Podcasts about Cavalleria rusticana

A dying woman swears there's a prowler downstairs, but what her husband finds in the dark kitchen is a timid little ghost who can't remember why he's come.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Forgetful Ghost” (January 23, 1978) ***WD00:46:42.148 = Philip Marlowe, “Grim Echo” (February 14, 1950)01:16:14.347 = Yours Truly Johnny Dollar, “The Ghost To Ghost Matter” (May 18, 1958) ***WD01:41:29.916 = The Black Mass, “Ash Tree” (December 18, 1963) ***WD02:11:43.744 = Michael Shayne, “Big Voice Means a Big Body” (May 07, 1945)02:42:36.427 = Beyond Midnight, “The Yellow Room” (June 06, 1969) ***WD03:13:43.776 = MindWebs, “Desertion” (February 18, 1982)03:44:37.897 = Mystery In The Air, “The Marvelous Barastro” (August 07, 1947)04:13:52.519 = Molle Mystery Theater, “Follow That Cab” (April 19, 1946)04:43:19.587 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0688This #RetroRadio episode, "A Ghost Who Forgot Why He Came, a Dying Wife, a Final Anniversary," gathers nine vintage old-time-radio broadcasts of mystery, horror, and the supernatural — from a haunted ash tree in 17th-century England to a converted man walking the crushing surface of Jupiter.The CBS Radio Mystery Theater opens the night with "The Forgetful Ghost," in which a dying Eve Gordon wakes her husband Sam in the small hours, certain a prowler is moving through their locked-up house — but when Sam creeps down to the dark kitchen with his hickory walking stick raised, the intruder turns out to be a meek, see-through little man named Peter Pruitt, a ghost who can't recall why he was sent or whom he came to fetch, even as the couple's fortieth wedding anniversary draws closer by the hour. Host E.G. Marshall, a script by Ian Martin, and Mandel Kramer in the lead carry this January 23, 1978 tale of a haunting that proves gentler, and far stranger, than it first appears.Raymond Chandler's Los Angeles private detective Philip Marlowe takes the wheel in "The Grim Echo," skidding off a blizzard-blind mountain road and into a snow-filled culvert directly in front of Echo Lodge — the one place on earth where the name Philip Marlowe is pure poison. Six months earlier Marlowe shot and killed Virgil Barucki in a Los Angeles alley, and now the storm has trapped him with Barucki's grieving widow Helen, his sister Donna, his mother, and the handyman Ralph Tolman, while an "accidental" cabin explosion and a stolen .38 revolver make it clear that someone inside Echo Lodge wants him frozen, or dead. Gerald Mohr stars in this February 14, 1950 chiller.Yours Truly, Johnny Dollar sends the freelance insurance investigator with the action-packed expense account into "The Ghost To Ghost Matter," after a frantic Oscar Trimley telephones from the sleepy mill town of Lake City, New Jersey, swearing that Ian McAndrews — the town's founder, dead five years and already paid out at $55,000 on his life policy — has come back to haunt the streets. Every midnight the old clock tower strikes thirteen, bats pour from the belfry, and a wail rises over the lake, so Dollar brings along old flame Nancy Turner to size up a town that insists its founder's ghost simply won't rest. Bob Bailey stars in this May 18, 1958 mystery out of Hartford, Connecticut.The Black Mass adapts M.R. James's classic "The Ash Tree," set at Castringham Hall in Suffolk, England, where the witch trials of 1690 brought the hanging of Mrs. Mothersole — condemned largely on the testimony of Sir Matthew Fell, who swore he watched her climb the great ash tree beside the house at the full of the moon to cut twigs with a peculiarly curved knife. When Sir Matthew is found dead and black in his bed beneath that same tree, the curse the witch promised begins working its way down through the generations of the Fell family and through whatever still lives inside the hollow trunk of the ash. A December 18, 1963 telling of one of the most quietly horrifying ghost stories ever written.The Adventures of Michael Shayne brings private detective Mike Shayne and his secretary Phyllis Knight into "Big Voice Means a Big Body," when 230-pound opera star Madame Jolene Toulot sweeps into the office waving an anonymous letter that threatens her life if she publishes her scandalous tell-all memoirs. With a roster of suspects who'd all rather stay out of the book — old suitor Roderick MacKenzie of the Newport MacKenzies, ex-husband and aspiring congressman Edwin Buck, rival soprano Leonora Baril, and the maestro Savadel — Shayne heads to the Figaro Theatre for a double bill of Pagliacci and Cavalleria Rusticana, where the diva's fifth farewell performance takes a fatal turn. Wally Maher and Cathy Lewis star in this May 7, 1945 case.Beyond Midnight, the eerie South African series, presents "The Yellow Room," in which the avowed atheist Ronald Todd accepts a wager from the elderly Mrs. Watts: one thousand pounds to spend a single night, entirely alone, in the haunted north wing of Chancellors — the very room where the ghost-hunting sixth Duke of Wallingford lost his sanity and a captain of the Hussars leapt to his death. Over Father Doyle's warnings, Todd is locked in with seven candles for company and a copy of Evelyn Waugh's Brideshead Revisited, and as the clock passes midnight the candles begin going out one by one. Michael McCabe produced this June 6, 1969 broadcast.MindWebs turns to science fiction with Clifford Simak's "Desertion," set in Dome Number Three of the Jovian Survey Commission on the surface of Jupiter, where the planet's crushing fifteen thousand pounds per square inch of pressure and its ammonia rains make unprotected human life impossible. To conquer it, Kent Fowler has been converting his men into "lopers," the planet's native life form — but four men have already loped out into the howling gale two by two and never come back, and now young Harold Allen is next through Miss Stanley's converter. When Fowler at last sends out his own aging dog, Towser, the truth about why no one returns finally begins to surface. A February 18, 1982 reading hosted by Michael Hansen.Mystery in the Air stars Peter Lorre in Ben Hecht's "The Marvelous Barastro," opening as the magician and hypnotist Barastro walks into the office of criminal lawyer Amos G. Hall and calmly announces that he intends to commit a murder before the night is out. His target is Rico Sansoni, a rival hypnotist who once stole away the affections of Barastro's blind wife Anna by studying and mastering the magician's own voice — close enough to deceive even her in the dark. As Barastro recounts hunting his enemy from country to country and city to city, the line between the two illusionists grows harder and harder to draw. An August 7, 1947 broadcast sponsored by Camel cigarettes.Molle Mystery Theater closes the night on a lighter note with the comedy "Follow That Cab," starring two New York City cabbies, Mo and Julius, who have read so many issues of Absolutely Authentic True Crime Fiction — and idolized its hero, detective Daniel Daremore — that they're convinced they can crack any case. When a fare leaps from the cab without paying and a song publisher named Larkin turns up shot dead in his apartment, the pair wipe away the fingerprints to make the murder "more baffling," let their prime suspect walk, and bumble their way toward a stolen song called "Joan," a desperate songwriter named Boynton, and a mysterious redhead. Written by Sid and Larry Sloan, this April 19, 1946 farce sends up the whole hardboiled detective genre with host Jeffrey Barnes presiding.

Iain Burnside's personal recommendation for Mascagni's Cavalleria Rusticana.

A cura di Paolo PellegriniPietro Mascagni, Cavalleria rusticanaSantuzza, Giulietta SimionatoTuriddu, Angelo LoforeseAlfio, Attilio D'OraziLola, Anna Di StasioMamma Lucia, Amalia PiniFujiwara Opera Chorus e la Tokyo Symphony OrchestraMaestro Giuseppe Morelli, direttore

DescriptionMascagni's Cavalleria rusticana Intermezzo: A Moment of Pure Emotion in 60 Seconds. Take a minute to get the scoop!Fun FactMascagni was only 26 when Cavalleria rusticana premiered—and it immediately made him famous. The opera was written for a composition competition, which he won. Despite composing many works afterward, the Intermezzo became his most beloved music, often performed independently in concerts around the worldAbout Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.

durée : 01:28:38 - Relax ! du lundi 15 décembre 2025 - par : Lionel Esparza - 1890 : une année faste pour la musique. De Saint-Pétersbourg à Rome, les plus grands compositeurs marquent cette fin de siècle. Strauss signe "Mort et Transfiguration", Tchaïkovski éblouit avec "La Belle au bois dormant", et Mascagni triomphe avec "Cavalleria Rusticana"... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:38 - Relax ! du lundi 15 décembre 2025 - par : Lionel Esparza - 1890 : une année faste pour la musique. De Saint-Pétersbourg à Rome, les plus grands compositeurs marquent cette fin de siècle. Strauss signe "Mort et Transfiguration", Tchaïkovski éblouit avec "La Belle au bois dormant", et Mascagni triomphe avec "Cavalleria Rusticana"... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

La Voz Humana en la Música - Cavalleria Rusticana de Pietro Mascagni by Radiotelevisión de Veracruz

Esta mañana en #Noticias7AM entrevistamos a Mario Montenegro, Director Artístico de la Ópera Ambulante deTijuana y Fundador de Ópera Explícita. Tema: Por llegar la Cavalleria Rusticana en el 25 Aniversario de la Ópera de Tijuana La Cavalleria Rusticana, estrenada en 1890 en Roma, sigue conquistando corazones alrededor del mundo y es una de las óperas más representadas en todo el mundo. El evento se realizará el próximo 04 de octubre en la Casa de la Cultura de Playas de Tijuana. Boletos ya disponibles en Ópera de Tijuana. #Uniradioinforma

La conductora presenta de una forma fresca y coloquial historias, anécdotas e interpretaciones de las y los mejores cantantes de ópera nacionales e internacionales. Sus roles, preparación,experiencias, personajes, , etc. Conducido por la Soprano Conny Palacios, Cantante de opera y jazz

Twenty-five years ago, Ópera de Tijuana was founded by a small group of opera lovers who brought the art form to Mexico's second-largest city.In October, they're celebrating a quarter century of passion, perseverance and community with a performance of Cavalleria Rusticana.On Midday Edition, we sit down with the artistic director and a tenor to hear about their passion for Ópera de Tijuana.Plus, La Jolla Playhouse has extended the run of the musical "The Heart" through late September. The show takes place over the course of 24 hours in San Diego, following a heart transplant after a young surfer's life is cut short.Then, our weekly preview of events coming up in the arts and culture world this weekend.Guests: José Medina, founder and artistic director of Ópera de TijuanaGerardo Gaytán, tenor with Ópera de TijuanaChristopher Ashley, outgoing artistic director of the La Jolla Playhouse, and incoming artistic director of New York's Roundabout Theatre CompanyJulia Dixon Evans, KPBS arts reporter and host of "The Finest" podcast

Isabela Lapa recomenda a Ópera Cavalleria Rusticana, um espetáculo que reúne, música, história e cenografia. See omnystudio.com/listener for privacy information.

Jessye Norman Atlanta Symphony Orchestra Conductor: Robert Shaw Atlanta March 1979 Broadcast

Der italienische Regisseur Francesco Micheli hatte sich vorgenommen, die beiden Einakter "Cavalleria rusticana" und "Pagliacci" als Kommentar zur europäischen Migrationsgeschichte zwischen Palermo und München zu inszenieren. Doch dieser Anspruch erwies sich als zu ambitioniert. Der Beifall an der Bayerischen Staatsoper blieb höflich - trotz Startenor Jonas Kaufmann als "Bajazzo".

Stürz, Franziska www.deutschlandfunkkultur.de, Fazit

Am 22. Mai feiern die Opern "Cavalleria rusticana" und "Pagliacci" Premiere an der Bayerischen Staatsoper. Das Regieteam um Francesco Micheli hat für die beiden unabhängig voneinander entstandenen, aber oft zusammen aufgeführten Opern eine gemeinsame Klammer gefunden.

Zwei süditalienische Eifersuchtsdramen unter „normalen“ Leuten: „Cavalleria rusticana“ und „Pagliacci“ mischten 1890 und 1892 den Opernbetrieb auf. Schnelle, starke Stücke mit katastrophalem Ausgang und unwiderstehlich aufwühlender Musik. In München erzählt der italienische Regisseur Francesco Micheli die beiden Klassiker des Verismo als Fortsetzungsgeschichte in den 1960er Jahren: das Drama des Turiddu, der unter neuem Namen als Gastarbeiter nach München kommt. Daniele Rustioni dirigiert, auf der Bühne sorgt eine starke Besetzung für vokale Power. Autor und Sprecher: Holger Noltze

Você já se emocionou com uma cena de filme sem saber exatamente por quê? Muitas vezes, a resposta está na trilha sonora. E, em alguns casos, essa trilha veio direto do universo da música clássica!No episódio de hoje, exploramos como grandes obras do repertório clássico foram escolhidas para dar mais profundidade, emoção e intensidade a momentos icônicos do cinema.

A cura di Paolo PellegriniPietro Mascagni,Cavalleria RusticanaSantuzza, Elena NicolaiTuriddu, Mario del MonacoMamma Lucia, Anna Maria AnelliAlfio, Aldo ProttiLola, Laura DidierCoro e Orchestra Sinfonica di MilanoFranco Ghione, direttore

Nesta edição do "Clássicos CBN", com o comentarista Maestro Helder Trefzger, vamos conhecer diferentes obras inspiradas na Páscoa. De Bach e Handel chegando até mesmo a Rimsky-Korsakov e Mascagni. Falaremos das obras “Paixão Segundo São João”, “O Messias”, a ópera “Cavalleria Rusticana” e “A Grande Páscoa Russa”. Ouça a conversa completa!

VIVA! Opera is a music content broadcast on the 4th and 5th Thursday each month. In the 74th episode, Ms Ohtake picks 'Inneggiamo, Il signor non è morto (Easter Hymn)' from Cavalleria Rusticana composed by P. Mascagni. - 来月のイースターにちなんだ選曲。人間の醜い部分や現実の厳しさを描く表現が特徴的なヴェリズモ・オペラの代表作より、イースターの礼拝が教会で行われている場面での一曲を取り上げます。

Cultura em Pauta #921 20/03/2025

durée : 00:17:55 - Disques de légende du mardi 10 décembre 2024 - En août 1953 dans la Cathédrale di Sant'Eufemia de Milan, Tullio Serafin enregistrait " Cavalleria Rusticana " de Mascagni avec Maria Callas dans le rôle de Santuzza et le Choeur et l'Orchestre de la Scala. La prestation magnifique de Callas et le lyrisme emporté de l'orchestre en font une référence

durée : 00:17:55 - Disques de légende du mardi 10 décembre 2024 - En août 1953 dans la Cathédrale di Sant'Eufemia de Milan, Tullio Serafin enregistrait " Cavalleria Rusticana " de Mascagni avec Maria Callas dans le rôle de Santuzza et le Choeur et l'Orchestre de la Scala. La prestation magnifique de Callas et le lyrisme emporté de l'orchestre en font une référence

Thelma Schoonmaker has, for over five decades, been Martin Scorsese's cutting room collaborator. Having edited his first feature film in 1967, she has worked on every Scorsese movie since Raging Bull, including Goodfellas, Casino, The Departed, Wolf Of Wall Street, right up to his most recent features The Irishman and Killers Of The Flower Moon. As the widow of the legendary British filmmaker Michael Powell, she has also played a key role in the restoration of classic Powell and Pressburger films including The Red Shoes, Black Narcissus and A Matter Of Life And Death. Thelma Schoonmaker has won three Academy Awards, more than any other film editor. Thelma tells John Wilson how enrolling on a six week film making course as a young graduate in New York led to her meeting and helping Martin Scorsese edit a short film he was making. He then asked her to edit his 1967 feature film debut, Who's That Knocking at My Door and their partnership began in earnest. She recalls how she and Scorsese were part of the editing team on Michael Wadleigh's music festival documentary, Woodstock for which she received her first an Oscar nomination for Best Film Editing - the first documentary ever to be nominated in that category. Thelma reveals the process of working with Scorsese in the cutting room and how, through him, she met her late husband Michael Powell, whose films with Emeric Pressburger, both she and Scorsese had so admired from childhood.Producer: Edwina PitmanArchive and music used: The Red Shoes, Powell & Pressburger, 1948 Who's That Knocking at My Door, Martin Scorsese, 1967 I Can't Explain, The Who, Live at Woodstock, 1969 See Me. Feel Me, The Who, Live at Woodstock, 1969 Star Spangled Banner, Jimi Hendrix, Live at Woodstock, 1969 Raging Bull, Martin Scorsese, 1980 Cutting Edge: The Magic of Movie-editing, BBC4, 30 August 2005 Passion: Music for The Last Temptation of Christ, Peter Gabriel Sunshine of Your Love, Cream Intermezzo from Cavalleria Rusticana, Pietro Mascagni Love Is Strange, Mickey & Sylvia Layla, Derek & The Dominos A Matter of Life and Death, Powell & Pressburger, 1946 Michael and Martin, BBC Radio 4, 30 June 2005

Das Badische Staatstheater Karlsruhe zeigt mit Pietro Mascagnis „Cavalleria rusticana“ und Ruggero Leoncavallos „Pagliacci“ ein „unverwüstliches Doppelpaket der Operngeschichte“. Die beiden italienischen Opern gelten als Gründungsakt der veristischen Oper Ende des 19. Jahrhunderts.

Santuzza: Mignon Dunn Lola: Isola Jones Mamma Lucia: Geraldine Decker Turiddu: Ermanno Mauro Alfio: Cornell MacNeil Conductor: David Stivender Met Tour to the Kennedy Center 25 April 1981 In-house

Santuzza: Rita Hunter Lola: Mildred Miller Mamma Lucia: Carlotta Ordassy Turiddu: Harry Theyard Alfio: Morley Meredith Conductor: John Nelson 27 November 1974 Metropolitan Opera In-house

Santuzza: Régine Crespin Lola: Judith Forst Mamma Lucia: Batyah Godfrey Ben-David Turiddu: Enrico Di Giuseppe Alfio: Matteo Manuguerra Conductor: Carlo Felice Cillario 9 June 1973 Metropolitan Opera In-house

Santuzza: Fiorenza Cossotto Lola: Nedda Casei Mamma Lucia: Jean Kraft Turiddu: Carlo Bergonzi Alfio: Anselmo Colzani Conductor: Christopher Keene 24 September 1971 Metropolitan Opera In-house

Santuzza: Giulietta Simionato Lola: Rosalind EliasMamma Lucia: Thelma VotipkaTuriddu: Jussi Björling Alfio: Walter Cassel Conductor: Nino Verchi 16 November 1959 Metropolitan Opera In-house

La saison actuelle, tout comme celles à venir, sera caractérisée par des jalons importants pour la mezzo tuniso-canadienne Rihab Chaieb, ce qui comprend notamment son rôle-titre dans Carmen au Festival de Glyndebourne, son rôle de Claire dans Melancholia avec le Kungliga Operan, son rôle de Dorabella dans Così fan tutte tutte à la Seiji Ozawa Music Academy, en plus de ses apparitions auprès du Los Angeles Philharmonic, de la Compagnie nationale d'opéra du Canada et de l'Orchestre symphonique de Québec, ainsi que son retour au Metropolitan Opera et à la Bayerische Staatsoper.Rihab Chaieb a fait ses débuts à la Bayerische Staatsoper lors de la saison de 2022-2023, où elle a ébloui l'audience dans son rôle de Fenena dans Nabucco, sous la direction de Daniele Rustioni, puis au Los Angeles Opera dans le rôle de Cherubino dans Le nozze di Figaro de James Gray, sous la direction de James Conlon. Elle a ensuite repris son interprétation exceptionnelle de Carmen à la Compagnie nationale d'opéra du Canada et au Calgary Opera, avant de retourner au Grand Théâtre de Genève où elle a été mise en vedette dans son rôle de La mère Meryem lors la première mondiale du Voyage vers l'espoir de Jost.Sur les scènes de concert, elle est apparue aux côtés du Philharmonia Baroque Orchestra dans une prestation de Messiah de Handel, elle a également partagé la scène du Vancouver Symphony Orchestra pour présenter Les nuits d'été de Berlioz sous la direction d'Otto Tausk, puis elle a fait son premier spectacle auprès du Manitoba Chamber Orchestra dans le rôle de Ruggiero dans Alcina de Handel.Rihab Chaieb a marqué la saison 2021-2022 en faisant son entrée au Washington National Opera dans le rôle de Dorabella dans Così fan tutte, puis au Palm Beach Opera dans le rôle titre de Carmen. Elle a joué pour la première fois le rôle de Penelope dans Il ritorno d'Ulisse in patria en tournée et pour un enregistrement avec l'Ensemble I Gemelli, avant de retourner à l'Opéra National de Montpellier pour jouer Maddalena dans Rigoletto, puis au Metropolitan Opera pour incarner Nefertiti dans la production d'Akhnaten de Philip Glass mis en scène par Phelim McDermott et sous la direction Karen Kamensek.Elle a récemment connu de nombreux succès, notamment en faisant ses débuts au Houston Grand Opera lors de la première mondiale de The Phoenix de Tarik O'Regan, puis au Cincinnati Opera dans le rôle de Rosina dans Il barbiere di Siviglia, ainsi qu'à l'Opéra de Montpellier dans Fantasio d'Offenbach, au Teatro Santiago de Chile en incarnant Dorabella, à l'Opera Ballet Vlaanderen Kasturbai dans Satyagraha de Philip Glass, et enfin à l'Oper Köln dans le rôle de Carmen dans une production de Lydia Steier.Elle a joué le rôle de Charlotte dans Werther pour la première fois à l'Opera Vlaanderen sous la direction de Giedrė Šlekytė et elle a ouvert la saison au Muziektheater dans le rôle de Lola dans Cavalleria Rusticana de Robert Carsen sous la direction de Lorenzo Viotti. Sur les scènes de concert, Rihab Chaieb s'est produite avec l'Orchestre symphonique de Montréal dans un programme de Rossini sous la direction de Kent Nagano, ainsi que dans Lieder eines fahrenden Gesellen de Mahle sous la direction de Johannes Debus. Elle a également interprété Messiah de Handel sous la direction de Gustavo Gimeno avec le Toronto Symphony Orchestra. Elle a aussi chanté Three-Cornered Hat de Manuel de Falla avec le Vancouver Symphony Orchestra et le Bournemouth Symphony Orchestra sous la direction de Carlos Miguel Prieto.Instagram :https://www.instagram.com/laprescriptiondrfred/?hl=frFacebook :https://www.facebook.com/people/La-prescription-avec-Dr-Fred-Lambert/100078674880976/ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Inside this Episode with host, Mitch Hampton I seem to never tire of saying that among my many missions on this podcast is to have guests that are quite different than myself. Although Christine and I are both musicians and in the music world, I can't carry a tune to save my life and my truly awful singing voice is one of the main reasons I decided to purely instrumental music in terms of my own performance.  Not only does our guest have one of the best singing voices  in her for any field or genre of music but she also speaks five plus languages and is well versed in a remarkably diverse repertoire of music Indeed her newest release is representative of just the kind of eclecticism I always champion. I always love having guests on my show who have been in the "classical music" world as it is a genre most misunderstood at times by the public and always worthy of continuation and celebration. I sincerely hope you enjoy watching this episode as much as we did recording it. Ms. Moore's Bio : ( Full Bio on her website below) Praised by the Leipziger Volkszeitung for her lush sound and powerful expression, soprano Christine Moore Vassallo is a versatile performer with equal command in opera, recital, and contemporary music.  The Sacramento, California native counts among her many opera roles Mimi in La Boheme, the title role Madama Butterfly, Alice Ford in Falstaff, Micaela in Carmen, the title role in Suor Angelica, Santuzza in Cavalleria Rusticana, Donna Anna in Don Giovanni, Countess in Le Nozze di Figaro, Judith in Bluebeard's Castle, Leonora in Il Trovatore (described as "velvety and luscious" by SongWordSight Magazine), the title roles in Aida and Ariadne auf Naxos with such companies as the Leipzig Opera, Central City Opera, Santa Fe Opera, Chautauqua Institute, Utopia Opera, Create Opera, the Aldeburgh Summer Festival, Sacramento Opera, the Amato Opera and Lyric Artists of New York. She curated and performed in the first ever concert of Arab composers, entitled "Nearer to East: Chamber Music from the Arab World" at the Bruno Walter Auditorium at Lincoln Center, which concert was lauded by the Library as one of the outstanding of the year. Christine speaks five languages and sings in ten, and has given numerous solo recitals featuring works of all genres of repertoire and languages, including in Granada and Madrid with Festival de Cancion Espanola, Trinity Concert Series in New York, the Library at Lincoln Center, Merkin Concert Hall, the Edinburgh Fringe Festival, and the Old Stone House, Brooklyn. She made her UK debut in 2005 at the Paxton Chamber Music Festival in Scotland with Schoenberg's Pierrot Lunaire (praised by the Glasgow Herald) and has performed many new works by living composers, including the premiere at Merkin Hall NYC of Richard Thompson's song cycle The Shadow of Dawn as well as the NYC premiere of his opera The Mask in the Mirror, Andrew Rudin's Masha's Arias, and works by Michael Rose, Kareem Roustom, Halim El-Dabh, Richard Cameron-Wolfe, Steve Gerber and Zaid Jabri with the Brooklyn New Music Collective.  In 2016 she founded the singers collective Lyric Artists of New York, producing operas and concerts in the New York area. In 2023 she made her Weill Hall at Carnegie debut, and is currently collaborating on a project with composer and pianist Patricio Molina set to premiere in 2025 of his songs set to Arab women poets of the Andalus period. Album webpage on the Meridian Records website: https://www.meridian-records.co.uk/acatalog/CDE84647-From-Al-Andalus-to-the-Americas.html  Christine's Website: www.christinemooresoprano.com #middleeast #egypt #spain #oud #darbuka #andalus #soprano #classicalmusic #flute ##arabic #folkmusic #latinamerica #meridianrecords #istanbul #farsi #opera #newyorkcity #artsong  --- Support this podcast: https://podcasters.spotify.com/pod/show/mitch-hampton/support

La conductora presenta de una forma fresca y coloquial historias, anécdotas e interpretaciones de las y los mejores cantantes de ópera nacionales e internacionales. Sus roles, preparación,experiencias, personajes, , etc. Conducido por la Soprano Conny Palacios, Cantante de opera y jazz

A cura di Paolo PellegriniPietro Mascagni Cavalleria rusticanaSantuzza, Giulietta SimionatoTuriddu, Franco CorelliAlfio, Gian Giacomo GuelfiLucia, Mariagrazia AllegriLola, Gabriella CarturanCoro e Orchestra del Teatro alla Scala di MilanoGianandrea Gavazzeni, direttoreTeatro alla Scala, 7 dicembre 1963

Thomas Hengelbrock ist als Interpret ein Garant dafür, ausgetretene Wege eher zu meiden. Für eine konzertante Aufführung der populären Verismo-Oper „Cavalleria rusticana“ von Pietro Mascagni hat er sich mit der Originalversion beschäftigt. Und siehe da, da gibt es doch ein paar gänzlich neue Hörerlebnisse. Ein Beitrag von Ursula Magnes.

Was im November letzten Jahres bei den Herbstfestspielen Baden-Baden zur Diskussion gestellt wurde, liegt inzwischen auf CD vor: die Urfassung des Einakters "Cavalleria rusticana" von Pietro Mascagni! Den Weg zurück zu den Quellen hat einmal mehr der Dirigent Thomas Hengelbrock eingeschlagen. Mit dabei sind die ihm schon lange anvertrauten Musikerinnen und Musiker, die sich hinter dem Namen Balthasar Neumanns verbergen - Chor und Orchester. Eine Aufnahmeprüfung von Volkmar Fischer.

Pietro Mascagni - Cavalleria rusticana: IntermezzoKiev Virtuosi Symphony OrchestraDmitri Yablonsky, conductorMore info about today's track: Naxos 8.573499Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Saturday Mornings host Glenn van Zutphen and co-host, award-winning author Neil Humphreys talk with Singapore Lyric Opera singers Martin Ng and Jonathan Charles Tay, about their upcoming Opera double bill production of Mascagni's “Cavalleria Rusticana” and Leoncavallo's “Pagliacci” on 23 and 23 November at the Sota Concert Hall and what audiences can expect to see and hear.   See omnystudio.com/listener for privacy information.

Ab dem 23. Juni spukt es in der Veste Oberhaus in Passau wieder: Regisseur Jürgen Pöckel inszeniert Puccinis erste Oper "Le Villi". Kombiniert wird das unbekannte Werk bei den Burgenfestspiele Niederbayern mit Mascagnis populärer "Cavalleria Rusticana".

World-renowned tenor Joseph Calleja releases ‘Ave Maria' – his first-ever sacred album. Released on Decca Classics, just in time for Easter, this album marks the 20th anniversary of the Maltese tenor's exclusive signing to Decca and the making of his debut recording in 2003.Track Listing:1 Mascagni: Ave Maria (After Intermezzo from Cavalleria Rusticana)2 Verdi: Messa da Requiem: Ingemisco3 Massenet: Ave Maria (After Méditation from Thaïs)4 Bizet: Agnus Dei (After Intermezzo from L'Arlésienne, Op. 23, WD 28)5 Bocelli: Ave Maria (Arr. Mercurio for Tenor, Violin and Orchestra)6 Anonymous: Pietà, Signore (Arr. Hazell for Tenor and Orchestra)7 Rossini: Stabat Mater: Cujus animam gementem8 Rossini: Petite messe solennelle, Gloria: Domine Deus9 Bizet: Les pêcheurs de perles, WD 13, Act I: Au fond du temple saint10 Wagner: Rienzi, WWV 49, Act V: Allmächt'ger Vater, blick herab11 Wagner: Wesendonck Lieder, WWV 91: No. 1, Der Engel (Orch. Mottl)12 Silent Night (Arr. Bateman for Tenor and Orchestra)13 Adam: O Holy Night (Arr. Gamley and Hazell for Tenor and Orchestra)14 Liguori: Tu scendi dalle stelle (Arr. Belli for Tenor and Orchestra15 Schubert: Ave Maria, D. 839 (Arr. Gamley and Hazell for Tenor and Orchestra)Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

a cura di Paolo PellegriniP. Mascagni – La Cavalleria RusticanaSantuzza, Elena ObraztsovaTuriddu, Plácido DomingoLola, Axelle GallAlfio, Renato Brusonmamma Lucia, Fedora BarbieriCoro e Orchestra del Teatro alla Scala Georges Prêtre, direttore

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts biweekly music segment called VIVA! Opera for SBS Japanese. - 魔法や華やかな世界ではなく、貧しい人の暮らしや三角関係のもつれなどを描いたオペラ。１幕のみの構成で、上映時間は約70分とオペラとしては短い作品です。

Pietro Mascagni hat mit seiner Oper "Cavalleria rusticana"vor über 130 Jahren eine realitätsnahe Stilrichtung begründet - den Verismo. Eine neue, im Februar 2020 entstandene "Cavalleria"-Interpretation kommt aus Chicago. Der Kopf des Unternehmens, Riccardo Muti, ist seit über zehn Jahren Chefdirigent des Chicago Symphony Orchestra.

durée : 00:23:20 - Disques de légende du mercredi 15 juin 2022 - Aujourd'hui dans Disques de légende, nous écoutons les opéras Cavalleria rusticana de Pietro Mascagni et Paillasse de Ruggero Leoncavallo par l'Orchestre du Théâtre de la Scala de Milan dirigé par Herbert von Karajan, avec le ténor Carlo Bergonzi.

Synopsis While many great composers have also been great conductors, this can be the exception rather than the rule. On today's date in 1959, the American composer Ned Rorem tried his hand at conducting the premiere of one of his own compositions, a chamber suite entitled “Eleven Studies for Eleven Players.” Rorem recalled: “I learned that the first requisite to becoming a conductor is an inborn lust for absolute monarchy, and that I, alone among musicians, never got the bug. I was terrified. The first rehearsal was a model of how NOT to inspire confidence. I stood before the eleven players in all my virginal glory, and announced: ‘I've never conducted before, so if I give a wrong cue, do try to come in right anyway.'” Fortunately for Rorem, his eleven musicians were accomplished faculty at Buffalo University, and, despite his inexperience, Rorem certainly knew how his new piece should sound. Rorem's Suite incorporated a few bits recycled from music he had written for a successful Broadway hit—Tennessee Williams' “Suddenly Last Summer”—plus a bit from an unsuccessful play entitled “Motel” that never made it past a Boston tryout. Rorem's own tryout as a conductor convinced him to stick to composing, although he proved to be a fine piano accompanist for singers performing his own songs. As for “Eleven Studies for Eleven Players,” it's gone on to become one of Rorem's most-often performed chamber works. Music Played in Today's Program Ned Rorem (b. 1923) — Eleven Studies for Eleven Players (New York Chamber Ensemble; Stephen Rogers Radcliffe, cond.) Albany 175 On This Day Births 1866 - French composer Erik Alfred-Leslie Satie, in Honfleur; 1901 - German composer Werner Egk, in Auchsesheim, near Donauswörth; His original last name was Mayer, and it is said (although denied by the composer) that the he chose the acronym E-G-K because it stood for "ein grosser Komponist" ("a great composer"); 1923 - American composer Peter Mennin, in Erie, Pa.; Deaths 1935 - French composer Paul Dukas, age 69, in Paris; Premieres 1779 - Gluck: opera "Iphigénie en Tauride" (Iphigenia in Taurus), at the Paris Opéra; 1890 - Mascagni: "Cavalleria Rusticana," in Rome at the Teatro Costanzi; 1904 - Ravel: "Schéhérazade," in Paris, with vocalist Jane Hatto and Alfred Cortot, conducting; 1919 - Ravel: "Alborado del gracioso" (orchestral version), in Paris at Pasdeloup Concert; 1929 - Prokofiev: Symphony No. 3, in Paris, by the Orchestre Symphonique de Paris, with Pierre Monteux conducting; 1933 - Cowell: "Reel," for small orchestra, in New York; 1939 - Prokofiev: cantata "Alexander Nevsky," in Moscow; 1946 - Martin: "Petite Symphonie Concertante," in Zurich, Paul Sacher conducting; 1960 - Ned Rorem: "11 Studies for 11 Players," for chamber ensemble, at the State University of Buffalo (N.Y.), conducted by the composers; 1990 - Rautavaara: "Vincent," in Helsinki at the Finnish National Opera; 2000 - Michael Torke: "Corner in Manhattan," by the Minnesota Orchestra, Eiji Oue conducting; 2001 - Christopher Rouse: Clarinet Concerto, by the Chicago Symphony Orchestra conducted by Christoph Eschenbach, with Larry Combs the soloist; Others 1922 - Music of "The President's Own" reached homes across the nation when the first Marine Band radio program was broadcast; 1969 - Leonard Bernstein's last concert as Music Director of the New York Philharmonic, having conducted 939 concerts with the orchestra (831 as its Music Director); Bernstein conducted 36 world premieres with the orchestra; He continued to appear with the Philharmonic as an occasional guest conductor until his death in 1990; 1978 - Philips Electronics of The Netherlands announces a new digital sound reproduction system from flat, silver "Compact Discs." Links and Resources On Rorem NY Times feature on Rorem at 95

A cura di Paolo Pellegrinipersonaggi e interpretiSantuzza – Maria CallasTuriddu – Giuseppe di StefanoAlfio – Rolando PaneraiLola – Anna Maria CanaliMamma Lucia – Ebe TicozziCoro e Orchestra del Teatro alla Scala di MilanoTullio Serafin, direttore

The short story "Cavalleria Rusticana" (translation online). Later, a tour of Catania, Giovanni Verga's birthplace.

Pietro Mascagni's Cavalleria Rusticana kicked off the verismo craze in Italian opera in 1890. Ruggero Leoncavallo's Pagliacci followed two years later. We talk about the ripple effects of the verismo movement in this wide-ranging episode, covering everything from Francis Ford Coppola and Martin Scorsese to Anton Chekhov, Konstantin Stanislavski, Stella Adler and Marlon Brando, along with more Marx Brothers, the Ride of the Valkyries and a surprise appearance by Smokey Robinson and the Miracles.