Podcast appearances and mentions of Chance Thomas

Robin Hood ve Sir Richard'ın Kurtuluş Macerası Evvel zaman içinde, Robin Hood'un cesaret ve dostluk dolu dünyasında, bir gün yiğit kahramanımız, ormanın derinliklerinde karşılaştığı sefil bir şövalyenin feryadına kulak verir. Sir Richard adındaki bu şövalye, malı mülkü yerinde, görkemli bir savaşçı olması gerekirken, oğlunu kurtarmak için tüm varlığını feda etmiş bir adamdır. Oğlu karanlık zindanlarda tutsak, kendisi ise umutsuzluk içinde kıvranmaktadır. aradıkların: Ata Işınay Robin Hood Podcast Hikaye Masal toplumsal beklentiler Kendine İyi Davran Gündem Uyurken dinle Gece dinle Mitoloji Mitolojik evren Mitolojik hikayeler Credits Music: 00:00 - 01. Bree-fields Oboe 01 02:01 - 02. Bree-fields Oboe 02 03:24 - 03. Bree-fields Oboe 03 06:01 - 04. Bree-fields Solo Nylon 01 07:02 - 05. Bree-fields Solo Nylon 02 08:48 - 06. Bree-fields Solo Nylon 03 09:58 - 07. Bree-fields Solo Nylon 04 10:58 - 08. Bree-fields Solo Nylon 05 12:13 - 09. Bree-fields Solo Nylon 06 14:02 - 10. Archet 01 15:50 - 11. Archet 02 17:38 - 12. Archet 03 19:27 - 13. Homesteads Band 21:36 - 14. The Midgewater Marshes 24:42 - 15. Turtle Soup ~ Composer(s): Geoff Scott (01-12) Chance Thomas (13) Stephen DiGregorio (14-15) Performer(s): Geoff Scott (Guitar) Daron Bradford (Recorder) 01. Evendim 01 02. Evendim 02 03. Evendim 03 04. Evendim 04 'Land of the Lossoth' 05. Guardians of the Wild 06. Brigand Combat A 07. Brigand Combat B 08. Barad Tironn 'The Dúnedain' 09. Haudh Valandil 10. Glinghant ~ Composer(s): Geoff Scott (01, 06-07) Stephen DiGregorio (02-05, 08-09) Brad Spear (10) Performer(s): Geoff Scott (Guitar)

The Miracle Of A Second Chance_Thomas Daniel_9.25.23 by Covenant Presbyterian

Amy Andersson is an Internationally recognized, Grammy-winning conductor and producer. Named by British music critic Norman Lebrecht as “America's most watched Symphony Orchestra Conductor,” Andersson has been praised for her dynamic musicality, expressive technique and cross genre repertoire. She has toured to over twenty-two countries conducting concerts and recording sessions in symphonic, operatic, film, musical theatre and video game genres. She has appeared on the Late Show with Stephen Colbert, CBS Morning News, CBS Evening News and has garnered press coverage in the Wall Street Journal, Variety, Forbes, and Huffington Post. Andersson is founder and conductor of Orchestra Moderne NYC, which debuted at Carnegie Hall and Lincoln Center, and has won critical acclaim for her charismatic and visionary accomplishments as creator and conductor of Women Warriors: The Voices of Change, a live-to-picture symphony production and documentary film. Women Warriors has won over twenty-four international film and music awards including four Telly Awards, a Hollywood Music in Media Award, a GRAMMY in “Best Classical Compendium, a 2022 BMI “Impact Award,” a 2023 SCL “Jury Award” and has screened at film festivals in more than twelve countries, including the Fimucité International Film Music Festival in Tenerife. Known for her commitment to the music of living composers, she has conducted the works of composers Neal Acree, Elitsa Alexandrova, Peter Boyer, Nathalie Bonin, Jessica Curry, Miriam Cutler, Anne-Kathrin Dern, Greg Edmonson, Isolde Fair, Sharon Farber, Steve Jablonsky, Grant Kirkhope, Penka Kouneva, Bear McCreary, Martin O'Donnell, Kol Otani, Starr Parodi, Lolita Ritmanis, Garry Schyman, Yoko Shimomura, Jeremy Soule, George Strezov, Chance Thomas, Nobou Uematsu, Jack Wall, and Austin Wintory, among others, either on the concert stage or in recording sessions. Andersson has made guest appearances the St. Louis Symphony, Houston Symphony, Seattle Symphony, Oregon Symphony, Rochester Philharmonic, Colorado Symphony, Honolulu Symphony, San Diego Symphony, Florida Orchestra, Spanish Philharmonic, Berliner Symphoniker, Royal Philharmonic Concert Orchestra, Stockholm Concert Orchestra, Spanish National Youth Orchestra, Düsseldorfer Symphoniker, Classic FM Radio Orchestra of Bulgaria, Lithuanian National Symphony Orchestra, Junge Deutsche Philharmonie, Neiderrheinsche Symphoniker, LOH Orchestra Sonderhausen, Giessen Philharmonic, Aalborg Symphony Orchestra, Macedonian Philharmonic, Monte Carlo Philharmonic, Jeunesses Musicales Deutschland, Colorado Music Festival Orchestra, National Orchestral of Mexico, and at free-lance orchestras in Switzerland, Belgium, Netherlands, Italy and Ireland. Andersson regularly conducted opera productions in Germany at the Deutsche Oper am Rhein, National Theater of Mannheim, Stadttheater Aachen, Weikersheim Opera Festival, Rheinsberg Chamber Opera, and Schlosstheater Schwetzinger. In 2017 Andersson completed a two year, world tour of the live-to-picture concert Legend of Zelda: Symphony of the Goddesses. Andersson is a devoted teacher and educator and known also for her work with youth orchestras. She was adjunct conducting faculty at the Universität der Künste Berlin, music director of the famed CPE Bach High School of Performing Arts in Berlin, and adjunct faculty in Media and Film Scoring at Brooklyn College/Feirstein Graduate School of Cinema. In Germany she conducted the Rheinberg Chamber Opera Festival and Weikersheim Opera Festival for four summer seasons of productions that featured rising opera singers and youth orchestras. She is currently conducting faculty at the USC Thornton in the Screen Scoring department, and the Hollywood Music Workshop in Baden, Austria. Current projects include Andersson as co-Executive Producer on the soon to be released film (2023)Tahlequah The Whale: A Dance of Grief, by filmmaker Daniel Kreizberg, featuring the music of Lolita Ritmanis. She is also conductor and co-producer of the soon to be released soundtrack.

Austin Wintory chats with veteran composer Chance Thomas. Together they discuss his 20+ year career across video games, television, and flim and what ultimately led him to recently announce his retirement. They cap off their discussion exploring his final and most ambitious work, the procedural score for Ubisoft's The Settlers: New Allies. Check out Chance's memoir here: https://hugesoundrecords.com/memoir Watch this episode on our Youtube channel. The Game Maker's Notebook is sponsored by Xsolla. To learn more, go to xsolla.pro/AOIAAS. Follow us:  Twitter Instagram

One fundamental role that music plays in video games as well as other media is through providing context. This is a very important role to understand and for composers to effectively use. This discussion comes out of chapter one of Chance Thomas' Composing Music For Games book, as a part of our CMFG study series. thevideogamecomposerpodcast@gmail.com

Introducing a new study series! When I first got started composing for games, and knew basically nothing, I had the great opportunity to meet game composer icon Chance Thomas. He told me about the text book he wrote to help young composers like me and recommended I study as if I were getting a Master's Degree in game composition. I read through the book back then and it was very helpful, if you've listened to earlier episodes you've heard me talk about it. I have decided to start the book again and do an even deeper dive and share my studying and insights with you. I recommend you get the book to study along. At the time of recording this podcast episode I don't have any kind of affiliate marketing set up, but if I do I will paste a link right below. If you missed the interview where I interview Chance it's right here: https://anchor.fm/tyson-cazier/episodes/Interview-with-Chance-Thomas-Composer-for-DOTA-2-and-Lord-of-the-Rings-Online-e102ufe

In this episode I had a great conversation with Chance Thomas. Chance has been entrusted with prestigious titles and high-value entertainment properties again and again in his career - The Lord of the Rings, Avatar, Warhammer, Marvel, King Kong, Dungeons & Dragons, DOTA 2, Star Wars, Monopoly, Heroes of Might & Magic, Left Behind, Jumanji and many more.  Follow chance by visiting his website https://hugesoundrecords.com

We discuss the latest grand strategy news and our favorite music for politicking and doing battle! MUSIC CREDITS: "Barbarian Victory" by Jeff van Dyck, from Rome: Total War "Agnus Dei" by Robin Birner and Yannick Suss, from Crusader Kings II: Hymns of Revelation "Sun Never Sets" by Stephen Wright, from MEIOU and Taxes "Astronomia - Coffin Dance Medieval Edition" by Anno Domini 1250 "We're Off On A Secret Mission" by by Alan Menken and Glenn Slater, from Galavant "The Time Is Now" by John Cena and Marc Predka "Marriage Event", "Declaring War", "The Crusades Start", and "Knights of Jerusalem" by Andreas Waldetoft/Paradox Development Studio, from Crusader Kings 3 "Matsuri" by Jeff van Dyck, from Total War: Shogun 2: Fall of the Samurai "Learning to Ride" by Chance Thomas, from The Lord of the Rings Online: Riders of Rohan Vampire Counts and Vampire Coast trailer music (artist unknown) property of Creative Assembly "We Are Norse" by Andreas Waldetoft, from Crusader Kings II: Hymns to the Old Gods "Winged Hussars" by Sabaton, from The Last Stand Follow the hosts! Lorris (@FatherLorris) ChapelComic.com Rose (@EnigmaticRose4) Twitch.tv/EnigmaticRose4 Lambert (@Lambert2191) YouTube.com/user/Lambert2191 T.J. (@AsaTJ) YouTube.com/TheLoreswornOrder

Episode 3 discusses Chrétien de Troyes' iconic romance, "The Knight of the Cart". As the first story we have in record of Sir Lancelot, we'll discuss Arthurian legend's most famous knight, his immeasurable love for Guinevere and the many trials he faces for her. Join me for a wild tale of heated battles, lusty maidens, virtuous honor, utmost courage...and small promises that go a long way. (Link to the video described at the end of the episode: https://www.youtube.com/watch?v=VUTw-rFRU7o&t=21s) All music credit goes to the artists! This episode's soundtrack: - “Merlin’s Secret”, Avalon - A Celtic Legend by Enaïd - “Enchantment”, Avalon - A Celtic Legend by Enaïd - “Road to Camelot”, Avalon - A Celtic Legend by Enaïd - “Learning to Ride”, The Lord of the Rings Online (10th Anniversary) by Chance Thomas - “Solringen”, Runaljod - Yggdrasil by Wardruna - “Call of the Sea”, Spirit of Ireland by David Arkenstone - “Reels”, Folk’s Not Dead by Arany Zoltán - “The Maid of Murlough”, Soma by John McSherry - “The Tournament”, Tristan + Isolde Motion Picture Soundtrack - “The Quest”, Music Inspired by Middle Earth by David Arkenstone - “Lothlorien”, Music Inspired by Middle Earth by David Arkenstone - “Pigeon on the Gate”, A World Collection by The Avalon World Ensemble - “The Riders of Rohan”, Music Inspired by Middle Earth by David Arkenstone - “The Sailor’s Wife/The Lads of Duns”, Fire & Grace by Alasdair Fraser & Natalie Haas - “Volüspa”, Vikings Soundtrack by Wardruna - “Bring Down the Castle Walls”, Medieval Songs of Love and War by Rinaldi String Quartet - “Medieval Drum Dance”, Pye to Go by Mince Pye - “Dance of the Druids”, Outlander Soundtrack ft. Raya Yarbrough by Bear McReary - “The Lai, Trouvère Mélodie from the 3rd Crusade”, Medieval Songs of Love and War by Rinaldi String Quartet - “The Rivers of Home”, Emerald by Midori - “Emerald”, Emerald by Midori - “For the Love of All Who Gather (Reprise)”, Blessings by S.J. Tucker - “Undrentide” by Mediaeval Baebes - “Horse’s Brasle”, Renaissance Dance Music by Mince Pye - “Evening Breeze”, Wanderer by Adrian von Ziegler - “The Wedding”, Avalon - A Celtic Legend by Enaïd - “The House of Tom Bombadil”, The Lord of the Rings Online (10th Anniversary) by Chance Thomas - “Hills of the Shire”, The Lord of the Rings Online (10th Anniversary) by Chance Thomas - “The Road to Camelot”, Avalon - A Celtic Legend by Enaïd v3ik4568

When does Final Fantasy become, well, final? It's probably not going to end with Final Fantasy XIV, which shows every intention of outlasting all of us as long as it keeps pumping out Moogle plushies and Hildebrand quests. On the show today, Eliot lends his FFXIV expertise on the next step of this saga. It’s the Massively OP Podcast, an action-packed hour of news, tales, opinions, and gamer emails! And remember, if you’d like to send in your own letter to the show, use the “Tips” button in the top-right corner of the site to do so. Show notes: Intro Adventures in MMOs: FFXIV, FFXI, Neverwinter, World of Warcraft News: Secret World Legends talks about its F2P model News: LOTRO signs back on Chance Thomas to score Mordor News: Alternative server rulesets launch in EverQuest and Allods Online, while RIFT mulls challenge server News: Black Desert releases on Steam Mailbag: Role homogenization (FFXIV blog post) Mailbag: PvP pay-to-win Mailbag: Marvel Heroes overreaction? Outro Other info: Podcast theme: "Rivendell" from LOTRO Your show hosts: Eliot and Justin Listen to Massively OP Podcast on iTunes, Stitcher, Player FM, TuneIn, Google Play, and Pocket Casts Follow Massively Overpowered: Website, Twitter, Facebook, Google Plus, Twitch If you’re having problems seeing or using the web player, please check your flashblock or scriptblock setting.

This week we talked about Chance Thomas and reflects.

Chance Thomas talks about his music for Faeria, Dota 2, Lord of the Rings Online, The VOID and more! You can support Level with Emily Reese on Patreon.

Game time! The crew convenes to talk about the games on our plate of late: Dale has been playing a heap of W games (not all of them are Warhammer), LeGrande finally kills Mecha-Hitler in DOOM (2016), and Jeremy travels back in time with Day of the Tentacle Remastered and Gone Home. Intro: "Some Special" - Bratmobile, from Gone Home. Outro: "Anorien" - Lennie Moore and Chance Thomas, from The Lord of the Rings: War of the Ring

Podcast Interview with Chance Thomas at GDC 2016

Podcast Interview with Chance Thomas at GDC 2016

A Composer Tribute to James Horner Twenty-one film, television, video game composers deliver their heart-felt thoughts and reflections about the man, James Horner, and his music. Listen to their thoughts set to many of James Horner's most memorable scores. Episode Highlights 00:00 — Introduction 01:00 — Austin Wintory 02:34 — Debbie Wiseman 03:51 — Greg Edmonson 05:21 — Frederick Wiedmann 07:12 — Jeff Rona 08:51 — Introduction to special tribute 09:23 — Jo Blankenburg 10:41 — Grant Kirkhope 12:07 — Mark Griskey 15:36 — Jason Graves 17:03 — Neal Acree 07:57 — Garry Schymann 20:02 — Sam Hulick 20:45 — Introduction to special tribute II 21:12 — Chance Thomas 23:17 — Jessica Curry 24:10 — Scott Glasgow 27:10 — Rolfe Kent 28:20 — Penka Kouneva 30:30 — James Christopherson 31:36 — Elia Cmiral 32:13 — Olivier Deriviere 33:54 — Kathryn Bostic 36:08 — Close Music Selections 00:00 — "Teaching Mathematics Again" (A Beautiful Mind) by James Horner 00:54 — "Closing Credits" (A Beautiful Mind) by James Horner 02:38 — "Epilogue" (Searching for Bobby Fischer) by James Horner 04:51 — "An Epitaph to War" (Glory) by James Horner 23:44 — "Part 2" (Iris) by James Horner 07:25 — "The Lovemaking" (Cocoon) by James Horner 09:23 — ""Wunderkind" by Jo Blankenburg 10:30 — "Main Title" (Battle Beyond the Stars) by James Horner 12:26 — "Deciding to Build the Field" (Field of Dreams) by James Horner 13:33 — "All Systems Go" (Apollo 13) by James Horner 16:02 — "The Ludlows" (Legends of the Fall) by James Horner 18:48 — "Casper's Lullaby" (Casper) by James Horner 19:52 — "A Kaleidoscope of Mathematics" (A Beautiful Mind) by James Horner 20:48 — "Becoming One of the People…" (Avatar) by James Horner 21:45 — "Suite from Avatar: The Video Game by Chance Thomas 23:17 — "Main Title - Takeoff (The Rocketeer) by James Horner 30:23 — "Rose" (Titanic) by James Horner 29:05 — "My Heart Will Go On" (Titanic) by James Horner 30:23 — "Main Title" (Braveheart) by James Horner 33:08 — "The Passage of Time" (Bicentennial Man) by James Horner 35:02 — "All Love Can Be" (A Beautiful Mind) Notes: Special THANKS to all of the composers listed above who gave of their time to contribute to this project. Also thanks to The Krakower-Poling PR and Costa Communications for their assistance. Austin Wintory - http://austinwintory.com/ Debbie Wiseman - http://www.debbiewiseman.co.uk/ Greg Edmonson - http://gregedmonson.com/ Frederick Wiedmann - http://www.frederikwiedmann.com/ Jeff Rona - http://jeffrona.com/ Jo Blankenburg - http://joblankenburg.com/ Grant Kirkhope - http://www.grantkirkhope.com/ Mark Griskey - http://www.griskey.com/ Jason Graves - http://www.jasongraves.com/ Neal Acree - http://www.nealacree.com/ Garry Schymann - http://garryschyman.com/ Sam Hulick - http://samhulick.com/ Chance Thomas - http://www.chancethomas.com/ Jessica Curry - http://www.thechineseroom.co.uk/ Scott Glasgow - http://www.scottglasgowmusic.com/ Rolfe Kent - http://www.rolfekent.com/ Penka Kouneva - http://www.penkakouneva.com/ Jamie Christopherson - http://www.jamiechristopherson.com/ Elia Cmiral - http://www.eliacmiral.com/ Olivier Deriviere - http://olivierderiviere.com/ Kathryn Bostic - http://www.kathrynbostic.com/ Follow Christopher Coleman Twitter. Support Tracksounds: Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You! Buy Soundtracks at Amazon.com Download the Episode Subscribe and More Info

Chance Thomas discusses falling in love, living with, and eventually leaving her long term sociopath boyfriend. She discusses her upcoming book, her blog, and the short artistic videos she creates that are all about healing from the sociopath's abuse. Look for  "Chance Thomas" on youTube. See... Verbal Abuse - The Process of Healing https://youtu.be/6h00eV0KJBU

Chance Thomas had some Howard-Shore-sized boots to fill when scoring The Lord of the Rings Online expansion pack Riders of Rohan, so we brought Jamie Christopherson on board to give us a composer's opinion. He's written his own Lord of the Rings music thanks to the Battle for Middle-earth series, and now the magnificent, melodic fields of the Riddermark beckon. Onward to Theme for Rohan!

This week on Battle Bards, Composer Chance Thomas joins the bards to talk about the stories behind Lord of the Rings Online's score.  It's a strange chance to offer our own reviews and then have the composer review our reviews on the spot -- but we loved it.  It's equal parts education, entertainment, and Elves on this preciousss episode! Follow Battle Bards on iTunes Follow Battle Bards on Stitcher Episode 4 show notes Introduction with Composer Chance Thomas (featuring "LOTRO Legacy," "The Hollin Gate," and "Love of a Maiden Fair and Pure") More reading: Riffing on Tolkien Far Ahead the Road Has Gone Lonelands Lament for Oakenshield Hills of the Shire Things to Come Tom Bombadil Learning to Ride Urgent Errands Website and blog plugs Outro: "Silent Hope" Check out Chance Thomas online! Contact the Bards: email all the Bards: battlebards@mail.com Steph: MMO Gamer Chick @MMOGC Syl: MMO Gypsy @Gypsy_Syl Syp: Bio Break  @Sypster

Gametime 2009 - Chance Thomas Interview: Chance Thomas (Avatar: The Game) Recorded December 16, 2009 Published December 19, 2009 Episode Highlights 00:33 - Introduction and Welcome 01:40 - Did you feel "extra" pressure working on Avatar: The Game? 03:06 - How was James Cameron involved with the game music? 05:00 - Working with James Horner 09:05 - Finding "the sound" for the game. 11:15 - Comparing the game score and the film's score 16:55 - Freedom of the prequel 18:10 - Other 2009 projects: LDS Church and United Way Music Clips (Select music clips contained in this podcast) 00:05 - Virgin Flight (Avatar: The Game) by Chance Thomas 07:52 - Becoming One of "the People... (Avatar) by James Horner 15:25 - Aerial Combat Acrobatics (Avatar: The Game) by Chance Thomas 17:35 - Mystical Gatherings (Avatar: The Game) by Chance Thomas 24:36 - Virgin Flight (Avatar: The Game) by Chance Thomas Download the interview here