around there was some speculation about an episode featuring a cameo appearance from this comedy star best known for portraying Elaine Benes. Brynn and Aaron decide to give it a watch! Visit our website! thatwasashow.com Email: thatwasashow@aol.com (Because 90s AOL still exists for some reason!) Follow us on Instagram @thatwasashow Merch: redbubble.com/people/thatwasashow Hosted by: Brynn Byrne @brynnabyrne Aaron Yeger @aaronyeger Andrew “Barry” Helmer @andrewhelmer Podcast logo and artwork by Brian Walker @briguywalker
Paul Barrosse joined me to discuss his influence of vaudeville and fifties TV comedians; working with Sid Caser at SNL; Dick Ebersol's host choices; Sid wanting more rehearsal time; he and Tim Kazurisnky fitting the same nichde so he knew he wouldn't get airtime; being in a comedy cabaret troupe with adults at 16; directing Threepenny Opera at Northwestern; student written comedy revues led to the Practical Theater Company; PTC had plays, improv revues and rock; improv was scripted beforehand; his theory of improv; how the Practical Theatre Company (himself, Brad Hall, Julia Louis-Dreyfus and Gary Kroeger) got hired for Saturday Night Live; their love for the Beatles; the network censoring him out of his part in his first SNL sketch, the PTC Club; letters about "A Christmas Message from April May June"; Nukes are for Kukes, Brad's guitar at Weekend Update and Dick nixing political and physical comedy; Davey Wilson nixes ideas if to hard to direct; difference between Letterman and SNL; writing a Tonight Show parody for The Smothers Brothers; writing Best Little Whorehouse on the Prarie for Robert Blake; Blake's being friendly only to him; Blake's hatred for Michael Landon and Hal Roach; writing Hell Bent for Glory for Dave Thomas and Rick Moranis, Battered Husband and My Friend Zeus for Gary Kroeger, and Guy Crazy for Beauand Jeff Bridges; memories of Stevie Wonder; Ed Koch; Northwestern University houses his sketches; his season only writers Ellen Fogle and Tracy Torme; was let go because he was hired at same pay as cast members and was most expensive and newest writer; he did not handle it well with Dick Ebersol who was friendly to him; went back to PTC; producing specials for TV Land including "100 Greatest TV Themes"; creating Little People, Big World; doing documentaries with Elizabeth Smart and Mary Kay Laterneau; his daughters, all of whom are now in show business; future shows of the Practical Theatre Company
Es ist das beherrschende Thema am Eiskanal verbunden mit der einen großen Frage, auch am Wochenende beim Weltcup in Altenberg wieder und jetzt in der neuen Folge "Dreierbob", dem Wintersportpodcast von Sächsische.de: Wie schwer ist Francesco Friedrich denn nun verletzt? Die Ergebnisse nach seinem Muskelfaserriss im Adduktorenbereich, den er sich kurz vorm Jahreswechsel beim Training zugezogen hat, lassen jedenfalls Konkurrenz und Fans gleichermaßen rätseln. Beim Weltcup in Winterberg belegte Team Friedrich die Plätze sechs (Zweier) und eins (Vierer), am ersten von zwei Wochenende in Altenberg waren es die Ränge drei (Zweier) und vier (Vierer). Fest steht: Der Weltklasse-Pilot aus Pirna, seit 2017 in allen großen Rennen unbesiegt und in seiner Sportart so dominant wie keiner vor ihm, ist nicht im Vollbesitz der Kräfte und durch die Verletzung vor allem am Start stark gehandicapt. Bis zu 0,2 Sekunden Rückstand handelt sich Friedrich derzeit auf den ersten 50 Metern ein - weil er auf jeden Schritt achtet und jedes Risiko meidet, wie er im "Dreierbob", dem Wintersportpodcast von Sächsische.de erzählt. Und Friedrichs Heim- und Co-Bundestrainer Gerd Leopold aus Riesa verrät zudem, was das alles für die Weltmeisterschaft in St. Moritz in knapp zwei Wochen bedeutet. Wer beim Saisonhöhepunkt des nacholympischen Winters Friedrichs Hauptkonkurrenten sein werden, ist spätestens seit den Rennen in Altenberg klar: Johannes Lochner vom Königssee mit seinem bärenstarken Anschieber Georg Fleischhauer, der übrigens für den BSC Sachsen Oberbärenburg fährt, sowie der Brite Brad Hall und dessen Team. Lochner (Zweier) wie Hall (Vierer) haben zuletzt eine überzeugenden Eindruck gemacht - und betonen, dass ihnen die Favoritenrolle nichts ausmacht. Das letzte Wort in dieser Podcast-Folge aber gebührt diesmal nicht Trainern oder Piloten, sondern Martin Grothkopp, dem Anschieber im Team Friedrich. Und das aus gutem Grund.
CHURROS: Jim brings an egregious example of Chef Aarón Sánchez trying to flex his pronounciations.Ye On GMA: Ye, aka Kanye West, aka the real world Joker, appears on Good Morning America to discuss his children, his school and his fashion wins and woes.Adam Levine: We delve into the Maroon 5 singer's extramarital affairs that leaked this past week.WALK IN LIKE YOU BELONG!, SOMEONE LIKE ME!, ANDOR!, REAL ONES!, PATREON!, JIMTERVENTION!, SPOOKY SEASON!, DISNEY MIKE!, OOGIE BOOGIE BASH!, CALIFORNIA ADVENTURE!, GUARDIANS OF THE GALAXY!, MONSTERS AFTER DARK!, SEASONAL!, TYLER BATES!, MAGIC OF A THEME PARK!, ANNABELLE CREATION!, INSIDIOUS!, MONSTERS INC AFTER DARK!, MUSHROOMS!, DELTA 8!, JENKEM!, 16 BEERS!, JOLT COLA!, TEMPLE OF DOOM!, AARON SANCHEZ!, MASTERCHEF!, CHURRO!, ROLL YOUR R'S!, EGREGIOUS!, JOE!, GORDON RAMSAY!, DESERT!, CHILI!, CACAO!, TUTORIAL!, CHEWIE!, CHEWBACCA!, 24 HOURS TO HELL AND BACK!, DISGUISES!, MASKS!, RICK AND MORTY!, BEST IN DOUGH!, SHE HULK!, REAL CHANCE AT LOVE WITH BRET MICHAELS!, EVIL!, WHO'S READY FOR FALL!, THE BOY BLUE!, KANYE!, GMA!, GOOD MORNING AMERICA!, FASHION!, ADIDAS!, GAP!, SWAY!, YOU DON'T HAVE THE ANSWERS SWAY!, THE BIBLE!, POWER!, M NIGHT SHYAMALAN!, DONDA!, SCHOOL!, YZY!, CHILD LABOR!, GLASSES!, FACE MASK!, ROLL UP!, BRET HART GLASSES!, ALIEN!, RESELL!, HOODIE!, SOFT!, BRAD HALL!, WHITE GUY!, DOING A BIT!, GOOFS!, REVIEW BRAH!, PAUL DANO!, RIDDLER!, BRIAN'S WEDDING!, ADAM LEVINE!, SUMNER STROHL!, INSTAGRAM!, DIRECT MESSAGES!, AFFAIR!, CHEATING!, TABLOID!, MAROON 5!, TIKTOK!, VICTORIA'S SECRET MODEL!, YOUNG!, NAIVE!, EXPLOITED!, SNEAKING AROUND!, EMBARASSING!, MEME!, HOLY FUCK!, YOUR BODY IS ABSURD!, M'LADY!, DIRT!, MURPH!, BLOCKED!, PS4 MESSAGE!, OVERWATCH!, 5 DOLLARS GET OUT OF HERE!, MAY NEED TO SEE THE BOOTY!, PERCHANCE!, PAW PATROL!, CHEEKY BLINDERS!, SEX THERAPIST!, SEX EXPERT!, 3FUN!, FLIRTY!, GETTING LOUD!, JERKING OFF!, SHIA!, HEY IT'S ME!, MINECRAFT!You can find the videos from this episode at our Discord RIGHT HERE!
After a long hiatus, Gary and Kenny are back. And we brought Brad Hall with us. We talk about our time- off, love, death, pain, hernia's, death again, relationships, wing-foiling, more talk about death and then we play a game of “What did Kenny Do?”
Ready to explore early 80s Saturday Night Live? Recruited from the Practical Theater alongside Julia Louis-Dreyfus Gary Kroeger's life changed when tapped to join the cast of Saturday Night Live. Celebrate my 150th episode with Saturday Night Live's Gary Kroeger! My guest, Gary Kroeger and I discuss: Saturday Night Live in the 80s Archie: To Riverdale and Back - Gary was the first live-action Reggie! Witnessing the career explosion of Eddie Murphy Practical Theater Company - being discovered with Brad Hall and Julia Louis-Dreyfus The hiring process at Saturday Night Live / trying to fit in The brilliance of Joe Piscopo Harry Anderson Andy Kauffman being banned from SNL Developing impressions Working with Jim Belushi His favorite guest (Ringo Starr) An amazing Robert Blake story Working with Billy Crystal, Christopher Guest, and Martin Short You're going to love my conversation with Gary Kroeger! Our Guest, Gary Kroeger IMDB Gary Has Issues Blog The Gary & Kenny Show (podcast) Hashtag Fun: Jeff dives into recent trends and reads some of his favorite tweets from trending hashtags. The hashtag featured in this episode is #SNLbands from @Musicalhashtags. Tweets featured on the show are retweeted at @JeffDwoskinShow Follow Hashtag Roundup to tweet along with fun hashtags daily! Follow @HashtagRoundup on Twitter! Download the Hashtag Roundup app Follow Jeff Dwoskin: Jeff Dwoskin on Twitter The Jeff Dwoskin Show podcast on Twitter Podcast website Podcast on Instagram Yes, the show used to be called Live from Detroit: The Jeff Dwoskin Show Learn more about your ad choices. Visit megaphone.fm/adchoices
After consulting for major corporations such as IBM, AT&T, McDonald's, and Huawei, Brad Hall founded Hall & Company—a consulting firm that improves effectiveness/productivity for technology companies. Listen as Brad provides a simple framework that can help any organization increase its performance and techniques to resolve assumptions.
After consulting for major corporations such as IBM, AT&T, McDonald's, and Huawei, Brad Hall founded Hall & Company—a consulting firm that improves effectiveness/productivity for technology companies. Listen as Brad provides a simple framework that can help any organization increase its performance and techniques to resolve assumptions.
Chuck Sexton, CEO of Next Move Group, speaks with Brad Hall about his work as Vice President of External Affairs at Applachachain Power.
Get ready to listen, learn, and grow! GraceTalk is a weekly podcast with Dale Campbell, lead pastor of Grace Fellowship Church in London, Kentucky. GraceTalk features casual conversations and practical insights into the Word of God. For questions or comments about the show, email: GraceTalk@graceforyou.com or, to learn more about Grace Fellowship, visit: www.graceforyou.com.
Get ready to listen, learn, and grow! GraceTalk is a weekly podcast with Dale Campbell, lead pastor of Grace Fellowship Church in London, Kentucky. GraceTalk features casual conversations and practical insights into the Word of God. For questions or comments about the show, email: GraceTalk@graceforyou.com or, to learn more about Grace Fellowship, visit: www.graceforyou.com.
Royal Marine Taylor Lawrence burst on to the international bobsleigh scene in January 2020, being fast tracked into Brad Hall's team as injury cover for a World Cup race in Winterberg. Since then, he has gone from strength to strength and will be competing in his first Olympic Games in Beijing in February. A talented sportsman, Taylor played academy level football and rugby union before joining the Armed Forces at the age of 20. He reveals to Cath Brazier and Julian Evans the military pride that drives him to succeed.
You know who is here for this podcast? That's right, no one from the Macaroni Mafia showed up. But Brad Hall from drunk nature stumbled out of the woods long enough to sit down with Millitello. This week not the Boys talk about what its like having facial hair, how to ruin your body, Brads comedy career, and how there isn't a secret great lake. So why not stop on by and have a listen or don't and get lost in the woods. Or take a look at Brad Hall's show Drunk Nature and learn how survive inebriated. that's half way to surviving sober. Brad Hall's social's https://www.drunknature.com/ Podcast phone number (231) 753-6047 Podcast Email: professionallyamateurpodcast@gmail.com Millitello's socials Twitch: Millitello, Discord: TTV Millitello, Insta: Millitello.tv, Twitter: Millitello2 Doof's socials twitter: Doo_f Page's socials Twitter: thedoncoyote --- Send in a voice message: https://podcasters.spotify.com/pod/show/profamateur/message Support this podcast: https://podcasters.spotify.com/pod/show/profamateur/support
This episode is about Brad Hall continuing his mother's legacy of making pies our community. "A mother is a person who seeing there are only four pieces of pie for five people, promptly announces she never did care for pie.” ― Tenneva JordanWhat a lovely sentiment! However, I think I'm more from this camp -Alligator Pie, Alligator PieIf I don't get some, I think I'm gonna die,Give away the green grass, give away the sky,But don't give away my Alligator Pie! by Dennis Lee (**first verse of my favourite elementary school poem) There's only one thing to do here - get some handcrafted pie with handcrafted ice cream (made in your local community, for us it's Savary Island always) for family time around the kitchen table. You will have the best memories!! www.savaryislandpiecompany.comwww.glosays.com@glosays on InstagramTOP 25 BUSINESS PODCASTS IN CANADA
Brad Hall is a 2018 Winter Olympian for Team Great Britain and 2x World Cup medalist.
Cinco De Mayo podcast up a day late but still super fun! Thanks to Drunk Nature podcast host Brad Hall for Zooming in 03:10A UFO story that needs more attention 21:00Smitty "investigates" a cheating scandal in professional bridge 25:45For some reason, Dominos is bringing back the Noid 28:00Smitty found a story out of Ireland about a dolphin named Kevin, and immediately made it a must do while hiking Ireland. Find Kevin The Dolphin 29:45A UK county is hiring somebody to document the history of it's pubs for $40,000 a year 31:25A colostomy bag attack at Kid Rock's bar, is just waiting for poo jokes 33:20A Look Back: A 30 year anniversary story about the most Wisconsin story of all-time. The Great Butter Fire of 1991 34:55Smitty's new favorite actor is... Jean Smart from Designing Women? 37:00A racist dummy in California is also known as a wannabe "Momfluencer" (Eye roll) 39:25The reality show sMothered on TLC is the new worst thing ever 40:45New 420 Break A Duggar Arrested & What's In A Name 41:55Thanks to Brad Hall and check out his show Drunk Nature on ChiTv on ROKU and Apple TV.Dig the podcast? Become a subscriber. Other audio ways to check the podcast out…Wanna become a Patreon? Click the link https://www.patreon.com/we3smithsWant to support Smitty’s Five Year Plan without the Patreon rigamarole? Click the link https://www.gofundme.com/manage/smittys-fiveyear-planDon’t know what the Five Year Plan is? Click the link https://youtu.be/-Bm75nHZVy8Thanks for watching, and thanks for sharing in the journey!Support the show (https://www.patreon.com/Smittydicks)
To learn more, visit https://futureofstorytelling.org/story/al-gore-ep-36--© 2021 Future of StoryTelling, Corp.Produced by Future of StoryTelling, Corp.124 West 13th StreetNew York, NY 10011Founder and CEO, Charles MelcherExecutive Producer, Carolyn MerrimanAssociate Producer, Luke Gernertin collaboration with Charts & LeisureFounder, Jason OberholtzerExecutive Producer, Mike RugnettaEditor, Garrett Crowe Mix and Music, Michael SimonelliWith special thanks to Al Gore, Lisa Berg, Brad Hall, Fae Jencks, Beth Prichard Geer, Carolina Sears, Bonnie Eldon, Shannon Fanuko, Meghal Janardan, Zoe Margolis, Vanina Morrison, and Megan Worman.
Brad Hall, actor/writer/director and host Gary Kroeger's former cast mate from Saturday Night Live is our first guest. The good times, the bad times of SNL, writing sit-coms, directing his wife Julia Louis-Dreyfus in Veep. And who has the right of way; the guy in the wheelchair or a mother pushing her newborn in a stroller?
Lil Naz X has blood in his shoes and Bryan and Hoadley want a pair!! The gang reads more hate mail and invites Jeff Dwoskin from Detroit to help suss out a new media social strategy!Episode NotesOn this episode the gang is swinging from rafters...Bryan and Hoadley are talking all things poly, swingers and swapping! Bryan shares his story about visiting a swingers party. They discuss resorts dedicated to swapping, suburban neighborhood wife sharing and much more! Its a NSFW episode of The Commercial Break (which one isn't ??)!LINKS:Watch this episode on YoutubeSubscribe to The Commercial Break Podcast Youtube ChannelNew Episodes on Tuesdays and now Fridays everywhere!Text or leave us a message: +1 (470) 584.8449FOLLOW US:Instagram: @thecommercialbreak @bryangcomedy @tcbkrissyClubHouse: @bryangreen @tcbkrissyClubHouse: The Commercial Break Club on Clubhouse! (home of live recordings)Twitter: tcbbryanFacebook: The Commercial Break PodcastYouTube: Youtube.com/TheCommercialBreakEmail: info@tcbpodcast.comA Chartable Top 100 Comedy Podcast#1 Trending Comedy Podcast Worldwide! (Chartable)#1 Trending Comedy Podcast U.S.(Chartable)An Apple Top 100 Comedy Podcast Top 1% Downloaded Podcasts, Worldwide (ListenNotes)A Hot 50 Podcast (Podcast Magazine)
Well this bloke had me in stitches the whole way. In Part 1 we yarn about Brad Hall’s Underground Mining career in and around Australia and Offshore. This bloke has some yarns, but the best ones are contained within Part 2. To access all the loose Africa shift changes and carton stories: – Download the Podbean app – Follow Life Of Mine – Become a Patron
Well this bloke had me in stitches the whole way. In Part 1 we yarn about Brad Hall's Underground Mining career in and around Australia and Offshore. This bloke has some yarns, but the best ones are contained within Part 2. To access all the loose Africa shift changes and carton stories: - Download the Podbean app - Follow Life Of Mine - Become a Patron
Join Tom & Joe as they interview Brad Hall & Stason Strong of BubblyBlaster, who was on Season 12, Episode 10 of Shark Tank with an air date of 1/15/21. If you are an entrepreneur who wants to grow your business faster, check out www.growth10.com! And if you like the show, make sure to hit “Subscribe”, give us a 5-star rating and tell your friends… we appreciate your support!
We open this all L.A. show by cruising down Ventura Boulevard in Sherman Oaks to pioneering restaurant, Anajak Thai. Justin Pichetrungsi is Anajak’s second-generation chef-owner, having joined his family’s nearly 40-year-old business a few years ago. Since coming onboard, Justin’s updates to the menu, which include adding a taco night and stellar list of natural wines, have made Anajak the buzziest Thai restaurant in the Valley. Musical guest singer-songwriter Henry Hall has been known to weave a good bit of humor into his work, and perhaps that’s no surprise given his parents are comedians Julia Louis-Dreyfus and Brad Hall. Henry’s dreamy pop sound first caught everyone’s attention back in 2016 with the release of the single, “Frenemy.” Since then he’s played The Tonight Show with Jimmy Fallon, and released his first full length album, Neato.. Snacky Tunes: Music is the Main Ingredient, Chefs and Their Music (Phaidon), is now on shelves at bookstores around the world. It features 77 of the world’s top chefs who share personal stories of how music has been an important, integral force in their lives. The chefs also give personal recipes and curated playlists too. It’s an anthology of memories, meals and mixtapes. Pick up your copy by ordering directly from Phaidon, or by visiting your local independent bookstore. Visit our site, www.snackytunes.com for more info.Snacky Tunes is powered by Simplecast.
We had the pleasure of interviewing Henry Hall over Zoom video! Henry Hall is thrilled to announce his debut album, Neato. Produced by Hall and Dylan Bostick of Heavy Duty (Ariel Rechtshaid’s company - producer for Vampire Weekend, Haim, more) in Los Angeles, Neato follows 2019’s Questions, Comments Concerns EP, which Paper Magazine called “an event that you, for once, do not want to miss.”The album’s first single -- a tongue-in-cheek ode to romantic desperation called “Guy” -- can be heard now. A video for the song, equally as witty and directed by Brad Hall, is available today as well. Click HERE to listen to “Guy”Click HERE to watch Henry never touch dry land in the “Guy” video courtesy of Flood MagazineHall creates one-of-a-kind alt-pop, wry like Ben Folds Five but tender like The Smiths, and as melodic as both of these qualifiers. Featuring his captivating falsetto paired with his amusing, idiosyncratic lyrics, Hall's music is self-deprecating and soulful. Underneath Hall's humorous language and moving melodies are alluring guitar and synthesizer textures, which complement his infectious vocal harmonies in a way that evokes Grizzly Bear and Mac DeMarco. After graduating from Wesleyan University in 2014, Hall moved to New York City to play live shows and craft My Friends Don’t Like Me, his 2016 EP release. The project garnered attention online and eventually landed a placement on the Judd Apatow-produced Netflix series, Love. His subsequent single, “Talk,” broke 1 million streams on Spotify in 2018 and soundtracked a Casey Neistat YouTube video that has over 10 million views. His next 2019 EP, Questions, Comments, Concerns, has a song featured on the final season of HBO's Veep. Neato is a culmination of his disturbingly funny and wildly catchy sonic terrain. Hall played the majority of the album’s instruments, down to the drum programming. Each of the 13 tracks has a stickiness that creates a web of musical textures and lyrics that define and refine Hall’s style up to this point in his career. It’s a record that is equal parts funny, lonesome, overjoyed, annoyed as fuck, mired in the weight of indecision, and always, always, always melodically brilliant. The songs on the album run the gamut of all your emotions right alongside you — floating there, ready to be heard whenever you need them, just like a loyal made-up pal.We want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod #foryou #foryoupage #stayhome #togetherathome #zoom #aspn #americansongwriter #americansongwriterpodcastnetworkListen & Subscribe to BiBFollow our podcast on Instagram and Twitter!
This week we talk about what Brad Hall's way of preserving a future pay day, and check in on what the Danish have to compete with Netflix's Cuties.
The Iowa Idea: Gary Kroeger “Life is a journey.” In this episode of The Iowa Idea Podcast, I sit down with Gary Kroeger. Gary was born in Cedar Falls and attended Northwestern University. In Chicago he helped found The Practical Theatre Company with fellow alums Julia Louis-Dreyfus and Brad Hall. This association caught the eye […]
We cover: * How Community Theater Can Be a Pillar of Healing * The Important Messages We Need to Be Learning Right Now * What The Arts Do That Nothing Else Does to Improve Our Quality of Life And much more... Rod Lathim Rod is a 5th generation Santa Barbaran who has been writing, directing and producing original theater works, concerts, films and benefit events since 1979. His work as a speaker and consultant has taken him around the globe and he has been honored with local, regional and national awards for his work as an innovative artist and arts administrator. He currently serves as the Board President of The Marjorie Luke Theatre for the second time, and has produced ten events for The Luke in the last year including Melissa Manchester in Concert, An evening with Brad Hall and Julia Louis Dreyfus, and The Mind, Body of Soul Speaker Series. Rod has written and published three editions of “The Spirit of the Big Yellow House,” is currently working on an autobiographical book and enjoys being a sculptor creating works with vintage objects and neon, celebrating Light and Legacy. Stay connected with Rod: Website: https://l.facebook.com/l.php?u=http%3A%2F%2Frodlathim.com%2F%3Ffbclid%3DIwAR19Apc_9ic2CJbRyUwTCUGTl01S9ZkyTuLw7nqG9HM633SphmkTJwcEMpQ&h=AT23HYfB9RTtas__2a_SUVLfKOcKHACknrC9albfTkhwx7wDDAUytFmQoiAe1gkkYB1SQ9YW39hSKVXQAbAtDj26DJfPWL3JUnMgdknsh9HOUfB4jX9M-JhMX2E4PR0KrDIf3ftdnkVLJkYXCA (rodlathim.com) Marjorie Luke Theater: https://l.facebook.com/l.php?u=http%3A%2F%2Fwww.luketheatre.org%2F%3Ffbclid%3DIwAR1t6YcpcWtiD0qifG4lnlsQ9vZCxWGwIQcKSSrBgLXq_jqNGrUa-aeVXYQ&h=AT3meKGTN6m6EQnxmXqN6-oWK7TyuD1F8ljoktlc-2ZPOlwR2XSI7lBlPVTJ4V3Ptc_2n-FcmB-DKwCb9uxoJhRmCThQjTX2-IJ0Uq07a3uh0AaJtJ18m35dlqrj9sVC27hoqYBUIE47nAuTMQ (www.luketheatre.org) (Note:) Rod has made the taping of the most recent "Mind, Body, Soul, Speaker series available at the Marjorie Luke Website). Catch up on interviews you have missed as well as see the entire lineup of experts at the "A Handful of Hope" website: https://l.facebook.com/l.php?u=https%3A%2F%2Fjessebrisendine.lpages.co%2Fa-handful-of-hope%2F%3Ffbclid%3DIwAR1cLJimf1OlxulUBaSgQK4qLNznjwg7Z-gUVZdD_6d-2uk4-fP2Lljfv-s&h=AT2Nvx_lN118ikpvXOFGA8QMaBCarv-RUTrq5lPlziW37D_wX_ZaeJOzpq7UJPCddqc9lL20OuO4Eomd1duVzRbIrnO6YcNYqlTrghZ5KuFVVx9kLRLEH-HPqsl7ZvReAFn_ (https://jessebrisendine.lpages.co/a-handful-of-hope/)
Francesco Friedrich war in der abgelaufenen Saison mal wieder das Maß aller Dinge. Im Zweierbob hat er zum sechsten Mal in Folge den Weltmeistertitel gewonnen und auch im großen Schlitten freute er sich über Gold. Auch die anderen deutschen Piloten konnten überzeugen und WM-Medaillen holen. Bei den Frauen hingegen war die Rückkehrerin Kaillie Humphries die Überfliegerin der Saison, auch wenn sie nicht den Gesamtweltcup gewonnen hat. Diesen Titel holte sich Stephanie Schneider, die aber wie Mariama Jamanka bei der WM ohne Medaille blieb. Sebastian Mühlenhof (@Seppmaster56) und Mario Driever sprechen auch über die Saison der Skeletonis. Dort konnten Jacqueline Lölling den Gesamtweltcup gewinnen, aber bei der WM gelang ihr keine Medaille. Den deutschen Herren gelang bei der Heim-WM hingegen ein überraschendes Debüt und düpierten die internationale Konkurrenz. Euch gefällt dieser Podcast oder ihr habt Kritik, Fragen oder Anregungen? Dann freuen wir uns, wenn wir von euch hören. Lasst uns gerne bei iTunes eine Rezension und ein bisschen Feedback da. Schreibt uns, was ihr gut oder auch schlecht findet, oder welche Themen wir eurer Meinung nach mal in einer Sendung behandeln sollten. Oder schreibt unserem Moderator Sebastian Mühlenhof direkt per Mail (sebastian.muehlenhof@meinsportpodcast.de) oder per Twitter (@Kaltschnaeuzig). Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.
Francesco Friedrich war in der abgelaufenen Saison mal wieder das Maß aller Dinge. Im Zweierbob hat er zum sechsten Mal in Folge den Weltmeistertitel gewonnen und auch im großen Schlitten freute er sich über Gold. Auch die anderen deutschen Piloten konnten überzeugen und WM-Medaillen holen. Bei den Frauen hingegen war die Rückkehrerin Kaillie Humphries die Überfliegerin der Saison, auch wenn sie nicht den Gesamtweltcup gewonnen hat. Diesen Titel holte sich Stephanie Schneider, die aber wie Mariama Jamanka bei der WM ohne Medaille blieb. Sebastian Mühlenhof (@Seppmaster56) und Mario Driever sprechen auch über die Saison der Skeletonis. Dort konnten Jacqueline Lölling den Gesamtweltcup gewinnen, aber bei der WM gelang ihr keine Medaille. Den deutschen Herren gelang bei der Heim-WM hingegen ein überraschendes Debüt und düpierten die internationale Konkurrenz. Euch gefällt dieser Podcast oder ihr habt Kritik, Fragen oder Anregungen? Dann freuen wir uns, wenn wir von euch hören. Lasst uns gerne bei iTunes eine Rezension und ein bisschen Feedback da. Schreibt uns, was ihr gut oder auch schlecht findet, oder welche Themen wir eurer Meinung nach mal in einer Send...
Francesco Friedrich war in der abgelaufenen Saison mal wieder das Maß aller Dinge. Im Zweierbob hat er zum sechsten Mal in Folge den Weltmeistertitel gewonnen und auch im großen Schlitten freute er sich über Gold. Auch die anderen deutschen Piloten konnten überzeugen und WM-Medaillen holen. Bei den Frauen hingegen war die Rückkehrerin Kaillie Humphries die Überfliegerin der Saison, auch wenn sie nicht den Gesamtweltcup gewonnen hat. Diesen Titel holte sich Stephanie Schneider, die aber wie Mariama Jamanka bei der WM ohne Medaille blieb. Sebastian Mühlenhof (@Seppmaster56) und Mario Driever sprechen auch über die Saison der Skeletonis. Dort konnten Jacqueline Lölling den Gesamtweltcup gewinnen, aber bei der WM gelang ihr keine Medaille. Den deutschen Herren gelang bei der Heim-WM hingegen ein überraschendes Debüt und düpierten die internationale Konkurrenz. Euch gefällt dieser Podcast oder ihr habt Kritik, Fragen oder Anregungen? Dann freuen wir uns, wenn wir von euch hören. Lasst uns gerne bei iTunes eine Rezension und ein bisschen Feedback da. Schreibt uns, was ihr gut oder auch schlecht findet, oder welche Themen wir eurer Meinung nach mal in einer Send...
Francesco Friedrich war in der abgelaufenen Saison mal wieder das Maß aller Dinge. Im Zweierbob hat er zum sechsten Mal in Folge den Weltmeistertitel gewonnen und auch im großen Schlitten freute er sich über Gold. Auch die anderen deutschen Piloten konnten überzeugen und WM-Medaillen holen. Bei den Frauen hingegen war die Rückkehrerin Kaillie Humphries die Überfliegerin der Saison, auch wenn sie nicht den Gesamtweltcup gewonnen hat. Diesen Titel holte sich Stephanie Schneider, die aber wie Mariama Jamanka bei der WM ohne Medaille blieb. Sebastian Mühlenhof (@Seppmaster56) und Mario Driever sprechen auch über die Saison der Skeletonis. Dort konnten Jacqueline Lölling den Gesamtweltcup gewinnen, aber bei der WM gelang ihr keine Medaille. Den deutschen Herren gelang bei der Heim-WM hingegen ein überraschendes Debüt und düpierten die internationale Konkurrenz. Euch gefällt dieser Podcast oder ihr habt Kritik, Fragen oder Anregungen? Dann freuen wir uns, wenn wir von euch hören. Lasst uns gerne bei iTunes eine Rezension und ein bisschen Feedback da. Schreibt uns, was ihr gut oder auch schlecht findet, oder welche Themen wir eurer Meinung nach mal in einer Sendung behandeln sollten. Oder schreibt unserem Moderator Sebastian Mühlenhof direkt per Mail (sebastian.muehlenhof@meinsportpodcast.de) oder per Twitter (@Kaltschnaeuzig). Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.
How To Grow A World-Class Team With Brad HallAbout Brad Hall: PHD in Industrial Organizational Psychology Executive in 4 Dow 30 companies Father of Industrial Organizational Psychology in JapanConnect With Brad:Brad@bradleyhall.com Resources:Come Join Our Community of Titans At: https://www.facebook.com/groups/luckytitans/Check out the TOP TOOLS AND TRAININGS ENTREPRENEURS ARE USING TO WIN IN THE ONLINE MARKET: https://theluckytitan.com/resources
Ah, the old "pretend you're The Devil to adjust the price of soybeans" trick. We are all familiar with this plot. It's Danitra Vance week on Saturday Night Jive and we watched Limit Up from 1989. This is a movie about a feisty woman who dreams of being a successful soybean trader, she's just missing one thing, a penis. She does her best to break the glass ceiling by learning everything she can about the stock market. Oh, and The Devil is involved. Also God is played by Ray Charles and he has a divine plan that involves soybeans. Of all the films we've watched involving the stock market, it turns out that the one with Bobcat Goldthwait and a talking horse made the most sense. Listen to Ben try in vain to explain the economy to George. Is Ray Charles blind in this film? Is Ray Charles a horse? How would Darth Vader use the force to give his buddy a handjob? Are there infinite universes, and if so is there another podcast that talks about Danitra Vance and Brad Hall as much as we do? Is God a poor planner? All these questions plus a lot of talk about soybeans, deals with The Devil, Quantum Leap, plot twists and John Tesh. Enjoy! Download Here
Recent Northwestern graduate Charlie Hall sits down with me as we discuss his career in Northwestern Basketball, his ventures in acting and comedy, as well as being the son of two powerhouse individuals in Hollywood - eleven time Emmy Award Winning actress Julia Louis-Dreyfus and Brad Hall. In this conversation Charlie and I tackle the "imposter syndrome," making his own path toward the entertainment industry, being part of a team, and his web series, "Sorry Charlie," whose inspiration was taken from his own life.
We went Live with multiple Emmy award winning writer/producer, Jay Kogen ~ The Simpsons, Frasier, Everybody Loves Raymond, Malcolm in The Middle, School of Rock, and what a fun ride it 'twas! Had a blast and learned so much about the business of show. Jay has fabulous stories of getting there, being there, and working to stay there. Great humility, huge talent, terrific suggestions. Tales of Tracey Ullman, The Simpsons, James L Brooks, writing for Homer, choosing between Frasier and Seinfeld and landed at The Single Guy. Say what? Back to Sophie's choice and choosing Frasier, and why... Brad Hall, Larry David, Mike Meyers, Garry Shandling, 3 act structure, film school, Jonathan Silverman, his comedy writing, Emmy-winning, one less than Jay, dad, Arnie Kogen, Dean Martin, Totie Fields, Jan Murray, Carol Burnett, Michael Palin, The Tonight Show, Bob Newhart, The Groundlings, Jon Lovitz, Phyllis Katz, Tracy Newman, rhyming the damn improv. He even does Hank Azaria doing an Al Pacino impression. Crazy, high energy, fun! And be sure to order Charlie Kogen's debut album, Songs From The Front Seat http://bit.ly/2lDk13M Jay guarantees you'll love at least 4 songs, all 10 probably, or you can write and bitch to him at JayKogen@aol.com - aol, really Jay? Two words, Gmail! Jay Kogen Live on Game Changers With Vicki Abelson Wed, 9/4/19, 7 pm PT/ 10 pm ET With Pete George Live on The Facebook Full replay here http://bit.ly/2jZxx1h All BROADcasts, as podcasts, also available on iTunes apple.co/2dj8ld3 Soundcloud http://bit.ly/2hktWoS Stitcher bit.ly/2h3R1fl tunein bit.ly/2gGeItj The Live feed is wonky, for a clear view without blur there's this: YouTube http://bit.ly/2lZJ9Cb This week's BROADcast is brought to you by Rick Smolke of Quik Impressions, the best printers, printing, the best people people-ing. quikimpressions.com And, Nicole Venables of Ruby Begonia Hair Studio Beauty and Products or tresses like the stars she coifs, and regular peoples, like me. I love my hair, and I loves Nicole. http://www.rubybegoniahairstudio.com/
Chad Chancellor, Co-Founder of Next Move Group interviews Brad Hall about how Appalachian Power supports economic development in Brad’s region.
Brad Hall from Tazewell Speedway joins Ron and Chris on the Lead Lap to talk about upcoming events at the track.
Brad Hall from Tazewell Speedway joins Ron and Chris on the Lead Lap to talk about upcoming events at the track.
Hour two of the Lead Lap features Ron and Chris Talking with Brad Hall of Tazewell Speedway. Plus more of your driver picks and more talk on NASCAR at Sonoma.
Brad Hall from Tazewell Speedway joins Ron and Chris on the Lead Lap to talk about upcoming events at the track.See omnystudio.com/listener for privacy information.
Hour two of the Lead Lap features Ron and Chris Talking with Brad Hall of Tazewell Speedway. Plus more of your driver picks and more talk on NASCAR at Sonoma.
Brad Hall from Tazewell Speedway joins Ron and Chris on the Lead Lap to talk about upcoming events at the track.
Hour two of the Lead Lap features Ron and Chris Talking with Brad Hall of Tazewell Speedway. Plus more of your driver picks and more talk on NASCAR at Sonoma.
Brad Hall from Tazewell Speedway joins Ron and Chris on the Lead Lap to talk about upcoming events at the track.
Brad Hall from Tazewell Speedway joins Ron and Chris on the Lead Lap to talk about upcoming events at the track.
Today on after hours radio we are honored to host Brad Hall and UO alum Dustin Freeman! They are both currently working @ AKQA in Portland and are here to talk with us about agency life and what it means to love your job. Brad is a creative director while Dustin made his way from account management to the production side of things. Both have worked on many big accounts like Burger King, Nike, and Amazon. Let's welcome the two!
Chris Stratis came to the point where he questioned everything he believed about fitness, and decided to put his focus towards having a body that works for the long term. To Chris, fitness isn’t about the abs and biceps. Yes we want to look good, and yes, training should create a positive outcome. But why wreck your longevity for gains? The goal in training is to improve heart strength, mobility, stability, balance, strength, to counter the effects of sitting and bad postures, and yes lose weight and reach our goal in the process. Humans are also meant to be able to get in certain positions and be able to stabilize our bodies in those positions and move through ranges of motion in those positions.We talk about how Chris has been able to help office workers with up to 35 years chronic pain, out of pain; athletes hurting within their sport, getting out of pain; squash players feeling & moving better and pain free on and off the court. Also, racket sport players who are now able hit all those shots they once missed as their mobility increases. Every golfer Chris has trained can now hit the ball farther and straighter.If you enjoyed this episode, an iTunes review would be SO appreciated! It's super easy to do right within the Podcast app.SHOW NOTES: IMPORTANT LINKS Chris Stratis website and blog.Chris nominates Brad Hall and Darcia Fenton to come on the I Love Kelowna Podcast. Thank you so much to Karen Humes for nominating Chris! The I Love Kelowna Podcast has been downloaded thousands of times. It has a growing audience of people who are keenly interested in Kelowna and the Okanagan. To find out about ways to make a lasting impression on this growing audience, please send me a message.Follow me on Social Media:I Love Kelowna Podcast on FacebookInstagramLinkedinLuke Menkes Kelowna RealtorMy Personal Facebook PageIn this episode, we discuss #strenthtraining, #balancetraining, #mobilitytraining, #cardio, #fitness, #holisticfitness,#exploreKelowna, #KelownaNow, #YLW, #YVRtoYLW, #YEGtoYLW, #ExploreYLW, #YYCtoYLW, #Relocation, #KelownaViews, #handpickedkelowna, #kelownalife, #kelownaliving, #exploreBC, #Kelowna, #Okanagan, #podcast, #RealEstateSupport the show (https://paypal.me/lukemenkes)
Brian L. Tan, "BLT" is a film director and also the co-founder of WRAPAL, a company that is revolutionizing the location scouting process in the entertainment industry and beyond. It consists of a free, user-driven community that connects filmmakers and photographers that need locations with property owners who are willing to rent out their spaces. Brian is a very charismatic, driven man who has truly been inspired by his friend and mentor, entrepreneur Brad Hall, who founded the very website entertainmentcareers.net. This is truly an inspiring, informative episode, as Brian passes along to us, much of the wisdom that Brad has passed along to him.
Gary welcomes back to the Booth author Mark Larson, whose oral history is a chronicle of the past, present and future of Chicago Theatre. Having recently turned in his manuscript to date, Mark had interviews come through with Pulitzer Prize winning playwright and actor Tracy Letts, and actress Julia Louis-Dreyfus. It truly is a never ending story. Julia attended Northwestern University and worked briefly at Second City before being scooped up by Lorne Michaels for Saturday Night Live, along with her husband Brad Hall and the two other members of their storefront Practical Theater Company. Four people asked at once is remarkable. Check out some footage of this here. Woven throughout this update of Mark's progress on his book, "Ensemble - An Oral History of Chicago Theatre" are anecdotes and quotes from amazing artists about what it's like to have Chicago roots. And how the fun part was really before big success for many of them. Gary and Mark also discuss seeing recent productions of Traitor at A Red Orchid, An Enemy of the People at the Goodman, and The Beauty Queen of Lenane at Northlight. Michael Shannon directed Brett Neveu's Traitor, which was an adaptation of Enemy of the People. Mark describes the trip the audience took for this performance and we are very sorry to have missed it. He also talks about Michael, who was a major supporting actor in Best Picture award winning movie, The Shape of Water, skipping the Oscars to come to the closing night performance of Traitor, then watching the awards on mute at the legendary Old Town Ale House. Gary and Mark talk about theatre in these times of Trump. Mark points us to an excellent article in the New York Times in which Rachel Schteir describes several productions of An Enemy of the People as "timely as a tweet." Mark will teach a seminar to the 10 winners of the Golden Apple awards. If you haven't read about this amazing project, started by Mike and Pat Koldyke, it is absolutely inspiring. Speaking of inspiration, Mark was blown away when he sat in on one of Studs Terkel's interviews at WFMT. His astonishing archive of radio interviews, what Gary and Mark call "A walk through the 20th century" will be available to the public on May 16. The website will be studsterkel.org. Gary shares a New Yorker Talk of the Town piece about Extreme Theater Goer and hoarder of shows, Joanne Veniziano, along with excellent commentary from friend of the show, Nancy Needles. Mark speaks eloquently about Emma Gonzalez and the other student speakers at March for our Lives. Listen and watch these breathtaking speeches. Kiss Of Death: Russ Solomon, Founder of Tower Records. His legacy was so great for so many of us. Read his NYT obit here.
Story: Kate und Phil tun nach dem Umzug nach Los Angeles das, was beruflich erfolgreiche junge Eltern gern machen: Sie nehmen sich mit der sympathischen Camilla ein Kindermädchen für ihren Neugeborenen. Was sie nicht ahnen: Ihr „Guardian Angel“ hängt einer uralten druidischen Religion an, die Kinder an einen mächtigen Baumgott opfert. Und ihr einziger Sohn soll zum nächsten Opfer des mörderischen Kults werden... DVD/Blu Ray-Release: 13.07.2017 (Koch Media GmbH - DVD) The Guardian Genre: Thriller, Horror, Occult Land: USA 1990 Laufzeit: ca. 92 min. FSK: 16 Regie: William Friedkin Drehbuch: Stephen Volk, Dan Greenburg, William Friedkin Buch: Dan Greenburg Mit Jenny Seagrove, Dwier Brown, Carey Lowell, Brad Hall, Miguel Ferrer, ... https://youtu.be/rwrctOeQZbc
Story: Kate und Phil tun nach dem Umzug nach Los Angeles das, was beruflich erfolgreiche junge Eltern gern machen: Sie nehmen sich mit der sympathischen Camilla ein Kindermädchen für ihren Neugeborenen. Was sie nicht ahnen: Ihr „Guardian Angel“ hängt einer uralten druidischen Religion an, die Kinder an einen mächtigen Baumgott opfert. Und ihr einziger Sohn soll zum nächsten Opfer des mörderischen Kults werden... DVD/Blu Ray-Release: 13.07.2017 (Koch Media GmbH - DVD) The Guardian Genre: Thriller, Horror, Occult Land: USA 1990 Laufzeit: ca. 92 min. FSK: 16 Regie: William Friedkin Drehbuch: Stephen Volk, Dan Greenburg, William Friedkin Buch: Dan Greenburg Mit Jenny Seagrove, Dwier Brown, Carey Lowell, Brad Hall, Miguel Ferrer, ... https://youtu.be/rwrctOeQZbc
Saturday Night Live Alum, Gary Kroeger, currently running for the Iowa House of Representatives, talks about the climb, his lifelong associations with Julia Louie Dreyfus and Brad Hall... how they broke the big time and how that led him back home to run for public office. And, we laugh. A lot. This week's show sponosred by Quik Impressions, The best printers with the best customer service. http://quikimpressions.com Vicki Abelson's BROADcast: The Road Taken, originally aired, Tues, Oct 4th, 6 pm PT/ 9 pm ET on Conversations Radio Network. Now Archived shows are available on iTunes http://apple.co/2dj8ld3 Produced by Justin Lebens
This episode features Brad Holder a very young theatre co ordinator and gifted musician we talk about music religion and the theory of a Pixar Conspiracy along with the rock Garage stalwart Adam Snell plus we hear music from Brad holder and after i accidentally called him Brad Hall we listen to Indigenous Australian legend Brad hall with "Big Man "
Falamos de YouTube, o que achamos de mais incrível e pra onde achamos que ele vai. Além de Gandalf curtindo sax por 10 horas seguidas, é claro. Brad Hall https://www.youtube.com/channel/UC_RkluqFBA8hKxmT1Axp1_g Casey Neistat https://www.youtube.com/channel/UCtinbF-Q-fVthA0qrFQTgXQ CGP Grey https://www.youtube.com/channel/UC2C_jShtL725hvbm1arSV9w Marques Brownlee https://www.youtube.com/channel/UCBJycsmduvYEL83R_U4JriQ Jô Onze e Meia https://pt.wikipedia.org/wiki/J%C3%B4_Soares_Onze_e_Meia ASMR - Autonomous Sensory Meridian Response https://en.wikipedia.org/wiki/Autonomous_sensory_meridian_response Vevo https://socialblade.com/youtube/network/vevo Jimmy Fallon https://www.youtube.com/channel/UC8-Th83bH_thdKZDJCrn88g No Film School http://nofilmschool.com/ Academy Originals https://www.youtube.com/channel/UCzuwS1ll2HuQ1wV-tqf43KQ Braille SkateBoarding https://www.youtube.com/channel/UC9PgszLOAWhQC6orYejcJlw The Lonely Island https://www.youtube.com/channel/UCCHcEUksSVKsRDH86j77Ntg Episódio sobre VR http://www.faq21.com/blog/2015/6/15/007-is-this-real-life Poker 360º https://www.youtube.com/watch?v=F8CYnGB_G8M YouTube Gaming https://gaming.youtube.com/ Twitch http://www.twitch.tv/ KurtJMac - Farlands or Bust https://www.youtube.com/channel/UC1Un5592U9mFx5n6j2HyXow Gandalf Sax https://www.youtube.com/watch?v=Sagg08DrO5U Adventure Time Bacon Pancakes https://www.youtube.com/watch?v=1eO5U_uN7DQ Canal da Karlie Kloss https://www.youtube.com/channel/UCH5Qu8Sd-m-7Zk4xc_J5VzA
Brad Hall is an actor/writer/producer/director, alumnus of SNL, part-time rock 'n' roller and husband to some lady named Julia Louis-Dreyfus. Hear how he went from being the son of an Episcopal priest in sunny Santa Barbara to the comedy hotbed and serious theater scene of Chicago to then be plugged into the cast of Saturday Night Live (at the high-profile Weekend Update desk, no less.) After two rocky seasons there he went on to work mostly behind the scenes in film and television, including shows like the critically-acclaimed Brooklyn Bridge and the "Must See TV"-era The Single Guy. Brad's journey in entertainment has highs and lows and he tells his story with great insight, humor...and MUSIC! The first SnarkMonkey guest to perform live, Brad breaks out the guitar to play his hit viral tune "Don't Be An Asshole" and more. (He also address the rumor that his wife is a billionaire heiress. SPOILER ALERT: Not true.) Enjoy! -LM Here's the SNL MTV Video parody we reference: "Look At Our Video" Here's Brad manning the SNL National Phone-In Democratic Primary Desk See more about the documentary Generosity of Eye here. And here's Brad's performance of his song filled with good advice to seniors at Williston Northampton School in Easthampton, Mass.
Brad Hall is an actor/writer/producer/director, alumnus of SNL, part-time rock 'n' roller and husband to some lady named Julia Louis-Dreyfus. Hear how he went from being the son of an Episcopal priest in sunny Santa Barbara to the comedy hotbed and serious theater scene of Chicago to then be plugged into the cast of Saturday Night Live (at the high-profile Weekend Update desk, no less.) After two rocky seasons there he went on to work mostly behind the scenes in film and television, including shows like the critically-acclaimed Brooklyn Bridge and the "Must See TV"-era The Single Guy. Brad's journey in entertainment has highs and lows and he tells his story with great insight, humor...and MUSIC! The first SnarkMonkey guest to perform live, Brad breaks out the guitar to play his hit viral tune "Don't Be An Asshole" and more. (He also address the rumor that his wife is a billionaire heiress. SPOILER ALERT: Not true.) Enjoy! -LM Here's the SNL MTV Video parody we reference: "Look At Our Video" Here's Brad manning the SNL National Phone-In Democratic Primary Desk See more about the documentary Generosity of Eye here. And here's Brad's performance of his song filled with good advice to seniors at Williston Northampton School in Easthampton, Mass.
So you're plucked out of obscurity while doing sketch comedy in Chicago with friends like Brad Hall and Julia Louis-Dreyfus to be on Saturday Night Live as the fresh new comedy voices and save the franchise - only to then be in the shadow of strong personalities like Eddie Murphy, Martin Short and Billy Crystal - then you try to find your way through show business with that pedigree as your ticket - then you run a restaurant - then drop out and go back to the Midwest to try and lead a normal life - where you get divorced and get political...and...and... That, and so much more, is the strange, fabulous journey of one Gary Kroeger. His story, tinged with no bitterness or negativity, is fascinating, funny and ultimately inspiring. Prescience, sword-fighting and even George Hamilton are included in this highly snarky episode - but, alas, no monkeys. -LM
So you're plucked out of obscurity while doing sketch comedy in Chicago with friends like Brad Hall and Julia Louis-Dreyfus to be on Saturday Night Live as the fresh new comedy voices and save the franchise - only to then be in the shadow of strong personalities like Eddie Murphy, Martin Short and Billy Crystal - then you try to find your way through show business with that pedigree as your ticket - then you run a restaurant - then drop out and go back to the Midwest to try and lead a normal life - where you get divorced and get political...and...and... That, and so much more, is the strange, fabulous journey of one Gary Kroeger. His story, tinged with no bitterness or negativity, is fascinating, funny and ultimately inspiring. Prescience, sword-fighting and even George Hamilton are included in this highly snarky episode - but, alas, no monkeys. -LM
Incomparable great power to those who believe. Listen as Brad Hall shares 4 major ways we can experience God's power for today.
Incomparable great power to those who believe. Listen as Brad Hall shares 4 major ways we can experience God's power for today.
Incomparable great power to those who believe. Listen as Brad Hall shares 4 major ways we can experience God's power for today.
Incomparable great power to those who believe. Listen as Brad Hall shares 4 major ways we can experience God's power for today.
This week at Calvary Chapel Newcastle guest speaker Brad Hall gives a topical teaching called "Fruit of the Womb" from Hebrews 4 : 1 - 16. For more teachings, visit: https://ccn.org.au/teachings If you have any questions, please visit https://ccn.org.au/contact and get in touch!
Vicki White a top producing agent in the Dallas area. She has a boutique agency called Vicki White Homes that is a part of Dallas City Center Realtors. She was named BEST REALTOR 2012 by D magazine and has also been chosen by Dallas Morning News in the past as Best Realtor.Vick is a consistent multi-million dollar producer. Learn more about Vicki and her team at Vickiwhitehomes.com Brad Hall is the current owner of Geaux Play Sports Fitness and Training in Birmingham, Alabama. He was a minor league baseball coach for 6 years, most recently with the Washington Nationals. Brad currently is the Director of Baseball Camps and Lessons and has clients all across the country, including many top prospects. He also was a contributing author to the best selling book, The Fit Formula. Brian Chase is a Auto Defects Expert , 19-Year Personal Injury Attorney ,Partner at Bisnar | Chase Personal Injury Attorneys, Newport Beach, California Andrea Adams-Miller, MS, CEO & Founder of IgniteYourRelationships.com, LLC, “Puts the Sizzle in Business Relationships” for Corporations, Entrepreneurs, and Organizations. A respected and highly sought-after business consultant, keynote speaker, best-selling author, and award-winning radio show host, Andrea reveals the business secrets to create, retain, and sustain lucrative ‘REAL' relationships with stakeholders. Steve Hand is one of the best-selling authors of the book Building the Ultimate Network which provides cutting edge ideas from experts around the world about how to develop productive relationships for business success. Steve has been an entrepreneur all of his life and is the Executive Director of Business Network International.
Brad Hall, Managing Partner of Hall & Company CPAs joins host Richard Franzi as his featured guests. Brad and Richard talk about a wide range of topics including how the Affordable Care Act is impacting business owners.
Julia Louis-Dreyfus and Brad Hall, “Picture Paris”: Meet the Filmmaker
-Kate Galkina, CFP at Compak Asset Management and Brad Hall, CPA at Hall & Company Moe talks about the Timeless Tax Planning in a Changing Tax World report and the special report on the Tax Relief/Job Creation Act of 2010.
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