Podcast appearances and mentions of eve arnold

We meet Misan Harriman, photographer, social activist and Oscar Nominated filmmaker. He is one of the most widely-shared visual storytellers of this age. He is also the first black person in the 104 year history of British Vogue to shoot the cover of its September issue. In July 2021 he commenced his appointment as Chair of the Southbank Centre, London. His strong reportage style and unique eye for narrative has captured the attention of editors and celebrities around the world. From documenting historic moments in history to photographing high profile celebrities, including Meghan Markle & Prince Harry, Angelia Jolie, Jay-Z, Tom Cruise, Julia Roberts, Giorgio Armani, Rhianna, Cate Blanchett and Olivia Colman, Misan is a photographer of extraordinary range. His striking images have featured in Vanity Fair, Vogue UK, Harpers Bazaar, People Magazine and The Telegraph among others. His first film, the After starring David Oyelowo is the first Netflix UK original Short and has been nominated for an Academy Award.Misan is an outspoken activist supporting Diversity and Inclusion in the workplace, he is also a mental health campaigner with a keen interest in Dyslexia and Neurodiversity. He is currently exploring how web3 can help democratise merit based opportunity for disadvantaged artists on a global scale.He is the founder of Culture3 whose mission is to explain and explore what web 3.0 means for culture, commerce, and society. Nigeria born, Misan was educated in England where he developed a life-long love for the arts. This led him to picking up a camera and honing his craft. He is completely self-taught, his work is inspired by Gordon Parks, Sally Mann, Eve Arnold, Bruce Davidson, Norman Parkinson and Peter Lindbergh. SXSW London presents: Misan Harriman: Shoot the People Part of SXSW London 2025. British-Nigerian photographer Misan Harriman investigates how protest movements shape social change. Following his debut White Nanny, Black Child, director Andy Mundy-Castle turns the camera on Oscar-nominated British-Nigerian photographer and activist Misan Harriman, who became the first Black man to shoot a cover of British Vogue in 2021 and has captured modern icons such as Meghan Markle and Prince Harry, Rihanna, Stormzy, Cate Blanchett, and Tom Cruise. In Shoot the People, Harriman examines how protest and organised movements can lead to social change, all while capturing the resilience of activism through his lens. In July 2025, Harriman will have his debut solo exhibition of his photography in London at Hope93 gallery. https://hope93.com/Follow @MisanHarrimanVisit https://www.misanharriman.com/ Hosted on Acast. See acast.com/privacy for more information.

Connect: https://otchere.shop/Eddie discusses the work of legendary photographer Eve Arnold, who produced era-defining photographs of political and cultural icons such as Malcolm X, Marilyn Monroe, Charlie Chaplin, and James Brown. To do so, Eddie is joined by printer of Eve's work, Danny Pope, and her grandson and curator Michael Arnold. The trio discuss the impact she had on the artistic direction of their craft, what it means to create icons photographically, and the changing nature of the art today.Eve Arnold:https://www.evearnold.com/ http://dannypope.com/Support Zer0 Books and Repeater Media on Patreon: https://www.patreon.com/zer0repeaterSubscribe: https://www.patreon.com/zer0repeaterFacebook: https://www.facebook.com/ZeroBooks/Twitter: https://twitter.com/zer0books, https://twitter.com/RepeaterBooks

di Michela Murgia e Chiara Tagliaferri, con Drusilla Foer | Questa serie e realizzata in collaborazione con Lavazza, Valentino e Veralab | Prima donna freelance della sede americana della Magnum, Eve Arnold è stata una delle fotografe più famose del Novecento: ha viaggiato in Cina, in Russia e in Europa, ha attraversato l'America, l'Asia e l'Africa. Ha ritratto le persone, famose e non, rifiutando la tecnica del fotoritocco e l'imposizione patriarcale di standard estetici irraggiungibili, rendendo umane le divinità di Hollywood e restituendo dignità agli emarginati. La sorellanza e la maternità tornano continuamente nella sua produzione, perché come raccontava lei stessa “Sono stata povera e ho voluto documentare la povertà; ho perso un figlio e sono stata ossessionata dalle nascite; mi interessava la politica e ho voluto scoprire come influiva sulle nostre vite; sono una donna e volevo sapere delle altre donne”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.Monica Poggi"Robert Capa, Gerda Taro"La fotografia, l'amore, la guerraCamera Torino, fino al 2 giugno 2024Un'altra grande mostra - dopo le personali dedicate a Eve Arnold, Dorothea Lange e André Kertész - che racconta con oltre 120 fotografie uno dei momenti cruciali della storia della fotografia del XX secolo, il rapporto professionale e affettivo fra Robert Capa e Gerda Taro, tragicamente interrottosi con la morte della fotografa in Spagna nel 1937.Fuggita dalla Germania nazista lei, emigrato dall'Ungheria lui, Gerta Pohorylle ed Endre – poi francesizzato André – Friedmann (questi i loro veri nomi) si incontrano a Parigi nel 1934, e l'anno successivo si innamorano, stringendo un sodalizio artistico e sentimentale che li porta a frequentare i cafè del Quartiere Latino ma anche ad impegnarsi nella fotografia e nella lotta politica. In una Parigi in grande fermento, invasa da intellettuali e artisti da tutta Europa, trovare committenze è però sempre più difficile. Per cercare di allettare gli editori, è Gerta a inventarsi il personaggio di Robert Capa, un ricco e famoso fotografo americano arrivato da poco nel continente, alter ego con il quale André si identificherà per il resto della sua vita. Anche lei cambia nome e assume quello di Gerda Taro. L'anno decisivo per entrambi è il 1936: in agosto si muovono verso la Spagna, per documentare la guerra civile in corso tra i repubblicani e fascisti; il mese dopo Robert Capa realizzerà il leggendario scatto del Miliziano colpito a morte, mentre Gerda Taro scatta la sua immagine più iconica, una miliziana in addestramento, pistola puntata e scarpe con i tacchi, in un punto di vista inedito della guerra fatta e rappresentata da donne. Insieme a queste due icone, i fotografi realizzano tanti altri scatti, che testimoniano di una partecipazione intensa all'evento, sia dal punto di vista del reportage di guerra, sia da quello della vita quotidiana dei soldati, delle soldatesse e della popolazione drammaticamente vittima del conflitto. La Spagna è, infatti, in quegli anni una terra che attira molti intellettuali, scrittori e registi da tutto il mondo come Ernest Hemingway, immortalato in uno scatto di Capa, che racconterà l'esperienza della guerra civile spagnola nel suo capolavoro “Per chi suona la campana” oppure George Orwell che ne parlerà in “Omaggio alla Catalogna”. Le loro fotografie vengono pubblicate sui maggiori giornali del tempo, da “Vu” a “Regards” a “Life”, conferendo alla coppia – che spesso firma con un'unica sigla, senza distinguere l'autore o l'autrice dello scatto – una solida fama e molte richieste di lavoro. Nel corso del 1936 e del 1937 i due si spostano tra Parigi e la Spagna, documentando ad esempio gli scioperi nella capitale francese e le elezioni del 1937, conclusesi con la vittoria del raggruppamento antifascista del Fronte Popolare. Ma anche il Convegno Internazionale degli Scrittori Antifascisti a Valencia, dove Taro fotografa personaggi come André Malraux, Ilya Ehrenburg, Tristan Tzara, Anna Seghers. Proprio poco dopo la vittoria del Fronte Popolare, però, durante la battaglia di Brunete, in Spagna, il 24 luglio del 1937, Gerda Taro viene involontariamente investita da un carro armato e muore, chiudendo così tragicamente la vita della prima reporter di guerra. L'anno successivo, Robert Capa darà alla luce l'epocale volume Death in the Making, dedicato alla compagna, nel quale si trovano molte delle immagini visibili in mostra, di entrambi i fotografi. L'intensa stagione di fotografia, guerra e amore di questi due straordinari personaggi è narrata nella mostra di CAMERA - curata da Walter Guadagnini e Monica Poggi - attraverso le fotografie di Gerda Taro e quelle di Robert Capa, nonché dalla riproduzione di alcuni provini della celebre “valigia messicana”, contenente 4.500 negativi scattati in Spagna dai due protagonisti della mostra e dal loro amico e sodale David Seymour, detto “Chim”. La valigia, di cui si sono perse le tracce nel 1939 - quando Capa l'ha affidata a un amico per evitare che i materiali venissero requisiti e distrutti dalletruppe tedesche - è stata ritrovata solamente a fine anni Novanta a Mexico City, permettendo di attribuire correttamente una serie di immagini di cui fino ad allora non era chiaro l'autore o l'autrice. La mostra si apre con una sala che introduce le figure di questi straordinari autori anche grazie a due documentari, The Mexican Suitcase (2011) di Trisha Ziff e Searching for Gerda Taro (2021) di Camille Ménager, di cui sono mostrati degli estratti particolarmente utili a fornire delle lenti di lettura utilizzate anche nella scelta delle opere esposte poi nelle sale successive. Dopo le immagini realizzate da Capa a Parigi, il percorso esplora la documentazione della guerra attraverso gli spostamenti e i focus dati da Capa e Taro, concludendosi con la pagina più straziante, quella della distruzione e della morte causata dal conflitto.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.it

CAMERA prosegue nella sua indagine sul ruolo delle donne nell'ambito della fotografia, dopo il successo delle mostre dedicate a Eve Arnold e a Dorothea Lange. Il nuovo progetto, intitolato “Fotografia è donna”, esplora l'universo femminile attraverso 120 immagini dell'agenzia Magnum Photos, spaziando dal dopoguerra a oggi. La mostra, allestita nella suggestiva residenza fortificata de La […]

Vous écoutez le podcast "5 minutes d'Histoire", notre émission quotidienne gratuite pour tous. Si cela vous a plu, retrouvez plus 300 podcasts d'une heure environ "Timeline 5.000 ans d'Histoire" pour seulement 2€ par mois sans publicité, avec une nouvelle émission chaque semaine : https://m.audiomeans.fr/s/S-tavkjvmo Chaque mois, l'équipe de « Timeline, 5.000 ans d'Histoire » vous propose un ou plusieurs dossiers thématiques "5 minutes d'Histoire" sous la forme de 7 à 40 capsules quotidiennes de 5 minutes. Pour les grands comme les plus petits, passionnés ou intéressés, ces dossiers vous permettront d'en apprendre plus sur les 5.000 ans qui font l'Histoire. Cette semaine, "5 minutes d'Histoire" vous propose « Femmes à l'oeil de verre » Bibliographie: William Todd Schultz, An Emergency in Slow Motion: The Inner Life of Diane Arbus Susan Sonag “On photography” 1973. Arbus, Untitled and Unearthly New York Times https://www.nytimes.com/2018/11/15/arts/design/diane-arbus-zwirner.html

In diesem Jahr präsentiert das Festival gut 600 Arbeiten von rund 100 Fotografinnen und Fotografen. Dabei treffen regionale Künstler:innen auf internationale Größen wie Eve Arnold, Elliott Erwitt, Barbara Klemm oder Martin Parr. Jörg Mayer hat sich umgesehen. Von Jörg Mayer.

Clara Bouveresse | L'envers de l'objectif. La création de regards alternatifs depuis les années 1970 À partir des années 1970, de nombreuses femmes font de la photographie un moyen de prendre position et d'affirmer leur regard personnel, à rebours de l'objectivité et de la transparence traditionnellement associées à ce medium. Loin de faire de l'image un document prétendument neutre, elles participent à de multiples combats au moyen de leur appareil. Évitant un regard surplombant, elles revendiquent une approche subjective et incarnée. Certaines, comme Claude Batho ou Eve Arnold, s'emparent de sujets intimes, explorant l'infra ordinaire de scènes quotidiennes, en écho aux idées féministes. Les « non-sujets » que sont les tâches domestiques apparaissent dignes d'être documentés et d'entrer dans le débat public. D'autres, comme Susan Meiselas, transforment la photographie en outil de dialogue et de partage à travers des pratiques collaboratives, en donnant la parole à d'autres femmes pour contrer les stéréotypes. Cette conférence met en lumière leur travail et interroge la place des femmes dans l'histoire et les institutions photographiques. Maîtresse de conférences à l'Université d'Evry/Paris Saclay, Clara Bouveresse est notamment l'autrice d'une Histoire de l'agence Magnum. L'art d'être photographe (Ed. Flammarion 2017) et des trois volumes consacrés aux femmes photographes par la collection Photo Poche (Ed. Actes Sud). En partenariat avec La Nuit de la Photo et en collaboration avec Payot Libraire. Enregistrée le 26 janvier 2023 au Club 44

In episode 191 UNP founder and curator Grant Scott is in his shed wishing everyone a Merry Christmas, Happy Hanukkah and a Happy Holidays, whilst not taking things too seriously. Plus this week curator, editor, and photographic consultant Zelda Cheatle take's on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which she answer's the question ‘What Does Photography Mean to You?' Zelda Cheatle's life in photography and the arts has encompassed being a photographer, gallerist, publisher, curator, lecturer and author. She began her gallery career at The Photographers' Gallery, London working with internationally renowned photographers and emerging British artists using photography. In 1989, she started the Zelda Cheatle Gallery, first in Cecil Court, WC2 , then Mount Street W.1 and finally in Shoreditch until 2005, where, she exhibited important work by British and international artists – including Helen Chadwick, Eve Arnold, Berenice Abbott, Sarah Moon, Manuel Álvarez Bravo, Lee Miller, Robert Frank and Abbas Kiarostami among many others. Her gallery also consistently showed young and emerging artists and the Zelda Cheatle Press published monographs of contemporary British artists and photographers. As lead curator for the World Photography Organisation for many years, Cheatle has spoken extensively about photography and its place as fine art. Her recent photographic exhibitions include Cecil Beaton in both the State Hermitage, St Petersburg and Blenheim Palace; Yan Wang Preston in China; photography from the Gulf countries exhibited in Riyadh, Saudi Arabia; the Dubai Photo Exhibition comprising 868 photo works. She began and managed the first Photography Fund, that collected, exhibited and published a collection of over 6,000 iconic prints including a Russian 20th century collection, Eve Arnolds vintage archive and icons and masterpieces of the European and American schools. She is an Honorary Fellow at the University of the Arts Bournemouth, a Member of the Council of Friends, National Gallery of Ireland and has been on the Advisory Committee, Photo Shanghai, Chair of judges, Kraszna Krausze book Award and a Nominator for the Deutsche Borse and Prix Pictet competitions. Zelda Cheatle continues to curate exhibitions and publish, review and challenge photography. www.zeldacheatle.com Dr.Grant Scott is the the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). Comedy Extracts: Hancock's Half Hour: The Photographer, Series 6 Episode 8. 1960 People Like Us: The Photographer, Series 1, Episode 2. 1999 The Sketch Show, Series 1, Episode 6. 2001 Podcast music: Written and performed by Dr. Laura Ritchie www.lauraritchie.com © Grant Scott 2021

On the debut episode of NBC's Monitor on June 12th, 1955, Dave Garroway sat down for an interview with Marilyn Monroe. He'd heard she was permanently moving to New York, but was surprised to hear where she really wanted to live. To hear this entire interview, tune into Breaking Walls Episode 116: The Launch of NBC's Monitor (1955). Photo: Marilyn Monroe in New York City, as photographed by Eve Arnold in 1955.

Photo: Marilyn Monroe in New York City, as photographed by Eve Arnold in 1955. On the debut episode of NBC's Monitor on June 12th, 1955, Dave Garroway sat down for an interview with Marilyn Monroe. He'd heard she was permanently moving to New York, but was surprised to hear where she really wanted to live.

Eve Arnold ci lascia una grande lezione sulla fotografia. Non c'è differenza tra fotografare divi di Hollywood e fare reportage sulle zone martoriate del mondo. Tutto quanto è testimonianza, tutto quanto è fotografia.

Extrait du communiqué de presseCréée en 1982 par l'éditeur Robert Delpire, la collection “Photo Poche” compte cent cinquante-neuf titres aujourd'hui (164 numéros en octobre 2020). Si une centaine sont consacrés à des hommes, seulement une dizaine concernent des femmes, non par choix délibéré mais bien par manque de reconnaissance accordé aux femmes photographes par les institutions et le marché de la photographie.Les “grands noms” qui s'imposent au fil des expositions et des publications sont, bien majoritairement, masculins. Pourtant, dès la première heure, les femmes photographes existent et elles sont nombreuses !Conscient de ces disparités, Robert Delpire souhaitait leur consacrer un coffret de trois volumes couvrant toute l'histoire de la photographie. Sont réunies ici des autrices du monde entier. Cette pierre à l'édifice de l'histoire des femmes photographes est une contribution et non un inventaire qui se voudrait exhaustif. C'est une invitation à en découvrir toujours plus.Le choix des images témoigne enfin des goûts subjectifs de Sarah Moon et de Clara Bouveresse : ces photographies les ont étonnées, marquées, émues… Espérons qu'elles sauront toucher et éveiller la curiosité des lectrices et lecteurs férus de photographie.Parution en librairie le 7 octobre 2020, le coffret se compose de 3 volumes L'ouverture des possibles (vol. 1) n°160L'envers de l'objectif (vol. 2) n°161Les voies de la reconnaissance (vol. 3) n°162La collection Photo Poche a été publiée de 1982 à 1996 par le Centre national de la photographie avec le concours du ministère de la Culture. La collection est rachetée par Nathan en 1996 puis par Actes Sud en 2004. Robert Delpire (1926-2017), son fondateur, en a assuré la direction jusqu‘en 2017. Cet ouvrage, composé de 3 volumes, a été publié sous la direction de Sarah Moon.Préambule, introduction et biographies par Clara Bouveresse :Historienne de la photographie, Clara Bouveresse a écrit une Histoire de l'agence Magnum (Flammarion, 2017). Elle a coorganisé l'exposition “Magnum Manifesto”, présentée à l'International Center of Photography de New York (catalogue, Actes Sud/Thames&Hudson, 2017). Elle a également assuré le commissariat de l'exposition “Eve Arnold, Abigail Heyman & Susan Meiselas. Unretouched Women”, aux Rencontres de la photographie d'Arles (catalogue Actes Sud, 2019). Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Eve Arnold: una donna che grazie al suo duro lavoro per la Magnum Photos e grazie alla sua empatia ci ha regalato lavori mozzafiato.Audio Editor: Mirko Ragazzoni

Hablamos con el dúo de creadores Bleda y Rosa formado por María Bleda (Castellón, 1969) y José María Rosa (Albacete, 1970), que en 2008 obtuvieron el Premio Nacional de Fotografía. Bleda y Rosa llevan 25 años trabajando sobre el paisaje, el tiempo y la memoria a través de series -"Campos de fútbol" (sobre los campos de fútbol abandonados en la periferia de las ciudades que fueron devorados por el crecimiento urbanístico) "Campos de batalla" (sobre la memoria de paisajes donde se desarrollaron decisivas batallas históricas) u otros como "Memoriales", "Prontuario"...- en las que, conjugando imágenes con textos fundamentalmente históricos, proponen un trabajo que, sobre principios del arte conceptual, indaga en el paisaje como catalizador de la memoria y el territorio. Una gran exposición itinerante, "Geografía del tiempo", recoge su trabajo desarrollado desde su irrupción en la escena a comienzos de los años 90. Asimismo, evocamos la figura de Eve Arnold (1912 - 2012), gran fotógrafa de la Agencia Magnum -fue la primera mujer en ingresar en la agencia- célebre por sus retratos de grandes actores -singularmente, de Marlene Dietrich y de Marilyn Monroe, con la que mantuvo una colaboración muy estrecha- y sus reportajes sociales en el contexto de la gran fotografía humanista. Dirige y presenta: Juan María Rodríguez Con: Alfredo Oliva Emisión: 14 / 01 / 20

Hablamos con el dúo de creadores Bleda y Rosa formado por María Bleda (Castellón, 1969) y José María Rosa (Albacete, 1970), que en 2008 obtuvieron el Premio Nacional de Fotografía. Bleda y Rosa llevan 25 años trabajando sobre el paisaje, el tiempo y la memoria a través de series -"Campos de fútbol" (sobre los campos de fútbol abandonados en la periferia de las ciudades que fueron devorados por el crecimiento urbanístico) "Campos de batalla" (sobre la memoria de paisajes donde se desarrollaron decisivas batallas históricas) u otros como "Memoriales", "Prontuario"...- en las que, conjugando imágenes con textos fundamentalmente históricos, proponen un trabajo que, sobre principios del arte conceptual, indaga en el paisaje como catalizador de la memoria y el territorio. Una gran exposición itinerante, "Geografía del tiempo", recoge su trabajo desarrollado desde su irrupción en la escena a comienzos de los años 90. Asimismo, evocamos la figura de Eve Arnold (1912 - 2012), gran fotógrafa de la Agencia Magnum -fue la primera mujer en ingresar en la agencia- célebre por sus retratos de grandes actores -singularmente, de Marlene Dietrich y de Marilyn Monroe, con la que mantuvo una colaboración muy estrecha- y sus reportajes sociales en el contexto de la gran fotografía humanista. Dirige y presenta: Juan María Rodríguez Con: Alfredo Oliva Emisión: 14 / 01 / 20

La mi-temps c'est un condensé de l'actu photo à retrouver tous les mois avec notre journaliste Manon Michel.  Expositions Pascal Bastien, Belle Lurette, du 15 juin au 22 septembre, Maison Doisneau, Paris http://www.maisondoisneau.agglo-valdebievre.fr/fr/page/exposition-en-cours-0 Sally Mann, Mille et un passages, du 18 juin au 22 septembre 2019, Jeu de Paume, Paris http://www.jeudepaume.org/?page=article&idArt=3285 Marc Pataut, de proche en proche, du 18 juin au 22 septembre 2019, Jeu de Paume, Paris http://www.jeudepaume.org/?page=article&idArt=3286 Wright Morris, L’essence du visible, du 18 juin au 29 septembre 2019, Fondation HCB https://www.henricartierbresson.org/expositions/wright-morris-lessence-visible/ Carte blanche à Hassan Hajjaj du 11 septembre au 17 novembre, MEP, Paris https://www.mep-fr.org/event/maison-marocaine-de-la-photographie/ Ernst Haas, La couleur visionnaire, du 6 septembre au 9 novembre, galerie Les Douches, Paris http://www.lesdoucheslagalerie.com/fr/expositions/presentation/87/la-couleur-visionnaire Livres Lowlife, de Reda https://www.fisheyemagazine.fr/rdv/livre/lowlife-la-west-coast-sur-les-routes-deurope/ Le temps des grenadines, de Marc Aucante https://www.fisheyemagazine.fr/rdv/livre/lenfance-en-trois-temps/ Si l’on nous voyait, Martin Bertrand https://www.fisheyemagazine.fr/rdv/livre/trois-annees-de-fete/ Unretouched women, femmes à l’œuvre, femmes à l’épreuve, avec Abigail  Heyman, Eve Arnold et Susan Meiselas (conçu par la commissaire de  l’exposition du même nom à Arles, Clara Bouveresse) https://www.fisheyemagazine.fr/rdv/livre/unretouched-women-femmes-protagonistes/ Last Call, Harry Gruyaert https://www.editionstextuel.com/livre/last_call News Photo G7 : https://twitter.com/G7/status/1165552136496848896?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1165552136496848896&ref_url=https%3A%2F%2Fwww.francetvinfo.fr%2Fmonde%2Fsommet-du-g7%2Fcette-photo-en-plongee-des-dirigeants-du-g7-a-beaucoup-amuse-les-internautes_3591137.html Prix bourse ADAGP-Villa Vassilieff remis à Euridice Zaituna Kala : http://www.villavassilieff.net/?Euridice-Zaituna-Kala

This week, a discussion around the work and process of iconic Japanese photographer Daido Moriyama — specifically around the value of revisiting a place in order to refine your vision of it and how details often emerge through repetition. Also, how much time should you devote to your website? What are some “must have” features? Plus, do six-year-olds need to know about Daguerre? Eve Arnold is our Photographer of the Week.

Marilyn Monroe is perhaps Hollywood's most enduring sex symbol and on the 50th anniversary of her death, two of her photographers - Eve Arnold and George Barris - remember the woman, her charm, her insecurity, her films and her affairs. (Image: Marilyn Monroe on set in the film, Gentlemen Prefer Blondes. Credit: AP Photo/Courtesy Running Press)

The castaway in Desert Island Discs this week is one of the world's outstanding photojournalists, Eve Arnold. The first American woman member of the famous photographic co-operative, Magnum, she'll be talking about how her passion for photography began with the present of a camera, and how, since then, she has travelled the world in search of arresting pictures, living with hippy communes and with the black power movement, as well as photographing some of the great movie stars, including Paul Newman, Joan Crawford and Marilyn Monroe, with whom she had a close friendship for 10 years.[Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Flute Concerto No 1 in D Major Op 44R Op 44 by Antonio Vivaldi Book: Arabian Nights (1000 and One Nights) Luxury: Dark room, film and camera

The castaway in Desert Island Discs this week is one of the world's outstanding photojournalists, Eve Arnold. The first American woman member of the famous photographic co-operative, Magnum, she'll be talking about how her passion for photography began with the present of a camera, and how, since then, she has travelled the world in search of arresting pictures, living with hippy communes and with the black power movement, as well as photographing some of the great movie stars, including Paul Newman, Joan Crawford and Marilyn Monroe, with whom she had a close friendship for 10 years. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Flute Concerto No 1 in D Major Op 44R Op 44 by Antonio Vivaldi Book: Arabian Nights (1000 and One Nights) Luxury: Dark room, film and camera