Podcasts about recording industry

I spend about an hour with writer, historian and professor Don Cusic. He's the author of over 30 books, including his upcoming biography of Chet Atkins, and teaches "History of the Recording Industry" at Belmont University. We get into country music, music history in general, and the business of music.More on Don CusicCheck out Don's Books! BONUS MxTRA VIDEO: Don wrote a musical about Minnie Pearl!~~~SUPPORT THIS PODCAST!Join PatreonGet some merch~~~*intro/outro music credit: REC - "Sing Owwt"*mid roll music credit: The Drop - "Outerloper"

Colt and David sit down with music publisher Tim Hunze.  Hunze is currently the VP of Publishing at Big Machine Music with previous stops at Anthem Entertainment, Parallel Entertainment, BMG Publishing, Stage Three Music, and many, many others.  His experience includes work with current hitmakers and hall of fame inductees such as Jordan Davis, Kip Moore, Chris Janson, Joey Hendricks, Justin Wilson, Tom Shapiro and Tony Martin, among others.  Notably, Hunze managed Bobby Pinson (2009 BMI Songwriter of the Year) and Brett James (2009 ASCAP Songwriter of the Year).  A graduate of MTSU's Recording Industry program and a member of Leadership Music's Class of 2013, Hunze currently serves on the board of the Association of Independent Music Publishers and as the host for their AIMP Nashville: Pubcast.Instagram: www.instagram.com/timhunzeTwitter (X): www.twitter.com/timhunzeSend us a textSupport the showCheck out our socials and follow us!Facebook: www.facebook.com/TwangTownPodcastInstagram: www.instagram.com/TwangTownPodTwitter: www.twitter.com/TwangTownPodWe would love your support to continue to bring listeners amazing content!Cash App: www.cash.app/$TwangTownPodBuzzsprout: https://www.buzzsprout.com/2232176/support

A huge benefit concert dubbed  “FIREAID” has been announced for the victims of the Los Angeles fire that will take place on January 30th, Bottlerock festival and the New Orleans Jazzfest announce their lineups for 2025, and the Recording Industry announces big changes to its annual Grammy Week festivities amid the ongoing southern California wildfires & more!  PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & so much more!   Everything is up at www.rocknewsweekly.com   Watch us LIVE, chat with us & more… Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweekly   Watch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweekly   Follow us online: Instagram.com/rocknewsweekly Facebook.com/rocknewsweekly Twitter.com/rocknewsweekly   All of our links are up at www.rocknewsweekly.com every Monday, where you can Check it out on 8 different platforms (including Amazon Audible & Apple/Google Podcasts)   #Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Indie #Trivia #RockBirthdays  #BestAndWorstAlbumCovers #AlbumCovers #BadAlbumCovers #FIREAID #LAfires #LA #Grammys #Grammys2025 #Bottlerock #Jazzfest

Et vous ? Étiez-vous membre du Club Columbia ? Comment s'est passé votre « abonnement » ? Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Merci à Pierre-Yves McSween https://www.instagram.com/pymcsween/?hl=fr Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Musique issue du site : epidemicsound.com Images provenant de https://www.storyblocks.com Abonnez-vous à la chaine: https://www.youtube.com/c/LHistoirenousledira 00:00:00 - Introduction 00:02:33 - Histoire du Club Columbia 00:04:09 - Fonctionnement du Club Columbia 00:05:00 - Coûts et obligations pour les membres 00:08:28 - Comment le Club Columbia obtenait les albums 00:09:05 - Impact sur les artistes 00:10:20 - Production des albums par le Club Columbia 00:12:53 - Succès du Club Columbia 00:15:09 - Publicité et marketing du Club Columbia 00:16:24 - Exploitation du système par les consommateurs 00:17:13 - Intervention juridique et fin des clubs de musique 00:18:09 - Impact de Napster et des plateformes de streaming 00:19:27 - Conséquences pour les artistes 00:20:02 - Conclusion Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: Benoît Lelièvre, « La petite histoire tumultueuse de la maison Columbia », Urbania, 5 juillet 2023. https://beta.urbania.ca/article/la-petite-histoire-tumultueuse-de-la-maison-columbia Bernard Mooney, « Les enseignements de Columbia House », LesAffaires.com, 23 juillet 2012. Antoine Bordeleau, « Le glas a finalement sonné pour la Maison Columbia », Voir.ca, 11 août 2015. https://voir.ca/antoine-bordeleau/2015/08/11/le-glas-a-finalement-sonne-pour-la-maison-columbia/ Geoffrey O. Hull, The Recording Industry, New York, Routledge, 2004. « The Music Industry Strikes Back | System Shock Ep 2 », Bloomberg Originals, 8 janvier 2021. Frank Landry, « Columbia House insiders spill the beans on the company's secrets », Channel 33 RPM, 26 mars 2023. https://youtu.be/3ATvs-CSDF0?si=aXZnf8xQyhg7Aua6 Frank Landry, « Columbia House & BMG CDs - better than the 'experts' thought », Channel 33 RPM, 12 décembre 2021 Frank Landry, « How Columbia House made money giving away records, tapes and CDs | Vinyl Community » Channel 33 RPM, 11 février 2021 Frank Landry, « What happened to Columbia House music club? And were their record pressings really that bad », Channel 33 RPM, 7 février 2021. https://youtu.be/x4tazWI241E?si=UG-Z4YZ0qL_MagJJ « Was Columbia House a Scam?! | Secrets Exposed! », Micheal Andrew, 6 mars 2024 « How the "8 CDs for Penny" Club Worked », Weird History, 30 octobre 2020. https://youtu.be/A-zwZaBU5L0?si=phxJDkxtLf6Bcord « How Columbia House Sold 12 CDs For A Penny », Business Insider, 25 juillet 2018. https://youtu.be/jP0lq8XcRMo?si=zB8upMh5x_TO3HTZ Matthew Stuart et Clancy Morgan, « How Columbia House and BMG Music made money on CDs », Business Insider, 2 janvier 2019. https://www.businessinsider.com/columbia-house-bmg-music-profit-money-business-model-2018-7 Jonathan Rove, « The Club You Don't Want Let Into », Spin, 21 juin 2021, https://www.spin.com/2021/06/cd-clubs-columbia-house-bmg Geoff Edgers, « A dozen albums for a penny? I've still got mine, and plenty of time to listen », The Washington Post, 2 juillet 2020. Jack Hamilton, « Columbia House Offered Eight CDs for a Penny, but Its Life Lessons Were Priceless », Slate, 12 août 2015. Laura Wagner, « '8 CDs For A Penny' Company Files For Bankruptcy », NPR, 11 août 2015. https://www.npr.org/sections/thetwo-way/2015/08/11/431547925/8-cds-for-a-penny-company-files-for-bankruptcy Ethan Trex, « It's a Steal! How Columbia House Made Money Giving Away Music », Mental Floss, 21 juin 2011. « Columbia Records », Wikipédia. https://en.wikipedia.org/wiki/Columbia_Records Daniel Brockman and Jason W. Smith, « The rise and fall of the Columbia House record club — and how we learned to steal music » The Boston Phoenix, 18 novembre 2011, Annie Zaleski, « Four Columbia House insiders explain the shady math behind “8 CDs for a penny” », AV Club, 10 juin 2015. Bryan Bishop, « Columbia House, the Spotify of the '80s, is dead », The Verge, 10 août 2015. Tien Tzuo, « Columbia House of Horrors: How Not to Run a Subscription Business », Vox, 7 avril 2016. Ernie Smith, « The First 12 Cost A Penny, But … », Tedium, 11 juin 2015. https://tedium.co/2015/06/11/columbia-house-history/ « Negative Option Billing », Wikipdéia https://en.wikipedia.org/wiki/Negative_option_billing#:~:text=Negative%20option%20billing%20is%20a,it%20in%20advance%20of%20billing. « Columbia House Company », Encyclopedia.com, https://www.encyclopedia.com/books/politics-and-business-magazines/columbia-house-company Autres références disponibles sur demande. #histoire #documentaire #clubcolumbia #columbiahouse #columbiarecords

   SEGMENT ONE – 8:15 a.m. GUEST: Kristen Janson, associate director of freshman recruitment at MTSU TOPIC: Dec. 1 deadline fast approaching to apply a

Award-winning R&B/Rap producer Band!t fell in love with the genres as the young son of Korean American academics. Unsatisfied with the standard STEM direction, he began teaching himself the rudiments of producing original beats interwoven with samples of songs from the 70s while in college. But it would require plenty of blood, sweat, tears, and unshakeable faith in God before he was given chances to prove what he could do. 

Jay has a random assortment of news and music to share on the show today and he's introducing a new segment. “Jay's Jambalaya” is somewhere between “Three for Thursday: Deluxe” and Jay's version of “News with Nick” or “Heard It Through the GREGvine.” This week it's new music from The Smile, George Soros gets into radio, and the Grateful Dead are back on the Billboard Top 200.Songs:The Smile - “Zero Sum”Grateful Dead - “Estimated Prophet, (Live at Cameron Indoor Stadium, Duke University, 4/12/78)”August of 2023 was a bad month for the Internet Archive. The nonprofit digital library website, most famous for its Wayback Machine, lost a case against book publishers regarding their “Emergency Library Project” launched during the pandemic. The same day the case was decided in District Court, UMG & Sony Music filed a copyright infringement lawsuit over the Archive's “Great 78 Project.” The project is an unprecedented effort to digitize obsolete 78 rpm records. Maximum damages, if the Archive were to lose, would top $621 million. Let the “Battle for the Soul of the Internet” commence.Song: Thee Sacred Souls - “Love For You”Greg has a song pick and then a very interesting Three For Thursday for us this week. Three songs, where each song takes an original Michael Jackson track and applies a rule to it. For example, “Human Nature but every time he says nature an animal joins the song.” We recommend playing along, but that requires you don't read the following track names.Song: Dhafer Youssef - “Odd Elegy”***********Spoiler Alert***********Songs:"Beat It but every note is С” "Smooth Criminal but every other beat is missing” "Billie Jean but every time he makes a weird noise it gets 5% faster”

Chicago house pioneer Vince Lawrence and law professor Dr. Olufunmilayo Arewa unpack how record companies have undermined Black musicians—and what we can do to enact change. This past week, Resident Advisor screened and distributed a new, award-winning documentary called Taking Back the Groove. It tells the story of Bronx-born disco legend Richie Weeks, whose song "Rock Your World" with Weeks & Co. climbed to #1 on the dance charts in the '80s. Like many Black artists throughout American recording history, his talent was strip-mined to enrich corporate record labels. In the film, Weeks and Still Music label owner Jerome Derradji narrate the story of how they clawed back the rights to Weeks's tracks, as well as the ongoing battle he's had to wage to restore his legacy and ownership over his creative work. This story is, sadly, perennial, especially for artists of colour and otherwise marginalised musicians who continue to be sidelined by major players in the music industry. In this RA Exchange, Vince Lawrence—a Chicago-based house producer and the original founder of Trax Records—speaks with Washington DC-based guest Dr. Funmi Arewa, a graduate of Harvard Law School and UC Berkeley, and a current professor at George Mason University, where she teaches business law in the creative industries. The two engage in a fascinating discussion about the history of the recording industry and the exploitation of marginalised artists that runs through its fabric. How do we make it easier for artists to claim things that are rightfully theirs? What if we could create incentives to create fairness at the core of how record labels function? Listen to their thoughts on these questions in the full episode.

House music pioneer Vince Lawrence and law professor Dr. Olufunmilayo Arewa unpack how record companies have undermined Black musicians—and what we can do to enact change. This past week, Resident Advisor screened and distributed a new, award-winning documentary called Taking Back the Groove. It tells the story of Bronx-born disco legend Richie Weeks, whose song "Rock Your World" with Weeks & Co. climbed to #1 on the dance charts in the 1980s. Like many Black artists throughout American recording history, his talent was strip-mined to enrich corporate record labels. In the movie, Weeks and Still Music label owner Jerome Derradji narrate the story of how they clawed back the rights to Weeks' tracks, as well as the ongoing battle he's had to wage to restore his legacy and ownership over his creative work. This story is, sadly, perennial, especially for artists of colour and otherwise marginalised musicians who continue to be sidelined by major players in the music industry. In this RA Exchange, Vince Lawrence—a Chicago-based house music producer and original founder of Trax Records—speaks with Washington DC-based guest Dr. Funmi Arewa, a graduate of Harvard Law School and UC Berkeley, and a current professor at George Mason University, where she teaches business law in the creative industries. The two engage in a fascinating discussion about the history of the recording industry and the exploitation of marginalised artists that runs through its fabric. How do we make it easier for artists to claim things that are rightfully theirs? What if we could create incentives to create fairness at the core of how record labels function? Listen to their thoughts on these questions in the full episode.

Chris O'Reilly is the CEO of Presto Music, the UK's leading ecommerce site for classical and jazz recordings, sheet music, music books and musical instruments. With a background in music and musicology, Chris has run Presto Music since 2001. In this episode, he shared his observations of the changing tides of the classical recording industry, and musings on where things might head in future; as well as Presto's own streaming service, launched in 2023, which pays musicians fairly. (!!!) Chris also reflected on the time he wasn't accepted onto any postgraduate conducting programmes, his positive outlook on everything that has happened since then, and the importance of resilience.-------------------Presto Music:WebsiteInstagramX (formerly Twitter)Facebook-------------------Follow The Classical Circuit on InstagramDid you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*No offence taken if not.--------------------Music: François Couperin - Le Tic-Toc-Choc ou Les MaillotinsPerformed by Daniel Lebhardt--------------------This podcast is also available to listen to via The Violin Channel--------------------The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart). Hosted on Acast. See acast.com/privacy for more information.

Today on The Neil Haley Show, Neil "The Media Giant" Haley interviews Don Mclean. Don McLean is a GRAMMY Award honoree, a Songwriter Hall of Fame member, and a BBC Lifetime Achievement Award recipient. His smash hit “American Pie” resides in the Library of Congress National Recording Registry and was named a Top 5 Song of the 20th Century by the Recording Industry of America (RIAA). A New York native, Don McLean is one of the most revered and respected songwriters in American history. After paying his dues in the New York club scene in the late 1960s, he went on to score mega-hits like “Vincent (Starry, Starry Night),” “Castles in the Air” and many more. His catalog of songs has been recorded by Madonna, Garth Brooks, Josh Groban, Drake, “Weird Al” Yankovic, and countless others. In 2015, McLean's handwritten manuscript of “American Pie” lyrics was auctioned by Christie's, selling for just over $1.2 Million. 2019 honored Don with a star on the Las Vegas Walkway of Stars, and his song “And I Love You So” was the theme for Prince Harry and Megan Markle's wedding.

In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz. Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry's challenges in the wake of the Great Depression. Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz. Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry's challenges in the wake of the Great Depression. Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz. Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry's challenges in the wake of the Great Depression. Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz. Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry's challenges in the wake of the Great Depression. Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz. Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry's challenges in the wake of the Great Depression. Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz. Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry's challenges in the wake of the Great Depression. Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today on The Neil Haley Show, Neil "The Media Giant" Haley interviews Don Mclean. Don McLean is a GRAMMY Award honoree, a Songwriter Hall of Fame member, and a BBC Lifetime Achievement Award recipient. His smash hit “American Pie” resides in the Library of Congress National Recording Registry and was named a Top 5 Song of the 20th Century by the Recording Industry of America (RIAA). A New York native, Don McLean is one of the most revered and respected songwriters in American history. After paying his dues in the New York club scene in the late 1960s, he went on to score mega-hits like “Vincent (Starry, Starry Night),” “Castles in the Air” and many more. His catalog of songs has been recorded by Madonna, Garth Brooks, Josh Groban, Drake, “Weird Al” Yankovic, and countless others. In 2015, McLean's handwritten manuscript of “American Pie” lyrics was auctioned by Christie's, selling for just over $1.2 Million. 2019 honored Don with a star on the Las Vegas Walkway of Stars, and his song “And I Love You So” was the theme for Prince Harry and Megan Markle's wedding.

Frizz and Bob crack open a bottle of Old Forester and welcome back our fuzz rock friends, Year of October. We get to catch up with them on their phenomenal new album, Keep on Fighting, and get a behind the-scenes look at their newest venture, Watch It Burn Records. You too can find out what the youths are listening to, become a historian on the month of October, imagine the dreamy world of Scooby Doo, and find the perfect soundtrack to an evening adventure with Pedro Pascal.

Le City Winery de New York a annoncé un concert en l'honneur de Shane MacGowan, chanteur des Pogues, et de Sinéad O'Connor en mars prochain, des amis musiciens des deux personnalités disparues en 2023 reprendront leurs chansons. Les Black Keys ont une nouvelle chanson en préparation, "Beautiful People (Stay High)", coécrit avec Dan the Automator et son ami de longue date Beck. Metallica dévoilait en fin d'année les finalistes de son premier concours de fanfare "For Whom the Band Tolls'' parmi 450 universités et lycées à travers les États-Unis, on connaît maintenant les fanfares lauréates de ce concours, à voir sur Classic21.be. Le film ‘'Purple Rain'' de Prince serait sur le point de devenir une comédie musicale reprenant certains des titres les plus célèbres de l'icône de la pop. Sheryl Crow a annoncé la sortie de son 11e album studio, ‘'Evolution'', le 29 mars 2024 , avec un nouveau single "Alarm Clock" dont voici le clip. James Hetfield et Rob Trujillo ont nommé les chansons de Metallica qu'ils aiment le plus jouer en concert. Mots-Clés : Cadre, podcast, The Metallica Report, musiciens, sélection, scène, classiques, nouveautés, chanteur, bassiste, You Must Burn, Nothing else matters, fans, ballade, Alarm Clock, Emily Weisband, producteur, Mike Elizondo, Dropkick Murphys, Cat Power, Bettye Lavette, Resistance Revival Chorus, formation, paris, clip, scène, agent de sécurité, Derrick T. Tuggle, danse, synchronisation, bande originale, When Doves Cry, Let's Go Crazy, Purple Rain, Recording Industry, Association of America, RIAA, Oscar, musique originale. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Grammy Award Nominee, Songwriter Hall of Fame Member, and BBC Lifetime Achievement Award recipient Don Mclean hit the road last year to celebrate 50 years since the release of one of the most iconic songs and albums of all time. The legendary performer, known for mega-hit songs like "Vincent (Starry Starry Night)” and “And I Love You So,” entertained fans across North America during the American Pie 50th Anniversary Tour, performing songs from the iconic album and other fan-favorite hits. Since the eight-and-a-half-minute ballad “American Pie” hit number #1 on the billboard charts in 1971, the song has since been inducted into the Library of Congress' National Recording Registry, named a top 5 song of the 20th Century by the Recording Industry of America, and inducted into the GRAMMY Hall of Fame. With 22 studio albums under his belt, numerous accolades, countless mega-hit songs, McLean has cemented himself as one of the most significant and influential performers of all time. This episode features recordings from McLean's June 2022 performance under the tent.     First broadcast in 1994, Tent Show Radio is a weekly one-hour radio program showcasing the best live recordings from acclaimed music acts and entertainers who grace the Big Top Chautauqua stage each summer in beautiful Bayfield, WI. In the program's nearly 30-year history it has featured artists like Johnny Cash, B.B King, Brandi Carlile, Willie Nelson, Don McLean, and many more. Hosted by celebrated New York Times best-selling author Michael Perry-who weaves stories and humor throughout each episode - Tent Show Radio features performances from renowned national & regional artists, with regular appearances featuring Big Top's own unique brand of shows that feature songs and stories performed by its acclaimed house band, The Blue Canvas Orchestra. Tent Show Radio is independently produced by Big Top Chautauqua, a non-profit performing arts organization, with a mission to present performances and events that celebrate history and the environment - along with their annual summer concert series - nestled in the woods on the shores of Lake Superior and the Apostle Islands.      EPISODE CREDITSMichael Perry - Host Phillip Anich - Announcer Jaime Hansen - Engineer Gina Nagro - Marketing Support FOLLOW BIG TOP CHAUTAUQUA https://www.facebook.com/bigtopchautauqua/ https://www.instagram.com/bigtopchautauqua/ https://www.tiktok.com/@bigtopchautauqua https://twitter.com/BigBlueTent FOLLOW MICHAEL PERRYhttps://sneezingcow.com/ https://www.facebook.com/sneezingcow https://www.instagram.com/sneezingcow/ https://twitter.com/sneezingcow/ 2023 TENT SHOW RADIO SPONSORSAshland Area Chamber of Commerce - https://www.visitashland.com/  Bayfield Chamber and Visitor Bureau - https://www.bayfield.org/  Bayfield County Tourism - https://www.bayfieldcounty.wi.gov/150/Tourism  The Bayfield Inn - https://bayfieldinn.com/  Cable Area Chamber of Commerce - https://www.cable4fun.com/  Washburn Area Chamber of Commerce - https://washburnchamber.com/ SPECIAL THANKSWisconsin Public Radio - https://www.wpr.org/ 

Would you say no to a session with Bono and Edge? Dan talked about working at Memphis Sound Productions, recording B.B. King & Paul Schaffer, writing manuals for API, mixing with SSL, and teaching at one of the top recording colleges in Nashville TN. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Dan Pfeifer a professor in the Department of Recording Industry and Graduate Faculty Member at Middle Tennessee State University, and a native of Louisville, Kentucky. He got his Bachelor of Music degree from Middle Tennessee State University in 1983 and Master of Arts degree from the University of Memphis in 1987 with an emphasis in audio engineering and music production.   Before to coming to MTSU, Dan worked professionally as an audio engineer and producer, working with artists that include B.B. King, ZZ Top, Albert Collins, Al Green, Jerry Lee Lewis, and many others. He has also served as 2nd Vice President and member of the Board of Governors for the Memphis Chapter of the NARAS, and he is a voting member of the Recording Academy and a professional member of the Audio Engineering Society.  Dan has received many awards including the MTSU Alumni Association True Blue Citation of Distinction for MTSU Faculty, the MTSU Distinguished Achievement in Creative Activity Award, the Tennessee Board of Regents Academic Excellence and Quality Award, the MTSU Outstanding Teacher Award, and the Recording Industry Outstanding Alumni Award for University Service, and was inducted into the MTSU Band of Blue Hall of Fame. But most significantly for this interview, Dan was my audio teacher 30 years ago when I was at MTSU as an undergraduate student learning the basics of audio and recording. Dan taught me with a black board and three recording studios everything audio including the difference between various types of microphones, audio signal flow, the science of sound and hearing, flow charts for mixing consoles, and how to align an analog tape machine. Basically, Dan was the first teacher in my life to teach me stuff that would carry forward to change my life and career and inspire me to make records for 30 years. And the only part I regret is making those stupid bubble charts to represent audio mixes. You know the ones with a big bubble for the kick drum and a little bubble for the hi hat. "Writing (or drawing) about music is like dancing about architecture." This episode is dedicated to Ben Morton my classmate from MTSU. Ben may your bass have six strings on it in heaven and may you never have to change them again. THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://lewitt.link/rockstars https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com/Rockstars use code ROCK10 to get 10% off any individual plugin https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/6fbPrV6Sk0dyO5HQhb1Doz?si=3bef32493a0144c2 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/410

Amina Beasley of Varina graduated summa cum laude May 21 from Muhlenberg College in Allentown, Pa. Beasley earned BAs in History and Anthropology. *** Nick Erickson and Liliana Manyara of Henrico were named to the spring 2023 dean's list at Middle Tennessee State University. To be eligible for the dean's list, students must earn a semester grade point average of 3.5 or higher. Erickson is majoring in Audio Production. Manyara is majoring in Recording Industry. *** The following local students were named to the spring 2023 dean's list at the College of William & Mary in Williamsburg, Va.: Ankita Adhvaryu,...Article LinkSupport the show

Grammy Award Nominee, Songwriter Hall of Fame Member, and BBC Lifetime Achievement Award recipient Don Mclean hit the road to celebrate 50 years since the release of one of the most iconic songs and albums of all time. Since the eight-and-a-half-minute ballad “American Pie” hit number #1 on the billboard charts in 1971, the song has since been inducted into the Library of Congress' National Recording Registry, named a top 5 song of the 20th Century by the Recording Industry of America, and inducted into the GRAMMY Hall of Fame. The 50th Anniversary American Pie Tour will see McLean entertain fans across North America as he performs songs from the iconic album and other fan-favorite hits. With 22 studio albums under his belt, numerous accolades, and mega-hit songs like "Vincent (Starry Starry Night) “And I Love You So,” “Castles in the Air,” and “Crying,” McLean has cemented himself as one of the most significant and influential performers of all time. Grammy Award Nominee, Songwriter Hall of Fame Member, and BBC Lifetime Achievement Award recipient Don Mclean is hitting the road to celebrate the 50th Anniversary of “American Pie.” The legendary performer, known for mega-hit songs like "Vincent (Starry Starry Night)” and “And I Love You So,”  entertained fans across North America as he performed songs from the iconic album, proving that “bye-bye, Miss American Pie” will forever remain a classic staple in American music. This episode features recordings from McLean's June 2022 performance under the tent.   EPISODE CREDITSMichael Perry - Host Phillip Anich - Announcer Jaime Hansen - Engineer Gina Nagro - Marketing Support FOLLOW BIG TOP CHAUTAUQUA https://www.facebook.com/bigtopchautauqua/ https://www.instagram.com/bigtopchautauqua/ https://www.tiktok.com/@bigtopchautauqua https://twitter.com/BigBlueTent FOLLOW MICHAEL PERRYhttps://sneezingcow.com/ https://www.facebook.com/sneezingcow https://www.instagram.com/sneezingcow/ https://twitter.com/sneezingcow/ 2023 TENT SHOW RADIO SPONSORSAshland Area Chamber of Commerce - https://www.visitashland.com/  Bayfield Chamber and Visitor Bureau - https://www.bayfield.org/  Bayfield County Tourism - https://www.bayfieldcounty.wi.gov/150/Tourism  The Bayfield Inn - https://bayfieldinn.com/  Cable Area Chamber of Commerce - https://www.cable4fun.com/  Washburn Area Chamber of Commerce - https://washburnchamber.com/ SPECIAL THANKSWisconsin Public Radio - https://www.wpr.org/ 

South African rapper AKA, born Kiernan Forbes, passed away on Friday night after he was shot outside of a restaurant in Durban. He was 35 years old. The South African hip-hop legend is survived by a young daughter, whom he shares with D.J. Zinhle. In September 2022, AKA announced plans for his upcoming fourth studio album Mass Country on Instagram.The Nasty C-assisted track "Lemons [Lemonade]" was released on 16 September 2022, as the album's lead single. The song was certified Gold by the Recording Industry of South Africa (RiSA). Aka achieved alot at a very young age ❤️❤️❤️❤️❤️❤️❤️

Brian Mesko was born into a family of musicians, and raised in Little Rock, AR, Mesko began piano lessons at age 8, moving to guitar at age 10. By 12 he was playing drums, and he picked up the bass at age 14. As a teen Brian was gigging professionally, and even played drums on a short tour in Turkey at age 18. While still in high school he studied Jazz Theory & Ensemble at UALR under Michael Carenbauer (who studied under Pat Metheny at Berklee). Taking these credits on to MTSU, Brian completed a bachelor's degree in Recording Industry. Mesko lived in the Nashville area from 1997 – 2005 and played with such international jazz greats as Les McCann, Tony Monaco, Dr. Lonnie Smith, John Jorgensen and Jeff Coffin. After moving to central Virginia in 2005, Brian has been privileged to work with such jazz artists as Robert Jospe, Butch Taylor, Dane Alderson, John D'earth, Bobby Read, Charles Owens, Jonah Kane-West, Liz Barnes, any many more. Brian formed The Rootdowns organ trio with members of Butcher Brown, DJ Williams Projekt, The Big Payback, and Skydog, and they released their debut album, "Songs With Friends" in 2013. In 2015 he started The Danktet, an instrumental trio whose collective influences create a unique blend of jazz, funk, rock, pop, reggae, blues, and R&B. With Australian native Dane Alderson of the Yellow Jackets on bass, and multi-instrumentalist and visual artist Forrest Young on drums, they released their first album, "One Thing Right" in 2016. Aside from his own original projects, Brian has since joined several local projects, playing guitar and/or bass with the Robert Jospe Express, Lenny Marcus, Terry Brown Ascension Project, The Ambassador, Mojo Parker, Melissa and the Growlers, The Meskos Electric Revue, Jstop Latin Soul and Andrew Winn. Brian currently resides with his wife and son in Roanoke, VA working as a session player, performer, and guitar professor/ensemble director at the University of Lynchburg. Tim Martin started his solo career at the ripe age of 16 playing every Friday and Saturday evening at a restaurant called the Olde Tinker Mill Inn. It was a formal dining area upstairs with a pizza and beer meeting place downstairs. He would play for the diners upstairs during dinner then move downstairs for the later, livelier crowd. Building a song list of artists such as James Taylor, Dan Fogelberg, CSN&Y, Eagles, and originals he developed his style. Getting paid 15 dollars a night and free pizza seemed like a good deal to the teenaged Tim. What this job did was help him learn how to be comfortable and entertaining on stage and find what kind of tunes worked with different audiences. 42 years later he is still going strong as ever. Tim has played and still works in clubs, resorts, festivals, concerts, and private functions across southwest Virginia such as The Hotel Roanoke, Wintergreen Resort, Primeland Resort, Snowshow, Greenbrier, Homestead and more. He plays local Roanoke clubs such as The Quarter, Awful Arthurs, Annie Moore's Tavern, Brambleton Deli and more. He has shared the stage and opened for artist such as Savoy Brown, Vern Gosdin, Jonathan Edwards, Ted Nugent, Lynyrd Skynyrd, Atlanta Rhythm Section, Little River Band, Southern Culture on The Skids and more. He has released two albums over the years. Real Life Dreamers in 1992 with his duo partner Mark Wilbourn and Wishes in 2000, both all original songs written by Tim.

This week's guest is legendary music producer and hotelier Chris Blackwell. From starting Island Records and bringing Jamaican singer Bob Marley to the mainstream to founding  the Jamaican luxury hotel collection Island Outpost, Chris has dedicated his career to celebrating Jamaica's vibrant culture and natural beauty. Learn why the Rock n Roll Hall of Fame dubbed him “the single person most responsible for turning the world on to reggae music” and about his stunning properties, which include the acclaimed GoldenEye Resort on Oracabessa Bay initially owned by James Bond author Ian Fleming. Melissa Biggs Bradley sits down with Chris to talk about his music career, his work as an innovative hotelier, and the role he played in the revival of Miami's South Beach.Melissa also shares her incredible knowledge and experiences in the Caribbean on another installment of Ask Melissa, answering listener questions about hotels, restaurants, shopping, and the best islands for different types of getaways. Read "The Islander: My Life in Music and Beyond" by Chris Blackwell Follow Melissa on Instagram.Learn more about Indagare Travel.  

Laura and Nigel welcome UK-born Barbadian emeritus professor of Recording Industry, author and consultant Mike Alleyne to the podcast as he discusses the efforts and "adjustments" made by the global the recording industry to successfully market indigenous Caribbean music and artistes; Bob Marley, Rihanna, and more.

Laura and Nigel welcome UK-born Barbadian emeritus professor of Recording Industry, author and consultant Mike Alleyne to the podcast as he discusses the efforts and "adjustments" made by the global the recording industry to successfully market indigenous Caribbean music and artistes; Bob Marley, Rihanna, and more.

Brandon interviews Dimari! Get to know the other half of the Side x Side Podcast duo on today's exciting episode! Brandon peels back the layers on everything from Dimari's childhood, to his career and relationships. They also discuss a range of favorite topics like how awesome Metallica is, Crony Capitalism, and the importance of mentorship. THANK YOU •  PLEASE SUBSCRIBE • TURN ON NOTIFICATIONS • REVIEW • LIKE • SHARE Sponsors:Black Swan Financial Group - www.BlackSwanFinancialGroup.comEase Web Development - www.easewebdev.comJennifer Catherine Photography - www.jennifercatherinephotography.comCopyright Eleusis Media Group, LLC, ALL RIGHTS RESERVED 2022 | www.eleusismediagroup.com | www.sidexsidepodcast.comInstagram | https://www.instagram.com/sidexsidepod/ Twitter|https://www.twitter.com/sidexsidepodTikTok | https://www.tiktok.com/@sidexsidepod@RIZZOfeels | https://www.instagram.com/rizzofeels/ | https://www.twitter.com/rizzofeels@JudahClan | https://www.judahclan.comTag #SidexSidePodcast to join in on the conversation!Music by: Brandon Rizzo, Tristen Burrows, Dimari Swanagain, V.Kidd, Dre Pierre Chapters0:00 | Intro1:28 | Opening Statement2:40 | Word Association5:00 | ESG Stakeholder Capitalism vs Shareholder Capitalism, Crony Capitalism, Kyoto Protocols, China 15:50 | Top 5 Favorite Financial Movies17:50 | Dimari's Upbringing, Family Life, Career, Pursuing Music and Finance28:20 | Losing Parents at an early age, Relationship with Mom, Developing Resilience, Overcoming Obstacles and Making Something of Yourself33:50 | The Role of Mentorship, Dimari's Mentor, Big Brothers, Learning About New Perspectives 37:00 | Dimari's Values and Principles, Integrity, Sticking to Your Word40:45 | Allowing Yourself to Change Your Mind, Challenging Your Own Beliefs and Ideas, Pronouns, Healthy Debate44:10 | Spirituality, Religion, Jesus Christ, Church, Dogma, Finding God56:30 | Occultism, Esoteric Wisdom, Secret Knowledge, Symbols, Learning How to Think Critically1:02:30 | Allegedly Question: Russian Conscription?! 1:05:45 | Brandon loves Metallica, Master of Puppets, Disposable Heroes, Spiritual Warfare, Battery1:10:00 | Stepping Away from Music, Major Labels, Shady Business in Recording Industry, Changing Careers, Meaning and Purpose1:17:30 | Relationships, What's Going with Your Damn Love Life Dude?! 1:25:55 | Mutual Love of Ancient History, Rizzo Makes a Dad Joke, Kemet, History from the Losing Side Perspective, Moors, Fatalism 1:34:27 | Closing RemarksAd Black Swan Financial Group - www.BlackSwanFinancialGroup.comAd Ease Web Development - www.easewebdev.com

There are dozens if not hundreds of cases involving prosecutors using rap lyrics that are about crimes as evidence of actual crimes, even when there was no other credible evidence. But finally, the recording industry and California lawmakers are pushing to put an end to the practice.Today, we talk about groundbreaking legislation that could limit how music is used as evidence in criminal court. Read the full transcript here.Host: Gustavo ArellanoGuests: L.A. Times columnist Erika D. SmithMore reading:Column: America loves rap, not Black people. Don't be fooled because this bill protects lyricsRapper ‘Tiny Doo' and college student arrested under controversial gang law get day in court against policeSan Diego council approves $1.5M payout to two men jailed under controversial gang law

Frizz and Bob boot up the time machine to groove back to 1979! We enjoy a non-alcoholic "whiskey" from Spiritless Kentucky 74 with engineer, producer, and Nashville's Welcome to 1979 recording studio owner, Chris Mara. No alcohol was needed to get the juicy details about what really goes on inside a studio, your next favorite sandwich that's certified to be super duper, some of the best recorded albums, and a tear-jerking story about someone we'll now refer to as Harry Poodini.

Don McLean is a Grammy award honoree, a Songwriter Hall of Fame member, and his history-making iconic smash hit “American Pie” resides in the Library of Congress National Recording Registry and was named a Top 5 song of the 20th Century by the Recording Industry of America. His catalog of songs has been recorded by Madonna, Garth Brooks, Josh Groban, Drake, “Weird Al” Yankovic and of course the king himself, Elvis Presley and many others. And he has sold over 50 million records He received a star on the Hollywood Walk of Fame, celebrating the 50th anniversary of “American Pie,” recorded a version of the song with a cappella group Home Free, and he wrote The American Pie: The Fable children's book. And with the new film documentary “The Day the Music Died” is out now and is a definite must see. https://donmclean.com

Miles Mosely is a captivating artist whose unique stylings have invited many to refer to him as the Jimi Hendrix of upright bass. Combining a solid groove and improvisational prowess with his upright, bow, and an array of effects pedals, Miles has contributed his innovative tones to top acts from Chris Cornell and Kendrick Lamar to Korn's Jonathan Davis and Rihanna—and that's alongside his own solo records and work for film soundtracks. On this week's episode, host Josh Paul goes in depth with Miles on his story, style, and playing philosophy which—despite its unconventionality—speaks to any musician with a passion for playing music and a need to be heard.

Don McLean is a Grammy award honoree, a Songwriter Hall of Fame member, and his history-making iconic smash hit “American Pie” resides in the Library of Congress National Recording Registry and was named a Top 5 song of the 20th Century by the Recording Industry of America.    His catalog of songs has been recorded by Madonna, Garth Brooks, Josh Groban, Drake, “Weird Al” Yankovic and of course the king himself, Elvis Presley and many others. And he has sold over 50 million records   He received a star on the Hollywood Walk of Fame, celebrating the 50th anniversary of “American Pie,” recorded a version of the song with a cappella group Home Free, and he wrote The American Pie: The Fable children's book. And with the new film documentary “The Day the Music Died” is out now and is a definite must see. 

Don McLean is a Grammy award honoree, a Songwriter Hall of Fame member, and his history-making iconic smash hit “American Pie” resides in the Library of Congress National Recording Registry and was named a Top 5 song of the 20th Century by the Recording Industry of America.    His catalog of songs has been recorded by Madonna, Garth Brooks, Josh Groban, Drake, “Weird Al” Yankovic and of course the king himself, Elvis Presley and many others. And he has sold over 50 million records   He received a star on the Hollywood Walk of Fame, celebrating the 50th anniversary of “American Pie,” recorded a version of the song with a cappella group Home Free, and he wrote The American Pie: The Fable children's book. And with the new film documentary “The Day the Music Died” is out now and is a definite must see. 

This week's guest Rich Brown. Hailing from Canada, Rich is a highly accomplished performer, composer, producer, and educator. He's recorded three albums as band leader and has been featured on over 70 recordings covering a wide range of musical genres. Rich has played, toured, and recorded with some of the most distinguished musicians on the planet, from James Blood Ulmer, Vernon Reid and Steve Coleman to Rudresh Mahanthappa, Angelique Kidjo, and David Clayton Thomas—just to name a few. Host Josh Paul talks to Rich about his upbringing, his performing and teaching style, and his philosophy on what it takes to be a multi-faceted musician in today's age.

Find Us On The Internet! keeganpaluso.com/modernworkingmusician facebook.com/modernworkingmusician Instagram @themodernworkingmusician TikTok: @modernwmusician Phoebe Scott is a pop singer-songwriter from West Tennessee. She grew up in a small, charismatic non-denominational church surrounded by incredible gospel vocalists and songwriters. In her early teens, Phoebe joined Coopertheband, an indie/folk band originating in Jackson, Tennessee. Their studio album "Kingdoms" contains 10 songs co-written and co-produced by Phoebe - an experience that taught her many things about writing, producing, and collaborating. Phoebe moved to Nashville in 2017 to attend Belmont University as a songwriting major. Since then, Phoebe has used her spiritual background along with tactics and strategies she has learned from collaborating with Coopertheband and studying at Belmont to create a body of work that reflects Jesus is a way that is clear to a secular audience. With the help of the good people at Centricity Music, Phoebe has released her debut solo project “This Isn't Fun”, available now. You can find Phoebe on all platforms @phoebeisloud

Hoy vamos a hablar de la banda estadounidense The White Stripes, una banda que por desgracia ya está extinta que nos dejo con 6 discos de estudio, los cuales algunos de ellos ya firman parte de los mejores álbumes de la historia del Rock. A principios de los años 00s salieron una gran cantidad de géneros revaivaleros desde el paradigma del Indie Rock. Además de que se empezaron a mezclar una gran cantidad de géneros clásicos como por ejemplo el Rock Sureño dando a bandas como Kings of Leon o el Heartland Rock como The War on Drugs, hubo dos movimientos que se des[1]marcaron por encima de todos los demás trayendo un gran número de bandas muy creativas, esos géneros fueron el Post-Punk Revival del cual ya hablaremos en un futuro y el Garage Rock Revival que es el que nos atañe hoy con esta banda. Sin embargo, The White Stripes se escapa de ese sonido más popero del Indie Rock para traernos una música mas guitarrera y más cañera propia del Rock Alternativo de la época el cual estaba más influenciado por géneros como el grunge o el punk. Y ahora si te parece bien vamos a por otra canción y ya si que pasamos a hablar de la historia de la banda. John Anthony Gillis más conocido como Jack White el cual era el cantante principal, guitarrista, bajista y tecladista y por Meg White la cual era baterista y corista del duo. La banda se formó en el año 1997 y antes de eso Jack fue miembro de una banda de Punk como baterista y en otra de Rock como guitarrista, y también con su amigo y mentor Brian Muldoon con el que formaron una banda antes de iniciarse en la formación que nos toca hoy. Jack conoció a Megan White y en el año 1996 y de forma poco ortodoxa fue Jack el que adopto su apellido. Jack siguió tocando en varias bandas y un año después Meg empezó a tocar la batería, y este sorprendido le pidió de tocar juntos como duo y formaron The White Stripes. La banda empezó ya como parte de la escena anteriormente mencionada del garage rock revival surgida en la ciudad de Michigan y llegaron a tocar con varias bandas locales de rock y de punk. Más tarde fue fichada por el sello independiente de punk de Michigan Italy Records después de aceptar la propuesta del manager Dave Buick que les realizó al terminar una actuación que hicieron en un bar. Grabaron su primer single llamado “Let’s Shake Hands” en el año 1998, el cual fue vendido en formato vinilo de edición limitada a solo 1000 copias, y de la misma forma ocurrió con su siguiente single que sacaron un poco mas tarde llamado “Lafayette Blues”. Por último en el año 1999 sacaron “The Big Three Killed My Baby” en esta ocasión ya con otro sello discográfico llamado Sympathy for the Record Industry. El proyecto que estamos escuchando hoy es el White Blood Cells el cual fue el tercer disco de la banda lanzado con el sello Sympathy for Recording Industry el 3 de julio del 2001. Ya en la primera semana de lanzamiento obtuvo un gran éxito que perduró durante todo el año. En el año 2002 el álbum fue regrabado con el sello V2 Records por desavenencias con la su antigua discográfica. Este proyecto fue el que realmente hizo explotar este nuevo movimiento del garage rock revival obtenido un gran recibimiento por parte de la crítica musical y con un gran éxito tanto en el Reino Unido como un poco mas tarde en los Estados Unidos. De hecho se llegó a decir que eran la banda más grande desde los Sex Pistols, el álbum alcanzó la posición 61 en el Billboard americano y el número 55 en las listas de éxitos del Reino Unido sobretodo gracias al único single del proyecto titulado “Fell In Love With a Girl” que fue lanzado con un vídeo musical de animación dirigido por Michel Gondry. A pesar del éxito que cosecharon, el duo se separó en el año 2011 argumentando que no se debía por ninguna diferencia artística, problema de salud o alguna pelea, sino que se trataba de una infinidad de razones externas a ellos, y para poder preservar lo hermoso y especial de la banda. Por desgracia, si bien Jack White además de tener una más que envidiable carrera en solitario, ya que en el año 2009 empezó a trabajar en paralelo con el grupo The Dead Weather como batería y solista, siguió también como miembro de la banda The Go, y por supuesto siguió con la banda que además de The White Stripes es por la que más se le a reconocido que son los The Racounters, Meg desapareció prácticamente por completo del panorama musical salvo en alguna parición esporádica que hizo en algún concierto.

In our inaugural episode, we discuss Coinbase's big art gamble, North Korea's record-breaking crypto hack and Meta's hefty income tax. We interviewed electronic DJ and Royal CEO Justin Blau on where the NFT industry moves beyond pricey JPEGs.Subscribe to the Chain Reaction newsletter to dive deeper: https://techcrunch.com/newsletters

Jamie Kenney interviews artist and songwriter Patrick Davis. Patrick is an accomplished band leader with his Midnight Choir and has written songs released by the likes of Jewel, Darius Rucker, Jimmy Buffet, and Morgan Wallen.

Jamie Kenney interviews Liz Rose. Liz Rose is best known for her work with Taylor Swift, penning songs such as "Teardrops on My Guitar", "All Too Well", and "You Belong With Me". Liz also frequently collaborates with Miranda Lambert, Little Big Town, Carrie Underwood, and many others.

Jamie Kenney interviews singer, songwriter, producer, and guitar player extraordinaire, David Ryan Harris. Harris performs with John Mayer, Dave Matthews, Santana, Sister Hazel, Better Than Ezra, and Collective Soul, and has recorded with the likes of Dionne Farris (of Arrested Development), Nick Jonas and the Administration, and Amali Ward.

Jamie Kenney interviews 2X Grammy award winning singer-songwriter, Colbie Caillat. Best known for hit songs like "Bubbly," and "Lucky" (with Jason Mraz), Caillat has sold more than 6 million records worldwide, and collaborators include Taylor Swift, Ryan Tedder, and Jason Reeves.

Jamie interviews 2x Grammy Award winning musician, producer, and songwriter Ian Fitchuk, best known for his work coproducing Kacey Musgraves's "Golden Hour" and "Star-Crossed"

Jamie Kenney interviews Devon Gilfillian. Devon is a force of nature and an incredible singer, songwriter, and guitar player. His debut record "Black Hole Rainbow" released on Capitol Records was nominated for a Grammy in 2020 for "Best Engineered Album".

After no in-person gatherings last summer, 2020, or this past January, there certainly has to be some curiosity as to what things look like on the other side of a worldwide pandemic that kept people around the globe locked inside, including musicians who suddenly had no gigs, no venues to go to, and certainly a monumental challenge of "can I continue to sustain a career in this industry." Not to mention, with so many businesses impacted by what we all went through, how did they alter their operations to keep going. In this special episode that features audio recorded on-location at the Summer NAMM Show in Nashville just under two weeks ago, views are presented on the state of the music recording industry, including insights from Joe Lamond, the President and CEO of the National Association of Music Merchants as well as guests that he welcomed on-stage during the opening session, representing manufacturers, merchants, etc., and you'll hear from an artist who gave his perspective on coming through the pandemic.

His service to the cause of quality underground techno now spans three decades. High profile projects with the likes of Pet Shop Boys and the Chemical Brothers pricked the consciousness of the mainstream to his talents. Timecodes 3:04 | Commercial Success in the Music Industry 12:38 | Abe's Backstory 22:17 | Seeking Out U.K. Labels 27:14 | Touring in Germany, Austria 30:04 | The Biggest Risk/ Reward 31:49 | Blowing Up 37:49 | Walking Away From It All 42:16 | Teaching > Touring? 45:32 | NYC During COVID 50:46 | Abuse Industries 55:33 | Music Labels Are Evil 1:05:22 | Making Money (Or Not) In Music 1:09:30 | Effective Promotion 1:13:00 | Go to More Parties in Ibiza 1:17:46 | Syncing, the Last Hope 1:26:29 | Playing Live/ Every Dog Has Its Day 1:31:17 | Just Write A Hit 1:37:10 | Picture Your Ideal Dance Floor 1:41:57 | The Future of Music 1:53:17 | Robbing Homeless People/ Music Visuals

Who's on Third? A look at the # 3 Classic Rock Band. You know who holds the # 1 and # 2 positions of best classic rock band. But who is # 3? Find out. Also, the Recording Industry has funny money and math. Dr. Clarke operates under Ian's knock, Medicated Wheeler gets intimate with Bob Dylan in his Vinyl Review, & Kennedy goes crazy with Yes or No?

In Episode 12, award-winning record producers and engineers Chuck Ainlay and Jeff Balding talk with Chris Kane about how COVID-19 has impacted the recording and live music industries. After decades of transformative change in these industries, learn how technology is shaping music recording and production and live music events in the midst of the pandemic. Chuck and Jeff share how artists are approaching recording new music safely in Nashville studios and explain the challenges of streaming events to promote new music and generate revenue in this new, uncertain climate.