Podcasts about another brick

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

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听芥末章鱼想加群插话的朋友请添加微信：hivisme------欢迎听芥末章鱼想插话的朋友来插话群玩儿------垫乐：Another Brick in the Wall, Pt. 2 - Pink Floyd - The Wall本期，顾哥回来了。假期娜娜还得工作，于是聊了聊职场话题，吐槽下。各位听歌乐呵。

Steel - For the eighth episode of Another Brick in the Wall, Pedro speaks with guest Suzi Winstanley, the director at Turner Works in London. Turner Works creates spaces for communities and has experience with steel in both renovation and building from scratch.  This interview was originally conducted in 2022, yet it is being released now in anticipation of Another Brick in the Wall´s upcoming second season, and it is surprising how much of the information is still relevant today.  https://turner.works/ “Another Brick In The Wall” Thoughts and ideas, as well as interviews, focusing on materials and their performance, use and potential to build more sustainable buildings.Apoio de Hanna Zemke

Ce 17 septembre, Marjorie Hache partage deux heures de pépites dans RTL2 Pop-Rock Station. La nouveauté du jour vient de Tame Impala avec "Loser", premier extrait d'un cinquième album à venir, inspiré des rave parties australiennes. L'album de la semaine continue de se dévoiler avec "Black Roses" des Nova Twins. Pour la reprise du soir, Korn réinvente "Another Brick in the Wall" de Pink Floyd dans une version nu metal percutante. La soirée rend aussi hommage à Keith Flint de The Prodigy avec "Breathe", et fait place aux voix singulières de Chris Cornell avec Audioslave, de Billy Squier et de David Bowie époque Ziggy Stardust. Marjorie partage également la recommandation de Francis Zégut avec Amira Elfeky, jeune talent repéré par Sam Carter d'Architects. Enfin, Archive annonce son retour avec l'album "Glass Minds" prévu pour février. Tame Impala - Loser David Bowie - Ziggy Stardust The Prodigy - Breathe Yeah Yeah Yeahs - Heads Will Roll Billy Squier - The Stroke Gary Glitter - Rock & Roll Part 2 The Black Keys - Howlin For You Nova Twins - Black Roses Beastie Boys - Fight For Your Right Audioslave - Like A Stone Black Sabbath - Iron Man Jehnny Beth - No Good For People Korn - Another Brick In The Wall Elvis Presley - A Little Less Conversation (Jxl Radio Edit Remix) Amira Elfeky - Will You Love Me When I'm Dead Bob Dylan - Like A Rolling Stone Fun Lovin' Criminals - Scooby Snacks Archive - Look At Us Peter Frampton - Show Me The Way Garbage - Cherry Lips Kneecap & Paul Hartnoll - Sayonara Foals - My Number Mogwai - Hunted By A Freak Skunk Anansie - Hedonism Prince - AutomaticHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Another Brick is a funky house music podcast. Great classics. Please check them out. Artist names and song titles are in order of play...QUEEN-ANOTHER ONE BITES THE DUST, BEE GEES-STAYING ALIVE, PINK FLOYD-ANOTHER BRICK IN THE WALL, SURVIVOR-EYE OF THE TIGER, BALTIMORA-TARZAN BOY, CHAKA KHAN-AIN'T NOBODY, IAN OSSIA-SOMEONE TO COUNT ON, PURPLE DISCO MACHINE-TAKE IT EASY, LUTHER VANDROSS-A THOUSAND KISSES, WILL SMITH-GETTIN' JIGGY WITH IT, THE FUGEES-READY OR NOT, DOJA CAT-SAY SO, GEORGE BENSON-GIVE ME THE NIGHT. End. Thanks for listening to Ken Steele Music. 

It's the end, the end of the Seventies.It was a decade that had started with Edison Lighthouse and ended with Another Brick in the wall. After 221 number one singles, the decade that had given us everything from Bowie to Bell bottoms, from Chopper bikes to Chiquitita, Glam to Punk, and Sapphire to Steel, was closing down - and at a sensible hour too!On the 31st December 1979, Kenny Everett asked the (more discerning) viewers on ITV, if he would indeed make it 1980. With the iconic help of Roxy Music, David Bowie, The Boomtown Rats and many more, he just about crossed over into that new decade. But really listens, the future was already with us.And yes, 1979 did seem rather grim - a winter of discontent, political upheaval, TV strikes and terrorism. But isn't this exactly the kind of period when popular culture and significantly POP, POP, POP MUZIK comes to save us all? The kids were indeed, alright!So, in the company of some very special guests - singer/songwriter and pop legend Nick Heyward and Record Collector's very own Daryl Easlea - as we revisit the cultural tsunami that is the NOW Yearbook 1979. Rediscover a glittering embarrassment of 7” smashes from the likes of Sparks, Chic, Blondie, Squeeze, Ian Dury & the Blockheads, Roxy Music. The list, just like the glorious pages of Daryl's 1979 diary goes on and on.As well as sharing his fabulous boxset, 1993–1998: The Epic & Creation Years, Nick tells us about how important 1979 was in shaping his own musical journey. From the early days of (what would become) Haircut 100, to rediscovering kitchen sink somewhere up a junction, to defining a look and sound as the seventies morphed into the eighties. We explore the sounds of 1979 - from XTC to The Knack, from Rainbow to Sad Cafe (yes, really!), how punk was evolving into New wave, which was evolving into New Pop which… (yes, we get the idea: Ed)And also how video wasn't exactly killing the radio star, but through visuals a new age was really dawning for pop. So, lets take a One Way Ticket, One Step Beyond some Parisienne Walkways (we're not keeping these in! Ed)1979.Wow, indeed. Hosted on Acast. See acast.com/privacy for more information.

Kurt rejoins in-studio for the latest POTUS 47 update where we discuss the developments surrounding US trade policy, concerns over Fed autonomy, and geopolitical points of interest - how these factors have been impacting the markets and shaping the investment outlook. Featured is Kurt Reiman, Head of Fixed Income Americas, UBS Chief Investment Office. Host: Daniel Cassidy

Arguing about Brickyard 400 attendance.Topics covered:-- IndyCar's schedule conundrum -- NASCAR '25 releasing Oct. 14-- NASCAR racing in San Diego in 2026-- Denny Hamlin's contract extension-- JimJam wants to run more races next season-- NBC relaunching NBCSN?-- Featured Paint Scheme-- Upshift/Downshift-- Final WordFollow us on social media:@RobandRoller@Rpeeters33@Roller_01

Dean is a graduate of Ohio State University and Mid-American seminary and planter and lead pastor at Lifepoint Church in Columbus Ohio for almost 20 years. He is the author of the books Your Next Thirty Days and Your Next Thirty Days of Relationships. Married to his wonderful wife Angie with whom they share three children.

The one where Snake is suddenly a drunken slob. We're available on all of the standard podcasting platforms and can also be streamed on Spotify. Please give us a follow on Twitter NarbosPodcast or on Instagram and Tiktok @NarbosAndBroomheadsPodcast, and if you want to watch along, please send your comments to Narbosandbroomheads@gmail.com and we'll make sure to share them on future episodes. Youcan also join our Narbos And Broomheads Facebook group for information on live episodes being broadcast in the future. If you like the show, please shoot us a 5 star rating on iTunes, and tell all of your Degrassi loving friends!

Learn more about some of your favourite and forgotten songs with Francesca. 00:00 Sledgehammer by Peter Gabriel 01:31 Heroes by David Bowie 03:08 Elenor Rigby by The Beatles 04:30 Another Brick in the Wall pt. 2 by Pink Floyd 05:52 Ramble On by Led Zeppelin

Wer nicht weiß wonach er schaut sieht auch nichts… Prof. Palm und ich geben einen ganz persönlichen Blick darein, wie wir uns vorbereiten, welche Ressourcen wir nutzen und was es sonst noch so gibt, um sich auf Ops vor zu bereiten….Literaturhinweis:Klinische Studien in Unfallchirurgie und Orthopädie: lesen, interpretieren und umsetzenDirk Stengel · Wolf Mutschler · Luzi Dubs · Stephan Kirschner · Tobias RenkawitzSpringer Medizin Der Unfallchirurg, 10 November 2021Informationsquellen vor Ops:https://surgeryreference.aofoundation.orghttps://osapp.aofoundation.orghttps://www.orthobullets.comhttps://www.worldsurgerytour.comhttps://eakademie.bdc.de/https://www.vumedi.com/ 

Episode SummaryErin and Rachel travel 700 years into the future to discuss WALL-E (2008), Pixar's robot romance with an unintentionally anti-capitalist message. Fatphobia and misogyny make this dystopian tale unwatchable despite its endearing protagonist, striking animation, and moments of nostalgia. Episode BibliographyThe 81st Academy Awards | 2009. (2009, February 22). Oscars.org. https://www.oscars.org/oscars/ceremonies/2009Akers, D. (2008, June 9). Wall-E: A Movie With a Full Heart, or A Tribute to Justin. Spectrum. https://spectrummagazine.org/news/wall-e-movie-full-heart-or-tribute-justin/Allen, C. (2008, July 13). Wall-E doesn't say anything. Los Angeles Times. https://www.latimes.com/la-op-allen13-2008jul13-story.htmlAnderson, C.T. (2012). Post-apocalyptic nostalgia: WALL-E, garbage, and American ambivalence toward manufactured goods. Literature Interpretation Theory, 23(3), 267-282, DOI: 10.1080/10436928.2012.703598Ball, S. (2009, January 23). Mr. Oscar, Tear Down This Wall! Andrew Stanton on How Animated Films are Pigeonholed -- and How Wall-E is Every Man. Newsweek. https://web.archive.org/web/20090204034311/http://blog.newsweek.com/blogs/popvox/archive/2009/01/23/breaking-out-of-the-box-wall-e-director-andrew-stanton-on-the-oscars-the-blurring-of-the-line-between-animation-and-film-and-writing-strong-female-characterBandyk, M. (2009, January 22). Academy Awards Controversy: Wall-E Gets Snubbed For Best Picture Oscar. USNews. https://web.archive.org/web/20110717180938/http://money.usnews.com/money/blogs/risky-business/2009/01/22/academy-awards-controversy-wall-e-gets-snubbed-for-best-picture-oscarBarbagallo, R. (2009). Design With a Purpose, an interview with Ralph Eggleston. Animation Art Conservation. https://www.animationartconservation.com/design-with-a-purpose%2c-an-interview-with-ralph-eggleston.htmlBeck, B. (2009). Don't make me laugh: People are funny in WALL-E and Tropic Thunder.  Multicultural Perspectives, 11(2), 90-93. DOI: 10.1080/15210960903028768Bold, K. (2008, July 23). ‘WALL-E' and the professor. Today@UCI. https://web.archive.org/web/20080726230400/http://today.uci.edu/Features/profile_detail.asp?key=369Bose, M. (2017). Immaterial thoughts: Brand value, environmental sustainability, and WALL-E. Criticism, 59(2), 247-277. DOI: 10.13110/criticism.59.2.0247Caraway, K., & Caraway, B.R. (2020). Representing ecological crises in children's media: An analysis of The Lorax and Wall-E. Environmental Communication, 14(5), 686-697, DOI: 10.1080/17524032.2019.1710226Coconut Press. (2022, July 1). The Making of WALL-E: The Imperfect Lens (Disney Pixar video). YouTube. https://www.youtube.com/watch?v=G8tlVs4r7zgDesowitz, B. (2009). Hello, WALL•E!: Pixar Reaches for the Stars. Animation World Magazine. https://web.archive.org/web/20090720073659/http://mag.awn.com/article_view.php?id=3682&page=allDisney Enterprises, Inc./Pixar. (2008, June 12). WALL-E Press Kit. Disney. https://web.archive.org/web/20110711103245/http://adisney.go.com/disneyvideos/animatedfilms/wall-e/media/downloads/WALLEProductionNotes.pdfEbert, R. (2008, June 26). Droid Story. Roger Ebert. https://www.rogerebert.com/reviews/wall-e-2008Film Review: WALL-E. (2008, October 1). BBC. http://news.bbc.co.uk/cbbcnews/hi/newsid_7500000/newsid_7504500/7504559.stmFlaig, P. (2016). Slapstick after Fordism: WALL-E, automatism and Pixar's fun factory. Animation: An Interdisciplinary Journal, 11(1), 59-74. DOI: 10.1177/1746847715625017Frick, A. (2008, July 1). Right-Wing Apoplectic Over Pixar's WALL-E: ‘Malthusian Fear Mongering,' ‘Fascistic Elements'. Think Progress. https://archive.thinkprogress.org/right-wing-apoplectic-over-pixars-wall-e-malthusian-fear-mongering-fascistic-elements-92e1523a8a6e/Gaffey, A.J. (2018). Flip the switch: Virtue, programming, and the prospect of automatic agency in Wall-E. Southern Communication Journal, 83(1), 41-56. DOI: 10.1080/1041794X.2017.1399434Glint, J.M.S., & Bhuvaneswari, G. (2025). Memory, Social Identity and Technology at Odds: The Implication on Physical Well‑Being in Wall‑E. Human Arenas. DOI: 10.1007/s42087-024-00471-wHill, J. (2008, June 17). When it comes to the retail world, Speed Racer whomps WALL-E. Jim Hill Media. https://jimhillmedia.com/when-it-comes-to-the-retail-world-speed-racer-whomps-wall-e/Hobbes, M., & Gordon, A. [Hosts]. (2022, May 31). MP Watch Part: Wall-E and Spy [Audio podcast episode]. In Maintenance Phase. https://www.maintenancephase.com/Horn, S., & Moro, E. (2008, April 7). Wall•E Preview. IGN. https://web.archive.org/web/20080411234805/http://movies.ign.com/articles/865/865021p4.htmlHuxley, T. (2008, November 13). Q&A With WALL•E's Ben Burtt. Pixar Planet. https://pixarplanet.com/blog/qa-with-walles-ben-burtt/Justin Wright. (n.d.). Wikipedia. Retrieved April 13, 2025, from https://en.wikipedia.org/wiki/Justin_WrightKorfiatis, K., Photiou, M., & Petrou, S. (2020). Effects of ecoanimations on nine and twelve year old children's environmental conceptions: How WALL-E changed young spectators' views of earth and environmental protection. The Journal of Environmental Education, 51(5), 381-394. DOI: 10.1080/00958964.2020.1747965 Lloyd, A. (2023, December 1). Counteracting Bone and Muscle Loss in Microgravity. NASA. https://www.nasa.gov/humans-in-space/counteracting-bone-and-muscle-loss-in-microgravity/Mattie, S. (2014). WALL-E on the problem of technology. Perspectives on Political Science, 43(1), 12-20. DOI: 10.1080/10457097.2013.784576Murray, R.L., & Heumann, J.K. (2011). That's all folks? Ecocritical readings of American animated features. University of Nebraska Press. Ness, M. (2017, September 28). Robots in Love: WALL-E. Reactor. https://reactormag.com/robots-in-love-wall-e/Pixar. (2016a, October 16). Robo-Everything | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=gqquKFkH-iI&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=9Pixar. (2016b, October 19). Captain's Log | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=PRUoIOkp9AU&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=5Pixar. (2016c, October 19). Live Action | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=FQh4z-j0ScI&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=15Pixar. (2016d, October 19). Trash Planet | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=UmnSYmqpIEY&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=14Pixar. (2016e, October 19). WALL•E and EVE | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=m-AYOhIYZlQ&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=12Potokar, S. (2017, March 8). Wall-E Animation Foley and Sound Design. YouTube. https://www.youtube.com/watch?v=0IPxIvbc_csPrice, D. A. (2009). The Pixar Touch: The Making of a Company. Knopf Doubleday Publishing Group.Recording Academy. (2025). 51st Annual GRAMMY Awards. GRAMMY.com. https://www.grammy.com/awards/51st-annual-grammy-awardsRoberts, S. (2008). Andrew Stanton Interview, Wall-E. Movies Online. https://web.archive.org/web/20080626061223/http://www.moviesonline.ca/movienews_14899.htmlRobinson, T. (2008, June 26). Andrew Stanton. A.V. Club. https://web.archive.org/web/20080908045321/http://www.avclub.com/content/interview/andrew_stantonStanton, A. (Director). (2008). WALL-E [Film]. Pixar Animation Studios.Suellentrop, C. (2008, June 30). Another Brick in the ‘WALL-E'. The New York Times. https://archive.nytimes.com/opinionator.blogs.nytimes.com/2008/06/30/another-brick-in-the-wall-e/Tranter, P., & Sharpe, S. (2012). Disney-Pixar to the rescue: Harnessing positive affect for enhancing children's active mobility. Journal of Transport Geography, 20, 34-40. DOI: 10.1016/j.jtrangeo.2011.04.006van Oosterwijk, I., & McCarthy, W. (2023). Once upon a dystopian time: The portrayal and perception of environmentalism in Pixar's Finding Nemo and WALL-E. Quarterly Review of Film and Video, 40(7), 848-873. DOI: 10.1080/10509208.2022.2049181 WALL-E. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/WALL-EWALL-E. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl3615065601/Willman, C. (2008, July 14). 'WALL-E': How he found 'Hello, Dolly!' Entertainment Weekly. https://ew.com/article/2008/07/14/wall-e-how-he-found-hello-dolly/Yates, M. (2015). Labor as “nature,” nature as labor. Interdisciplinary Studies in Literature and Environment, 22(3), 525-543.

Nella puntata ascoltiamo e commentiamo queste canzoni: 1. Another Brick in the wall, Pink 2. Roar, Katy Perry 3. Same Love, Macklemore 4. Born This Way, Lady Gaga 5. Redemption Song, Bob Marley 6. Zombie, The Cranberries 7. Stand by Me, John Lennon 8. Man in the mirror, M. Jackson

These are the goodest of old days for OKC Thunder basketball.

The legendary sounds of Pink Floyd's "Another Brick in the Wall (Part 2)" come alive as we explore this revolutionary anthem that dominated airwaves and captivated a generation in 1980. This cultural phenomenon wasn't just a song – it was everywhere, playing in homes, game rooms, and wherever young people gathered to shout "We don't need no education!"Delving into the innovative construction of the track, we unpack how Pink Floyd boldly incorporated a disco beat at a time when the genre was fading, creating something utterly transcendent with David Gilmour's guitar work and that unforgettable children's choir. The conceptual origins of "The Wall" reveal Roger Waters' growing alienation from audiences, which sparked his radical idea to build an actual wall between band and crowd during performances.Our musical journey through March 1980 continues with explorations of Pat Benatar's "Heartbreaker," Van Halen's "Women and Children First" album, The Cure's "A Forest," and Rush's "Spirit of Radio." Each track represents the incredible boundary-pushing innovation happening across music as a new decade dawned.Whether you're rediscovering these classics or hearing these stories for the first time, this episode connects personal memories with musical milestones in ways that will have you reaching for your air guitar – or perhaps practicing your air drums with the proper technique! Join us for this nostalgic yet fresh look at some of rock's most transformative moments.Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease Like and Follow our Facebook and Instagram page at Music In My Shoes. You can contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Today we are continuing our every other week crossover to our sister podcast Stories RPG where we play a story telling game developed by Daniel Hinds and Michael Low to help people of all ages tell stories together. We left last episode with a big decision looming for Firefly, tune in to today's episode to find out what her decision is and for the lead in to our exciting finale episode 2 weeks from now. Don't worry fans, the finale episode is not the end, just the end to this arc of the Gigacity Guardians. After Gigacity we will be revisiting Starsworn for an arc, but we will be back for more Gigacity in the future as well as some fresh new stories in all new worlds. Stick with us we have A LOT more to come! Check out Stories RPG our new show where we play games like Starsworn with all your Max Goodname friends, and Gigacity Guardians featuring the brilliant firefly! https://link.chtbl.com/gigacity Draw us a picture of what you think any of the characters in this story look like, and then tag us in it on instagram @storiespodcast! We'd love to see your artwork and share it on our feed!! If you would like to support Stories Podcast, you can subscribe and give us a five star review on iTunes, check out our merch at storiespodcast.com/shop, follow us on Instagram @storiespodcast, or just tell your friends about us! Check out our new YouTube channel at youtube.com/storiespodcast. If you've ever wanted to read along with our stories, now you can! These read-along versions of our stories are great for early readers trying to improve their skills or even adults learning English for the first time. Check it out.

Microsoft Research develops a generative AI model that can build out game worlds. Humane, the makers of the failed Humane AI pin, is selling most of its company to HP for $116 million. Eufy announced the FamiLock S3 Max, a video lock that can automatically unlock doors when it reads the palms of authorized people. Starring Sarah Lane, Tom Merritt, Scott Johnson, Roger Chang, Joe. To read the show notes in a separate page click here! Support the show on Patreon by becoming a supporter!

Artist: Morelly / M'uence Label: Free Download Genre: Deep House Release Date: 18.01.2025 Morelly: @ivanmorelly M'uence: https://soundcloud.com/muence_music CONTACT (DHM): Email — deephousemoscow@hotmail.com

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: More Than Words by Extreme (1990)Song 1: A Hard Day's Night by The Beatles (1964)Song 2: That Moon Song by Gregory Alan Isakov (2009)Song 3: Sunday Bloody Sunday by U2 (1983)Song 4: Another Kind of Green (Live) by John Mayer (2005)Song 5: The Way You Make Me Feel by Michael Jackson (1987)Song 6: Don't Want to Lose You Now by James Morrison (2019)Song 7: Cowboy Like Me by Taylor Swift (2020)Song 8: Babe by Styx (1979)Song 9: Another Brick in the Wall, Pt. 2 by Pink Floyd (1979)Song 10: Crazy Little Thing Called Love by Queen (1979)

The guys finally make it to the end of the Foundations set. They talk about Green, Gold, Artifacts and Lands. It is has been a long journey, but now we know all of Foundations.   To help support the podcast, please consider going to TCG using our link: https://casualtryhard.com/TCG Facebook: Casual Try Hard MTG X: @casualtrypod Email: casualtryhardmtg@gmail.com Patreon: Patreon.com/casualtryhardmtg Youtube: CasualTryHardMTG Discord: https://discord.gg/6uCuW79   You can find us on the Apple podcast app, Google Play, Podbean, Soundcloud, Spotify, Stitcher or YouTube just search casual try hard. Music by Juan Rodriguez II ZeeManlove.com

Send us a textAwesome News Daily. A daily dose of good news in two minutes...  more or less.Support the showJoin us on Facebook https://www.facebook.com/groups/awesomenewsdailyor email me at awesomenewsdaily@gmail.com

The guys are back at talking about Foundations again. This week they are talking about red and then talking about some cards that listeners requested.   To help support the podcast, please consider going to TCG using our link: https://casualtryhard.com/TCG Facebook: Casual Try Hard MTG X: @casualtrypod Email: casualtryhardmtg@gmail.com Patreon: Patreon.com/casualtryhardmtg Youtube: CasualTryHardMTG Discord: https://discord.gg/6uCuW79   You can find us on the Apple podcast app, Google Play, Podbean, Soundcloud, Spotify, Stitcher or YouTube just search casual try hard. Music by Juan Rodriguez II ZeeManlove.com

The guys are building the Foundations for the next five years of Standard Magic by talking about the blue and black cards from Foundations.   To help support the podcast, please consider going to TCG using our link: https://casualtryhard.com/TCG Facebook: Casual Try Hard MTG X: @casualtrypod Email: casualtryhardmtg@gmail.com Patreon: Patreon.com/casualtryhardmtg Youtube: CasualTryHardMTG Discord: https://discord.gg/6uCuW79   You can find us on the Apple podcast app, Google Play, Podbean, Soundcloud, Spotify, Stitcher or YouTube just search casual try hard. Music by Juan Rodriguez II ZeeManlove.com

With recent events escalating in the Middle East and US elections, John Haller (retired lawyer) and Pete Garcia (former military helicopter pilot) discuss the news with a distinctly Biblical perspective.Another Brick in the Wall...Send Us a Topic or Question you want to see covered.Find Us & Follow, Likes n Share helps our Reach.-Amos37 Website-Amos37 on Facebook-Amos37 on Instagram-Amos37 on Rumble-Amos37 on Gettr-Amos37 on Gab-Amos37 on Parler

Paul Hoynes and Joe Noga look at which of Cleveland's arbitration-eligible players could be without a contract this offseason. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mike Morgan takes us on our Love chevy Drive Around the SEC. The SEC and B1G are considering a conference showdown in the future, and the timing and locations are discussed. Georgia and Texas are mentioned before some kudos head out to Brady Cook, and a drive for the annals. The BOT is meeting on Friday to discuss moving forward with phases of the "11/10" Project. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Just sharing more good vibes! If you enjoy this you can check out my old chillout mixes here: https://soundcloud.com/hothousehours/sets/dave-baker-chillout-mixes 1. UFO (KVISION Edit) - Sneaky Sound System [White Label]

On today's Common Sense “UnSensored,” Former Navy veteran and MN resident "Rocks and Cows" member John Anderson is talking about Democratic Vp pick Tim Walz. To access past Common Sense UnSensored episodes visit - https://commonsenseunsensored.podbean.com/ Help support GFBS at this donation link - https://bit.ly/3vjvzgX - Show is recorded at Grand Forks Best Source. For studio information, visit www.gfbestsource.com Or message us at bit.ly/44meos1  #audit #election #vote #politics #debate #gfbs #northdakota #grandforksbestsource

Kamala Harris has supercharged Democratic party voters' enthusiasm in the weeks since President Joe Biden stepped down as the nominee. Can Tim Walz, a little-known Midwestern governor with an everyman appeal and a progressive agenda, help maintain that excitement as her vice-presidential pick? The FT's global business columnist, Rana Foroohar, and Washington bureau chief, James Politi, join this week's Swamp Notes to discuss what Walz adds to the ticket. Mentioned in this podcast:Kamala Harris champions personal freedoms at first rally with Tim WalzWhy Tim Walz was Kamala Harris's choice for vice-presidentSign up for the FT's Swamp Notes newsletter hereSwamp Notes is produced by Ethan Plotkin, Sonja Hutson, Lauren Fedor and Marc Filippino. Topher Forhecz is the FT's executive producer. The FT's global head of audio is Cheryl Brumley. Special thanks to Pierre Nicholson. Hosted on Acast. See acast.com/privacy for more information.

¡Saludos, amantes de la buena música! Soy George Paz, su anfitrión en Vinyl Radio, y les traigo un episodio que promete ser una verdadera joya para los sentidos: "Reggae Best Playlist Vol". Prepárense para un viaje musical incomparable, donde los clásicos que todos conocemos y amamos se reinventan con el vibrante y relajante sonido del reggae.

Scott Mason talks with Playlikeajet.com film analyst Luke Grant to discuss the All-22 film of former Penn State and now NY Jets offensive lineman, Olu Fashanu! -Best pure pass blocker in the 2024 draft? -Run blocking a work in progress? -Overall strengths and weaknesses? -Under discussed areas of his game? -Fit in the Jets offense? -Which NFL player comps make the most sense for him? & Much more! Check out the Play Like A Jet store and get your "Play Like A Jet" logo shirt RIGHT NOW! Hoodies, hats, mugs, etc.....also available! https://www.teepublic.com/t-shirt/19770068-play-like-a-jet-logo-shirt?store_id=717242 To advertise on Play Like A Jet, please contact: Justin@Brokencontrollermedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.In this episode, the lads travel back to the disco era where they shake their boo-tays to none other than...Pink Floyd?  As they try to dig the dark Floydian disco groove, they critique some hits (and misses) of rock bands attempting disco and marvel at how the genre penetrated every nook and cranny of the era that bears its name. Ty also offers Tom an olive branch for his unrelenting dissing of producers, which Tom preempts...with a gift.  All and all, it's just another brick in the...strobe light illuminated dance floor?Songs:Reverb Syndicate - Better Dancing Through TechnologyNational Lampoon Radio Hour - The Immigrants: "The Hillbillies"Pink Floyd - Another Brick in the Wall pt. 2Kiss - I Was Made for Lovin' YouGrateful Dead - Shakedown StreetPink Floyd - Several Species...Pink Floyd - MoneyQueen - Crazy Little Thing Called LoveBlondie - Call MeRod Stewart - Do Ya Think I'm Sexy?Clash - Magnificent SevenDeee-Lite - Groove is in the HeartRolling Stones - Shine a LightPink Floyd - Wish You Were HerePink Floyd - Arnold LayneAlice Cooper- School's OutKenny Loggins - HeartlightRed Hot Chili Peppers - AeroplanePink Floyd - Us and ThemAndrew Lloyd Webber - Phantom of the OperaPink Floyd - EchoesChuck Berry - School DaySmiths - Headmaster RitualRush - SubdivisionsConnect with us:Instagram

Do you wonder if you really have what it takes to accomplish what God has put in your heart? That which God commissions, He gives the enablement to fulfill. Join Pastor Mark Williams for the message, "Hand Me Another Brick".

Despite a huge letdown earlier in the day, Gerry, Nick and Josh get together to talk about our week in baseball, wrap up results in other sports this week, and discuss the challenges we face and how to break down the wall between Ragin' Review and the athletics administration. Obstacles and Challenges [7:55]Baseball Update & Looking Ahead [01:07:40]Softball & Basketball Wrap Up [01:53:00]For full video of this episode, follow us on these platforms: YouTube | Twitter (X) | Facebook | Twitch | Instagram | TikTok

On this week's radio hour, Courtenay Turner shares her experience discussing the issue of school choice with state legislators. Despite the clever language and marketing, school choice as presented in the educational freedom scholarship act is really government school choice with strings attached. She explains why the words are misleading, how the legislature is responding and touches on the Hegelian- Wundtian roots of the exportation of the Prussian model of education to the United States. Listen weekly as Courtenay broadcasts deeper dives into truth, globally via the WWCR airwaves. Catch the Courtenay Turner Show, LIVE every Monday at 3pm CST. Tune in LIVE via Shortwave Radio on 9.350mHz, or via MP3 stream at: https://bit.ly/CourtenayTurnerShow ▶ Episode resources: ✩Gov. Lee's "Education Freedom Scholarship Act" https://tneducationfreedom.com ✩Charlotte Iserbyt's "The True Goal of School Choice" https://newswithviews.com/iserbyt/iserbyt112.htm Tiffany Boyd's "Free Your Children" ✩https://www.freeyourchildren.com ▶ Follow & Connect with Courtenay: 
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https://crowdrank.news/stack/courtenayturner ▶ Feb. 24th 2024, Watch Courtenay speak @ AUTONOMY VIP Summit 3-Truth To Freedom: How To Take Research And Build Media https://www.universityofreason.com/autonomy-vip-summit-3 ▶ Read some of her articles: 
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©2024 All Rights Reserved Learn more about your ad choices. Visit megaphone.fm/adchoices

California Rifle & Pistol Association head Chuck Michel discusses Judge Roger Benitez's decision tossing out the state's ammunition background check law and prohibitions on online and out-of-state ammo purchases for California residents, as well as what happens next as the case moves to the Ninth Circuit.

Hoy el Mata-Rolas encontro una versión de "Another Brick in the Wall" criminal al ritmo de cumbia

Are you ready to unravel the enigma that is Pink Floyd? Buckle up as we, along with our expert guest DJ Mordicchio, unearth the profound nuances of Pink Floyd's spellbinding sound and piercing lyrics. We're taking apart the legendary "Another Brick in the Wall" line by line, unmasking its potent critique of the education system that still echoes across generations. This isn't just about going behind the music, it's about discovering how the timeless words 'We don't need no education, we don't need no thought control,' resonate with our present societal norms and structures. DJ Mordicchio, with his wealth of knowledge, will guide us in this musical exploration. We will delve deep into Pink Floyd's anthem of individuality and freedom, going beyond the surface to find the deeper meaning. This engaging discussion is sure to offer a fresh perspective on a song that you may think you know well. Whether you're a steadfast Pink Floyd fan or just beginning your journey into their music, join us for a thought-provoking episode that is sure to leave you both intrigued and inspired.Support the showLa missione di FuffaWebFuffaWeb è da sempre impegnata nella diffusione della verità senza censura, e questo articolo fa parte del nostro impegno nel portare alla luce temi importanti. Vogliamo essere una risorsa affidabile per tutti voi, fornendo informazioni pertinenti e incoraggiando azioni positive.fuffa web online, free podcast : graffio@fuffaweb.com - mordicchio@fuffaweb.com FuffaWeb Italia, il podcast di qualita anti fuffa .news - arte - musica - crescita personale - moda - gaming - cucinaQUESTE LE RUBRICHE CHE SINTEIZZANO GLI ARGOMENTI DA NOI TRATTATI PER TIPOLOGIA D'EPISODIOFuffaWeb è da sempre impegnata nella diffusione della verità senza censura, e questo articolo fa parte del nostro impegno nel portare alla luce temi importanti.Vogliamo essere una risorsa affidabile per tutti voi, fornendo informazioni pertinenti e incoraggiando azioni positive.Un ringraziamento speciale a tutti Voi Se il nostro podcast ti piace, vota qui: I love FuffaWeb Italia Vota il nostro podcast, il tuo punto di vista conta per noi, e per gli altri, clicca il link qui sotto ed esprikmi il tuo paraere, ci contiamo, grazie:#PodcastGratis #AscoltaOra #NuovoEpisodio #PodcastDellSe...

I have feelings about governance education. On the one hand, the complexity and pace of change of external conditions that affect *every* organization means that basically every director and executive has their work cut out for them when it comes to staying up to date. On the other hand, education on those external factors – even when it's designed for boards – basically never comes with guidance on how to, y'know, actually do something useful with that education once you're back in the regular world of a board meeting. At least in my experience. Sure, they might say “here are some questions you could ask about, I dunno, AI and copyright or whatever,” but we all know that question asking does not a great director make. Maybe more concerning is that most education that has “corporate governance” in the title ALSO doesn't make much of an effort to empower directors and executives to be more awesome at their job. It just seems to be obsessed with case studies of catastrophes, explosions, lurid affairs, and whatever. But understanding some worst-case scenarios is not the same as showing up and being a great director. Is there a moral to this story? If there is, then I think it's to 1) make liberal use of your organization's education budget by consuming every course, conference and publication that might give you new and useful knowledge, and 2) invest time and effort into imagining how you're going to take that knowledge and use it in service of cultivating effective conditions for making decisions in your boardroom.

The National Security Hour with Col. Mike and Dr. Mike – In this episode Colonel Mike and Dr. Mike discuss a range of pressing issues, from the lingering questions around 9/11 to a controversial land dispute in Maui. They also delve into Biden's performance at the G-20 summit, Russia's foreign policy, and the ongoing debate over climate change. Additionally, they examine a recent move by New Mexico's governor to suspend the...

Comme d'habitude, nous commencerons notre programme par un tour d'horizon de l'actualité récente. Tout d'abord, nous parlerons de la manière dont la Chine essaie de contrer la domination du G-7 en élargissant les BRICS à l'occasion du 15ème sommet de ce groupe à Johannesburg, en Afrique du Sud. Ensuite, nous aborderons un rapport de l'Annenberg Inclusion Initiative de l'université de Californie du Sud qui montre une amélioration progressive mais insuffisante de l'inclusion des femmes et des minorités à Hollywood. Dans la partie scientifique, nous discuterons d'un exploit impressionnant : des scientifiques ont recréé la chanson « Another Brick in the Wall » des Pink Floyd en analysant l'activité cérébrale de patients épileptiques équipés d'électrodes. Nous conclurons la première partie de notre programme en commentant la Coupe du monde féminine de la FIFA 2023, qui a mis en évidence l'écart salarial entre les hommes et les femmes.    Cette semaine, nous parlerons de Claude Got, médecin expert en sécurité routière qui est décédé le 11 août dernier, en Belgique, à l'âge de 87 ans. Nous discuterons pour finir de la fermeture le 21 août de la célèbre plateforme française Skyblog, dont beaucoup de blogs vont être conservés par la Bibliothèque Nationale de France pour la postérité. - La Chine veut inclure davantage de pays dans les BRICS pour contrer la domination du G-7 - Inclusion : les progrès lents et inégaux d'Hollywood - Une chanson de Pink Floyd enregistrée à partir des ondes cérébrales de patients grâce à des implants - L'immense succès de la Coupe du monde de football féminin met en lumière les disparités salariales entre les hommes et les femmes - Claude Got, spécialiste français de l'accidentologie, est mort - La BNF va conserver les Skyblogs d'une génération entière d'adolescents français

Como de costumbre, comenzaremos el programa repasando los titulares de actualidad. Primero hablaremos de los intentos de China por contrarrestar el dominio del G-7 ampliando los BRICS, coincidiendo con la 15ª cumbre del grupo en Johannesburgo, Sudáfrica. Después comentaremos un informe de la Annenberg Inclusion Initiative, de la Universidad del Sur de California, que muestra un avance gradual pero insuficiente de la inclusividad en Hollywood. En la sección de ciencia, discutiremos un logro impresionante: un grupo de científicos recreó “Another Brick in the Wall”, de Pink Floyd, utilizando la actividad neuronal de enfermos de epilepsia con electrodos implantados en el cerebro. Concluiremos la primera parte del programa con el Mundial Femenino de Fútbol de la FIFA 2023, que pone de relieve la brecha salarial de género. En la segunda parte del programa, Trending in Spain, esta semana, hablaremos de mujeres españolas empoderadas desde dos puntos de vista distintos. El primero, en el mundo artístico: la cantante Eva Amaral clama “dignidad” cantando su canción más popular a pecho descubierto. El segundo, en el ámbito deportivo: la selección femenina española de fútbol gana el Mundial tras vencer al equipo inglés. China quiere incluir a más países en los BRICS para contrarrestar el dominio del G-7 El avance hacia una mayor inclusividad en Hollywood es lento y desigual Grabada una canción de Pink Floyd del cerebro de enfermos de epilepsia a través de implantes El enorme éxito del Mundial Femenino de Fútbol pone de relieve la desigualdad salarial de género Reivindicación a pecho descubierto Campeonas del mundo

Patrick and Cyrus discuss the entertaining, scientific, and frightening aspects of A.I. music, and what are the pros and cons of Universal Basic Income First ever song, Pink Floyd's “Another Brick in the Wall Part 1”, is taken from someone's brainwaves Chad - I think AI could remove entire occupations like attorneys. Patrick and Cyrus talk about jobs that will be affected by A.I. Sam - I figure out how to use AI on eBay, it will make a description for me when I am selling stuff. David - As jobs get eliminated, we need to look at the real value of humanity and I think universal basic income is where we need to go. I don't think the Queen ship of Mary is real, since I don't think the bible supports people bodily going to heaven. Sadie (11-years-old) - Why does Jesus allow bad things to happen? Can St. Michael be a Guardian Angel?

We left last episode with a big decision looming for Firefly, tune in to today's episode to find out what her decision is and for the lead in to our exciting finale episode 2 weeks from now. Don't worry fans, the finale episode is not the end, just the end to this arc of the Gigacity Guardians. After Gigacity we will be revisiting Starsworn for an arc, but we will be back for more Gigacity in the future as well as some fresh new stories in all new worlds. Stick with us we have A LOT more to come!Check out the Patreon and support us at patreon.com/storiesrpgPlay along at home! Download the Gigacity Guardians game sheet here: storiesrpg.gumroad.com/l/gigacity1StoriesRPG is the play-at-home, listen-and-learn game that helps people of all ages tell amazing tales together. Each season, we explore a new world, create characters, and go on epic adventures - and provide play-to-learn, coloring book, choose-your-own-adventure games to help listeners of all ages fall in love with writing!Created by Michael Low of LuckofLegends.com and Daniel Hinds of StoriesPodcast.com, StoriesRPG is a thrilling way to start bringing a love of writing, fantasy, fiction, and literacy into your home.

For bonus content, check out our Patreon! patreon.com/wehaveconcernsHey! If you're enjoying the show, please take a moment to rate/review it on whatever service you use to listen.Link to this week's story: http://trummerkind.com/theone/Home.htmlHere's the iTunes link: http://bit.ly/wehaveconcerns And here's the Stitcher link: http://bit.ly/stitcherwhconcernsJeff on Twitter: http://twitter.com/jeffcannataAnthony on Twitter: http://twitter.com/acarboniIf you've seen a story you think belongs on the show, send it to wehaveconcernsshow@gmail.com or leave it on the subreddit: http://reddit.com/r/wehaveconcerns

On this episode of Top Hat, the boys take a look at how Kanye West's and Nikki Haley's Presidential campaigns are going, the Florida High School set to start tracking teenagers menstrual cycles, US utilities shutting off powers to customers while they rank in record profits, and how lack of healthcare or access to healthy foods is the biggest enemy to the richest country in the world.