Podcasts about amirpour

Von aristokratischen Lebedamen und -männern mit Reißzähnen zu Y2K-glitzernden Popkultur-Sternchen: die Welt der Vampire bietet einige riesige Projektionsfläche für gute Geschichten. Die Wandelbarkeit eines der wohl beliebtesten Monster im Horrorgenre macht auch vor der heutigen Folge nicht halt. Denise hat den iranischen Vampir-Western “A Girl Walks Home Alone at Night” (2014) von Ana Lily Amirpour unterm Cape. Der Film, in dem eine lässig-skateboardende Vampirin im Tschador Rache an den Bösewichten ihrer Stadt nimmt, ist ein atmosphärisches und ästhetisches Meisterwerk. In dieser Folge hört ihr von Denise, was Amirpour so Neues mit dem Vampir-Trope macht. Kim wiederum begibt sich in Draculas Schloss, und zwar im Kontext des Videospiels “Castlevania: Symphony of the Night” (1997). Der Sleeper-Hit, der erst Jahre nach Erscheinen ein Cult-Following gewinnen konnte, ist nicht nur laut Kim eins der hübschesten Pixel-Look-Spiele, sondern auch ein wichtiger Vorfahre für die Souls Games. Bleibt uns nur zu sagen: Lasst Fenster und Türen trotz sommerlicher Hitze am besten zu…Achtung!- Es gelten milde Spoilerwarnungen für den Film “A Girl Walks Home Alone at Night”, aber keine Sorge: das Ende wird hier nicht verraten.- Eine größere Spoilerwarnung sprechen wir für “Castlevania: Symphony of the Night” aus; Kim erzählt hier relativ viel zur Geschichte und auch zu den Enden des Videospiels.Shownotes: https://www.dropbox.com/scl/fi/ovokcy9tnjhro5okh33sb/47-Vampire-Shownotes.docx?rlkey=acimgyfxy1zfskn6g6d32ar1r&st=n6j2izs4&dl=0 Um zu “Folge 15: Vampire” vom Podcast “Ungeheuer Vernünftig - Rollenspiel & Wissenschaft” zu gelangen, folgt einfach diesem Link: https://vernunftgeheuer.podigee.io/15-vampireZur offiziellen Null Uhr Eins Spotify Playlist geht's hier entlang: https://open.spotify.com/playlist/7qFygrdVtle2iMBKqeWEM7?si=88666dc9d95a4279 

Sales education is far more nuanced than simply teaching sales. For Semira Amirpour, it requires a commitment to understanding and respecting diverse cultures in the business world and an ability to constantly adapt based on external factors and a rapidly evolving field. In this episode of the Campus Series podcast, Semira, a Professor of Instruction at the University of Texas at Dallas, discusses the importance of cultural intelligence in sales and marketing education, the challenges and opportunities presented by rapidly evolving technology in this space, and the crucial role adaptation and agility play in her career.  

Ondi Timoner ("We Live in Public") returns to Filmwax for her second visit to talk about her latest documentary, a highly personal film to say the least, called "Last Flight Home". Behind a white picket fence, on an unremarkable suburban street, we discover Eli Timoner, who founded Air Florida, the fastest growing airline in the world in the 1970's. During his final days, we discover his extraordinary life filled with incredible success and devastating setbacks, and most importantly, an innate goodness which won him the enduring love and support of his family. Through stunning verité footage recorded by his middle child, "Last Flight Home" takes audiences on a heart-wrenching ride through Timoner's life, illustrating a modern day success story built on the power of human connection. The film is currently screening at the IFC Center in NYC. It will begin its Los Angeles theatrical at the Laemmle Monica Center on Friday, October 14th. Then it will stream on Paramount+ as of November. https://www.youtube.com/watch?v=WhIF7DHF9zc&t=36s Ana Lily Amirpour ("A Girl Walks Home Alone at Night") returns to Filmwax for her second visit (!) after several years to discuss her new thrill ride of a film, "Mona Lisa and the Blood Moon" which is now out in theaters. Kate Hudson and Jun Jong Seo star in this mind-bending thriller from visionary director Amirpour. When a struggling single-mother (Hudson) befriends a mysterious mental institute escapee with supernatural powers (Jong Seo), she sees a lucrative opportunity to make some fast cash. But when they draw the attention of a detective (Craig Robinson), their luck starts to run out as the cops close in on their crime-spree. https://www.youtube.com/watch?v=q4Kkq7CbmnI&t=280s

Leweke, Ankewww.deutschlandfunkkultur.de, VollbildDirekter Link zur Audiodatei

A Girl Walks Home Alone at Night is a unique take on the vampire mythos. Ana Lily Amirpour had written a dozen screenplays but wasn't getting any traction with getting them made. That's when she had the idea for her Iranian vampire story. The script came easily and was something she could make in the small town of Taft CA on an ultra-low budget. Watching the film, though, Amirpour clearly had a vision and was able to bring it to screen. The film is hypnotic, dark, full of mood, and surprisingly romantic. Join us – Pete Wright and Andy Nelson – as we continue our Horror Debuts series with Amirpour's 2014 film A Girl Walks Home Alone at Night. They don't say much in Amirpour's film, but we have a lot to say about it. It's an interesting film in its simplicity and pacing. Combing through reviews, it seems a good number of people find issue in the slow pace and long takes. Even Pete initially reacted this way. But this film has a way of sticking with you. Both of us found the film to be one that lingers, and in the end, we both ended up big fans of Amirpour's vampire story. Is it the fact that it's horror-lite? Or perhaps that we connected with the romance, which Amirpour herself talks about as being like in a John Hughes film? Regardless, it's a bit hypnotic spending time in this film and one we'd return to readily. The black-and-white cinematography by Lyle Vincent paired with Amirpour's story as well as the soundtrack fully immerse us in this town of Bad City. It helps that Sheila Vand plays such a compelling vampire, stalking the streets in her chador and on her skateboard. And we're intrigued by the larger messages Amirpour puts forth in the film, even if she's not overtly trying to make comments on these things. Things like the oppression of women in Iran and other Middle Eastern countries. Addiction. Social isolation. Depression. Social status. Even the way we drain the land of its oil like vampires on the Earth is emphasized over and over again with the shots of the oil pumpjacks moving up and down. But it's not a message movie. Amirpour includes those elements as themes to look at and think about, but we think she's really focused on the love story and these two lost souls trying to find a connection in a dark town. A Girl Walks Home Alone at Night is really a love story. That connection between Arash, played by Arash Marandi, and Vand's vampire (called simply The Girl) is the beating heart in this dark, cold movie. The scenes the two of them have together – at the street light, in her place, and at the power plant – create strong moments that are some of the more unforgettable moments in cinema. We found a strong connection to this film. It's one we'll likely jump back into sooner rather than later to reconnect with Arash and The Girl. We have a great conversation about Amirpour's film A Girl Walks Home Alone at Night. Check it out and tune in to this week's show. The Next Reel – when the movie ends, our conversation begins! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM. Watch this on Apple or Amazon, or find other places at JustWatch Script Transcript Theatrical trailer Poster artwork Flickchart Letterboxd

A Girl Walks Home Alone at Night is a unique take on the vampire mythos. Ana Lily Amirpour had written a dozen screenplays but wasn't getting any traction with getting them made. That's when she had the idea for her Iranian vampire story. The script came easily and was something she could make in the small town of Taft CA on an ultra-low budget. Watching the film, though, Amirpour clearly had a vision and was able to bring it to screen. The film is hypnotic, dark, full of mood, and surprisingly romantic. Join us – Pete Wright and Andy Nelson – as we continue our Horror Debuts series with Amirpour's 2014 film A Girl Walks Home Alone at Night. They don't say much in Amirpour's film, but we have a lot to say about it. It's an interesting film in its simplicity and pacing. Combing through reviews, it seems a good number of people find issue in the slow pace and long takes. Even Pete initially reacted this way. But this film has a way of sticking with you. Both of us found the film to be one that lingers, and in the end, we both ended up big fans of Amirpour's vampire story. Is it the fact that it's horror-lite? Or perhaps that we connected with the romance, which Amirpour herself talks about as being like in a John Hughes film? Regardless, it's a bit hypnotic spending time in this film and one we'd return to readily. The black-and-white cinematography by Lyle Vincent paired with Amirpour's story as well as the soundtrack fully immerse us in this town of Bad City. It helps that Sheila Vand plays such a compelling vampire, stalking the streets in her chador and on her skateboard. And we're intrigued by the larger messages Amirpour puts forth in the film, even if she's not overtly trying to make comments on these things. Things like the oppression of women in Iran and other Middle Eastern countries. Addiction. Social isolation. Depression. Social status. Even the way we drain the land of its oil like vampires on the Earth is emphasized over and over again with the shots of the oil pumpjacks moving up and down. But it's not a message movie. Amirpour includes those elements as themes to look at and think about, but we think she's really focused on the love story and these two lost souls trying to find a connection in a dark town. A Girl Walks Home Alone at Night is really a love story. That connection between Arash, played by Arash Marandi, and Vand's vampire (called simply The Girl) is the beating heart in this dark, cold movie. The scenes the two of them have together – at the street light, in her place, and at the power plant – create strong moments that are some of the more unforgettable moments in cinema. We found a strong connection to this film. It's one we'll likely jump back into sooner rather than later to reconnect with Arash and The Girl. We have a great conversation about Amirpour's film A Girl Walks Home Alone at Night. Check it out and tune in to this week's show. The Next Reel – when the movie ends, our conversation begins! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM. Watch this on Apple or Amazon, or find other places at JustWatch Script Transcript Theatrical trailer Poster artwork Flickchart Letterboxd

Última entrega de La Sexta Nominada sobre la 78 edición del Festival de Venecia. Con la ayuda del invitado especial Endika Rey, Daniel Martínez Mantilla repasa por última vez las películas, los nombres propios y las curiosidades de su segunda edición en la Biennale. En el cuarto programa comentamos el drama sobre el aborto 'El acontecimiento', las cintas de género 'Última noche en el Soho' y 'Mona Lisa and the Blood Moon' y la propuesta a medio camino del documental y la ficción 'Il Buco'. No te pierdas nuestro análisis sin spoilers de Edgar Wright, Ana Lily Amirpour o Audrey Diwan, además del repaso a películas que vimos lejos de la competición como 'Atlantide', 'A Plein Temps', 'Costa Brava, Líbano', 'Las promesas' y la española 'Tres'.

The 2014 feature was directed by Ana Lily Amirpour, whose work has been compared to  Jim Jarmusch, Robert Rodriguez, and David Lynch. Amirpour made her first film at 12 years old, using her family's home camcorder during a slumber party.  It was a horror film.Twitter @freshmoviepodInstagram @abreathoffreshmovieabreathoffreshmovie@gmail.com

"Sad songs hit the spot." In this episode, Dan is joined by Calvin Cruz (Two Men and a Puppet) and Cody Narveson (Trylove and Stoop Kidz!) to talk about Ana Lily Amirpour's genre-blending vampire movie A Girl Walks Home Alone at Night. We discuss the way Amirpour mixes elements of different genres to make her own, the use of black-and-white photography in movies, moments that are so triumphant they make you stand up, as well as Masuka - cat actor extraordinaire!  Along the way we also share everything we learned. To hear more from Cody, listen to him on Tryloveand Stoop Kidz! A Hey Arnold! Podcast.  Calvin was formerly on Two Men and a Puppet, but that has been erased from the internet. For more from everyone, follow us at the below locations: Twitter: Tyler - @MisterSiye Dan - @aDapperDanMan Cody - @Cody_BH Letterboxd: Dan - aDapperDanMan Calvin - happyavocado Cody - codynarveson Twitch: https://www.twitch.tv/mrsiye See omnystudio.com/listener for privacy information.

Meaning What Movie Club: March Edition! This month, we discuss Ana Lily Amirpour's 2014 Iranian-American Vampire Western A Girl Walks Home Alone at Night. Celebrated upon its release for its unique visuals and subversive undertones, Amirpour's black-and-white-rockabilly-goth-romp is often heralded as a feminist indie jewel. A lot has changed in the past 7 years though; is this film still as progressive as it once seemed? Listen and find out. Why are you still reading this?   Follow us on Instagram, Twitter, and sign up for the newsletter. ——— Meaning What is a product of it's no sam studios Created by Mason Hershenow Produced by Sean Ang and Christopher Scott McNeill This episode edited by Christopher Scott McNeill Mix and additional editing by Mason Hershenow Our theme music is "January: Brief" by Mason Hershenow

Ein Inspirierendes Leben und eine Marke! Sue Amirpour aka. Lillet_Sue ist als Brand Ambassadorin das Gesicht der Marke Lillet in Deutschland. Aber darüber hinaus ist Sie auch ein Faszinierender Mensch mit einer spannenden Geschichte. Eigentlich tauchte Ihr Name erst vor einigen Jahren in der Deutschen Barzene auf. Aber diese Jahre waren sehr ereignisreich und beeinflussend für viele Barkeeper. In dieser Folge könnt Ihr Euch auf viel Hintergründe und einige Geheimnisse freuen, die Sue dahin gebracht hat, wo sie heute angekommen ist. Lasst Euch von Sue`s fröhlichkeit anstecken und wir wünschen Euch viel Spaß beim Zuhören. Vergesst nicht diesen Podcast zu Abonnieren und folgt mir auch auf Instagram unter: Eyck.Thormann Maxim Schulte (ex. Head Bartender at The Savoy Hotel London) wir mir in der nächsten Folge Rede und Antwort stehen. Wer von Euch Maxim bisher nicht kannt, es wird Zeit das nachzuholen! Aber dazu bald mehr in Hidden Bar History

Please help the Black Lives Matter movement by visiting this website: https://blacklivesmatters.carrd.co/ Donate to Trans Lifeline: https://www.giveoutday.org/organization/Translifeline We're back! AGAIN! This week your favorite ghouls discuss Ana Lily Amirpour's sophomore film: The Bad Batch (2016). Topics of discussion: racism, white privilege, the boarder wall, post-apocalyptic fairytales, and the American Dream. --- Follow Bianca Xunise: https://www.instagram.com/biancaxunise/?hl=en Thanks to Lily LeBlanc for our theme song: www.lilythecomposer.com --- Resources: The Bad Batch (2016). dir. Amirpour, Ana Lily The Bad Batch Wikipedia https://en.wikipedia.org/wiki/The_Bad_Batch Ana Lily Amirpour on romance in the desert and the racial controversy over her new film, The Bad Batch by Kaitlyn Tiffany https://www.theverge.com/2017/6/23/15855842/the-bad-batch-interview-ana-lily-amirpour-dystopia Ana Lily Amirpour Responds to Racism Charges — But Won’t Apologize For Making You Uncomfortable by Eric Kohn https://www.indiewire.com/2017/06/ana-lily-amirpour-interview-the-bad-batch-1201846307/ The Bad Batch isn't a great dystopian film, but it's definitely an interesting one by Alissa Wilkinson https://www.vox.com/summer-movies/2017/6/23/15844944/bad-batch-review-ana-lily-amirpour ‘The Bad Batch’ is a poetic — and disturbingly persuasive — parable by By Michael O'Sullivan https://www.washingtonpost.com/goingoutguide/movies/the-bad-batch-is-a-poetic--and-disturbingly-persuasive--parable/2017/06/22/c8368164-5389-11e7-91eb-9611861a988f_story.html ‘The Bad Batch’ Review: It’s Social Rejects vs. Cannibals in Dystopia U.S.A. by Peter Travers https://www.rollingstone.com/movies/movie-reviews/the-bad-batch-review-its-social-rejects-vs-cannibals-in-dystopia-u-s-a-204752/ 'Bad Batch' director on racism, her intentions and growing up Iranian-American by Michael Phillips https://www.chicagotribune.com/entertainment/movies/ct-ana-lily-amirpour-bad-batch-20170627-column.html Maybe someday the world will appreciate The Bad Batch, but not today by Katie Rife https://film.avclub.com/maybe-someday-the-world-will-appreciate-the-bad-batch-1798191861 ‘The Bad Batch’ Review: Cannibals Battle Skateboarders in Confusing Saga by Tricia Olszewski https://www.thewrap.com/the-bad-batch-review-jason-momoa-ana-lily-amirpour/ ‘The Bad Batch’ Review: A Half-Cooked Cannibal Tale BY ADAM CHITWOOD https://collider.com/the-bad-batch-review/ The Title of The Bad Batch Tells You All You Need to Know by Jordan Hoffman https://www.vanityfair.com/hollywood/2016/09/the-bad-batch-movie-review Film Review: ‘The Bad Batch’ Cannibals and Trump-era politics converge in Ana Lily Amirpour's striking but dissatisfying sci-fi mashup. By Guy Lodge https://variety.com/2016/film/reviews/the-bad-batch-review-1201852606/ The Bad Batch': Venice Review https://www.hollywoodreporter.com/review/suki-waterhouse-bad-batch-review-925877 Keanu Reeves Gives a Dramatic Pitch for ‘The Bad Batch’ with Ana Lily Amirpour https://www.indiewire.com/2017/06/keanu-reeves-the-bad-batch-interview-1201846642/

A Girl Walks Home Alone at Night (2014) is debut director Ana Lily Amirpour’s stylish Iranian vampire spaghetti western. It’s more or less everything we like here at Scary Thoughts: it looks cool, it has a great soundtrack, a mesmerizing cast, and it’s about the undead. We talk about why we both loved it, we disagree about Amirpour’s follow-up film, and get into why female artists are great, but can’t get behind “male feminists of Tinder.”

Hanau // Sembo Amirpour // WORLDCLASS Germany Uns war nach richtig guten Drinks zumute - und boy, oh boy! haben wir bekommen, was wir wollten: Weltklasse-Cocktails zum Weltklasse-Talk, im "The Old Jacob" in Bonn mit dem unnachahmlichen Sembo Amirpour, WORLDCLASS Bartender of the Year 2019 Germany. Gelernt haben wir unter anderem, wie man aus Suppe Cocktails  macht, warum es für Basketballer schon reicht, wenn die Haare groß sind - und was James Bond da tatsächlich säuft, wenn er sich den Martini schütteln lässt.

Der deutsche World Class Bartender Sembo Amirpour über Mindset-Shifts, Selbstdisziplin und Empathie im (Bar)Leben.

This week CTC looks at Ana Lily Amirpour's 2014 Iranian vampire film A Girl Walks Home Alone At Night.  It's a film full of style and gorgeous visuals that takes a different look at the vampire genre.  We also talk about new releases, offer a mini review of Avengers Infinity War, and pay our respects to Verne Troyer.

Die zweifache Barbesitzerin Sue Amirpour aus Bonn verrät die wichtigsten Schritte und ihre wertvollsten Learnings auf dem Weg zur eigenen Bar

We break down Ana Lily Amirpour and her summer movie starring Jason Momoa and Keanu Reeves. We have varying opinions but boy are they strong! With special guest Anna Suzuki (AZN-POP!)     

On this episode, we're talking with Federale's Collin Hegna about the Portland band's work in the films of Ana Lily Amirpour. Federale's been releasing music for a decade now, but their music came to the notice of many genre fans with its inclusion in Amirpour's debut feature, the striking take on the vampire film entitled A Girl Walks Home Alone At Night. The group also has a song in the director's recently-released The Bad Batch. Collin and I talked about the formation of the band, as well as their work in Amirpour's films.

Ana Lily Amirpour got lots of attention for her 2014 Iran-set vampire movie "A Girl Walks Home Alone At Night." She's back this year with "The Bad Batch," a Sergio Leone-inspired western with cannibals and a double-amputee for a protagonist (Suki Waterhouse). The new movie features a cast that includes Jim Carrey, Keanu Reeves and Jason Momoa. Adam and Amirpour talk the relativity of badness, the consequences of seeing inappropriate movies at an early age and their favorite Keanu performances. Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt and Cat speculate wildly! Tune in as we give the rundown on the upcoming Overlook Film Festival (April 27-30) at the Timberline Lodge in Oregon. We were able to nab tickets to some but not all of the films being screened - so this week we are talking about all the films we're going to miss. Having seen all the trailers we could get our hands on, we get a bit speculative on Lily Ana Amirpour's sophomore effort - The Bad Batch, tense social commentaries like Amat Escalante's The Untamed, and off the wall splatter flicks like Yoshihiro Nishimura's Meatball Machine Kodoku. Want to get a head start on what to look out for this year in horror? Look no further! 

It is a celebration of Iranian cinema on this episode of the show. First up we seem to have Ana Lily Amirpour's A Girl Walks Home Alone at Night on the brain as Courtney's short film, Kevin Hamedani's In Her Place, stars Shelia Vand, who famously played the lead in Amirpour's breakthrough film. Andrew opts for a more direct connection with his short film selection, Milena Pastreich's I Feel Stupid which was written by Amirpour. For their main discussion the pair dive into the murky marital waters of Asghar Farhadi's 2006 drama Fireworks Wednesday, a tale of a house cleaner who gets more than she bargains for when her latest job unexpectedly places her in the middle of a domestic dispute between her new employer and his wife. If you like what you hear, or want to offer some constructive criticism, please take a moment to rate our show on iTunes. If you have a comment on this episode, or want to suggest a film for us to discuss, feel free to contact us via twitter (@ChangingReelsAC) or by email (Changing.Reels.AC@gmail.com). You can also find hear our show on SoundCloud or Stitcher.

On June 27 A GIRL WALKS HOME AT NIGHT filmmaker Ana Lily Amirpour joined Lars Nilsen and AFS members for a one-hour Moviemaker Dialogue about writing, casting, directing and staying inspired while making a film. Note: there is some adult language and Ms. Amirpour's metaphors can be as profane as they are instructive.