Podcasts about i pagliacci

On today's Arful Living, Jane has a wonderful chat with Josh Collier, Director of Opera Vermont and discusses their upcoming opera, I Pagliacci. Join us for a fun and informative discussion.

Welcome to the Instant Trivia podcast episode 1227, where we ask the best trivia on the Internet. Round 1. Category: The Missing Man 1: Aboard Apollo 11:Neil Armstrong, Buzz Aldrin. (Michael) Collins. 2: In a famous double-play combo:Joe Tinker, Johnny Evers. Frank Chance. 3: In the name of an optical products company:John Jacob Bausch. (Henry) Lomb. 4: In a legendary trio:Balthazar, Melchior. Caspar. 5: On an 1896 Republican presidential ticket:Garret A. Hobart. McKinley. Round 2. Category: The Reformation 1: This king's demand for an annulment aided the spread of the Reformation to England. Henry VIII. 2: Some reformers insisted that this initiatory rite be performed not on infants but on adults who had made a choice. baptism. 3: The Reformation's greatest leaders were Martin Luther in Germany and this Geneva-based Frenchman. Calvin. 4: Contrary to church doctrine, the Reformation declared that grace was a reward for this, not for works. faith. 5: Around 1545 the Catholic Church launched this movement to oppose the Protestants. the Counter-Reformation. Round 3. Category: The New York Knocks 1: Anyone from Boston will tell you the New England type of this, with milk, tops Manhattan's, with tomatoes. chowder. 2: The title of this Broadway musical that opened on May 5, 1955 makes its feelings about the local baseball team quite apparent. Damn Yankees. 3: Tough times at this arena, the "Mecca of Basketball", as even Pixar dunked on the Knicks in "Soul", explaining decades of futility. Madison Square Garden. 4: In their 1979 Top 40 hit "Shattered", this group sang, "Go ahead, bite the Big Apple, don't mind the maggots"... shadoobie. The Rolling Stones. 5: A Yelper on this landmark connecting Canal St. and Jersey City: a "traffic jam tunnel. If you have a small bladder like me, good luck". the Holland Tunnel. Round 4. Category: Last Words 1: This 1892 Leoncavallo opera ends with "La commedia e finita", or "The comedy is finished". I Pagliacci. 2: This term for "the end of the line" was once a god celebrated at the end of the Roman year. terminus. 3: In Clement Moore poem, what Santa said after "Happy Christmas to all". and to all a good night. 4: "Crito, I owe a cock to Aesculapius; do not forget to pay it". Socrates. 5: Founder of Communism, he said, "last words are for fools who haven't said enough". Karl Marx. Round 5. Category: It Sounds Like 1: Jay Leno's show, it sounds like how you address a letter for Sir Galahad. Tonight. 2: A cylindrical storage container for grain, it sounds like an order to exhale quietly. Silo. 3: A pitcher who comes in late in the game, it sounds like a feeling trees have in the spring. Relief. 4: It sounds like the kind of personality most likely to have a heart attack in the capital of Taiwan. Taipei. 5: A runway material, it sounds like what you do before you feather your Apple computer. Tarmac. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Jane welcomes Michael Gonzalez on Artful Living today. A lyric tenor from the Boston area, Michael will be singing the role of "Canio" in Pittsfield Players presentation of I Pagliacci in July. You are invited to join us!

Today, we learn a bit about the famous Italian opera, I Pagliacci, by Leoncavallo.  We also talk with a young tenor, Josaphat Contreras who competed in our NH Opera Idol competition on April 28.  Join us as we share some beautiful music and congenial conversation!

Join us for an insightful conversation on "Through the Lens: A Perspective on 'I Pagliacci'." Pulitzer Prize-winning photographer Carl Juste from the Miami Herald sits down with Justin Moss to discuss his unique perspective on capturing the essence of Florida Grand Opera's production of 'I Pagliacci.' Delve into the artistry behind the lens as Carl shares his experiences photographing the lead performers for a special Miami Herald feature during Black History Month. Don't miss this engaging dialogue exploring the intersection of photography, opera, and cultural representation.

La Voz Humana en la Música - I Pagliacci by Radiotelevisión de Veracruz

Le pouvoir cinématique de la musique électronique n'est plus à démontrer. Il n'y a qu'à voir le nombre de producteurs et productrices sollicité·e·s par le cinéma, et parfois mêmes récompensé·e·s par un César - coucou les Victoires de la Musique ! Mais il arrive aussi que musique et images naissent dans un même élan créatif. On pense aux films des Daft Punk, Interstella 5555 ou Electroma, par exemple. Aujourd'hui dans Place des Fêtes, c'est l'histoire de deux amis, bretons originaires de la Côte d'Émeraude. Avec Legacy, ils racontent la pêche artisanale qui disparaît, l'amour dans les coques de bâteaux sur la plage abandonnés, les raves, la répression policière, le tout avec beaucoup de conviction et de poésie. Derrière la caméra, Yann Perrin, aux machines, Darzack, dont la techno puissante se fait hypnotique et rêveuse. Legacy est un des six morceaux qui composent Drowning the machines, nouvel album de Darzack, sorti au début du mois et qui voit le musicien qu'on a découvert avec une techno fracassante ouvrir toutes les portes d'un spectre musical riche et dont les racines plongent bien au-delà de la techno. Et parce que chez Tsugi Radio, il n'y a pas d'heure ni de jour pour la techno, Darzack est venu avec ses machines pour nous offrir un live exclusif. En fin d'émission, Ça part en fav' avec Jean Fromageau ainsi qu'Antoine Gailhanou qui analyse la musique de Silent Hill 2 signée Akira Yamaoka. Un jeu sorti par Konami en 2001 sur Playstation 2. Darzack "Legacy" I Pagliacci "L'opéra imaginaire" Elvis Presley "If I Can Dream" [LIVE] Darzack Ça part en fav' : Motion Graphics "Minecraft Mosaic" Bagarre "Danser seul (ne suffit pas)"

Welcome to the Instant Trivia podcast episode 775, where we ask the best trivia on the Internet. Round 1. Category: in the "pink" 1: The little finger. pinky. 2: One who is dismissed from a job is said to have received this. pink slip. 3: Since 1980 Owens-Corning Fiberglass has used this cartoon character in its advertising. the Pink Panther. 4: In sewing this tool is used to give a zigzag edge to cloth. pinking shears. 5: "Another Brick in the Wall" in 1980 was this group's only No. 1 single. Pink Floyd. Round 2. Category: game shows 1: 1 of the 2 games you could watch in 1965 whose name began with "Let's". Let's Make a Deal (or Let's Play Post Office). 2: The theme to this game that premiered on TV October 5, 1950 was "Hooray for Captain Spaulding". You Bet Your Life. 3: Rounds on this show included "Melody Roulette" and "Bid-A-Note". Name That Tune. 4: Last names of the Burt and Bert who created "Win, Lose or Draw". Burt Reynolds and Bert Convy. 5: The pop group Kabah sang the theme for the Mexican version of this 106-day long game that put 12 people in a house. Big Brother. Round 3. Category: clowning around 1: Weatherman Willard Scott was the first actor to don the clown makeup of this fast food funnyman. Ronald McDonald. 2: Tonio, a misshapen clown, delivers the prologue in this Leoncavallo opera. "I Pagliacci". 3: In "It", he wrote about a monster disguised as a demonic clown named Pennywise. Stephen King. 4: Judy Collins hit the pop charts with this song in 1975 and again in 1977. "Send In The Clowns". 5: On TV Damon Wayans played this irascible clown who "don't play that". Homey. Round 4. Category: americans in paris 1: While in Paris, poet and critic Ezra Pound helped little-known talent T.S. Eliot edit this 1922 poem. "The Waste Land". 2: Familiar with France from experimenting there, in 1779 he became our first ambassador to France. Benjamin Franklin. 3: Sadly, this dancer's 2 children drowned in the Seine years before that scarf cut her own life short. Isadora Duncan. 4: During his self-exile, he voiced the strife of black Americans in books like 1961's "Nobody Knows My Name". James Baldwin. 5: Alexander Calder made one of his first wire sculptures in the image of this expatriate singer/dancer. Josephine Baker. Round 5. Category: meat and potatoes 1: The original version of this toy included facial pieces to attach to a real spud. Mr. Potato Head. 2: Your standard potato is 80 percent this common compound. water. 3: The fungus phytophthora infesting caused this historic Irish tragedy. Irish potato famine. 4: In 1853 chef George Crum invented this snack as a joke when a customer said his fries were too thick. potato chips. 5: This traditional cured meat is often served with cabbage on St. Patrick's Day. corned beef. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

Hello, thank you for tuning in. Please subscribe and support the podcast. There are additional exclusive contents available. If you're interested, please DM me on Instagram @Ms.Shirley.Wang with your email address. To watch the episode on YouTube: https://youtu.be/Fv3HqpFvZi8 Joining me here is a Singapore-Based, Italian-trained operatic baritone: Martin Ng. His repertoire covers Rossini, Mozart, Puccini, Verdi, Stravinsky, and many more. He has appeared in The Barber of Seville, La Boheme, I Pagliacci, La Traviata, Don Giovanni, Madama Butterfly, to name a few. In this conversation, we discuss Martin Ng's journey as an opera singer. Instead of a straight path to singing, he started as an attorney early on. However, his zeal and passion for opera soon overtook his desire to practice law. So he set out for a one-year stay in Italy to learn the language and take some voice lessons. One year turned into twelve. And the law practice is now a distant past. Then life took another turn. Martin packed up and moved back to Singapore in 2017. This decision was based on an issue near and dear to Martin's heart: the development of the Italian opera in Asia. During the quarantine, it became clear; the Asian Opera Companies could now produce successful productions utilizing all Asian cast. This has a profound implication for the future of opera in Asia. Martin Ng's new organization: Lyrica Arts, based in Singapore Links to Complete Performances: Pura siccome un'angelo from La Traviata: https://www.youtube.com/watch?fbclid=... Si puo, si puo from I Pagliacci: https://www.youtube.com/watch?v=PAK34... Nick Shadow's Aria: In Youth the Panting Slave from The Rake's Progress https://www.youtube.com/watch?v=2gi5L... To Follow Martin Ng on his social media: Instagram: @Martin.Ng.35 Facebook: https://www.facebook.com/martin.ng.35 Lirica Arts: https://www.facebook.com/liricarts/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/shirley-wang6/message Support this podcast: https://podcasters.spotify.com/pod/show/shirley-wang6/support

Cavalleria Rusticana by Pietro Mascagni & I Pagliacci by Ruggero Leoncavallo are arguably Opera’s most well-known double-bill. Two verismo operas, they each present an unvarnished “slice of life” in small-town Italy of the late 19th century. Direct and compressed, the stories of both operas feature lust, infidelity, merriment and murder. Cavalleria Rusticana, “Rustic Chivalry” uses splendid music to amplify human passions, particularly those of a young man and young woman who never quite become a couple. I Pagliacci tells the tale of the man behind the clown’s mask, those in his orbit, and shows the danger of believing in simple characters we see on stage. Hosted by Pat Wright and Keely Herron.

In dieser Operngeschichten-Folge mit Sopranistin Eleonore Marguerre alias Leonore mit ihrem Opernkater Fidelio geht es nach Bella Italia und das Ende des 19. Jahrhunderts. Aus dem Wahrhaftigkeitstheaters Verdis in „La Traviata“ oder Bizets „Carmen“ entwickelt sich der „Verismo“. Als erste Oper gilt „I Pagliacci“, deutsch „Der Bajazzo“ von Leoncavallo und ein Tenor wurde mit dieser Rolle weltberühmt.. Und, wenn Du eine Rezension für den Podcast schreiben willst, ist hier eine Erklärung, wie man das bei Itunes machen kann, vom Podcast-Erklärer schlechthin, Gordon Schönwälder. https://podcast-helden.de/bewertung-bei-itunes

The Most Expensive Noise: A podcast featuring mostly true adventures from the World of Opera Episode 2: Falling in Love Overture - Intro & Theme Act 1 - Margery Booth: Opera Spy in Hitler's Germany Act 2 - Falling in Love (with Opera) Featuring the stories of tenor Alex Taite (@ucrazydog), tenor Robert Hoyt, tenor Andrew Truett, bass-baritone Bill O'Neill, tenor Phil Pickens, pianist/accompanist/coach/conductor Dr. Tamara Sanikidze Epilogue - Credits and Homework -- Placido Domingo in "I Pagliacci" https://youtu.be/cnXgBWzJG7A

Each day during February, we posted a “Classical Music Moment in Black History” on our Facebook page to show the contributions of black artists to classical music throughout history. We’ve collected our twenty-eight February entries in this article. By the way, these entries were originally part of an episode of the Classical Classroom podcast (audio included below).  Composer Chevalier de Saint-Georges.  In the mid-to-late 1700’s, Chevalier de Saint-Georgeswas an Afro-French composer who was also France’s best fencer. After Napoleon re-instituted slavery in France, de Saint-Georges’ works were rarely played, though lots of his work has been recorded since the 1970’s. In 1803, virtuoso violinist George Bridgetower, who had studied under the leader of the Royal Opera, played with Beethoven. Beethoven then dedicated his Violin Sonata No. 9 in A Major to Bridgetower, and they premiered the piece together. Later, the two had a falling out – something to do with a lady – and Beethoven changed the piece’s name. It’s now called the Kreutzer Sonata. Poet Rita Dove wrote a book about Bridgetower and Beethoven’s relationship. Soprano Elizabeth Taylor Greenfield, “The Black Swan”.  In 1853, soprano Elizabeth Taylor Greenfield – people knew her as the “Black Swan” – made her New York debut at the Metropolitan Hall. While she could sing, her skin color would have denied her entrance to the concert. But that didn’t slow Greenfield down: In 1854, this classy lady sang a command performance before Queen Victoria. Composer Scott Joplin.  In 1868, innovative composer and pianist Scott Joplin was born in Texas. Joplin wrote 2 operas, one ragtime ballet, and 44 original ragtime pieces before he died. Composer Harry Thacker Burleigh.  From 1892-95, Antonin Dvorak – not black as you might know, but stick with me – was director of the National Conservatory of Music in New York City. The woman who founded the school, Jeanette Thurber, opened the school to men, women, blacks, and whites – pretty unusual for that time. Dvorak felt that a true American style of music should grow out of African- and Native-American music. Harry Burleigh, one of the earliest African-American composers and one of Dvorak’s pupils, introduced Dvorak to American spirituals. In 1898, Afro-British composer Samuel Coleridge-Taylor wrote the musical Hiawatha’s Wedding Feast. It was wildly successful during his lifetime. Coleridge-Taylor also visited the States and inspired American blacks to become composers. Tenor Roland Hayes.  In 1921 tenor Roland Hayes gave a performance before King George V of England. In 1923, Hayes debuted at Carnegie Hall. He was the first African American man to become famous worldwide as a concert performer, and he became one of the world’s greatest Lieder interpreters. In 1926, Undine Smith Moore graduated cum laude from the Juilliard School. She was the first graduate of Fisk University, a historically black school, to receive a scholarship to Juilliard. According to the Richmond Times-Dispatch, Moore became “…one of this country’s most prominent composers and arrangers of choral works, many based on or inspired by Negro spirituals and folk songs.” Composer William Grant Still.  1931 was the year William Grant Stillbecame the first Black American composer to have a symphonic work performed by a major American orchestra. The Rochester Philharmonic performed his Afro-American Symphony. Stills had another big “first” in 1949 when his opera Troubled Island – based on a libretto by Langston Hughes – was performed by the New York City Opera, becoming the first opera by a black person to be performed by a major company. William Grant Still was also the first black man to conduct a major orchestra (LA Phil) and he won 2 Guggenheim fellowships. In 1933, Caterina Jarboro became the first black woman to appear in a leading role with a major American opera when she again played the title role in Aida with the Chicago Opera.  Composer Florence Price. Also in 1933, the Chicago Symphony Orchestra performed Florence Price’s Symphony in E Minor. She was the first female African-American composer to have a symphonic composition performed by a major American symphony orchestra. Baritone Todd Duncan and Anne Brown. Culver Pictures/file 1935. In 1935, George Gershwin’s Porgy and Bess opened on Broadway, with baritone Todd Duncan as Porgy, and sopranos Anne Brown as Bess and Ruby Elzy as Serena. In 1945, Todd Duncan became the first African American to sing with a major American opera company, when he played the role of Tonio Leoncavallo’s I Pagliacci with the New York City Opera. Contralto Marian Anderson In 1939, both the Daughters of the American Revolution and the District of Columbia’s Board of Education refused to allow contralto Marian Anderson to use Constitution Hall and Central High School auditorium for a recital respectively. So, she gave her concert on the steps of the Lincoln Memorial instead, drawing a crowd of 75,000 – not to mention the millions who listened on the radio. (To read more about the performance, go here.) Lyric Soprano Camilla Williams (l) with Margery Mayer. Courtesy of Fred Fehl/New York City Opera. Also in 1945, lyric soprano Camilla Williams signed a contract with the New York City Opera in 1946, becoming the first African American to do so with a major American opera company. She debuted with the role of the heroine in Madama Butterfly. And in 1947, soprano Helen Phillips was the first African American to sing on the stage of the Metropolitan Opera. In 1951 William Warfield and Muriel Rahn were the first black concert artists on TV – they appeared on The Ed Sullivan Show. Soprano and educator Dorothy Maynor. In 1953, soprano and educator Dorothy Maynor was the first black person to sing at a US presidential inauguration when she performed the national anthem for Dwight Eisenhower. Composer Margaret Bonds. Wikimedia Commons. Margaret Bonds, who frequently collaborated with Langston Hughes, was one of the first black composers and performers in the US to gain recognition. In 1965, when the Freedom March on Montgomery, Alabama took place, she wrote Montgomery Variations for orchestra, dedicating it to Martin Luther King, Jr.. For more information about Ms. Bonds, check out this piece from WBUR 90.9 FM. Conductor Henry Lewis. In 1968 Henry Lewis became the first black conductor and music director of a major American orchestra when he was appointed to the New Jersey Symphony Orchestra. He was also the first African-American to conduct at the Metropolitan Opera. 1972 saw Scott Joplin’s opera Treemonisha finally premiere – 55 years after his death – at the Atlanta Memorial Arts Center. In 1976, Joplin posthumously received a special Pulitzer Prize for his contributions to American music. Trumpeter Wynton Marsalis. Photo by Luigi Beverelli. Courtesy Mr. Marsalis’ website. In 1983 and 1984, trumpeter Wynton Marsalis became the only artist ever to win Grammy Awards for both jazz and classical records. He won the Pulitzer Prize for Music in 1997 for Blood on the Fields, a three-hour oratorio for 3 singers and a 14-member ensemble. The oratorio follows the story of an African couple sold into slavery in the US. In 1987, conductor Paul Freeman became Founding Musical Director of the Chicago Sinfonietta. This orchestra’s mission is “Musical Excellence Through Diversity”. Dr. Freeman served for 24 years. Violinist Aaron Dworkin. Courtesy of the MacArthur Foundation website. Violinist Aaron Dworkin founded the non-profit Sphinx Organization in 1996 to cultivate the development of young black and Latino musicians in the classical music profession. The Sphinx Competition, spotlights young black and Latino string players on a national platform. Composer George Walker received the Pulitzer Prize in 1996 for Lilacs for Voice and Orchestra, a work commissioned by the Boston Symphony Orchestra as part of its tribute to tenor Roland Hayes. This was the first time a living African American won the prize for music. Mezzo-Soprano Denyce Graves. Courtesy of the artist’s website. In 2001 mezzo-soprano Denyce Graves sang “America the Beautiful” and “The Lord’s Prayer” at the National Day of Prayer and Remembrance Service at the Washington National Cathedral following the September 11 attacks. James DePriest conducting the Oregon Sympony. Courtesy of the Sympony’s website. In 2005, James DePriest, one of classical music’s most accomplished conductors who at the time of his death in 2013 was Laureate Music Director of the Oregon Symphony and Director Emeritus of Conducting and Orchestral Studies at the Juilliard School, received the National Medal of Arts. Tim Brooks won a 2007 Grammy award for Best Historical Release with his Lost Sounds: Blacks and the Birth of the Recording Industry, which includes performances by Harry Burleigh, Roland Hayes, and Edward Boatner. Tenor Noah Stewart. Photograph: Mitch Jenkins Mitch Jenkins/PR. In 2012, tenor Noah Stewart became the first black musician to top the UK Classical Album Chart. Of course, we had to leave a GAGILLION people out of our daily Black History Month Facebook posts because (duh) there are just not enough days in the month. Like Jeffrey Mumford, Awadagin Pratt, David Baker, Imani Winds, André Watts, Chelsea Tipton, Thomas Wilkins, Morris Robinson, Lawrence Brownlee, Valerie Coleman, Rachel Jordan, and Tona Brown. And Daniel Bernard Roumain. And Black Violin. And… you get the idea!  But, blacks are still one of classical music’s most under-served communities. As of 2011, according to the League of American Orchestras, only 1.83% of our nation’s orchestras’ makeup was black. Aaron Dworkin has pointed out that African-American composers are often missing in traditional classical music station programming. But people like Dworkin and many others are working to change that!  We hope you’ve enjoyed learning about all of these awesome artists.

Highlights from a fine performance of Leoncavallo's "I Pagliacci" from La Scala, 1987. This was one of the last performances of Jose Carreras prior to his illness. Diana Soviero is the Nedda, John Rawnsley is Tonio, Angelo Romero is Silvio, and William Matteuzzi is Beppe. The conductor is Giuseppe Patane  (60 min.)

 An exciting compilation of scenes from Leoncavallo's "I Pagliacci," featuring:   Richard Tucker, Mario del Monaco, Franco Corelli,  Helge Roswaenge, Jussi Bjoerling, Carlo Bergonzi,   Licia Albanese, Diana Soviero, Marilyn Horne,  Hilde Scheppan, Victoria de los Angeles, Robert Merrill,  Leonard Warren, Ettore Bastianini, Frank Guarrera,Giovanni Martinelli(in photo)  Manuel Lanza, andTeresa Stratas (66 min.)

  An exciting comparison of 10 different tenors in the last scene  of "I Pagliacci."  Included are: Richard Tucker, Giovanni Martinelli, Franco Corelli,Jose Carreras, Helge Roswaenge, Mario del Monaco,Raoul Jobin, Galliano Masini, Jussi Bjoerling, andCarlo Bergonzi.                              (66 minutes)