Podcasts about fonny

In episode 67, we're talking about James Baldwin's If Beale Street Could Talk, a novel that explores the love story between Tish and Fonny, two young African Americans living in 1970s New York City.Between Fonny's wrongful imprisonment and Tish's preparation for their child, it seems as though they have every reason to lose hope, but Baldwin's frank writing style blends together the hope and fear throughout the book. The result is a beautiful and heart-wrenching portrayal of love in the face of adversity.Got something to say? Feel free to email us at info.inbedwithbooks@gmail.com, shoot us a dm on IG @inbedwithbookspod, or reach out to us on our Discord.Stay up to date on the latest news by checking out our website and joining our email list!

"If Beale Street Could Talk" is great film that deals with injustice and how to get through it out. The tale is embodied by Tish & Fonny, who are beyond in love, separated by bars due to a crime Fonny was wrongfully convicted of. Tish is carrying Fonny's baby and with support of her family, they try to turn things around. But like life, there are challenges that one must get by with no guarrantee and that's what I love from the film personally, the fact that we're seeing a window to these fictional people's lives and seeing what their realities are. Barry Jenkins did a great job writing and directing this film, showing us how breaking the fourth wall has more dimensions than it seems. The eyes, they never lie. We see these characters be these characters to the truest nature, which is another thing I talk about, highlighted with excellent cinematography that teaches how to use light to set a tone or distress it. Enjoy.#ifbealestreetcouldtalk #barryjenkins #love

The gang gets locked up for a crime they didn't commit this week, as they review Barry Jenkin's follow up to Moonlight, If Beale Street Could Talk (2018). With a stacked cast, and dripping with 70's east coast vibe, this movie follows Fonny and Tish, as they do their best to live their lives and start a family in a country that hates them for no other reason than the color of their skin. Come for the beautiful cinematography, stay for the heart wrenching story and masterclass acting.  http://www.MCFCpodcast.com-Email us at MCFCpodcast@gmail.com    -Leave us a voicemail (209) 730-6010-Get some merch:https://middle-class-film-class.creator-spring.com/-Sponsor - N/AJoseph Navarro    Pete Abeytaand Tyler Noe    

The ladies return this week with a tragic love story. This episode was dedicated to Black Love and Gary, the boy next door. (*Side note: Moni couldn't hear Kat's dedication while recording so for the record she doesn't think it's fantastic that Gary was falsely imprisoned.) Moving on!! James Baldwin's “If Beale Street Could Talk” “is told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child. Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of rape and imprisoned.”(Amazon summary) Although topics in this book triggered Kat, especially the discussion around the mass incarceration of black men, it wasn't all sad. Moni and Kat got nostalgic about their childhood and managed to have some laughs. Sit back and enjoy the show! *Warning: *This episode contains adult language and topics such as colorism, rape & violence. Find, follow, like, subscribe and SHARE our podcast by clicking the link below (thank you!): https://linktr.ee/Fabpod To our local listeners check out Kat painting LIVE this weekend. Link below. https://www.eventbrite.com/e/art-of-self-love-live-art-show-and-dinner-fundraiser-tickets-273341851837 YouTube video of Nikki Giovanni and James Baldwin Conversation https://youtu.be/4Jc54RvDUZU ** A few favorite James Baldwin Quotes from the book:** “Neither love nor terror makes one blind: indifference makes one blind.” ― James Baldwin, If Beale Street Could Talk “Those kids aren't dumb. But the people who run these schools want to make sure they don't get smart: they are really teaching the kids to be slaves.” ― James Baldwin, If Beale Street Could Talk “I hope that nobody has ever had to look at anybody they love through glass.” ― James Baldwin, If Beale Street Could Talk “It's a miracle to realize that somebody loves you.” ― James Baldwin, If Beale Street Could Talk “For, you see, he had found his center, his own center, inside him: and it showed. He wasn't anybody's nigger. And that's a crime, in this fucking free country. You're suppose to be somebody's nigger. And if you're nobody's nigger, you're a bad nigger: and that's what the cops decided when Fonny moved downtown.” ― James Baldwin, If Beale Street Could Talk

"African-American teen sweethearts Fonny and Tish are ripped apart when Fonny is wrongly arrested for the rape of a Puerto Rican woman because of the machinations of a racist cop. A pregnant Tish relies on her Harlem community while seeking justice for Fonny. " -TV Guide We are in the last round of our theme for movies based off the cities we all lived in when we started the podcast in 2010. Carlsen's pick is "If Beale Street Could Talk" for his former home New York. Click to SUBSCRIBE ► https://bit.ly/MovieTrap TWITTER ► https://www.twitter.com/themovietrap Movie Trap are: Boruff ► https://twitter.com/kboruff Carlsen ► https://twitter.com/RussellCarlsen Powers ► https://twitter.com/Powerswerth Music by Harry Foster! harryfostermusic@gmail.com Show Cover Art by Josh Hollis! @joshua_hollis #MovieTrap #Jenkins #JamesBaldwin

Moff, Stevie, AY, Ross & Suv drown their sorrows in the virtual pub. Moff fails to get his round in.  02:20 We share our highlights from the last few weeks. There aren't any. 07.50 *Warning* The last 4 ICT games are discussed here - defeats to Dundee and QotS, draws with Alloa and Raith. Not pretty.  18:18 Moff extols the virtues of Nikolay Todorov. Ross is less impressed with the Bulgarian striker. 19:43 Davie Carson Interview. Stevie sits down with 'The Ginger Iniesta'. 32:50 Pubs. The Pub. Alas my friend we knew you so well. The Shufflers have been to a few pubs in their time - sit back, pour yourself a pint and join us for a mid-morning swally in Drysdales, The Alamo, The Phoenix, Dickens, BtW, The London Road Tavern, The Pub, The 4 in Hand, The Mallard, The Ship Inn, The Norseman, Fanny By Gaslight, The Star & Garter, The Lighthouse, The City Bar, Lafferty's and The Muirtown.  50:55 Martini Glancy: ICT players as pub drinks 54:05 Shaun Rooney comes along to cheer us up by talking us through some of the highs of his glorious debut season in Perth. We were into Rooney before it was cool. 01:00:33 League One lookahead: surely not? 01:05:55 Was McCann the right appointment and why wasn't Charlie Christie considered? 01:09:55 League lookahead: where will we pick up the points needed for safety? 01:17:24 The Fermer: Arbroath TV's Allen Innes fills Ross in with the latest from 'The Lichties' in his mellifluous Mearns tones. Also contains a list of pubs.  01:27:11 Nightmare XI: This team needs a keeper - the listeners will decide between Zibi, Nicky, Johnny and Fonny. But not Mikey.  01:30:50 Mailbaig: Suv's swollen sack spills out some more listener correspondence and questions.  01:33:49 Competition Time: Aaron Doran presents his shirt to a lucky winner.  01:35:19 A parting message for the players who will keep us up.   

Bincang Sehat Rumah Sakit Jakarta episode kali ini membahas tentang Deteksi Dini Penyakit Jantung.

Host Kenyatta A.C. Hinkle/Olomidara Yaya discusses the theme of grieving. From discussing how grieving can be a way to access honoring the dead by aiming to live our lives more fully in the present and the difference between letting go of the past/the colonial violence within being told to forget the past. Hinkle/Yaya explores her grieving methods of 2016 and how it relates to what it means to be creative in the face of massive loss of lives, separation from loved ones, and having dreams deferred. She discusses the difficulty of what it means to be creative during this time of grieving and offers some catalyst for how we can channel that grief into actions that extend outside of the market of productivity during this time. She asks listeners to do something that will allow them to thrive in the midst of death and destruction something that may seem like the most insignificant and mundane yet life-giving at the same time. Hinkle/Yaya also reads an excerpt from James Baldwin's If Beale Street Could Talk, published by Dial Press in 1974. The featured passage discusses Fonny's interior turmoil as he tries to process being jailed for a crime that he did not commit while he has a baby on the way. During this selected passage Baldwin paints a powerful portrait of Fonny trying to make a bust of his beloved fiancé Tish, but awakens within the belly of the prison industrial complex. Hinkle/Yaya meditates on this passage and how it relates to mass incarceration, theft of time and life, and what it means to find a way to thrive in the face of massive injustice.

Saachi and Haritha interview Ms. Fonny Chandra, piano teacher and co-founder of the Anna Poklewski Academy of Music about the joys of learning music and her experience as a child prodigy. If you're interested, join the choir mentioned at the end of the episode at tinyurl.com/apamchoir !

New York Mitte der 70er: Fonny und Tish kämpfen gegen eine rassistische Welt, in der Hautfarbe einen zum Verdächtigen stempelt. Klingt bekannt? James Baldwins Roman ist fast 50 Jahre alt und traurig aktuell. Dreiteilige Lesung mit Constanze Becker.

New York Mitte der 70er: Fonny und Tish kämpfen gegen eine rassistische Welt, in der Hautfarbe einen zum Verdächtigen stempelt. Klingt bekannt? James Baldwins Roman ist fast 50 Jahre alt und traurig aktuell. Dreiteilige Lesung mit Constanze Becker.

Vandaag te gast bij Stefan Ackermans in de studio is componist Fonny De Wulf. Hij schreef onder andere de muziek voor Vlaamse televisiereeksen Flikken en Windkracht 10. Benieuwd naar welke pareltjes van platen in zijn Platenkast te vinden zijn?

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The setting was perfect, the backdrop of the famous deck which over looks the sea, the shiny new bike just to my right with the sofa seat attached and a cold fortune favours in hand. Podcast settings don't get much better and to share it with Samoan International, Kieron Fonotia one of the real lads in NZ rugby, was special. Big Fonny has had an incredible career having played for the Tasman Mako, the Crusaders, the Ospreys and the Scarlets and he has some absolute classic yarns from his experiences throughout his journey.I love the honesty that Fonz brings to the podcast, he's a man who is not afraid to say it how it is. I finished this podcast with sore checks from laughing so that's always a good sign.It's awesome for NZ rugby to have the experienced players come back to the province where it all started for them and it's been awesome to see the influence Fonny has had on this Tasman Mako team. He's a lad!As always if you enjoy this episode as always please share it and if you want to ask any of my guests a question or just follow the journey head to the link belowhttps://www.instagram.com/what_a_lad_podcast/?hl=en This episode was brought to you by fortune favours, to purchase any product with a 15% discount head to https://www.fortunefavours.beer/ and put whatalad in the promo code. Delivered to your doorstep anywhere in NZ. 

这周我们讨论美国作家 James Baldwin 詹姆斯·鲍德温 1974 年小说「假若比尔街可以作证」If Beale Street Could Talk。这部小说讲述了两位黑人青年—— 19 岁的售货员 Tish 和 22 岁的雕塑家 Fonny —— 的爱情和两个家庭如何面对美国司法系统迫害的故事。这部作品去年被翻拍成电影后获得了三项奥斯卡提名，并荣获最佳女配角奖项。节目中提到的作品信息:小说假若比尔街可以作证，詹姆斯·鲍德温https://book.douban.com/subject/33422837/电影假若比尔街能说话，巴里·詹金斯https://movie.douban.com/subject/27087130/纪录片我不是你的黑鬼 I am not your negro，哈乌·佩克https://movie.douban.com/subject/26861970/视频詹姆斯·鲍德温剑桥大学辩论会，James Baldwinhttps://youtu.be/oFeoS41xe7w小说最蓝的眼睛，托妮·莫里森https://book.douban.com/subject/23858192/ See acast.com/privacy for privacy and opt-out information.

Barry Jenkins, fresh off the success of Moonlight, adapted James Baldwin’s “If Beale Street Could Talk” into an evocative, gorgeous, and emotionally raw film. Black Love takes center stage as Tish and Fonny struggle to live in a society that is trying to crush them. In episode 143, Luke & James discuss filmmaking techniques, behind the scenes insights, and the political climate of today's similarities to that of the material.   Topic Include: What makes a Barry Jenkins film, a lesson on mise-en-scène, a Dave Franco debate, a problem with lighting in Hollywood, the slap, Regina King delivers the goods, the pros/cons of acting classes, and what Fonny’s sculpture might mean, and a clever change at the very end. Become a Patron & unlock exclusive content: www.patreon.com/inktofilm    Follow Ink to Film on Twitter, Facebook, Instagram Referenced article: “What Barry Jenkins Missed in His Adaptation of If Beale Street Could Talk” Home Base: inktofilm.com Ink to Film Book Club on Goodreads Intro/outro music: Ross Bugden

In deze podcast bespreken we een nog eens een flinke stapel boeken: Het verborgen stadspaleis van Elisabeth de Waal neemt ons mee naar Wenen vlak na WOII en leert ons een aantal nostalgische personages kennen. Met If Beale Street Could Talk van James Baldwin volgen we Fonny die ten onrechte wordt beschuldigd van verkrachting en daarom in de gevangenis terechtkomt, maar zijn vrouw Tish blijft hem trouw bezoeken. Onze derde roman is één van de populairste exemplaren van dit jaar: Het moois dat we delen van Ish Ait Hamou. Trees is grote fan van Days Without End van de Ier Sebastian Barry en tot slot houdt Sara een pleidooi voor actie na het lezen van We are the Weather van Jonathan Safran Foer.

durée : 00:27:54 - La Grande table (1ère partie) - Lieve Joris est l’une des plus grandes figures de la littérature voyageuse néerlandophone contemporaine. Son nouveau roman, "Fonny" (Actes Sud), propose cette fois un autre voyage, au sein de sa famille...

durée : 00:27:54 - La Grande table (1ère partie) - Lieve Joris est l’une des plus grandes figures de la littérature voyageuse néerlandophone contemporaine. Son nouveau roman, "Fonny" (Actes Sud), propose cette fois un autre voyage, au sein de sa famille...

"Für mich ist es die Hölle". Zu gerne würde Daniel Fontaine jetzt selbst für den BHC auf der Platte stehen. Wer ihm nach dem schmerzhaften Achilles-Aus wieder auf die Füße hilft, verrät "Fonny" im Podcast-Talk. +++ Matchwinner: Warum Max Darj nach dem Siegtor gegen Stuttgart wieder schlafen kann +++ Moderation: Thomas Rademacher (ST) und Thorsten Kabitz (RSG)

Don’t Worry He Won’t Get Far on FootAfter nearly dying in a car accident, the last thing Oregon slacker John Callahan intends to do is give up alcohol. Encouraged by his girlfriend and a charismatic sponsor, Callahan reluctantly enters a treatment program and discovers that he has a knack for drawing. The budding artist soon finds himself with a new lease on life when his edgy and irreverent newspaper cartoons gain a national and devoted following. The Sisters BrothersIt's 1851, and Charlie and Eli Sisters are both brothers and assassins, boys grown to men in a savage and hostile world. The Sisters brothers find themselves on a journey through the Northwest, bringing them to the mountains of Oregon, a dangerous brothel in the small town of Mayfield, and eventually, the gold rush land of California -- an adventure that tests the deadly family ties that bind. Leave No TraceA father and daughter live a perfect but mysterious existence in Forest Park, a beautiful nature reserve near Portland, Oregon, rarely making contact with the world. But when a small mistake tips them off to authorities, they are sent on an increasingly erratic journey in search of a place to call their own. First ManA look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969. Mission Impossible — FalloutEthan Hunt and the IMF team join forces with CIA assassin August Walker to prevent a disaster of epic proportions. Arms dealer John Lark and a group of terrorists known as the Apostles plan to use three plutonium cores for a simultaneous nuclear attack on the Vatican, Jerusalem and Mecca, Saudi Arabia. When the weapons go missing, Ethan and his crew find themselves in a desperate race against time to prevent them from falling into the wrong hands. 22 JulyA dramatisation of Norway's deadliest terrorist attack, in which a right-wing extremist murders 77 teens at a youth camp in 2011. A Quiet PlaceIn a post-apocalyptic world, a family is forced to live in silence while hiding from monsters with ultra-sensitive hearing. Brian Tyree Henry in If Beale Street Could TalkIn early 1970s Harlem, daughter and wife-to-be Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé Alonzo Hunt, who goes by the nickname Fonny. Friends since childhood, the devoted couple dream of a future together, but their plans are derailed when Fonny is arrested for a crime he did not commit. Toni Collette in HereditaryWhen the matriarch of the Graham family passes away, her daughter and grandchildren begin to unravel cryptic and increasingly terrifying secrets about their ancestry, trying to outrun the sinister fate they have inherited. Eighth Grade Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school -- the end of her thus far disastrous eighth-grade year. AnnihilationA biologist signs up for a dangerous, secret expedition into a mysterious zone where the laws of nature don't apply. Won’t You Be My Neighbor (Doc)Filmmaker Morgan Neville examines the life and legacy of Fred Rogers, the beloved host of the popular children's television show Mister Rogers' Neighborhood. Three Identical Strangers (CNN)Three Identical Strangers is a 2018 documentary film directed by Tim Wardle and starring Edward Galland, David Kellman and Robert Shafran. It examines a set of American triplets, born in 1961 and adopted as six-month-old infants by separate families, unaware that each child had brothers See acast.com/privacy for privacy and opt-out information.

We return to Barry Jenkins' If Beale Street Could Talk, his sumptuous romantic drama set in 1970s New York, for a deep dive, and take the opportunity to revisit his previous film, 2016's Best Picture winner Moonlight. It's an enriching conversation and we're glad we took the time to engage in it. We begin with Moonlight, working through our responses to what we experienced differently since having seen it previously (Mike last saw it during its cinema release, while José has seen it a few times on more recent occasions). The film's final third is given serious thought, José in particular enjoying the opportunity to properly work through his longstanding problems with it, which amount to the film's fear of the sex in homosexuality, its conscious refusal to openly and honestly depict two gay men being intimate - the film denies them even a kiss at the very end - and the critical establishment's bad faith in refusing to engage with this particular point. It's great to have finally discussed this topic, particularly paying close attention to the final few shots, where the problems are condensed and made perfectly clear; as José says, it's an itch he's wanted to scratch for a long time. Moving on to Beale Street, we re-engage with some points we brought up in our first podcast, such as the dissonance between the opening intertitle's invocation of drums and the soundtrack's absence of them, and the relative richness of the characters that surround Tish and Fonny to the central couple. And we draw out new observations and thoughts, in particular returning on a few occasions to the conversation between Fonny and Daniel, discussing the lighting that drops them into deep shadow, picking up just the lightest outlines of their features as if to expose their souls instead, and how shot selection, editing and the use of a rack focus develop the drama and bring the characters together but simultaneously isolate Daniel within his own traumatic experiences. Mike picks up on a motif of redness in their eyes, acknowledging that the reading he offers is always going to be a stretch but finding it meaningful nonetheless. We discuss the use of photo montages to reach for the universality of experience that the title implies and we felt was an issue the first time around, José describing how they thematically focus the film on black male incarceration and the lived experience of black masculinity in the United States. Mike feels that it's a bit of a hangout movie, wanting to spend time with the characters and in their world, despite - perhaps because of? - the hardships they experience and discuss at times; certainly because of the romantic transparency, the care and love that characters show for each other, and the richness of their conversations. José finds fault with how the Latinx characters are lit and generally visually portrayed to less than their best, arguing that they were excluded from the visual romance that bathes the rest of the film. And we see direct comparisons between Beale Street and Moonlight. Beale Street's sex scene is an obvious point of discussion with respect to Moonlight's ending, but we also find parallels in the elements that depict or imply betrayal between friends, Moonlight's hazing scene and Daniel's ostensible usefulness as an exculpatory witness for Fonny sharing complexities around whether the betrayals they depict are truly betrayals. A hugely enriching discussion that we had great fun having, thanks to two intricate, beautiful, thought-provoking films. Recorded on 21st February 2019.

Achingly romantic and visually rapturous, If Beale Street Could Talk, Barry Jenkins' adaptation of James Baldwin's 1974 novel of the same name, utterly bowls Mike over, while José expresses some reservations about it, despite also finding it enormously impressive. A love story set in New York City in the late 60s/early 70s, the film follows Tish (KiKi Layne) and Fonny (Stephan James) as they fall in love, begin to build a life together, but are threatened with its destruction by a racist cop and a false accusation of rape. The title refers to a street in New Orleans that Baldwin, and subsequently Jenkins, use as a metaphor for the black experience across America, and arguably this is overambitious (if not simply impossible). The universality implied by the title is dissonant with what the film offers, which is much more personal and idiosyncratic. José points out the lack of anger in the film, anger that would be absolutely justified to express given both the general institutional racism the characters face in their place and time, and the specific instance of racist behaviour to which they are subjected: the rape accusation. Instead of fury, we see coping, survival, sadness, resistance and love, all communicated with an extraordinary depth of feeling and a camera that finds the beauty and subtlety in everyone's face. And ultimately this is wonderful, it's just that the title and opening intertitle that explains it somehow don't seem to quite understand their own story. There's a huge amount we discuss, including the narration; the film's excursion to Puerto Rico and how its depiction of the experience of Latinx people might or might not offer an interesting comparison to its central interest, the African-American community; how Brian Tyree Henry shows up for a scene and steals the entire film; how the film aims for visual poetry; how Jenkins conveys rich sense of different people's lives and environments with just a few shots; and how the film chokes you up with its incredibly tactile depth of feeling that is sustained more or less throughout. We also bring up comparisons to Green Book, Get Out, and in particular, Moonlight, Jenkins' previous film - José has issues with how he copped out of giving his story of a gay black boy's difficulties growing up an honest ending, and takes issue with how viscerally one feels Tish's desire for Fonny due to the way he's shot, finding it even more disappointing than before that Jenkins didn't do the same in Moonlight. It's a film we want to see again, infectious and emotionally rich, and if you don't see it in a cinema you're missing out. It's great. Recorded on 8th February 2019.

In this exclusive video Veteran music writer Jon Burlingame chats with Oscar nominated Composer Nicholas Britell about his recent work on, “If Beale Street Could Talk” and the organic process of collaborating with the director Barry Jenkins on the film’s lush and evocative score. In early 1970s Harlem, daughter and wife-to-be Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé Alonzo Hunt, who goes by the nickname Fonny. Friends since childhood, the devoted couple dream of a future together, but their plans are derailed when Fonny is arrested for a crime he did not commit.

Sam iinterview actor Stephan James on Barry Jenkins' radical empathy, James Baldwin, black love stories and British slang! Sam and Ava will be back in a new studio and with fantastic new guests in April! IF BEALE STREET COULD is out in UK cinemas on 8th Feb 'Like James Baldwin’s Best Work, If Beale Street Could Talk Contains Multitudes Barry Jenkins’s follow-up to Moonlight, starring KiKi Layne and Stephan James as a pair of lovers torn asunder, is a triumph.' 'Barry Jenkins makes movies about black love. His 2008 debut, Medicine for Melancholy, chronicled a one-night stand turned burgeoning romance in a maddeningly gentrifying San Francisco. Moonlight, his wonderful follow-up and 2016 best-picture winner, is a coming-of-age story about a fatherless queer boy set among the impoverished Miami neighborhoods that were once home to Jenkins himself. Its endgame isn’t sex, or even necessarily sexuality, but something even more rare in movies: pure, loving intimacy between black men, sexual and not. Now comes If Beale Street Could Talk, Jenkins’s extraordinary adaptation of James Baldwin’s soulful 1974 novel. It’s a lush, courageous black melodrama set in 1970s New York, a story about love defying injustice—or trying its damndest to. Tish (newcomer KiKi Layne), 19, and Fonny (Stephan James), 22, were once childhood playmates—chubby, laughing babes taking baths together, being raised alongside one another, despite yawning differences between their families’ social and religious beliefs. Fonny’s mother is extremely devout, as are his sisters. Tish and her sister, Ernestine (Teyonah Parris), are more modern: well-raised, hard-working women who nevertheless curse in front of their parents.' Vanity Fair SPONSOR WAX PRINT FILM is the story of one fabric and how it came to symbolise a continent, it’s people and their struggle for freedom. A feature documentary directed by Aiwan Obinyan www.waxprintfilm.com BIOS Ava Vidal is a British comedian. She became more widely known after taking part in E4's Kings of Comedy. Her career in comedy began on the BBC's Urban Sketch Show. Before her television career, Vidal worked as a prison officer for five years in London's Pentonville Prison. Samantha Asumadu is a former documentary filmmaker and journalist. She is the founder of Media Diversified, the co-founder of Bare Lit Festival and CEO of Edmalia Limoted: TV., Talent and Crisis Management

This week on the podcast we discuss the long anticipated "If Beale Street Could Talk." Directed by Barry Jenkins (Moonlight) "IBSCT" tells the story of Tish and Fonny, a young couple in Harlem dealing with the repercussions of a false rape accusation and an unexpected pregnancy. We drink "Tooth & Tail," a double dry-hopped NE IPA resulting from a collaboration effort between Belching Beaver and Coronado Brewing. Our second beer is "Coffee Oatmeal Stout" which is, you guessed it, an oatmeal stout with coffee from Jackrabbit Brewing Co (Sacramento, CA) Episode Timeline: 0:00 - 8:31 Intro / 'Tooth & Tail' / Green Book Revisit 8:32 - 14:02 'Stan & Ollie' 14:03 - 24:30 Flick Picks; 'Raging Bull' 25:24 - 43:46 'If Beale Street Could Talk' (No Spoilers) 43:55 - 55:31 'Coffee Oatmeal Stout' 55:32 - 1:08:15 Hot & Bothered 1:08:16 - END 'If Beale Street Could Talk' (DANGER ZONE) Please leave us a rating and/or review on iTunes or wherever you listen to this gem of a podcast!

Hosts Marisa Serafini (@SerafiniTV), Mina Wahab (@MinaMakesMagic) & Demetri Panos (@DMovies1701) discuss If Beale Street Could Talk (2018) Review! In early 1970s Harlem, daughter and wife-to-be Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé Alonzo Hunt, who goes by the nickname Fonny. Friends since childhood, the devoted couple dream of a future together, but their plans are derailed when Fonny is arrested for a crime he did not commit. To download the rundown used during the If Beale Street Could Talk (2019) anatomy, click here: http://audio.afterbuzztv.com/media/wp-content/uploads/2019/02/MTN/IBSCT.pdf HELPFUL LINKS: Website - http://popcorntalk.com Follow us on Twitter - https://twitter.com/thepopcorntalk Merch - http://shop.spreadshirt.com/PopcornTalk/ ABOUT POPCORN TALK: Popcorn Talk Network is the online broadcast network with programming dedicated exclusively to movie discussion, news, interviews and commentary. Popcorn Talk Network is comprised of the leading members and personalities of the film press and community including E!’s Maria Menounos, Scott “Movie” Mantz, The Wrap’s Jeff Sneider, Screen Junkies and the Schmoes Know, Kristian Harloff and Mark Ellis who are the 1st and only YouTube reviewers to be certified by Rotten Tomatoes and accredited by the MPAA. Current Roster or Shows: -Disney Movie News -The Unproduced Table Read -I Could Never Be -On The Fly Filmmaking -Horror Movie News -Anatomy of a Movie -Box Office Breakdown -Meet the Movie Press -Guilty Movie Pleasures -Marvel Movie News -DC Movie News -Action Movie Anatomy -Watchalong Series! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

James Baldwin’s 1974 novel is the basis for Barry Jenkins’s recent film. Written from the perspective of 19-year-old Tish, the story of great love and great injustice is searing. Narrator Bahni Turpin delivers the raw power of Baldwin’s storytelling, and the sweet love of Tish and Fonny. Published by Blackstone Audio. Read the full review of IF BEALE STREET COULD TALK at audiofilemagazine.com. For more free audiobook recommendations, sign up for AudioFile Magazine’s newsletter. On today’s episode are host Jo Reed and Robin Whitten, Editor & Founder of AudioFile Magazine Support for AudioFile's Sound Reviews comes from GraphicAudio, featuring series such as The Stormlight Archive, Deathlands, Smoke Jensen, Demon Cycle, and over 1,000 more A Movie In Your Mind full cast productions available only at www.GraphicAudio.net. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode of the Curzon Film Podcast we speak to Moonlight director, Barry Jenkins, about his new film, If Beale Street Could Talk, and we discuss All Is True with none other than Sir Kenneth Branagh.We start with If Beale Street Could Talk. Adapted from the novel by celebrated author, James Baldwin, it follows the romance between Fonny and Tish, two young lovers living in 1970s Harlem, New York. Their love is tested to its limits when Fonny is wrongly imprisoned, and the fight for justice takes a heavy toll on the young couple's lives. Once again taking social realist material and blending it with a poetic eye, Jenkins' film simply glows off the screen.Later in the episode we look at Sir Kenneth Branagh's All Is True, which tells the little known story of Sir William Shakespeare's humble retirement. Written by Ben Elton and directed by Sir Kenneth, this is a new take on Shakespeare that collects together the cream of British acting talent (including Sir Ian McKellen and Dame Judi Dench) and is shot with an elegance and beauty, as well as a pitched honesty, that is a tribute to the Bard.Discussing the films this week are Kelly Powell, Ella Kemp, Jake Cunningham and Steven RyderFollow the team on Social Media:@ks_powell - Kelly@jakehcunningham - Jake@irma_pep - Steven@efekemp - EllaProduced by Jake CunninghamEdited by Mark Towers Hosted on Acast. See acast.com/privacy for more information.

Harlem est tout petit pour Tish et Fonny qui s’aiment d’un aussi grand amour. Ces deux ami·e·s d’enfance attendent leur premier enfant. Accusé d’un viol qu’il n’a pas commis, Fonny – joué par un Stephan James très émouvant – se retrouve derrière les barreaux. Tiré du roman de James Baldwin du même nom, ce film raconte, avec une incroyable modernité, une histoire d’amour impossible avec en toile de fond le racisme ordinaire d’une Amérique des années 1970 .D’une beauté digne d’un film de Wong Kar-wai, ces images font de « Si Beale Street pouvait parler » une peinture sublime dans la lignée esthétique de son oscarisé « Moonlight ». Avec les sorties de Spike Lee, Ryan Coogler, Boots Riley ou encore Steve McQueen, l’année 2018 aura permis de révéler la grande diversité du cinéma afro-américain.Animé par Thomas Rozec avec David Honnorat et Perrine Quennesson.RÉFÉRENCES CITÉES DANS L’ÉMISSIONI Am Not Your Negro (Raoul Peck, 2016), Si Beale Street pouvait parler (James Baldwin, éd. Dial Press, 1974), Moonlight (Barry Jenkins, 2016), Wong Kar-wai, Black Panther (Ryan Coogler, 2018), Sorry to bother you (Boots Riley, 2018) , BlacKkKlansman – J’ai infiltré le Ku Klux Klan (Spike Lee, 2018), Widows (Steve McQueen, 2018), Charles BurnettCRÉDITS NoCiné est un podcast de Binge Audio animé par Thomas Rozec. Cet épisode a été enregistré le 29 janvier 2019 au studio V. Despentes de Binge Audio (Paris, 19e). Réalisation : Solène Moulin. Générique : Corentin Kerdraon. Chargée de production : Juliette Livartowski. Chargée d’édition : Diane Jean. Identité graphique : Sébastien Brothier (Upian). Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. See acast.com/privacy for privacy and opt-out information.

Brandon, Sharmane and Rashanii are back to review one of the best films of the year If Beale Street Could Talk.  "I Hope Nobody has ever had to look at anybody they love through glass" - James Baldwin. This film by Barry Jenkins (Best Picture; Moonlight) brings Balwin's fictional story to live in a very real way. This story tackles racial injustice, sexual assault, the criminal justice system and black family love in a way that respects all aspects of those topics while not creating a black torture porn film that we often get (See Detroit). This film follow the love story of Tish (Kiki Layne) and Fonny (Stephen James) as they fight to get Fonny out of jail from being falsely accused of rape. A fun show as always, Please be sure to subscribe to our show on iTunes, Google Play, Stitcher, and TuneIn. Also leave us a five star review. You can follow Sharmane @MixedGirlMane and you can find her shows on iTunes, Google Play anywhere you get your podcast just search Militantly Mixed and Militantly Mixed Black AF. You can find Rashanii and the Single Simulcast on iTunes, Libsyn and at SingleSimulcast.com. And you can follow him @Rashanii on Twitter. Contact Us: Email: Brandon@thatcooolblacknerd.com Twitter: @thatcoolblknerd Facebook: https://www.facebook.com/WhySoSeriousPod/    

Should the Red Carpet roll out on Beale Street? ***This review of If Beale Street Could Talk has a Spoiler Section.*** Non-Spoiler Review of If Beale Street Could Talk: Cast and Crew and Anger at the Screen Actors Guild - 2:15 Story Inception: A Most Productive Summer- 7:50 Movie Specs: If Box Office Could Talk, Listen Instead to the Critics - 8:06 Differences of Mikes - 10:40 Plot Premise/Expectations - 13:29 Production Values: Sight - 15:01 (With some Performance Review - 21:42) Production Value: Sound - 23:17 More on the Performances - 25:44 Spoiler Music - 31:35 Carry-Overs: THE Scene - 32:58 (And Allllllll It Holds Within) Regina Goes to Puerto Rico - 46:32 (w/ Mike1’s Issues - 51:49) The Societal Conversation - 53:49 (The Speech at Dinner - 55:58) Fonny’s “Criminal Act” - 57:38 Tish + Fonny as the A-Story - 59:09 Final Grades - 1:04:13 Outro - 1:05:55 We’re finishing up our movie reviews - AKA our Oscar Sprint Profiles of all the contenders for the Academy Awards. Our count of 2018 review episodes nears 40 now, and you can certainly hit up our playlists on Soundcloud to prepare yourselves for the rest of Awards Season. All OSPs feature a similar format of two reviews for the price of one. We spend the first half of each episode in non-spoilers, and then we break down all of the plot details after some spoiler warning dance music. So we hope you enjoy this week’s review of Barry Jenkins’ If Beale Street Could Talk. Our non-spoiler review discusses the cast & crew filmographies, Barry Jenkins’ summer of writing two Oscar films, movie specs & all the impressive numbers associated with this movie, and then we chat about our different experiences and expectations going into Beale Street. Of course, we have full non-spoiler reviews of the production values, performances, & script, where we shine an Oscar Lens on all their awards season successes & snubs. Now full disclosure, we do give you more of an outline of this plot here, at least in a structural sense. But even still, we do avoid spoilers. The spoiler warning dance music plays, and then we open up our spoiler section with a long and detailed breakdown of Mike 1’s best scene. The bookend sequence to this at the end of the second act is what we breakdown next. Then we discuss more best scenes and fascinating story choices from Barry Jenkins. We’re gonna get back to the Oscar Race with our next episode as we’ll preview & predict the nominations for the Academy Awards, which is set to be announced next Tuesday, January 22nd. There will be an MMO Weekly on Monday for you all before our coverage of those Oscar announcements. We’ve been watching a lot of movies, and there’s definitely some last minute Oscar Race updates and a look at the hosting situation you won’t want to miss. Then yes, we’ll have an episode for you reacting to the Oscar Nominations ASAP on Tuesday. Our OSPs will continue until we review all of the major contenders and nominees, and then we’ll begin our category previews or overview episodes. As you wish, do go back to how we covered last awards season if you want a sampling of how those episodes will work. Let us know what you thought of Beale Street and/or any of our other reviews. We are Mike, Mike, and Oscar on Instagram, Facebook, Reddit, and Gmail. We’re @MMandOscar on Twitter, and you can rate / share / review / comment & listen to us on iTunes, Soundcloud, Stitcher, Google Play, Tune In, Spotify, etc… When reality sucks, keep watching movies with us. We’re Mike, Mike, and Oscar!

If Beale Street Could TalkIn early 1970s Harlem, daughter and wife-to-be Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé Alonzo Hunt, who goes by the nickname Fonny. Friends since childhood, the devoted couple dream of a future together, but their plans are derailed when Fonny is arrested for a crime he did not commit.Director: Barry JenkinsProduced by: Megan Ellison, Dede Gardner, Jeremy Kleiner, Adele Romanski, Sara Murphy, Barry JenkinsCast: KiKi Layne, Stephan James, Colman Domingo, Teyonah Parris, Michael Beach, Dave Franco, Diego Luna, Pedro Pascal, Emily Rios, Ed Skrein, Finn Wittrock, Brian Tyree Henry, Regina KingDistributor: Annapurna PicturesRelease Date: December 14, 2018Runtime: 1 hour 59 minutesGenre: Crime, Drama, RomanceRated R See acast.com/privacy for privacy and opt-out information.