Podcasts about NYPD Blue

Noel catches up with Mark Kiely. The actor is probably best known for his role as Gil Meyers on Beverly Hills, 90210. Mark also had a recurring role on 24. His other TV roles include NYPD Blue, Lois and Clark, CSI, The Shield and more. His movies roles include Bruce Almighty, The Edge and The Judge. Mark took a break from acting to become a competitive swim coach in Rhode Island.

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

This week on Forgotten Cinema, the Mikes take a ride back to the grimy streets of mid-90s New York with "Kiss of Death" (1995), starring David Caruso, Samuel L. Jackson, and a wildly unhinged Nicolas Cage with a bench press and a metal grill.Mike Field and Mike Butler dig into why this crime thriller—despite its strong cast and moody atmosphere—never quite sticks the landing. Is it a protagonist issue? Or does the story itself just not really hold up under further investigation?Either way, there's plenty to talk about: Cage's wild energy, Caruso's post-NYPD Blue movie pivot, or Ving Rhame's character's hatred of the color red.So, grab your popcorn and soda, please notice the exits to the left and right of you and settle down for Forgotten Cinema. What's your favorite 90's crime film? Let us know in the comments below!

Markus Redmond chats about Ramangan lore, learning to write a novel, how George Floyd and Regarding Henry inspired Blood Slaves, and why he wanted Willie and Gertie to have a realistic romantic relationship. Markus Redmond studied acting in Hollywood during high school and has performed on stage and on screens in homes and theaters. Markus has appeared in multiple shows and movies, including Mad About You, NYPD Blue, Murder One, Curb Your Enthusiasm, and Fight Club. Steven Bochco recognized Markus's writing talent when he portrayed a recurring character on Dougie Houser M.D., giving Markus opportunities to attend script development sessions. In addition to his acting credits, Markus has sold movie scripts and his debut novel, Blood Slaves, will be on store shelves this July. You can find out more about Markus and his debut novel by following him on Instagram @markusredmond

Markus Redmond chats about Ramangan lore, learning to write a novel, how George Floyd and Regarding Henry inspired Blood Slaves, and why he wanted Willie and Gertie to have a realistic romantic relationship. Markus Redmond studied acting in Hollywood during high school and has performed on stage and on screens in homes and theaters. Markus has appeared in multiple shows and movies, including Mad About You, NYPD Blue, Murder One, Curb Your Enthusiasm, and Fight Club. Steven Bochco recognized Markus's writing talent when he portrayed a recurring character on Dougie Houser M.D., giving Markus opportunities to attend script development sessions. In addition to his acting credits, Markus has sold movie scripts and his debut novel, Blood Slaves, will be on store shelves this July. You can find out more about Markus and his debut novel by following him on Instagram @markusredmond

This week The Lonely Island and Seth Meyers talk about the digital short, Laser Cats! 4 Ever. They talk about their memories making the short with Steve Martin, plus they also chat about topics from last week's pod again, like dissecting the Frazier theme song, talking more in-depth about Dennis Franz in NYPD Blue and the promo that came out before the show, and more! Laser Cats 4 Ever - https://youtu.be/en4k0HoBDok?si=tmCm4P2nJsY4v-QfMona Lisa - https://youtu.be/Dh2Lky730q0?si=6jqwdtrCMtCD8XJW(Not all the clips we mention are available online; some never even aired.) If you want to see more photos and clips follow us on Instagram @lonelymeyerspod. Send us an email! thelonelyislandpod@gmail.com ShopifySign up for your one-dollar-per-month trial and start selling today at SHOPIFY.COM/ lonelyislandNutrafolStart your hair growth journey with Nutrafol. For a limited time, Nutrafol is offering our listeners ten dollars off your first month's subscription and free shipping when you go to Nutrafol.com and enter the promo code island.FactorGet started at factormeals.com/ISLAND50OFF and use code ISLAND50OFF to get 50 percent off plus FREE shipping on your first box.Mint MobileGet your summer savings and shop premium wireless plans at MINTMOBILE.com/ISLAND Learn more about your ad choices. Visit megaphone.fm/adchoices

This week The Lonely Island and (sort of) Seth Meyers talk about the digital short, A Couple of Homies! The guys also talk about the video of Jorm dancing to Fleet Foxes, a scene from NYPD Blue, and they get a voice note from a double Quaid! A Couple Of Homies - not on YouTube sorry! Maybe Google it?Andy on Everybody's Live with John Mulaney - https://youtu.be/Il9v4x37ux4?si=i5VJDnZ-hZc9dcyMJorm Dances To Fleet Foxes - https://youtu.be/F7rXo1nLgp4?si=claNP2HpE7lVdBtmNYPD Blue - Franz Butt - https://www.youtube.com/watch?v=PM29Pxwakws Support our sponsors: Vuori Get 20% off your FIRST purchase. Get yourself some of the most comfortable and versatile clothing on the planet at vuori.com/ISLAND Cremo Head to Target or Target.com to find Cremo's new line of antiperspirants and deodorants in the Italian Bergamont and Palo Santo scents Betterment Make your money hustle with Betterment Get started at Betterment.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Join DEVIANT host Andrew Iden as he gets to know Andrea Thompson, one of the stars of the groundbreaking TV show NYPD Blue. In this episode of DEVIANT Off Script, Andrea discusses her journey into acting, her experiences on the show, and her unique transition to journalism. From formative childhood performances in Dayton, Ohio, to riding along with NYPD detectives, Andrea shares fascinating insights into her diverse career. JOIN OUR PATREON: http://www.deviantpodcast.com Visit DEVIANT's socials: http://www.instagram.com/deviant.podcast http://www.tiktok.com/@deviant.podcast Copyright 2025 Cold Open Media LLC Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a JUMBO Season 6, Episode 13 of this "The Vampire Diaries" related podcast! Pete is watching the show for the first time and Ash is a superfan. Each episode they watch an episode of TVD and discuss. This week they talk about their NEW new sponsor, Cheersing, Dupe Detection on Avid, The Portable Producer, words with different meanings, and much more!  They don't have ANY Pete-dictions at the end of the show! Haha, lol. Talk to Pete here: https://www.instagram.com/theportableproducer/ We were voted one of the Top 10 The Vampire Diaries Podcasts on the web. https://blog.feedspot.com/the_vampire_dairies_podcasts/ Also we're in the top 100 Vampire Podcasts here: https://www.millionpodcasts.com/vampire-podcasts/ The EC Little Free Library: https://www.instagram.com/eclittlefreelibrary/ Pete is on Letterboxd! https://letterboxd.com/peterlh/ Check out The VamPetey merch at https://www.teepublic.com/user/highdive If you like #TheVampireDiaries and/or you are a young adult, you should check out Pete's books! https://www.amazon.com/Peter-L-Harmon/e/B011SBWJF8/ref=dp_byline_cont_pop_book_1 And if you love this show, please leave us a review. Go to RateThisPodcast.com/vampetey and follow the instructions.

Currie Graham Actor 1923, NYPD Blue, Reacher, Murder in the First Degree, Law and Order 

There are some shows that will go down in TV history as setting the bar for a specific genre. And when those shows have ensemble casts, it pretty much raises the status of every actor on the screen. When it comes to cop shows that viewers and critics collectively have loved, one specific police drama and its characters from the 1990's and beyond stands out. This is Still Here Hollywood. I'm Steve Kmetko. Join me today with Donna Abandando from NYPD Blue, actor Gail O'Grady. Show Credits Host/Producer: Steve Kmetko All things technical: Justin Zangerle Executive Producer: Jim Lichtenstein Music by: Brian Sanyshyn Transcription:  Mushtaq Hussain   https://stillherehollywood.com http://patreon.com/stillherehollywood Suggest Guests at: stillherehollywood@gmail.com Advertise on Still Here Hollywood: jim@stillherenetwork.com Publicist: Maggie Perlich: maggie@numbertwelvemarketing.com  

Jason Fraley interviews five-time Emmy nominee Amy Brenneman about her new comedy play "Fake It Until You Make It” at Arena Stage in Washington D.C. now through May 4. They also discuss her career highlights, including “NYPD Blue," "Casper," "Heat," "Judging Amy," “Private Practice” and “The Leftovers.” (Theme Music: Scott Buckley's "Clarion")

Snow White actor & dwarf Marty Klebba talks to us about the film; Diddy's newest lawsuits; WATP Karl takes apart Stuttering John, Opie's jealousy of Anthony, & Good Hang with Amy Pohler; Con Mum on Netflix; a Screaming Banshee Cop Cam; Ace Frehley phones it in; and we were almost canceled on Twitter. We were almost cancelled via twitter thanks to an angry MSU basketball fan. The Jim and Them show has been struck down on YouTube again. You cannot mess with Corey Feldman. Con Mum is a new documentary on Netflix that is worth the watch. It might set a record for the most missed flags. Martin Klebba is an actor. He's also a dwarf that supplied the voice for Grumpy in the new Snow White movie. He tells us about what helped stall the film, how cool Johnny Depp is, and why LeBron James is racist.  Carnie Wilson's daughter tried out for American Idol... with the help of 2/3 of Wilson Phillips. Country star Morgan Wallen left the end of Saturday Night Live early and now everyone has to have a take on what it means. ‘NYPD Blue' actress Kim Delaney will not face assault charges even though her husband allegedly has video of her trying to run him over. There are two new charges against Diddy. The first involves a photographer that faced a real prisoner's dilemma. The other accuser says that he was at a freak-off party with Beyonce, LeBron James and Gloria Estefan. WATP Karl joins us to dissect one of the hottest new podcasts: Good Hang with Amy Pohler. He also takes apart Stuttering John's second morning TV appearance in Niles, Ohio. Plus Karl has clips that seemingly show how jealous Opie is of Anthony. Maz shills for A Complete Unknown.  Maz and Drew will be at the Woodward Sports Opening Day Party this Friday Sydney Sweeny always needs to be the center of attention. Good Morning America is in shambles. No one wants to do GMA3.  Meghan Markel and Not-a-Prince Harry are in a beef with an African charity. Prince Andrew and Jeffrey Epstein accuser Virginia Giuffre only has days to live. Prince Andrew's ex-wife has very little sympathy.  Drew is freaked out by the mysterious black ring floating above Seattle. The woman that was targeted because she was driving a Tesla in Flagstaff is angry at the attacker's charges. A doctor is accused of trying to murder his wife in Hawaii, in what some people are saying is an inefficient way. Lauren Mullins is "Screaming Banshee" accused of a fatal DUI of a 73-year-old man. Ace Frehley is out there hustling and promoting his shows. He might not have saved enough energy for the stage. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

Attorney Jeremy Rosenthal examines the latest legal topics making headlines

A bombshell announcement by the Dept of Justice: The feds say they're seeking the death penalty for the man accused of assassinating a healthcare CEO in New York. The execution move is extremely rare! A 70-year-old woman is facing capital murder for gunning down an employee at an Arkansas senior living facility. And, an NYPD Blue star played a cop on TV, now, she's been cuffed, for real! Jennifer Gould reports. See omnystudio.com/listener for privacy information.

6a-7a Richard Chamberlain, former heartthrob and star of Shōgun & The Thorn Birds, has passed away. Luckily, Meanwhile, Sarah finds peace with mortality, thanks to The White Lotus. Meanwhile, NYPD Blue's Kim Delaney faces serious legal trouble. Coffee on an empty stomach? We break down the negative side effects (but do we really care?). Matty wishes he were on the receiving end of an internet GoFundMe. Hooters is rebranding - Sarah hopes they keep the wings and ditch everything else.

Initially an actress ('Les Miserables', 'Aspects of Love', et al.), Merri found herself out West some years back where she quickly made a name for herself at Liberman/Hirschfeld Casting, then Liberman/Patton Casting, working on such shows as Seinfeld, Party of Five, HBO's Band of Brothers, the feature film My Big Fat Greek Wedding and the Miramax feature film "Playing By Heart", starring Sean Connery and Angelina Jolie.  In 2000, Merri moved to Dreamworks Studios as the Casting Executive in charge of TV Pilots and Series- including "Spin City", “Freaks and Geeks” and the critically acclaimed "The Job", starring Denis Leary. She was then offered a position as the Director of Casting for Dramas and Movies at ABC Television, overseeing the casting of the series "Alias", "NYPD Blue", "The Practice" and the made for television movies "Gilda Radner - It's Always Something" and "The Music Man", starring Matthew Broderick and Kristin Chenoweth, to name just a few.  Merri then returned to the East Coast to teach and coach actors – something she still does (and loves) as time permits, when Tara Rubin offered her a Senior Casting Director position where she's been happily ensconced ever since, working on, among many others - the Broadway, touring and international companies of THE WHO'S TOMMY, COMPANY, AIN'T TOO PROUD, JERSEY BOYS,THE PHANTOM OF THE OPERA, LES MISERABLES, SCHOOL OF ROCK, MISS SAIGON, A BRONX TALE, CLUELESS the Musical, TREVOR the Musical (2023 Artios Award) and FIDDLER ON THE ROOF (2024 Artios Award) The TRC office is also responsible for the casting of Billy Crystal's series “Before” for Apple TV and the Broadway productions of The Outsiders, SIX and Death Becomes Her, just to name a few  Merri also casts for many theaters regionally – including The Papermill Playhouse, Lyric Opera of Chicago,  The Old Globe, Seattle Rep, The Goodman and The La Jolla Playhouse.  She is the very proud Casting Director of the critically acclaimed web series SUBMISSIONS ONLY and also boasts having cast many other independent TV & film projects, workshops and readings. In 2024, Merri took on some passion projects on the side, as well. These include the highly acclaimed and starry concert production of “FOLLIES” at Carnegie Hall for Transport Group's annual benefit gala, and a reading of a new play at The Actors Studio written by Lyle Kessler (“Orphans”) and directed by Academy Award winner Bobby Moresco – starring Chazz Palminteri, Tim Blake Nelson and Gina Gershon. In addition, Merri is now also the Casting Director at The South Carolina New Play Festival. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is Season 6, Episode 12 of this "The Vampire Diaries" related podcast! Pete is watching the show for the first time and Ash is a superfan. Each episode they watch an episode of TVD and discuss. This week they talk about their NEW new sponsor, Pete being sick, mostly the episode tbh, and much more!  They have some Pete-dictions at the end of the show! Talk to Pete here: https://www.instagram.com/theportableproducer/ We were voted one of the Top 10 The Vampire Diaries Podcasts on the web. https://blog.feedspot.com/the_vampire_dairies_podcasts/ Also we're in the top 100 Vampire Podcasts here: https://www.millionpodcasts.com/vampire-podcasts/ The EC Little Free Library: https://www.instagram.com/eclittlefreelibrary/ Pete is on Letterboxd! https://letterboxd.com/peterlh/ Check out The VamPetey merch at https://www.teepublic.com/user/highdive If you like #TheVampireDiaries and/or you are a young adult, you should check out Pete's books! https://www.amazon.com/Peter-L-Harmon/e/B011SBWJF8/ref=dp_byline_cont_pop_book_1 And if you love this show, please leave us a review. Go to RateThisPodcast.com/vampetey and follow the instructions.

Born in Dallas, Texas, K Callan's first professional job was at the Margo Jones Theatre. She first gained national attention as Peter Boyle's mousy wife in the legendary Joe. Her career includes film, television and theater. Other memorable films include American Gigolo and A Touch of Class. A regular guest star in countless television movies and series, her favorite television roles include the lesbian Veronica in the Emmy-winning "Cousin Liz" episode of All in the Family, Superman's mom on Lois & Clark: The New Adventures of Superman and the wife of an Alzheimer's patient on Nip/Tuck. Callan is a member of The Academy of Motion Picture Arts & Sciences, the Television Academy and is a past Board Member of the Screen Actors Guild. In addition to her work as an actor, she has also authored a string of showbiz reference books: "How to Sell Yourself as an Actor", "The Script is Finished, Now What do I Do?", "Directing Your Directing Career", "The Los Angeles Agent Book" and "The New York Agent Book".  K is also known for her work on Barney Miller, Quincy MD, Rhoda, The Waltons, Dallas, Lou Grant, Newhart, Police Squad, AfterMash, Moonlighting, Hunter, LA LAw, NYPD Blue, Star Trek Deep Space Nine, Coach, Desperate Housewives, ER, Chicago Hope, Greys Anatomy, Dawson's Creek, Heroes, Veep, Castle, King of the Hill, Meet the Browns, Justified, Carnivale, Brooklyn 99, NCIS and The Chosen.    Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

In this episode of Just FlexIt™, Austin and Justin sit down with the multifaceted and talented Misha Collins. Best known for his iconic portrayal of Castiel on Supernatural, Misha has become a beloved figure in entertainment. His extensive career includes notable roles in shows like Legacy, Charmed, NYPD Blue, 24, CSI: Crime Scene Investigation, ER, Monk, and Timeless. Beyond acting, Misha is an accomplished author, poet, and the co-founder of the non-profit organization Random Acts, which inspires kindness and social change worldwide.In this conversation, Misha reflects on his unconventional path to acting, the mindset that has fueled his success, and the driving forces behind his career. He also discusses the importance of physical and mental wellness, and how the FlexIt platform has helped him stay fit despite his busy schedule.Tune in for an engaging and candid conversation with Misha Collins on the latest episode of Just FlexIt™, available now on Spotify and Apple Podcasts.

Get ready for an exciting conversation with Emmy-nominated and SAG Award-winning actress Sharon Lawrence, whose career spans iconic roles in NYPD Blue, Grey's Anatomy, Shameless, Joe Pickett, and more. From auditioning on fire escapes to commanding the stage and screen, Sharon shares invaluable insights on mastering auditions, navigating crucial one-on-one meetings, and making bold choices in a competitive industry. She reflects on landing her breakout role on NYPD Blue, the cultural phenomenon it became, and the transition back into the audition game afterward. Sharon also dives into the power of authenticity in storytelling, how saying "yes" to new filmmakers can lead to unexpected opportunities, and the importance of collaboration and respect on set. She opens up about navigating nudity on screen, tangible tools for script analysis, and how embracing vulnerability can be a source of power. Plus, she gives us a sneak peek into her upcoming theater performances and the ever-evolving phases of her career. These are the unforgettable stories that landed Sharon Lawrence right here. CREDITS: Grey's Anatomy On Becoming A God In Central Florida Joe Pickett NYPD Blue Dynasty Shameless Criminal Minds Rebel The Ranch Walker The Last Tycoon Queen Sugar One Tree Hill Cheers Resources GUEST LINKS: IMDB: Sharon Lawrence, Actress, Producer, Soundtrack THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition MAGIC MIND: Get 48% off with code ONEAUDITION20 THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Alara Ceri

ENYA FLACK is currently in her third season in a major guest starring role playing District Attorney Alicia Rodds in Tyler Perrys hit BET+ show ALL THE QUEEN'S MEN. Other recent roles include “Cassie” in Lifetime's Twisted Sister and Carson in A Mans Promise as well as guest star roles on the popular Netflix series Outer Banks, The Resident, Walker and Dynasty. She plays the iconic role of Harriet Tubman in her latest feature film project, Marbles and Bullets, which recently won best feature film at the Costa Brava (Spain) International Film Festival. Her early career started behind the camera, as a production secretary at Warner Bros., where she was able to learn the “business side” of the business. Shortly thereafter, Flack began studying acting and found herself auditioning and quickly booking parts on sitcoms like The Fresh Prince of Bel Air, The Wayans Brothers and The Steve Harvey Show. Her first series regular role came when she landed the part of “Brigitte Goodwin” on the UPN series Malcolm and Eddie which was followed by the role of “Veronica” on Roger Corman's Syfy comic book series Black Scorpion. Additional early credits include projects such as The Sopranos, Ally McBeal, CSI: Miami, NYPD Blue and Homeland to name a very few. Enya Flack has also distinguished herself as a highly in-demand host, reporter, model and spokesperson. She has worked as a sports reporter for FOX Sports Net and KCBS-Los Angeles, correspondent for Extra! and E! News Live, host of Travel ala Mode for Sky Radio, model for The Price is Right and Deal or No Deal and spokesperson for It's a Glam Thing.   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Send us a textEpisode 518"The Fugitive", "Terrifier 3" and "The Munsters"Actor: Daniel Roebuck.The very kind Dan Roebuck joins me to talk his lengthy acting career from Matlock to Rob Zombie and his role in the iconic "The Fugitive". Plus Dan clears the air once and for all as to what happened with his casting in "Home Alone."Having made his feature film debut starring in the teen comedy Cavegirl Daniel Roebuck quickly realized that there was only one direction to travel in his career. Up!Soon after Cavegirl, Roebuck established himself as one of the industry's youngest character actors with his haunting portrayal as the teenage killer, Samson in The River's Edge.Daniel Roebuck was born and raised in Bethlehem, Pennsylvania, At the age of 10, he started performing in talent shows doing impressions of movie stars he loved. He joined a local circus two years later and made his debut as one of the youngest clowns in the country. Roebuck's clown act eventually segued into a magic act and he performed that throughout Pennsylvania, New Jersey and New York.His film credits are myriad, having starred in blockbusters like The Fugitive, US Marshals,and Final Destination, as well as popular titles including Agent Cody Banks and it's sequel, That's What I Am, Money Talks, Flash Of Genius and so many more.Lately, Roebuck has enjoyed working in a number of horror movies - his favorite genre. He has collaborated with filmmaker Rob Zombie on Halloween, Halloween 2, Devil's Rejects, and Lords of Salem (as well as a commercial for AMDRO, the insecticide). He also appeared in Don Coscarelli's cult favorite Bubba Ho Tep as well as the director's Reggie's Tales and John Dies At The End.Daniel has also been a familiar face on television for nearly 3 decades, he was a regular for three seasons on the evergreen hit drama, Matlock, portraying attorney 'Cliff Lewis," the junior partner of the law firm headed by Andy Griffith's beloved character, 'Ben Matlock.' Interestingly, his landing the role was the fulfillment of a promise made several years earlier with his first appearance on "Matlock" in its inaugural season. At that time, Roebuck was told that Griffith had been so impressed with his work that he would be back as a regular on the show. It took five seasons, two more guest shots as different characters, and a change of networks, but Griffith kept his promise and Roebuck indeed became a series regular.As a television guest star, Daniel has played countless characters. Some of his most memorable are a cop who literally turns into a pig on Grimm, a Romulan on Star Trek, Next Generation, a gun toting hostage taker on NYPD Blue, a cranky studio owner on Sonny With A Chance and a grieving father on Glee. He played other memorable roles on New Adventures of Old Christine, NCIS, Ghost Whisperer, CSI, Boston Legal, CSI Miami, Law And Order, Desperate Housewives and Hot in Cleveland.On the popular show, Lost, Roebuck portrayed the infamous Dr. Leslie Arzt, the aggravating science teacher whose explosive exit in the finale of the first season remains one of television's most surprising and talked about moments.He has starred in dozens of TV Movies. Perhaps his most famous turn was his critically acclaimed portrayal of Jay Leno in The Late Shift. Welcome, Daniel Roebuckwww.mmcpodcast.com#thefugitive #robzombie #horror #homealone #homealone2 #homealone #christmasmovies #themunsters Reach out to Darek Thomas and Monday Morning Critic!Instagram: https://www.instagram.com/mondaymorningcritic/Facebook: https://www.facebook.com/mondaymorningcritic/TikTok: https://www.tiktok.com/@mondaymorningcriticMondaymorningcritic@gmail.com

This is Still Here Hollywood. I'm Steve Kmetko. Join me with today's guest, and prosecutor Sylvia Costas from NYPD BLUE,, Sharon Lawrence.Now I know that not many, if any, of you will remember the show DRAGNET, because it originally aired in the 1950's, I mean I was barely around then. But DRAGNET was one of the first big TV “Cop Shows” that came on just a smidge after TV was invented.Since then, police dramas have pretty much taken up residence on network television schedules…In the 1980's there was one show that broke the mold, showing the personal side of the people in law enforcement and the judicial system. That show was NYPD BLUE.  Show CreditsHost/Producer: Steve KmetkoAll things technical: Justin ZangerleExecutive Producer: Jim LichtensteinMusic by: Brian SanyshynTranscription: Mushtaq Hussain https://stillherehollywood.comhttp://patreon.com/stillherehollywoodSuggest Guests at: stillherehollywood@gmail.comAdvertise on Still Here Hollywood: jim@stillherenetwork.comPublicist: Maggie Perlich: maggie@numbertwelvemarketing.com

Send us a textToday we are bringing back returning champ, retired NYPD Detective, Author, and Podcaster, Vic Ferrari. Vic worked a distinguished twenty-year career with the NYPD as a patrol officer and later moved up to the organized crime unit working in the auto theft squad as a detective. During his retirement, he wrote NYPD Tell All books. This has blossomed into a catalog of amazing books, including his latest NYPD: Presumption & Dysfunction!On the show today we discuss the homicide of United Health Care's CEO, Brian Thompson, and the suspected killer, Luigi Mangione, and his newest book,  NYPD: Presumption & Dysfunction.Please enjoy my chat with the informative and highly entertaining, Vic Ferrari!In today's episode we discuss:·      The homicide of United Health Care's CEO, Brian Thompson, and the suspected killer, Luigi Mangione.·      How the suspected killer Luigi Mangione was not a professional hitman like so many news agencies were portraying him early in the investigation!·      The ridiculous support he is getting from strangers.·      Vic's recent book release, NYPD: Presumption & Dysfunction (Tell All NYPD Books). ·      What do his former co-workers say about the books?·      The use of nicknames in police work. Some funny ones and if anyone has been salty about you bringing them up.·      Vic's nickname.·      Vic's podcast, NYPD Through The Looking Glass. Visit Vic Ferrari's Amazon Author Page to learn more about him and his books! Check out the new Cops and Writers YouTube channel!Check out my newest book, The Good Collar (Michael Quinn Vigilante Justice Series Book 1)!!!!!Enjoy the Cops and Writers book series.Please visit the Cops and Writers website.Dark Mode with John CoyleThe first ever comedy podcast for entrepreneurs, marketers, and creatives.Listen on: Apple Podcasts SpotifySupport the show

It's All Been Trekked Before #398  Season 12, Episode 59  Cop Rock "Pilot"   We got four levels deep off track right at the start, and repeatedly. Also, Keith had thoughts on how we had to watch, Stephen blames compromise, Jimmy-Jerome laments how networks never give shows a chance.    Looking for #397? It's a Patreon Exclusive! Become a donor to listen, and watch the unedited video version of all episodes!   Edited by Jerome Wetzel, with assistance from Resound.fm   It's All Been Trekked Before is produced by IABD Presents entertainment network. http://iabdpresents.com Please support us at http://pateron.com/iabd Follow us on social media @IABDPresents and https://www.facebook.com/ItsAllBeenTrekkedBefore 

Air Date 12/11/01 Thank you so much for listening to NYPD Blue Balls! If you enjoyed this episode, we encourage you to rate and review the show on whatever podcast platform you happen to be listening on. Make sure to follow us on Instagram @asherbrotherspodcast For more content like this, follow Kirk on X (Twitter), Instagram & TikTok: @kirkhasglasses. Watch Kirk play video games and watch old movies: Youtube: https://www.youtube.com/channel/UCFgQ5XvqltSyP5a2UpPvUyQ Twitch: https://www.twitch.tv/kirkhasglasses Join the Discord: discord.gg/GKPU6

Today on Too Opinionated, we talk with actor Jeff Kober! His first appearance on the small screen was a non-billed role in the 1980s series V. Kober went on to supporting roles in the highly acclaimed Vietnam War drama China Beach and the short-lived, but now-cult horror series Kindred: The Embraced. Following these series, Kober has guested on some of the most popular television series of the day. They include Law & Order: Special Victims Unit, CSI: Crime Scene Investigation, ER, 24, The Closer, General Hospital, Chicago Med, High Desert, Walker, Van Helsing, Big Sky, Bosch, Earth 2, Timeless, The Walking Dead, Sons of Anarchy, New Girl, Lost, NYPD Blue, Star Trek Enterprise, Star Trek Voyager, JAG, The Closer, X-Files, and Criminal Minds. Kober's big screen career began with the film Out of Bounds, in which he played the first of his signature nefarious characters - Roy Gaddis, a small-time drug dealer with murderous inclinations. This role led to more film opportunities in The First Power, Tank Girl (a comedic turn), Defining Maggie, World Without Waves, Sully, and the remake of The Hills Have Eyes 2, among others.    You can watch on YouTube at Meisterkhan Pod (Please Subscribe)

Our exit today has us trying to fix the Pennsylvania lottery. This week, we are talking about Lucky Numbers, written by Adam Resnick and directed by Nora Ephron. Along the way, we discuss the roller coaster career of John Travolta (and Tripp's love of Get Shorty), lottery movies, the bizarre tone of this, the Coen Brothers, TV's Fargo, NYPD Blue, bad schemes, 1990s British films, and even a recent bizarre trend in our films that Tripp points out. Thememusic by Jonworthymusic. Powered by RiversideFM. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

With the help of a broken film camera, an eccentric repairman (Beau Bridges) helps a boy who cannot speak (Miguel Gabriel) find his voice through photography, forming an unlikely friendship. Camera is currently available for streaming on Amazon Prime Video.Miguel Gabriel has been captivating audiences since he began his career in theater at the tender age of five. After a series of successful appearances in popular shows like "How to Get Away with Murder" and lending his voice to animated films like "Puss in Boots: The Last Wish," Miguel has made an exciting leap into his first feature film, "Camera." In this pivotal role as Oscar, he stars alongside Hollywood royalty, Beau Bridges, marking a significant milestone in his acting journey. Beyond his acting talents, Miguel is a passionate film enthusiast. For over 35 years, Jay Silverman has excelled as a leading Director, Producer, and Photographer specializing in award-winning films, television, digital, and print campaigns; having worked with renowned celebrities such as Denzel Washington, Beyonce, Quentin Tarantino, Jamie Foxx, and Ray Charles. Some of his early directorial work was for the original launches of the smash hit TV series "American Idol", "Desperate Housewives", "NYPD Blue", "The Drew Carey Show", and many more. Jay Co-Created and Executive Produced "The Cleaner", an hour-long drama for Paramount Pictures, which aired on A & E. Additionally, he produced and directed 40 episodes of "One on One" for TV One featuring many stars like Beyonce, Denzel Washington, Usher, Jamie Foxx, and Terrence Howard. Jay also produced and directed a one-hour special titled "Inside the Rings with Troy Aikman" airing on Fox before the 2011 Super Bowl to much success.This podcast is one of the many ways we live out our organization's mission to educate and inspire people to choose kindness. Visit our site kindness.org and sign up to become a part of our global community which spans more than 100 countries. It's free to join and when you do you'll be the first to get access to our latest research, tools, and even episodes of this podcast. Let's build a kinder world, together. Contact us at podcast@kindness.org or on social at @kindnessorg.  Do you know your KQ? Visit kindness.org/KQ to get your KQ today!Important links from this week's episode:kindness.orgjaysilvermanproductions.comlinktr.ee/camerathemovieFollow on SocialIG: @camerathemovie, @silverman_jay, @officialmiguelgabrielCreditsHost: Jaclyn LindseyGuest: Jay Silverman & Miguel GabrielProducer: Melissa MaloneMusic Composition: Chris ChristianaDesign: Ben Gibson, Christine Do, Smithfield StudioTranscript available at this link. https://why-kindness.simplecast.com/episodes/david-kirschner/transcript

This episode has everything including my nickname in high school: Hot Dog Locker.   Also, a creepy man abusing his power, Walt from Lost, NYPD Blue's Detective Greg Matavoy, Spencer ‘Don't Ask Me About My Dad's Tossed Salad and Scrambled Eggs' Grammar and the Gremlins biology teacher!    *TW: murder, child sex abuse, gun violence, child trauma     Rate and review!  Email: svupod@gmail.com! Mail: P.O. Box 176 Deforest, WI 53532 Social Media: @svupod! Merch: , (http://tee.pub/lic/svupod)  Facebook Group: SVU POD Elite Squad FB Group Chat: Walk and Talk #littlebitloud for Indie pods! Patreon: Voicemail:  +1 (920) 345-7005   Thank you to our Dedicated Detective Patrons: Nikki M, Rachel S, Gloria B, Claire P, Kelsey M, Sydney, Heather S, Jenny M, Drew B, Dana R, Shannon C, Natalie H, Katie M, Em, MaryJack, Susan C, Victoria B and Kaitlin S   And to our Elite Squad Patrons: Marisa M, Elke H, Tricia S, Emily T, Katarina G, Mary D, Joshua H, LEM, Eliza W, Nikki B, Melanie G, Andrew, Miranda B, Lauren T, Katie A, Kate H, Vanessa, Lex, Shelby K, Kimberly L, Bonita R, Maren, Ursula, Catherine M, Kate P, Jessica S, Dee, Jana M, Tammi J, Bear, Sam D, Neida M, MAC, Meg M, Alexis J, Caitlyn S, Kristina D, Camille Z, Maggie D, Jessica P, Victoria, Scout G, Melissa M, Desiree R, Monica K, Katy S, Andrea M, Tash, Andrea H, Aunt Sarah, Emily D, Katie H, Vern, Katherine B, Aryanna, Madeline K, Kristin F, Samara B, Amanda P, Mahalia S, Jules K, Julie R, Tracey, Rachel, Kitty, Keri M, Leloni J, Alex A, Amelia T, Samantha S, Ariel E, Becky A, Margaret S, Natalie B, Danielle L, Elly, Kathryn P and Emily O

 This next guest has done so much over his 30+ year career in the entertainment business. He's been an Emmy Nominated Actor for his role “James Martinez” in NYPD Blue during his 7 year run. He has also been a guest ring announcer for the title match at WrestleMania XI, he's worked with Spike Lee on multiple occasions, had one of the best roles on Adam Sandler's “The Longest Yard” as Brucie. However the biggest thing you will see with this guest is as loyal as you can be. Let's welcome Nicholas Turturro!   Nicholas Turturro  IG: https://www.instagram.com/nickturturro1 Crazy Train Radio Facebook: facebook.com/realctradio Instagram: @crazytrainradio X/Twitter: @realctradio Website: crazytrainradio.us YouTube: youtube.com/crazytrainradio --- Support this podcast: https://podcasters.spotify.com/pod/show/crazytrainradio/support

Andrea Thompson began her career as a voiceover artist, which continues today. Her first significant film role was in the 1987 film Wall Street. In 1989, she was cast on the soap opera Falcon Crest as the scheming Genele Ericson during the show's final season, and played photojournalist Maggie Dawson in the Season 3, Episode 2 of the series Quantum Leap. In 1991, she played Nurse Helen Caldwell in the comedy film Delirious. In 1993 she was cast on the series Babylon 5 as telepath Talia Winters. Thompson left the series in the middle of its second season. Thompson moved on to join the cast of JAG midseason as Commander Alison Krennick, an aide to the Judge Advocate General of the Navy and direct supervisor of Harmon Rabb. She was among several actors who left the show when it was canceled by NBC after one season before CBS picked it up. She then went on to play Detective Jill Kirkendall on four seasons of crime drama NYPD Blue, leaving in April 2000 to pursue a career in journalism. Thompson joined CNN Headline News as an evening anchor in June 2001.  Thompson had a recurring guest role as Doctor Nicole Duncan on the third season of the television series 24, first appearing on that show in November 2003. In 2007, she appeared in season two of Bones in the episode "Spaceman in a Crater". In 2009, she played Field Agent Anne Hudson in "Outfoxed", a season five episode of the series Criminal Minds.   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

One of the film world's most beloved performer, he has worked with groundbreaking directors including Martin Scorsese, Tony Scott, Antoine Fuqua, Steven Zaillian, and Clint Eastwood. Paul's recent work includes The Irishman opposite Al Pacino, Plane with Gerard Butler, and Emancipation opposite Will Smith. His other feature credits include starring alongside Samuel L. Jackson in The Banker, with Kevin Hart and Will Ferrell in Get Hard, Robert DeNiro and Sylvester Stallone in Grudge Match, along with classics like Tombstone and True Romance further showcase his timeless appeal. In television, Paul Ben-Victor has played a number of roles that have left a lasting cultural impact in many highly acclaimed series, including his portrayal of studio head Alan Gray in HBO's Entourage and appearing opposite Matthew McConaughey in the award-winning True Detective. Most recently, he was in Pam & Tommy with Lily James and Sebastian Stan and can next be seen in significant roles in the new Kristen Bell show for Netflix, the Lincoln Lawyer for Netflix, Raising Kanan for Starz, Bookie for HBO Max and the international hit The Chosen for Lionsgate. His other television credits include Vinyl, In Plain Sight, John from Cincinnati, NYPD Blue, Will & Grace, The Mick, Everybody Hates Chris, Preacher, and Goliath among many others.

- SKOR North's Judd Zulgad learns about the controversial candle that Bath & Bodyworks put out, and talks about the Vikings next opponent's most recent game where they blew out the Cowboys and were running trick plays deep into the game, plus a talk about Anthony Edwards being featured in a new sports doc Starting 5.- KSTP's Chris Egert shares some local headlines from the news day including a meeting set to happen to begin deciding what to do with the old 3rd precinct building that was burned down following George Floyd being killed, sad news about a 13-year old boy who died at a haunted hayride in Stearns County, and other top stories from the day.- Actress Amy Brenneman joins the show to talk about her work on FX's drama series "The Old Man" which has its second season which airs Thursdays at 10pm ET/9pm CT. You may know Brenneman from her previous roles as Detective Janice Licalsi in the ABC police drama series NYPD Blue. Brenneman next co-created and starred as Judge Amy Gray in the CBS drama series Judging Amy.Stream the show LIVE on the Tom Barnard Show app M-F from 8-9:30AM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

- SKOR North's Judd Zulgad learns about the controversial candle that Bath & Bodyworks put out, and talks about the Vikings next opponent's most recent game where they blew out the Cowboys and were running trick plays deep into the game, plus a talk about Anthony Edwards being featured in a new sports doc Starting 5. - KSTP's Chris Egert shares some local headlines from the news day including a meeting set to happen to begin deciding what to do with the old 3rd precinct building that was burned down following George Floyd being killed, sad news about a 13-year old boy who died at a haunted hayride in Stearns County, and other top stories from the day. - Actress Amy Brenneman joins the show to talk about her work on FX's drama series "The Old Man" which has its second season which airs Thursdays at 10pm ET/9pm CT. You may know Brenneman from her previous roles as Detective Janice Licalsi in the ABC police drama series NYPD Blue. Brenneman next co-created and starred as Judge Amy Gray in the CBS drama series Judging Amy. Stream the show LIVE on the Tom Barnard Show app M-F from 8-9:30AM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit podcastchoices.com/adchoices

In April 1997, Ellen was on the cover of Time magazine declaring, “Yep, I'm Gay.” Then a few weeks later, her sitcom alter ego came out on TV. It was watched by 42 million people. The next year, in 1998, Will & Grace premiered on NBC. This was a watershed moment for gay representation. Then came: The Pursuit of Happiness, Mad About You, Spin City, Chicago Hope, Melrose Place, NYPD Blue, My So-Called Life, Fired Up, The Crew, Profiler, and High Society—which all started to include gay characters. The whole decade consisted of landmark moments for gay rights. In May 1996, the Supreme Court decided in Romer v. Evans that Colorado's 2nd Amendment, which denied gays and lesbians protections against discrimination, was actually unconstitutional, and in May 1998, Bill Clinton signed an executive order that made it illegal to discriminate based on sexual orientation in federal workplaces. The gay-rights movement in America was making real progress.  Then, something horrific happened. On a late October night in 1998, in a little town called Laramie, Wyoming, a 21-year-old college student named Matthew Shepard was killed. The details of the murder were brutal. He was pistol-whipped 18 times, beaten, tied to the bottom of a split-rail wooden fence in a remote part of town, and left there unconscious to die. When he was found, it was said that he looked like a scarecrow. One of the first responders said Matthew's face had so much blood that the only place you could see his skin was where the path of his tears had fallen and washed away the blood. He died a few days later in a nearby hospital. In the weeks and months that followed, a narrative took shape. Matthew Shepard was killed by two men who he did not know—Aaron McKinney and Russell Henderson—because he was gay. It was a hate crime, and it was deplorable. As the news spread, celebrities and politicians around the country spoke out. President Clinton told journalists at the White House, “In our shock and grief one thing must remain clear: hate and prejudice are not American values.” The story of this anti-gay hate crime came to represent the very thing that many gay Americans feared America was at its worst: a place of deep bigotry, where violence against gay people is rampant, where a young man could be targeted and killed simply for being gay, and a country where there are whole cities and towns, maybe even whole regions, where gay people aren't safe. The death of Matthew Shepard became the most notorious anti-gay hate crime in American history. “Shepard is to gay rights what Emmett Till was to the civil rights movement,” as New York congressman Sean Patrick Maloney said. But what if the story wasn't true? What if Matthew Shepard wasn't murdered for being gay, but rather for something more common—though equally tragic? And why did so many people refuse to believe it when investigative journalists discovered the truth?  Those were the questions on reporter Ben Kawaller's mind when he went to Laramie earlier this month, where he interviewed residents, journalists, and former detectives who have a lot to say about the Matthew Shepard case and what really happened. Today, the real Matthew Shepard story and why the full truth is still important. Learn more about your ad choices. Visit megaphone.fm/adchoices