Podcast appearances and mentions of fiona tan

Fiona is the Chief Technology Officer at Wayfair, an American e-commerce company that is the destination for all things home  – a place to find the right furniture and home goods online. With 25+ years of experience leading technology teams, Fiona began her professional career working at top technical companies, including Oracle, TIBCO Software and Ariba. At TIBCO, she rose up to be the Vice President of Engineering in her 16-year tenure at this intelligence cloud data company. Prior to Wayfair, Fiona served in executive leadership roles at Walmart – first as the Senior VP of Engineering for Customer Technology at WalmartLabs and then as the Senior Vice President of U.S. Technology at Walmart.Fiona earned her bachelor's degree in Computer Science and Engineering from MIT and her masters in computer science from Stanford University. In this episode, we cover the following topics:1. Fiona's childhood and the emphasis on education2. Studying Computer Science at MIT3. Gender disparity in Computer Science4. Transition from college into the professional workforce5. Her long tenure at TIBCO software6. Transition from Consumer to Enterprise Software companies 7. Impact and challenges working at Walmart8.  Hiring and building a team 9. Transitioning from coding into managerial role10. CTO role 11. Balancing perfection from good enough12. Reflecting and learning from previous mistakes13. Women in STEM Fiona's life-time craft she is honing? Cooking▶️ Video interview available on Youtube.If you're enjoying the show, please share it with a friend and leave a review!

Beeldend kunstenaar en regisseur Fiona Tan maakt video- en fotowerk, films en installaties. Haar werk werd aangekocht door onder meer het Stedelijk Museum en het Guggenheim Museum in New York, en ze maakte sinds 1997 verschillende films. In haar nieuwste film Dearest Fiona hoort de toeschouwer de brieven die een vader aan zijn dochter schreef, gecombineerd met archiefbeelden uit Nederland tussen 1900 en 1930. De film vormt een intiem panorama, die uitnodigt tot bespiegelingen over tijd en geschiedenis, onze plaats in de wereld en wie wij zijn. Femke van der Laan gaat met Fiona Tan in gesprek.

Annemieke Bosman in gesprek met Rebecca Nelemans. Rebecca Nelemans stelde samen met Hendrik Driessen de h3h biënnale samen in de kloosters van de Heilige Driehoek in het Noord-Brabantse Oosterhout. De 3h3 biënnale (voorheen Kunst in de Heilige Driehoek) is een hedendaagse kunst biënnale van internationale allure. Thema dit jaar is 'Geloof'. Op uitnodiging van de curatoren Hendrik Driessen en Rebecca Nelemans tonen 25 kunstenaars uit binnen- en buitenland nieuwe en bestaande werken, geïnspireerd door de unieke locatie en de rijke historische en spirituele tradities. Het zijn onder anderen Ghada Amer, Maarten Baas, David Bade, David Claerbout, Folkert de Jong, Alicja Kwade, Fiona Tan en Dré Wapenaar. Daarnaast is er ook werk geselecteerd van de overleden kunstenaars Piet den Blanken en JCJ Vanderheyden. De kunstwerken die te zijn variëren van schilderijen, sculpturen, (geluids)installaties, fotografie en video, tot monumentale ingrepen in het landschap.

De nazi's roofden op grote schaal kunst van hun Joodse slachtoffers. Zelden raakte dat werk terug in handen van de rechthebbenden. In België hinkt het onderzoek naar nazi-roofkunst flink achterop in vergelijking met de ons omringende landen. Journalist Geert Sels beet er zich jarenlang in vast en verwittigt dat de Belgische musea schadeclaims mogen verwachten. Jeroen Laureyns zag in Amsterdam het werk van videokunstenares Fiona Tan, die gefascineerd is door landschappen en geschiedenis.

With a background in building enterprise platforms for organizations, including Oracle and Walmart, Wayfair CTO Fiona Tan oversees all of the technology initiatives for the Boston-based e-commerce company. As the home furnishings retailer begins to open brick-and-mortar stores, it's taking lessons learned from the digital space to inform how it markets its home products to customers in physical locations. On this episode, Fiona joins Sam and Shervin to discuss how artificial intelligence fuels nearly everything the retailer does, from ad purchasing to product pricing, and where human decision makers fit in. She also describes how AI enables Wayfair's marketing automation technology, as well as some innovative new programs underway to help customers experience the company's products virtually. Read the episode transcript here. Read the 2022 MIT Sloan Management Review-BCG Artificial Intelligence and Business Strategy report here: sloanreview.mit.edu/ai2022. Me, Myself, and AI is a collaborative podcast from MIT Sloan Management Review and Boston Consulting Group and is hosted by Sam Ransbotham and Shervin Khodabandeh. Our engineer is David Lishansky, and the coordinating producers are Allison Ryder and Sophie Rüdinger. Stay in touch with us by joining our LinkedIn group, AI for Leaders at mitsmr.com/AIforLeaders or by following Me, Myself, and AI on LinkedIn. Guest bio: Fiona Tan is the chief technology officer at Wayfair, where she oversees a global innovation team responsible for creating market-leading experiences through the home furnishings retailer's world-class e-commerce platform. Before joining Wayfair, Tan served as senior vice president of U.S. technology at Walmart, where she was responsible for innovation and engineering execution spanning its site, mobile app, and all associate and merchant-facing technology across its e-commerce business and retail stores in the United States. We encourage you to rate and review our show. Your comments may be used in Me, Myself, and AI materials. We want to know how you feel about Me, Myself, and AI. Please take a short, two-question survey.

„MoMA nach Berlin zu holen war ein enormes Risiko. Das hat viel Mut erfordert. Ich weiß nicht, ob das heute noch so möglich wäre“, sagt Katharina von Chlebowski, Geschäftsführerin der Freunde der Nationalgalerie. Ziel der Freunde der Nationalgalerie ist es, den Handlungsspielraum der Nationalgalerie und ihrer sechs Häuser in Zeiten knapper öffentlicher Mittel zu erhöhen. Und manchmal sind genau diese unternehmerischen Freiheiten notwendig, um die besten Kunstresultate zu erzielen, erklärt sie. Absoluter Glanzpunkt war zum Beispiel die am 20. Februar 2004 eröffnete Ausstellung „Das MoMA in Berlin“. 1,2 Millionen Besucher strömten in die Neue Nationalgalerie. Heute noch zehren die Freunde vom finanziellen Überschuss von 6,5 Millionen Euro und kaufen davon Kunst ein, darunter Werke von Max Liebermann, Rückerwerbungen „entarteter Kunst“ wie Emil Noldes „Christus und die Sünderin“ sowie zeitgenössische Werke beispielsweise von Jenny Holzer, Christoph Schlingensief oder Fiona Tan. Wir sprechen über die Kultur des Aperitifs, Kunsteinkäufe und weibliche Besetzungen bei Spitzenposten. Katharina verrät auch, wie der perfekte Tag für sie startet und wieso sie so sehr Freiräume für Fehler schätzt. Hintergrundinformationen: https://freunde-der-nationalgalerie.de Gästewünsche, Kommentare: https://www.instagram.com/ich.bin.so.frei/ https://twitter.com/Zoe_vF https://www.linkedin.com/in/dr-zoé-von-finck-81b32857/

Body Love, Diversity, and InclusivenessAir Date: Monday, 27 June 2022 at 8:00 PM ET/5:00 PM PTTuesday, 28 June 2022 at 9:00 AM SingaporeWatch the Livestream on the OMTimes Magazine Facebook, OMTimes Radio & TV Facebook, or OMTimesTV YoutubeIs it possible to love your body when it is different from others? What happens when you have a health condition like PCOS or birthmark that is not typical of the definition of beauty. In this episode, host Dr Martha Tara Lee invites Malaysia Rozaella Mahjrin and Singaporean Plus-size Beauty Queen to explore body love, diversity and inclusiveness in the face of health conditions. How have they stood in the time of bullying, judgment, discrimination? What kind of world are we advocating for? And how can each of us make a difference? All this and more on Eros Evolution!Fiona Tan's weight increased after chicken pox at 8 and was haunted by negative comments. Undaunted by criticism, she worked towards body positivity and won the International title of Miss Top of The World Plus Size 2016. Hear her out on the Disabilities panel as she shares her struggles with PCOS(Polycystic Ovarian Syndrome), affecting her moods, hormones, weight and sexually. Now as a Beauty Queen, Fiona empowers women by coaching through Beauty, Wellness and Confidence. She is an online entrepreneur and makeover stylist; Primarily focused on Beauty/Wellness as well as converting spending into earnings for her customers and followers. She is a Beauty Trainer and National Director for Beauty Pageants too. Fiona is empathetic, friendly and down to earth.Website: bit.ly/fionach8Facebook: https://www.facebook.com/princesz.fiInstagram: https://www.instagram.com/miss.fi.t/Rozella Mahjhrin is the founder of TrueComplexion and an advocate for diversity, inclusion and mental health. Once a young girl who was insecure and bullied because of her birthmark, she has made it her mission to provide a safe space for teens and adults to overcome their limiting beliefs and insecurities, harness their strengths and uniqueness, and own their authentic power. She was awarded the 2022 Global Women in Leadership Award and the 2019 Women of the Future Southeast Asia Award. She was also selected for the 2019 Obama Foundation Leaders: Asia-Pacific Program and 2019 Eisenhower Fellowship Global Program, and was one of the faces of IT Cosmetics' regional and global beauty campaign for two consecutive years.Linkedin: https://www.linkedin.com/in/rozellamarie/IG: https://www.instagram.com/rozellamarie/FB: https://facebook.com/truecomplexion #FionaTan #RozellaMahjhrin #ErosEvolution #DrMarthaTaraLee Visit the Eros Evolution show page https://omtimes.com/iom/shows/eros-evolution/Connect with Dr. Martha at http://www.eroscoaching.com/Subscribe to our Newsletter https://omtimes.com/subscribe-omtimes-magazine/Connect with OMTimes on Facebook https://www.facebook.com/Omtimes.Magazine/ and OMTimes Radio https://www.facebook.com/ConsciousRadiowebtv.OMTimes/Twitter: https://twitter.com/OmTimes/Instagram: https://www.instagram.com/omtimes/Linkedin: https://www.linkedin.com/company/2798417/Pinterest: https://www.pinterest.com/omtimes/

In de Grote Kerk van Alkmaar bevindt zich een van de grootste kerkramen van Europa: 23 meter hoog en 6 meter breed. Met dat raam staat iets bijzonders te gebeuren. Ter gelegenheid van de viering van 450 jaar ontzet van Alkmaar zal het raam in 2023 worden vervangen door een nieuw raam met 230 glas-in-lood panelen. Het ontwerp is gemaakt door Fiona Tan. Gerjon Rooker en Patrick van Mil vertellen in deze editie hoe het idee voor Het Grote Raam is ontstaan en over de keuze van Fiona Tan als kunstenaar. Verder gaan zij in op het ontwerp en de uitvoering: 'Er zitten tientallen mensjaren werk in.' Rooker is creatief directeur DOSS Event Support en voorzitter van stichting Het Grote Raam, Van Mil is directeur Stedelijk Museum Alkmaar en bestuurslid van de stichting. TIJDSCHEMA: 01:14 Wat is 'Het Grote Raam'? 04:27 Keuze voor Fiona Tan als kunstenaar 08:01 Hoe kwam Fiona op het idee voor het ontwerp? 09:03 Aanleiding voor opdracht 09:33 Licht van de Vrijheid 11:20 Fiona over haar ontwerp 12:15 Glas-in-lood atelier 15:42 Ontzetviering in 2023 16:30 Kosten project 17:40 Ondersteuning bevolking 19:40 Publieksactiviteiten 21:10 Meer informatie SHOWNOTES: - Rondleidingen 'De Geheime zolders van de Grote Kerk' - Schenk een glastegel - Verborgen verhalen van de Grote Kerk

Series 3, Episode 4, Rachel Mimiec Glasgow based artist Rachel Mimiec in conversation with GOMA's Producer Curator, Katie Bruce, about her history of working with the museum, working with communities, play and paint. Season 3 of the Glasgow Museums podcast has been supported by the Art Fund's Respond and Reimagine Fund. Timecodes 00:28 - 01:02 - Introductions 01:02 - 04:40 - 1996 and GoMA opening, memories 04:40 - 08:20 - Re(Place) at GoMA 2002/3 with Susie Johnson 08:20 - 17:50 - elbowroom (2004/5) and working with communities 08:20 - 26:40 - Associate Artist tenure (2011 -2013) Atelier Public and work on play 26:40 - 30:07 - PLOUGH at GoMA (2013) 30:07 - 33:24 - working with GoMA, Glasgow Arts, Tramway and Glasgow Life 33:24 - 35:30 - favourite works in Glasgow Museums' collection 35:30 - 37:30 - reflections on working with GoMA Links for the projects mentioned in this episode: Re(Place) 2002 https://galleryofmodernart.blog/portfolio/replace/ elbowroom 2004 https://galleryofmodernart.blog/portfolio/elbowroom/ Atelier Public 2011 https://galleryofmodernart.blog/portfolio/atelier-public-a-space-to-play-make-and-explore/ PLOUGH 2013 https://galleryofmodernart.blog/portfolio/rachel-mimiec-plough/ Watercolours 2013 https://galleryofmodernart.blog/watercolours-an-exhibition-of-work-by-children-at-red-road-family-centre-nursery/ Hidden Gardens residency https://thehiddengardens.org.uk/explore/artworks/ Joan Eardley in Glasgow Museums http://collections.glasgowmuseums.com/mwebcgi/mweb?request=record;id=3940;type=901 Glasgow Museums Resource Centre, Nitshill https://www.glasgowlife.org.uk/museums/venues/glasgow-museums-resource-centre-gmrc Timespan 1987, Tam Joseph https://artuk.org/discover/artworks/timespan-84684 Land Levels and Rises 2010, Carol Rhodes https://galleryofmodernart.blog/new-acquisitions-announced/ Disorient 2009, Fiona Tan https://galleryofmodernart.blog/fiona-tan-disorient/

Fiona Tan doet fotografische projecten, en maakt films en video-installaties. Haar werken bevinden zich vaak in een grijs gebied tussen bewegend en stilstaand beeld: cipiers en gevangenen die je op video bijna bewegingsloos aankijken, of een film die bestaat uit meer dan 4000 foto's. Thematisch raken ze onder meer aan het verstrijken van tijd, de werking van het geheugen en de constructie van geschiedenissen. Haar oeuvre is tot dusver logisch opgebouwd, maar nu is er een verrassende stap: een immens glas-in-loodraam in de Grote Kerk in Alkmaar.

Fiona Tan doet fotografische projecten, en maakt films en video-installaties. Haar werken bevinden zich vaak in een grijs gebied tussen bewegend en stilstaand beeld: cipiers en gevangenen die je op video bijna bewegingsloos aankijken, of een film die bestaat uit meer dan 4000 foto's. Thematisch raken ze onder meer aan het verstrijken van tijd, de werking van het geheugen en de constructie van geschiedenissen. Haar oeuvre is tot dusver logisch opgebouwd, maar nu is er een verrassende stap: een immens glas-in-loodraam in de Grote Kerk in Alkmaar.

Sef en Pepijn spreken met beeldend kunstenaar Fiona Tan (Pekanbaru, Indonesië, 1966). Ze staat bekend om haar vakkundig geconstrueerde video- en filminstallaties waarin de verkenning van geheugen, tijd, geschiedenis en de rol van afbeeldingen centraal staan. Zij is één van de belangrijkste levende kunstenaars van Nederland met exposities over de hele wereld. Yous & Yay hebben het met haar over inspiratie, haar atelier, haar tijd op de kunstacademie in Amsterdam, films maken zonder daarvoor geleerd te hebben en kinderen. Yous & Yay: New Emotions is een podcast van Sef, Pepijn & VPRO Podcast. Zie ook www.vpro.nl/yousenyay

Glenn van Zutphen and award-winning author Neil Humphreys in conversation with Fiona Tan, Archivist, Records Management department at the National Archives of Singapore about what the Archives Unlocked is all about and the highlights of Straits Settlement Records. See omnystudio.com/listener for privacy information.

Di indonesesch Fotografin, Réalisatrice a Videokënschtlerin Fiona Tan beschäftegt sech, an hire Fotografien a Videoinstallatiounen, mat der perséinlecher Geschicht an der grousser Histoire. 2016 hat de Mudam hier eng Eenzelausstellung consacréiert. Di 10 presentéiert Aarbechten, am grousse Format, waren tëscht 2000 an 2013 entstanen. Um Enn ass eng dovunner Deel vun der Mudam-Kollektioun ginn. D'Kerstin Thalau an d'Marie-Noëlle Farcy vum Mudam iwwert de Video "Island", eist Musée-Sammlungs-Stéck vun der Woch.

~ The Huddle with John Furner ~ John Furner met with Fiona Tan back in January. She wears many hats as the SVP of U.S. Technology, but a big part of her team’s job is building experiences that save our customers time and money. While we couldn’t have predicted the impact of the pandemic, we’ve always worked to serve our customers. Listen to this newest episode of The Huddle to hear how we’ve gathered feedback, adjusted, been challenged, and met every challenge.

John Furner met with Fiona Tan back in January. She wears many hats as the SVP of U.S. Technology, but a big part of her team's job is building experiences that save our customers time and money. While we couldn't have predicted the impact of the pandemic, we've always worked to serve our customers. Listen to this newest episode of The Huddle to hear how we've gathered feedback, adjusted, been challenged, and met every challenge.

In this episode, Samstag curator Gillian Brown speaks with artist Fiona Tan about her filmic work Ascent, a work that traces imagery of Mount Fuji, Japan over the course of 150 years. Gillian was Adelaide in front of a live audience, Fiona was at home in Amsterdam.Bold, creative and responsive to contemporary visual art, Samstag Museum of Art is one of Australia's leading university art museums. For more, see unisa.edu.au/samstagmuseum.Produced by Denam Moore at the Message Pod, Kaurna Adelaide in December 2019.

Landschapsarchitect Bas Smets knipte de bomen uit Bruegels schilderijen en bouwde in Dilbeek een stukje Bruegel levensecht na. Kris Verdonck bevraagt met een dansvoorstelling en installatiereeks de plaats van de mens te midden van ecologische catastrofe en technologie. Jeroen Laureyns ging kijken naar de installaties en tekeningen van Fiona Tan in het MAC’s.

Novelist Will Self, shark expert Gareth Fraser and film expert Ian Hunter join Matthew Sweet for a discussion about sharks, whales and the impact of the book and film Jaws. Jaws started out as a novel which reads as a sociological study of a small American coastal resort full of rather unlikeable characters. It ended up as an iconic film whose heroes engage in a fight to the death with a Great White Man-Eating Machine. Matthew Sweet discusses how the shark came to fill the space once held by the whale, why big teeth still fill our nightmares and whether all publicity is good publicity for the denizens of the oceans with writer Will Self, whose novel 'Shark' was inspired by the film, and Gareth Fraser, who now studies the dental configurations of sharks all because he once sat in a dark cinema, as did life-long Jaws fan, the film expert Ian Hunter. The artist Fiona Tan, whose exhibition was partly inspired by 'Jonah the Giant Whale', a preserved whale exhibited inside a lorry which toured across Europe from the 1950s to the mid-1970s will also appear out of the deep. Presenter: Matthew Sweet Guest: Gareth Fraser, Dept of Animal and Plant Sciences, University of Sheffield Guest: Ian Hunter, School of Media and Communication, De Montford University Guest: Will Self's latest novel is called 'Shark' Guest: Fiona Tan's exhibition at BALTIC called Depot and draws on Newcastle's history as a whaling port. It run from 10 Jul to 01 Nov 2015. Producer: Jacqueline Smith

Matthew Sweet on Jaws and the film-maker's role in creating the myth of a man-eating machine. Good or bad for the shark? Gareth Fraser, Ian Hunter, Will Self and Fiona Tan discuss.

Fiona Tan in conversation with acclaimed broadcaster Margaret Throsby. Recorded at Sherman Contemporary Art Foundation, 18 March 2010, in association with SCAF Project 7, Fiona Tan: Coming Home.