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The episode discussed on today's Sound Judgment is Classy with Jonathan Menjivar, Episode 1: Are Rich People Bad?Jonathan Menjivar is a senior producer at Pineapple Street Studios and the creator and host of Classy with Jonathan Menjivar. He also made the hit shows Project Unabom and The Clearing. Prior to Pineapple, he was a longtime producer at the public radio show This American Life and also served as the show's music supervisor. He's also worked as a producer at Fresh Air with Terry Gross and contributed to numerous public radio outlets, including Marketplace and Transom.org. Classy with Jonathan Menjivar: CreditsHost Jonathan Menjivar also serves as senior producer on Classy. Additional credits: Kristen Torres, producer; Marina Henke, associate producer; Asha Saluja, senior managing producer; Haley Howle, editor; Joel Lovell, executive editor; Marina Paiz, senior engineer; Max Linsky and Jenna Weiss-Berman, executive producers.You can follow Jonathan on X/Twitter; Instagram; and Threads or Pineapple Street Studios on X/Twitter and Instagram.If you liked my conversation with Jonathan Menjivar, you'll love: Sound Judgment Episode 16: How to Pitch an Audio Documentary and the Unusual Origin of a This American Life Story, with Katie Colaneri, senior podcast editor at New Hampshire Public RadioIf you love Sound Judgment, help us grow our show by giving us a five-star rating and a review. Visit soundjudgmentpodcast.com and click on Reviews – you can give us a five-star rating that'll go to Apple or Spotify instantly. We're grateful.The Sound Judgment team is: Host & Producer: Elaine Appleton GrantProduction Assistant: Audrey NelsonAudio engineer/sound designer: Kevin KlinePodcast manager: Tina BassirCover art by Sarah EdgellSound Judgment is a production of Podcast Allies, LLCContact UsTo contact us with questions, comments, partnership and guesting requests, media interviews or speaking engagements, write to us at allies@podcastallies.com. We also welcome your voice memos; click the microphone icon at soundjudgmentpodcast.com. To follow Elaine Appleton Grant and the show: Subscribe to the Sound Judgment newsletter, about creative choices in audio storytellingSound Judgment websiteElaine's LinkedInElaine's FacebookSound Judgment Instagramhttp://podcastallies.com Podcast Allies is a boutique production and consulting company making magical podcasts for NGOs and nonprofits, higher ed, and media organizations. Jonathan's takeawaysThese are the takeaways from the end of the episode. For more takeaways from all of our guests, subscribe to the Sound Judgment newsletter and visit our blog. Tough topics don't have to sound dreary or earnest. Right from the very beginning, Jonathan sets a scene that evokes joy. It makes you want to dance. In this way, he's letting listeners know that he's talking about class, but it's not a lesson. You're going to be entertained. It may be even more helpful to use humor when you're tackling difficult topics than it is with anything else. When we add some jokes, people listen more. We can deal with hard stuff better. Make sure you point the jokes at yourself, though, not someone else. Jonathan says Classy listeners “should feel comfortable knowing that if I'm going to criticize anyone…it's going to be me first.” Classy is very revealing. We learn a lot about Jonathan's feelings. So when you write your own scripts, think about what's personal versus what's private? Set boundaries. Know what you're willing to share and what you're not. Finding your own style of delivery is important, and it can be deceptively hard. It's OK to start out copying someone else's style, Jonathan says. Eventually, you'll find what Jonathan found – his Hulk energy – the true voice that's yours and nobody else's.
On today's episode of Spectacular Vernacular, Nicole and Ben talk about the connection between football chants and language. They also interview Everdeen Mason, editorial director for games at the New York Times about her exciting role. And finally, our hosts are in the hot seat for this week's wordplay. You don't want to miss this! You could win a year's membership to Slate Plus. Do you have any language questions or fun facts to share? Email us at spectacular@slate.com. Produced by Jasmine Ellis and Asha Saluja. Here are some notes and references from this week's show: Ben's Wall Street Journal column, “'Who Dey?': A Chant With Roots in Black History” New York Times profile of Everdeen Mason How to apply to the New York Times Diverse Crossword Constructor Fellowship Washington Post article on “the latest reckoning over language in the puzzle world” New York Times article on the acquisition of Wordle Peter Gordon's Fireball Crosswords Subscribe to Slate Plus. It's only $1 for the first month. To learn more, go to slate.com/spectacularplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
On today's episode of Spectacular Vernacular, Nicole and Ben talk about the connection between football chants and language. They also interview Everdeen Mason, editorial director for games at the New York Times about her exciting role. And finally, our hosts are in the hot seat for this week's wordplay. You don't want to miss this! You could win a year's membership to Slate Plus. Do you have any language questions or fun facts to share? Email us at spectacular@slate.com. Produced by Jasmine Ellis and Asha Saluja. Here are some notes and references from this week's show: Ben's Wall Street Journal column, “'Who Dey?': A Chant With Roots in Black History” New York Times profile of Everdeen Mason How to apply to the New York Times Diverse Crossword Constructor Fellowship Washington Post article on “the latest reckoning over language in the puzzle world” New York Times article on the acquisition of Wordle Peter Gordon's Fireball Crosswords Subscribe to Slate Plus. It's only $1 for the first month. To learn more, go to slate.com/spectacularplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
In part two of our deep dive into Daryl Hall & John Oates' genre-defying streak on the pop charts, Chris Molanphy argues they were also more cutting-edge than you may realize, essentially inventing their own form of cross-racial new wave after spending the '70s trying everything: rock, R&B, folk, funk, even disco. At their Imperial peak in the early '80s, Hall and Oates commanded the pop, soul and dance charts while still getting played on rock stations. And decades later, when the Rock & Roll Hall of Fame ignored them, it was Black artists—rappers and soul fans—who pushed them in. Join Chris Molanphy for a dissection of the Philly duo who invented “rock 'n soul” and made their dreams come true. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Podcast production by Asha Saluja. Learn more about your ad choices. Visit megaphone.fm/adchoices
In part two of our deep dive into Daryl Hall & John Oates' genre-defying streak on the pop charts, Chris Molanphy argues they were also more cutting-edge than you may realize, essentially inventing their own form of cross-racial new wave after spending the '70s trying everything: rock, R&B, folk, funk, even disco. At their Imperial peak in the early '80s, Hall and Oates commanded the pop, soul and dance charts while still getting played on rock stations. And decades later, when the Rock & Roll Hall of Fame ignored them, it was Black artists—rappers and soul fans—who pushed them in. Join Chris Molanphy for a dissection of the Philly duo who invented “rock 'n soul” and made their dreams come true. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Podcast production by Asha Saluja. Learn more about your ad choices. Visit megaphone.fm/adchoices
In part two of our deep dive into Daryl Hall & John Oates' genre-defying streak on the pop charts, Chris Molanphy argues they were also more cutting-edge than you may realize, essentially inventing their own form of cross-racial new wave after spending the '70s trying everything: rock, R&B, folk, funk, even disco. At their Imperial peak in the early '80s, Hall and Oates commanded the pop, soul and dance charts while still getting played on rock stations. And decades later, when the Rock & Roll Hall of Fame ignored them, it was Black artists—rappers and soul fans—who pushed them in. Join Chris Molanphy for a dissection of the Philly duo who invented “rock 'n soul” and made their dreams come true. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Podcast production by Asha Saluja. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's Spoiler Specials, Slate staffers Allegra Frank and Rebecca Onion spoil The Lost Daughter. Leda Caruso (Olivia Colman) is a college professor on a sunny holiday in Greece. When she meets Nina (Dakota Johnson) and her young daughter on the beach, her observations prompt dark memories of her own early motherhood. Note: As the title indicates, this podcast contains spoilers galore. Produced by Asha Saluja and Jasmine Ellis. To listen to Spoiler Specials and other Slate podcasts with zero ads, read unlimited articles on Slate.com, and support Slate's journalism, sign up for Slate Plus now. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's Spoiler Specials, Slate staffers Allegra Frank and Rebecca Onion spoil The Lost Daughter. Leda Caruso (Olivia Colman) is a college professor on a sunny holiday in Greece. When she meets Nina (Dakota Johnson) and her young daughter on the beach, her observations prompt dark memories of her own early motherhood. Note: As the title indicates, this podcast contains spoilers galore. Produced by Asha Saluja and Jasmine Ellis. To listen to Spoiler Specials and other Slate podcasts with zero ads, read unlimited articles on Slate.com, and support Slate's journalism, sign up for Slate Plus now. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's Spoiler Specials, Slate staffers Allegra Frank and Rebecca Onion spoil The Lost Daughter. Leda Caruso (Olivia Colman) is a college professor on a sunny holiday in Greece. When she meets Nina (Dakota Johnson) and her young daughter on the beach, her observations prompt dark memories of her own early motherhood. Note: As the title indicates, this podcast contains spoilers galore. Produced by Asha Saluja and Jasmine Ellis. To listen to Spoiler Specials and other Slate podcasts with zero ads, read unlimited articles on Slate.com, and support Slate's journalism, sign up for Slate Plus now. Learn more about your ad choices. Visit megaphone.fm/adchoices
Daryl Hall and John Oates: Their songs were earworms, their videos cheap and goofy. John Oates's mustache and Daryl Hall's mullet are relics of their time. And…for about five years, their crazy streak on the pop charts was comparable to Elvis, the Beatles and the Bee Gees. They were also more cutting-edge than you may realize, essentially inventing their own form of cross-racial new wave after spending the '70s trying everything: rock, R&B, folk, funk, even disco. At their Imperial peak in the early '80s, Hall and Oates commanded the pop, soul and dance charts while still getting played on rock stations. And decades later, when the Rock & Roll Hall of Fame ignored them, it was Black artists—rappers and soul fans—who pushed them in. Join Chris Molanphy for a dissection of the Philly duo who invented “rock 'n soul” and made their dreams come true. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Podcast production by Asha Saluja. Learn more about your ad choices. Visit megaphone.fm/adchoices
Daryl Hall and John Oates: Their songs were earworms, their videos cheap and goofy. John Oates's mustache and Daryl Hall's mullet are relics of their time. And…for about five years, their crazy streak on the pop charts was comparable to Elvis, the Beatles and the Bee Gees. They were also more cutting-edge than you may realize, essentially inventing their own form of cross-racial new wave after spending the '70s trying everything: rock, R&B, folk, funk, even disco. At their Imperial peak in the early '80s, Hall and Oates commanded the pop, soul and dance charts while still getting played on rock stations. And decades later, when the Rock & Roll Hall of Fame ignored them, it was Black artists—rappers and soul fans—who pushed them in. Join Chris Molanphy for a dissection of the Philly duo who invented “rock 'n soul” and made their dreams come true. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Podcast production by Asha Saluja. Learn more about your ad choices. Visit megaphone.fm/adchoices
Daryl Hall and John Oates: Their songs were earworms, their videos cheap and goofy. John Oates's mustache and Daryl Hall's mullet are relics of their time. And…for about five years, their crazy streak on the pop charts was comparable to Elvis, the Beatles and the Bee Gees. They were also more cutting-edge than you may realize, essentially inventing their own form of cross-racial new wave after spending the '70s trying everything: rock, R&B, folk, funk, even disco. At their Imperial peak in the early '80s, Hall and Oates commanded the pop, soul and dance charts while still getting played on rock stations. And decades later, when the Rock & Roll Hall of Fame ignored them, it was Black artists—rappers and soul fans—who pushed them in. Join Chris Molanphy for a dissection of the Philly duo who invented “rock 'n soul” and made their dreams come true. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Podcast production by Asha Saluja. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode of The Waves, Slate managing producer Asha Saluja and Slate senior editor Shannon Palus discuss women and aging on television. Through two seemingly unrelated shows—HBO Max's And Just Like That and Showtime's Yellowjackets—they dig into how these shows portray their protagonists for better and worse, and what makes the relationships between women compelling in both shows. In Slate Plus: Was it feminist that Carrie was an anti-hero in the original series of Sex and the City? Recommendations: Asha: The album Urban Driftwoods by Yasmin Williams. Shannon: Swabbing your throat for COVID and this Lululemon yoga mat. Podcast production by Cheyna Roth with editorial oversight by Susan Matthews, Shannon Palus, and June Thomas. Send your comments and recommendations on what to cover to thewaves@slate.com Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode of The Waves, Slate managing producer Asha Saluja and Slate senior editor Shannon Palus discuss women and aging on television. Through two seemingly unrelated shows—HBO Max's And Just Like That and Showtime's Yellowjackets—they dig into how these shows portray their protagonists for better and worse, and what makes the relationships between women compelling in both shows. In Slate Plus: Was it feminist that Carrie was an anti-hero in the original series of Sex and the City? Recommendations: Asha: The album Urban Driftwoods by Yasmin Williams. Shannon: Swabbing your throat for COVID and this Lululemon yoga mat. Podcast production by Cheyna Roth with editorial oversight by Susan Matthews, Shannon Palus, and June Thomas. Send your comments and recommendations on what to cover to thewaves@slate.com Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode of The Waves, Slate managing producer Asha Saluja and Slate senior editor Shannon Palus discuss women and aging on television. Through two seemingly unrelated shows—HBO Max's And Just Like That and Showtime's Yellowjackets—they dig into how these shows portray their protagonists for better and worse, and what makes the relationships between women compelling in both shows. In Slate Plus: Was it feminist that Carrie was an anti-hero in the original series of Sex and the City? Recommendations: Asha: The album Urban Driftwoods by Yasmin Williams. Shannon: Swabbing your throat for COVID and this Lululemon yoga mat. Podcast production by Cheyna Roth with editorial oversight by Susan Matthews, Shannon Palus, and June Thomas. Send your comments and recommendations on what to cover to thewaves@slate.com Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode of The Waves, Slate managing producer Asha Saluja and Slate senior editor Shannon Palus discuss women and aging on television. Through two seemingly unrelated shows—HBO Max's And Just Like That and Showtime's Yellowjackets—they dig into how these shows portray their protagonists for better and worse, and what makes the relationships between women compelling in both shows. In Slate Plus: Was it feminist that Carrie was an anti-hero in the original series of Sex and the City? Recommendations: Asha: The album Urban Driftwoods by Yasmin Williams. Shannon: Swabbing your throat for COVID and this Lululemon yoga mat. Podcast production by Cheyna Roth with editorial oversight by Susan Matthews, Shannon Palus, and June Thomas. Send your comments and recommendations on what to cover to thewaves@slate.com Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, the panel begins by breaking down just what makes HBO's pandemic series Station Eleven so successful with Slate's senior managing producer of podcasts and co-host of Slate's Working podcast, June Thomas. Next, the panel appreciates the legacy that writer Joan Didion left behind. Finally, the panel rehashes the 2021 edition of Slate's Movie Club (including Dana's list of the year's best films) while discussing the future of film. In Slate Plus, the panel responds to Parul Sehgal's article “The Case Against the Trauma Plot” in the New Yorker. Email us at culturefest@slate.com. Endorsements Dana: The magical work of Swedish stop-motion animator Niki Lindroth von Bahr. Four of her animated shorts can be found on the Criterion Channel, but you can find one—The Burden—on Amazon Prime. Julia: A recipe for Italian rainbow cookies adapted by Bon Appétit from Rich Torrisi and Mario Carbone (of popular eateries Carbone and Torrisi Italian Specialties). Steve: First, his monster music playlist of mellow deep cuts, which includes work from Rickie Lee Jones' great ‘81 album Pirates, particularly the song “Living It Up.” Second: Susan Tallman's criticism for the New York Review of Books as a whole, but particularly her recent review of Jasper Johns titled “The House That Johns Built,” inspired by a Johns catalog titled Jasper Johns: Mind/Mirror. Podcast production by Asha Saluja. Production assistance by Nadira Goffe. Outro music is Freak Out! by Zorro. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, the panel begins by breaking down just what makes HBO's pandemic series Station Eleven so successful with Slate's senior managing producer of podcasts and co-host of Slate's Working podcast, June Thomas. Next, the panel appreciates the legacy that writer Joan Didion left behind. Finally, the panel rehashes the 2021 edition of Slate's Movie Club (including Dana's list of the year's best films) while discussing the future of film. In Slate Plus, the panel responds to Parul Sehgal's article “The Case Against the Trauma Plot” in the New Yorker. Email us at culturefest@slate.com. Endorsements Dana: The magical work of Swedish stop-motion animator Niki Lindroth von Bahr. Four of her animated shorts can be found on the Criterion Channel, but you can find one—The Burden—on Amazon Prime. Julia: A recipe for Italian rainbow cookies adapted by Bon Appétit from Rich Torrisi and Mario Carbone (of popular eateries Carbone and Torrisi Italian Specialties). Steve: First, his monster music playlist of mellow deep cuts, which includes work from Rickie Lee Jones' great ‘81 album Pirates, particularly the song “Living It Up.” Second: Susan Tallman's criticism for the New York Review of Books as a whole, but particularly her recent review of Jasper Johns titled “The House That Johns Built,” inspired by a Johns catalog titled Jasper Johns: Mind/Mirror. Podcast production by Asha Saluja. Production assistance by Nadira Goffe. Outro music is Freak Out! by Zorro. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, the panel begins by breaking down just what makes HBO's pandemic series Station Eleven so successful with Slate's senior managing producer of podcasts and co-host of Slate's Working podcast, June Thomas. Next, the panel appreciates the legacy that writer Joan Didion left behind. Finally, the panel rehashes the 2021 edition of Slate's Movie Club (including Dana's list of the year's best films) while discussing the future of film. In Slate Plus, the panel responds to Parul Sehgal's article “The Case Against the Trauma Plot” in the New Yorker. Email us at culturefest@slate.com. Endorsements Dana: The magical work of Swedish stop-motion animator Niki Lindroth von Bahr. Four of her animated shorts can be found on the Criterion Channel, but you can find one—The Burden—on Amazon Prime. Julia: A recipe for Italian rainbow cookies adapted by Bon Appétit from Rich Torrisi and Mario Carbone (of popular eateries Carbone and Torrisi Italian Specialties). Steve: First, his monster music playlist of mellow deep cuts, which includes work from Rickie Lee Jones' great ‘81 album Pirates, particularly the song “Living It Up.” Second: Susan Tallman's criticism for the New York Review of Books as a whole, but particularly her recent review of Jasper Johns titled “The House That Johns Built,” inspired by a Johns catalog titled Jasper Johns: Mind/Mirror. Podcast production by Asha Saluja. Production assistance by Nadira Goffe. Outro music is Freak Out! by Zorro. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
On today's episode of Spectacular Vernacular, Nicole and Ben pay tribute to the late pioneer in linguistics and cognitive science, Lila Gleitman. They also interview Peter Sokolowski of Merriam-Webster and Fiona McPherson of the Oxford English Dictionary about the keywords of 2021. And finally, we bring on a listener for some wordplay. We hope you're familiar with the diversity of English dialects. You could win a year's membership to Slate Plus. Do you have any language questions or fun facts to share? Email us at spectacular@slate.com. Produced by Jasmine Ellis and Asha Saluja. Here are some notes and references from this week's show: Lila Gleitman's obituary in the New York Times Lila Gleitman's interview at the 2017 Association for Psychological Science conference Oxford Languages Word of the Year Merriam-Webster Word of the Year American Dialect Society Word of the Year American Dialect Society's 2021 Word of the Year livestream — register to join the virtual voting session! Subscribe to Slate Plus. It's only $1 for the first month. To learn more, go to slate.com/spectacularplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
On today's episode of Spectacular Vernacular, Nicole and Ben pay tribute to the late pioneer in linguistics and cognitive science, Lila Gleitman. They also interview Peter Sokolowski of Merriam-Webster and Fiona McPherson of the Oxford English Dictionary about the keywords of 2021. And finally, we bring on a listener for some wordplay. We hope you're familiar with the diversity of English dialects. You could win a year's membership to Slate Plus. Do you have any language questions or fun facts to share? Email us at spectacular@slate.com. Produced by Jasmine Ellis and Asha Saluja. Here are some notes and references from this week's show: Lila Gleitman's obituary in the New York Times Lila Gleitman's interview at the 2017 Association for Psychological Science conference Oxford Languages Word of the Year Merriam-Webster Word of the Year American Dialect Society Word of the Year American Dialect Society's 2021 Word of the Year livestream — register to join the virtual voting session! Subscribe to Slate Plus. It's only $1 for the first month. To learn more, go to slate.com/spectacularplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
In part 2 of this holiday episode of Hit Parade, Chris Molanphy dives deep into radio, streaming and Billboard chart data of some your favorite holiday hitmakers to compare their long legacies to the majority-merry ways they are consumed today. And none has been more condensed by Christmas than another artist who was once famous enough to go by her first name: Brenda. A '60s chart dominator and double–Hall of Famer, Brenda Lee is now mostly known for that tune about Christmas tree rockin'. How did the legendary “Little Miss Dynamite” become Santa's little helper? And will she ever pass Mariah and go back to No. 1? Podcast production by Asha Saluja. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
In part 2 of this holiday episode of Hit Parade, Chris Molanphy dives deep into radio, streaming and Billboard chart data of some your favorite holiday hitmakers to compare their long legacies to the majority-merry ways they are consumed today. And none has been more condensed by Christmas than another artist who was once famous enough to go by her first name: Brenda. A '60s chart dominator and double–Hall of Famer, Brenda Lee is now mostly known for that tune about Christmas tree rockin'. How did the legendary “Little Miss Dynamite” become Santa's little helper? And will she ever pass Mariah and go back to No. 1? Podcast production by Asha Saluja. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
In part 2 of this holiday episode of Hit Parade, Chris Molanphy dives deep into radio, streaming and Billboard chart data of some your favorite holiday hitmakers to compare their long legacies to the majority-merry ways they are consumed today. And none has been more condensed by Christmas than another artist who was once famous enough to go by her first name: Brenda. A '60s chart dominator and double–Hall of Famer, Brenda Lee is now mostly known for that tune about Christmas tree rockin'. How did the legendary “Little Miss Dynamite” become Santa's little helper? And will she ever pass Mariah and go back to No. 1? Podcast production by Asha Saluja. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
On the Spoiler Specials podcast, Slate critics discuss movies, the occasional TV show, and, once in a blue moon, another podcast, in full spoiler-filled detail. This week, Slate movie critic Dana Stevens is joined by Vox editor-at-large and co-creator of the podcast Arden, Emily VanDerWerff. Twenty years after the events of The Matrix Revolutions, Thomas Anderson, also known as Neo (Keanu Reeves) is once again confronted with a decision to forgo his ordinary life and open his mind to The Matrix. Note: As the title indicates, this podcast contains spoilers galore. Slate is having a holiday sale! For a limited time, we're offering our annual Slate Plus membership at $25 off for your first year. With Slate Plus, you can listen to Spoiler Specials and other Slate podcasts with zero ads, read unlimited articles on Slate.com, and support Slate's journalism. Sign up for Slate Plus now. And if you're already a member, consider giving the gift of Plus to a fellow Slate fan and they'll receive all the benefits of membership." Email us at spoilers@slate.com. Podcast production by Asha Saluja with help from June Thomas Learn more about your ad choices. Visit megaphone.fm/adchoices
On the Spoiler Specials podcast, Slate critics discuss movies, the occasional TV show, and, once in a blue moon, another podcast, in full spoiler-filled detail. This week, Slate movie critic Dana Stevens is joined by Vox editor-at-large and co-creator of the podcast Arden, Emily VanDerWerff. Twenty years after the events of The Matrix Revolutions, Thomas Anderson, also known as Neo (Keanu Reeves) is once again confronted with a decision to forgo his ordinary life and open his mind to The Matrix. Note: As the title indicates, this podcast contains spoilers galore. Slate is having a holiday sale! For a limited time, we're offering our annual Slate Plus membership at $25 off for your first year. With Slate Plus, you can listen to Spoiler Specials and other Slate podcasts with zero ads, read unlimited articles on Slate.com, and support Slate's journalism. Sign up for Slate Plus now. And if you're already a member, consider giving the gift of Plus to a fellow Slate fan and they'll receive all the benefits of membership." Email us at spoilers@slate.com. Podcast production by Asha Saluja with help from June Thomas Learn more about your ad choices. Visit megaphone.fm/adchoices
On the Spoiler Specials podcast, Slate critics discuss movies, the occasional TV show, and, once in a blue moon, another podcast, in full spoiler-filled detail. This week, Slate movie critic Dana Stevens is joined by Vox editor-at-large and co-creator of the podcast Arden, Emily VanDerWerff. Twenty years after the events of The Matrix Revolutions, Thomas Anderson, also known as Neo (Keanu Reeves) is once again confronted with a decision to forgo his ordinary life and open his mind to The Matrix. Note: As the title indicates, this podcast contains spoilers galore. Slate is having a holiday sale! For a limited time, we're offering our annual Slate Plus membership at $25 off for your first year. With Slate Plus, you can listen to Spoiler Specials and other Slate podcasts with zero ads, read unlimited articles on Slate.com, and support Slate's journalism. Sign up for Slate Plus now. And if you're already a member, consider giving the gift of Plus to a fellow Slate fan and they'll receive all the benefits of membership." Email us at spoilers@slate.com. Podcast production by Asha Saluja with help from June Thomas Learn more about your ad choices. Visit megaphone.fm/adchoices
On today's episode of Spectacular Vernacular, Nicole and Ben discuss Creole languages. They also interview Rupal Patel, professor of Communication Sciences and Disorders and Computer Science at Northeastern University and the founder of VocaliD. And finally, Josh Levin and Joel Anderson, co-hosts of Slate's sports podcast Hang Up and Listen join us for some wordplay. We hope you're good at playing the basketball game of Horse. You could win a year's membership to Slate Plus. Do you have any language questions or fun facts to share? Email us at spectacular@slate.com. Produced by Jasmine Ellis and Asha Saluja. Here are some notes and references from this week's show: BBC Pidgin ThoughtCo., “What You Should Know About Creole Language” Jamaican Creole at York College, “An Introduction to Jamaican Creole (also called Patwa or Patois)” Omniglot, “Haitian Creole (Kreyòl ayisyen)” Rupal Patel's 2013 TED Talk, “Synthetic Voices, as Unique as Fingerprints” VocaliD, the company founded by Rupal Patel VocaliD's Parrot Studio “One Year: 1995,” hosted by Josh Levin “Slow Burn: The L.A. Riots,” hoted by Joel Anderson “Hang Up and Listen,” hosted by Josh Levin, Joel Anderson, and Stefan Fatsis Josh's Slate piece on the history of the “air ball” chant Joel Anderson's special episode of “Hang Up and Listen” on Michael Jordan and the Washington Wizards Subscribe to Slate Plus. It's only $1 for the first month. To learn more, go to slate.com/spectacularplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
On today's episode of Spectacular Vernacular, Nicole and Ben discuss Creole languages. They also interview Rupal Patel, professor of Communication Sciences and Disorders and Computer Science at Northeastern University and the founder of VocaliD. And finally, Josh Levin and Joel Anderson, co-hosts of Slate's sports podcast Hang Up and Listen join us for some wordplay. We hope you're good at playing the basketball game of Horse. You could win a year's membership to Slate Plus. Do you have any language questions or fun facts to share? Email us at spectacular@slate.com. Produced by Jasmine Ellis and Asha Saluja. Here are some notes and references from this week's show: BBC Pidgin ThoughtCo., “What You Should Know About Creole Language” Jamaican Creole at York College, “An Introduction to Jamaican Creole (also called Patwa or Patois)” Omniglot, “Haitian Creole (Kreyòl ayisyen)” Rupal Patel's 2013 TED Talk, “Synthetic Voices, as Unique as Fingerprints” VocaliD, the company founded by Rupal Patel VocaliD's Parrot Studio “One Year: 1995,” hosted by Josh Levin “Slow Burn: The L.A. Riots,” hoted by Joel Anderson “Hang Up and Listen,” hosted by Josh Levin, Joel Anderson, and Stefan Fatsis Josh's Slate piece on the history of the “air ball” chant Joel Anderson's special episode of “Hang Up and Listen” on Michael Jordan and the Washington Wizards Subscribe to Slate Plus. It's only $1 for the first month. To learn more, go to slate.com/spectacularplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
Bing. Nat. Dean. John and Paul. Darlene. Mariah. Ariana. Musicians so famous, with so many classic hits, you don't even need their last names. Now here are a few more, with fewer hits: Vince Guaraldi. José Feliciano. Donny Hathaway. The Waitresses. What do all of these acts have in common? Years from now, each of them may be known primarily for a single holiday chestnut. In fact, in the streaming era, some of them already are consumed largely in December. In this holiday episode of Hit Parade, Chris Molanphy dives deep into radio, streaming and Billboard chart data to compare these acts' long hitmaking histories to the majority-merry ways they are consumed today. And none has been more condensed by Christmas than another artist who was once famous enough to go by her first name: Brenda. A '60s chart dominator and double–Hall of Famer, Brenda Lee is now mostly known for that tune about Christmas tree rockin'. How did the legendary “Little Miss Dynamite” become Santa's little helper? And will she ever pass Mariah and go back to No. 1? Podcast production by Asha Saluja. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
Bing. Nat. Dean. John and Paul. Darlene. Mariah. Ariana. Musicians so famous, with so many classic hits, you don't even need their last names. Now here are a few more, with fewer hits: Vince Guaraldi. José Feliciano. Donny Hathaway. The Waitresses. What do all of these acts have in common? Years from now, each of them may be known primarily for a single holiday chestnut. In fact, in the streaming era, some of them already are consumed largely in December. In this holiday episode of Hit Parade, Chris Molanphy dives deep into radio, streaming and Billboard chart data to compare these acts' long hitmaking histories to the majority-merry ways they are consumed today. And none has been more condensed by Christmas than another artist who was once famous enough to go by her first name: Brenda. A '60s chart dominator and double–Hall of Famer, Brenda Lee is now mostly known for that tune about Christmas tree rockin'. How did the legendary “Little Miss Dynamite” become Santa's little helper? And will she ever pass Mariah and go back to No. 1? Podcast production by Asha Saluja. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
Bing. Nat. Dean. John and Paul. Darlene. Mariah. Ariana. Musicians so famous, with so many classic hits, you don't even need their last names. Now here are a few more, with fewer hits: Vince Guaraldi. José Feliciano. Donny Hathaway. The Waitresses. What do all of these acts have in common? Years from now, each of them may be known primarily for a single holiday chestnut. In fact, in the streaming era, some of them already are consumed largely in December. In this holiday episode of Hit Parade, Chris Molanphy dives deep into radio, streaming and Billboard chart data to compare these acts' long hitmaking histories to the majority-merry ways they are consumed today. And none has been more condensed by Christmas than another artist who was once famous enough to go by her first name: Brenda. A '60s chart dominator and double–Hall of Famer, Brenda Lee is now mostly known for that tune about Christmas tree rockin'. How did the legendary “Little Miss Dynamite” become Santa's little helper? And will she ever pass Mariah and go back to No. 1? Podcast production by Asha Saluja. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode, Chris Molanphy continues his analysis of how Cyndi Lauper, Aimee Mann, and The Bangles, three contemporary female acts with rock foundations and pop sensibilities, progressed out of their distinctive rock scenes and into the spotlight. They found critical and commercial acclaim and remain influential decades later, in a variety of media, from Hollywood to Broadway. What forces were they up against, and how did they fight to define themselves? Podcast production by Asha Saluja. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode, Chris Molanphy continues his analysis of how Cyndi Lauper, Aimee Mann, and The Bangles, three contemporary female acts with rock foundations and pop sensibilities, progressed out of their distinctive rock scenes and into the spotlight. They found critical and commercial acclaim and remain influential decades later, in a variety of media, from Hollywood to Broadway. What forces were they up against, and how did they fight to define themselves? Podcast production by Asha Saluja. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
Thirty-five years ago, in the fall of 1986, women with rock foundations and pop sensibilities were doing quite well on the charts. Three acts in particular were drawing sizable attention—and they were all singing on the same album: Cyndi Lauper's True Colors, which featured backing vocals by the Bangles and 'Til Tuesday's Aimee Mann. It turns out these women had more than that brief coincidence in common. Lauper, Mann and the Bangles came up at the same postpunk, new-wave moment in '80s pop. And they fought many of the same battles: record-label machinations…a media that stoked rivalries, whether or not they existed…and a sexist music industry that repeatedly underestimated their skills. In this Hit Parade episode, Chris Molanphy recounts how these women emerged from distinctive rock scenes––from punk-era New York and Boston, to L.A.'s Paisley Underground—then outgrew them. They found critical and commercial acclaim and remain influential decades later, in a variety of media, from Hollywood to Broadway. What forces were they up against, and how did they fight to define themselves? Podcast production by Asha Saluja. Learn more about your ad choices. Visit megaphone.fm/adchoices
Thirty-five years ago, in the fall of 1986, women with rock foundations and pop sensibilities were doing quite well on the charts. Three acts in particular were drawing sizable attention—and they were all singing on the same album: Cyndi Lauper's True Colors, which featured backing vocals by the Bangles and 'Til Tuesday's Aimee Mann. It turns out these women had more than that brief coincidence in common. Lauper, Mann and the Bangles came up at the same postpunk, new-wave moment in '80s pop. And they fought many of the same battles: record-label machinations…a media that stoked rivalries, whether or not they existed…and a sexist music industry that repeatedly underestimated their skills. In this Hit Parade episode, Chris Molanphy recounts how these women emerged from distinctive rock scenes––from punk-era New York and Boston, to L.A.'s Paisley Underground—then outgrew them. They found critical and commercial acclaim and remain influential decades later, in a variety of media, from Hollywood to Broadway. What forces were they up against, and how did they fight to define themselves? Podcast production by Asha Saluja. Learn more about your ad choices. Visit megaphone.fm/adchoices
Thirty-five years ago, in the fall of 1986, women with rock foundations and pop sensibilities were doing quite well on the charts. Three acts in particular were drawing sizable attention—and they were all singing on the same album: Cyndi Lauper's True Colors, which featured backing vocals by the Bangles and 'Til Tuesday's Aimee Mann. It turns out these women had more than that brief coincidence in common. Lauper, Mann and the Bangles came up at the same postpunk, new-wave moment in '80s pop. And they fought many of the same battles: record-label machinations…a media that stoked rivalries, whether or not they existed…and a sexist music industry that repeatedly underestimated their skills. In this Hit Parade episode, Chris Molanphy recounts how these women emerged from distinctive rock scenes––from punk-era New York and Boston, to L.A.'s Paisley Underground—then outgrew them. They found critical and commercial acclaim and remain influential decades later, in a variety of media, from Hollywood to Broadway. What forces were they up against, and how did they fight to define themselves? Podcast production by Asha Saluja. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode of Hit Parade, Chris Molanphy traces the lineage of '90s bands like Green Day, Offspring and Blink‑182 to their descendants in '00s emo artisans Fall Out Boy, Panic! at the Disco and their skinny-jeans-wearing, smarty-pants contemporaries. Podcast production by Asha Saluja with help from Rosemary Belson. We have a special announcement! This year is the 25th anniversary of Slate. And for a limited time, we're offering our annual Slate Plus membership at $25 off. As a Slate Plus member, you'll get to hear every Hit Parade episode in full, the day it arrives; plus Hit Parade—“The Bridge,” our bonus episodes, with guest interviews, deeper dives on our episode topics, and pop-chart trivia. Plus, you'll get no ads on any Slate podcast, unlimited reading on the Slate site, and member-exclusive episodes and segments. This offer lasts until October 31st, so sign up now at slate.com/hitparadeplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode of Hit Parade, Chris Molanphy traces the lineage of '90s bands like Green Day, Offspring and Blink‑182 to their descendants in '00s emo artisans Fall Out Boy, Panic! at the Disco and their skinny-jeans-wearing, smarty-pants contemporaries. Podcast production by Asha Saluja with help from Rosemary Belson. We have a special announcement! This year is the 25th anniversary of Slate. And for a limited time, we're offering our annual Slate Plus membership at $25 off. As a Slate Plus member, you'll get to hear every Hit Parade episode in full, the day it arrives; plus Hit Parade—“The Bridge,” our bonus episodes, with guest interviews, deeper dives on our episode topics, and pop-chart trivia. Plus, you'll get no ads on any Slate podcast, unlimited reading on the Slate site, and member-exclusive episodes and segments. This offer lasts until October 31st, so sign up now at slate.com/hitparadeplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode of Hit Parade, Chris Molanphy traces the lineage of '90s bands like Green Day, Offspring and Blink‑182 to their descendants in '00s emo artisans Fall Out Boy, Panic! at the Disco and their skinny-jeans-wearing, smarty-pants contemporaries. Podcast production by Asha Saluja with help from Rosemary Belson. We have a special announcement! This year is the 25th anniversary of Slate. And for a limited time, we're offering our annual Slate Plus membership at $25 off. As a Slate Plus member, you'll get to hear every Hit Parade episode in full, the day it arrives; plus Hit Parade—“The Bridge,” our bonus episodes, with guest interviews, deeper dives on our episode topics, and pop-chart trivia. Plus, you'll get no ads on any Slate podcast, unlimited reading on the Slate site, and member-exclusive episodes and segments. This offer lasts until October 31st, so sign up now at slate.com/hitparadeplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
“Punk happened, past tense.” That's what Boomer-era critics and true-believer punks told the younger generations. Punk's whole reason for being was rejecting the mainstream. But punk wasn't just a movement—it was also a genre. And 20 years after it first emerged, punk went from underground to overground, dominating the radio for the first time. In this episode of Hit Parade, Chris Molanphy traces how punk traveled from Sid Vicious to strip mall, through the lineage of '90s bands Green Day, Offspring and Blink‑182, and '00s emo artisans Fall Out Boy, Panic! at the Disco and their skinny-jeans-wearing, smarty-pants contemporaries. From the CBGB era to the current Billboard Hot 100, punk is no historical artifact—it's still morphing and adapting. And for all its supposed opposition to convention, the dirty little secret is: Punk has always been catchy. Podcast production by Asha Saluja with help from Rosemary Belson. We have a special announcement! This year is the 25th anniversary of Slate. And for a limited time, we're offering our annual Slate Plus membership at $25 off. As a Slate Plus member, you'll get to hear every Hit Parade episode in full, the day it arrives; plus Hit Parade—“The Bridge,” our bonus episodes, with guest interviews, deeper dives on our episode topics, and pop-chart trivia. Plus, you'll get no ads on any Slate podcast, unlimited reading on the Slate site, and member-exclusive episodes and segments. This offer lasts until October 31st, so sign up now at slate.com/hitparadeplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
“Punk happened, past tense.” That's what Boomer-era critics and true-believer punks told the younger generations. Punk's whole reason for being was rejecting the mainstream. But punk wasn't just a movement—it was also a genre. And 20 years after it first emerged, punk went from underground to overground, dominating the radio for the first time. In this episode of Hit Parade, Chris Molanphy traces how punk traveled from Sid Vicious to strip mall, through the lineage of '90s bands Green Day, Offspring and Blink‑182, and '00s emo artisans Fall Out Boy, Panic! at the Disco and their skinny-jeans-wearing, smarty-pants contemporaries. From the CBGB era to the current Billboard Hot 100, punk is no historical artifact—it's still morphing and adapting. And for all its supposed opposition to convention, the dirty little secret is: Punk has always been catchy. Podcast production by Asha Saluja with help from Rosemary Belson. We have a special announcement! This year is the 25th anniversary of Slate. And for a limited time, we're offering our annual Slate Plus membership at $25 off. As a Slate Plus member, you'll get to hear every Hit Parade episode in full, the day it arrives; plus Hit Parade—“The Bridge,” our bonus episodes, with guest interviews, deeper dives on our episode topics, and pop-chart trivia. Plus, you'll get no ads on any Slate podcast, unlimited reading on the Slate site, and member-exclusive episodes and segments. This offer lasts until October 31st, so sign up now at slate.com/hitparadeplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
“Punk happened, past tense.” That's what Boomer-era critics and true-believer punks told the younger generations. Punk's whole reason for being was rejecting the mainstream. But punk wasn't just a movement—it was also a genre. And 20 years after it first emerged, punk went from underground to overground, dominating the radio for the first time. In this episode of Hit Parade, Chris Molanphy traces how punk traveled from Sid Vicious to strip mall, through the lineage of '90s bands Green Day, Offspring and Blink‑182, and '00s emo artisans Fall Out Boy, Panic! at the Disco and their skinny-jeans-wearing, smarty-pants contemporaries. From the CBGB era to the current Billboard Hot 100, punk is no historical artifact—it's still morphing and adapting. And for all its supposed opposition to convention, the dirty little secret is: Punk has always been catchy. Podcast production by Asha Saluja with help from Rosemary Belson. We have a special announcement! This year is the 25th anniversary of Slate. And for a limited time, we're offering our annual Slate Plus membership at $25 off. As a Slate Plus member, you'll get to hear every Hit Parade episode in full, the day it arrives; plus Hit Parade—“The Bridge,” our bonus episodes, with guest interviews, deeper dives on our episode topics, and pop-chart trivia. Plus, you'll get no ads on any Slate podcast, unlimited reading on the Slate site, and member-exclusive episodes and segments. This offer lasts until October 31st, so sign up now at slate.com/hitparadeplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of our 50th episode of Hit Parade, we go back 50 years, celebrating the semicentennial of the year when, critics claim, “music changed everything.” The Quiet Beatle became the Favorite Beatle, when Mick Jagger sang lyrics even he regrets, when Carole King graduated from songwriter to singer-songwriter, and commercial juggernaut, when blaxploitation took over the charts and the Oscars, and when the radio was somehow awash in Osmonds. It wasn't a perfect year—but Hit Parade host Chris Molanphy is fond of '71 for personal reasons. Podcast production by Asha Saluja with help from Rosemary Belson. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of our 50th episode of Hit Parade, we go back 50 years, celebrating the semicentennial of the year when, critics claim, “music changed everything.” The Quiet Beatle became the Favorite Beatle, when Mick Jagger sang lyrics even he regrets, when Carole King graduated from songwriter to singer-songwriter, and commercial juggernaut, when blaxploitation took over the charts and the Oscars, and when the radio was somehow awash in Osmonds. It wasn't a perfect year—but Hit Parade host Chris Molanphy is fond of '71 for personal reasons. Podcast production by Asha Saluja with help from Rosemary Belson. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of our 50th episode of Hit Parade, we go back 50 years, celebrating the semicentennial of the year when, critics claim, “music changed everything.” The Quiet Beatle became the Favorite Beatle, when Mick Jagger sang lyrics even he regrets, when Carole King graduated from songwriter to singer-songwriter, and commercial juggernaut, when blaxploitation took over the charts and the Oscars, and when the radio was somehow awash in Osmonds. It wasn't a perfect year—but Hit Parade host Chris Molanphy is fond of '71 for personal reasons. Podcast production by Asha Saluja with help from Rosemary Belson. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
Recorded as part of the Texas Tribune Festival, this week's episode is a conversation with brothers US Representative Joaquin Castro and 2020 presidential candidate Julián Castro. The brothers join Jason to discuss how the Biden administration is measuring up on the issues that were important to their own campaigns, the potential ripple effects of Texas' new extreme abortion legislation, and the importance of Latino representation in the media. Guests: Joaquin Castro, US Representative for Texas' 20th District, and Julián Castro, former Secretary of HUD and 2020 presidential candidate Podcast production by Ahyiana Angel, Jasmine Ellis, and Asha Saluja. You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for just $1 for your first month. Learn more about your ad choices. Visit megaphone.fm/adchoices
Recorded as part of the Texas Tribune Festival, this week's episode is a conversation with brothers US Representative Joaquin Castro and 2020 presidential candidate Julián Castro. The brothers join Jason to discuss how the Biden administration is measuring up on the issues that were important to their own campaigns, the potential ripple effects of Texas' new extreme abortion legislation, and the importance of Latino representation in the media. Guests: Joaquin Castro, US Representative for Texas' 20th District, and Julián Castro, former Secretary of HUD and 2020 presidential candidate Podcast production by Ahyiana Angel, Jasmine Ellis, and Asha Saluja. You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for just $1 for your first month. Learn more about your ad choices. Visit megaphone.fm/adchoices
Recorded as part of the Texas Tribune Festival, this week's episode is a conversation with brothers US Representative Joaquin Castro and 2020 presidential candidate Julián Castro. The brothers join Jason to discuss how the Biden administration is measuring up on the issues that were important to their own campaigns, the potential ripple effects of Texas' new extreme abortion legislation, and the importance of Latino representation in the media. Guests: Joaquin Castro, US Representative for Texas' 20th District, and Julián Castro, former Secretary of HUD and 2020 presidential candidate Podcast production by Ahyiana Angel, Jasmine Ellis, and Asha Saluja. You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for just $1 for your first month. Learn more about your ad choices. Visit megaphone.fm/adchoices
At any given time, the music world is celebrating some anniversary, but 1971 has received more than its share of commemorations this year. And with good reason: Carole King. Marvin Gaye. Joni Mitchell. Sly Stone. Janis Joplin. The Who. All released their best work a half-century ago. For our 50th episode of Hit Parade, we go back 50 years, celebrating the semicentennial of the year when, critics claim, “music changed everything.” The Quiet Beatle became the Favorite Beatle, when Mick Jagger sang lyrics even he regrets, when Carole King graduated from songwriter to singer-songwriter, and commercial juggernaut, when blaxploitation took over the charts and the Oscars, and when the radio was somehow awash in Osmonds. It wasn't a perfect year—but Hit Parade host Chris Molanphy is fond of '71 for personal reasons. Podcast production by Asha Saluja with help from Rosemary Belson. Learn more about your ad choices. Visit megaphone.fm/adchoices
At any given time, the music world is celebrating some anniversary, but 1971 has received more than its share of commemorations this year. And with good reason: Carole King. Marvin Gaye. Joni Mitchell. Sly Stone. Janis Joplin. The Who. All released their best work a half-century ago. For our 50th episode of Hit Parade, we go back 50 years, celebrating the semicentennial of the year when, critics claim, “music changed everything.” The Quiet Beatle became the Favorite Beatle, when Mick Jagger sang lyrics even he regrets, when Carole King graduated from songwriter to singer-songwriter, and commercial juggernaut, when blaxploitation took over the charts and the Oscars, and when the radio was somehow awash in Osmonds. It wasn't a perfect year—but Hit Parade host Chris Molanphy is fond of '71 for personal reasons. Podcast production by Asha Saluja with help from Rosemary Belson. Learn more about your ad choices. Visit megaphone.fm/adchoices
At any given time, the music world is celebrating some anniversary, but 1971 has received more than its share of commemorations this year. And with good reason: Carole King. Marvin Gaye. Joni Mitchell. Sly Stone. Janis Joplin. The Who. All released their best work a half-century ago. For our 50th episode of Hit Parade, we go back 50 years, celebrating the semicentennial of the year when, critics claim, “music changed everything.” The Quiet Beatle became the Favorite Beatle, when Mick Jagger sang lyrics even he regrets, when Carole King graduated from songwriter to singer-songwriter, and commercial juggernaut, when blaxploitation took over the charts and the Oscars, and when the radio was somehow awash in Osmonds. It wasn't a perfect year—but Hit Parade host Chris Molanphy is fond of '71 for personal reasons. Podcast production by Asha Saluja with help from Rosemary Belson. Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode of The Waves, Slate TV critic Willa Paskin and Vulture staff writer Kathryn VanArendonk talk about the precarious position of white men on TV this summer. Their conversation, inspired by Kathryn's recent piece in Vulture, TV's White Guys Are in Crisis, surveys the history of white men on TV, from the good-guy dad to the complex antihero, through to our current moment, where shows like Rutherford Falls and Kevin Can F**k Himself position their white guys as obstacles, and The White Lotus overtly asks, would we prefer white guys to disappear entirely? Willa and Kathryn get into it. After the break, our hosts contrast these shows to their glaring exception, Apple TV's Ted Lasso, which allows its white guy lead to be uncomplicatedly beloved. Is his charming take on progressive masculinity too good to be true? For Slate Plus members, Willa and Kathryn contribute to our regular segment, Gateway Feminism, where they talk about one thing that helped make them feminists. For Willa, it's the young adult series The Baby-Sitter's Club, by Ann M. Martin, and for Kathryn it's the Western TV drama Dr. Quinn, Medicine Woman. Recommendations Kathryn recommends three things: Felco garden clippers, the Toniebox, and the TV series What We Do in the Shadows. Willa thinks you should check out Richard Powers' novel The Overstory. Podcast production by Asha Saluja filling in for Cheyna Roth. Editorial oversight by Susan Matthews and June Thomas. Send your comments and thoughts about what The Waves should cover to thewaves@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode of The Waves, Slate TV critic Willa Paskin and Vulture staff writer Kathryn VanArendonk talk about the precarious position of white men on TV this summer. Their conversation, inspired by Kathryn's recent piece in Vulture, TV's White Guys Are in Crisis, surveys the history of white men on TV, from the good-guy dad to the complex antihero, through to our current moment, where shows like Rutherford Falls and Kevin Can F**k Himself position their white guys as obstacles, and The White Lotus overtly asks, would we prefer white guys to disappear entirely? Willa and Kathryn get into it. After the break, our hosts contrast these shows to their glaring exception, Apple TV's Ted Lasso, which allows its white guy lead to be uncomplicatedly beloved. Is his charming take on progressive masculinity too good to be true? For Slate Plus members, Willa and Kathryn contribute to our regular segment, Gateway Feminism, where they talk about one thing that helped make them feminists. For Willa, it's the young adult series The Baby-Sitter's Club, by Ann M. Martin, and for Kathryn it's the Western TV drama Dr. Quinn, Medicine Woman. Recommendations Kathryn recommends three things: Felco garden clippers, the Toniebox, and the TV series What We Do in the Shadows. Willa thinks you should check out Richard Powers' novel The Overstory. Podcast production by Asha Saluja filling in for Cheyna Roth. Editorial oversight by Susan Matthews and June Thomas. Send your comments and thoughts about what The Waves should cover to thewaves@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode of The Waves, Slate TV critic Willa Paskin and Vulture staff writer Kathryn VanArendonk talk about the precarious position of white men on TV this summer. Their conversation, inspired by Kathryn's recent piece in Vulture, TV's White Guys Are in Crisis, surveys the history of white men on TV, from the good-guy dad to the complex antihero, through to our current moment, where shows like Rutherford Falls and Kevin Can F**k Himself position their white guys as obstacles, and The White Lotus overtly asks, would we prefer white guys to disappear entirely? Willa and Kathryn get into it. After the break, our hosts contrast these shows to their glaring exception, Apple TV's Ted Lasso, which allows its white guy lead to be uncomplicatedly beloved. Is his charming take on progressive masculinity too good to be true? For Slate Plus members, Willa and Kathryn contribute to our regular segment, Gateway Feminism, where they talk about one thing that helped make them feminists. For Willa, it's the young adult series The Baby-Sitter's Club, by Ann M. Martin, and for Kathryn it's the Western TV drama Dr. Quinn, Medicine Woman. Recommendations Kathryn recommends three things: Felco garden clippers, the Toniebox, and the TV series What We Do in the Shadows. Willa thinks you should check out Richard Powers' novel The Overstory. Podcast production by Asha Saluja filling in for Cheyna Roth. Editorial oversight by Susan Matthews and June Thomas. Send your comments and thoughts about what The Waves should cover to thewaves@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode of The Waves, Slate TV critic Willa Paskin and Vulture staff writer Kathryn VanArendonk talk about the precarious position of white men on TV this summer. Their conversation, inspired by Kathryn's recent piece in Vulture, TV's White Guys Are in Crisis, surveys the history of white men on TV, from the good-guy dad to the complex antihero, through to our current moment, where shows like Rutherford Falls and Kevin Can F**k Himself position their white guys as obstacles, and The White Lotus overtly asks, would we prefer white guys to disappear entirely? Willa and Kathryn get into it. After the break, our hosts contrast these shows to their glaring exception, Apple TV's Ted Lasso, which allows its white guy lead to be uncomplicatedly beloved. Is his charming take on progressive masculinity too good to be true? For Slate Plus members, Willa and Kathryn contribute to our regular segment, Gateway Feminism, where they talk about one thing that helped make them feminists. For Willa, it's the young adult series The Baby-Sitter's Club, by Ann M. Martin, and for Kathryn it's the Western TV drama Dr. Quinn, Medicine Woman. Recommendations Kathryn recommends three things: Felco garden clippers, the Toniebox, and the TV series What We Do in the Shadows. Willa thinks you should check out Richard Powers' novel The Overstory. Podcast production by Asha Saluja filling in for Cheyna Roth. Editorial oversight by Susan Matthews and June Thomas. Send your comments and thoughts about what The Waves should cover to thewaves@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode: Jamilah, Elizabeth, and Aymann discuss their triumphs and fails for the week. Then they answer a question from a listener whose 4-year-old daughter has developed some attention-seeking behaviors with the arrival of a newborn sibling. Later, they have some advice for someone whose 6-year-old is struggling to learn table manners. How long will mealtimes be a struggle before the constant and repetitive “chew with your mouth shut and sit at the table” bears fruit? In Slate Plus: What to do with keepsakes and mementos that cause physical and emotional clutter? The group discusses their strategies for preserving, or tossing, those letters, drawings, and awards that accumulate over childhood. Slate Plus members get a bonus segment on MADAF each week, and no ads. Sign up now at slate.com/momanddadplus to listen and support our work. Podcast production by Jasmine Ellis and Asha Saluja. Recommendations Aymann recommends the subreddit for Dads called Daddit. Jamilah recommends Shantrelle P. Lewis' documentary, In Our Mothers' Gardens on Netflix. Elizabeth recommends the book American Born Chinese by Gene Luen Yang. Hosts Elizabeth Newcamp is a co-host of Mom and Dad Are Fighting. She's a traveling mother of three boys who chronicles her misadventures at Dutch, Dutch, Goose. Jamilah Lemieux is a writer, cultural critic, and communications strategist based in Brooklyn, New York. Aymann Ismail is an award winning staff writer at Slate whose work focuses on identity and religion. Social @JamilahLemieux on Twitter https://twitter.com/JamilahLemieux @dutchdutchgoose on Facebook https://www.facebook.com/dutchdutchgoose/ @aymanndotcom on Twitter https://twitter.com/aymanndotcom Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode: Jamilah, Elizabeth, and Aymann discuss their triumphs and fails for the week. Then they answer a question from a listener whose 4-year-old daughter has developed some attention-seeking behaviors with the arrival of a newborn sibling. Later, they have some advice for someone whose 6-year-old is struggling to learn table manners. How long will mealtimes be a struggle before the constant and repetitive “chew with your mouth shut and sit at the table” bears fruit? In Slate Plus: What to do with keepsakes and mementos that cause physical and emotional clutter? The group discusses their strategies for preserving, or tossing, those letters, drawings, and awards that accumulate over childhood. Slate Plus members get a bonus segment on MADAF each week, and no ads. Sign up now at slate.com/momanddadplus to listen and support our work. Podcast production by Jasmine Ellis and Asha Saluja. Recommendations Aymann recommends the subreddit for Dads called Daddit. Jamilah recommends Shantrelle P. Lewis' documentary, In Our Mothers' Gardens on Netflix. Elizabeth recommends the book American Born Chinese by Gene Luen Yang. Hosts Elizabeth Newcamp is a co-host of Mom and Dad Are Fighting. She's a traveling mother of three boys who chronicles her misadventures at Dutch, Dutch, Goose. Jamilah Lemieux is a writer, cultural critic, and communications strategist based in Brooklyn, New York. Aymann Ismail is an award winning staff writer at Slate whose work focuses on identity and religion. Social @JamilahLemieux on Twitter https://twitter.com/JamilahLemieux @dutchdutchgoose on Facebook https://www.facebook.com/dutchdutchgoose/ @aymanndotcom on Twitter https://twitter.com/aymanndotcom Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode of Hit Parade, Chris Molanphy continues his analysis of the career and legacy of the legendary and sometimes-misunderstood Bruce Springsteen. In his second decade, Springsteen wasn't just a hitmaker—he was the archetype: the symbol of flag-waving American rock, even when the song was less patriotism than protest. Advertisers, other pop stars, President Ronald Reagan—everybody glommed onto Bruce, and virtually all of them got him wrong. Just in time for summer, Hit Parade takes on the Boss, pop star. How did Bruce Springsteen invent his persona and find his truth? Podcast production by Asha Saluja. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode of Hit Parade, Chris Molanphy continues his analysis of the career and legacy of the legendary and sometimes-misunderstood Bruce Springsteen. In his second decade, Springsteen wasn't just a hitmaker—he was the archetype: the symbol of flag-waving American rock, even when the song was less patriotism than protest. Advertisers, other pop stars, President Ronald Reagan—everybody glommed onto Bruce, and virtually all of them got him wrong. Just in time for summer, Hit Parade takes on the Boss, pop star. How did Bruce Springsteen invent his persona and find his truth? Podcast production by Asha Saluja. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode of Hit Parade, Chris Molanphy continues his analysis of the career and legacy of the legendary and sometimes-misunderstood Bruce Springsteen. In his second decade, Springsteen wasn't just a hitmaker—he was the archetype: the symbol of flag-waving American rock, even when the song was less patriotism than protest. Advertisers, other pop stars, President Ronald Reagan—everybody glommed onto Bruce, and virtually all of them got him wrong. Just in time for summer, Hit Parade takes on the Boss, pop star. How did Bruce Springsteen invent his persona and find his truth? Podcast production by Asha Saluja. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
How did a small Swedish plant milk company become a multi-billion dollar disruptor? Podcast production by Asha Saluja and Cleo Levin. Listen to the Teamistry podcast. Slate Plus members get benefits like zero ads on any Slate podcast and bonus episodes of shows like Slow Burn. Sign up now to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
How did a small Swedish plant milk company become a multi-billion dollar disruptor? Podcast production by Asha Saluja and Cleo Levin. Listen to the Teamistry podcast. Slate Plus members get benefits like zero ads on any Slate podcast and bonus episodes of shows like Slow Burn. Sign up now to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode of Hit Parade, Chris Molanphy continues his analysis of when singing became central to rap music. Rap has always been musical. But back in the day, rappers generally, well, rapped: talked in cadence over a beat. Fans judged MCs primarily by their rhymes and rhythms, not their melodies. Now? Rappers are mostly singers: MCs from Drake to DaBaby slip seamlessly in and out of melody. Some hits that appear on Billboard's Rap charts feature literally no rapping. When did this change? Part 2 takes a close look at an integral pivot point in this progression: when Beyoncé changed the game by singing with triple-time flow like the baddest MC. Podcast production by Asha Saluja. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode of Hit Parade, Chris Molanphy continues his analysis of when singing became central to rap music. Rap has always been musical. But back in the day, rappers generally, well, rapped: talked in cadence over a beat. Fans judged MCs primarily by their rhymes and rhythms, not their melodies. Now? Rappers are mostly singers: MCs from Drake to DaBaby slip seamlessly in and out of melody. Some hits that appear on Billboard's Rap charts feature literally no rapping. When did this change? Part 2 takes a close look at an integral pivot point in this progression: when Beyoncé changed the game by singing with triple-time flow like the baddest MC. Podcast production by Asha Saluja. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode of Hit Parade, Chris Molanphy continues his analysis of when singing became central to rap music. Rap has always been musical. But back in the day, rappers generally, well, rapped: talked in cadence over a beat. Fans judged MCs primarily by their rhymes and rhythms, not their melodies. Now? Rappers are mostly singers: MCs from Drake to DaBaby slip seamlessly in and out of melody. Some hits that appear on Billboard's Rap charts feature literally no rapping. When did this change? Part 2 takes a close look at an integral pivot point in this progression: when Beyoncé changed the game by singing with triple-time flow like the baddest MC. Podcast production by Asha Saluja. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
Let's be clear: Rap has always been musical. But back in the day, rappers generally, well, rapped: talked in cadence over a beat. Fans judged MCs primarily by their rhymes and rhythms, not their melodies. Now? Rappers are mostly singers: MCs from Drake to DaBaby slip seamlessly in and out of melody. Some hits that appear on Billboard's Rap charts feature literally no rapping. When did this change? In this episode of Hit Parade, Chris Molanphy walks through the history of hip-hop—from Gil Scott-Heron to Lil Nas X—to trace the evolving role of melody in rap's conquest of the charts. The broadening of rap to include more female MCs, from Queen Latifah to Lauryn Hill, had a lot to do with it. But all roads lead through rap-and-B's power couple, Jay-Z and Beyoncé. The pivot point may have been when Queen Bey realized she could sing with triple-time flow like the baddest MC. Podcast production by Asha Saluja. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
Let's be clear: Rap has always been musical. But back in the day, rappers generally, well, rapped: talked in cadence over a beat. Fans judged MCs primarily by their rhymes and rhythms, not their melodies. Now? Rappers are mostly singers: MCs from Drake to DaBaby slip seamlessly in and out of melody. Some hits that appear on Billboard's Rap charts feature literally no rapping. When did this change? In this episode of Hit Parade, Chris Molanphy walks through the history of hip-hop—from Gil Scott-Heron to Lil Nas X—to trace the evolving role of melody in rap's conquest of the charts. The broadening of rap to include more female MCs, from Queen Latifah to Lauryn Hill, had a lot to do with it. But all roads lead through rap-and-B's power couple, Jay-Z and Beyoncé. The pivot point may have been when Queen Bey realized she could sing with triple-time flow like the baddest MC. Podcast production by Asha Saluja. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
Let's be clear: Rap has always been musical. But back in the day, rappers generally, well, rapped: talked in cadence over a beat. Fans judged MCs primarily by their rhymes and rhythms, not their melodies. Now? Rappers are mostly singers: MCs from Drake to DaBaby slip seamlessly in and out of melody. Some hits that appear on Billboard's Rap charts feature literally no rapping. When did this change? In this episode of Hit Parade, Chris Molanphy walks through the history of hip-hop—from Gil Scott-Heron to Lil Nas X—to trace the evolving role of melody in rap's conquest of the charts. The broadening of rap to include more female MCs, from Queen Latifah to Lauryn Hill, had a lot to do with it. But all roads lead through rap-and-B's power couple, Jay-Z and Beyoncé. The pivot point may have been when Queen Bey realized she could sing with triple-time flow like the baddest MC. Podcast production by Asha Saluja. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
Let's be clear: Rap has always been musical. But back in the day, rappers generally, well, rapped: talked in cadence over a beat. Fans judged MCs primarily by their rhymes and rhythms, not their melodies. Now? Rappers are mostly singers: MCs from Drake to DaBaby slip seamlessly in and out of melody. Some hits that appear on Billboard's Rap charts feature literally no rapping. When did this change? In this episode of Hit Parade, Chris Molanphy walks through the history of hip-hop—from Gil Scott-Heron to Lil Nas X—to trace the evolving role of melody in rap's conquest of the charts. The broadening of rap to include more female MCs, from Queen Latifah to Lauryn Hill, had a lot to do with it. But all roads lead through rap-and-B's power couple, Jay-Z and Beyoncé. The pivot point may have been when Queen Bey realized she could sing with triple-time flow like the baddest MC. Podcast production by Asha Saluja. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
Let's be clear: Rap has always been musical. But back in the day, rappers generally, well, rapped: talked in cadence over a beat. Fans judged MCs primarily by their rhymes and rhythms, not their melodies. Now? Rappers are mostly singers: MCs from Drake to DaBaby slip seamlessly in and out of melody. Some hits that appear on Billboard's Rap charts feature literally no rapping. When did this change? In this episode of Hit Parade, Chris Molanphy walks through the history of hip-hop—from Gil Scott-Heron to Lil Nas X—to trace the evolving role of melody in rap's conquest of the charts. The broadening of rap to include more female MCs, from Queen Latifah to Lauryn Hill, had a lot to do with it. But all roads lead through rap-and-B's power couple, Jay-Z and Beyoncé. The pivot point may have been when Queen Bey realized she could sing with triple-time flow like the baddest MC. Podcast production by Asha Saluja. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
Let's be clear: Rap has always been musical. But back in the day, rappers generally, well, rapped: talked in cadence over a beat. Fans judged MCs primarily by their rhymes and rhythms, not their melodies. Now? Rappers are mostly singers: MCs from Drake to DaBaby slip seamlessly in and out of melody. Some hits that appear on Billboard's Rap charts feature literally no rapping. When did this change? In this episode of Hit Parade, Chris Molanphy walks through the history of hip-hop—from Gil Scott-Heron to Lil Nas X—to trace the evolving role of melody in rap's conquest of the charts. The broadening of rap to include more female MCs, from Queen Latifah to Lauryn Hill, had a lot to do with it. But all roads lead through rap-and-B's power couple, Jay-Z and Beyoncé. The pivot point may have been when Queen Bey realized she could sing with triple-time flow like the baddest MC. Podcast production by Asha Saluja. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode of The Waves, Slate senior editor Allegra Frank and Robin Boylorn, a professor at the University of Alabama and occasional Slate contributor, discuss the enduring appeal of Keeping Up With the Kardashians as the E! reality show it comes to a close at the end of its 20th season. The pair digs into the show as a backdrop for the creation of a family dynasty of internet celebrity, track the diminishing role of television in their multi-billion-dollar empire, and parse out the curious appeal of the sisters who became famous just for being famous. After the break, Allegra and Robin dig deep on the Kardashian-Jenner clan's history of appropriation of Black culture, and discuss the impact of their adopting working-class Black aesthetics to great personal gain as several of them became mothers to Black children themselves. The sisters haven't shied away from airing their learning moments for the world to see. But have they been able to use their enormous platform to any meaningful end? For Slate Plus members, Allegra and Robin continue our new segment, Gateway Feminism, where they talk about one thing that helped make them feminists. For Allegra, it's the manga and anime series Cardcaptor Sakura, and for Robin it's her favorite Toni Morrison novel and feminist blueprint, Sula. Recommendations Allegra recommends a new EP, Whole Damn Body from Los Campesinos! Robin thinks you should check out the Crunk Feminist Collective's new newsletter, The Remix. Podcast production by Asha Saluja filling in for Cheyna Roth. Editorial oversight by Susan Matthews and June Thomas. Additional production help from Rosemary Belson. Send your comments and thoughts about what The Waves should cover to thewaves@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode of The Waves, Slate senior editor Allegra Frank and Robin Boylorn, a professor at the University of Alabama and occasional Slate contributor, discuss the enduring appeal of Keeping Up With the Kardashians as the E! reality show it comes to a close at the end of its 20th season. The pair digs into the show as a backdrop for the creation of a family dynasty of internet celebrity, track the diminishing role of television in their multi-billion-dollar empire, and parse out the curious appeal of the sisters who became famous just for being famous. After the break, Allegra and Robin dig deep on the Kardashian-Jenner clan's history of appropriation of Black culture, and discuss the impact of their adopting working-class Black aesthetics to great personal gain as several of them became mothers to Black children themselves. The sisters haven't shied away from airing their learning moments for the world to see. But have they been able to use their enormous platform to any meaningful end? For Slate Plus members, Allegra and Robin continue our new segment, Gateway Feminism, where they talk about one thing that helped make them feminists. For Allegra, it's the manga and anime series Cardcaptor Sakura, and for Robin it's her favorite Toni Morrison novel and feminist blueprint, Sula. Recommendations Allegra recommends a new EP, Whole Damn Body from Los Campesinos! Robin thinks you should check out the Crunk Feminist Collective's new newsletter, The Remix. Podcast production by Asha Saluja filling in for Cheyna Roth. Editorial oversight by Susan Matthews and June Thomas. Additional production help from Rosemary Belson. Send your comments and thoughts about what The Waves should cover to thewaves@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode of The Waves, Slate senior editor Allegra Frank and Robin Boylorn, a professor at the University of Alabama and occasional Slate contributor, discuss the enduring appeal of Keeping Up With the Kardashians as the E! reality show it comes to a close at the end of its 20th season. The pair digs into the show as a backdrop for the creation of a family dynasty of internet celebrity, track the diminishing role of television in their multi-billion-dollar empire, and parse out the curious appeal of the sisters who became famous just for being famous. After the break, Allegra and Robin dig deep on the Kardashian-Jenner clan's history of appropriation of Black culture, and discuss the impact of their adopting working-class Black aesthetics to great personal gain as several of them became mothers to Black children themselves. The sisters haven't shied away from airing their learning moments for the world to see. But have they been able to use their enormous platform to any meaningful end? For Slate Plus members, Allegra and Robin continue our new segment, Gateway Feminism, where they talk about one thing that helped make them feminists. For Allegra, it's the manga and anime series Cardcaptor Sakura, and for Robin it's her favorite Toni Morrison novel and feminist blueprint, Sula. Recommendations Allegra recommends a new EP, Whole Damn Body from Los Campesinos! Robin thinks you should check out the Crunk Feminist Collective's new newsletter, The Remix. Podcast production by Asha Saluja filling in for Cheyna Roth. Editorial oversight by Susan Matthews and June Thomas. Additional production help from Rosemary Belson. Send your comments and thoughts about what The Waves should cover to thewaves@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode of The Waves, Slate senior editor Allegra Frank and Robin Boylorn, a professor at the University of Alabama and occasional Slate contributor, discuss the enduring appeal of Keeping Up With the Kardashians as the E! reality show it comes to a close at the end of its 20th season. The pair digs into the show as a backdrop for the creation of a family dynasty of internet celebrity, track the diminishing role of television in their multi-billion-dollar empire, and parse out the curious appeal of the sisters who became famous just for being famous. After the break, Allegra and Robin dig deep on the Kardashian-Jenner clan's history of appropriation of Black culture, and discuss the impact of their adopting working-class Black aesthetics to great personal gain as several of them became mothers to Black children themselves. The sisters haven't shied away from airing their learning moments for the world to see. But have they been able to use their enormous platform to any meaningful end? For Slate Plus members, Allegra and Robin continue our new segment, Gateway Feminism, where they talk about one thing that helped make them feminists. For Allegra, it's the manga and anime series Cardcaptor Sakura, and for Robin it's her favorite Toni Morrison novel and feminist blueprint, Sula. Recommendations Allegra recommends a new EP, Whole Damn Body from Los Campesinos! Robin thinks you should check out the Crunk Feminist Collective's new newsletter, The Remix. Podcast production by Asha Saluja filling in for Cheyna Roth. Editorial oversight by Susan Matthews and June Thomas. Additional production help from Rosemary Belson. Send your comments and thoughts about what The Waves should cover to thewaves@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode of Hit Parade, Chris Molanphy continues his analysis of Milli Vanilli, the musical act that many of us who were around in 1989 listened to more than they might admit. They also have quite a legacy: a blend of pop, dance and rap that now seems commonplace but was still relatively novel then. If you’ve danced to Europop that fronts like hip-hop, you’re living in a world Milli Vanilli helped create. Chris Molanphy continues to break down the history of Milli Vanilli mastermind Frank Farian’s musical career: from his burst of Billboard chart success, to the storied past of the Best New Artist Grammy award. From MTV News to Behind the Music, the Milli Vanilli story has been told and retold. But the Billboard chart feats achieved by Rob and Fab, and their accomplices, reveal just how addicted America was to their music—and maybe, how they won that Grammy. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Podcast production by Asha Saluja with help from Rosemary Belson. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode of Hit Parade, Chris Molanphy continues his analysis of Milli Vanilli, the musical act that many of us who were around in 1989 listened to more than they might admit. They also have quite a legacy: a blend of pop, dance and rap that now seems commonplace but was still relatively novel then. If you’ve danced to Europop that fronts like hip-hop, you’re living in a world Milli Vanilli helped create. Chris Molanphy continues to break down the history of Milli Vanilli mastermind Frank Farian’s musical career: from his burst of Billboard chart success, to the storied past of the Best New Artist Grammy award. From MTV News to Behind the Music, the Milli Vanilli story has been told and retold. But the Billboard chart feats achieved by Rob and Fab, and their accomplices, reveal just how addicted America was to their music—and maybe, how they won that Grammy. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Podcast production by Asha Saluja with help from Rosemary Belson. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode of Hit Parade, Chris Molanphy continues his analysis of Milli Vanilli, the musical act that many of us who were around in 1989 listened to more than they might admit. They also have quite a legacy: a blend of pop, dance and rap that now seems commonplace but was still relatively novel then. If you’ve danced to Europop that fronts like hip-hop, you’re living in a world Milli Vanilli helped create. Chris Molanphy continues to break down the history of Milli Vanilli mastermind Frank Farian’s musical career: from his burst of Billboard chart success, to the storied past of the Best New Artist Grammy award. From MTV News to Behind the Music, the Milli Vanilli story has been told and retold. But the Billboard chart feats achieved by Rob and Fab, and their accomplices, reveal just how addicted America was to their music—and maybe, how they won that Grammy. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Podcast production by Asha Saluja with help from Rosemary Belson. Learn more about your ad choices. Visit megaphone.fm/adchoices
For a musical project that’s synonymous with deceit, Milli Vanilli sold an awful lot of records. They also have quite a legacy: a blend of pop, dance and rap that now seems commonplace but was still relatively novel in 1989. If you’ve danced to Europop that fronts like hip-hop, you’re living in a world Milli Vanilli helped create. In this episode of Hit Parade, Chris Molanphy breaks down the history of Milli Vanilli mastermind Frank Farian’s musical career: from his days with Boney M, a hit-making, half-real, half-fake group that was a precursor to his later scheme; to his enlistment of European model–dancers Rob Pilatus and Fabrice Morvan to be the faux-frontpeople of Milli Vanilli. From MTV News to Behind the Music, the Milli Vanilli story has been told and retold. But the Billboard chart feats achieved by Rob and Fab, and their accomplices, reveal just how addicted America was to their music—and maybe, how they won that Grammy. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Podcast production by Asha Saluja with help from Rosemary Belson. Learn more about your ad choices. Visit megaphone.fm/adchoices
For a musical project that’s synonymous with deceit, Milli Vanilli sold an awful lot of records. They also have quite a legacy: a blend of pop, dance and rap that now seems commonplace but was still relatively novel in 1989. If you’ve danced to Europop that fronts like hip-hop, you’re living in a world Milli Vanilli helped create. In this episode of Hit Parade, Chris Molanphy breaks down the history of Milli Vanilli mastermind Frank Farian’s musical career: from his days with Boney M, a hit-making, half-real, half-fake group that was a precursor to his later scheme; to his enlistment of European model–dancers Rob Pilatus and Fabrice Morvan to be the faux-frontpeople of Milli Vanilli. From MTV News to Behind the Music, the Milli Vanilli story has been told and retold. But the Billboard chart feats achieved by Rob and Fab, and their accomplices, reveal just how addicted America was to their music—and maybe, how they won that Grammy. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Podcast production by Asha Saluja with help from Rosemary Belson. Learn more about your ad choices. Visit megaphone.fm/adchoices
For a musical project that’s synonymous with deceit, Milli Vanilli sold an awful lot of records. They also have quite a legacy: a blend of pop, dance and rap that now seems commonplace but was still relatively novel in 1989. If you’ve danced to Europop that fronts like hip-hop, you’re living in a world Milli Vanilli helped create. In this episode of Hit Parade, Chris Molanphy breaks down the history of Milli Vanilli mastermind Frank Farian’s musical career: from his days with Boney M, a hit-making, half-real, half-fake group that was a precursor to his later scheme; to his enlistment of European model–dancers Rob Pilatus and Fabrice Morvan to be the faux-frontpeople of Milli Vanilli. From MTV News to Behind the Music, the Milli Vanilli story has been told and retold. But the Billboard chart feats achieved by Rob and Fab, and their accomplices, reveal just how addicted America was to their music—and maybe, how they won that Grammy. Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info. Podcast production by Asha Saluja with help from Rosemary Belson. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week Steve, Dana, and Julia discuss Tina Fey’s new Peacock sitcom Girls5Eva. Then the panel dives into vaccine personalities—how did Pfizer really become the “status vax”? Finally, the group discusses Netflix film The Disciple with LA Times film critic Justin Chang. In Slate Plus, the panel talks about their relationship with cars, courtesy of a listener question. Email us your questions at culturefest@slate.com Podcast production by Jasmine Ellis and Asha Saluja. Production assistance by Rachael Allen. Endorsements Dana: Morning Ragas, Bombay 1965 by Nikhil Banerjee Julia: Empire of Pain by Patrick Radden Keefe and “The Composer at the Frontier of Movie Music” by Jamie Fisher (and Nicholas Britell’s Culture Gabfest episode!) Steve: “Quintin Jones Is Not Innocent. But He Doesn’t Deserve to Die.” by Jonah M. Kessel, Suleika Jaouad, and Lindsay Crouse Further Reading “Pfizer Snobs Are Wong. Johnson & Johnson Is the Coolest Vaccine.” by Dan Kois in Slate “How Pfizer Became the Status Vax” by Heather Schwedel in Slate “Review: ‘The Disciple’ is already one of the year’s best movies. Does Netflix know—or care?” by Justin Chang in the LA Times Hosts Stephen Metcalf Dana Stevens Julia Turner Social Media @slatecultfest on Twitter https://twitter.com/slatecultfest @slateculturepodcasts on Facebook https://www.facebook.com/slateculturepodcasts/ Learn more about your ad choices. Visit megaphone.fm/adchoices
This week Steve, Dana, and Julia discuss Tina Fey’s new Peacock sitcom Girls5Eva. Then the panel dives into vaccine personalities—how did Pfizer really become the “status vax”? Finally, the group discusses Netflix film The Disciple with LA Times film critic Justin Chang. In Slate Plus, the panel talks about their relationship with cars, courtesy of a listener question. Email us your questions at culturefest@slate.com Podcast production by Jasmine Ellis and Asha Saluja. Production assistance by Rachael Allen. Endorsements Dana: Morning Ragas, Bombay 1965 by Nikhil Banerjee Julia: Empire of Pain by Patrick Radden Keefe and “The Composer at the Frontier of Movie Music” by Jamie Fisher (and Nicholas Britell’s Culture Gabfest episode!) Steve: “Quintin Jones Is Not Innocent. But He Doesn’t Deserve to Die.” by Jonah M. Kessel, Suleika Jaouad, and Lindsay Crouse Further Reading “Pfizer Snobs Are Wong. Johnson & Johnson Is the Coolest Vaccine.” by Dan Kois in Slate “How Pfizer Became the Status Vax” by Heather Schwedel in Slate “Review: ‘The Disciple’ is already one of the year’s best movies. Does Netflix know—or care?” by Justin Chang in the LA Times Hosts Stephen Metcalf Dana Stevens Julia Turner Social Media @slatecultfest on Twitter https://twitter.com/slatecultfest @slateculturepodcasts on Facebook https://www.facebook.com/slateculturepodcasts/ Learn more about your ad choices. Visit megaphone.fm/adchoices
This week Steve, Dana, and Julia discuss Tina Fey’s new Peacock sitcom Girls5Eva. Then the panel dives into vaccine personalities—how did Pfizer really become the “status vax”? Finally, the group discusses Netflix film The Disciple with LA Times film critic Justin Chang. In Slate Plus, the panel talks about their relationship with cars, courtesy of a listener question. Email us your questions at culturefest@slate.com Podcast production by Jasmine Ellis and Asha Saluja. Production assistance by Rachael Allen. Endorsements Dana: Morning Ragas, Bombay 1965 by Nikhil Banerjee Julia: Empire of Pain by Patrick Radden Keefe and “The Composer at the Frontier of Movie Music” by Jamie Fisher (and Nicholas Britell’s Culture Gabfest episode!) Steve: “Quintin Jones Is Not Innocent. But He Doesn’t Deserve to Die.” by Jonah M. Kessel, Suleika Jaouad, and Lindsay Crouse Further Reading “Pfizer Snobs Are Wong. Johnson & Johnson Is the Coolest Vaccine.” by Dan Kois in Slate “How Pfizer Became the Status Vax” by Heather Schwedel in Slate “Review: ‘The Disciple’ is already one of the year’s best movies. Does Netflix know—or care?” by Justin Chang in the LA Times Hosts Stephen Metcalf Dana Stevens Julia Turner Social Media @slatecultfest on Twitter https://twitter.com/slatecultfest @slateculturepodcasts on Facebook https://www.facebook.com/slateculturepodcasts/ Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode of Hit Parade, Chris Molanphy continues his analysis of Taylor: the country years, dissecting how she gradually, step by step, became the new queen of pop one irresistible song at a time. She went from interviewing bigger stars on MTV’s red carpet one year, to being the talk of the Video Music Awards the next—even before Kanye took that microphone away from her. He told Taylor he would let her finish, but the game was already over. Swift had the most played song in the USA. Podcast production by Asha Saluja, with help from Rosemary Belson. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode of Hit Parade, Chris Molanphy continues his analysis of Taylor: the country years, dissecting how she gradually, step by step, became the new queen of pop one irresistible song at a time. She went from interviewing bigger stars on MTV’s red carpet one year, to being the talk of the Video Music Awards the next—even before Kanye took that microphone away from her. He told Taylor he would let her finish, but the game was already over. Swift had the most played song in the USA. Podcast production by Asha Saluja, with help from Rosemary Belson. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of this episode of Hit Parade, Chris Molanphy continues his analysis of Taylor: the country years, dissecting how she gradually, step by step, became the new queen of pop one irresistible song at a time. She went from interviewing bigger stars on MTV’s red carpet one year, to being the talk of the Video Music Awards the next—even before Kanye took that microphone away from her. He told Taylor he would let her finish, but the game was already over. Swift had the most played song in the USA. Podcast production by Asha Saluja, with help from Rosemary Belson. Learn more about your ad choices. Visit megaphone.fm/adchoices
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