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18 episodes with Austin Film Society
3 episodes with Austin Film Society
3 episodes with Austin Film Society
2 episodes with Austin Film Society
3 episodes with Austin Film Society
2 episodes with Austin Film Society
2 episodes with Austin Film Society
3 episodes with Austin Film Society
2 episodes with Austin Film Society
After 10 years, the filmmaker and author Alex R. Johnson returns to the podcast. Alex R. Johnson is a writer and filmmaker who lives and works in Brooklyn, NY. His feature film "Two Step" premiered to critical acclaim at SXSW in 2014 and went on to become a New York Times Critic's Pick. His screenplay "Northeast Kingdom" was selected for the 2016 Black List, and his screenplay "Any Rough Times Are Now Behind You" was selected by the Austin Film Society's Artist Intensive lab where he was mentored by late director Jonathan Demme. He also wrote the screenplay adaptation of Ernest Tidyman's novel, "Big Bucks", for Pascal Pictures/Sony Entertainment. Johnson's family hails from the Andes of Ecuador, where their 100-year-old dairy farm still operates. Fans of Richard Price, Charlie Huston, and Jonathan Lethem will love this coming-of-age New York-centric detective noir debut from esteemed filmmaker and screenwriter Alex R. Johnson. New York City, 1998. New York is changing around Nico Kelly, and he can feel more coming. A private investigator and self-proclaimed photographer, Nico is stuck in a loop of city contracts and self loathing. What little middle class there was is disappearing—long-standing factories are moving out and taking their reliable neighborhood jobs with them, and Mayor Rudy Giuliani's police force has the streets in a stranglehold. Nico spends his days looking for fraudsters while taking photos of municipal employees on disability claims. He spends his nights trying to get rid of the nagging feeling that his day job makes him a professional snitch—traversing dive bars, playing pinball, and fighting through the haze of hungover mornings and blurry evenings.Pushing thirty years old and feeling split between his American and Latin heritage, between youth and adulthood, Nico finds himself at a precipice—who is he and what should he become? When Nico witnesses and records a murder during one of his insurance fraud investigations, bodies start to turn up all around him and he's forced into solving a mystery he didn't ask to solve. Humorous, gritty, and real, Nico's search for what it means to be human takes him through the deepest and darkest parts of New York City.
Episode 124: We are postponing our usual programming this week to pay tribute to the art, life, and career of David Lynch following the devastating news of his passing this past Wednesday. Special guests Rémy Bennett, Lars Nilsen of the Austin Film Society and filmmaker Joey Izzo join us to eulogize the master on what would have been his 79th birthday. Sign up for the OFH Patreon to get instant access to our bonus episodes and feature length audio commentaries: https://www.patreon.com/onefuckinghour
On this week's show, the panel begins by dissecting Longlegs, director Osgood Perkin's viral horror movie starring Nicolas Cage that's sweeping the box office. Aided by a clever marketing campaign, Longlegs is undoubtedly the summer's “you gotta see it” horror flick, but does the Silence of the Lambs copycat live up to the hype? Then, the three jump (or is it herkie?) into Greg Whiteley's latest docuseries, America's Sweethearts: Dallas Cowboys Cheerleaders, which follows the Texan squad from auditions through the grueling NFL season, revealing a quietly devastating portrait of worker exploitation and modern femininity along the way. Finally, the trio is joined by Slate critic Laura Miller to parse through an extreme controversy in the literary world: Last week, Alice Munro's daughter, Andrea Skinner, published an Op-Ed in the Toronto Star detailing the sexual abuse she suffered as a young girl at the hands of her stepfather – abuse that the Nobel Prize-winning author had known about, but chose to ignore. (Read Laura's essay for Slate; check out the Star's reported piece.) In the exclusive Slate Plus segment, the panel rips into Longlegs and all of its glorious plot holes in a classic spoiler special. Email us at culturefest@slate.com. Endorsements: Stephen: Dodie Smith's I Capture the Castle and this essay by Anna Leskiewicz for The New York Review: “The Small-Girl's Proust.” Dana: In honor of Shelley Duvall (who passed away last week), a two-part endorsement: (1) Austin Film Society's tribute to Duvall, which premiered at the 2020 Texas Film Awards. (2) Watching a Shelley Duvall movie that's new to you! (Dana suggests Brewster McCloud directed by Robert Altman.) Julia: A special Scandi-Candy report: (1) Norway's national candy, Kvikk Lunsj, which carries the reputation of a Snickers bar in that part of the world and sports the Fjellvettreglene (Norwegian for “the mountain code”) on the wrapper's back. (2) Fredag Slik, or “Friday sweets,” a Danish tradition where families head to the candy store together at the end of the week. Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, the panel begins by dissecting Longlegs, director Osgood Perkin's viral horror movie starring Nicolas Cage that's sweeping the box office. Aided by a clever marketing campaign, Longlegs is undoubtedly the summer's “you gotta see it” horror flick, but does the Silence of the Lambs copycat live up to the hype? Then, the three jump (or is it herkie?) into Greg Whiteley's latest docuseries, America's Sweethearts: Dallas Cowboys Cheerleaders, which follows the Texan squad from auditions through the grueling NFL season, revealing a quietly devastating portrait of worker exploitation and modern femininity along the way. Finally, the trio is joined by Slate critic Laura Miller to parse through an extreme controversy in the literary world: Last week, Alice Munro's daughter, Andrea Skinner, published an Op-Ed in the Toronto Star detailing the sexual abuse she suffered as a young girl at the hands of her stepfather – abuse that the Nobel Prize-winning author had known about, but chose to ignore. (Read Laura's essay for Slate; check out the Star's reported piece.) In the exclusive Slate Plus segment, the panel rips into Longlegs and all of its glorious plot holes in a classic spoiler special. Email us at culturefest@slate.com. Endorsements: Stephen: Dodie Smith's I Capture the Castle and this essay by Anna Leskiewicz for The New York Review: “The Small-Girl's Proust.” Dana: In honor of Shelley Duvall (who passed away last week), a two-part endorsement: (1) Austin Film Society's tribute to Duvall, which premiered at the 2020 Texas Film Awards. (2) Watching a Shelley Duvall movie that's new to you! (Dana suggests Brewster McCloud directed by Robert Altman.) Julia: A special Scandi-Candy report: (1) Norway's national candy, Kvikk Lunsj, which carries the reputation of a Snickers bar in that part of the world and sports the Fjellvettreglene (Norwegian for “the mountain code”) on the wrapper's back. (2) Fredag Slik, or “Friday sweets,” a Danish tradition where families head to the candy store together at the end of the week. Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sharon Arteaga is a first-generation Mexican-American filmmaker from Corpus Christi, Texas, who convinced her mom to buy her a video camera instead of a Quinceañera. Included in NALIP's 2019 List of Latinx Directors to Know, Arteaga has won numerous short film competitions including the 2021 HBO Latinx short Film Competition. Arteaga was a 2019 Tribeca Chanel Through Her Lens finalist for her short screenplay IN TOW, which also won runner up at the 2020 New Orleans Film Festival South Pitch, was a Semifinalist in ScreenCraft's Film Fund and most recently, was awarded the 2021 Mexican-American Cultural Education Foundation Filmmaker Grant. Arteaga is currently developing her first feature film. She is also a passionate educator who loves empowering others to also tell their stories through film. Sharon currently works with Austin Film Society as their Senior Manager of Filmmaker Support. For more information about Sharon, visit her website: https://www.sharonarte.com/
It's the Barbie episode from our Barbie Tour! Thanks to everyone who came out to see us live! Special shout out to STAB! Comedy Theater, SF Sketchfest, Stomping Ground Comedy Theater, and Austin Film Society! And grab tickets to the Bechdel Cast *Shrektanic Tour* this May at linktr.ee/bechdelcast See omnystudio.com/listener for privacy information.
Episode 92: Special guest Lars Nilsen of the Austin Film Society joins us to go one fucking hour on one of the most WTF movies of the 1980s, Norman Mailer's TOUGH GUYS DON'T DANCE – a wild, labyrinthian, neo-noir black comedy. In lieu of the recent passing of star Ryan O'Neal, we're also making sure this episode is rip-roarin' RIP Ryan! Sign up for the OFH Patreon and get instant access to our bonus episodes and feature-length audio commentary tracks: https://www.patreon.com/onefuckinghour Follow us on – Instagram: https://www.instagram.com/onefuckinghour/ Twitter: https://twitter.com/1fuckinghour
Talking Strange records Live at the Ethereal Horror Fest in Austin, Texas, to ask the question, “How has horror influenced paranormal beliefs, and how has the paranormal changed horror?” What role has The Exorcist played in reshaping beliefs and the genre? what films have forced people to stretch theories? And how does paranormal reality-TV fit in the picture? Joining host Aaron Sagers for this episode recorded in front of an audience are the following guests: Greg Lawson http://www.greglawson.org/ Lawson has spent much of his adult life exploring strange pl ces. From the first Russian colony in Three Saints Bay, Alaska to the pyramids of Egypt, he has explored paranormal hot spots in over 40 countries. He is a career law enforcement officer with over 31-years of experience. He has worked as a hostage negotiator, SWAT officer, mental health investigator, and as a sex crimes and homicide detective. Greg is an international lecturer and the author of five books on the paranormal: Detecting Paranormal, Diaries of a Paranormalist, How to Be a Paranormal Detective, and Roswell: the After-Action Report. His latest work: Messages from Mothman, opens new avenues of interpreting premonitions and paranormal experiences. Meredith Johns https://hawgfly.com/ is a makeup and FX Makeup Artist based in Austin, TX. She is co-owner of Hawgfly Productions, Inc. and has been a professional makeup artist for over 20 years. Some of her many accomplishments include 2nd in the World Bodypainting Festival for FX Makeup, 4th in the World Bodypainting Festival for SFX Bodypainting, and an Emmy Nomination for Key Makeup for the movie Temple Grandin. She has worked on many films including Machete, Machete Kills, Friday the 13th, Blood Fest, Teeth, and Stoker. In addition, you can see her work on several TV series including Mr. Mercedes, The Son, Walker TX Ranger, The Leftovers, and The Long Road Home. Stephen Belyeu https://www.thenightowlpodcast.com/ is an Austin-based filmmaker, storyteller and podcaster. He received his Bachelors in Film & Media Studies from Texas A&M University-Corpus Christi in 2005. Stephen has taught filmmaking and storytelling in Austin through organizations such as Totally Cool Totally Art, Austin School of Film, and the Austin Film Society. His debut feature film DIG won the Narrative Feature Audience Award at the 2010 Austin Film Festival. Stephen has also served as Film Competition Programmer and Young Filmmakers Program Director for the Austin Film Festival.In 2017, Stephen launched his independently produced series, The Night Owl Podcast, which has won BEST PODCAST in the Austin Chronicle's readers' poll in 2019, 2021, and 2023. Brandon Hodge MysteriousPlanchette.com is an author, collector, and historian specializing in the history of writing planchettes, talking boards, and other spirit communication devices. Long fascinated by the world of tipping tables, séances, Spiritualism, and ghostly encounters, Brandon is a leading scholar in the occult field whose expertise is consulted by museums and institutions worldwide. Brandon has served as on-air talent for dozens of popular radio and television programs, and his research and his séance artifact collection were featured on both Science Channel's hit show Oddities and the Travel Channel's Ouija-related "Patience Worth" episode of Mysteries at the Museum. Brandon's research on Spiritualism history has appeared in the pages of the Smithsonian Magazine, and his popular Ghosts in the Machines column appears every quarter in the pages of the Magazine of the Society for Psychical Research. Brandon owns the world's finest collection of writing planchettes and other séance-related devices, all featured on his popular website, MysteriousPlanchette.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Delve into the world of Lucy Kerr, an American filmmaker and artist based in New York, who was named one of the '25 New Faces of Independent Film' by Filmmaker Magazine in 2022! Her debut feature, "Family Portrait", which premiered at the 76th Locarno Film Festival, is set during the early days of the Covid-19 pandemic and offers a compelling exploration of family bonds and the enigmatic nature of time and space. Inspired by her own family experiences, the film transcends traditional storytelling, gradually transforming a seemingly ordinary family photo session into a ritual of transition. "Family Portrait" has earned Kerr recognition, including the feature film grant from the Austin Film Society, the AirFrance Prize from FIDLab, and the New Horizons Award from US in Progress. Subscribe to Locarno Meets for lively conversations about art, culture life and everything in between with the likes of Lambert Wilson, Ken Loach, Harmony Korine, Marianne Slot, Luc Jacquet, Zar Amir Ebrahimi, and more. Locarno Meets is a Locarno Film Festival original production, brought to you by UBS. Follow us on Instagram Follow us on TikTok Subscribe to our Newsletter Host: Alexander Miller Audio Producer: Jack Boswell Video Producer: Claudia Campoli
Guest Elizabeth Purchell joins Becky and Cam for a Pride Month look at two queer 70s classics, Outrageous and Looking for Mr. Goodbar. Elizabeth Purchell is an Austin-based queer film historian, programmer, filmmaker, and the creator of Ask Any Buddy. She's also the Print Traffic and Special Projects Manager at the American Genre Film Archive. Recently she has appeared on over a dozen home video releases for various boutique labels and both programs and hosts the monthly Queer Cinema: Lost and Found screening series at Austin Film Society. Hosted on Acast. See acast.com/privacy for more information.
Episode 54: Tom, Evan, Marcus and special guest Lars Nilsen of the Austin Film Society go one fucking hour on Ingmar Bergman's medieval masterpiece THE VIRGIN SPRING (1960). Adapted from a 13th-century Swedish ballad and set in a world teetering between Paganism and Christianity, the film tells the harrowing story of a father's (Max Von Sydow) ruthless pursuit to avenge the rape and murder of his daughter. Follow us on – Instagram: https://www.instagram.com/onefuckinghour/ Twitter: https://twitter.com/1fuckinghour
Well I put out an episode back in 2019 putting my dream list of guests out into the universe and in the past four months I've been humbled to have some amazing filmmakers and screenwriters on the show. Incredibly one of those dream guests has made his way on the show today. We are joined by indie film icon and Oscar® nominated writer/director Richard Linklater. Richard was one of the filmmakers who helped to launch the independent film movement that we know today with his classic 1991 indie film Slacker. So today, we will not only dive into the extraordinary career of Richard Linklater but also that of collaborator and longtime friend writer/director Katie Cokinos.If this is your introduction to Linklater and his work, here are a few highlights you must know; Linklater helped launch the 90s indie film renaissance with his film Slacker.The producer, director has juggled the TV, film, short-film, and documentary genres seamlessly over his career - typically focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the 20-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood eco-system.One of the talents to emerge from this era is the Texas native, Matthew McConaughey in Linklater's third movie and VHS smash hit, Dazed and Confused. Based on Linklater's years at Huntsville High School and the people he encountered there, the film shadows the adventures of high school and junior high students on the last day of school in May 1976.Throughout his career Richard has chosen to tell stories about the human condition, while many times making us laugh and cry at the same time. I found an immense philosophical under current to most of his life's work. From The Before Trilogy to Boyhood, his films tackle topics in an honest, raw and deeper way that is not normally seen in filmmaking.Many of the actors who work with Richard call him the "Zen Director" on set. His philosophy can be felt throughout his work. He often tells long and transformative coming of age stories over years, if not decades, something that is unique to him.His Oscar® nominated film Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before.Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible to watch Mason and his family without thinking about our own journey.Now the other remarkable filmmaker in this conversation is Katie Cokinos. She has made over ten short films and in 2000 wrote, directed, and acted in the feature film, Portrait of a Girl as a Young Catwhich premiered at SXSW. Katie produced Eagle Pennell's film, Heart Full of Soul (1990); was a publicist for Richard Linklater's Slacker, (1990). She was the Managing Director of the Austin Film Society, 1990-95.Her latest film is the coming of age story I Dream Too Much, co-produced by Richard. Here's a bit about the film:Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.So much was covered in this EPIC 2 hours conversation. I need to stop here and let you dive in.Enjoy my conversation with Richard Linklater and Katie Cokinos.
Well, I put out an episode back in 2019 putting my dream list of guests out into the universe, and in the past four months, I've been humbled to have some amazing filmmakers and screenwriters on the show. Incredibly one of those dream guests has made his way on the show today.We are joined by indie film icon and Oscar® nominated writer/director Richard Linklater. Richard was one of the filmmakers who helped to launch the independent film movement that we know today with his classic 1991 indie film Slacker. As a bonus, we will not only dive into the extraordinary career of Richard Linklater but also that of collaborator and longtime friend writer/director Katie Cokinos, the filmmaker behind the film I Dream Too Much. If this is your introduction to Linklater and his work, here are a few highlights you must know; Linklater helped launch the 90s indie film renaissance with his film Slacker.The producer, director has juggled the TV, film, short-film, and documentary genres seamlessly over his career - typically focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the 20-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood ecosystem.One of the talents to emerge from this era is the Texas native, Matthew McConaughey in Linklater's third movie and VHS smash hit, Dazed and Confused. Based on Linklater's years at Huntsville High School and the people he encountered there, the film shadows the adventures of high school and junior high students on the last day of school in May 1976.Throughout his career, Richard has chosen to tell stories about the human condition, while many times making us laugh and cry at the same time. I found an immense philosophical undercurrent to most of his life's work. From The Before Trilogy to Boyhood, his films tackle topics in an honest, raw, and deeper way that is not normally seen in filmmaking.Many of the actors who work with Richard call him the "Zen Director" on set. His philosophy can be felt throughout his work. He often tells a long and transformative coming-of-age story over years, if not decades, something that is unique to him.His Oscar® nominated film Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before.Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between becoming transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible to watch Mason and his family without thinking about our own journey.Now the other remarkable filmmaker in this conversation is Katie Cokinos. She has made over ten short films and in 2000 wrote, directed, and acted in the feature film, Portrait of a Girl as a Young Cat which premiered at SXSW. Katie produced Eagle Pennell's film, Heart Full of Soul (1990); was a publicist for Richard Linklater's Slacker, (1990). She was the Managing Director of the Austin Film Society, 1990-95.Her latest film is the coming of age story I Dream Too Much, co-produced by Richard. Here's a bit about the film: Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.So much was covered in this EPIC two hours conversation. I need to stop here and let you dive in.Enjoy my conversation with Richard Linklater and Katie Cokinos.
Austin-based film producer Suzanne Weinert has financed countless film projects. Join us as we chat about her career and pick her brain on ways to finance your feature film within the Texas landscape. Suzanne is a producer/writer/director and is the president of Flatiron Pictures specializing in the production of independent feature films throughout the Southwest. She's been a faculty member at both Fordham University and The School of Visual Arts in NYC and has served on the Advisory Board of the SXSW Film Festival and was a Board Member of the Austin Film Society. Some of her credits include ExTerminators, Hellion, Austin Found, the Doo Dah Man, and Ripped. Movie Review: Bernie Showrunner: Chantelle James Hosts & Producers: Ai Vuong, Chantelle James & Samantha Rae Lopez Editors: Shannon Stefan, Valerie Torres, and Karla Rivera Movie Reviews: Summer Heart Marketing: Karla Rivera & Tori Rose Follow us: @wift_austin https://www.wiftaustin.com podcast@wiftaustin.org
Yen Tan is an Austin-based, Malaysian-born writer, director, and graphic artist. He premiered the critically-acclaimed "Pit Stop" at the Sundance Film Festival in 2013. His NYT Critic's Pick feature, "1985," premiered at SXSW 2018. This month we hear from him on how the intersectionality of his Asian American and queer identities inspire his film work and storytelling projects. Yen also co-directed "Until We Could" (2014) with David Lowery, an Addy-winning PSA for Freedom to Marry that was narrated by Robin Wright and Ben Foster. He's been a fellow of Austin Film Society's Artist Intensive, IFP's Film Week, and Film Independent's Fast Track. He was named one of Out Magazine's OUT100 of 2018.Referenced Materials in the Episode- Yen's Website
Join us as we talk to Rakeda L. Ervin, Director of Community Education at Austin Film Society. We discuss the programs offered at AFS/Austin Public highlighting the new program managed by Rakeda, AFS Creative Careers, a workforce development program for emerging careers. Rakeda L. Ervin has over twenty years of experience writing broadcast and digital content. She has produced award-winning series on MTV, NBC, and A&E networks. From Los Angeles to Austin, Rakeda stepped into the educational space to inspire the next generation of creative professionals. She mentors aspiring youth and maintains her commitment to making sure that diverse voices are heard. Movie Review: Whip It Showrunner: Chantelle James Hosts & Producers: Ai Vuong, Chantelle James & Samantha Rae Lopez Editors: Shannon Stefan, Valerie Torres, and Karla Rivera Movie reviews: Summer Heart Marketing: Karla Rivera & Tori Rose Follow us: @wift_austin https://www.wiftaustin.com podcast@wiftaustin.org
I am pleased to have on the show this today, the gracious Rebecca Eskreis.Rebecca has had a thrilling path to her dreams of filmmaking. Now a director, writer, producer, teacher, and film consultant whose projects have been recognized by huge platforms like SXSW, TIFF, SIFF, deadCenter, Savannah, Munich, Stockholm, and film Thessaloniki festivals, she's surpassed her childhood dream.Last year, Rebecca wrote, produced, and directed her latest film, What Breaks The Ice---a coming of age thriller about two 15-year-old girls, Sammy and Emily, who hark from different worlds but strike up a quick and deep friendship during summer break in 1998, set against the backdrop of a world consumed by the Monica Lewinsky scandal. But what should be the best summer of their lives takes an unexpected turn when they become accidental accomplices in a fatal crime.What Breaks The Ice was her directorial debut project. For which she was awarded the Sandra Adair/Empowering a Billion Women Grant for promising female filmmakers from the Austin Film Society, and was selected for the Austin Film Society's Artist Intensive, hosted annually by Richard Linklater. The project was also a finalist for the 2016 Mayor's Office of New York/Women in Film/Producers Guild Financing Lab. The film will be released byCinedigmin the fall of 2021.As a kid, she would steal her dad's video camera self-delegating as the family-vacation videographer. Her parents harness her interest in filmmaking and had her attend film summer camp to develop her love for storytelling and the skills needed too.Quite fortunately, she landed her first job out of college as a news writer/producer with Forbes. Her roles basically involved writing, producing, shooting, editing, and voicing more than 200 news segments and branded content pieces for Forbes's online streaming network. While also playing a key role in the design and implementation of the video channels on the Forbes.com site.She then went on to work in production in the Hollywood game for about seven years out in LA after going to graduate school at USC. some of her experiences included working with Clinica Estetico, 72 Productions, Red Hour Films, and Di Novi Pictures where she prepared herself for her self-venture by learning film development, and the rare opportunity of being mentored by the late Jonathan Demme.Between 2005, to 2007, Rebecca thought part-time as a teaching assistant at USC for Cinematic Arts.Eskreis's assistant produced the Justin Timberlake + the Tennessee Kids 2016 documentary which documented the star's final performance and the Tennessee Kids' 20/20 Experience World Tour, filmed in 2015 at the MGM Grand Garden Arena in Las Vegas. Some of her other short films includeNoodling, The Wicked Waltz, The Argument, etc.Please enjoy my conversation with Rebecca Eskreis.
I am pleased to have on the show this today, the gracious Rebecca Eskreis. Rebecca has had a thrilling path to her dreams of filmmaking. Now a director, writer, producer, teacher, and film consultant whose projects have been recognized by huge platforms like SXSW, TIFF, SIFF, deadCenter, Savannah, Munich, Stockholm, and film Thessaloniki festivals, she's surpassed her childhood dream.Last year, Rebecca wrote, produced, and directed her latest film, What Breaks The Ice---a coming of age thriller about two 15-year-old girls, Sammy and Emily, who hark from different worlds but strike up a quick and deep friendship during summer break in 1998, set against the backdrop of a world consumed by the Monica Lewinsky scandal. But what should be the best summer of their lives takes an unexpected turn when they become accidental accomplices in a fatal crime.What Breaks The Ice was her directorial debut project. For which she was awarded the Sandra Adair/Empowering a Billion Women Grant for promising female filmmakers from the Austin Film Society, and was selected for the Austin Film Society's Artist Intensive, hosted annually by Richard Linklater. The project was also a finalist for the 2016 Mayor's Office of New York/Women in Film/Producers Guild Financing Lab. The film will be released by Cinedigm in the fall of 2021.As a kid, she would steal her dad's video camera self-delegating as the family-vacation videographer. Her parents harness her interest in filmmaking and had her attend film summer camp to develop her love for storytelling and the skills needed too. Quite fortunately, she landed her first job out of college as a news writer/producer with Forbes. Her roles basically involved writing, producing, shooting, editing, and voicing more than 200 news segments and branded content pieces for Forbes's online streaming network. While also playing a key role in the design and implementation of the video channels on the Forbes.com site.She then went on to work in production in the Hollywood game for about seven years out in LA after going to graduate school at USC. some of her experiences included working with Clinica Estetico, 72 Productions, Red Hour Films, and Di Novi Pictures where she prepared herself for her self-venture by learning film development, and the rare opportunity of being mentored by the late Jonathan Demme. Between 2005, to 2007, Rebecca thought part-time as a teaching assistant at USC for Cinematic Arts.Eskreis's assistant produced the Justin Timberlake + the Tennessee Kids 2016 documentary which documented the star's final performance and the Tennessee Kids' 20/20 Experience World Tour, filmed in 2015 at the MGM Grand Garden Arena in Las Vegas. Some of her other short films include Noodling, The Wicked Waltz, The Argument, etc.Please enjoy my conversation with Rebecca Eskreis.
Special guest Lars Nilsen of the Austin Film Society joins us to deep dive on ...ALL THE MARBLES (1981), which is old Hollywood maverick Robert Aldrich's fond farewell to show-business – represented here at its molecular level in the story of a female tag team called the California Dolls and their irascible but idealistic manager, played by the great Peter Falk – as they troll the shittiest rust belt arenas for greasy $100 bills. AFS' "Jewels In The Wasteland" series – Series 1: https://letterboxd.com/larsn/list/richard-linklaters-austin-film-society-jewels/ Series 2: https://letterboxd.com/larsn/list/richard-linklaters-jewels-in-the-wasteland-1/
Cryptic Creatures, Chimeras, Contactees, and the Cleverly Coded Coincidences of the Collective Unconscious - In the 1960s, on a West Virginia backroad, Andy Colvin and his family and friends had encounters with the entity popularly known as "Mothman." Following those encounters, Colvin found that he could draw, sing, and take photographs, and that he had a photographic memory. Colvin was recognized as a prodigy, and was eventually offered a National Merit scholarship to Harvard University. While attending graduate school at the Univ. of Texas at Austin, Colvin helped found U.T.'s celebrated Transmedia Dept. as well as the Austin Film Society, an organization now credited with bringing commercial filmmaking to Texas. In 1985, Colvin used his tuition grant money to purchase the only 8mm camcorder then available, becoming the first filmmaker in Austin to shoot in the new format. His ensuing documentation of the lives of Austin "slackers" influenced the seminal cult hit that defined Generation X, "Slacker" - a project for which Colvin helped raise funds and equipment. Colvin's band, Ed Hall, appeared in the film and on the soundtrack. Following graduate school, Colvin worked on Hollywood films, toured with his experimental band, The Interdimensional Vortex League (once named America's "most underground band" by Europe's hip arts magazine, "Blitz"), and began making small, ethnographic documentaries about unusual tribes, subcultures, and personalities. His 25-year study of modern Texans, "Multislack," is due out in 2012. Colvin's work has been seen or heard in all 50 states, and in several foreign countries. His writing has been featured in various magazines, including Paranoia, The Stranger, and "D'Art," the arts journal for the Church of the Subgenius. Colvin's unique career has been studded with various mind-blowing, synchronistic events, some of which allowed him to study with, or work with, some of the greatest creative minds of the 20th Century, including Nam June Paik, Lee Friedlander, Keith Haring, Dennis Hopper, David Lynch, Robert Anton Wilson, Laurie Anderson, Daniel Johnston, Vito Acconci, Bruce Bickford, and the Butthole Surfers. - www.forteanswest.com******************************************************************To listen to all our XZBN shows, with our compliments go to: https://www.spreaker.com/user/xzoneradiotv*** AND NOW ***The ‘X' Zone TV Channel on SimulTV - www.simultv.comThe ‘X' Chronicles Newspaper - www.xchroniclesnewspaper.com ******************************************************************
Film historian and Letterboxd ”adult task force” member Elizabeth Purchell joins hosts Slim and Gemma to unearth four absolutely under-seen historic favorites on The Letterboxd Show for Pride Month: Rosa Von Praunheim's City of Lost Souls, Jack Deveau's Drive, Stephen Winter's Chocolate Babies and Juliet Bashore's Kamikaze Hearts, along with a chat about her Ask Any Buddy film and podcast. Plus: radical cinema, radical portraits, radical activism, the prolific Rosa Von Praunheim, the best mullet ever seen on film, wangs in jars, trans icons, adult films about Jesus, the endless joys of Jess Franco movies, and the film that has just one fan on Letterboxd. This episode contains plentiful discussion of adult cinema. P.S. “Watch Lady Terminator as fast as you can.” Lists: The Letterboxd list of films mentioned; JF's Turn the gaze around list; Saige's queer films that are *chef's kiss*; Sam P's Solo Blasters: Directors Who Made One Film in Their Career Reviews: Elizabeth's Sleepaway Camp review; reviews of Ask Any Buddy by John Robinson, Be Brave Morvern'; reviews of City of Lost Souls by Michael and David; reviews of Kamikaze Hearts by Sally Jane Black and Joan; Starboy's Chocolate Babies review Other Links: NY Times profile on Elizabeth; Spectacle Theater's Rosa Von Praunheim series Bruno Araujo on Letterboxd (the one fan of Drive); Austin Film Society; Interview magazine feature on Stephen Winter and Lee Daniels Credits: This episode was recorded in Auckland, Austin and Pennsylvania, and edited by Slim. Facts by Jack. Booker: Linda Moulton. Transcript by Sophie Shin. Theme: ‘Vampiros Dancoteque' by Moniker.
This episode we're joined by AGFA's head archivist and the man behind Bat City Cinema, Ivan Peycheff, to discuss the no-budget French slasher. Lance makes a compelling argument for this being a coming-of-age film and Ivan shares details of his upcoming Satanegeddon 16mm double feature tour. Hail Satan! Hail Ogroff! Buy tickets for Satanegeddon: Friday June 3rd at Austin Film Society in Austin Thursday June 16th at the Frida Cinema in Santa Ana, CA Friday June 17th at Whammy VHS store and microcinema in Echo Park, CA Sunday June 19th at the Balboa Theatre in San Francisco. Saturday June 25th at the Grand Illusion Theatre in Seattle Sunday June 26th at the Clinton Street Theatre in Portland Follow Bat City Cinema on Instagram and Facebook @batcitycinema Follow Ivan on Instagram @klaus_kinskis_ghost Follow AGFA on Instagram @agfa and twitter @filmarchive Donate to AGFA: https://www.americangenrefilm.com/donate/ Follow this podcast on Instagram, Twitter, and Facebook @unsunghorrors. Follow Lance on Twitter, Instagram, and Letterboxd @lschibi Lance's shop: https://lanceschibi.bigcartel.com/ Follow Erica on Letterboxd, Twitter, or Instagram @hexmassacre Logo by Cody Schibi Part of the Prescribed Films Podcast network (www.thepfpn.com)
Jazmyne Moreno of The Austin Film Society joins the podcast to celebrate “Foxfire” from 1996. Based upon a Joyce Carole Oates novel, this riot grrl era drama introduced the world to the overwhelming charisma of Angelina Jolie. Directed by Annette Haywood-Carter. Screenplay by Elizabeth White from the novel Foxfire:Confessions of a Girl Gang . Casting director: Mali Finn. Starring Angelina Jolie, Hedy Burress, Jenny Lewis, Jenny Shimizu, Sarah Rosenberg, John Diehl, Peter Facinelli, Cathy Moriarty, Richard Beymer, Dash Mihok, Elden Henson How is the world wrong about In The Cut From Andras Jones: As was revealed in this conversation, this film isn't for me. I hadn't even heard of it until Jazmyne Moreno recommended it for the podcast. Then, when we were talking about it, I realized I knew the director from when she was the script supervisor on “Nightmare On Elm Street 4: The Dream Master”. Small world. Check out Jazmyne Moreno and other Austin film folk in this documentary short about Vulcan Video: https://vimeo.com/437545924 Find all of our episodes at www.theworldiswrongpodcast.com Follow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpod Follow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXag The World Is Wrong theme written, produced and performed by Andras Jones Check out: The Director's Wall with Bryan Connolly & AJ Gonzalez & The Radio8Ball Show hosted by Andras Jones See omnystudio.com/listener for privacy information.
In this special bonus episode, we're joined by Lars Nilsen, head programmer for Austin Film Society and author of Warped & Faded: Weird Wednesday and the Birth of the American Genre Film Archive. We discuss films from select Weird Wednesday screenings over the years, the experience of seeing these films with a crowd in a theatre, and much more. Buy Warped & Faded: https://mondoshop.com/products/warped-and-faded-weird-wednesday-and-the-birth-of-the-american-genre-film-archive Join AFS: https://www.austinfilm.org/join-or-renew/ or donate: https://www.austinfilm.org/donate-to-afs/ Follow AFS Viewfinders on Facebook: https://www.facebook.com/groups/197585777057317 Listen to the AFS Viewfinders podcast: https://open.spotify.com/show/6DxTqevzPHlRTyrtM6jHbQ Follow Lars on Letterboxd: https://letterboxd.com/larsn/ or Twitter @thelarsnilsen Follow this podcast on Instagram, Twitter, Slasher, and Facebook @unsunghorrors. Follow Lance on Twitter, Instagram, and Letterboxd @lschibi Lance's shop: https://lanceschibi.bigcartel.com/ Follow Erica on Letterboxd, Twitter, or Instagram @hexmassacre Logo by Cody Schibi Part of the Prescribed Films Podcast network (www.thepfpn.com)
Rebecca Eskreis is a director, writer and producer whose work has screened at numerous international festivals, including SXSW, TIFF, SIFF, deadCenter, Savannah, Munich, Stockholm and Thessaloniki. Her directorial debut project, WHAT BREAKS THE ICE (Goldcrest Films), received the Sandra Adair/Empowering a Billion Women Grant for promising female filmmakers from the Austin Film Society, and was selected for the Austin Film Society's Artist Intensive, hosted annually by Richard Linklater. The project was also a finalist for the 2016 Mayor's Office of New York/Women in Film/Producers Guild Financing Lab. WHAT BREAKS THE ICE stars Sofia Hublitz and Madelyn Cline, and premiered at the 2020 Woodstock Film Festival as a drive-in double feature alongside a special presentation of Francis Lee's AMMONITE. The film was released theatrically across the U.S. in October 2021 and is now available to stream everywhere.Mentored by the late Jonathan Demme, Eskreis previously worked as a producer at his company, Clinica Estetico, following stints at 72 Productions, Red Hour Films and Di Novi Pictures, where she was the creative executive. She's served as a panelist at numerous film festivals and, most recently, participated in the New York Women in Film and Television (NYWIFT) “From Script to Pre-Production” lecture series. Eskreis began her career as a reporter and producer/director for Forbes.com's Video Network. She holds a BA, Magna Cum Laude, from Barnard College at Columbia University, an MFA from the USC School of Cinematic Arts and is a proud member of NYWIFT and Film Fatales.W: https://whatbreakstheice.com/#in-the-pressYou can watch the film here: https://whatbreakstheice.com/#in-the-pressRenegade Film TheorySuccession - The Coup De Tom (spoilers)https://www.youtube.com/watch?v=jZkzWpmdY-EAlso, you can check out my documentary The People of Brixton, on Kwelitv here: https://www.kweli.tv/programs/the-people-of-brixtonDamien Swaby Social Media Links:Instagram https://www.instagram.com/filmmaker_damien_swaby/Twitterhttps://twitter.com/DamienSwaby?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5EauthorWebsite http://filmmakingconversations.com/If you enjoy listening to Filmmaking Conversations with Damien Swaby, I would love a coffee. Podcasting is thirsty work https://ko-fi.com/damienswaby
Noirvember continues with Austin Film Society lead programmer and exploitation genre fan Lars Nilsen, who dives into the muck and the grime, the farts and the fights, the stunts and the songs of his four Letterboxd favorites: Touch of Evil; The Switchblade Sisters, The General; and Phantom of the Paradise. Lars chats with hosts Gemma and Slim about his new memoir of the Alamo Drafthouse's Weird Wednesday series—Warped & Faded: Weird Wednesday & The Birth Of The American Genre Film Archive—on sale now from Mondo. Also in the conversation: tiny men doing huge stunts, the cult of Jessica Harper, old folks and young folks partying together, the best genre film of 2021, shout-outs to Shudder and Kier-La Janisse, and aiming for that ‘car-crash experience' with cinema audiences. Links: The Letterboxd list of films mentioned in this episode; reviews from Wood on Touch of Evil, Timcop on The Switchblade Sisters, Wes on The General, COBRARocky on Phantom of the Paradise; Letterboxd lists Femme Dirtbag/Burnout/Hessian Personal Canon, Anxiety-inducing comedy of errors, Train Cinema, Movies That Get Batshit Insane/A Shocking Genre Shift, Rian Johnson's 70s Musical Extravaganza!; Warped & Faded on Mondo. Credits: This episode was recorded in Austin, Pennsylvania and Auckland, and edited by Slim. Facts by Jack. Booker: Linda Moulton. Transcript by Sophie Shin. Theme: ‘Vampiros Dancoteque' by Moniker.
On October 14, Austin Film Society proudly presented our Doc Days Opening Night presentation of Todd Haynes' THE VELVET UNDERGROUND. After the film, we were joined virtually by director Todd Haynes for a conversation moderated by AFS's Founder & Artistic Director Richard Linklater.
I am pleased to have on the show this today, the gracious Rebecca Eskreis. Rebecca has had a thrilling path to her dreams of filmmaking. Now a director, writer, producer, teacher, and film consultant whose projects have been recognized by huge platforms like SXSW, TIFF, SIFF, deadCenter, Savannah, Munich, Stockholm, and film Thessaloniki festivals, she's surpassed her childhood dream.Last year, Rebecca wrote, produced, and directed her latest film, What Breaks The Ice---a coming of age thriller about two 15-year-old girls, Sammy and Emily, who hark from different worlds but strike up a quick and deep friendship during summer break in 1998, set against the backdrop of a world consumed by the Monica Lewinsky scandal. But what should be the best summer of their lives takes an unexpected turn when they become accidental accomplices in a fatal crime.What Breaks The Ice was her directorial debut project. For which she was awarded the Sandra Adair/Empowering a Billion Women Grant for promising female filmmakers from the Austin Film Society, and was selected for the Austin Film Society's Artist Intensive, hosted annually by Richard Linklater. The project was also a finalist for the 2016 Mayor's Office of New York/Women in Film/Producers Guild Financing Lab. The film will be released by Cinedigm in the fall of 2021.As a kid, she would steal her dad's video camera self-delegating as the family-vacation videographer. Her parents harness her interest in filmmaking and had her attend film summer camp to develop her love for storytelling and the skills needed too. Quite fortunately, she landed her first job out of college as a news writer/producer with Forbes. Her roles basically involved writing, producing, shooting, editing, and voicing more than 200 news segments and branded content pieces for Forbes's online streaming network. While also playing a key role in the design and implementation of the video channels on the Forbes.com site.She then went on to work in production in the Hollywood game for about seven years out in LA after going to graduate school at USC. some of her experiences included working with Clinica Estetico, 72 Productions, Red Hour Films, and Di Novi Pictures where she prepared herself for her self-venture by learning film development, and the rare opportunity of being mentored by the late Jonathan Demme. Between 2005, to 2007, Rebecca thought part-time as a teaching assistant at USC for Cinematic Arts.Eskreis's assistant produced the Justin Timberlake + the Tennessee Kids 2016 documentary which documented the star's final performance and the Tennessee Kids' 20/20 Experience World Tour, filmed in 2015 at the MGM Grand Garden Arena in Las Vegas. Some of her other short films include Noodling, The Wicked Waltz, The Argument, etc.Please enjoy my conversation with Rebecca Eskreis.
Writer, Director, and producer Rebecca Eskreis is a familiar face on the international film festival circuit, screening at SXSW, SIFF, Munich, and Stockholm, among others. Rebecca's directorial debut, What Breaks the Ice (starring Madelyn Cline, Sofia Hublitz, and Lukas Gage) was selected for the Austin Film Society's Artist Intensive, hosted by Richard Linklater, and releases in select theaters and on VOD October 1st. What you will learn: Rebecca talks about early inspirations for her film What Breaks the Ice and the theme of moral ambiguity that weaves through the film. [0:00-7:25] The significance of using the Monica Lewinsky scandal from the late 90s as a story-telling device in What Breaks the Ice, and how the lack of technology in that era allowed the story to unfold in a way that would perhaps not be as effective if the film were set in the present day. [7:25-13:53] Why What Breaks the Ice was filmed with a handheld camera for specific scenes and the world that effect created. How Rebecca worked her way up in Hollywood. [13:53-20:24] How a meeting with Diablo Cody inspired Rebecca to make What Breaks the Ice, and the work it took to finance and cast the film. Rebecca reveals why her short film Noodling was one of the best investments she made in herself professionally, and talks about the time it took to complete that project. [20:24-30:27] What it was like to work on Jonathan Demme's concert film Justin TImberlake + the Tennessee Kids, why Demme thought of this film (at least in part) as a “comedy", and what she learned throughout that production. [30:27-37:21] Rebecca's plans for future projects, including an exciting show in the works about the Von Trapp family. Advice Rebecca has for folks hoping to make it in the film and television business. [37:21-43:15] Resources: Rebecca Eskreis': Website, IMDb, Instagram, LinkedIn What Breaks the Ice: Trailer, Apple TV
Cryptic Creatures, Chimeras, Contactees, and the Cleverly Coded Coincidences of the Collective Unconscious - In the 1960s, on a West Virginia backroad, Andy Colvin and his family and friends had encounters with the entity popularly known as "Mothman." Following those encounters, Colvin found that he could draw, sing, and take photographs, and that he had a photographic memory. Colvin was recognized as a prodigy, and was eventually offered a National Merit scholarship to Harvard University. While attending graduate school at the Univ. of Texas at Austin, Colvin helped found U.T.'s celebrated Transmedia Dept. as well as the Austin Film Society, an organization now credited with bringing commercial filmmaking to Texas. In 1985, Colvin used his tuition grant money to purchase the only 8mm camcorder then available, becoming the first filmmaker in Austin to shoot in the new format. His ensuing documentation of the lives of Austin "slackers" influenced the seminal cult hit that defined Generation X, "Slacker" - a project for which Colvin helped raise funds and equipment. Colvin's band, Ed Hall, appeared in the film and on the soundtrack. Following graduate school, Colvin worked on Hollywood films, toured with his experimental band, The Interdimensional Vortex League (once named America's "most underground band" by Europe's hip arts magazine, "Blitz"), and began making small, ethnographic documentaries about unusual tribes, subcultures, and personalities. His 25-year study of modern Texans, "Multislack," is due out in 2012. Colvin's work has been seen or heard in all 50 states, and in several foreign countries. His writing has been featured in various magazines, including Paranoia, The Stranger, and "D'Art," the arts journal for the Church of the Subgenius. Colvin's unique career has been studded with various mind-blowing, synchronistic events, some of which allowed him to study with, or work with, some of the greatest creative minds of the 20th Century, including Nam June Paik, Lee Friedlander, Keith Haring, Dennis Hopper, David Lynch, Robert Anton Wilson, Laurie Anderson, Daniel Johnston, Vito Acconci, Bruce Bickford, and the Butthole Surfers. - www.forteanswest.com******************************************************************To listen to all our XZBN shows, with our compliments go to: https://www.spreaker.com/user/xzoneradiotv*** AND NOW ***The ‘X' Zone TV Channel on SimulTV - www.simultv.comThe ‘X' Chronicles Newspaper - www.xchroniclesnewspaper.com ******************************************************************
FASSBINDER AND HIS FRIENDS, the Rainer Werner Fassbinder podcast series from B Peterson and Harold Urteaga, has reached its conclusion for the foreseeable future. But before they go, Harold and B get to talk Fassbinder's 1979 romance THE MARRIAGE OF MARIA BRAUN, fresh off their screening at The Austin Film Society on 35mm! We hope you have enjoyed these Fassbinder Fridays, because we sure have. Thank you for your time.
The Mothman Speaks: Candid Conversations Concerning Cosmic Conundrums - Cryptic Creatures, Chimeras, Contactees, and the Cleverly Coded Coincidences of the Collective Unconscious - In the 1960s, on a West Virginia backroad, Andy Colvin and his family and friends had encounters with the entity popularly known as "Mothman." Following those encounters, Colvin found that he could draw, sing, and take photographs, and that he had a photographic memory. Colvin was recognized as a prodigy, and was eventually offered a National Merit scholarship to Harvard University. While attending graduate school at the Univ. of Texas at Austin, Colvin helped found U.T.'s celebrated Transmedia Dept. as well as the Austin Film Society, an organization now credited with bringing commercial filmmaking to Texas. In 1985, Colvin used his tuition grant money to purchase the only 8mm camcorder then available, becoming the first filmmaker in Austin to shoot in the new format. His ensuing documentation of the lives of Austin "slackers" influenced the seminal cult hit that defined Generation X, "Slacker" - a project for which Colvin helped raise funds and equipment. Colvin's band, Ed Hall, appeared in the film and on the soundtrack. Following graduate school, Colvin worked on Hollywood films, toured with his experimental band, The Interdimensional Vortex League (once named America's "most underground band" by Europe's hip arts magazine, "Blitz"), and began making small, ethnographic documentaries about unusual tribes, subcultures, and personalities. His 25-year study of modern Texans, "Multislack," is due out in 2012. Colvin's work has been seen or heard in all 50 states, and in several foreign countries. His writing has been featured in various magazines, including Paranoia, The Stranger, and "D'Art," the arts journal for the Church of the Subgenius. Colvin's unique career has been studded with various mind-blowing, synchronistic events, some of which allowed him to study with, or work with, some of the greatest creative minds of the 20th Century, including Nam June Paik, Lee Friedlander, Keith Haring, Dennis Hopper, David Lynch, Robert Anton Wilson, Laurie Anderson, Daniel Johnston, Vito Acconci, Bruce Bickford, and the Butthole Surfers.For Your Listening Pleasure for these Lockdown / Stay-At-Home COVID and Variants Times - For all the radio shows available on The 'X' Zone Broadcast Network visit - https://www.spreaker.com/user/xzoneradiotv.Our radio shows archives and programming include: A Different Perspective with Kevin Randle; Alien Cosmic Expo Lecture Series; Alien Worlds Radio Show; America's Soul Doctor with Ken Unger; Back in Control Radio Show with Dr. David Hanscom, MD; Connecting with Coincidence with Dr. Bernard Beitman, MD; Dick Tracy; Dimension X; Exploring Tomorrow Radio Show; Flash Gordon; Imagine More Success Radio Show with Syndee Hendricks and Thomas Hydes; Jet Jungle Radio Show; Journey Into Space; Know the Name with Sharon Lynn Wyeth; Lux Radio Theatre - Classic Old Time Radio; Mission Evolution with Gwilda Wiyaka; Paranormal StakeOut with Larry Lawson; Ray Bradbury - Tales Of The Bizarre; Sci Fi Radio Show; Seek Reality with Roberta Grimes; Space Patrol; Stairway to Heaven with Gwilda Wiyaka; The 'X' Zone Radio Show with Rob McConnell; Two Good To Be True with Justina Marsh and Peter Marsh; and many other!That's The ‘X' Zone Broadcast Network Shows and Archives - https://www.spreaker.com/user/xzoneradiotv
Well I put out an episode back in 2019 putting my dream list of guests out into the universe and in the past four months I've been humbled to have some amazing filmmakers and screenwriters on the show. Incredibly one of those dream guests has made his way on the show today. We are joined by indie film icon and Oscar® nominated writer/director Richard Linklater. Richard was one of the filmmakers who helped to launch the independent film movement that we know today with his classic 1991 indie film Slacker. So today, we will not only dive into the extraordinary career of Richard Linklater but also that of collaborator and longtime friend writer/director Katie Cokinos.If this is your introduction to Linklater and his work, here are a few highlights you must know; Linklater helped launch the 90s indie film renaissance with his film Slacker.The producer, director has juggled the TV, film, short-film, and documentary genres seamlessly over his career - typically focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the 20-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood eco-system.One of the talents to emerge from this era is the Texas native, Matthew McConaughey in Linklater’s third movie and VHS smash hit, Dazed and Confused. Based on Linklater’s years at Huntsville High School and the people he encountered there, the film shadows the adventures of high school and junior high students on the last day of school in May 1976.Throughout his career Richard has chosen to tell stories about the human condition, while many times making us laugh and cry at the same time. I found an immense philosophical under current to most of his life's work. From The Before Trilogy to Boyhood, his films tackle topics in an honest, raw and deeper way that is not normally seen in filmmaking.Many of the actors who work with Richard call him the "Zen Director" on set. His philosophy can be felt throughout his work. He often tells long and transformative coming of age stories over years, if not decades, something that is unique to him.His Oscar® nominated film Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before.Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible to watch Mason and his family without thinking about our own journey.Now the other remarkable filmmaker in this conversation is Katie Cokinos. She has made over ten short films and in 2000 wrote, directed, and acted in the feature film, Portrait of a Girl as a Young Catwhich premiered at SXSW. Katie produced Eagle Pennell’s film, Heart Full of Soul (1990); was a publicist for Richard Linklater’s Slacker, (1990). She was the Managing Director of the Austin Film Society, 1990-95.Her latest film is the coming of age story I Dream Too Much, co-produced by Richard. Here's a bit about the film:Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.So much was covered in this EPIC 2 hours conversation. I need to stop here and let you dive in.Enjoy my conversation with Richard Linklater and Katie Cokinos.
The Make Your Movie Podcast: A Filmmaking and Screenwriting Show
Well I put out an episode back in 2019 putting my dream list of guests out into the universe and in the past four months I've been humbled to have some amazing filmmakers and screenwriters on the show. Incredibly one of those dream guests has made his way on the show today. We are joined by indie film icon and Oscar® nominated writer/director Richard Linklater. Richard was one of the filmmakers who helped to launch the independent film movement that we know today with his classic 1991 indie film Slacker. So today, we will not only dive into the extraordinary career of Richard Linklater but also that of collaborator and longtime friend writer/director Katie Cokinos.If this is your introduction to Linklater and his work, here are a few highlights you must know; Linklater helped launch the 90s indie film renaissance with his film Slacker.The producer, director has juggled the TV, film, short-film, and documentary genres seamlessly over his career - typically focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the 20-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood eco-system.One of the talents to emerge from this era is the Texas native, Matthew McConaughey in Linklater's third movie and VHS smash hit, Dazed and Confused. Based on Linklater's years at Huntsville High School and the people he encountered there, the film shadows the adventures of high school and junior high students on the last day of school in May 1976.Throughout his career Richard has chosen to tell stories about the human condition, while many times making us laugh and cry at the same time. I found an immense philosophical under current to most of his life's work. From The Before Trilogy to Boyhood, his films tackle topics in an honest, raw and deeper way that is not normally seen in filmmaking.Many of the actors who work with Richard call him the "Zen Director" on set. His philosophy can be felt throughout his work. He often tells long and transformative coming of age stories over years, if not decades, something that is unique to him.His Oscar® nominated film Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before.Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible to watch Mason and his family without thinking about our own journey.Now the other remarkable filmmaker in this conversation is Katie Cokinos. She has made over ten short films and in 2000 wrote, directed, and acted in the feature film, Portrait of a Girl as a Young Catwhich premiered at SXSW. Katie produced Eagle Pennell's film, Heart Full of Soul (1990); was a publicist for Richard Linklater's Slacker, (1990). She was the Managing Director of the Austin Film Society, 1990-95.Her latest film is the coming of age story I Dream Too Much, co-produced by Richard. Here's a bit about the film:Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.So much was covered in this EPIC 2 hours conversation. I need to stop here and let you dive in.Enjoy my conversation with Richard Linklater and Katie Cokinos.
Well I put out an episode back in 2019 putting my dream list of guests out into the universe and in the past four months I've been humbled to have some amazing filmmakers and screenwriters on the show. Incredibly one of those dream guests has made his way on the show today. We are joined by indie film icon and Oscar® nominated writer/director Richard Linklater. Richard was one of the filmmakers who helped to launch the independent film movement that we know today with his classic 1991 indie film Slacker. So today, we will not only dive into the extraordinary career of Richard Linklater but also that of collaborator and longtime friend writer/director Katie Cokinos.If this is your introduction to Linklater and his work, here are a few highlights you must know; Linklater helped launch the 90s indie film renaissance with his film Slacker.The producer, director has juggled the TV, film, short-film, and documentary genres seamlessly over his career - typically focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the 20-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood eco-system.One of the talents to emerge from this era is the Texas native, Matthew McConaughey in Linklater’s third movie and VHS smash hit, Dazed and Confused. Based on Linklater’s years at Huntsville High School and the people he encountered there, the film shadows the adventures of high school and junior high students on the last day of school in May 1976.Throughout his career Richard has chosen to tell stories about the human condition, while many times making us laugh and cry at the same time. I found an immense philosophical under current to most of his life's work. From The Before Trilogy to Boyhood, his films tackle topics in an honest, raw and deeper way that is not normally seen in filmmaking.Many of the actors who work with Richard call him the "Zen Director" on set. His philosophy can be felt throughout his work. He often tells long and transformative coming of age stories over years, if not decades, something that is unique to him.His Oscar® nominated film Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before.Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible to watch Mason and his family without thinking about our own journey.Now the other remarkable filmmaker in this conversation is Katie Cokinos. She has made over ten short films and in 2000 wrote, directed, and acted in the feature film, Portrait of a Girl as a Young Catwhich premiered at SXSW. Katie produced Eagle Pennell’s film, Heart Full of Soul (1990); was a publicist for Richard Linklater’s Slacker, (1990). She was the Managing Director of the Austin Film Society, 1990-95.Her latest film is the coming of age story I Dream Too Much, co-produced by Richard. Here's a bit about the film:Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.So much was covered in this EPIC 2 hours conversation. I need to stop here and let you dive in.Enjoy my conversation with Richard Linklater and Katie Cokinos.
Well I put out an episode back in 2019 putting my dream list of guests out into the universe and in the past four months I've been humbled to have some amazing filmmakers and screenwriters on the show. Incredibly one of those dream guests has made his way on the show today. We are joined by indie film icon and Oscar® nominated writer/director Richard Linklater. Richard was one of the filmmakers who helped to launch the independent film movement that we know today with his classic 1991 indie film Slacker. So today, we will not only dive into the extraordinary career of Richard Linklater but also that of collaborator and longtime friend writer/director Katie Cokinos.If this is your introduction to Linklater and his work, here are a few highlights you must know; Linklater helped launch the 90s indie film renaissance with his film Slacker.The producer, director has juggled the TV, film, short-film, and documentary genres seamlessly over his career - typically focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the 20-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood eco-system.One of the talents to emerge from this era is the Texas native, Matthew McConaughey in Linklater’s third movie and VHS smash hit, Dazed and Confused. Based on Linklater’s years at Huntsville High School and the people he encountered there, the film shadows the adventures of high school and junior high students on the last day of school in May 1976.Throughout his career Richard has chosen to tell stories about the human condition, while many times making us laugh and cry at the same time. I found an immense philosophical under current to most of his life's work. From The Before Trilogy to Boyhood, his films tackle topics in an honest, raw and deeper way that is not normally seen in filmmaking.Many of the actors who work with Richard call him the "Zen Director" on set. His philosophy can be felt throughout his work. He often tells long and transformative coming of age stories over years, if not decades, something that is unique to him.His Oscar® nominated film Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before.Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible to watch Mason and his family without thinking about our own journey.Now the other remarkable filmmaker in this conversation is Katie Cokinos. She has made over ten short films and in 2000 wrote, directed, and acted in the feature film, Portrait of a Girl as a Young Catwhich premiered at SXSW. Katie produced Eagle Pennell’s film, Heart Full of Soul (1990); was a publicist for Richard Linklater’s Slacker, (1990). She was the Managing Director of the Austin Film Society, 1990-95.Her latest film is the coming of age story I Dream Too Much, co-produced by Richard. Here's a bit about the film:Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.So much was covered in this EPIC 2 hours conversation. I need to stop here and let you dive in.Enjoy my conversation with Richard Linklater and Katie Cokinos.
Filmtrepreneur™ - The Entrepreneurial Filmmaking Podcast with Alex Ferrari
Well I put out an episode back in 2019 putting my dream list of guests out into the universe and in the past four months I've been humbled to have some amazing filmmakers and screenwriters on the show. Incredibly one of those dream guests has made his way on the show today. We are joined by indie film icon and Oscar® nominated writer/director Richard Linklater. Richard was one of the filmmakers who helped to launch the independent film movement that we know today with his classic 1991 indie film Slacker. So today, we will not only dive into the extraordinary career of Richard Linklater but also that of collaborator and longtime friend writer/director Katie Cokinos.If this is your introduction to Linklater and his work, here are a few highlights you must know; Linklater helped launch the 90s indie film renaissance with his film Slacker.The producer, director has juggled the TV, film, short-film, and documentary genres seamlessly over his career - typically focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the 20-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood eco-system.One of the talents to emerge from this era is the Texas native, Matthew McConaughey in Linklater’s third movie and VHS smash hit, Dazed and Confused. Based on Linklater’s years at Huntsville High School and the people he encountered there, the film shadows the adventures of high school and junior high students on the last day of school in May 1976.Throughout his career Richard has chosen to tell stories about the human condition, while many times making us laugh and cry at the same time. I found an immense philosophical under current to most of his life's work. From The Before Trilogy to Boyhood, his films tackle topics in an honest, raw and deeper way that is not normally seen in filmmaking.Many of the actors who work with Richard call him the "Zen Director" on set. His philosophy can be felt throughout his work. He often tells long and transformative coming of age stories over years, if not decades, something that is unique to him.His Oscar® nominated film Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before.Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible to watch Mason and his family without thinking about our own journey.Now the other remarkable filmmaker in this conversation is Katie Cokinos. She has made over ten short films and in 2000 wrote, directed, and acted in the feature film, Portrait of a Girl as a Young Catwhich premiered at SXSW. Katie produced Eagle Pennell’s film, Heart Full of Soul (1990); was a publicist for Richard Linklater’s Slacker, (1990). She was the Managing Director of the Austin Film Society, 1990-95.Her latest film is the coming of age story I Dream Too Much, co-produced by Richard. Here's a bit about the film:Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.So much was covered in this EPIC 2 hours conversation. I need to stop here and let you dive in.Enjoy my conversation with Richard Linklater and Katie Cokinos.
Well I put out an episode back in 2019 putting my dream list of guests out into the universe and in the past four months I've been humbled to have some amazing filmmakers and screenwriters on the show. Incredibly one of those dream guests has made his way on the show today. We are joined by indie film icon and Oscar® nominated writer/director Richard Linklater. Richard was one of the filmmakers who helped to launch the independent film movement that we know today with his classic 1991 indie film Slacker. So today, we will not only dive into the extraordinary career of Richard Linklater but also that of collaborator and longtime friend writer/director Katie Cokinos.If this is your introduction to Linklater and his work, here are a few highlights you must know; Linklater helped launch the 90s indie film renaissance with his film Slacker.The producer, director has juggled the TV, film, short-film, and documentary genres seamlessly over his career - typically focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the 20-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood eco-system.One of the talents to emerge from this era is the Texas native, Matthew McConaughey in Linklater’s third movie and VHS smash hit, Dazed and Confused. Based on Linklater’s years at Huntsville High School and the people he encountered there, the film shadows the adventures of high school and junior high students on the last day of school in May 1976.Throughout his career Richard has chosen to tell stories about the human condition, while many times making us laugh and cry at the same time. I found an immense philosophical under current to most of his life's work. From The Before Trilogy to Boyhood, his films tackle topics in an honest, raw and deeper way that is not normally seen in filmmaking.Many of the actors who work with Richard call him the "Zen Director" on set. His philosophy can be felt throughout his work. He often tells long and transformative coming of age stories over years, if not decades, something that is unique to him.His Oscar® nominated film Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before.Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible to watch Mason and his family without thinking about our own journey.Now the other remarkable filmmaker in this conversation is Katie Cokinos. She has made over ten short films and in 2000 wrote, directed, and acted in the feature film, Portrait of a Girl as a Young Catwhich premiered at SXSW. Katie produced Eagle Pennell’s film, Heart Full of Soul (1990); was a publicist for Richard Linklater’s Slacker, (1990). She was the Managing Director of the Austin Film Society, 1990-95.Her latest film is the coming of age story I Dream Too Much, co-produced by Richard. Here's a bit about the film:Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.So much was covered in this EPIC 2 hours conversation. I need to stop here and let you dive in.Enjoy my conversation with Richard Linklater and Katie Cokinos.
Inside the Screenwriter's Mind: A Screenwriting Podcast with Alex Ferrari
Well I put out an episode back in 2019 putting my dream list of guests out into the universe and in the past four months I've been humbled to have some amazing filmmakers and screenwriters on the show. Incredibly one of those dream guests has made his way on the show today. We are joined by indie film icon and Oscar® nominated writer/director Richard Linklater. Richard was one of the filmmakers who helped to launch the independent film movement that we know today with his classic 1991 indie film Slacker. So today, we will not only dive into the extraordinary career of Richard Linklater but also that of collaborator and longtime friend writer/director Katie Cokinos.If this is your introduction to Linklater and his work, here are a few highlights you must know; Linklater helped launch the 90s indie film renaissance with his film Slacker.The producer, director has juggled the TV, film, short-film, and documentary genres seamlessly over his career - typically focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the 20-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood eco-system.One of the talents to emerge from this era is the Texas native, Matthew McConaughey in Linklater’s third movie and VHS smash hit, Dazed and Confused. Based on Linklater’s years at Huntsville High School and the people he encountered there, the film shadows the adventures of high school and junior high students on the last day of school in May 1976.Throughout his career Richard has chosen to tell stories about the human condition, while many times making us laugh and cry at the same time. I found an immense philosophical under current to most of his life's work. From The Before Trilogy to Boyhood, his films tackle topics in an honest, raw and deeper way that is not normally seen in filmmaking.Many of the actors who work with Richard call him the "Zen Director" on set. His philosophy can be felt throughout his work. He often tells long and transformative coming of age stories over years, if not decades, something that is unique to him.His Oscar® nominated film Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before.Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible to watch Mason and his family without thinking about our own journey.Now the other remarkable filmmaker in this conversation is Katie Cokinos. She has made over ten short films and in 2000 wrote, directed, and acted in the feature film, Portrait of a Girl as a Young Catwhich premiered at SXSW. Katie produced Eagle Pennell’s film, Heart Full of Soul (1990); was a publicist for Richard Linklater’s Slacker, (1990). She was the Managing Director of the Austin Film Society, 1990-95.Her latest film is the coming of age story I Dream Too Much, co-produced by Richard. Here's a bit about the film:Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.So much was covered in this EPIC 2 hours conversation. I need to stop here and let you dive in.Enjoy my conversation with Richard Linklater and Katie Cokinos.
Politicon: How The Heck Are We Gonna Get Along with Clay Aiken
Clay welcomes Alex Wagner (https://twitter.com/alexwagner) and Mark McKinnon (https://twitter.com/mmckinnon) of Showtime’s The Circus (https://www.sho.com/the-circus-inside-the-greatest-political-show-on-earth) to get the inside scoop on the current state of the two parties. In the quest to get along, talking to anyone and speaking with the people who make a difference are key to understanding what’s next for us-- and Alex and Mark share the many insights they’ve gained from dedicating their careers to understanding the electorate. After impeachment, will the Republican party coalesce around a less controversial leader? Can Joe Biden continue to unify the party? Or is this year going to have more surprises than 2020? Guests: Mark McKinnon Mark Mckinnon (https://twitter.com/mmckinnon) is a political advisor, reform advocate, media columnist, and television producer. He was the chief media advisor to five successful presidential primary and general election campaigns and is cofounder of No Labels, an organization dedicated to bipartisanship, civil dialogue, and political problem solving. McKinnon has worked for many causes, companies, and candidates, including former President George W. Bush, Senator John McCain, late former Governor Ann Richards, and Bono. He serves on the boards of numerous organizations dedicated to reforming the influence of money in politics. In 2014, McKinnon launched Mayday PAC to force ethics reform in the United States Congress, along with Harvard Law Professor Larry Lessig and tech moguls Steve Wozniak, Peter Thiel, and Reid Hoffman. McKinnon and Julian Castro, HUD Secretary, served as co-chairs of Southerners for the Freedom to Marry before the historic Supreme Court ruling affirmed the right of all Americans to wed. For 20 years, McKinnon worked at Public Strategies, Inc., where he was an owner and served as vice chair. In 2010, Public Strategies merged with Hill+Knowlton Strategies, where McKinnon served as global vice chair. He remains an advisor to the firm. An award-winning media producer and communications strategist, McKinnon has been awarded more than 30 Pollie and Telly Awards, honoring the nation's best political and public affairs advertising. President Bush appointed McKinnon to serve as a governor of the Broadcasting Board of Governors. He serves on the board of the Austin Film Society and he lectures frequently at universities, including the JFK School of Government at Harvard University and the LBJ School of Public Affairs at the University of Texas at Austin. McKinnon has been a regular columnist for THE DAILY BEAST and THE DAILY TELEGRAPH (U.K.) and a consultant to the television series THE NEWSROOM and HOUSE OF CARDS. Get more from Mark McKinnon with: Twitter (https://twitter.com/mmckinnon) | Instagram (https://www.instagram.com/mmckinnon/) | The Circus (https://www.sho.com/the-circus-inside-the-greatest-political-show-on-earth) | Trumped (https://www.sho.com/titles/3445564/trumped-inside-the-greatest-political-upset-of-all-time) Alex Wagner Alex Wagner (https://twitter.com/alexwagner) is currently an anchor and correspondent at CBS News, co-anchoring CBS THIS MORNING: SATURDAY and reporting stories throughout the week. She is also a contributing editor at THE ATLANTIC and co-host of their weekly news and affairs podcast, RADIO ATLANTIC. In April, she will release her first book, FUTUREFACE, which examines questions about American identity in the 21st century. Previously, Alex served as an MSNBC analyst and hosted the Emmy® nominated program NOW with Alex Wagner. She has been a frequent guest host for several political shows, including ALL IN and THE LAST WORD. Before joining MSNBC, Wagner was a reporter with Huffington Post, where she covered innovation in the American economy, investigating the intersection of business, politics, and new technology. Prior to this, she served as the White House correspondent for Politics Daily and the Executive Director of Not on Our Watch, an advocacy and grant-making non-profit focused on combatting genocide and founded by actors George Clooney, Matt Damon, Brad Pitt and Don Cheadle. Get more from Alex Wagner with: Twitter (https://twitter.com/alexwagner) | Instagram (https://www.instagram.com/itsalexwags/?hl=en) | The Circus (https://www.sho.com/the-circus-inside-the-greatest-political-show-on-earth) | Future Face (https://www.amazon.com/Futureface-Family-Mystery-Secret-Belonging/dp/0812997948) | The Atlantic (https://www.theatlantic.com/author/alex-wagner/) Host: Clay Aiken (https://twitter.com/clayaiken) has sold 6 million albums, authored a New York Times bestseller, and ran for Congress in North Carolina in 2014 almost unseating a popular Republican incumbent. Follow Clay Aiken further on: Twitter (https://twitter.com/clayaiken?lang=en) | Instagram (https://www.instagram.com/clayaiken/) | Facebook (https://www.facebook.com/clayaiken) Email your questions to podcasts@politicon.com (mailto:podcasts@politicon.com) Follow @politicon (https://twitter.com/Politicon) and go to Politicon.com (https://politicon.com/) THIS WEEK’S SPONSORS: EXPRESS VPN STOP HANDING OVER YOUR PERSONAL DATA TO THE BIG TECH MONOPOLY THAT MINES YOUR ACTIVITY AND SELLS YOUR INFORMATION. VISIT WWW.EXPRESSVPN.COM/HECK (http://www.expressvpn.com/HECK) TO GET THREE EXTRA MONTHS FREE. APOSTROPHE GO TO WWW.APOSTROPHE.COM/HECK (http://www.apostrophe.com/HECK) AND CLICK BEGIN VISIT, THEN USE THE CODE HECK AT SIGN UP AND YOU’LL GET FIFTEEN DOLLARS OFF YOUR DERMATOLOGY VISIT!
Inside the episode with Mitch Hampton "There are literally thousands of t.v. movies that Amanda Reyes and I could have covered. I often ask myself why I like this particular one so much. I think that, in all honesty it comes down to at least three reasons: the emotional directness of the content, the production style(s) of the period in which it was made and the many sided treatment of the social problem it attempts to represent. Emotional directness in dramatic art is a long and abiding interest of mine. Some of my favorite works of art happen to not be emotionally direct in the sense that I am thinking; this quality is not a requirement for me nor an assurance of greatness in and of itself. But when I am thinking of emotionally direct visual drama I do think of Intimate Strangers alongside Cassavetes' A Woman Under The Influence. The many sidedness is Intimate Strangers' greatest strength; it might also be the one quality likely to not be embraced or to be misinterpreted by a contemporary audience. Yet it is nevertheless a fact that people who do evil in the world are always human, never monsters. This film judges harshly Dennis Weaver's character but never stops letting us in on his interiority, his hopes, wishes and dreams. It is the role of the artwork to get into the weeds of all of this. Intimate Strangers ones fairly far for a television production. I always love speaking with Amanda Reyes. She has a love for and knowledge of popular culture that is positively encyclopedic - far greater than my own - and she brings to the subject an intelligence and sensitivity noamtmer the material. Her tastes appear to tend towards the highly supernatural and gothic; mine are decidedly more "naturalistic" but our shared love makes for most interesting episode if I may so myself.” Link to the film so you can enjoy it with us ! https://www.youtube.com/watch?v=qdzgl19EEqs&t=3394s Amanda’s Bio and Links to her beautiful work: Amanda Reyes is an archivist, author, film and television historian and academic. She edited and co-wrote Are You in the House Alone? A TV Movie Compendium: 1964-1999 (Headpress, 2017) which celebrates the made for television film, and was featured on Barnes and Noble’s Best of Horror list for 2017. She's been a guest speaker at international film festivals and conferences in such places as the UK, Australia, and the United States. She's also contributed commentary tracks for several made for television Blu-Ray and DVD releases, including the made for TV movies The Girl Most Likely To... (1973), Nightmare in Badham County (1976), Amazons (1984) and Death Dreams (1991), all of which were released through Kino Lorber in 2019. For 18 months, Amanda also curated a quarterly series of made for TV mystery screenings at the Alamo Drafthouse, and has hosted other screenings in conjunction with the Austin Film Society. When she has a moment, she also podcasts and blogs about anything vintage small screen. Links: Made for TV Mayhem (blog): www.madefortvmayhem.com Made for TV Mayhem Show (podcast): www.tvmayhempodcast.wordpress.com Social media: Twitter: @madefortvmayhem https://twitter.com/madefortvmayhem Facebook: Made for TV Mayhem https://www.facebook.com/madefortvmayhem/ Instagram: @madefortvmayhem https://www.instagram.com/madefortvmayhem/ --- Send in a voice message: https://anchor.fm/mitch-hampton/message Support this podcast: https://anchor.fm/mitch-hampton/support
This week, we chat with Kim Tran, a first-gen Vietnamese writer, director and comedian who once rode her bike from Texas to Alaska. Her films have been official selections of SXSW, Palm Springs ShortFest and Short of the Week. Her film Zoe and Hanh recently earned a Vimeo Staff Pick. She received the Michener Fellowship to pursue her MFA in Screenwriting and Playwriting at the University of Texas at Austin. As a writer, she has written for Amy Poehler's Smart Girls, was a semifinalist for the Humanitas, NBC and Disney writing programs and a finalist for the HBO Pitch Competition at the Women in Comedy Festival. In her work, she explores messy Asian American women trying to find their way in the world. Since we chatted with Kim, some exciting updates have come up! Kim was awarded a development grant from the Austin Film Society to develop Zoe and Hanh into a feature film. The short played at Palm Springs Shortfest and will be playing at Hollyshorts.
Rebecca Campbell has served as chief executive of the Austin Film Society since 1998. Prior to joining AFS, she spent 12 years in the nonprofit sector, serving as Executive Director of two statewide California organizations, following which she earned a Master of Fine Arts degree in Video and Film Production from the University of Texas […]
This week we look at musicals with Jazmyne Moreno, programmer of the Lates series at Austin Film Society. Much of what we think of as the aesthetic of the modern musical evolved from a long history of co-opting Black musical and performative styles and gentrifying them for white audiences. In that context, Spike Lee’s second feature film School Daze (1988) is transgressive on two frons. For one, it wrested creative control back from genre tradition that had largely erased the influence of Blackness from its history and re-infused it with the most cutting-edge Black music of its time. Two, it reversed the white-dominant insularity of musical theatre culture and reflected that alienation back onto audiences by setting School Daze within the culturally esoteric world of historically Black colleges. Like many of his early films, Lee’s second film opened to mixed reviews, many of which had more to do with a lack of familiarity by white critics with the palette he was painting with. And, while for much of his career, it was seen as a relative misstep between his precocious debut (She’s Gotta Have It) and his iconic third feature (Do The Right Thing), over time, the cultural perception of School Daze has grown to include an appreciation not only of the huge risk Spike took in releasing a full-blown musical as his sophomore effort but in its honest and unabashed willingness to, as the ol’ folks say “air out dirty laundry,” outside the safety of Black communal spaces.
"All About the Golden Age of the Made For T.V. Movie with Amanda Reyes From Mitch’s Notebook about the episode: “One of many, in my view, most unwelcome developments in public commentary as of late are the explicit demarcations being made regarding culture - usually between the trivial and the essential, or between the irrelevant and the mandatory. The suppressed question then becomes, who gets decide where that line is and should we all fall in line? I am not suggesting that some works of art are not in fact better than others in all sorts of ways, but I am stating that those evaluations have little or nothing to do with the style of art and when, where, or how it was made. I have been a fan of Amanda Reyes' podcast, Made For T.V. Mayhem for sone time now and one of the many things I love about her show is that, for her, dramatic feature productions made for television in the 70s and 80s are never irrelevant and always valuable. Reyes is both a film and television historian and scholar as we all as a film archivist and thus it was a real joy to finally sit down with her and discuss some frankly forgotten gems that happened to have been made for the small screen over several decades. Is Night Terror (Night Drive) starring Valerie Harper dated or irrelevant? Since it is a film representing in frank terms a woman trying to find herself amidst an extreme situation, and since things like that do happen in life, for better and worse, we feel that that particular t.v. movie is always ever relevant. If you listen to our episode you might be inclined agree. We hope you enjoy our discussion as much as we did having it. I learned a lot from Amanda Reyes. Her mind moves very fast and I have to struggle to keep up with her, which in itself was lots of fun. She knows more about television and television history than anybody I have ever met and is a genuinely warm and engaging conversationalist. " Amanda Reyes is an archivist, author, film and television historian and academic. She edited and co-wrote Are You in the House Alone? A TV Movie Compendium: 1964-1999 (Headpress, 2017) which celebrates the made for television film, and was featured on Barnes and Noble’s Best of Horror list for 2017. She's been a guest speaker at international film festivals and conferences in such places as the UK, Australia, and the United States. She's also contributed commentary tracks for several made for television Blu-Ray and DVD releases, including the made for TV movies The Girl Most Likely To... (1973), Nightmare in Badham County (1976), Amazons (1984) and Death Dreams (1991), all of which were released through Kino Lorber in 2019. For 18 months, Amanda also curated a quarterly series of made for TV mystery screenings at the Alamo Drafthouse, and has hosted other screenings in conjunction with the Austin Film Society. When she has a moment, she also podcasts and blogs about anything vintage small screen. Made for TV Mayhem (blog): www.madefortvmayhem.com Made for TV Mayhem Show (podcast): www.tvmayhempodcast.wordpress.com Social media: Twitter: @madefortvmayhem https://twitter.com/madefortvmayhem Facebook: Made for TV Mayhem https://www.facebook.com/madefortvmayhem/ Instagram: @madefortvmayhem https://www.instagram.com/madefortvmayhem/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/mitch-hampton/message
In episode 15, we mosey down south to Austin, Texas to check in with writer, producer and director, Suzanne Weinert. She shares her adventures from around the world including but not limited to her early days in NYC and LA, being a judge at Mammoth Film Festival, and even attending writing retreats in New Zealand as of late. Her first job in the industry was as an assistant to Ron Howard and then went on to work with Julia Roberts for 7 years - which set the bar for her career pretty high straight out of the gate. She eventually made her way to Texas and after serving on the board of The Austin Film Society for many years, she also sits on the board of SXSW and has now made the jump to directing her own material. With heaps of skill and a knack for knowing how to make people laugh and/or cry, she has a huge heart for helping others or "paying it backwards" as she refers to it. Her motto in 2020 is to see things exactly as they are and with the knowledge she imparts, we'd say our listeners are in for a healthy dose of crystal vision.
On the latest AFS Viewfinders podcast we are joined by Amanda Reyes, who has certainly staked out a place as one of the preeminent expert on that much-maligned hybrid entertainment form, the Made-For-TV movie. Amanda runs the podcast and site Made For TV Mayhem and has done a large number of disc commentaries, most recently for the excellent TV Movie PRAY FOR THE WILDCATS. She has also lectured all around the world on the subject of TV movies. Her book "Are You In The House Alone: A TV Movie Compendium 1964-1999" is both an essential resource for fans of the form and a very entertaining read.Here, we talk about the origins of the TV Movie, the creative forces behind the best ones, and why they were an important outlet for some very talented women. We also take a moment to discuss the episodic television show CHARLIE'S ANGELS, since our History Of Television screening on that subject was so rudely canceled in light of the current crisis.Finally, Amanda offers some recommendations of Made For TV movies available on Amazon Prime for streaming.Here are Amanda's recommendations for streaming TV Movies, though you will find many more films for your watchlist mentioned in the discussion, so take notes as you listen.BORN INNOCENT (1974, D. Donald Wrye)GO ASK ALICE (1973, D. John Korty)SHADOW OF FEAR (1974, D. Herbert Kenwith)INVASION OF CAROL ENDERS (1974, D. Burt Brinckerhoff)NIGHTMARE AT 43 HILLCREST (1974, D. Dan Curtis, Lela Swift)TRILOGY OF TERROR (1975, D. Dan Curtis)POLICEWOMAN CENTERFOLD (1983, D. Reza Badiyi)FEAR STALK (1989, D. Larry Shaw)CAROLINE? (1990, D. Joseph Sargent)FACE OF EVIL (1996, D. Mary Lambert)
Amy Edwards A360 radio updates Thursday 3/26/20: Local and national updates; Austin Film Society news; how to manage cooking with a make-it-work attitude, and more.
This episode features spoilers for the new Adam Sandler joint, UNCUT GEMS. Featuring special guest Holly Herrick of Austin Film Society!Welcome to the Billy Gilmore Podcast -- an Adam Sandler appreciation podcast. This week's episode features his brand-new feature film, UNCUT GEMS, which opens nationwide on December 25. Directed by Josh and Benny Safdie (GOOD TIME), this high-anxiety thriller (and it's funny, too!) stars Sandler as Howard Ratner, a New York City jeweler who gets in over-his-head with sports gambling. His performance has been getting lots of buzz this awards season and we can't wait to see where it goes. Join us for this new episode, featuring special guest Holly Herrick, Head of Film & Creative Media at the Austin Film Society.
Renée Zellweger visited the Austin Film Society to talk to Richard Linklater take questions from the audience following a screening of her Judy Garland biopic JUDY.
Rebecca Campbell, the CEO of the Austin Film Society, is the decades-long leader of the cutting-edge organization founded by Oscar-nominee director Richard Linklater. A major film retrospective later this month at the Centre de Pompidou will celebrate the visionary’s career. Listen in to Rob Giardinelli and Lance Avery Morgan on Success With Style as Campbell shares insight on Linklater, the retrospective, and the on-going mission of the Austin Film Society. Photograph of Rebecca Campbell by David Brendan Hall
In this episode I interview Lisa Hickey who is co-founder of Panacea Collective, a 360-degree event production and experiential marketing firm with an expansive boutique furniture rental, environmental styling and staging operation in-house. Prior to co-founding Panacea in 2015, Lisa served as Festival Marketing Director with C3 Presents, the third largest concert promoter in the United States, and the producer of Lollapalooza, Austin City Limits Music Festival, and Austin Food & Wine Festival, among others. She is also the Co-founder of Do312, a Chicago-based media property focused on helping a culture-forward audience find concerts and events. Lisa brings 20 years of experience in marketing, idea development, growth strategy, sponsorship acquisition and management of large scale festivals and events including Lollapalooza and Austin City Limits Music Festival. She is highly involved in the Austin community, and currently serves on the boards of Austin Film Society and Saint Gabriel’s Catholic School. Previous service includes Governor of the Texas Chapter of The Recording Academy from 2004 until 2008, Commissioner of Austin Music Commission from 2003 until 2006, Board Member of Heath Alliance for Austin Musicians from 2009-2018 and Creative Action 2016-2018. Connect with Lisa - www.thepanaceaco.com On Instagram - @lisahickeyatx @panaceacollective Connect with Me! Instagram @ambitioussoulpodcast https://www.instagram.com/ambitioussoulpodcast/ @christylepley https://www.instagram.com/christylepley/ Free Facebook Group - Ambitious Soul Sisterhoodhttps://www.facebook.com/groups/2229420643845537/ Don't forget to subscribe to receive next week's episode!
Austin Film Society programmer Lars Nilsen talks to Joe Gross about the horror movies he loves.
Today we talk with three documentary filmmakers and the challenges they face in their industry and the mental health issues that come about from some rather stressful circumstances. Here are the wonderful people we were privileged to talk to on the podcast: Marjan Safinia is an award-winning Iranian documentary filmmaker based in LA. Her films examine issues of identity, community and social justice. Until 2018, Marjan was the longest-serving President of the Board of the International Documentary Association. She is one of five international co-hosts of the pre-eminent documentary community online, The D-Word. AndSheCouldBeNext.com Brooklyn-based Heidi Reinberg has produced documentaries for such august US-based broadcasters as PBS, HBO, Cinemax, LOGO, and arte SWR in Germany and France. Her work, which largely focuses on gray, weighty moral issues, has been supported by the Sundance Doc Fund with the support of Just Films | Ford Foundation; the IDA Enterprise and Pare Lorentz funds; the Hot Docs Forum and the Hot Docs first look Pitch Prize; XTR; the Tribeca Film Institute; the Oath Foundation; Fork Films; the New York State Council on the Arts; the Catapult Film Fund; the Economic Hardship Reporting Project; the Hartley Film Foundation; the Austin Film Society; Picture Motion; the Independent Filmmaker Project; and Women Make Movies. HeidiBigIdea.com Rebecca Day is a qualified psychotherapist and freelance documentary producer. She founded Film In Mind in 2018 to advocate for positive mental health in the film industry and has spoken at festivals such as IDFA, Getting Real Documentary Conference and Sheffield DocFest on the issue. She offers consultancies, workshops and therapeutic support to filmmakers working in difficult situations and with vulnerable people. FilmInMind.co.uk Thanks for listening! Support this show by subscribing to The Science of Psychotherapy Please leave an honest review on iTunes and please subscribe to our show. You can also find our podcast at: The Science of Psychotherapy Podcast Homepage If you want more great science of Psychotherapy please visit our website thescienceofpsychotherapy.com
On this episode of the AFS Viewfinders podcast, we visit with John Doe, one of the leaders of the seminal Los Angeles punk band X. Since the band’s beginning in the late 1970s, Doe has carved out a special place for himself in music history. But that’s only half the story. The same love of storytelling and characterization that makes his songwriting come alive has also produced a multi-decade career as an actor, often in small but important character roles. In this conversation, Doe talks with AFS’s Lars Nilsen about growing up in Baltimore and knowing John Waters, how he got into music and film, the LA years, and going to see movies.
For this episode of AFS Viewfinders, AFS Head of Film and Creative Media Holly Herrick talks with director Lulu Wang at our sneak preview screening of her new feature film, THE FAREWELL. Based on an actual lie, Wang’s feature explores the ways in which family can unite and strengthen us, often in spite of ourselves (A24). Listen in as we discuss Wang’s process and inspiration for the critically-acclaimed film. Please note that there may be discussion about important plot details.
Listen back to”Censorship & Its Discontents” as KUT partners with the Austin Film Society to explore Hollywood’s Amazing Pre-Code Era. KUT’s Rebecca McInroy along with AFS lead programmer Lars Nilsen, and Dr. Donna Kornhaber author of Charlie Caplin, Director talk about the films of the early 1900s that were way ahead of their time; featuring […]
Listen back to”Censorship & Its Discontents” as KUT partners with the Austin Film Society to explore Hollywood’s Amazing Pre-Code Era. KUT’s Rebecca McInroy along with AFS lead programmer Lars Nilsen, and Dr. Donna Kornhaber author of Charlie Caplin, Director talk about the films of the early 1900s that were way ahead of their time; featuring...
This week Dan is sitting down with Louis Black. Louis is one of the founders of the Austin Chronicle and the SXSW festival. He has also directed a documentary, executive produced a few films, and was a founding member of the Austin Film Society. Dan digs in and finds out how Louis got his start and what he loves about music, culture, and film. Guests: Louis BlackHost: Dan DillardProducer: Myrriah GossettAudio Engineer: Jake WallaceMusic by: Scott HolmsFounding AustinMasters and Founders Facebook Group See acast.com/privacy for privacy and opt-out information.
For this AFS Viewfinders podcast, Lars Nilsen speaks with Writer/Producer Zack Carlson (Destroy All Movies, DAMSEL, JUNGLE TRAP), who presents a Walter Hill series at AFS Cinema this November. This podcast covers filmmaker Walter Hill (THE WARRIORS, STREETS OF FIRE), including his directing choices and casting THE WARRIORS ensemble. On top of that, the conversation cracks open the entire action movie genre—from LETHAL WEAPON to PREDATOR—discussing just what makes an action movie work (and not work), including characters, authenticity, stunts, and special effects. Plug in and sit down for this hour-long discourse between Zack Carlson and Lars Nilsen.austinfilm.orgFacebook | Twitter | Instagram
Dread, surrealism, trash and a good dose of slasher movies—a discussion of films appropriate for the Halloween season. Davis Rivera is a programmer for the Austin Film Society and a cinephile with an MSt in Film Aesthetics from the University of Oxford.
This month's ongoing Essential Cinema series, Pre-Code Treasures, looks back at the unique period of time (roughly 1929-34) before the implementation of the Hays Code. Each week, we're joined by film scholars to talk about the era and the film selection for the week. On August 9, scholar, professor, and film archivist Dr. Caroline Frick joined us to discuss "a funky artifact of its time," the Marx Brothers' THE COCOANUTS (1929), one of the early talkies that explored the transition of Broadway and Vaudeville productions to film. Lead programmer Lars Nilsen and Dr. Frick (a self-proclaimed Marx Brothers enthusiast) discussed many aspects of the movie including the Marx Brothers deal with Paramount, how cinematography had to change to adjust for sound, and a possible Austin connection between the famed Marx Brothers.
Austin Film Society Lead Programmer Lars Nilsen conducts a discussion with legendary film programmer, publisher and writer Kier-La Janisse. Janisse is owner/Artistic Director of Spectacular Optical Publications and founder of The Miskatonic Institute of Horror Studies. She has been a programmer for the Alamo Drafthouse Cinema and Fantastic Fest in Austin, Texas, co-founded Montreal microcinema Blue Sunshine, founded the CineMuerte Horror Film Festival (1999-2005) in Vancouver, was the Festival Director of Monster Fest in Melbourne, Australia and was the subject of the documentary Celluloid Horror (2005). She is the author of A Violent Professional: The Films of Luciano Rossi (FAB Press, 2007) and House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (FAB Press, 2012) and contributed to Destroy All Movies!! The Complete Guide to Punks on Film (Fantagraphics, 2011), Recovering 1940s Horror: Traces of a Lost Decade (Lexington, 2014) The Canadian Horror Film: Terror of the Soul (University of Toronto Press, 2015) and We Are the Martians: The Legacy of Nigel Kneale (PS Press, 2017). She co-edited and published the anthology books KID POWER! (Spectacular Optical, 2014), Satanic Panic: Pop-Cultural Paranoia in the 1980s (Spectacular Optical, 2015), Lost Girls: The Phantasmagorical Cinema of Jean Rollin (2017), and Yuletide Terror: Christmas Horror on Film and Television (2017), She is currently writing the books A Song From the Heart Beats the Devil Every Time: Children’s Programming and the Counterculture, 1965-1985 and a forthcoming book about Monte Hellman’s Cockfighter. She (and we) would love it if you would contribute to her next project, COCKFIGHT. You can do so here. https://www.indiegogo.com/projects/cockfight-books#/
There's a lot going on at the Austin Film Society's AFS Cinema this November and December. Programmers Holly Herrick and Lars Nilsen have an informal talk about some of their favorite films and series. See the whole AFS Cinema calendar here: https://www.austinfilm.org/screenings/
Join us this Wednesday as we speak with Rebecca Campbell from the Austin Film Society
The dog days of summer are here! To celebrate, we thought we would devote a little time to my all time favorite cinematic canine, Carlos Sorín's Bombón: El Perro (2004). I discovered this thanks to a series that Austin Film Society did back in 2008 called More Than Buenos Aires:… The post Episode 055 – Bombón: El Perro appeared first on The Magic Lantern.
Austin Film Society Programmers Lars Nilsen and Holly Herrick talk a bit about the opening of the new AFS Cinema and the first round of programming in the venue, including the Texas Christening series, the Noir Canon, and newly restored titles. There is special emphasis on the Comedy Italian Style Essential Cinema Series.
Last month we had a screening of TERMS OF ENDEARMENT in conjunction with the Star Of Texas Award presented to the film at the Texas Film Awards. We were fortunate enough to have Lisa Hart Carroll, who plays Patsy in the film, join us for our screening. It's a small but important part in the film and Carroll is excellent in it. After the screening she joined us for a Q&A that was as candid as it was thoughtful, and I suspect that no one who was in attendance will forget it anytime soon. Carroll is very serious about acting, and has a scholar's knowledge of the great performances to match her lifelong practice at the fine techniques of acting. In this episode we talk about actors from James Dean to Lon Chaney, Jr. with pithy observations and a special attention to the was in which actors are themselves filmmakers.
Before "Ramblin Freak'," Tacodeli employee Parker Smith had made only one movie featuring sound. The three three-time film school dropout was stuck between a rock and a hard place after realizing his internship at The Austin Film Society was little more than the theater job he had left in Boulder, Colorado to make a name for himself in Texas. Now, the task of making your first feature is a daunting one. Some would think that filming it entirely alone should make things a hundred times more difficult. For Parker, however, being the only member of his film crew provided him with exactly the freedom necessary to experiment, learn and shoot his movie right. No Film School's Jon Fusco sat down with Smith at SXSW to learn how he pulled off making a movie about a guy who doesn't know how to make a movie. From watching five documentaries a night to finding a producer through Instagram, he provides us with tremendous insight into the art of learning as you go.
Anne Thompson is on vacation, so Eric Kohn sits down with Richard Linklater and his cohorts at the Austin Film Society to discuss the non-profit's new theater opening this year.
Louis Black is the co-founder and editor of the Austin Chronicle, a co-founder of SXSW and Toronto’s North by Northeast, an executive producer of a documentary on Townes Van Zandt, a co-director of Richard Linklater, Dream is Destiny and an original board member of the Austin Film Society.
We have a special episode for you guys this time! We are joined by our special guest Lars Nilsen, lead programmer at the Austin Film Society, to discuss his selection for the show, Smile Jenny, You're Dead (1974). Directed by Jerry Thorpe, the choice is a bit of a departure… The post Episode 035 – Smile Jenny, You're Dead appeared first on The Magic Lantern.
Austin Film Society Programmer and Alamo Drafthouse Programmer talk about the programmer's job, upcoming series at Drafthouse and AFS, social responsibility and the 'pulp impulse.'
Madeleine works part-time for AFS in both their Austin Studios location and their Austin Public Access location. She interns for screenings, answer phones, runs errands, and performs basic office duties. She also had the opportunity to participate in the 2016 Texas Film Awards, where she served as "Event Concierge Captain," managing fifteen volunteers during the event. Madeleine is a recent graduate of University of North Texas.
Mark and Aaron are joined by Cole & Ericca from the Magic Lantern Podcast. They are Austin, TX residents and shed a lot of insight into this landmark independent film, Richard Linklater and his involvement in the Austin Film Society. They also talk about how the film reflects the city of Austin, and how much the place has changed in the years since. About the film: Slacker, directed by Richard Linklater, presents a day in the life of a loose-knit Austin, Texas, subculture populated by eccentric and overeducated young people. Shooting on 16 mm for a mere $3,000, writer-producer-director Linklater and his crew of friends threw out any idea of a traditional plot, choosing instead to create a tapestry of over a hundred characters, each as compelling as the last. Slacker is a prescient look at an emerging generation of aggressive nonparticipants, and one of the key films of the American independent film movement of the 1990s. Subscribe to the podcast via RSS or in iTunes Buy The Films On Amazon: Episode Links & Notes Special Guest: Cole and Ericca from Magic Lantern Podcast. You can find them on Twitter and Facebook. 0:00 – Intro & Welcome Cole & Ericca 2:55 – Cole & Ericca's Criterion Connections 6:10 – Fat Girl Delay 8:00 – Schedule Update 10:55 – Short Takes (Your Vice is a Locked Room and Only I Have the Key, Wim Wenders Retrospective, Me and Orson Welles, Anomalisa) 24:25 – Slacker Episode Credits Mark Hurne: Twitter | Letterboxd | Amazon Wishlist Aaron West: Twitter | Blog | Letterboxd Criterion Close-Up: Facebook | Twitter | Email Next time on the podcast: Fat Girl
Bryan Connolly, author and co-programmer of the January Essential Cinema series LOVE IS A TWO WAY STREET: FILMS OF BLAKE EDWARDS & JULIE ANDREWS joins us to talk about Edwards' and Andrews' careers and the need for a new PG-32 rating for films.
Filmmaker Kat Candler talks about the filmmaking life, choices, compromises, her working method and her new short THE RUSTED.
30 years after beginning his tenure as a founding Austin Film Society board member and 12 years after joining AFS as Director of Programming, Chale Nafus is retiring at the end of August. AFS Programmer Lars Nilsen talks to Chale about his filmgoing life and his tenure at AFS.
On June 27 A GIRL WALKS HOME AT NIGHT filmmaker Ana Lily Amirpour joined Lars Nilsen and AFS members for a one-hour Moviemaker Dialogue about writing, casting, directing and staying inspired while making a film. Note: there is some adult language and Ms. Amirpour's metaphors can be as profane as they are instructive.
Austin Film Society's Lars Nilsen talks to Hadrian Belove, founder and executive director of Los Angeles-based Cinefamily, a non-profit organization dedicated to unique programming and screening opportunities.
Director Richard Linklater takes Marc through the unprecedented 12 year process of making his latest film, Boyhood, and goes into detail about Dazed and Confused, Matthew McConaughey, School of Rock, Waking Life, the Austin Film Society and much more. See acast.com/privacy for privacy and opt-out information. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast.
Nathan and Scotty discuss finding your voice and managing a directing career, how to become an expert in your field, and how Richard Linklater crafted a masterpiece with Boyhood. A new classic is born. Also discussed: Ethan Hawke, Slacker (1991), The Austin Film Society, and watching 600 films a year. This episode is an independent film extravaganza. Check out @fourseasonspod for updates and fourseasonsoffilm.com to sign up for the weekly newsletter. Keep Film Alive!
South by Southwest & Austin Film Society co-founder (and newly-inducted Texas Film Hall of Fame member) Louis Black talks about the history of both organizations and the Austin film scene, supplemented by anecdotes and thoughts from directors, actors, colleagues, and childhood friend Leonard Maltin.
If you have an interest in learning about 4k video production equipment and visiting with a colorist to improve the production quality of your projects then I invite you to come this free event in the Austin Film Society screening room at 3pm and 5pm on March 3. The OmegaBroadcast Group is sponsoring this event for the local community and it’s free. Honestly this event it’s going to be a lot of fun because you get to see quite a bit of new 4k gear well before SXSW and NAB 2014 without having to travel out of town. In the screening room colorist Tom Parish will have example footage from various cameras used for low budget video projects shot locally and used for full length narratives submitted to Sundance and SXSW this year. He'll be using Davinci Resolve 10 with a Tangent Wave. Tom will provide examples of how color is used in storytelling and explain why it is important to improving the production quality of any size project for 2014. He will be available for general question and answers at the end of the session. After the grade / Q&A people are invited to go into the adjacent conference room to get their hands on HD and 4K cameras and on the color grading software running on the new Mac Pro and on an iMac with a Magma thunderbolt expansion chassis. Reservations: visit www.tomparish.com for details to sign up! Vendors to include: Sony, BlackMagic (Davinci Resolve + Black Magic Cinema camera) and others to be posted here soon. Session date: March 3 Session times: 3pm and 6pm. Each color session will last appromixately and hour Venue location: Austin Film Society 1901 E 51st St, Austin, TX 78723 (512) 322-0145 Event questions: OmegaBroadcast Group 512-628-0822 or Tom Parish (colorist) 512-782-4814
Carol Shoemaker is the mother of six children, author of 'Skeletons in the Closet', an autobiography, and has a BA in e Human Services. She dedicated her book to the memory of her youngest son, Enrique Sanchez, who lost his life while in the National Guard (2002). Carol is a two-time veteran of the U.S. Army, having served in the Pentagon during Viet Nam and again in Germany (1978-80). She is a member of the Disabled American Veterans Association, National Native American Veterans Association, as well as the Tsalagiyi Nvdagi (Cherokees of Texas), Austin Film Society and National Academy of Native American Arts Society (NANAAS.) Ms. Shoemaker is a dual citizen of the United States and Israel. A highlight of her trip to Israel was when asked to deliver a message, from the children of K’far Adumim, to Hilary Clinton in Jerusalem, during the Peace Conference, held in Jordan (1994). Upon returning to the U.S., she had the honor of writing the online biography of Michael Landon, for the Michael Landon International Internet Fan Club. She would like to film a documentary featuring the plight of adult adoptees, in their fight to secure their ’original’ birth certificates’. Righting wrongs is a passion of Carol, whose original name was Carolyn Jean Spang (also spelled Spong). Carol was born 6-12-1946 and in foster care and raised in an abusive home. She later found her birth relatives but not all the truth. In 1995, she learned that she was ‘Cherokee, from the Ani Tsisqua (Bird) Clan but would ‘have to prove it’. In 2010, Carol connected, through DNA, to a cousin, who is also an enrolled member of the Standing Rock Sioux Reservation. Her journey has been a painful, yet rewarding experience. She was told in 1992 that she had a sister. She still searches for her sister.
Filmmakers Chris Metzler and Lev Anderson were in town recently to bring the culture that shaped the personal stories of the black genre-breaking band Fishbone in the compelling film, Everyday Sunshine: The Story of Fishbone -- read my review here. Narrated by Laurence Fishburne, viewers are taken through a musical and intimate journey of Fishbone as they face the challenges of a band democracy, fiercely independent artists, and the music industry machine.Personal interviews include musical artists and actors Flea (Red Hot Chili Peppers), Gwen Stefani (No Doubt), Ice-T, and many others, including the dynamic and determined frontmen Angelo Moore and Norwood Fisher. I joined the pair on their tour bus for an interview while they were in town last month for a special Austin Film Society screening and show at Emo's Austin.Hear what Angelo Moore had to say about the impact of digital technology and his ode to Wall Street, as well as Norwood Fisher's greatest musical desire: to write more musical scores for movies.Everyday Sunshine screens at Alamo Drafthouse Ritz tonight at 10 pm as part of Music Monday.
Anne S. Lewis is a featured writer for the Austin Chronicle and writes a monthly column covering the the Austin Film Society documentary tour. Separate Vacations is an animated short film about a dog owner, boarding her dog before leaving for a vacation, is thrown a curve by one of the kennel's information forms. It is Anne's first animated film. It played the SXSW Film Festival and also debuted in New England at the 2007 MergingArts Short Short Story Film Festival and was an audience favorite. Anne discussed with us her experiences covering the documentary film tour and the process of her past, present, and future film ideas.
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