Podcasts about Milch

Kleckert Ihnen auch immer die Milch beim Eingießen? Seit ein paar Jahren schon gibt's ja die gutgemeinte Unsitte, dass der Deckel der Milchpackung oder auch der Plastikflasche dranbleibt. Das sagt er uns auch: ‚Der Umwelt zuliebe. Ich bleibe dran‘ steht da. Natürlich kann man ihn aufschrauben, um Milch einzugießen, aber er bleibt fest an der Packung, was in meinem Fall immer zum Kleckern führt. Was will man damit verhindern? Dass ich den Deckel am Ende aus dem Fenster schmeiße? Milch genießt man doch hauptsächlich zuhause und die Packung kommt in den Verpackungsmüll, in die gelbe Tonne. Also würde dort doch auch der Deckel landen. Bei der Colaflasche unterwegs mag das anders sein. Vielleicht ist es eine weitere, kleine Form von Greenwashing, das Wort ‚Umwelt‘ kommt einfach gut an. Ähnlich ist es mit den Milchdeckeln, auch von Hafermilch, die uns erklären, sie seien aus nachwachsenden Rohstoffen, Bio-Plastik sozusagen. Ein Experte der Deutschen Umwelthilfe sagt dazu, dass dies unsinnig ist, unökologisch, ungesund und auch nicht kompostierbar, wie man denken würde. Was tun? Ich weiß, man sollte die Milch wohl lieber in der Flasche kaufen, aber wir wohnen im 4. Stock, ohne Fahrstuhl. Und warum gibt es eigentlich kein Pfand auf Weinflaschen? Fragen über Fragen, aber Hauptsache der kleine Deckel an der Milch bleibt dran. Der Umwelt zuliebe. Hosted on Acast. See acast.com/privacy for more information.

Der Tierschutz ist im Grundgesetz verankert. Das soll Tiere vor vermeidbarem Leiden schützen. Doch egal ob sie in Massentierhaltungsställen oder auf einem Biohof leben - den meisten sogenannten Nutztieren, die Milch, Eier und Fleisch liefern, geht es gar nicht gut. Dass männliche Küken nicht mehr geschreddert werden dürfen, ändert daran nur wenig.

Armins Daumengefühl Postkarten aus London Zugverwirrung in der Schweiz Essen in England Empfehlung von Philipp: The Book of Mormon Einschätzung von Wicked Mitsingen oder mehr? Neuer Trend: Fan Numbering Bingen zum vergessen Three Buddy Problem Mascot Reveals zum Abschluss Armin wieder krank geworden Alpakas an Pfingsten PAUSE - 53:46 MHD, ja oder nein? Unsere deutschen Weltwunder (und Berlin)

Milchschaum verfeinert Kaffeegetränke und ist Grundlage von wunderschöner Latte-Art. Ihr steht auf Herzchen und Blümchen in eurem Kaffee? Aber der Schaum hat einfach nicht die richtige Konsistenz? Ihr seid Latte-Art-Fan oder möchtet einfach nur euren Cappuccino zu Hause optisch aufpeppen? Hier geht es zu den Insights der "Kunst des Milchschäumens". Wetten, dass ihr nach dieser Podcastfolge „Kaffeewissen to go“ eure Gäste mit dem perfekten Milchschaum beeindrucken könnt, wenn diese auf einen Kaffee rumkommen. Startet jetzt das Tutorial „Perfekter Milchschaum für Latte-Art“. Wir klären auch, was am besten schäumt: Hafer, Soja oder Vollmilch. Und was hat es nur mit dem Erbsen-Drink auf sich…? Barista Indre und Sprecherin Karina verraten es. Echte Schaumschläger, zückt die kalte Milch. Lasst ordentlich heißen Dampf ab - Und los geht es!

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

Unsere Morgenmänner Thomas Apfel und Torsten Hanft blicken immer am Freitag auf ihre Woche zurück. Themen die nicht nur die beiden sondern die Welt und das RadioEINS-Land bewegt haben. Dabei blicken sie natürlich auf alles um sich rum, also in die Landkreis Coburg, Kronach und Lichtenfels. Dazu gibt es viele Berichte und Interviews, auch unser Hanft mit seinem Küpser Dialekt gehört mittlerweile regelmäßig dazu. Auch die bekannten Studien die Thomas Apfel parat hält, sind ein klassischer Bestandteil des Podcasts. Die beiden waren auch schon im Markt Küps im Schloß, unter dem Zollinger Dach in Coburg, bei der Braumanufaktur Lippert in Lichtenfels und in der Rosenbergalm in Kronach live mit ihrem Podcast zu erleben. Hier sind auch weitere Events geplant. Die Themen in dieser Ausgabe: - Apfel und Hanft die Bratwurstkönige - Auch der Gartenschläfer ist ein Sieger - Keine Faxen mehr machen - Wer kifft denn da so wenig? - Was darf Parken im Parkhaus kosten? - Urlaub in Bosnien - Zecken - die Mistviecher - Abschied von Florian Billek Nächsten Freitag - nächste Folge. Und wer uns eine E-Mail schreiben will, der kann das tun unter: apfelundhanft@radioeins.com Und auch wir haben natürlich einen Instagram-Account: https://www.instagram.com/apfelundhanft_fanpage/ @apfelundhanft_fanpage Danke an Gerät für das tolle Intro! Den findet ihr hier: https://www.instagram.com/gereat_rock/ Und ganz viele Songs von Gerät hier: https://open.spotify.com/artist/4ir86MFtgGMTgGWFlVivmS?si=ntZzyf_hSiCzwJjiuHaMMw&nd=1 Danke an unsere Sponsoren: https://www.optik-lindlein.de @optik_lindlein https://www.wagner-coburg.de @frischecenter.wagner Alle Infos zu unserer Apfel & Hanf(t) - Bratwurst: https://www.radioeins.com/aktionen/die-apfel-hanft-bratwurst/ NEU unser Am Telefon ist noch Milch YOUTUBE CHANNEL: https://www.youtube.com/@AmTelefonIstNochMilch Wir sprechen mit und über: Fränkischer Bratwurstgipfel https://www.instagram.com/fraenkischer_bratwurstgipfel/ Das Interview mit Flo Billek findet ihr unter: https://open.spotify.com/show/3Q2vrRgfCGKFSaz3hhDAOx Podcast Stars unserer Kindheit Peter Lustig und Elfie Donnelly gibt es hier: https://www.ardaudiothek.de/sendung/stars-unserer-kindheit-peter-lustig-und-elfie-donnelly/14554769/ Zu hören sind wir bei Radio EINS in Coburg - werktäglich von 6-10 Uhr bei DER MORGEN MIT APFEL UND HANFT - www.radioeins.com

In Graubünden wurde die Ewigkeitschemikalie PFAS fast überall nachgewiesen – in Fisch, Boden, Wasser und Deponien. Meist in tiefer Konzentration, doch wie stark Milch oder Fleisch belastet sind, bleibt unklar. Punktuell werde es Überschreitungen geben, so das Amt. Eine nationale Testkampagne läuft. Weitere Themen: · Mit dem neuen Bedrohungsmanagement will die Kantonspolizei potenziell gefährliche Personen frühzeitig erkennen. Kritisiert wird, dass oft unklar ist, wie man auf solche Listen kommt – oder wieder runter. Zudem könnten Unschuldige ins Visier geraten, was grundrechtlich problematisch sei, sagt die Strafrechtsprofessorin. · Im letzten Herbst sorgte ein Wildschwein im Unterengadin für Aufsehen, weil es in der Region überraschend aufgetaucht und sogar über den Winter geblieben war. Nun wurde es von Wildhütern erschossen, da es Schäden verursachte – ein Entscheid, der nicht überall auf Verständnis stösst.

Im Kanton St. Gallen sind gewisse Böden mit PFAS verseucht. Die Ewigkeitschemikalien gelangen über tierische Produkte wie Fleisch, Milch und Eier auch in unsere Körper. Was passiert, wenn wir mit PFAS belastetes Fleisch essen? Und können wir uns überhaupt davor schützen? Es ist ein Problem, das wohl nicht nur den Kanton St. Gallen betrifft. PFAS, sogenannte Ewigkeitschemikalien, stecken in unzähligen Alltagsgegenständen wie Regenjacken oder Pfannen. Auch in bestimmten Löschschäumen sind PFAS enthalten, ebenso im Klärschlamm von Abwasserreinigungsanlagen. St. Gallen hat als erster Kanton umfangreiche Messungen durchgeführt und festgestellt, dass der gesetzlich vorgeschriebene Grenzwert in Fleisch, Milch und Eiern teilweise massiv überschritten wird. Wir zeigen in dieser Folge auf, welche gesundheitlichen Auswirkungen der Konsum von belasteten Produkten haben kann. Und warum es aktuell keine wirkliche Lösung für das Problem gibt. ____________________ Habt Ihr Fragen oder Themen-Inputs? Schreibt uns gerne per Mail an newsplus@srf.ch oder sendet uns eine Sprachnachricht an 076 320 10 37. ____________________ In dieser Episode zu hören - Irène Dietschi, SRF-Wissenschaftsredaktorin - Martin Scheringer, Umweltchemiker an der ETH Zürich - Bruno Damann, Gesundheitsdirektor Kanton St. Gallen (Mitte) ____________________ Links - https://www.srf.ch/audio ____________________ Team - Moderation: Dominik Rolli - Produktion: Daniela Püntener - Mitarbeit: Vanessa Ledergerber, Silvia Staub ____________________ Das ist «News Plus»: In einer Viertelstunde die Welt besser verstehen – ein Thema, neue Perspektiven und Antworten auf eure Fragen. Unsere Korrespondenten und Expertinnen aus der Schweiz und der Welt erklären, analysieren und erzählen, was sie bewegt. «News Plus» von SRF erscheint immer von Montag bis Freitag um 16 Uhr rechtzeitig zum Feierabend.

Der Bierkonsum ist seit Jahren rückläufig. Wie reagieren Schweizer Brauereien? Antworten von Feldschlösschen-Chef Thomas Amstutz im «Eco Talk». Bier ist hinter Wasser, Softdrinks und Milch das viertmeistverkaufte Getränk in der Schweiz. Doch der Konsum ist seit Jahren rückläufig – zuletzt tranken Schweizerinnen und Schweizer im Schnitt erstmals weniger als 50 Liter Bier pro Jahr. Was sind die Gründe? Wie erfinden sich Feldschlösschen und andere Brauereien neu? Weshalb ist die Schweiz trotz weniger Lust auf Bier das Land mit der höchsten Dichte an Kleinbrauereien in Europa? Und warum dominieren eigentlich wenige Konzerne den grössten Teil des internationalen Biermarkts? Diese Fragen diskutiert Andi Lüscher mit Feldschlösschen-Chef Thomas Amstutz im «Eco Talk».

Mit der Singer/Songwriterin Karl die Große hat MuK über die Bedeutun von Verletzlichkeit und Fragilität in ihrer Musik, neue Songs, Liedertouren, Milch, Literatur, ein kommendes Album und vieles mehr gesprochen. Reinhören!

Heute ist es mal wieder besonders aufregend bei Wieso?Woher?Warum?Wir haben Besuch!Zu Gast ist heute Chris, ein wahrer Katzenexperte. Er verrät uns heute, warum Katzen keine Milch trinken dürfen, wieso sie schnurren - und was es bedeutet, wenn Katzen ihre Beute mit nach Hause bringen.Hör gerne mal rein!Bleib neugierigDeine Christina

Ist Milch gesund oder ungesund? Macht Milch starke Knochen? Welche Milch-Mythen richtig sind, erklärt Sabine Schütze

Unsere Morgenmänner Thomas Apfel und Torsten Hanft blicken immer am Freitag auf ihre Woche zurück. Themen die nicht nur die beiden sondern die Welt und das RadioEINS-Land bewegt haben. Dabei blicken sie natürlich auf alles um sich rum, also in die Landkreis Coburg, Kronach und Lichtenfels. Dazu gibt es viele Berichte und Interviews, auch unser Hanft mit seinem Küpser Dialekt gehört mittlerweile regelmäßig dazu. Auch die bekannten Studien die Thomas Apfel parat hält, sind ein klassischer Bestandteil des Podcasts. Die beiden waren auch schon im Markt Küps im Schloß, unter dem Zollinger Dach in Coburg, bei der Braumanufaktur Lippert in Lichtenfels und in der Rosenbergalm in Kronach live mit ihrem Podcast zu erleben. Hier sind auch weitere Events geplant. Die Themen in dieser Ausgabe: - Beeindruckende Katastrophenschutzübung in Steinach an der Steinach - Auch das THW hat in Coburg geübt - Gute Geschäfte im ICE - Kurz vorm Bratwurstgipfel - Hubert Aiwanger bei den Coburger Designtagen - Immer dieser Michel bei den Rosenbergfestspielen - Aufi geht's zur Coburger Hütte - Die Stadtteilforscher von Ketschendorf - Kindergarten Ascolino zieht um - Ein großer verlässt die Handball-Bühne: Flo Billek Nächsten Freitag - nächste Folge. Und wer uns eine E-Mail schreiben will, der kann das tun unter: apfelundhanft@radioeins.com Und auch wir haben natürlich einen Instagram-Account: https://www.instagram.com/apfelundhanft_fanpage/ @apfelundhanft_fanpage Danke an Gerät für das tolle Intro! Den findet ihr hier: https://www.instagram.com/gereat_rock/ Und ganz viele Songs von Gerät hier: https://open.spotify.com/artist/4ir86MFtgGMTgGWFlVivmS?si=ntZzyf_hSiCzwJjiuHaMMw&nd=1 Danke an unsere Sponsoren: https://www.optik-lindlein.de @optik_lindlein https://www.wagner-coburg.de @frischecenter.wagner Alle Infos zu unserer Apfel & Hanf(t) - Bratwurst: https://www.radioeins.com/aktionen/die-apfel-hanft-bratwurst/ NEU unser Am Telefon ist noch Milch YOUTUBE CHANNEL: https://www.youtube.com/@AmTelefonIstNochMilch Wir sprechen mit und über: THW Coburg https://www.instagram.com/thw_coburg/ Bratwurtsgipfel Pegnitz https://www.instagram.com/fraenkischer_bratwurstgipfel/ Hubert Aiwanger https://www.instagram.com/hubertaiwanger/ Coburger Designtage https://www.instagram.com/designforum_cdo/ Rosenbergfestspiele https://www.instagram.com/rosenbergfestspiele_kronach/ Coburger Hütte https://www.instagram.com/coburgerhuette/ Ascolino https://www.instagram.com/ascolino.coburg/ HSC 2000 Coburg https://www.instagram.com/hsc2000coburg/ Zu hören sind wir bei Radio EINS in Coburg - werktäglich von 6-10 Uhr bei DER MORGEN MIT APFEL UND HANFT - www.radioeins.com

Worin liegt der feine Unterschied zwischen Espresso Macchiato, Flat White und Cappuccino? Claude Stahel - der Coffeeman - erklärt, was die einzelnen Kaffeevarianten ausmacht, wie sich die Textur der Milch unterscheidet und warum der Macchiato nicht einfach nur ein kleiner Cappuccino ist. Ein kurzer, aber intensiver Tauchgang in die Welt des Kaffeegenusses.

Milch gilt in China als ein sehr gesundes Verbraucherprodukt, hat aber in der Vergangenheit auch viel Leid über das Land gebracht und eine Vertrauenskrise ausgelöst. Wie dies China heute noch prägt und wie ich Milch und Käse in China kaufe, erfährst du in dieser Episode.
 Erwähnte Namen:
 Sanlu Group: ehemaliges chinesisches Molkereiunternehmen, das eine der ältesten und beliebtesten Marken für Säuglingsnahrung in China produzierte.
 Daigou (代购): Auftragskäufe außerhalb von China zum Import nach China.
 Erwähnte Statistiken:
 Figure 1. Lactose intolerance worldwide, % of total population: https://www.researchgate.net/figure/Lactose-intolerance-worldwide-of-total-population_fig1_356534690
 Global Dairy Quarterly - Rabobank: https://www.rabobank.com/knowledge/q011332988-global-dairy-quarterly-q1-2025-modest-growth-amid-trade-shifts
 ► Hier kannst du dich kostenlos für meine neue Plattform C2I-Express (App + Report) anmelden: https://china2invest.webflow.io/express
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 Die verwendete Musik wurde unter AudioJungle - Royalty Free Music & Audio lizensiert. Urheber: Alexiaction.
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 Offenlegung wegen möglicher Interessenkonflikte: Der Autor ist in den folgenden besprochenen Wertpapieren bzw. Basiswerten zum Zeitpunkt der Veröffentlichung investiert: -.

Unsere Morgenmänner Thomas Apfel und Torsten Hanft blicken immer am Freitag auf ihre Woche zurück. Themen die nicht nur die beiden sondern die Welt und das RadioEINS-Land bewegt haben. Dabei blicken sie natürlich auf alles um sich rum, also in die Landkreis Coburg, Kronach und Lichtenfels. Dazu gibt es viele Berichte und Interviews, auch unser Hanft mit seinem Küpser Dialekt gehört mittlerweile regelmäßig dazu. Auch die bekannten Studien die Thomas Apfel parat hält, sind ein klassischer Bestandteil des Podcasts. Die beiden waren auch schon im Markt Küps im Schloß, unter dem Zollinger Dach in Coburg, bei der Braumanufaktur Lippert in Lichtenfels und in der Rosenbergalm in Kronach live mit ihrem Podcast zu erleben. Hier sind auch weitere Events geplant. Die Themen in dieser Ausgabe: - 35 Kilometer Strüdel in Südtirol - Der vierspurige Ausbau in Weichengereuth - Flieger, steht mir nicht im Weg - So klingt ein Schockanruf! - QR-Code-Betrugsmasche in Coburg - Ekelhaft: Animal Hording im Landkreis Kronach - Schwangere Krankenschwestern - Durchgezogene Linie bei Bad Staffelstein - Lustig ist das Flößerleben - Wie geht's unseren Bäumchen? - Der Förster des Jahres - Stricki Stricki Stricki - Wollkörbla Michelau im Kino Nächsten Freitag - nächste Folge. Und wer uns eine E-Mail schreiben will, der kann das tun unter: apfelundhanft@radioeins.com Und auch wir haben natürlich einen Instagram-Account: https://www.instagram.com/apfelundhanft_fanpage/ @apfelundhanft_fanpage Danke an Gerät für das tolle Intro! Den findet ihr hier: https://www.instagram.com/gereat_rock/ Und ganz viele Songs von Gerät hier: https://open.spotify.com/artist/4ir86MFtgGMTgGWFlVivmS?si=ntZzyf_hSiCzwJjiuHaMMw&nd=1 Danke an unsere Sponsoren: https://www.optik-lindlein.de @optik_lindlein https://www.wagner-coburg.de @frischecenter.wagner Alle Infos zu unserer Apfel & Hanf(t) - Bratwurst: https://www.radioeins.com/aktionen/die-apfel-hanft-bratwurst/ NEU unser Am Telefon ist noch Milch YOUTUBE CHANNEL: https://www.youtube.com/@AmTelefonIstNochMilch Wir sprechen mit und über: Pan Tiefkühlprodukte https://www.instagram.com/panfoodservice/ Fränkischer Bratwurstgipfel https://www.instagram.com/fraenkischer_bratwurstgipfel/ Stadt Coburg https://www.instagram.com/coburg.de/ Tierheim Kronach https://www.instagram.com/tierschutzverein_kronach/ Polizei Oberfranken https://www.instagram.com/polizei_oberfranken/ Jens Korn https://www.instagram.com/jens.korn.35/ Flößerei Wallenfels https://www.instagram.com/floesserei_wallenfels/ Bayerische Staatsforsten https://www.instagram.com/bayerische_staatsforsten/ Zu hören sind wir bei Radio EINS in Coburg - werktäglich von 6-10 Uhr bei DER MORGEN MIT APFEL UND HANFT - www.radioeins.com

Es ist schon interessant, wie viele Lebensmittel aus Milch hergestellt werden können: Zum Beispiel Butter, Käse, Eiscreme, Joghurt und – Buttermilch. Und dieses Nebenprodukt der Butterherstellung ist gerade jetzt im Sommer besonders beliebt, weil sie nicht nur erfrischend ist, sondern auch besonders nährstoffreich und kalorienarm. Was drin steckt in der Buttermilch, deren Name etwas irreführend ist, erklärt im Podcast Ernährungswissenschaftlerin Viola Wojtkowiak.

Das Q&A mit Sadaf Djalaly (Bambis Foodlab) jetzt auf PATREON:http://www.patreon.com/diedeutschenpodcast/membershipIn dieser Folge ist Sadaf auch bekannt als Bambis Foodlab zu Gast – Heilpraktikerin in Ausbildung, Social Media Creatorin und absolute Aufklärerin in Sachen gesunde Ernährung. Gemeinsam mit Nizar und Shayan geht sie der Frage auf den Grund: Warum werden Menschen immer kränker, obwohl es mehr „gesunde Produkte“ gibt als je zuvor?Es geht um Rapsöl, Milch, Zucker, das kaputte Gesundheitssystem, Heilpraktik vs. Schulmedizin, soziale Arbeit und persönliche Erfahrungen mit Asthma & Selbstheilung. Diese Folge ist ein Weckruf für alle, die einfach nur gesund leben wollen – aber nicht wissen, wem sie glauben sollen.Alle Kanäle | Sadaf Djalaly (Bambis Foodlab)https://www.instagram.com/bambis_foodlabhttps://www.tiktok.com/@bambis_foodlabAlle Kanäle | Die Deutschenhttps://linktr.ee/diedeutschen

Mit dem ehemaligen Ministerpräsident Thüringens und aktuellen Bundestagsvizepräsidenten Bodo Ramelow hat MuK über das Lebenselixier Milch, Moshpits und Monopole, Talkshowformate, Legasthenie, Kritik an der Linken Friedensfähigkeit, die Bergpredigt, Fußballwunder und vieles mehr gesprochen. Und Bodo Ramelow hat uns verraten, ob er Vizepräsident dieser Sendung wird. Reinhören!

Tina will eigentlich eine Tasse mit schönem, kalten Kakao trinken, doch Mischa lässt sie nicht, im Lachlabor soll heute schließlich Gemischtes wieder getrennt werden! Vielleicht mit einem Sieb oder einem Kaffeefilter? Oder doch den Kakao superheiß oder superkalt machen? Naja, ob Tina und Mischa wirklich die passende Laborausrüstung in der Lachlaborkiste haben, wird sich zeigen!

Unsere Morgenmänner Thomas Apfel und Torsten Hanft blicken immer am Freitag auf ihre Woche zurück. Themen die nicht nur die beiden sondern die Welt und das RadioEINS-Land bewegt haben. Dabei blicken sie natürlich auf alles um sich rum, also in die Landkreis Coburg, Kronach und Lichtenfels. Dazu gibt es viele Berichte und Interviews, auch unser Hanft mit seinem Küpser Dialekt gehört mittlerweile regelmäßig dazu. Auch die bekannten Studien die Thomas Apfel parat hält, sind ein klassischer Bestandteil des Podcasts. Die beiden waren auch schon im Markt Küps im Schloß, unter dem Zollinger Dach in Coburg, bei der Braumanufaktur Lippert in Lichtenfels und in der Rosenbergalm in Kronach live mit ihrem Podcast zu erleben. Hier sind auch weitere Events geplant. Die Themen in dieser Ausgabe: - Die Apfelstrudel-Fahrt nach Bozen - Gutaussehender Verleger an Bord - Der Abschied vom Wohnmobil der Camper-Tour - Caroline gewinnt Catch the Camper - Telefonieren oder Texten? - Kitzrettung Oberfranken - Warum sagt man "sturmfrei?" - Apfel & Hanft Bratwurst beim Pegnitzer Bratwurstgipfel - Glückliche Kinder auf dem Coburger Frühlingsfest - ESC mit Schulz und Böhmermann Nächsten Freitag - nächste Folge. Und wer uns eine E-Mail schreiben will, der kann das tun unter: apfelundhanft@radioeins.com Und auch wir haben natürlich einen Instagram-Account: https://www.instagram.com/apfelundhanft_fanpage/ @apfelundhanft_fanpage Danke an Gerät für das tolle Intro! Den findet ihr hier: https://www.instagram.com/gereat_rock/ Und ganz viele Songs von Gerät hier: https://open.spotify.com/artist/4ir86MFtgGMTgGWFlVivmS?si=ntZzyf_hSiCzwJjiuHaMMw&nd=1 Danke an unsere Sponsoren: https://www.optik-lindlein.de @optik_lindlein https://www.wagner-coburg.de @frischecenter.wagner NEU unser Am Telefon ist noch Milch YOUTUBE CHANNEL: https://www.youtube.com/@AmTelefonIstNochMilch Wir sprechen mit und über: Freizeitcenter Dietz https://www.instagram.com/stories/freizeitcenter_dietz/ Pan Tiefkühlprodukte https://www.instagram.com/panfoodservice/ Wolfram Hegen https://www.instagram.com/wolframhegen/ Caroline Ehrsam https://www.instagram.com/carolinehrsam/ Kitzrettung Oberfranken https://www.instagram.com/kitzrettungoberfranken/ Fränkischer Bratwurstgipfel https://www.instagram.com/fraenkischer_bratwurstgipfel/ Pazdera Driving Diner https://www.instagram.com/pazderadriving/ Stadt Coburg https://www.instagram.com/coburg.de/ Zu hören sind wir bei Radio EINS in Coburg - werktäglich von 6-10 Uhr bei DER MORGEN MIT APFEL UND HANFT - www.radioeins.com

Gedicht oder Song? Ob Paula Paula sich auskennt? MuK hat mit ihr Lyrik oder Lyrics gespielt. Hört rein!

Wir sind wieder vereint! Luisa ist zurück aus der Babypause und hat direkt ein kontroverses Thema mitgebracht. Milchpulver - entwickelt und vertrieben von Henri Nestlé rettete es viele Säuglinge, kostete aber auch Menschenleben... Wir klären: Wie wird aus einem deutschen Apotheker der Gründer eines der mächtigsten Lebensmittelkonzerne der Welt? Und warum ist das Milchpulver von Henri Nestlé so umstritten, wo es so viele Leben retten konnte?Hier gibt's die Folge mit Julius von Liebig, der eine wichtige Grundlage für das Muttermilchersatzpulver bildete. Wenn ihr nach der Empfehlung von Science Crimes bei uns gelandet seid: Hallo! Max und Jonathan waren auch schon mal zum Interview bei uns.“Behind Science” gibt's jeden Samstag - am Science-Samstag. Zwischendurch erreicht ihr uns per Mail und Instagram, und hier gibt's unsere Links, die gerade wichtig sind. Nutzt im Mai gerne unseren Buah-Code behindscience10, wenn ihr knackige Snacks sucht. Hosted on Acast. See acast.com/privacy for more information.

Unsere Morgenmänner Thomas Apfel und Torsten Hanft blicken immer am Freitag auf ihre Woche zurück. Themen die nicht nur die beiden sondern die Welt und das RadioEINS-Land bewegt haben. Dabei blicken sie natürlich auf alles um sich rum, also in die Landkreis Coburg, Kronach und Lichtenfels. Dazu gibt es viele Berichte und Interviews, auch unser Hanft mit seinem Küpser Dialekt gehört mittlerweile regelmäßig dazu. Auch die bekannten Studien die Thomas Apfel parat hält, sind ein klassischer Bestandteil des Podcasts. Die beiden waren auch schon im Markt Küps im Schloß, unter dem Zollinger Dach in Coburg, bei der Braumanufaktur Lippert in Lichtenfels und in der Rosenbergalm in Kronach live mit ihrem Podcast zu erleben. Hier sind auch weitere Events geplant. Die Themen in dieser Ausgabe: - Die Highlights aus der ersten Wohnmobil-Tour-Woche Nächsten Freitag - nächste Folge. Und wer uns eine E-Mail schreiben will, der kann das tun unter: apfelundhanft@radioeins.com Und auch wir haben natürlich einen Instagram-Account: https://www.instagram.com/apfelundhanft_fanpage/ @apfelundhanft_fanpage Danke an Gerät für das tolle Intro! Den findet ihr hier: https://www.instagram.com/gereat_rock/ Und ganz viele Songs von Gerät hier: https://open.spotify.com/artist/4ir86MFtgGMTgGWFlVivmS?si=ntZzyf_hSiCzwJjiuHaMMw&nd=1 Danke an unsere Sponsoren: https://www.optik-lindlein.de @optik_lindlein https://www.wagner-coburg.de @frischecenter.wagner NEU unser Am Telefon ist noch Milch YOUTUBE CHANNEL: https://www.youtube.com/@AmTelefonIstNochMilch Wir sprechen mit und über: Freizeitcenter Dietz https://www.instagram.com/stories/freizeitcenter_dietz/ Landhotel Augustin https://www.instagram.com/augustin_daslandhotel/ FFW Dörfles Esbach https://www.instagram.com/ffdoerflesesbach/ Stadt Lichtenfels https://www.instagram.com/stadt_lichtenfels/ Landkreis Lichtenfels https://www.instagram.com/landkreislichtenfels/ DKMS https://www.instagram.com/dkms_de/ Eggi https://www.instagram.com/claudia_eckardt_eggiland/ Fitness-Fabrik Rödental https://www.instagram.com/fitnessfabrik_roedental/ Markt Pressig https://www.instagram.com/markt.pressig/ Stefan Heinlein https://www.instagram.com/heinleinstefan/ Stadt Wallenfels https://www.instagram.com/stadt_wallenfels/ Jens Korn https://www.instagram.com/jens.korn.35/ TV Weidhausen https://www.instagram.com/tv_1863_weidhausen_/ Wintergarten Baumann https://www.instagram.com/baumann_wintergarten/ VfB Einberg https://www.instagram.com/vfb_einberg_1923/ Zu hören sind wir bei Radio EINS in Coburg - werktäglich von 6-10 Uhr bei DER MORGEN MIT APFEL UND HANFT - www.radioeins.com

Im Doppelpack sind wir auf die Welt gekommen, mein Zwillingsbruder und ich. Das ist schon über 40 Jahre her. Milch in Tüten gab es noch nicht. Deshalb gingen wir mit der Milchkanne zum Laden. Und mit der Milchkanne konnte man viel Unsinn anstellen...(Eine Geschichte von Ulrike Klausmann, erzählt von Birgit Minichmayr)

Hallo ihr Mannis und Mannienchen,Der Podcast eures Vertrauens, eurer Herzen, eurer Leidenschaft...usw. ist wieder mit neuer Folge am Start.Unter anderem mit diesen Themen :KI bald im real Life?Neues Merch Produkt Kakerlaken Milch?Sprengi bald der neue Papst?Daniel Kübelböck lebt in Dänemark?Das und vieles mehr, exklusiv nur bei uns! Dem wohl wichtigsten Podcast aller Zeiten.Link zum Shop von "Das Bier"https://www.das-bier.com/maennerrundeKontakt: diemaennerrunde@web.deUnterstützt uns bei Patreon.comhttps://www.patreon.com/diemaennerrundeTwitter: @DieMaennerundeInstagram:https://www.instagram.com/die_maennerrunde_podcastFacebook:https://www.facebook.com/Maennerrunde.PodcastYouTube Kanal:https://www.youtube.com/channel/UCk6hDwJfdAyJa71gFS_UsEAWir verwenden gemafreie Musik von bluevalley.de the music companyhttps://www.bluevalley.de/index.php

Die internationale Unterhaltungsmatinee für mehr Orientierung, Klarheit, Wachstum, und Antworten auf Fragen nach verlassenen Filme, Betriebssystemen, Anreden & Streit, Milch, Sperrgut, Polizeiruf, Flüchen, Nachnamen, Leuten, Kackfragen, Golf, Gebäck, Tee, Präsentationen, Pflaumenmus, Atomdenkmalen, Neugeräten, Anteilnahme, Tofu, YMMV, Verschlossenheit, Shopping, Unsinn, und auf die obligatorische Höflichkeitsfrage von esureL. Bitte auch Alexandra direkt unterstützen!

Viele essen gerne Fleisch. Aber wie sähe die Welt aus, wenn alle Menschen plötzlich Vegetarier würden? Quarks ordnet ein, welche Vorteile das für die Umwelt wirklich bringen würde: Wie viele Klimagase würden wir einsparen? Würde unser Wasser sauberer? Und wir zeigen, wo die Welt ohne Fleisch weniger gut funktionieren würde, als es den Anschein hat. (Diese Folge ist ein Repost aus dem Juni 2024) // Alle Quellen und weitere Spezials findest Du hier: https://www.quarks.de/daily-quarks-spezial/ Von Markus Meyer-Gehlen.

Die internationale Unterhaltungsmatinee für mehr Orientierung, Klarheit, Wachstum, und Antworten auf Fragen nach verlassenen Filme, Betriebssystemen, Anreden & Streit, Milch, Sperrgut, Polizeiruf, Flüchen, Nachnamen, Leuten, Kackfragen, Golf, Gebäck, Tee, Präsentationen, Pflaumenmus, Atomdenkmalen, Neugeräten, Anteilnahme, Tofu, YMMV, Verschlossenheit, Shopping, Unsinn, und auf die obligatorische Höflichkeitsfrage von esureL. Bitte auch Alexandra direkt unterstützen!

Der 8jährige Konrad Frühling führt ein ruhiges Leben – bis er die "Agentur für Abenteuer" betritt. Der Laden gehört Olga und Florida. Die Schwestern fordern Konrad heraus: Er erfindet eine Superkraft, fliegt mit einem Hubschrauber, um Milch zu holen und auch in der Schule ändert sich nun einiges. Alle 7 Folgen der OHRENBÄR-Hörgeschichte: Frühling voller Abenteuer von Hubert Schirneck. Es liest: Florian Lukas. ▶ Mehr Hörgeschichten empfohlen ab 6: https://www.ohrenbaer.de/podcast/empfohlen-ab-6.html ▶ Mehr Infos unter https://www.ohrenbaer.de & ohrenbaer@rbb-online.de

Frühlingsanfang: In der Natur immer früher (Von Dominik Bartoschek) / UNESCO-Weltwasserbericht: Zusammenhang von Gletscherschmelze und Wasserversorgung (Von Yasmin Appelhans) / Agrardieselförderung: Laut Sondierungspapier soll sie wieder kommen (Von Joanna Thurow) / Desinformations-Kampagne: Menschen schütten angeblich vergiftete Milch weg (Von Gabi Biesinger) / Nachhaltigkeit im Job: Unternehmen aus dem Kreis Landsberg geehrt (Von Robert Glawatz) / Gegen Atomstrom-Import aus Tschechien: Niederbayerischer Bezirkstag fordert Verzicht (Von Marcel Kehrer) / Fischotter: Umwelthilfe klagt gegen Abschussanträge (Von Lorenz Storch) / Gemüsebeet statt Sitzungssäle: vom Politiker zum Permakultur-Bauer (Von Laila Heyne) // Moderation: Eva Lell

Stell dir vor, du beißt in ein Stück Büffelmozzarella, das so frisch ist, dass die cremige Milch beim Anschneiden austritt. In dieser Episode nehmen wir dich mit auf eine Reise nach Kampanien, ins Herz der Mozzarella-Produktion, wo wir die Geheimnisse des weißen Goldes Italiens entdecken. Du erfährst, warum Büffelmilch diesen einzigartigen Geschmack hat, welche handwerkliche Kunst hinter der Herstellung steckt und wie sich die Aromen von Käserei zu Käserei unterscheiden. Gemeinsam erkunden wir nicht nur traditionelle Käsereien, sondern tauchen auch in kreative Rezeptideen ein – von klassischem Caprese bis zur perfekten Pizza mit echtem Mozzarella di Bufala. Lass dich inspirieren, selbst auf Genussreise zu gehen, und entdecke, warum dieser Käse so viel mehr ist als nur eine Zutat. Hör rein und erlebe mit uns ein Stück echtes Italien! Käserei Salati Käserei Polito ************************************************ Abonniere jetzt den Podcast bei Spotifyund verpasse keine Folge mehr! Mehr findest du auch auf den Social-Media-Kanälen Facebook Youtube Instagram Feinschmeckertouren ************************************************

Kühe schaden dem Klima. Durch ein neues Mittel soll sich das ändern. Der Futtermittelzusatz Bovaer verhindert, dass Kühe Methan in die Atmosphäre rülpsen. Schadet er den Menschen, wie viele behaupten? Gast? Imme Dittrich, Lehr- und Versuchszentrum (LVZ) Futterkamp, Fachbereichsleiterin Rinderhaltung bei der Landwirtschaftskammer Schleswig-Holstein.Text und Moderation? Caroline AmmeSie haben Fragen? Schreiben Sie eine E-Mail an podcasts@ntv.deSie wollen den Podcast abonnieren? RTL+, Amazon Music, Apple Podcasts, Spotify oder über den RSS-FeedSie möchten "Wieder was gelernt" unterstützen? Dann bewerten Sie den Podcast gerne bei Apple Podcasts oder Spotify.Alle Rabattcodes und Infos zu unseren Werbepartnern finden Sie hier: https://linktr.ee/wiederwasgelerntUnsere allgemeinen Datenschutzrichtlinien finden Sie unter https://datenschutz.ad-alliance.de/podcast.htmlWir verarbeiten im Zusammenhang mit dem Angebot unserer Podcasts Daten. Wenn Sie der automatischen Übermittlung der Daten widersprechen wollen, klicken Sie hier: https://datenschutz.ad-alliance.de/podcast.htmlUnsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

Ein Leben als Landwirtin – wer ein solches in Angriff nimmt, muss eine dicke Haut haben. Während zwei Jahren begleitet «SRF Reporter» Sophie Bührer, und Sarah Dähler. Zwei Landwirtinnen, die sich durchsetzen, chrampfen und mit aller Macht dafür sorgen, dass ihr Hof bestehen bleibt. Die Bäuerinnen Sophie Bührer und Sarah Dähler haben beide den Hof ihrer Väter übernommen. Sie mussten seither finanzieller Druck und unerwartete Ereignisse aushalten. Reporterin Désirée Ottiger begleitet die beiden und zeigt auf, wie viel Arbeit der Bauernberuf wirklich mit sich bringt. Sarah Dähler, 38, führt einen Bio-Gemüsebetrieb in Seftigen, Bern. Regen und Hagel haben ihr zweimal die gesamte Ernte zerstört. Zudem ist ihre Schulter kaputt. Sie kann nicht mehr körperlich arbeiten. Wird sie operieren und damit verbunden die ganze Arbeit delegieren? Auf Sophie Bührers Betrieb in Bibern, Schaffhausen, hingegen sterben die Kühe weg. Der Betrieb produziert dadurch viel weniger Milch – ein Fakt, der ein riesiges Loch ins Budget reisst. Lohnt es sich noch? Zudem muss die 25-Jährige privat ein trauriges Ereignis verkraften. Ihr Kind stirbt kurz nach der Geburt.

Unter Feinschmeckern hat Gouda einen schlechten Ruf. Dabei kann der holländische Käse, wenn er gut gemacht ist, durchaus mit der Käsekonkurrenz aus Frankreich mithalten, finden Genussexperte Helmut Gote und Moderatorin Carolin Courts. Von WDR 5.