Podcast appearances and mentions of George Hearst

Join me, Kelly Brothers, for a riveting journey through Sacramento's historical landscape with the city's very own game-changer, Gregg Lukenbill. Listen in as Gregg, once a young entrepreneur donning lumberjack shirts, recounts his audacious move to bring the Kansas City Kings to Sacramento and explores the city's vibrant 19th-century history. We traverse tales of the gold rush, the transcontinental railroad, and Sacramento's pivotal role in the Civil War, all the while uncovering the city's influence on American history that's often overlooked, including a surprising connection to Walt Disney's Electric Light Parade. Venture with us as we reflect on Gregg's personal path from the ambitious youth influenced by Sacramento's dynamic past to a successful business and construction career. Discover how historical figures like Theodore Judah and George Hearst set the stage for Sacramento's impact on the region's economy and education, with institutions like UC Davis and Stanford rising from their endeavors. Greg's narrative is not just about the city's past but also about his own determination, taking us through the ups and downs of his business ventures, from early retirement dreams to pivotal real estate battles that shaped his future and the city's. Wrap up your listening experience with an inside look at the challenges and triumphs of bringing an NBA team to Sacramento. Hear how Greg's vision for a revenue-sharing model and the fight to build a new arena amidst environmental and community resistance played out, along with the invaluable support from figures like NBA commissioner David Stern. From securing the Sacramento Kings to the thrilling opening night of their arena, this episode is packed with personal anecdotes and the tireless spirit that contributed to Sacramento's sports legacy. Tune in for an unforgettable glimpse into the resilience and innovation that continue to shape Sacramento today. For more information on what we provide at Captrust visit www.captrust.com. You can contact me, Kelly Brothers, through the show at: bisifipodcast@gmail.com To reach me at Captrust visit www.captrust.com/locations/sacramento-ca/

From https://www.therealmackaymansion.com/Built in 1859 by George Hearst, the Mackay Mansion allows people to step back in time into an authentic Victorian era mansion.  It is one of the few remaining original structures that survived both the major fires.  It also is one of the few building with original furniture, carpet, wall paper, chandeliers, and much more!  George Hearst gained his family fortune from the corresponding mine & sold the property in 1871 to John Mackay, an Irish immigrant. Shortly after, John Mackay hit the Bonanza Strike, one of the largest silver strikes in world history.  Mackay split the profits with his three partners: James Fair, James Flood, and William O'Brien. They became known as "The Big Four" or "The Silver Kings" of Virginia City. John Mackay, James Fair, James Flood, and William O'Brien, conducted all their mining business inside the Mackay Mansion mining office, while Mr. Mackay lived with his family in the rest of the building. This historic mansion is also a well known haunted location. The Mackay Mansion has been featured on the Ghost Adventures and the Dead Files. Famous actor Johnny Depp also had his first paranormal experience at the mansion. Some paranormal activity you might experience during your visit includes our two little girls running on the staircase, our maid Harriet in the parlor, our Shadow Man upstairs, and more. Promos by: Cause of Death and Scottish MurdersThank you for listening to the Paranormal Peeps Podcast. Check us out on Twitter @CPRParanormal on Facebook Paranormal Peeps Podcast or Coldspot Paranormal Research and on Instagram coldspot_paranormal_researchSupport the show

"I prayed it would pass, but it's a constant fucking sore spot and throb."Welcome back to "Something Pretty," your trusted companion on the journey through Deadwood's third and final season. In this episode, titled "A Constant Throb," your hosts, Wes and Clay, delve deep into the complex and sometimes perplexing world of Deadwood.One of the central points of discussion in this episode is the peculiar and somewhat confusing plotline featuring Jack from the theater troupe. Wes and Clay dissect this storyline, examining how it seems to emerge somewhat unexpectedly and exploring its significance within the broader narrative of Deadwood's final season. They bring their keen analytical skills to unravel the mysteries and intricacies of this particular arc.George Hearst's violent reaction to boredom is another key theme explored by the hosts. They delve into Hearst's character, highlighting how his volatile nature and unpredictable actions make him such a formidable presence in the series. Wes and Clay discuss the implications of his violent outbursts and the tension they create in the camp.The hosts also engage in a thoughtful conversation about the varying degrees of connection viewers may feel with different characters and plotlines. They use Joanie Stubbs and Jane Cannary as examples of characters who might be harder for some viewers to connect with. This discussion adds depth to the exploration of character dynamics within the show.As the final season progresses, Wes and Clay observe the momentum starting to build, setting the stage for the climactic moments that will unfold in the remaining episodes. They analyze the narrative structure and pacing, providing insights into the overall direction of the series. The meandering nature of the early episodes in season three is starting to give way to a more energetically driven story.One of the most intriguing aspects of this episode is the catharsis, or lack thereof, surrounding a Pinkerton boss getting what's coming to him. Wes and Clay explore the emotional impact of this storyline and how the series effectively sets up the rollercoaster or ups and downs.With their insightful commentary and deep understanding of Deadwood's intricate storytelling, Wes and Clay continue to guide listeners through the rich tapestry of this beloved series. "Something Pretty" offers a unique perspective on Deadwood's final season, making it a must-listen for fans seeking a deeper understanding of the show's themes, characters, and plotlines.To support "Something Pretty" and ensure the podcast's continued exploration of Deadwood's final season, consider becoming a patron on their Patreon. Your support enables Wes and Clay to deliver quality content and share their passion for this iconic series, one episode at a time, including "A Constant Throb."Links:Support "Something Pretty" on PatreonListen to our other podcastsYouTubeJoin our DiscordSupplemental Reading:The Deadwood Bible: A Lie Agreed UponDeadwood: Stories of the Black Hills

"If you can cartwheel or puff your cheeks like a fish, we have a festivity tonight. I'll live in hope you'll attend."Welcome back to "Something Pretty", your guide through the gritty world of Deadwood. In this episode, we'll be dissecting the penultimate installment of Deadwood's third and final season: "Amateur Night." Join your dedicated hosts, Wes and Clay, as they unravel the multifaceted layers of this captivating episode.If you're enjoying this coverage of "Deadwood", please consider supporting the show on Patreon!"Amateur Night" places the spotlight on the celebratory atmosphere surrounding the theater troupe's establishment in the camp. Wes and Clay delve into the significance of this event, exploring how it highlights the town's diverse talents and skills. From thespians to musicians, Deadwood is brimming with individuals showcasing their prowess.One of the central themes of the episode is the evolution of George Hearst's methods. The hosts engage in a thought-provoking discussion about Hearst's shift from brutal violence to employing hired help to achieve his goals. This shift in strategy adds complexity to his character and raises questions about his ultimate intentions.The departure of the Earp brothers from the camp is a noteworthy development in "Amateur Night." Wes and Clay examine the implications of their exit and the impact it has on the dynamics of Deadwood. The episode also touches on the unfortunate fate of Odell, prompting speculation about Hearst's possible involvement in his demise. The hosts dissect the evidence and present their views on this mysterious turn of events.Joanie, Mose, and Jane's escape from Cy Tolliver marks a significant moment in the episode. Wes and Clay discuss the implications of this escape and what it means for the characters involved. In a lighter vein, the hosts engage in a humorous debate about the merits of saying "oh dear" during a beating. Their witty banter adds a touch of levity to the discussion, showcasing the podcast's engaging and entertaining style.And if you've enjoyed the show so far: please leave us a rating and review on your podcast app of choice! It's much appreciated and let's other people who are browsing the internet for a Deadwood podcast that this one is worth checking out. Thanks!To show your support for "Something Pretty" and ensure the podcast's continued exploration of Deadwood's final season, consider becoming a patron on their Patreon. Your support enables Wes and Clay to deliver quality content and share their passion for this iconic series, one episode at a time, including "Amateur Night."Links:Support "Something Pretty" on PatreonListen to our other podcastsYouTubeJoin our DiscordSupplemental Reading:The Deadwood Bible: A Lie Agreed UponDeadwood: Stories of the Black Hills

"You are less majestically neutral than cloaking your cowardice in principle?"Welcome back to "Something Pretty," your window into the intricate world of Deadwood. In this episode, we'll be diving deep into "Leviathan Smiles," the eighth and penultimate episode of Deadwood's third and final season. Join your hosts, Wes and Clay, as they navigate the complex narrative and character developments in this captivating installment."Leviathan Smiles" introduces us to Wyatt and Morgan Earp, legendary figures of the Wild West. Wes and Clay offer fascinating insights into how Deadwood deconstructs the mythos surrounding these iconic characters, providing a fresh and thought-provoking perspective on their portrayal.A pivotal moment in the episode is the accident that essentially concludes the storyline of Steve the Drunk. The hosts discuss the impact of this event on Steve's character arc and how it contributes to the larger narrative of Deadwood. In a delightful and humorous detour, Wes and Clay find themselves contemplating whether Rush or Shakespeare crafted superior lyrics for songs. Their banter adds a lighthearted touch to the discussion, showcasing the podcast's engaging and conversational style.The episode also witnesses the tragic demise of members of the acting troupe. Wes and Clay explore the significance of their deaths within the context of the series, shedding light on the show's exploration of mortality and its consequences. Throughout "Leviathan Smiles," the relentlessness of George Hearst's mission to seize control of the camp remains a central focus. The hosts analyze Hearst's unwavering determination and the tension it generates as the climax of the series approaches.To support "Something Pretty" and ensure the podcast's continued exploration of Deadwood's final season, consider becoming a patron on their Patreon. Your support enables Wes and Clay to deliver quality content and share their passion for this iconic series, one episode at a time, including "Leviathan Smiles."And if you've enjoyed the show so far: please leave us a rating and review on your podcast app of choice! It's much appreciated and let's other people who are browsing the internet for a Deadwood podcast that this one is worth checking out. Thanks!Links:Support "Something Pretty" on PatreonListen to our other podcastsYouTubeJoin our DiscordSupplemental Reading:The Deadwood Bible: A Lie Agreed UponDeadwood: Stories of the Black HillsDeadwood: The Golden YearsReading Deadwood: A Western to Swear By

Shipwrecks and Sea Dogs and Wild West Extravaganza are part of the Into History podcast channel. Subscribe for ad-free listening, bonus content, exclusive events, and other great perks. Subscribe at IntoHistory.com/shipwreckspod.August 1903. The famous Annie Oakley is arrested in Chicago for theft, a crime committed in order to obtain money to fuel her cocaine habit. And what a headline that made. America's original sweetheart, the tiny sharpshooter who once entertained kings and queens, now reduced to petty thievery. Wasn't long before newspapers throughout the country began to report on this fall from grace.Enter in William Randolph Hearst, son of mining tycoon George Hearst, who ruled a media empire and had his eye on the white house. There was no story too sensational or salacious for him to print, the truth be damned.What happened when the darling of the Wild West Show goes to war with one of the most powerful men in the country? A man with very deep pockets and an army of Pinkertons? Did Annie Oakley even have a chance at clearing her name? Find out on this girl power episode of The Wild West Extravaganza!

"Power comes to any man who has the color."Welcome again to "Something Pretty," your companion through the enthralling narrative of Deadwood. In this exploration, we dive into the stimulating and widely praised "Unauthorized Cinnamon," the seventh episode of Deadwood's final season. Embark on a journey through the intricate facets of this episode with your hosts, Wes and Clay."Unauthorized Cinnamon" presents an exploration of mortality, demonstrating the deep and pervasive impacts of life and death on individuals and the community alike. As Wes and Clay unravel the many nuances of George Hearst, illuminating his hypocrisy concerning others' misfortunes, they explore a character both malevolent and broken in equal measure. His belief that "Gold is every man's opportunity" unveils a worldview that precipitates much of the chaos and conflict within the episode, and the hosts discuss this aspect in detail.A scene that particularly captures attention in "Unauthorized Cinnamon" is the camp meeting, arranged to strategize against the Hearst threat. The significance of Bullock's letter is pondered by Wes and Clay, especially when underscored by the powerful proclamation: "You publish that letter, as witness!" The hosts shed light on the intricate social dynamics and the power structures at work in Deadwood during this key moment, exploring how this statement serves as a poignant resistance against the tumultuous powers at play.Death, in both its literal and symbolic renditions, is woven deeply into this episode. Wes and Clay explore how this potent motif impacts not merely individual characters but permeates the community of Deadwood as a whole. Moreover, as the narrative unfolds, Steve's crippling loneliness takes a primary position, eclipsing his rampant bigotry. Our hosts delve into the complexities of his character, highlighting the humane aspects that underpin his actions, albeit fundamentally flawed.Another critical narrative pivot in "Unauthorized Cinnamon" is Doc's deteriorating condition due to tuberculosis. The insights provided by the hosts into the portrayal of illness bring forth the impacts on Doc and his surroundings, unmasking the vulnerability and fear pervading the community.In light of George Hearst's malevolent desire to decimate the camp, "Unauthorized Cinnamon" highlights the potent forces of writing and community building. Our hosts discuss how these become pivotal in resisting Hearst's calamitous ambitions and reflect on the delicate balance between community and individualism, utilizing the query, "Isn't that foolishness?" to critique and analyze the strategies deployed by the characters."Something Pretty" consistently delivers engrossing discussions, reflective analysis, and an intrinsic appreciation for Deadwood's complex storytelling. Wes and Clay's commentary elevates the experience of watching "Unauthorized Cinnamon" and all subsequent episodes, offering a compelling exploration of the series' multifaceted themes and characters. Thanks for listening!Links:Support "Something Pretty" on PatreonListen to our other podcastsYouTubeJoin our DiscordSupplemental Reading:The Deadwood Bible: A Lie Agreed UponDeadwood: Stories of the Black Hills

"When I say "Go fuck yourself," Sheriff, will you put that down to drunkenness or a high estimate of your athleticism?"Welcome back to another riveting episode of "Something Pretty," where Wes and Clay dissect the fifth episode of Deadwood's third and final season, "A Two-Headed Beast." In this captivating podcast, the hosts explore the various facets of this episode, offering listeners a deeper understanding of its significance.One of the standout moments in this episode is the epic fight between Dan Dority and Captain Turner. Wes and Clay delve into what makes this brawl so memorable in the annals of TV history. Their analysis highlights the visceral intensity of the fight and the underlying tensions between the characters involved, providing keen insights into the art of storytelling through conflict.Listeners are in for a treat as Wes and Clay unravel the continuous emasculation of Whitney Ellsworth. This recurring theme in Deadwood offers a fascinating lens through which to examine the dynamics of power, vulnerability, and masculinity in the show. The hosts' commentary sheds light on the complexities of Ellsworth's character arc.Al Swearengen's meta-commentary on trying to decipher George Hearst's thinking adds another layer of intrigue to the episode. Wes and Clay dissect Al's role as both a character within the narrative and a commentator on the unfolding events, highlighting the narrative depth of Deadwood.The slow pacing of the Theater Troupe's plotline is another topic of discussion. Wes and Clay navigate the deliberate pacing of this subplot, shedding light on its thematic relevance and the patience required to appreciate its contributions to the overarching narrative.Con Stapleton's powerful insight into human sex drive offers a thought-provoking angle for analysis. Wes and Clay explore the implications of Stapleton's observations, emphasizing how Deadwood masterfully weaves elements of human psychology into its storytelling. Plus, it's funny as Hell."Something Pretty" continues to be a must-listen podcast for Deadwood enthusiasts, providing thoughtful analysis and fresh perspectives on the series. Wes and Clay's engaging discussions invite listeners to delve deeper into the world of Deadwood and appreciate its intricate storytelling. We hope you enjoy this discussion of "A Two-Headed Beast."To support "Something Pretty" and ensure the podcast's ongoing exploration of Deadwood's final season, consider becoming a patron on their Patreon. Your support will empower Wes and Clay to continue delivering insightful commentary and in-depth analysis of this iconic show.Links:Support "Something Pretty" on PatreonListen to our other podcastsYouTubeJoin our DiscordSupplemental Reading:The Deadwood Bible: A Lie Agreed UponDeadwood: Stories of the Black HillsDeadwood: The Golden Years

"It's the learning fuckin' nothin', Al, that keeps me young."Welcome to another captivating episode of "Something Pretty," where Wes and Clay dive deep into the third episode of Deadwood's third and final season, "True Colors." In this thought-provoking podcast, the hosts explore the multifaceted themes and intricacies of the episode.One of the central themes discussed is the revelation of George Hearst's "true colors." Wes and Clay dissect how Hearst's character becomes front and center as he grapples with adversity and interacts with those he deems beneath him. Their analysis sheds light on the complexity of Hearst's character and how he navigates the power dynamics of Deadwood.The podcast also delves into the marital strife between Alma and Ellsworth. Wes and Clay offer a nuanced examination of their relationship, highlighting their challenges and their characters' emotional depth. This exploration provides valuable insights into the human dynamics at play in Deadwood.Another intriguing aspect of the episode that the hosts explore is the meandering adventures of Bryan Cox's theater troupe. Wes and Clay dissect how this subplot adds layers to the Deadwood narrative, offering moments of humor and reflection amidst the broader drama.Throughout the podcast, Wes and Clay showcase their keen ear for the show's exceptional dialogue. They highlight various great lines of dialogue from the episode, emphasizing how Deadwood's writing remains a standout feature, even in its final season."Something Pretty" isn't just a podcast; it's a gateway to a deeper understanding of Deadwood's rich storytelling and character development. Wes and Clay's insightful analysis invites listeners to appreciate the subtleties and complexities of the series.To support "Something Pretty" and ensure the podcast's continued exploration of Deadwood's final season, consider becoming a patron on their Patreon. Your support will enable Wes and Clay to deliver engaging discussions and fresh perspectives on this iconic show.Links:Support "Something Pretty" on PatreonListen to our other podcastsYouTubeJoin our DiscordSupplemental Reading:The Deadwood Bible: A Lie Agreed UponDeadwood: Stories of the Black HillsDeadwood: The Golden YearsReading Deadwood: A Western to Swear ByLife's WorkTheme Song: Western ShowDown by

"To work for crumbs or to keep from the lash says maybe a slave's what you are."Welcome to another engaging episode of "Something Pretty," where Wes and Clay delve deep into the intricacies of the second episode of Deadwood's third and final season, "I Am Not the Fine Man You Take Me For." Their insightful discussion offers a unique perspective on the show's various elements.In this episode, Wes and Clay initiate an insightful dialogue about the character development of George Hearst. They question whether Hearst's character portrayal is becoming too static or if there are hidden layers that might be overlooked. Their analysis opens up a broader conversation about the complexity of characters within the Deadwood universe.The hosts also highlight the remarkable balance the show strikes between comedy and serious drama. Wes and Clay dissect instances like Doc Cochran and Trixie's humorous exchange, unexpected comedic moments like corpses emitting gas, and Charlie Utter's reaction to working with mail. This exploration underscores the show's ability to seamlessly weave lighthearted elements into its deeply profound narrative.A focal point of their discussion is the unexpected turn of events that sees George Hearst emerging victorious over Al Swearengen. Wes and Clay dissect the implications of this unexpected win, delving into the power dynamics and potential repercussions for the characters involved.Wes and Clay's meticulous examination of "I Am Not the Fine Man You Take Me For" showcases their dedication to dissecting Deadwood's multifaceted layers. Their thoughtful analysis and their knack for uncovering subtle and overt nuances offer listeners a fresh perspective on this iconic series."Something Pretty" is a podcast that fosters a deep understanding and appreciation for Deadwood. To continue supporting Wes and Clay's engaging discussions and to support their efforts, consider backing "Something Pretty" on Patreon.Links:Support "Something Pretty" on PatreonListen to our other podcastsYouTubeJoin our DiscordSupplemental Reading:The Deadwood Bible: A Lie Agreed UponDeadwood: Stories of the Black HillsDeadwood: The Golden YearsReading Deadwood: A Western to Swear ByLife's WorkTheme Song: Western ShowDown by

"What if the earth talks to us to get us to arrange its amusements?"In this distressing episode of "Something Pretty," the hosts soldier on through digestive discomfort to dissect the intense season finale, "Boy-the-Earth-Talks-To." As they analyze the complex dynamics at play, Wes and Clay delve into the splintering relationship between George Hearst and Francis Wolcott. They explore how Hearst's strategic interactions with various individuals in the camp reveal his multifaceted approach to achieving his goals. The hosts unravel the threads of power, manipulation, and shifting allegiances, shedding light on the intricate relationships that define Deadwood.Amidst the festivities of Alma and Ellsworth's marriage, the hosts draw attention to the stark contrasts between unity and impending discord. The celebration serves as a backdrop to the underlying tensions brought about by Hearst's ominous presence. Wes and Clay weave together the characters' struggles with the broader societal and economic upheavals that reflect the era's challenges.Furthermore, the hosts take a detour into history by comparing the cost of purchasing a hotel in 1877 to its modern-day equivalent. E.B. made out like a bandit!So, brace yourself for an insightful and often humorous exploration of "Boy-the-Earth-Talks-To." Wes and Clay's commitment to dissecting Deadwood's complexities, even in the face of gastrointestinal adversity, promises an engaging and enlightening experience for all the show's fans. Clench your buttocks and come along for the ride!If you're captivated by the enthralling analysis and infectious camaraderie of Wes and Clay on "Something Pretty," consider showing your support on Patreon! Your contribution can help keep the podcast going strong, allowing them to dive deeper into the intricate world of Deadwood and continue delivering their unique insights with the same passion and humor that keeps listeners coming back for more. Join the community of fans who appreciate the in-depth exploration of this iconic show and help ensure that "Something Pretty" continues to provide engaging content.Links:Support "Something Pretty" on PatreonListen to our other podcastsYouTubeJoin our DiscordSupplemental Reading:The Deadwood Bible: A Lie Agreed UponDeadwood: Stories of the Black HillsDeadwood: The Golden YearsReading Deadwood: A Western to Swear By

"You're a desperate man, aren't you, Tolliver? Desperate. You feel your position weakening."In this episode of "Something Pretty," Wes and Clay delve deep into the heart of Deadwood's exploration of personal suffering and its reflections through its characters and the institution of religious faith. They highlight how the show delves into the profound emotional struggles individuals face in the camp, revealing the raw and vulnerable sides of the characters. Wes and Clay analyze the complexities of faith in Deadwood, how it intersects with personal suffering, and how different characters grapple with their beliefs in the face of adversity. It's the penultimate episode of Deadwood, and it's called "The Whores Can Come".One of the central themes explored in "The Whores Can Come" is Al Swearengen's masterful manipulation of various players to achieve the outcomes he desires. Wes and Clay discuss Al's crafty and cunning nature, illustrating how he deftly plays all sides with both George Hearst and Commissioner Jarry. The hosts analyze Al's motivations and strategies, providing a fascinating look at the mind of this enigmatic character. They also examine the repercussions of Al's manipulations on the camp's power dynamics and speculate on the potential fallout in the season finale."The Whores Can Come" also offers a poignant exploration of Al Swearengen's loneliness, an aspect of his character often overshadowed by his cunning and ruthlessness. Wes and Clay discuss the vulnerability beneath Al's tough exterior, shedding light on the loneliness accompanying his position of power. They explore other characters' isolation in the show, underscoring the universal theme of loneliness and its profound impact on human connections.As the hosts continue their analysis, they offer a captivating insight into the historical context of check cashing in 1877. Drawing on their research, Wes and Clay explain the intricacies of the check-cashing process during that era, shedding light on the economic and financial systems of the time. This enriching historical context adds depth to the episode's narrative and helps listeners better understand Deadwood's authenticity as a period drama. Or, it's all just a game of guesswork, as the hosts have almost no understanding of banking standards in the 19th century.Join Wes and Clay in this thought-provoking exploration of "The Whores Can Come" as they uncover the profound themes and compelling narratives that make Deadwood an unparalleled television experience. "Something Pretty" is your source for insightful discussions and engaging analyses of Deadwood, offering a deeper appreciation for this groundbreaking series's emotional depth and historical accuracy.Links:Support "Something Pretty" on PatreonListen to our other podcastsYouTubeJoin our DiscordSupplemental Reading:The Deadwood Bible: A Lie Agreed UponDeadwood: Stories of the Black HillsDeadwood: The Golden Years

"Some ancient Italian maxim fits our situation, whose particulars escape me."In the "New Money" episode of Deadwood, the hosts of the "Something Pretty" podcast, Wes and Clay, provide an engaging mix of insightful analysis and humor as they delve into the plotlines and characters. The arrival of Francis Wolcott, an agent for mining magnate George Hearst, sets the stage for intrigue and manipulation in the camp, with E.B. Farnum attempting to con Wolcott without realizing who he's dealing with.The dynamic duo of Joanie Stubbs and Maddie observe the interactions between Farnum and Wolcott, with Maddie offering a foreboding prediction about Farnum's fate. Meanwhile, tensions arise between Seth Bullock and his wife, Martha, as they address their regrets and navigate their uncertain relationship.As Al Swearengen lies on the floor of The Gem Saloon, suffering from septic shock and kidney stones, his minions hesitate to intervene due to his reign of fear. The podcast hosts bring levity to the grim scene with their amusing commentary.In this episode, Alma Garret contemplates purchasing the Grand Central Hotel, Trixie seeks Sol Star's help in learning bookkeeping, and the enigmatic Wolcott visits the Chez Ami in search of a particular prostitute. Wes and Clay expertly balance their in-depth analysis of these plotlines with humorous observations and witty banter.With the stage set for a complex web of deceit, manipulation, and shifting alliances, join Wes and Clay as they entertain and inform listeners with their unique take on the Deadwood episode "New Money." Plus! The guys chat about sneaky exposition, deconstructing the Western female archetype, and AI comedians.Links:Support "Something Pretty" on PatreonListen to our other podcastsYouTubeJoin our DiscordSupplemental Reading:The Deadwood Bible: A Lie Agreed UponDeadwood: Stories of the Black HillsDeadwood: The Golden YearsReading Deadwood: A Western to Swear ByLife's WorkTheme Song: Western ShowDown by HoliznaCC0 is licensed under a CC0 1.0 Universal License.

In the third season of the acclaimed HBO series Deadwood, one of the most villainous characters in a show full of villains was introduced. Ruthless mining magnate George Hearst arrived, eager to seize control of the richest mine in town - no matter what the cost. But was he really as rotten as the show suggested he was? My guest is Matthew Bernstein, author of "George Hearst: Silver King of the Gilded Age". He talks about the rise and fall and rise again of a man who made millions sniffing out gold, silver and copper mines across the country, and who fathered one of the most controversial characters of his era, newspaper publisher William Randolph Hearst.More about the author and his book here: https://www.oupress.com/author/matthew-bernstein/Go here to download the Zocdoc app for free to find a top-rated doctor (and support the show) https://www.zocdoc.com/most

Matthew and I discuss his new book, George Hearst, Silver King Of The Gilded Age.

Matthew Bernstein joins Cole to discuss his book, George Hearst: Silver King of the Gilded Age. Matthew's book examines Hearst's unique path to building a mining empire, his career in politics, a quest for wealth, and the many life lessons that can be learned from it all. Cole says, “This is a book that helps investors understand how money can be made when it's not being printed in Washington D.C. or New York.”

You've heard of the Hearst Castle, but how did this estate come to be? In this episode, Chad and I cover the Hearst family, their humble beginnings, and how they built their wealth, starting with George Hearst and his son, William Randolph Hearst. We also cover the kidnapping of Patty Hearst performed by the Symbionese Liberation Army. Lot's to unpack! Have a listen and enjoy!

This week The TV Boys sit down to discuss one of the best lawmen and paper salesmen in all of TV history.

August 1903. The famous Annie Oakley is arrested in Chicago for theft, a crime committed in order to obtain money to fuel her cocaine habit. And what a headline that made. America's original sweetheart, the tiny sharpshooter who once entertained kings and queens, now reduced to petty thievery. Wasn't long before newspapers throughout the country began to report on this fall from grace. Enter in William Randolph Hearst, son of mining tycoon George Hearst, who ruled a media empire and had his eye on the white house. There was no story too sensational or salacious for him to print, the truth be damned. What happened when the darling of the Wild West Show goes to war with one of the most powerful men in the country? A man with very deep pockets and an army of Pinkertons? Did Annie Oakley even have a chance at clearing her name? Find out on this girl power episode of The Wild West Extravaganza!   Email me! https://www.wildwestextra.com/contact/   Check out my website! https://www.wildwestextra.com/   Buy me a coffee! https://www.buymeacoffee.com/wildwest   Obscure History | William Randolph Hearst's Bloody Legacy https://open.spotify.com/episode/7vBSujGzkf6eXytfTwIjgp   Texas History Lessons https://www.texashistorylessons.com/   Annie Oakley vs Hearst https://www.historynet.com/annie-oakley-vs-hearsts-worst.htm   Why Annie Got Her Gun https://www.ontheissuesmagazine.com/1996spring/Spring1996_CGAGE.php   The Tragic Real-Life Story of Annie Oakley https://www.grunge.com/181925/the-tragic-real-life-story-of-annie-oakley/   Conversation with the Devil | Ray Wylie Hubbard https://www.youtube.com/watch?v=ygTsN_sr4k8   Timesuck 219 | Annie Oakley https://open.spotify.com/episode/1rqHBvgvOdSdCjEiubJWFv

The reality is the primary quality of an entrepreneur can't be taught: the stomach to risk everything and keep wanting more. Original Article: "George Hearst: Entrepreneur in the Mises Mold" This Audio Mises Wire is generously sponsored by Christopher Condon. Narrated by Michael Stack.

The reality is the primary quality of an entrepreneur can't be taught: the stomach to risk everything and keep wanting more. Original Article: "George Hearst: Entrepreneur in the Mises Mold" This Audio Mises Wire is generously sponsored by Christopher Condon. Narrated by Michael Stack.

Prospector, tycoon, westerner, politician, father, and husband, George Hearst was a man of his time and as Matthew Bernstein relates, an part of the Gilded Age. In his biography, Bernstein traces Hearst's life from his Missouri childhood to the booms and busts of his mining career. As the father of William Randolph Hearst, George left quite a legacy.Essential Reading:Matthew Bernstein, George Hearst: Silver King of the Gilded Age (2021).Recommended Reading:David Nasaw, The Chief: The Life of William Randolph Hearst (2000).W. A. Swanberg, Citizen Hearst: A Biography of William Randolph Hearst (1963).Judith Robinson, The Hearsts: An American Dynasty (1991).Alexandra Nickless, Phoebe Apperson Hearst: A Life of Power and Politics (2018). See acast.com/privacy for privacy and opt-out information.

Alma opens the town's first bank amidst as much fanfare as Deadwood's grimy inhabitants can muster, and as George Hearst threatens to destroy everything that has been established in Deadwood, Swearengen chooses Adams to be his deputy.

George Hearst arrives in camp; Swearengen's manipulations extract a counteroffer from Yankton; Tolliver seeks to improve his position with Hearst; tensions in Chinaman's Alley boil over.

Baha'i mom and poet Andrea Hope announces a short hiatus while visiting her family in the United States. But never fear, she will be sharing stories of inspiring Baha'i mothers during this time. This story is of Phoebe Hearst, founder of a museum of anthropology, wife of U.S. Senator George Hearst, and mother of newspaper publisher William Randolph Hearst. She was blessed to spend time with the Master in Haifa and the United States.The resources for this episode are as follows:https://bahaichronicles.org/phoebe-hearst/If you're interested in Andrea's Etsy store:https://www.etsy.com/shop/andreahopeorgEmail: info@andreahope.orgWebsite: www.andreahope.org

Hoopleheads Podcast: W. Earl Brown pens one of Deadwood's most focused episodes, "A Constant Throb," the thrust of which concentrates on Al regaining his faculties in his existential contest with George Hearst. The post Hoopleheads: Episode 34 “A Constant Throb” appeared first on Movie Fail.

"Amateur Night" closes off several storylines as it consolidates its focus on broiling conflict between the camp and George Hearst. The post Hoopleheads: Episode 33 “Amateur Night” appeared first on Movie Fail.

Deadwood (2019) As the residents of Deadwood gather to commemorate Dakota's statehood in 1889, saloon owner Al Swearengen and Marshal Seth Bullock clash with Senator George Hearst.

Deadwood (2019) As the residents of Deadwood gather to commemorate Dakota's statehood in 1889, saloon owner Al Swearengen and Marshal Seth Bullock clash with Senator George Hearst.

1889. That bald-plated cunt George Hearst has returned to Deadwood to celebrate South Dakota's transition from territory to state. Upon being mother-fucked from a balcony by a pregnant Trixie, Hearst leverages his newly found awareness of Al Swearengen's deception (vis-à-vis the prostitute Jen) against our heroes in a campaign to secure Charlie Utter's land. Trains, telephones, and electric lights may suggest steps toward civilization, but Deadwood remains a hell of a place to make your fortune. Welcome the fuck back. ... Also, Moira and Russell tell us about the catastrophic events of 1879 and 1883, which profoundly impacted our town. | Send feedback to hooplecast@gmail.com. Find our recording schedule, show notes, discussion threads, and more at hooplecast.com. | Recorded June 23, 2019. Released June 29, 2019. [Warning: Explicit Language.]

Though not as well known today as her husband George or her son William Randolph, Phoebe Apperson Hearst was a woman who rose beyond the gender norms of her age to exert considerable influence both within her community and nationally. In Phoebe Apperson Hearst: A Life of Power and Politics (Bison Books, 2018) (University of Nebraska Press, 2018), Alexandra M. Nickliss shows how Hearst came to exercise such power and the ways she uses it to advance the causes in which she believed. As Nickliss explains, Phoebe Apperson’s parents sought an education for their daughter in accordance with the reform principles of their faith. Marriage and her relocation to California did little to change Phoebe Hearst’s views, and with her husband often absent on business she took advantage of the couple’s wealth to travel and engage in voluntary associations. With George Hearst’s death Phoebe Hearst came into her own, soon moving beyond her involvement in the kindergarten movement to help develop the University of California and from there to assume prominent roles in both the Panama-Pacific International Exposition and the suffrage movement of the early 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Though not as well known today as her husband George or her son William Randolph, Phoebe Apperson Hearst was a woman who rose beyond the gender norms of her age to exert considerable influence both within her community and nationally. In Phoebe Apperson Hearst: A Life of Power and Politics (Bison Books, 2018) (University of Nebraska Press, 2018), Alexandra M. Nickliss shows how Hearst came to exercise such power and the ways she uses it to advance the causes in which she believed. As Nickliss explains, Phoebe Apperson's parents sought an education for their daughter in accordance with the reform principles of their faith. Marriage and her relocation to California did little to change Phoebe Hearst's views, and with her husband often absent on business she took advantage of the couple's wealth to travel and engage in voluntary associations. With George Hearst's death Phoebe Hearst came into her own, soon moving beyond her involvement in the kindergarten movement to help develop the University of California and from there to assume prominent roles in both the Panama-Pacific International Exposition and the suffrage movement of the early 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Though not as well known today as her husband George or her son William Randolph, Phoebe Apperson Hearst was a woman who rose beyond the gender norms of her age to exert considerable influence both within her community and nationally. In Phoebe Apperson Hearst: A Life of Power and Politics (Bison Books, 2018) (University of Nebraska Press, 2018), Alexandra M. Nickliss shows how Hearst came to exercise such power and the ways she uses it to advance the causes in which she believed. As Nickliss explains, Phoebe Apperson’s parents sought an education for their daughter in accordance with the reform principles of their faith. Marriage and her relocation to California did little to change Phoebe Hearst’s views, and with her husband often absent on business she took advantage of the couple’s wealth to travel and engage in voluntary associations. With George Hearst’s death Phoebe Hearst came into her own, soon moving beyond her involvement in the kindergarten movement to help develop the University of California and from there to assume prominent roles in both the Panama-Pacific International Exposition and the suffrage movement of the early 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Though not as well known today as her husband George or her son William Randolph, Phoebe Apperson Hearst was a woman who rose beyond the gender norms of her age to exert considerable influence both within her community and nationally. In Phoebe Apperson Hearst: A Life of Power and Politics (Bison Books, 2018) (University of Nebraska Press, 2018), Alexandra M. Nickliss shows how Hearst came to exercise such power and the ways she uses it to advance the causes in which she believed. As Nickliss explains, Phoebe Apperson’s parents sought an education for their daughter in accordance with the reform principles of their faith. Marriage and her relocation to California did little to change Phoebe Hearst’s views, and with her husband often absent on business she took advantage of the couple’s wealth to travel and engage in voluntary associations. With George Hearst’s death Phoebe Hearst came into her own, soon moving beyond her involvement in the kindergarten movement to help develop the University of California and from there to assume prominent roles in both the Panama-Pacific International Exposition and the suffrage movement of the early 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Though not as well known today as her husband George or her son William Randolph, Phoebe Apperson Hearst was a woman who rose beyond the gender norms of her age to exert considerable influence both within her community and nationally. In Phoebe Apperson Hearst: A Life of Power and Politics (Bison Books, 2018) (University of Nebraska Press, 2018), Alexandra M. Nickliss shows how Hearst came to exercise such power and the ways she uses it to advance the causes in which she believed. As Nickliss explains, Phoebe Apperson’s parents sought an education for their daughter in accordance with the reform principles of their faith. Marriage and her relocation to California did little to change Phoebe Hearst’s views, and with her husband often absent on business she took advantage of the couple’s wealth to travel and engage in voluntary associations. With George Hearst’s death Phoebe Hearst came into her own, soon moving beyond her involvement in the kindergarten movement to help develop the University of California and from there to assume prominent roles in both the Panama-Pacific International Exposition and the suffrage movement of the early 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Though not as well known today as her husband George or her son William Randolph, Phoebe Apperson Hearst was a woman who rose beyond the gender norms of her age to exert considerable influence both within her community and nationally. In Phoebe Apperson Hearst: A Life of Power and Politics (Bison Books, 2018) (University of Nebraska Press, 2018), Alexandra M. Nickliss shows how Hearst came to exercise such power and the ways she uses it to advance the causes in which she believed. As Nickliss explains, Phoebe Apperson’s parents sought an education for their daughter in accordance with the reform principles of their faith. Marriage and her relocation to California did little to change Phoebe Hearst’s views, and with her husband often absent on business she took advantage of the couple’s wealth to travel and engage in voluntary associations. With George Hearst’s death Phoebe Hearst came into her own, soon moving beyond her involvement in the kindergarten movement to help develop the University of California and from there to assume prominent roles in both the Panama-Pacific International Exposition and the suffrage movement of the early 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Though not as well known today as her husband George or her son William Randolph, Phoebe Apperson Hearst was a woman who rose beyond the gender norms of her age to exert considerable influence both within her community and nationally. In Phoebe Apperson Hearst: A Life of Power and Politics (Bison Books, 2018) (University of Nebraska Press, 2018), Alexandra M. Nickliss shows how Hearst came to exercise such power and the ways she uses it to advance the causes in which she believed. As Nickliss explains, Phoebe Apperson’s parents sought an education for their daughter in accordance with the reform principles of their faith. Marriage and her relocation to California did little to change Phoebe Hearst’s views, and with her husband often absent on business she took advantage of the couple’s wealth to travel and engage in voluntary associations. With George Hearst’s death Phoebe Hearst came into her own, soon moving beyond her involvement in the kindergarten movement to help develop the University of California and from there to assume prominent roles in both the Panama-Pacific International Exposition and the suffrage movement of the early 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

The true stories of the fire that destroyed Deadwood in 1879; the flood that devastated the town in 1883; the mining baron, George Hearst, who consolidated the mines of the Black Hills into the richest gold mining operation in North America. Featuring an interview with Darrel Nelson, the Deadwood History Exhibits Director. For more details, please visit www.blackbarrelmedia.com

In "Tell Your God to Ready for Blood," director Mark Tinker revels in Deadwood's brewing conflict between George Hearst, Seth Bullock and Al Swearengen. Esther and Søren discuss. The post Hoopleheads: Episode 25 “Tell Your God to Ready for Blood” appeared first on Movie Fail.

Deadwood's second season closes out with perhaps our favorite episode so far, as George Hearst finally rolls into town against the backdrop of everyone preparing for the Alma & Ellsworth nuptials. There'll be murder! There'll be dancing! There'll be attempted murder in the middle of the dancing! This is Deadwood at its best.

“Something Very Expensive” is an explosive episode that finally delivers on the foreboding promise of Mr. W (Garret Dillahunt). Here we finally see his truest colors, only hinted at before. He sees the world as transactional; there are proclivities he would like satisfied, and George Hearst provides the capital to cover for his indulgences. Sometimes […] The post Hoopleheads: Episode 18 “Something Very Expensive” appeared first on Movie Fail.

It's the finale of season 2, and what a finale it is. He who was often named finally arrives in camp as George Hearst makes his entrance. Plus a deal is struck with Yankton, Wu makes a big decision about his future, and there's a lot of axing in the back. And there's a wedding!

Temporada 3 Episodio 1 : Dile a tu Dios que se prepare para la sangre Director Mark Tinker Casting Paul Blackthorne (Hearst's man needling Cornishmen), Pruitt Taylor Vince (Mose Manuel), Seth Peterson Sinopsis Las elecciones para alcalde y sheriff cada vez están más cerca, pero Bullock y Swearengen mantienen sus ojos clavados en el nuevos residente George Hearst. Adams propone un acuerdo a Star a instancias de Swearengen; Alma tiene complicaciones con su embarazo.

Temporada 2 Episodio 12 : El niño con el que habla La Tierra Director Ed Bianchi Guion Ted Mann (II) Casting Gerald McRaney (George Hearst), Pruitt Taylor Vince (Mose Manuel) Sinopsis Mientras Deadwood se prepara para una celebración, la llegada de George Hearst al campamento ocasiona algunos trastornos. Las manipulaciones de Swearengen consiguen una contra-oferta de Yankton. Hearst por su parte llega a acuerdos por separado con Farnum y Swearengen mientras Wolcott se enfrenta a las consecuencias de sus acciones. El conflicto entre los jefes llega a un clímax sangriento.

Following “People Pie Pool,” his ridiculous extravaganza for Performa, artist Brian Belott drops by my kitchen to talk about the finest aspects of the fine arts. We discussed his obsession with collecting children’s art and the legacy of early childhood educator Rhoda Kellogg, slapstick comedy, lighting his head on fire dozens of times despite understandable protests from his mother, why Dada artists would hate Dada art, the Marx Brothers, the People Pie Pool performance, cacophony, calamity, and collaboration, having your mom as your own teacher, and much more. We’re sponsored this week by a new rock supergroup featuring members of the Stooges and fronted by the one and only Morrissey, a steam-powered alternative to Bitcoin called Dirigiblecoin, and a generous donation from mining mogul George Hearst from “Deadwood.” The outro song is “Tell the Truth” by Mizz.

Episode Thirty-six. A murder engine versus a Swearengen as Stephanie Edd, author of The Clear Case and The Halyard Hitch, drops the hammer again. Hawkeye arrives with future Tarantino cast "The Almost Eighteen"... Seth opines on the nature of bullies, and how they never know when to shut the fuck up... In the voting queue, a well-intentioned Charlie nonetheless defines "White Privilege"... Joanie promises herself to Jane, a rare moment of sweetness in this otherwise upsetting de facto series finale... That Twin Peaks actor Matt has teased the hooples about all podcast long finally appears (or does he?)... Al sacrifices an innocent to spare the camp from garbage human George Hearst, who unjustly fucks over our heroes at every conceivable turn. ... Also, Chris has stern words of criticism for Seth Bullock's successor, yet entertains us with the tale of a pitiful rain-soaked sad sack. (Gentlemen, don't forget to vote against the opium ordinance!) | Send feedback to hooplecast@gmail.com. Find our recording schedule, show notes, discussion threads, and more at hooplecast.com. | Recorded August 7 & 13, 2016. Released August 22, 2016. [Warning: Explicit Language.]

Episode Thirty-five. Longtime Deadwood fan Andrew is our guest for this pivotal penultimate episode. The murder of a beloved individual unites the camp against the grotesque George Hearst... Trixie is the loopiest of loopy cunts, and we couldn't love her more for it... Aunt Lou fires the opening salvo in restaurant wars... At the schoolhouse, Jane plays Duck-Duck-Goose with the children (or, if you are an insufferable Minnesotan, Duck-Duck-Gray Duck)... One hundred and fifty Chung Kuo cocksuckers are summoned to Deadwood to swell the ranks of our heroes. ... Also, Alirio speaks to the character and accomplishments of Seth Bullock, and asks his fellow citizens to reelect him Sheriff. | Send feedback to hooplecast@gmail.com. Find our recording schedule, show notes, discussion threads, and more at hooplecast.com. | Recorded July 24, 2016. Released July 30, 2016. [Warning: Explicit Language.]

Episode Thirty-one. Skyping from the middle of a cornfield is our guest Randal of The Grawlix Podcast. Odell holds his fuckin' own as George Hearst's dinner companion... Gustave, the tailor, fashions the latest in colorful stump covers for Al... A stirring letter to the family of the slain Pasco Carwen moves the camp elders... Steve offers the General a fig leaf... The hooples attempt to pair Alma with one of Deadwood's eligible bachelors, and discuss the recent troubles at HBO. ... Also, Moira pleads: won't someone please think of the capitalists? | Send feedback to hooplecast@gmail.com. Find our recording schedule, show notes, discussion threads, and more at hooplecast.com. | Recorded May 22, 2016. Released June 5, 2016. [Warning: Explicit Language.]

Episode Twenty-nine. Carla is our guest this recording, but if her mother inquires, we are a podcast covering important social economic issues, and we're definitely *not* discussing sodomy via vegetables. Dan and Captain Turner enjoy some good old fashioned mud rastlin'... A horny Alma approaches Ellsworth for some sexy times, but he has ample towels... Seth makes a capon of George Hearst... Milch's desire to overpopulate the series with unnecessary characters continues as Chesterton and the insatiable Bellegarde arrive in camp. However, we are now familiar with "the art of figging," and for that we are eternally grateful. ... Also, Emily reassures us that authorities are in pursuit of the trunk thief who torched the Belle Fourche stage crossing.| Send feedback to hooplecast@gmail.com. Find our recording schedule, show notes, discussion threads, and more at hooplecast.com. | Recorded May 1, 2016. Released May 8, 2016. [Warning: Explicit Language.]

Episode Twenty-four. Sue of Sue Watches Buffy and Yes, Mother: A Bates Motel Podcast is our guest for the season two finale, which features both a wedding and a bloodbath. The great man himself, George Hearst, arrives in Deadwood... Whilst suffering a digestive crisis, E.B. completes his transformation into a Shakespearean buffoon... Ellsworth dons lavender mittens... The annexation deal is (finally) struck... Wu proves out and becomes an American. ... We announce the second phase of HoopleCast, coming late 2016. ... Also, Christiana describes the gastronomical delights of Christmas 1877, plus pistol-whipping. | Send feedback to hooplecast@gmail.com. Find our recording schedule, show notes, discussion threads, and more at hooplecast.com. | Recorded December 27, 2015. Released February 1, 2016. [Warning: Explicit Language.]

Deadwood's Adams Museum & House archivist Carolyn Webber and director Mary Kopco describe paintings, artifacts, geological samples, and photographs, part of the collection donated by George Hearst's Homestake Mine to the Homestake-Adams Research Center (HARC)

Deadwood's Adams Museum & House director Mary Kopco describes original documents, part of the collection donated by George Hearst's Homestake Mine to the Homestake-Adams Research Center (HARC)

Deadwood's Adams Museum & House archivist Carolyn Webber and director Mary Kopco describe maps and drawings, part of the collection donated by George Hearst's Homestake Mine to the Homestake-Adams Research Center (HARC)

Deadwood TV actors on Sirius Satellite Radio show Outlaw 36, conclusion: John Hawkes (Sol Star), Earl Brown (Dan Dority), Paula Malcomson (Trixie), Sean Bridgers (Johnny Burns), and Dayton Callie (Charlie Utter); conversation with Adams Museum & House director Mary Kopco about George Hearst's Homestake Gold Mine, part 3; Merrilee Rush interview, conclusion; Mt. Moriah Cemetery soundseeing tour with Alex, conclusion; Tom & Nyla Griffith of TDG Communications/city commissioner; contest winner of Deadwood mug from Emmy Award-winning makeup department; listener feedback

Deadwood TV actors on Sirius Satellite Radio show Outlaw 36, part 3: John Hawkes (Sol Star), Earl Brown (Dan Dority), Paula Malcomson (Trixie), Sean Bridgers (Johnny Burns), and Dayton Callie (Charlie Utter); conversation with Adams Museum & House director Mary Kopco about George Hearst's Homestake Gold Mine, part 2; Merrilee Rush interview, part 3; Mt. Moriah Cemetery soundseeing tour with Alex; local Black Hills artist Hank Harris music and interview, part 3; listener feedback; contest rules to win Deadwood mug from Emmy Award-winning makeup department

Deadwood TV actors on Sirius Satellite Radio, part 2: John Hawkes (Sol Star), Earl Brown (Dan Dority), Paula Malcomson (Trixie), Sean Bridgers (Johnny Burns), and Dayton Callie (Charlie Utter); conversation with Adams Museum & House director Mary Kopco about George Hearst's Homestake Gold Mine, part 1; Merrilee Rush interview part 2; Mt. Moriah Cemetery soundseeing tour with Alex; local Black Hills artist Hank Harris music and interview; contest rules to win Deadwood mug from Emmy Award-winning makeup department; listener feedback